#i will not be taking any criticism of this take at this time

[repulsiveliquidation]

Broken || Alexia Putellas

summary : you're broken but your girlfriend knows how to hold you together. angst.

a/n : i've literally got no time to write but i've been itching so here just a teeny tiny blurb i came up with before class while listening to the song below.

Based on ‘Stay’ by Gracie Abrams

Alexia walked into your apartment to the sound of your sobs. She almost dropped the groceries she was holding, your dog startled at the sound of a wine bottle that nearly broke as it hit the marble counter a little too hard.

“Amor?” she called, standing in the doorway of your bedroom. You were a mess, curled up in a ball in the middle of the king-sized bed.

“Please make it stop,” you begged, words muffled into the pillow you were hugging, wishing it was your girlfriend. Alexia shuffled into the room with tears brimming in her eyes, her heart shattering as she watched you become a shell of yourself.  

The pain was something you learned to deal with yourself. Years and years of self-loathing from bouts of depression and suicide made you numb to love. Your parents were to blame, favoring your sister who was always smarter, better, stronger, and more deserving of their love and attention. Football was your one distraction and injury took that away from you.

The years of hiding behind a ball and suppressing all those feelings came crashing down when your ACL tore. The feelings were overwhelming, thoughts of self-destruction felt like an old friend.

You were better at football than she was. But that was not good enough for them. She had to be first. Not you.

You thought that if you could just be better at something than she was, they’d love you.

Turns out, they resented you for it.

“How dare you be better than her?”

“How dare you take her spot on the team?”

“You don’t deserve it.”

They got one thing right though. You didn’t deserve it. You didn’t deserve their harsh words. You didn’t deserve their criticism. You didn’t deserve their wishes that you weren’t a burden.

Burden. That’s what you feel like now. On your girlfriend who had to deal with your breakdowns and tantrums.  

She was too good for you. If she saw how broken you were, or how much of a liar you were, she’d leave. Just like they did.

“Amor, it’s okay. I’ve got you,” Alexia cooed, curling up beside you with her arms around you.

“Could you hold me without any talking?” you asked, a voice so soft Alexia almost missed your request.

“Of course, I can,” she said, pulling you into her arms.

They were warm. Safe. Strong. Determined to take your pain away.

She spoke after a while, certain you had fallen asleep as your choked sobs simmered down.

“I don't care if you've changed, but you are so much more than football. You are so beautiful, kind, loving, and most importantly, mine. Amor, you are so special to me and I hope we can help you see that.”

“You deserve someone who isn’t such a mess, Alexia,” you mumble; she’s a little startled that you’re awake but keeps her cool to not agitate you.  

“Everyone’s a little messy, cariño. That’s what makes us people who learn how to love.”

[hardswae]

HAPPY BIRTHDAY HARDSWAE (Collection) ❀

Happy 3rd anniversary to my wonderful world of creativity, HARDSWAE✿!! I am grateful for another year of your unwavering support for me and my creations. Your support has been a source of strength for me through both the good and bad days, including my creative block periods. I deeply appreciate your understanding and encouragement during those times.

I also want to express my gratitude to those who provide constructive criticism, as it has played a crucial role in shaping my skills and growth as a 3D artist. To the amazing creators I collaborate with behind the scenes, thank you for your inspiration and guidance. Your input has been invaluable to me.

Special thanks to K's Kustomz for the beautiful custom blend scene that will be featured in upcoming ads it’s so pretty you guys ✿✿✿✿!!!

I am excited to share my new Discord server with you all, where we can connect on a more personal level and where you can request specific creations from me. This new era is all about better communication and skill improvement, and I look forward to sharing my work process through streaming and engaging with you all.

Thank you once again for your continued support. The 3 Years of SWAE Collection is out now, and REMINDER to join my Discord server for more updates and interactions. Let's continue to create and grow together ❀❀❀❀.

MY WEBSITE IS FULL UPDATED WITH EVERY FREE COLLECTION I HAVE EVER DROPPED FROM APRIL 2021 - MARCH 2024 ENJOY #ShopHARDSWAE 🌸

 *Credits to the Louis Vuitton & Lefleur Brand for the inspiration behind the beautiful pieces apart of this collection *

- SWAE'S T.O.U.  -

I OWN THE MESH 100%!!

I OWN THE TEXTURES 100%!!

DONT CLAIM AS YOUR OWN!!

FEEL FREE TO RECOLOR IF THE ITEMS ARE FREE ONLY!!

DO NOT PUT MY THINGS BEHIND A PAY WALL!!

DO NOT CONVERT MY THINGS TO OTHER GAMES WITHOUT ASKING ME!!

TAG ME IF YOU WEAR MY CONTENT I WANNA SEE >.<

SUPPORT  MY FUTURE BELOW ⬇

SUPPORT ME FOR - COLLEGE -

DO NOT TAKE MY FILES AND RELEASE THEM FOR FREE, OR IN ANY SERVERS YOU WILL RECEIVE A DMCA!!

DOWNLOAD✿.

[heich0e]

"i won't be able to see you for a while."

the tokyo streets slip past outside your window, but your eyes aren't quite following the scenery. you feel a little dizzy thanks to the wine satoru kept pouring over dinner—filling only your glass, as usual. it was a vintage you could never have dreamed you'd get the chance to taste only a few short months ago; a luxury so distant that you'd never once even thought about what it might be like to try. now it lingers on your tongue, stains your lips slightly, feels familiar in ways you still struggle to reckon with.

you tilt your face towards the man sitting beside you in the back of the car that's taking you home.

"a while?" you ask him curiously, though that's perhaps not the most important query.

satoru hums, smiling a little to himself as his fingers press against the pulse point on your wrist. he's been toying with your hand ever since you left the restaurant, but you've hardly paid it any notice.

satoru's touch used to be limited to the spectacle. his hands only reaching out for you when someone was there to witness it. at one time, satoru would have changed cars before his driver took you home. at one time, he would have dropped your hand the moment the door shut behind you. but he doesn't now.

you've grown strangely used to this, too.

"are you going away for work again?" you ask him when he offers no further elaboration. it's not that you're particularly concerned with where he's going, or why, or for how long. satoru's life always has been, and always will be, solely his own. you're no more his keeper than you are his true fiancée—and the funds that will be deposited into your bank account by the time you make it home this evening are testament to that truth.

but you ask because it feels like the natural thing to do.

though very little about anything you do with satoru ought to be considered natural.

"no," the blonde answers, with that troublesome lilt of mirth in his voice that always seems to precede something unpleasant. you don't ask any more questions in an attempt to ward it off.

soon you reach your destination, the rest of the car ride spent in silence after your brief but relatively benign exchange earlier in the drive. you glance out through the window towards your apartment—a building so utterly unremarkable that the sumptuous interior of the restaurant you visited that evening feels palatial by comparison.

satoru's not allowed to walk you to your door anymore. his harsh, obnoxiously unfiltered criticism of your building—of your home—each time he so much as caught a glimpse of the interior had grown so grating, you'd barred him from entering any further than the entrance to the lobby.

instead, his assistant nanami is the one who silently escorts you to your unit door each night, at satoru's unyielding insistence. he'd been surprisingly terse about it when you'd initially attempted to dissuade him, reminding him (more than once) that you make the walk to your own door every day alone and have thus far lived to tell the tale. but the options he firmly presented in reply—the only two you knew you had to choose from—were either to be escorted by nanami, or let him walk you there himself. you knew that there would be no reasoning with him otherwise, sensed it in the way he held you so fixedly in his stare that day, so you chose nanami.

now each night after satoru accompanies you on the ride home after your engagements, his stoic, well-mannered assistant dips in a polite bow at your door and wishes you goodnight before departing once he knows you've made it safely inside.

behind the wheel up front, nanami slips out from his seat, exiting the vehicle and coming around to your door to open it and let you out. the door cracks open as he pulls the handle, but all of the sudden it comes clacking closed again.

satoru is leaning over you—his weight, his warmth, the sheer breadth of him a little staggering from this close up, especially so unexpectedly—holding the door firmly shut by the handle. he stares at you down the bridge of his nose, unblinking.

"i'll see you... when i see you," you breathe out, surprisingly meek, as you sit frozen in your seat beneath him.

satoru says nothing, just watches you curiously. there's a glimmer of something that swims behind his eyes—that look he gets where you can't help but be reminded of a child playing with a new toy—that makes you shift nervously.

"you really don't want to know?" he asks you, and he's so close you can almost taste the words on his lips.

this is too near, even by his peculiar standards. satoru's hand is still wrapped tightly around the door handle to keep it closed. his body pinning you into the corner of the backseat.

you can't help but feel on edge when you're trapped like this with nowhere else to go.

"know what?" you ask him. your head is still spinning from the wine, but it's almost worse now. maybe it's only just really beginning to hit your bloodstream.

"where i'm going," satoru goads, "how long i'll be gone."

you swallow thickly. "that's none of my business."

"of course it is," satoru replies, feigning hurt. "we're engaged. it's a fiancés right to know where their partner is and what they're doing, any time they'd like."

your brow pinches in confusion. you have no interest in knowing those kinds of things, much less feel any right to know them, given the circumstances. your bewilderment leaves you at a loss for words.

"my rut's coming, you see," satoru explains, his lashes fluttering softly as he says it. it wouldn't feel so strange if his lip weren't curling up in a smirk all the while. "so for the next week or so i'll be... indisposed."

your mouth feels dry.

"oh," you manage to say, though it's not really anything at all.

one of satoru's brows quirks curiously at the sound.

"it wouldn't normally be an issue," he continues, though you didn't ask him to. "but this will be my first rut i've spent alone since i presented, so i'm not sure how long it will last."

your lips part in shock.

"alone?" you sound every bit as astonished—as scandalized—as you feel. an alpha of satoru's rank spending his rut alone is unheard of. "what about the omega servic—"

"i would never pay for those kinds of services."

satoru's tone is uncharacteristically cold as he dismisses the mere notion of it. even as a beta, you know that omega services are perfectly legal, and are strictly regulated nowadays—but upon further reflection, you're not all that surprised by his seeming revulsion towards the idea. a family as powerful as the gojo clan likely has their own reserve of omegas, each one of the highest pedigree, to attend to the needs of their unmated alphas. hell, the most eligible omegas in the country would willingly accompany him if he were to ask. you avert your gaze under his cold stare, you feel a bit silly for even suggesting—

"i have no interest bringing any omega into my bed."

your eyes snap up to meet his.

that little glimmer is still there, behind the impossibly clear blue of his eyes.

"will you take suppressants?" you find yourself asking next. still meek.

satoru's face screws up in disgust.

"that garbage is toxic," he sniffs indignantly. "snake oil like that wouldn't work on me anyway."

you remember learning about this in health class as a teen. remember how shocked you were to learn that the efficacy of suppressants decreases depending on how strongly someone's secondary gender characteristics present. it's always felt a bit backwards to you—shouldn't the strongest, least-controllable members of the population be the ones there's the most interest in subduing?

and an alpha as high ranking, as dominant, as satoru is every bit the example.

"no," he sighs, and suddenly any trace of irritation or sterness dissipates as though he's released it along with his breath. his weary tone is too thickly affected to be sincere. "i'll just have to suffer through it on my own."

from the corner of your eye, you can see nanami shift where he stands and waits outside the door, and all at once you remember where you are.

you turn your body away from satoru, angling yourself (as much as you're able) towards your exit.

"well, good luck," you attempt to sound encouraging, but the words still come out slightly ill-at-ease. you reach for the door handle, hoping satoru will get the message and release it so you can take your leave. "let me know if you need anything."

satoru's hand doesn't move.

"do you really mean that?"

you flinch a little as his lips brush the shell of your ear. he's pressed up against your back now—the planes of his chest firm against your shoulder blades as he drapes himself over you.

you're frozen again, your hand still outstretched towards his at the handle—poised in midair. the lights from outside the car glint tauntingly in the diamond on your ring finger.

his breath is hot as it breaks against your throat.

your chest feels uncomfortably tight.

"would you really help me if i were to ask?"

[sarawritestories]

Take A Break

High Lord Eris Vanserra X High Lady Fem Reader

Summary: Eris comes home from business at the Spring Court. Only to hear reports from the staff that his High Lady has been working herself to the ground and not taking care of herself.

Dedicated to @milswrites and @eve175 who are constantly making sure I am taking care of me and getting proper rest. I adore you both!

Content Warning: I did not proofread this. This fluff, but Reader hasn't slept and has had some disordered eating habits (she has been working so hard

Peep the Critical Role Reference for any Critters reading this 😉

ACOTAR MASTERLIST

Eris Vanserra was glad to be home. Sure, working with Tamlin to rebuild the Court was mutually beneficial. Tamlin gets his court back, and Eris rebuilds a strong alliance with the spring. It was work worth fighting for to repair what Beron destroyed. However, he was itching to get home to his mate.

You were the apple of his eye, the moment the bond snapped on Calanami, his first as High Lord. Eris held no hesitation when it came to making you his High Lady. He watched how hard you worked at your bookshop. He knew you could handle it.

Reaching the stables, The Autumn High Lord handed his esteemed steed to the young fae male working. "Take care of sweet, Vex'ahlia, will you?" Eris gave the lad a warm smile and received an eager head nod. "Thank you."

Entering the palace, he was greeted by your two ladies-in-waiting. "My lord." The older woman bowed the younger one fidgeting, Eris picked up on the nervous behavior. "How was your trip?"

Eris bowed his head in return, "Very well, Maxine, but I am ready to see my wife. Though I suspect with the look on both of your faces, something is wrong." He tugged on the bond and found a quick tug back in return, and he couldn't help the sigh of relief that slipped past his lips.

Maxine sighed, "Sir, she has been sleeping in the study."

"If she sleeps at all." The younger one, Nadine muttered.

Maxine ignored her and continued, "We have barely gotten her to eat. She has buried herself so deep into work that she simply forgets that warm food is right there. I'm not trying to speak out of turn."

Eris gripped the older woman's shoulder, "You are not. I appreciate you telling me. Is she still in the study."

"Yes, High Lord."

Eris laughed, "Maxine, you can call me Eris. After all, you did change my diapers."

Maxine smiled, "I'll you whatever you like if you go take care of that wife of yours."

Eris kissed her cheek, "Yes ma'am," With that, he went to go find his High Lady.

****************************************************

You ran your fingers through your hair as you scribbled notes on some parchment. These last few days, you buried yourself in paperwork. Just when you thought you were done. More stacks would form. Not wanting to fall behind and with Eris being gone, you had decided to dedicate the time to working. Only to find you were getting overwhelmed, feeling like you could never walk away, missing meals, not sleeping, you were burning out.

You turned to grab more blank parchment when a voice came from the doorway, "Now what do we have here." You turned to find Eris there, his red curls laying atop of his head and the russet colors of his eyes gleaming in the fae light."

You dropped the materials in your hands. "When did you get back?" You bounced off your seat and ran to him, wrapping your arms around his neck.

"I just got here." He held you close, taking in your scent. "I heard something interesting, though."

You blinked, "Oh?"

He kissed your head, "My Little Dove has not been taking care of herself." You opened your mouth to protest, but he pressed his lips to yours. "There is no fighting me on this."

You sighed, "Okay."

He winnowed you to the kitchen. It being so late the kitchen staff was gone. Eris put on an Apron and you quirked a brow. "You cook?"

Eris smiled, "I do." He tossed an apron at you. "And I am going to show you how to make my favorite me." Your cheeks warmed, remembering how you gave him a small plate of cheese to accept the bond.

You walked over to him, "Ready to Learn."

****************************************************

Cooking with Eris was fun, and you learned that the high lord had a playful side. He'd sneak up behind you to try the sauce you were making. Dipping his finger to dab it on your nose, causing you to giggle. Once everything was cooking he pulled you into his arms and you began to dance.

He pulled you into a waltz with no music. And you watched as his smile grew, his freckles popping out by the fire and the fae lights. He wasn't worried about work, or his brothers, or his responsibilities. He was beautiful.His main focus was you. He pulled you closer, his hands sliding close to the curve of your ass. He kissed you.

He tried to deepen the kiss, but the kettle screamed that the water was boiling. Pulling away, you smiled and grabbed the kettle. Once the meal was prepped, Eris made your place and insisted he feed you.

"I am fully capable of feeding myself. I am High Lady." You pouted and Eris quirked a brow instantly causing you to fix your attitude.

"Yes, you are my High Lady. You're also zeroed in on your work so much this week you barely ate. So I am taking care of you." He patted his lap, "Sit, Dove." You obeyed, and the smell of the food made your mouth water. He scooped up some of the food with the utensil and leveled it to your mouth. "Open." You opened your mouth on command, and he placed the food in your mouth, and you moaned in pleasure. The flavor exploded in your mouth.

He fed you until the meal was gone. "Why haven't you been taking care of yourself?"

You met his Russet eyes and sighed, "I didn't do it on purpose. It simply felt like everyone needed me. I just lost track of time."

He sighed and kissed your bare shoulder peaking out of your sweater. "You need breaks. They are important. You'll burn yourself out or wither away into nothing if you don't." His eyes grew serious, "I don't want to see my mate suffering."

"I'm sorry." You leaned your head against his.

"Don't apologize to me. You need to apologize to yourself. You deserve to love yourself and see yourself as worthy of breaks." He held you close. "Okay."

"Okay... I may need gentle reminders." You whispered, a full belly causing the exhaustion to take hold.

"I will give you those gentle reminders." He kissed your forehead as your eyes fluttered close. Allowing the smell of autumn leaves and cinnamon from your mate to bring you comfort.

When you fell asleep, Eris carried you in his arms. Hands wrapped around your knees and shoulders and walked you to your shared bedroom. Placing you on your side of the bed, he pulled the covers over you. "Sweet Dreams, Little Dove." He kissed your head, causing you to stir and just turn over. The High Lord left your room and headed to your study where he would finish the paperwork that was stacked on your desk.

Fin

@secret-third-thing for your Eris reading pleasure

[virahaus]

Another day, another fantastic time to debunk completely delulu takes I've seen around. This one actually baffles me on a whole new level, and that people are ACTUALLY thinking it is canon it's giving me a headache.

Why, yes, on that nutter house that is twitterX (and here too unfortunately) people are now claiming that Eddie was Buck's Bi awakening in 2x01 in place of Oliver's recent interview.

First of all shall we look at the definition of Bi awakening, shall we?

"When someone, who thought or assumed they're straight, develops a crush on someone of the same gender and leads to them wondering if they are bisexual."

The key thing here is the realisation. You cannot have a bi awakening without having a moment where you are like "do I like the same gender too? Am I not straight? Am I bisexual?"

Which is EXACTLY what is happening on 7x04 and 7x05 with Buck exploring his feelings for Tommy before AND after the kiss.

There's NO bi awakening on 2x01 because Buck doesn't question in behaviour!! He doesn't have any moment where he considers his animosity about Eddie as anything more than intense dislike, jealousy and fear of being replaced.

Some of you are taking things too far. You are purposefully trying to ERASE actual canon content about a beloved character's bi awakening (something huge, especially with a 30 y/o character) just because you cannot stop for a second and not insert Buddie everywhere you like, even going as far as completely invalidating Buck's journey.

I'm not denying that in retrospect Buck may have found Eddie attractive (Oliver confirmed this as a strong possibility, yes, but that doesn't equal realisation since Oliver also acknowledged that Buck does not look any farther on his feelings on Eddie than interpreting them as personal jealousy).

But canonically Buck's bi awakening is Tommy.

You may not like it, you may not ship it, but you can't behave like this. Headcanons are all well and good, but presenting them as gospel and canon content? Y'all need to take a deep breath and actually get off the internet for a while.

This behaviour is only going to hurt the fandom in the long term. And it is not the first time or the first instance where you take something Oliver said in interviews and completely misinterpret it to suit your pipeline. Try some critical thinking, y'all.

(I'm aware not everyone is thinking like this, but those types of posts are getting over one thousand likes each. At this point it is a fandom problem.)

[dragon-kazansky]

Bridgerton shade of blue

Benedict Bridgerton x Female Reader

Benedict bumps into you, quite literally, at a ball while trying to escape his mother's attempts to find him a partner. You decide to humour him with a dance, not realising just how entwined you would become with him. It seems the universe will find every excuse to push you and Benedict together, no matter how much you fight it.

{Masterlist}

{Previous Chapter} - {Next Chapter}

Season one

Chapter Ten - Duel at dawn

♡♡♡

Meanwhile, at the art studio, Benedict was still lingering around. Most of the artists had vacated the room by this point, but Benedict Bridgerton was still present.

"You have great potential." Henry said, coming up beside him.

"It's nothing," Benedict says sharply.

"Though, for such a staunch critic of others, you certainly lack a clear eye for your own work."

Benedict sighs. "It's the lines. Not what they're supposed to be."

"Take the compliment, Bridgerton. There is no expectation or judgement here. You left all of that back in Mayfair. You can feel free to be yourself here... if that's what you should like."

Benedict smiles.

"It's what works for me, at least. And I haven't been dissatisfied with my lines in... well, quite some time."

Benedict chuckles again. "Well, I've done worse, I suppose, really."

"Mm. Fair enough."

"I seem to have enjoyed myself too much this evening." Benedict looks around at the empty room. "I should be on my way."

"As you wish," Henry says nonchalantly. "But know you are welcome back any time for practice or even conversation."

They both chuckle.

♡♡♡

By the time Benedict gets home, Anthony and Daphne are talking very seriously in the hall. He stops and looks at his two siblings.

"What is it?"

Anthony marches over and grabs him by the arm. "You and I need to talk. Daphne, bed."

Anthony drags his brother to his study.

"I will need you to stand as my second," he says after explaining everything to Benedict.

"What if you get yourself killed?" Benedict asks. He wasn't exactly thrilled about what had apparently transpired, but even less so about the thought of losing his brother.

"Then the title and estates will pass to you," Anthony tells him.

Benedict didn't want that.

"And if you kill Hastings?"

"I shall have to leave the country, and you'll be head of the family in every way that matters."

Again, he didn't want that.

Chuckling I the hall draws their attention to the door.

You laugh with Colin as Violet hangs off the both of you. She's clearly been drinking a lot tonight. She can't even walk straight. You've never seen her so uncomposed before.

The door opens behind you, and Anthony and Benedict are standing there.

"You're clearly sover," Colin laughs with his mother.

"And I'm sober enough to know when you're being impertinent." She chuckles. "Good night, dear."

You giggle. Violet waves at you lazily, and you chuckle again at her inability to remain composed.

You turn to see the two brothers still standing there and nudge Colin. He looks at you and then at them. They wave him over.

"Good god. Did someone die?" Colin asks.

You look at Anthony, who glances at you, his sowlnt thank you for helping bring his mother home. Then your gaze shifts to Benedict, who looks at you with a strange expression. You wonder where he's been all evening.

Colin turns to you. "Get home safe, okay?"

You nod, knowing your maid was waiting outside. You watch him walk toward his brothers and then leave.

♡♡♡

You arrive early to the Bridgerton house the next morning. You had snuck out alone. You had hoped to be there early enough before Anthony left to duel the duke.

Unfortunately they had already left.

You had, however, arrived in time to see Daphne and Colin leaving. When Colin saw you he sighed.

"You cannot be serious."

"I am."

Daphne says your name as she looks at you. "You do not have to witness this."

"I want to. As your friend. I will not allow this stupid, and mind I remind you illegal, activity to take place."

Colin sighs and helps you up into his horse. "Hold on."

He spurs the horse on, leading Daphne to the agreed spot. You hold on tight to him as he rides.

All Daphne can think about is Simon.

"Anthont won't... kill him, right?" You ask, watching Daphne ride.

"No. Sound him, surely."

"Good..."

"Are you worried?" He asks.

"Yes. Are you not?"

Colin doesn't answer.

By the time you arrive within diat ne of seeing them, the two are already stood feet apart with their pistols aimed. It's Daphne who rides faster to get between them.

"Stop!"

Anthony fires his pistol as soon as she shouts, the horse his sister's on rears back and Daphne falls to the ground.

"Daphne!" Simon shouts.

"Sister!"

Both men run toward her.

Colin pulls his horse to a stop, and you both climb off, rushing to them. Benedict drops the pistol case and does the same. He doesn't have time to ask why you're here.

"Are you hurt? Tell me!" Simon demands.

"I am perfectly well, no thanks to you idiots," she says, standing up.

"What are you playing at?" Anthony asks.

"Says the man who just shot at me!"

"You just rode into the middle of a duel!"

"I require a moment with the duke," Daphne says softly.

Anthony tries to stop her, but she stops him in return. Benedict pulls Anthony back and says, "make it brief."

Daphne and Simon walk off to talk.

"What are you doing here?" Benedict asks once they're out of ear shot.

"I came to help stop this ridiculous display."

"You could have been hurt," he says.

"No one got hurt, luckily."

Benedict looks a little lost for words. You sigh and look at him and then at Anthony. The eldest looks at you and nods once, softly. His eyes then flick back over to his sister.

"We must resume before someone should find us," Anthony says to the pair.

Simon nods at him.

Daphne watches him walk and then says, "there will be no need to resume."

Everyone turns to look at her.

"The duke and I are to be married."

You look at her and then turn to the duke. You're not sure what they discussed. He stares at her.

The three brothers look between the duke and their sister.

Whatever they discussed, Daphne made up her mind.

When Simon does not speak against her statement, it becomes clear to everyone that the matter is settled.

Now you all just need to get home before someone sees you all.

♡♡♡

@callmemana - @lilscast - @imgondeletedis - @benedictbridgertonss - @clownsdiehard - @wxnterwidow333

@sillynilly27 - @autumn-slaves - @ben-has-arrived - @ajdelilah - @aadu2173

@booknerdlife - @tamlinrose - @sarahskywalker-amidala - @cheryyluv - @louschan - @lou-la-lou - @cultish-corner

@hopshusushi - @katherinejess - @nannabug - @afunkyfreshblog - @f0x33 - @dd122004dd

@jupitervenusearthmars - @orchiidflwer - @bespinnn - @captainlunaxmen - @winchestersimpalababy - @acupnoodle

@ms-fandomgirl - @fablesrose - @anyaisinyourcloset - @meowzerzstuff - @orchiidflwer - @bespinnn - @crazymar15

@cosmixstar - @bree3parchen -

[colourstreakgryffin]

Hiii! Can I request headcanons on what vox would be like as a father of a teen daughter? I feel like he'd be great to gossip with and would tell her to slap any boy that hits on her

Vox absolutely fucking would do this, and he is that type of girl dad to loudly brag that his Princess is cuter than every other father’s! Vox be like: ‘You wish your daughter was as cute as mine’

Vox- Baby Laptop

Vox is extremely doting and loving but extremely protective. Like, he has cameras and drones following you, his fourteen year old human life and demon life daughter, around all the time. You can’t leave the tower without him knowing and he won’t condone you walking around Hell without ALL his bodyguards escorting you

Vox is a bragger. He brags and he flexes what he has so when it comes to you, he is one-upping every known mother and father in the Pride Ring and flaunting his precious babygirl with no hesitation. You’re beautiful and Hell deserves to bask in your presence… according to Vox

Remember, your dad is the technology Overlord. The one in charge of every device in this city, so of course, he is kept to date with everything and he always gives you the latest models his slaves team create. He spoils you since it’s a symbol of his love

Vox is basically your best gossip buddy and no matter how busy he is, he’ll make time to talk to you. Call him, he’ll answer and whilst he works, he’ll listen to you and he remembers it. He has a good open ear and a good sense of ‘fuck you all’ so he’ll get rather into your gossip pieces and consider asking Velvette to spread them through her social media influence

Vox is more than capable of getting sweet, soft and emotive with you. He always proclaims to you, with his whole heart, that he puts you out because he’s proud of you and adores you and he wants you to have everything when back on Earth, he could barely give you anything

Yes. Vox loves you MORE than he likes messing with Valentino so if Valentino dares to hit you, your father is bolting across the room at mach speeds to make his on-and-off boyfriend regret putting his hands on you. You’re his spoiled little princess and nobody touches you! You’re too valuable!

Vox has a picture of you in his wallet and in his suit pocket. So, whilst he is working tirelessly throughout the days and hasn’t seen you in a while. He’ll pick either photograph out and admire it. Both are direct recreations of photographs he owned when both of you were humans

Like Carmilla Carmine with her two daughters, Vox likes to have you occasionally work for him and occasionally means occasionally. Vox only cares that you’re happy so if you want to spend all day everyday in your big fancy room in his tower free of stress, he lets it!

However. Vox, of course, teaches you important life skills. He didn’t get a chance to when both of you were humans on Earth so he is now. Every night, he teaches you to cook recipes, he teaches you to do basic chores, he teaches you how to balance any money you earn

Vox almost views you as the cute babygirl he had back on Earth. The little five year old that was so happy to see him come home after so long of working so hard as a TV salesman in the late 1940s. The little girl who needed him to go to sleep at night, the precious darling who claimed she’d grow up and become a saleswoman too!

Vox does baby you and he doesn’t regret it. He coodles, he snuggles, he baby talks, he coos. He does all of it because he loves you dearly, you’re the single thing that drove him to become a Overlord, you’re the single thing that motivated him to become one of the strongest Overlords in Hell, you’re the single thing that even brought him to work with technology

Vox had always taught you; ‘if a boy or a girl hits on you, slap them’ and that became your norm. You come home, Vox asks what happened and you tell him. He is always happy to hear that you don’t let anybody bother you

The only criticism or advice Vox will take for his products is you so when you say something doesn’t work or needs improvement. He takes it and throws it as his workers so they can fix up what you said. He doesn’t care what his clients think, he cares what his own flesh and blood thinks

Vox loves how you have his TV head and even gets you to wear a matching outfit with him as a cute father-daughter joke. He likes it, it’s adorable. You look like such a badass business lady! He is that type of dad that will embarrass you with how much he loves you

Talking about a father-daughter situation, Vox has the weekends booked all for you. Two father-daughter days out so you two go to the shops, get drinks, gossip more, talk shit about Alastor, go egg the Hazbin Hotel, get some shopping then go to visit the Vees to chat then pick up a movie suggestion to go watch a movie together! Vox loves these days since he is truly himself with you

Vox legit has you in his contacts as the following; ‘My precious darling princess’

“Darling, Princess. It’s time to wake up, we’re going out together! Yes. To the movies and to the shops. I heard that old timey prick is in a Hotel so let’s go egg it once we’re done, ‘kay? Great, I’ll be waiting for you, pumpkin”

[thewertsearch]

TG: i thought about taking his sword TG: when i was there TG: but i couldnt TG: couldnt really bring myself to try to pull it out it was too weird

Even if you did, you’d have to break it in order to wield it - and unlike your regenerating sword, I don't think Bro's katana will be very effective as a half-blade.

GG: dave we have to stop him!!!!! TG: what GG: jack! […] GG: why dont you stop jumping around through time like a maniac and stop being like a hundred daves all the time and come to my house so we can make a plan to kill him??

I’m liking this new, more pro-active Jade. With Rose distracted by Doc Scratch's games, we probably need a new leader, and I think Jade could fit the bill.

However, I don’t think any number of Daves would be enough to take Jack down. That’s exactly what Aradia tried, and we all know how that turned out. If a thousand telekinetic necromancers can't put a scratch on him, I don't think Dave will fare much better.

TG: besides we cant beat him TG: look what he did to bro and davesprite together TG: im at the top of my echeladder with all the fraymotifs and i stand no chance

Dave’s already stronger than Future Dave was when he came back to the past. His progress is astounding - but the session's power creep has got so bad that it doesn’t even matter.

Like - let's imagine, for a second, that all four kids attacked Jack with their full power, right now. If they all synergized perfectly, taking full advantage of John's hurricanes, Rose's Horrorterror connections, and all the time duplicates Dave can make....

They'd still be reduced to a fine mist.

Jack has inherited a power strong enough to raze the entire Earth, and none of the kids can touch him. Becsprite initially seemed like an opportunity to match that power, Sun-to-Sun, but Vriska, for her own godforsaken reasons, nixed that plan.

The kids have got nothing. Even their plan to cheat by destroying the Green Sun is probably hopeless, because we know it ultimately serves Doc Scratch's ends, not ours. Things are really dire.

TG: only thing we can do is hold out until the scratch GG: what is the scratch? TG: guess i shouldnt really say TG: since you sort of lead the way in making that plan

And then there's the Scratch plan itself, which is apparently Jade's idea - although I'd be extremely surprised if Doc's grubby little fingers weren't all over this one, too.

Opening rifts in space is certainly Jade's department, so I think she's going to suggest it as a counter-plan to Rose's more risky Sun strategy.

TG: if we cant beat him TG: all we can really do is exile him to a place where he cant teleport back TG: which hopefully buys us some time TG: to try to take out his power source in a crazy suicide mission

A two-pronged approach, then. They trigger the Scratch, push Jack through a rift, and then send Rose's dream self out to destroy the sun before he's able to return.

...man, this is such a dangerous idea. Even if it wasn't being influenced by Doc, it'd still set off some huge alarm bells.

Like - sure, destroying the Green Sun might help this session survive, but what about every other session? Don't they need the Sun, to power their non-corrupted First Guardians? I just think we should maybe think for a second before deleting a critical piece of the reproductive mechanism for the entire multiverse.

[muffinrecord]

I've been pretty positive about Yuu so far, but watching her magical girl story... hmm.

Basically I like everything about Yuu, but man that serial killer bit is the only thing that really sticks out as an overt bad choice. Having Nagisa stand around and watch Yuu kill people is such a weird choice, it feels more like fanfic than actual canon. Like this doesn't feel like something that could happen in Magia Record-- or hell, even in Madoka Magica either.

For example, Sayaka has a scene on a train where some dudes are being sexist assholes and it's left up to the viewer to decide if she kills them or not. It doesn't go: Sayaka killed them and also they were calling out for help the entire time while Madoka watched you know?

That said, this is something I can see in a bunch of the spinoffs (Kazumi, Oriko, Suzune), but I think everyone agrees that the spinoffs are of dubious quality. I love me the spinoffs but they're a hot mess.

I dunno. It's one thing to know that Yuu is a serial killer, it's another thing to have a character watch her go around and kill people and not intervene in any way. Especially in a story that goes out of its way to not do that. Walpy hitting Kamihama is noted to have no causalities at all (which goes a little too far in the other direction imo but it is what it is), Suzune isn't able to kill anyone in Kamihama and is dealt with by kicking her out (and not killing her), the deaths in arc 2 are mostly accidental and have massive consequences, everyone is forgiven in the end-- this isn't a story that really has "watch someone kill people and do nothing" in it's cards, you know?

I actually liked Nagisa's Wish for a lot of things. For example, I like that Nagisa didn't think she could be a magical girl until she saw Yuu, because she assumed that magical girls had to be good people-- aka, Nagisa did not think she was good. But that's not because Nagisa is a bad person. Nagisa is just unloved, and since she's a young kid, she's internalized that to mean that something is wrong with her, not that something is wrong with her mom. It's heartbreaking to see her go from "I can't be a magical girl," to seeing Yuu the murderer, to then going "oh okay if she can be a magical girl then so can I." Like sweet pea, your mother not loving you is not the same as being a killer. You've done nothing wrong. You are not a bad person for having Feelings and Emotions about the neglect you are experiencing.

However the serial killer/organ seller bit just goes too far for me and it kind of overshadows a lot of the better ideas present in Nagisa's Wish. Like how can you focus on the interesting ideas about justice or self worth when there is a serial killer/organ stealer walking around.

I think that the best qualities of Yuu are her design and how creepy she is-- having her actually go all the way and be a serial killer/organ seller actually makes her less creepy in my opinion. Yada yada, less is more, leave it up to the viewer's imagination. If she was just off, if we just knew that something was wrong with her and that people are disappearing but it's not outright stated what she's doing... I dunno. That would make her a lot more scary to me. A lot of fear can be found in apprehension and outright telling all the details will fill in too many gaps.

Like, the things that we all like about Yuu would be her voice direction, her memory issues, the way her Live2D is designed to be slightly off kilter from everyone else, the gap between her attitude and the darkness she engages in, the weird weaponry she uses and how it changes the way she walks/moves-- all of this is effective because it is offputting and different, not because the narrative is telling us "hey she kills people and sells their organs."

Basically I really love Yuu, but I do have some criticisms for her character and I understand why some folks don't like her.

That said, it did lead to this fantastic line from Kyubey so like,

You take some, you lose some.

[yourtongzhihazel]

I need to confess something. I'm not even pro CCP i think there is a lot that the CCP can do better and i dont think they are a good government. But every time a yangguizi opens their smug little cunt of a mouth to bitch about Tianmen square or winnie the pooh or the lack of gayrights in china, or censorship, or propaganda, i take one step closer to becoming a tankie. The hypocrisy of the west is hoenstly killing me. Even if what they claim about china is true, its still at worst just as bad as what the west does on a daily basis.

There's plenty to criticize about the CPC and the PRC. No doubt about that. As principled communists, it is important to recognize both the good and the bad of former and current socialism. However a large part of this task is to separate imperialist attack from clouding a correct and full analysis. The fact that entire truths have been denounced as lies while lies have been pushed as truth has lead directly to my militant stance on the PRC and especially on Mao. I have a higher stake in the PRC than most others living in the west, given how nearly my entire family lives there. In terms of changes and policies which I've seen the effects of personally, I cannot in good conscience say that they've been bad. There certainly are bad aspects, e.g. laws regulating personal clothing in Xinjiang, their non-interventionist policy, the speed of nationalization/labor law enforcement, or the slow speed of adopting a conprehensive national personal union/family law like in Cuba. At the same time, I've seen a turn away from the worst parts of GGKF and its associated policies and I'm optimistic about a continued turn away from it. Time will tell, however.

In any case, the question for how the PRC is governed is one for PRC citizens. I am merely pointing out material differences between a DOTP and DOTBs, and fighting against imperialist propaganda.

东风压倒西风

[thorraborinn]

hello there! today i came across a claim that sort of baffled me. someone said that they believed the historical norse heathens viewed their own myths literally. i was under the impression that the vast majority of sources we have are christian sources, so it seems pretty hard to back that up. is there any actual basis for this claim? thanks in advance for your time!

Sorry for the delay, I've been real busy lately and haven't been home much. Even after making you wait I'm still going to give a copout answer.

I think the most basic actual answer is that it's doubtful that someone has a strong basis to make that claim, and the same would probably go for someone claiming they didn't take things literally. I think we just don't know, and most likely, it was mixed-up bits of both literal and non-literal belief, and which parts were literal and which parts weren't varied from person to person. We have no reason so suppose that there was any compulsion to believe things in any particular way.

About Christians being the interlocutors of a lot of mythology, this is really a whole separate question. On one hand there's the question of whether they took their myths literally, and on the other is entirely different question about whether or not we can know what those myths were. Source criticism in Norse mythology is a pretty complicated topic but the academic consensus is definitely that there are things we can know for sure about Norse myth, and a lot more that we can make arguments for. For instance the myth of Thor fishing for Miðgarðsormr is attested many times, not only by Snorri but by pagan skálds and in art. Myths of the Pagan North by Christopher Abram is a good work about source criticism in Norse mythology.

Though this raises another point, because the myth of Thor fishing is not always the same. Just like how we have a myth of Thor's hammer being made by dwarves, and a reference to a different myth where it came out of the sea. Most likely, medieval Norse people were encountering contradictory information in different performances of myth all the time. So while that leaves room for at least some literal belief, it couldn't be a rigid, all-encompassing systematic treatment of all myth as literal. We have good reason to believe they changed myths on purpose and that it wasn't just memory errors.

I know you're really asking whether this one person has any grounds for their statement, and I've already answered that I don't think they do. But this is an interesting thought so I'm going to keep poking at it. I'm not sure that I'm really prepared to discuss this properly, but my feeling is that this is somehow the wrong question. I don't know how to explain this with reference to myth, so I'm going to make a digression, and hope that you get the vibe of what I'm getting at by analogy. Edward Burnett Tylor (1832–1917) described animism in terms of beliefs, "belief in spiritual beings," i.e. a belief that everything (or at least many things) has a soul or spirit. But this is entirely contradicted by later anthropology. Here's an except from Pantheologies by Mary Jane Rubenstein, p. 93:

their animacy is not a matter of belief but rather of relation; to affirm that this tree, that river, or the-bear-looking-at-me is a person is to affirm its capacity to interact with me—and mine with it. As Tim Ingold phrases the matter, “we are dealing here not with a way of believing about the world, but with a condition of living in it.”

In other words, "belief" doesn't even really play into it, whether or not you "believe" in the bear staring you down is nonsensical, and if you can be in relation with a tree then the same goes for that relationality; "believing" in it is totally irrelevant or at least secondary. Myths are of course very different and we can't do a direct comparison here, but I have a feeling that the discussion of literal versus nonliteral would be just as secondary to whatever kind of value the myths had.

One last thing I want to point out is that they obviously had the capacity to interpret things through allegory and metaphor because they did that frequently. This is most obvious in dream interpretations in the sagas. Those dreams usually convey true, prophetic information, but it has to be interpreted by wise people who are skilled at symbolic interpretation. I they ever did this with myths, I'm not aware of any trace they left of that, but we can at least be sure that there was nothing about the medieval Norse mind that confined it to literalism.

For multiple reasons this is not an actual answer but it's basically obligatory to mention that some sagas, especially legendary or chivalric sagas, were referred to in Old Norse as lygisögur, literally 'lie-sagas' (though not pejoratively and probably best translated just as 'fictional sagas'). We know this mostly because Sverrir Sigurðsson was a big fan of lygisögur. But this comes from way too late a date to be useful for your question.

[armed-with-a-waffle-iron]

I feel that the 2003 Teen Titans cartoon has a weird chokehold over a lot of the DC fandom, particularly the parts that don't actually READ or even like COMICS, to the point where this show, whose creators openly admit had to be simple enough for a toddler to follow, largely informs a lot of fans' interpretations of some pretty complex characters, themes and continuity. The show, specifically, can tend to become nostalgia bait, and I think it's due time for a lot of this fandom to take off their rose-tinted glasses and let the show go.

Like I enjoyed the show growing up and I still have a soft spot for episodes like Lightspeed and Hide & Seek, but...frankly it's a simple show tailored to young kids that just does not, and was never meant to, do justice to the Titans' comic canon. This show could never have done Who is Donna Troy? and conveyed the unlabelableness of Donna and Dick's relationship, but it was never supposed to. Characterisations are intentionally dumbed down, themes are broken down into bite-sized morals, half of the show is dedicated to comedy, and character development is purposely few and far between because this show was designed for kids aged 2-11. And all that is fine but it's just not at all a reflection of what the Titans really are in print. It should not really inform any serious reading of the DC comic universe.

On the one hand, I really didn't need to see a Red X comic arc or Starfire talking in broken english in a comic, it's all just cheap nostalgia bait that people need to stop falling for. It's sacrificing theme in favour of cheap references. On the other hand, I do think the fans I'm talking about probably owe it to themselves to a) be a little more honest and critical about their engagement with DC media, and b) challenge themselves more when engaging in media to avoid wallowing in flanderized fluff.

[elisaintime]

Woah, I must have missed something, why are people jumping down your throat?

From what I can gather at this point, it seems like they feel like anyone who likes Anne Rice herself and the books better than the show=automatically racist. Even if they ALSO enjoy the show and support the race change of the characters and all the racial conversation the show incorporated into its adaptation.

Personally, I think it does a disservice to the fandom to assume that the only reason one could like the books over the show is because of racist reasons. Anne's books speak to so many people in so many ways, especially those who have ever felt like outcasts or apart from mainstream society, and many fans have extremely personal connections to the books for a huge variety of reasons.

Like I said in my videos, I was excited and intrigued to see this AU version of the story (I love AUs!) but my complaints with the writing of the episodes mostly came back to when the show was trying to stick TOO MUCH to the books.... Because the show was really making its own thing with its own versions of the characters and all these new ideas, but then suddenly it would shove in a scene/dialogue straight out of the books which would contradict or make no sense with everything else the show had already worked to set up with the new direction it was taking itself.

Critiquing sloppy/weak writing does not mean I or any other fan who feels the same is doing it for racist reasons. Much of my criticism was about how the scripts changed Lestat's character to make him so much worse than he was in the books (which would be fine, it's their story, whatever--except the show runners told us over and over again that the whole reason Louis was doing a second interview was so that this time we could see the real version of Lestat and how Louis felt about him instead of the mean, insulting version he gave in the first interview). There was a lot promised by the showrunners about what their adaptation would be like that was not delivered ("closer to the books than the 1994 movie," "true to the spirit of Anne Rice" etc). The entire reason I made my videos was to evaluate how well the show measured up to those promises.

Worse than making Lestat so irredeemable, the way the first season ended in a way that made so many fans believe that Louis might have been lying about everything didn't sit well with me at all--it's a harmful stereotype to make the black man a liar, especially when it comes to abuse. I know the "the DV didn't actually happen and black Louis was lying or mind controlled by his evil non-white boyfriend" became a running fan theory, but I personally don't believe it one bit. But I can see why so many fans do--again, sloppy/weak writing on the show's part.

Like I said in my video, the only thing Louis actually lied about in ep7 (and he was lying to himself, not deliberately lying to Daniel) was the depth of his love for Lestat at the end. And that's entirely canon for Louis to deceive himself about--admitting how much he truly loves Lestat always came hard for him. I personally don't think it's going to turn out that anything Louis told us in season 1 was a lie. I think the show would have revealed that at the end of the season, not waited another season (or two or three) to reveal that. And the theme of season 2's promotional material has all been about memory, not honesty. I don't think Louis could mistakenly remember getting dropped from a mile in the sky and the months/years of recovery afterward, so I personally think all those memories were real.

The first three episodes of season 1 made Louis's struggle with race its primary focus, and the series description began with how Louis was chafing at society as a black man. But then from episode 4 on, the focus of the show shifted entirely. Obviously racism still existed in Louis's world, but the show pushed it all entirely to the background with little things, like segregation on the bus, and we saw the characters quietly taking in stride, not making any plot out of it. Suddenly all of Louis's character-driving moments weren't about that anymore and we were in a whole new story, when his battle against racism had been the entire theme of the first three episodes. This was something I noticed and pointed out in my videos--I didn't say it was a bad thing (after all, seeing people be racist to Louis on screen, while "realistic," isn't exactly fun for anyone, and we'd already seen plenty), but I did think the sudden dramatic shift in story focus weakened the show's themes and throughline.

Again this comes down to writing, and the premise/script was written by white people. I think they could have done much better with much more non-white involvement on the writing level. I think the show could have been stronger with some more care taken to create consistency and smoother transitions between episodes (like when they take Claudia out to feed in episode 4, suddenly all the race riots are gone, when everything was on fire 2 hours ago). It's common for shows to have each episode written by a different person, even though they all collaborate in a writer's room, but to me it felt like the show lacked efficient script supervision to make sure all the scripts flowed into each other without any contradictions or inconsistency.

When I talked about these things in my videos, when I said I would have liked the show to do better with the way it missed the mark sometimes in handling racial aspects (even though other parts I commended as being great), and the way I critiqued the inconsistencies and contradictions, some people took that to mean I hated the show entirely. The point of my videos was to see how well the show measured up to Rolin Jones's promises that it was so faithful and respectful to the spirit of the books and that all he wanted to do was honor Anne's work. I know the books back and forth, enjoy having a ND hyperfixation that gives me near-encyclopedic knowledge of the texts and Anne as an author. So people ask me questions about them all the time, especially in comparison to the adaptations. Who better to make videos evaluating how well the show measured up to RJ's promises and claims of faithfulness? But some people took me comparing the show to the books to mean I thought it was a bad thing that they weren't the same, and I hated the show entirely for not being the same as Anne wrote it, and therefore that meant I (and anyone else who loves the books) was racist 🤷

[atthebell]

i think one thing that's always been interesting to me is that people really believe/take for granted that the federation's goal is the islanders' happiness, when we really don't have any way of knowing if that's the truth. cucurucho says it a lot, claiming to care about islanders' happiness above all else, and it's been scattered throughout some federation lore (as well as being hinted at with the reset cinematics), but that doesn't mean it's actually true-- it could still be a smokescreen of what they really want. which, imo, is not happiness.

if it's all one big experiment, supposedly one of many, the idea that this one is the one that involves seeing what happens when islanders are happy is not a provable thing still, nor is it clear what that actually means to the federation. does happiness mean the islanders are content to remain on the island? does happiness mean building relationships and connecting with others? does happiness mean self-fulfillment (something deeply immeasurable)? it's not clear what it means to the federation, nor if that is their true goal. it could be that that has nothing to do with their goal, and is a complete misdirect. it could be that cucurucho's prime directive is the islanders' happiness (not that it's very good at that), but that's meant as a tactic to stymie islander curiosity/resistance. it could be any number of things.

and i think viewing it from a more meta lens of "we cannot tell what is or is not the truth; not only are all character povs biased but so is the larger narrative presented to us." i think comparing this framework to something like the good place is helpful, in that when you assume that what you're presented with is the truth and don't look at the setting critically, you will miss the fact that things presented to you as fact by any kind of source (including the framework of the medium itself or the established setting) are suspect and should be examined further.

i can even put it in a smaller way; there are ways within a limited character pov to present things as directly happening when they are not, and these are ways that mcrp creators have utilized. playing out an event that did not actually happen, canonical hallucinations, dream sequences that are not explained as such, physical representations of metaphorical experiences, etc. etc. are ALL things that mcrp creators of done. tricking your audience is an incredibly interesting and at times vital part of mcrp. so if just one creator within their own pov can do it, why can't the whole narrative? why can't you be convinced you're in a different genre, why can't you be convinced that the physical location your characters are placed in is someplace that isn't?

all this to say, i think a major issue in terms of analyzing media like this is allowing yourself to go along with assumptions without thinking about why you're falling so easily into them as truth. making all of your lore assumptions based off the notion that it is objective fact that the federation cares about and has the goal of islanders' happiness means you are going to miss details and fixate on others without looking at the full scope of possibilities. which i think was a serious issue during the height of investigation/mystery stuff-- people fell into the trap of "i KNOW this to be true" without considering the man behind the curtain. sure, cellbit found documents indicating that the federation was founded on isla quesadilla-- considering who sent him on the trail of said documents, who's to say that that's the truth?

i think bagi is a particularly interesting investigator when it comes to this kind of thing-- she's VERY good at holding onto a lot of different possibilites in her mind, even going so far as to act on a lot of them at once, and that means she doesn't take anything for granted. having all of the data in front of you, without attempting to skew it to a theory you already have in mind (which i admit is very difficult to do! humans are biased and are geared towards pattern recognition), is an important skill when it comes to any kind of data analysis or investigation.

anyway idk where i was going with this i just started thinking about like. what is involved in good theorizing and how focusing on something you believe to be fact can lead you in the wrong direction, and i think the idea of the islander's happiness as the federation's main goal is one of those very fraught assumptions people get caught up in.

[themummersfolly]

Brotherly Art

alt. title: Love Is Stored In the Infodump

This is the first of a three part series on Thrawn's relationship to art. He's such a nerd, I love him so much.

-----

People who meet Thrawn often think he’s quiet. People who know him, at least for any length of time, often wish he was.

Thrass understands the complaint, but he doesn’t share it. When his brother gets onto certain topics, the stiff poise and awkward reserve melt away; his eyes shine with more than bioluminescence, and he lays out his opinions with the enthusiasm of a child and the earnestness of a professor. True, no one else can get a word in edgewise. But Thrass has spent enough time in university to appreciate the free dispersal of knowledge by someone passionate about the topic. And Thrawn rarely looks so alive, let alone happy. Thrass wants to see him happy.

“-but in 68 BCA, you start to see a shift in the assembly technique, as though the makers’ perspective on the physical possibilities of their craft has begun to shift. The history books say they didn’t have any contact with outsiders until at least 50 BCA, but I think we can see from the pottery alone that the date of first contact can be pushed back by almost a decade. It shows up in other artifacts, but it’s most clear here that their whole conception of their place in the universe underwent a seismic shift-” Thrawn looks up from the zoomed-in picture of a potshard on his questis and glances at Thrass. “This isn’t boring, is it?”

Someday, Thrass reflects, he’d like to meet whoever told Thrawn his interests were boring. There’ll be an assault charge, of course, but he’s fairly certain he can talk his way out of the worst of it. “Not at all. I like hearing what you think.” His own questis pings. “Delivery’s almost here.”

“Ok. I have to use the fresher anyway.” A look of urgency crosses Thrawn’s face and he practically vaults the couch on his way. Thrass shakes his head. Trust Thrawn to get so wrapped up in a topic he forgets to pee. Thrass gets up to clear the table for their meal and brings Thrawn’s questis with him. When he sets it down, the jolt causes the screen to switch back on. He blinks. Instead of the potshard, the screen is a solid, alarming blue.

“Thrawn, I think something is wrong with your questis.”

Thrawn emerges from the fresher, still drying his hands. Thrass hands him the device.

“It’s gone all blue. If I broke it, I’ll replace it-”

“Oh, no, it’s fine.” Thrawn breathes a visible sigh of relief. “That’s just the lock screen.”

“You set your lock screen to The Blue Screen of Death?” In fairness, it’s not the strangest thing his brother’s ever done. Thrawn shakes his head.

“It’s a painting by Cli’ure’akoio, one of her Color Studies. I’ve got downloads of all her older work, this one’s my favorite. Most people just see skin tone when they look at it, but a blue this saturated and even is really difficult to produce outside electronic media. And look how she applied it, it’s hard to tell here but there are no visible brushstrokes. That’s what makes this picture unique: she’s taken something absurdly simple and executed it so perfectly it’s like she’s daring people to say they could do the same thing, openly flexing on her critics-”

And just like that, he’s off on an extended explanation of the experimental paintings of Cli’ure’akoio.

Later, as Thrawn scrolls through his questis looking for a particular painting, Thrass peers over his shoulder. Most people’s image files are full of family members, tookas, or scantily clad individuals they deny any knowledge of; Thrawn’s is full of art downloads.

“Do you have any pictures you took yourself?”

“Oh, certainly.” He pauses on a blurry picture of a stack of duracrete slabs. “I took this at the sculpture festival last year. I usually stick to downloads, though. I don’t take very good pictures.”

Thrass shakes his head. “Have you ever thought about collecting any pieces yourself?”

Thrawn doesn’t look up from scrolling. “I don’t have the room; I live on a light cruiser. Besides, most of these cost more money than I’ll ever see.” There’s a wistfulness in his voice that only someone who knows him well would pick up on. An idea takes root in Thrass’s mind; he files it away for later.

Thrawn’s shore leave is over entirely too soon, in Thrass’s opinion. He hurries to the shuttle station to see him off, careful not to drop the package under his arm.

He spots his brother on the edge of a knot of CEDF personnel, waiting for the shuttle to blackdock. Thrawn stands outside the chattering conversations of his peers, hands behind his back, waiting his turn to contribute to the discussion. He turns when he sees Thrass approaching.

“I was worried you wouldn’t make it,” he says by way of greeting. Thrass envelops him in a hug.

“Had an appointment I had to keep. Besides, I have a going away present I have to give you.”

He takes the package from under his arm and presents it to Thrawn. By now the others have taken note and gathering around to watch.

“Open it.”

Thrawn strips the wrapping away and stares at the transparesteel case. Then he registers its contents and his mouth falls open. “You didn’t-”

“I told her what you said about her Color Studies. She says she’d be honored to have this piece in the hands of someone who can appreciate it.”

One of Thrawn’s peers looks over his shoulder at the painting. “I don’t get it.”

“It’s one of Cli’ure’akoio’s latest series, Studies In Color and Texture.” Thrawn looks like he’s tearing up. “Each tile is done in a different pigment and brush stroke.” He holds the painting in its case as though receiving a holy covenant. “This is for me?”

Thrass nods. “I had it mounted in a protective case. It’ll be as safe as anything on the ship- probably safer.”

Thrawn meets his eyes, a significant effort for him, Thrass knows. “I’ll treasure it forever.”

“It’s a good start to your collection.” A tone clangs over the loudspeakers, announcing the arrival of the shuttle. “There’s no time now. But when you get home, you’ll have to explain the series to me.”

Thrawn won’t be able to wait until his next shore leave, Thrass reflects as he waves goodbye. His next letter is likely to be several densely packed pages, expounding on the technical aspects and deeper meaning of the work of Cli’ure’akoio, fit more for a graduate level art history paper than a casual conversation.

Thrass can’t wait to read it.

[bibibbon]

MHA CH 421 rambles

Ok so this was a chapter ok. Iam personally not a fan of what happend here but you do you.

I hated AFO's little monologue. introspection thingy and to be honest sukuna does it better. Look Iam critical of both jjk and MHA as they fail in their own aspects on certain things but dam I couldn't care less for AFO and his monologue I seriously couldn't. Yoichi as already dead and if AFO's goal was to be a supervillain from a comic and to reunite with yoichi then why not just idk get the doctor to do it for him or just die to reunite with AFO 🤷‍♀️. His whole thing about tragedy making people stronger or him not feeling anything didn't even hit well because his development sucks and him coming back feels repetitive anyway

Sero getting to respond to the things about tragedy felt so underwhelming I didn't like it. Sero throughout the whole and entire series lacked any screentime and development for him to be getting a big moment that should be given to another character feels like a horrible move. We seriously don't know of anything that has affected sero aka hurt him directly in the manga (aka something just him) so it all feels underwhelming and disappointing. Unironically, I feel like sero should of been one of those characters who left the story or just stayed as a minor character because hori is trying to develop and give him importance way too late into the story.

Where is inko?!?!?! So we see everyone heck we see the civilians, gran Torino, Kota and Eri all comment and hope for izuku to do something but inko his own mother isn't present. Now this probably means something bad is happening or will happen to inko but if nothing happens and she isn't present then dam classic neglectful inko strikes again ig or if they make it a gag that she fainted out of stress i will just hate it even more

I hate that this is something out of the endgame and if hori was trying to be like gege by making everyone join it felt rubbish. Iam not a fan and I mean it I HATE the whole everyone joining in to fight AFO together type thing and I just do. To me it's Izuku's time to shine and people take down villains and do their jobs in other areas at this point everyone is doing more damage to AFO than Izuku who hasn't even landed a hit on izuku. Also why is it that character like Todorokis who have had their big moments here?!?!? It seems like this is a fight where hori is trying to make everyone have a moment before Izuku lands the final hit which doesn't sit right with me. Like there are characters here who have already had their moments like jirou, camie, yuuga, asui, mina and way more but they're here to ... Assist in the fight have another big moment and make AFO more of a potato character then a proper scary villain

present mic is back which I love. One of the good things is that present mic is alive, it's good to have confirmation of that

Even though I think erasers writing is heavily flawed at least someone is holding Izuku. At least izuku is getting something , some comfort out here at least someone is holding him but dam this seems like a disservice all of this seems like a disservice to izuku. Like I wonder do the civilians feel guilty does anyone feel sad or guilty for having this 16 year old child fight something way bigger than him in the name of peace and other peoples safety?

I think the whole thing with Izuku getting that guy's shirt is rubbish and underwhelming. It just doesn't sit right with me, that guy's shirt would of probably been dirty as hell considering it's the only thing we have seen him wearing. Like @mikeellee told me it would of been more impactful if the shirt was given to izuku and that guy had a healing quirk or helped izuku more directly. Now I get that this is supposed to make the guy more likable and show that he ahs developed which we can see and dam hori can actually give some decent development when he wants to but it all falls flat and doesn't do much for me. Also I have seen someone say that izuku wearing this shirt and it covering his upper half is showing how he is losing his ability to be a hero and dam that breaks me.

I can't with the Izuku running to the battlefield and the parallels kill me (we haven't really developed/moved on from chapter one considering the story just loops around itself). Izuku running towards danger quirkless thinking that it's his job because people who were supposed to help and protect him failed. Izuku now quirkless with only the tiny and fading embers of OFA thinning trying to defeat OFA with the damage of kudos quirk still effecting him. All of this to protect others to help them something he never got during the past. This fight will probably parallel all might but all of this happening and I feel nothing all of it falls flat and I feel bad for izuku that's it.

It was a chapter and considering how I hated previous writing decisions I was also gonna hate on the developed/expanded writing decisions either way