#i wish the anime explored her more

[cleverclove]

God sister krone is so fucked up but I love her :(

[your-ne1ghbor]

Star Boy Steals Asha's Cloak

[sskk-manifesto]

Ep 5!!!

[telephonestalker]

Day 22: a hot-mess express, quirky baka gamer girl?

[catinfroghat]

I was reading Jane Eyre the whole time thinking that the anecdote about Jane being locked in a room for "misbehaving" as a kid was going to be paralleled to Mrs Rochester being locked up for her insanity. It would have made sense because just a few minutes alone in a dark room with an overactive imagination was enough to cause Jane to faint from terror and imagine she was being haunted, so you would have thought she would have sympathy for a woman who had been locked up in a room for years. This childhood memory was so formative for Jane, you'd think she would at least have drawn the parallels there.

To me it seemed so obvious I was kind of shocked when the book ended without making the comparison at all and just seeming to accept Me Rochester's treatment of his wife with no questions asked? Maybe it's just because I'm viewing it through a modern lens or maybe the reader was expected to draw their conclusions independently without Charlotte Brontë pointing it out? The book ending with a happy ever after was the last thing I would have expected tbh. Anyway... *reads the yellow wallpaper again*

[pizzabookbuying]

gosh I’m a LITTLE heartbroken

[creatingblackcharacters]

“Why’s she so rude?” (She’s Not)- Stereotypes, pt2

So I'm sure that you all thought I was going to give a blow-by-blow list of "visual stereotypes to avoid". I'm going to be honest here, I thought about it, and figured it would be redundant. My page already includes sensitivity on depicting Black people. So instead, I'm going to focus on stereotypical "character" concepts, so that you can 1) not write it in your stories and/or 2) recognize it in media (fiction and reality!) and in life!

Two major resources: the Jim Crow Museum website is an EXCELLENT resource to understand the imagery of antiblack racism in U.S. history and society. The other, White Tears, Brown Scars by Ruby Hamad. The book focuses on the many racist stereotypes projected onto women of color and how that purposeful, systemic negative perception of us bleeds into every aspect of our lives- specifically by white women/white feminists who believe that they are not contributing to said oppression.

I'll start with Black women, just because I’m passionate about it (obviously) and there are so many things I wish I had and hadn’t seen growing up. We deserve better by the year of our lord 2024.

TRIGGER WARNINGS: mention of sexual assault, assault

Misogynoir

What I want everyone to understand, before I get into this, is the concept of intersectionality, and more specifically, misogynoir. Misogynoir is the specific type of contempt and prejudice that Black women face at the intersection of race and gender. I say this because you might read these things and go “oh, as a woman, I experience these things!” I get it, but I want you to PAUSE, and remember, that right now, we are talking about Black women’s experiences. And those will often be different, due to that intersection of identities. And that understanding will have an effect on how you understand (and thus, write) those experiences.

The Jezebel

The link goes into much deeper detail, but the Jezebel is the idea that a Black woman or girl who is sexual is somehow “fast”, “salacious”, “a hoe”, “driven by desire/doesn’t understand purity”, and at its worst, unable to be r*ped/a victim because she is less valuable yet somehow inherently seductive to men.

This gets thrown around CONSTANTLY in media and life for Black women (my first experience of treated like I was ‘fast’ was when I was like… twelve?) One major, visible example is Megan Thee Stallion. Meg has a college degree, she likes anime, she’s a brilliant rapper, and has an entire personality and struggles she’s shared… But she also likes to dress scantily clad and have sex. By doing those things, she ‘lessened in value’. And because of this, when she was shot at and assaulted, even Black people questioned her character, rather than understanding that she could have been anyone, and she still wouldn’t have deserved to be assaulted. She's not allowed to be multi-faceted; she "brought it on herself".

Black girls and women who happen to take charge of their own sexuality, to the discomfort of society, are treated as Jezebels- as whores. Think about it- if one of Taylor Swift's recent boyfriends shot at her, would the media question her value or her word? Question her equivalently high ‘body count’?

Question how you write your Black woman- she can enjoy sex! She can be sexy! We love to see it! But if you're punishing her specifically, or judging her within the narrative, versus your other characters who are allowed to safely explore and act upon their sexuality… Check your judgment! Why do you feel the way you do about this character? Why do you think that your Black character is the one that should be judged for her actions. Would you feel this way if it were a nonblack character?

The Sapphire/Angry Black Woman

Ohohoho, I have infinite amounts of feelings about this one.

This is the "sassy Black friend", the "aggressive Black boss", “step on me angry mommy”, the one who does the z formation and makes everyone "uncomfortable". She’s not allowed to be confident, assertive, or self-assured- she’s arrogant, rude, and aggressive.

I discussed it in part one, but I'll reemphasize it: your Black woman doesn't have to be an ‘Angry Black Woman’ in order to be angry! Just like any other human being on the planet, we are allowed to be mad. (In my honest opinion, we have a lot to be mad about, but I digress 😅)

If the only character that ever gets angry is your Black character, I want you to consider why. What is she angry at? Was this something you wanted the reader to understand or empathize with? Are we supposed to disagree? How does everyone around her treat her anger? Is her anger righteous? Is she always shut down or dismissed for it? Is it only meant to defend her friends, but never herself? Does the narrative suggest that it’s only good in use of others and not herself? Would this be the same reaction if one of the nonblack characters was angry? Is this something you did on purpose?

Very often, we're called 'angry Black women/girls' to invalidate our emotions. My therapist once said anger is a protective emotion. We might be hurt, overstimulated, sad, depressed, frightened, anxious… But we are often not allowed the grace of others digging deeper to see that. Even if the other characters do not understand her anger, even if her motives are not meant to be understood at the moment… you as the writer should be aware. But if every time it’s time to show anger or upset, it’s your Black character… consider why this is the one you thought would best convey that message, and how your Black readers might feel seeing that this character (who may not even be the ‘bad guy’) is the one that is ‘only’ angry. No other development, no other emotions, just… there to be mad.

I take this one to heart, as someone who feels very passionately about things… this is one of those things where I wish, in life and in media, people would have more grace for Black women. We're human, too. We have feelings, too.

The Mammy

This one isn’t as visually blatant anymore in media as it was in the past (like every Mammy doesnt look like Aunt Jemima), but you may have seen this one as "the mommy figure". The "lesbian that parents the silly gay boys". The one that’s always encouraging the ship of the white boys, but never the one allowed to be in the ship (especially when her ship is canon!)

A good example of this was how people expected Jessica Drew from ATSV to be "more loving" to Gwen, rather than the mentor and boss she was (plus, as a Black woman with a Black mother… trust and believe, she was quite direct and gentle). And in comparison to her counterpart, white man Peter B. Parker, was decried far worse for similar detrimental actions.

The Mammy often serves in opposition to the Jezebel and Sapphire/Angry Black Woman. What makes the Mammy particularly annoying is that it implies that the only good Black woman character is a ‘nice’, demure, unthreatening, homely, motherly figure whose job it is to make sure to center the (usually) white ones. The Mammy is expected to coddle everyone, to her own detriment. She's a ‘good Black’ because she causes no issue, raises no fuss, never shows a negative feeling, knows that she has to ‘be strong’ but to always defer because the white characters know best. She’s ‘not a threat’, and that’s why she’s ‘allowed’ to be around. We shouldn’t have to be those things in order for our stories to be heard and understood, in order to be empathized with or treated like someone of value.

The Strong Black Woman

If I never hear this phrase again in my life, if we eradicate it from future generations for Black girls and women, I'll cry of joy lmao. I hate it, and it's not for the reasons most nonblack people would expect. Lord, this one. Anyway. The ‘strong Black woman’ is meant to protect everyone, no help needed! Whenever something is wrong and we all need a pickup, here she comes to ‘let me do it’ and everything is going to be okay! She did all the necessary suffering so that your characters don't have to! She can sweep in and save the day!

Now here's the dissonance kicks in. This one on its surface probably sounds like a good thing. She's a hero! She’s resilient! She's great! Who wouldn't want to be superwoman? Who wouldn't want to reject being a love interest, all women are always love interests! Let us be the badass that kicks ass and shows the men what for! Who wouldn’t want that, 24/7?!

The answer: US. 👍🏾🤣

This is a long, separate conversation on its own, but we have to understand that Black women (women of color, really) and White women do not always share the same end goals and understanding of "strong woman character" or even feminism. We certainly aren't always the love interest. Very usually not, in fact. We are always pushed to the side. We are already the hero in our lives, we're already the "strong woman".

Not everyone yearns to be the Singular Hero who will Fix It All as many of us are already expected to do. It's exhausting having to swallow your own needs for everyone else all the time, especially when it's suggested that you have no value otherwise if you don't. Heroism is Exhausting, and it's something worth looking into when you’re characterizing your Black girls and women. I’m not saying that we can’t be strong! We are, and it’s impressive! But I also want us to add some nuance to that strength, the way we would for any other character. What it means to have community, rather than to do it all alone. How even if she wants to be the hero (and that’s okay! That’s fine!) how it would still wear on her. Surrounding your Black girl character with unconditional support, to have a lover that actually wants to pull some weight- that's something many of us actually would like to see, because we're usually shafted to the side as 'someone who can do it all herself' (in order to hide that no one thinks we need or are deserving of the help).

It's okay to let your Black woman and girls show weakness, to rest, to be taken care of! It's not "less feminist" to accept that we're humans that need help and can't carry it all, too. That it’s okay to want to feel valued and protected. Because god knows, I wish I didn’t grow up strong and resilient, I wish I grew up knowing that the world cared that I was safe.

Standards of Beauty

These standards are not the same! I've mentioned it before in my lesson on skin tones, but very often when we think of "beauty", it’s easy to fall into the idea of whiteness. Pale skin, thin hair textures, etc. If those are our existing standards of beauty, then it doesn’t matter what any of us look like- we’re ugly! When I was in high school, I remember a classmate saying that Swedish people were the most beautiful people because of "white hair and pale skin". Without even meaning to, that guy basically said everyone darker than a stack of loose leaf printer paper was ugly by proxy of not being Nordic White (no matter how pretty they actually might be!!) 🤣

It’s also of note that whiteness/paleness tends to be connected with innocence and cleanliness in western culture, while blackness/darkness tends to be considered dirty, sinful, fearful. Now, while the origin of this idea may not be racist itself, when you spend hundreds of years implying that Blackness is bad- to the point that, in the U.S. they came up with an entire slur one step past “negro” (meaning ‘Black’) to deem you less than- it’s hard to say that the societal connotation didn’t apply.

Now we've already discussed working on describing our Black characters better! I continually remind you all that you should be describing them as wonderfully made as you do your white characters. Keep in mind that we live in a world where from day one when we enter the world, Blackness and Black features are not seen as beautiful nor emphasized. Whiteness is the standard of beauty that we, for a long time and still, are expected to adhere to. If you'd like to do better by your characters, remember that you don't have to give them "white features" or use "white" as an adjective to do that!

Black Women as Women

“There was literally nothing, not a thing, that a white woman could ever have that was worth more than her sexual virtue, and this obligated mandatory chasteness and sexual vulnerability… If the most important thing a woman has is virtue, and only white women can have virtue, then by definition, only white women can be women.” Ruby Hamad, ‘Only White Women Can Be Damsels’, White Tears, Brown Scars

Often, Black women by definition are not included under the societal banner of “women”, from our features, to our personalities, to our 'role' in life. "True Womanhood" is denied us, cis and trans, because of our Blackness. The things that make women ‘women’, we are not included under, because systemically, the only ‘women’ that were meant to mean anything were white.

I bring up Megan Thee Stallion again. Meg is probably one of the most beautiful, feminine women I've ever seen in my life. Men still call her a man, due to her height, due to her confidence, and due to their insecurities. Same with Serena Williams; Serena is damn near built like a god in my eyes. She was told she was manly from the beginning of her career, no matter how beyond skilled she was in women's tennis. Even when she damn near died giving birth- the most basic of 'tasks' women are seen as having in this society, it didn't matter. Black women are 'less womanly', 'less valuable', 'less in need' of that protection and identity that society swears Women™ need (and not in the honest way that we do need protection).

Consider that you're making sure that your Black women have the options of range of gender expression and emotions (and if they aren't allowed to, is that on purpose). If you're only ever creating us and we're in service of some dainty white woman and never the other way around... consider how that may reflect what you think our role is in your story, and in your mind.

Adultification

“Awkward moment when Rue is some black girl and not the innocent blond girl you imagine.” twitter: sw4q

It has been shown that Black girls the same age as their white girl counterparts are deemed older and less in need of protection, and supposed to 'be more mature'. Imagine that. Deemed inherently less innocent, due to your skin color. Having to parent our siblings, get jobs to contribute, do all the cleaning, and more. Yet, when we act with the maturity that we've been forced to grow into, we're "fast". A little 12-year-old girl, now to society, the Jezebel. All because she wanted to try pink lip gloss or wear a skirt; things that little tween girls might try to understand the big world around them and push boundaries. Now she's a woman, now she can never be a victim. Now she can be beat on and hurt and it's her fault.

I explain this for two reasons: One, for you to think about how your write your Black girls, and Two, for you to hold more grace for Black girls- real and fake. Do you hold her to a higher standard than your white characters of similar age? Does she inherently seem less innocent to you for reasons outside the plot? Is she as human to you as your other characters? Is she allowed to be a child? To act like one? To make mistakes? Are you as empathetic or understanding about that childishness as you are towards nonblack characters? Do you make these decisions on purpose?

It's not like Black girls can never be YA protags or anything- ofc we can. But keep in mind that she's not somehow automatically "stronger" by proxy of her Blackness, that she'd "be tougher". She's a kid. Let her be one.

Conclusion

There’s a LOT you have to consider when writing Black girls and women. I’m not going to sit here and say it’s easy, because being Black, and being a Black woman, is not easy. If you’re stressed reading it, imagine being stressed living it lmao. It’s a constant chain of quick-time events every day of your life to prevent nonblack nuclear meltdown in response to your every single action. I’m not going to apologize for it, either.

That being said, I don’t expect you to understand everything, especially not all at once. I just want you all to keep these things in mind, to question yourself when you’re writing your character- are you treating her differently on purpose? Or are you treating her differently because of a bias you might not even notice you have? It might help to go back, to read how you treat all of your characters. Or, if you’ve never written before, to maybe outline the traits of your characters and figure out where things balance out. As always, all you can do is practice at it. Because it's the thought that counts, but the action that delivers.

Whew, I'm actually emotionally strained after this one. My chest is beating fast. Let me go get some groceries now.

[tinyowlthoughts]

The EC-Theobromine: Chocolate

"Ugh, I would kill for some chocolate right now."

Gorvan fumbled the holopad he'd been typing on, all four hands brushing against the screen as he tried to keep it from hitting the ship floor. He failed and it bounced off the tiles - thankfully neither breaking, nor denting the flooring. Grimacing, he swept it up with his tail and checked over the casing, before the alarming words registered in his head. A glance at the couch showed the human - Max - hadn't moved - still twisted up in their weird, pretzely way, chin in their weird five-fingered hand as they peered at the passing stars with a far-away look in their eyes.

"You, uh, want...chocolate?" He asked, certain he'd misheard.

"Oh my god, yes." Max heaved a sigh, shoulders rising to their weird, inefficient ears before dropping back down. "Jesus, I'd even eat a Hershey's Bar right now."

Gorvan gripped his tablet with two of his hands, hard enough to crack the casing. "Oh, um - what is a 'Hershey'?"

Max didn't look away from the window, still lost gazing into the galaxy. "It's a type of chocolate bar from Earth. Maybe a Mars Bar or a Milky Way would be better..."

Gorvan huffed through his nostrils, tail lashing anxiously behind him. "Oh. Um. I - er, I forgot I have a meeting with Captain! I have to go." Without waiting for an answer he turned and fled the recreation room, hooved feet clattering against the floor, desperate to report what he had heard. He missed the bemused look Max gave him before returning to his star gazing.

🍫🌌🍫🌌🍫🌌🍫🌌🍫🌌🍫🌌🍫🌌🍫

"Max."

The human paused upon entering the meeting room, seeing the rest of the C7H8N4O2 Star Explorer gathered around the table. All eight were tense in their seats, and the moth-like Elaana looked like she'd been crying. (Well, the species equivalent, which appeared as a dusting of pollen along her sharp cheekbones.)

Taurvin, the captain, was sitting in the largest seat at the head of the table, his considerable bulk looming over the rest of them. Oddly, the first-mate seat to his left was empty. Gorvan was instead sitting in Max's own.

"Uh, hey all. We playing musical chairs?" Max glanced between the empty chair and Gorvan, but when nobody asked for an explanation to their odd human reference (a common occurrence), they figured it wasn't the time for jokes.

"Have a seat, Max." Taurvin motioned to the first mate seat and, with a bit of hesitation, Max moved to take it. Luckily Gorvan, despite being bulky himself, wasn't too much larger than a standard human and the chair was comfortable enough. "We have something important to address."

Oh god above, what had they done this time? Max tried to think back to all the interactions he'd had onboard the last few weeks, but couldn't come up with anything too egregious. Sure, there was the whole joke with 'human snot is acidic' thing but that had been more of a gross-out joke for Elaana, the ships medic, who hadn't seemed to upset when he accidentally sneezed on her a few days later and dropped the act. Epitak, the ships engineer, had been pretty pissed when ze found out Max had taken apart the air filtration unit in their quarters to try and understand how it worked, but ze had also walked him through repairing it, so they thought it was all forgiven.

Oh jeeze, had they found the plans to get a kitten onboard under the 'emotional assistance animal' loophole?

"Max." Taurvin's normally jolly voice was grave, and all the crews eyes were on them as he spoke. "It has come to my attention that you have been expressing some...troubling thoughts."

Okay, definitely the kitten thing then. "Look, I can explain," they started, but Taurvin held up a large, three-fingered hand and stopped them.

"I do not want you to feel pressured to speak to us if you do not wish to. As a member of the Intergalactic Exploration Society, you have access to mental health resources at no cost, any time, anywhere. I will be more than happy to assist you in setting up a link to a therapist through HR and, if required, will grant you time off the ship if you need it. You are the best navigator I have ever seen, and I do not want to lose you."

"Well, thanks, but uh, what do you mean?" Max glanced around the table and noticed that their normally upbeat crew were all showing signs of distress (Elaana was brushing away newly fallen pollen from her compound eyes).

"Max, you requested chocolate." Gorvan reminded them. "This morning, you said you would even eat a substance known as a Hershey Bar from your home planet." The human had never heard the first mate sound so distressed. When Max just blinked, Epitak took over, beak clacking anxiously as ze spoke.

"We understand that many planets have government programs in place for self euthanasia," ze explained, technical as always in his word choice, "but we aboard this ship would much rather assist you in healing rather than lose you, despite what you may feel is best for you. Suicide by theobromine is not the way forward."

"...what."

"It's okay, love!" The pollen was flowing freely from Elaana's eyes now, and she blinked it away with her long lashes. If there weren't a table between them, Max was sure she would have bundled them up in a full-wing hug and refused to let them go. "We'll support you through it all, we promise. You're part of our crew - our family, and we never want you to feel otherwise!"

"Well, uh, thanks. I see you all as family too...?" Max glanced at the four remaining crew members. Dhaca and Lenzoill were quiet but obviously upset, Qhals was staring at the ceiling with their fanged muzzle pulled into a tight grimace, and Ir'ith was -

Ir'ith was smirking.

Max narrowed their eyes at the inventory manager who also served as the ships cook (for the simple fact that he was the only one onboard who could cook). The zad merely shrugged when their eyes met, though his grin was growing.

"I think I'm missing something here." Max admitted, looking between Gorvan and Taurvin. "This is all because I got a chocolate craving?"

"A craving?" Elaana almost lunged across the table at the word, the only thing holder her back Ir'ith's hand on her shoulder. "You mean you've had chocolate before?"

"Well, yeah? All the time." Max was not expecting the horrified expressions they received.

"So humans treat theobromine as a drug?" Epitak asked, aghast.

"Noooo...? It's a dessert. Like, a sweet treat." Max had no idea what was going on now, but by the way Ir'ith's shoulders were shaking, he did. "Hershey's is a candy bar."

"Wait," Dhaca finally spoke up, leaning forward and shoving his glasses (well, glass - one lens for one eye and all) to the top of his head, "theobromine is not toxic to humans?"

"I'm assuming that theo-stuff is chocolate?" When Dhaca nodded, Max nodded in return. "Yeah, no, chocolate isn't toxic to humans. I ate it all the time on Earth."

Ir'ith gave up and cackled, sounding a bit like the grackles Max used to watch in their back garden on Earth. The avian's wings flapped a few times as he laughed, having to lean forward and grasp his stomach with taloned claws to keep himself from falling out of his chair. When he finally glanced up at Max, it was to the flattest look the human could manage, which only sent him into another gale of laughter.

Taurvin sighed, pinching the bridge of his boar-like snout. "I believe this has all been a misunderstanding," he spoke over the cooks laughter, which had turned into squeaky gasps. "Dismissed."

A few befuddled glances were thrown Max's way, but the rest of the crew were quick to leave, avoiding Ir'ith's flapping wings as they squeezed out of the room. Soon only the cook, first mate, captain, and navigator were left.

"Sorry, kid." Ir'ith finally came up for breath, wiping at his eyes as he regained his composure. He fished into one of the many pockets that adorned his poncho and produced a bar wrapped in purple foil, which he tossed to Max. The human caught it and felt their whole face light up. "No hard feelings, right?"

"None at all, dude!" Max tore open the wrapping and took a big bite of the Cadbury Dairy Milk Bar, nearly melting at the familiar, sweet flavor exploding on their tongue.

"For the record," Ir'ith said as he stood, cracking his back, "Zad's can eat chocolate to. Let me know next time you have a craving." He sauntered out of the room, humming happily.

The three sat in silence for a moment, other than the crinkle of the chocolate bar wrapper. Finally, Taurvin cleared his throat.

"Max, I apologize for not conferring with you in private beforehand." The captain sighed. "I did not wish to embarrass you, but an intervention was suggested and I believed that comfort from your crew would be the best way to show the seriousness of our support were you truly entertaining the thought of self euthanasia."

The human shrugged. "It was nice to hear you all care about me, even though I've only been on board a few months," they admitted. "And I got chocolate out of it." He wiggled the remains of the bar.

"Still, if you ever feel the need for mental health services, they are available to you. And if there is ever anything I or the rest of the crew can do to assist you in that way, please don't hesitate to ask." Taurvin placed a hand on his chest and bowed his head, a show of sincerity for his people.

"Well," Max tapped the chocolate against their chin in thought, "there may be one thing. Have you ever heard of cats?"

Next: Bluffing

EC Theobromine Character & Worldbuilding Notes

Original Reddit Prompt:

[spicymancer]

So just wanted you to know, "yellow" is a common slur against Asian Americans and so Huang Feng, being a Bruce Lee (whos an Asian man) clone and all could raise some eyebrows to your intentions. And before i get accused of white knighting, i am Asian

Thanks for reaching out! This is honestly something that might be important to discuss and I appreciate your attempt at broaching the subject delicately. More after the jump.

So to start. I am also Asian. Specifically Chinese American.

As an American born Chinese, I have a weird relationship with my Asian heritage. I have a bad accent when I speak Chinese and most of my upbringing and cultural understanding is very American and western-centric. So I have certain biases at play here that I fully acknowledge. My experience is not universal. But these characters are drawn from that experience.

Huang Feng is a reference to Bruce Lee's performance as Kato in the Green Hornet. Dà Huángfēng being a Chinese term for a hornet.

The character is also narratively implied to be a secret moonlighting identity for the Yellow Ranger in my made-up sentai team. (Who, due to my own decision to always refer to the characters by their Ranger color, is literally just called Yellow by the other members of the cast.)

This is also a reference. Specifically to one of my greatest inspirations, Thuy Trang (Rest in Peace), who played the original Mighty Morphin Yellow Ranger. She was one of the first "Cool Asian Characters" that I encountered in media targeted at me as a child, problematic color choice aside. I sincerely adored her and her giant robot Saber-Toothed Tiger.

To be honest I have a complicated relationship with "Asian Themed" characters in media. So often saddled with cliché stereotypes: Martial Arts, dumplings, nunchucks, etc etc.

But the thing is, even as I roll my eyes whenever I see the Fighting Game character that is The Chinese One who wears a rice hat and a qipao. Or when one is literally just Bruce Lee. I do also immediately main that character. It's a bit of a guilty pleasure. Taking what representation I can get with mixed feelings. Similar to my enjoyment of sexy anime girl art even though it's all rooted in pretty uncomfortable sexist and objectifying aesthetics. A lot of my work comes from a place of exploring my own sexuality/identity. These characters are, partly, my own attempt to explore Asian themes and ideas for myself.

I would love to say that I'm trying to "reclaim" the term or something but I'm just some internet artist drawing cute anime girls and monster smut. For me, playing with these clichés is just another way of being self-indulgent.

Not really defending these creative choices so much as explaining my perspective on them. I totally understand if all this turns folks off! I fully respect those who don't vibe with my work and wish them all the best. It's a big internet and I'm sure they can find something super great to enjoy elsewhere!

Anyway, sorry for the long rambly post. Despite the fact that I'm posting this on Tumblr, I am not super mentally equipped to engage in Discourse, so forgive me if I don't respond to the tags on this.

So I'll just leave y'all with a neat article by Kat Chow discussing the history and usage of the color Yellow in regards to Asian Identity.

[colourstreakgryffin]

Hello!! ^^ Hope you don't mind me asking, could you write some headcannons for a bunny-like fem (or gn) reader?? Like alastor is a deer or somethin, and his s/o is like that but a bunny?

They have bunny ears, a tail, and have traits of them? Thank you if you consider my request, and have a nice day!!

Hehe! Two preys together now and yes, dearest. Alastor is a deer! A deer and his little bunny! I can just see Al teasing her/them about their bunny looks! Let’s try it out!

Alastor- Rabbitfoot

Alastor is amused to see another prey sinner, but you’re even smaller and more helpless than what animal he has traits of. You’re a little bunny, a precious fluffy bunny with drooped down long bunny ears and fluffy cotton tail

Yes, Alastor does play with the fluff of your tail on purpose. Even with his own fingers or with the top curve of his microphone-cane. He’ll play with the soft bunny fur, just to mess with you and get a reaction

Alastor bites at your bunny ears, once again… just loving the way you yelp and bounce away from him. He knows you don’t mean you’re scared of him but it’s a instinct and it makes his day, just how adorable you are

Alastor is, of course, protective over his little bunny girl. Especially since you’re in the body of a prey twice over. He’s a predator in the fur of a prey so he can trick others into thinking he’s harmless whilst yourself. You’re right up harmless, even for a Sinner demon, so he has to make sure you’re safe

Alastor likes to make you make bunny noises so he can lay his cheek on your head and listen to it. He views your precious little noises as therapeutic, he enjoys listening to them. So, he’ll rub and scratch your chin until he can just relax and his tall fluffy deer-like ears flicking at the sound of your soft happy noises

Alastor may or may not make jokes and wave carrots around, beckoning his little bunny to come eat. You’ll join in to entertain your boyfriend but you don’t like him even pretending that you’re just a bunny. He finds you a truly beautiful woman but he also can’t bring himself to not view you as a cute bunny

Alastor loves your soft fur and enjoys hugging you, just to feel your fur. It’s so comforting and he actually likes the scent of your fur. You’re so sweet, he almost wants to devour you. Like you’re a chocolate bunny, but then again. He can’t act like he doesn’t smell like a deer and have deer fur

Alastor recognises your smell and follows it spring to find you anytime you happen to be lost or run off and he remembers quite a lot of little facts about you. What your shoes look like in dirt, what directions in Pentagram City you’d go in, what type of cafés and restaurants you check at when it’s time for good

Alastor calls you all kinds of cute bunny-based nicknames; ‘bun-bun’, ‘cottontail’, ‘flopsy’, ‘fluffy’, ‘moony’, anything based around a bunny, he’ll give you those cute adorable little pet names. Both lovey-dovey for you and teasing you. It’s harmless at the end of the day but he does enjoy calling you those names over his broadcasts

Alastor absolutely loves the random affectionate gestures you give to him; choosing to sit near him, climbing on his back or nibbling at his clothing, licking his hands or face. He chuckles everytime and he remembers every habit you have, so he can guess which one you’ll do to him the next hour

“Awww~ aren’t you so precious, my little chocolate bun~? Come here, want to go out and explore Pentagram City again? We can go sit on the roofs of the buildings if you wish“

[ajortga]

timeless

pairing: wednesday addams x fem reader

word count: 1k+

a/n: originally this was supposed to be a completely different story with a happy ending so if you like reading fluffy stories, maybe skip this one? pls let me know if this makes u sad!!

summary: wednesday visits the room that held all her favorite memories, bringing back a reminder that you two were so close to being timeless.

-

Wednesday didn’t know how she felt so different in this place, even though everything was the exact same.

The room she was in felt cold, empty, unknown. It was like a piece of coal that was once an ember, it was stale. 

It was all so strange, looking around and knowing that everything was like how she’s always seen your room. The way there were fairy lights and vines everywhere, the guitar that Wednesday learned how to play because of you, the random knick-knack animals that hung upon your display case.

She would’ve never felt like what she’s feeling now. That feeling was you, she had always thought your room had brought her so much comfort and a sense of tranquility.

Maybe it was the way she could hear the faint wind chimes when you told her all the things you wrote about in her journal, or the way you turn on your lamp at night, illuminating a soft glow in your room.

Or maybe it was just you.

Everything was the same, except you. And Wednesday tried to convince herself that you weren’t even a part of the room itself, yet some part of her felt as though you were the biggest piece. 

Because why did she feel so empty when she looked around? Why did it feel like a wilted candle that no longer burned?

The braided girl looks where Thing was at, his hand movements sad on your bed. She would’ve rolled her eyes, but she doesn’t feel anything when she sees it, just opens her mouth, “I feel more anxiety when I’m in here than the haunted houses I explore.” 

And though it was lingering, Wednesday knew that your perfume was fading away. Because no longer did your sweaters smell like the sweet musk of your skin and a faint hint of flowers, it smelled washed. 

And sometimes Wednesday wished that your parents had saved unwashed ones for hers, for that it would’ve comforted her when she slept at night now. For that it would've kissed her goodnight like you would’ve instead of Wednesday laying on an empty, cold bed in the days to come.

A deep exhale escapes her lips, her hands cascading over a journal that she knew all too well.

Thing tries to ignore the way Wednesday’s chin quivers as she bites on the inside of her lip, turning away from him to somehow make her feel better. She opens the journal, tons of photos falling out and onto your desk.

Photographs of you and her.

Us, Wednesday thought. It would’ve been us. Our lives against the world.

And instead it was a car against yours.

And it felt like all the spirit that the places those photos had captured were now dead. Wednesday’s heart and feelings were dead. You were dead.

But some part of you was alive somewhere in Wednesday’s heart, and it kept it beating. All these different shards and sides of you were all stored in the souls you knew.

The photograph was wrinkled, and as much as the girl was brought with negativity, your smiling face made it all better. Like you brought the light that she felt when you both were in that photo.

God, you had always found a way to make Wednesday feel the emotions she was so unfamiliar with. The happiness that came with what love was given. She was always an emotionless person.

But now the traces of you linger, and she no longer feels emotionless. Where in the past she would’ve felt the feeling of you. The feeling of happiness, a sense that she was at ease, that you were always there to catch her when she fell.

But she wasn’t there to catch you when you did. And now you were gone, and she was stuck with feeling the emotions she never felt when you were by her side. Stuck with knowing that she had never told you she loved you.

And Wednesday couldn’t handle that thought. In every other lifetime you would’ve been exploring mysteries that were unsolved, sharing unspoken and sacred kisses. 

Wednesday couldn’t bear to know that in this lifetime, it was different. 

Because she wasn’t there when you breathed your last breath, she wasn’t there to comfort you when someone had crashed straight into your car. She wasn’t there to hear your last words, or for you to see her for the last time.

She hated the fact that she slowly saw the people around her move on from their grief. She hated the fact that she was still stuck to you. She hated the fact that people didn’t feel the grief she did, because you deserved everyone staying at your grave till night. Why did other people move on so easily? 

Why didn’t they see you in the eyes of Wednesday?

Everytime she was in bed, she’d turn and see you, nuzzled up to her. Her hands would run through your hair as your lips slightly parted, your peaceful face resting as your cheeks were flushed with warmth. She would pull up the blanket to your neck so she could quietly press her lips to your forehead.

She always found it so endearing.

The reason she fell asleep with a small smile.

Then in the blink of an eye, she’d remember running up to the stretcher, seeing your peaceful face and a cover being draped over you. And this time, she remembered screaming, “It’s not sweet now Y/N! Open your eyes!" The tears that she fought back drizzled down her cheeks.

Wednesday never cried.

"You can't be gone."

For the first time in her life, she was scared. She was terrified. It was no different to how you looked when you might have slept, but oh it did. It terrified her knowing that you were sleeping and not waking up anymore to her brown eyes, to her kisses.

You were so cold, and as Wednesday stares at the journal, she knew it made her her heart cold again too.

“We had so much ahead of us,” Wednesday says, voice raw and a crack hiding underneath. She tucked the journal with your photographs into her bag. It served as a reminder on how your smile looked, and then your smile brought back how your laugh sounded, how your voice sounded, your smell, her memories of you. “We were so close to being forever.”

You two were so close to being timeless.

[sanyu-thewitch05]

Yandere Prince x Witch! Reader

TW: Drugging (Love Potion), dubcon

Wanna buy me a coffee?: ☕

Once upon a time, in a land full of magic, a witch is in her tower stirring liquid in her cauldron.

"Ok, my seafood boil should be ready," You say, wiping the sweat off your head.

Your phone rings from the counter, and zap it so it answers the call.

"Y/N, we've gotta go to this ball!" Your friend, Ella, full name Eleanor Charming, exclaims, making you roll your eyes.

"Ella, just because your family has extreme luck finding love at balls, doesn't mean I will. Besides, I like living in the woods. The princess with powers and Eduardo are good friends. I babysit their kids sometimes, real firecrackers," You respond, tying your hair up. "Now, if you excuse me, I have crab legs to eat."

"Too late, I already magiced up a dress for you!" Ella exclaims, appearing behind you. "Boom!" 

White light hits you, and suddenly, your comfy purple pajamas are replaced with a long, purple ball gown with black lace covering the front. You have long, black latex gloves and thigh-high high-heel shoes swirling around your legs made from crystal. Your hair is in a bun and is held by an ornament resembling thorns. 

"You really chose a look that says I'm from the Woods, huh?" You question, walking to Ella. 

"Yes, I did. Now, come on, we're about to be late!" Ella giggles, grabbing your hand and running to the black Mercedes outside your castle. "I modified the animal into carriage spell into something more modern."

You buckle your seatbelt, and Ella speeds off to the prince's castle. As you wait in the line of limos, you redo your lipgloss and spritz a bit of perfume to get the crab smell of your skin. 

"It's our turn, get ready!" Ella squeals, giving the car to the valet.

"Princess Ella Charming and her friend, Lady Y/N L/N!" The announcer yells as the two of you walk into the ball.

"Wow, this place is bright," You comment, looking at all the jewels, lights, and glamor.

"I know, right? It's so we can glimmer as we dance," Ella exclaims, dancing away with a man.

"Well, I've been left alone," You grumble, grabbing a glass of wine and walking to the hallway.

While exploring the castle, you find a path leading to the royal garden. You see a handsome man with blonde hair, tan skin, and greenish-blue eyes crying near a large fountain with a mermaid spitting water. You realize it's Prince Henry's younger brother, Prince Helio.

"Henry...why did you have to go?" He cries, making you feel sorry for him.

"Uh, hi! Sorry to interrupt your crying session, but would you mind me asking what's wrong?" You ask, revealing yourself. 

"Oh, sorry. I'm supposed to be out there finding a queen to rule with, but I'm out here crying over my brother. Henry was such a good older brother to me. He helped me with studies and sword training, but then he went into those woods and never came back. Now, here I am about to be king alone with only my mom and dad as family," The young man weeps, wiping tears from his face.

You knew what happened to the former Prince Henry. Everyone in the Woods did. But, it's things like this that are the reason people like you live in the Woods.

"I'm sure your brother misses you dearly. Even if he can't come back, I'm sure he'd want you to be a good king to your people," You comfort him, handing him your glass of wine. "Besides, it's your party. Wouldn't exactly want to let everyone down, would you?" 

"You're right. I, Prince Helia, shall make this the best pre-engagement party in this kingdom. Now, do you desire another drink, love?" 

"Yes, and just so you don't have to keep calling me love, my name is Y/N L/N."

Prince Helia leaves to get a cup of wine for you, and he pulls out a pink vial from his cape and pours it into your wine. He shakes the cup a little and lets the potion settle into the wine. He smiles lustfully, knowing he'll have the eternal love, the fairy tale ending he always wished for.

"Here's your class of wine, princess," Helia says, passing you the drink while he secretly pours the rest of the vial into his wine. "To happy endings!"

"To the Woods!" You proclaim, wrapping your arm around his to do your toast.

"To love!" You and Heli exclaim, drinking the wine.

When the wine travels down your throat, the potion takes effect immediately. You feel dizzy, and your wine falls to the ground. You fall, and Helia catches you.  

"My love, are you ok?" Prince Helia asks, holding you in his arms as he feels his heart beating. 

"Helia~" You moan, sitting up and leaning in to kiss him.

You kiss Helia, and it's like you both have lost control of your body and emotions. The kiss feels so good, you could've sworn you are in heaven. His hands roam your body as your tongues intertwine. Spit comes out of both of yours and Helia's mouths, and his short blonde hair ruffled as your hands run through it.

"I love you. I love you. I love you!" Helia chants, his kisses trailing down your neck. 

"Ah-ah~" You moan, sticking your neck out as leaves his mark.

Helia undoes your corset, and he throws it to the side. Your dress falls to your waist, leaving your breasts bare for him to see. You quickly shimmy off the rest of the dress and kiss Helia again.

"You look absolutely gorgeous, darling," Helia compliments, his eyes full of lust and love. "I need to worship your body. Come here and let your prince worship every inch and imperfection of your body and soul."

"Yes, my love," You reply, straddling Helia.

Your beloved prince traces every part of your body with his hand and circles the beauty, birth, and stretch marks. He kisses your clavicle, breasts, armpits, every body part on the way down to your pussy. When he finally reaches your clothed sex, Helia kisses it. 

"Helia, I'm-"

"A virgin? I know. But that doesn't matter because I would've loved you even if you weren't. I love everything about you. Your stretch marks, your body hair, even your scars."

Helia gently takes off your underwear and spreads your legs. He deeply kisses the entrance of your pussy, and he inhales the scent of it. His tongue enters your vagina, and your body can't help but react. Your back arches and your hands grip the stone steps. As Helia eats you out, your hips buck into his face. Helia speeds up his licking, and you suddenly start to feel weird.

"Helia, I feel strange!" You moan, sitting up.

"It's ok, my love, embrace that feeling," Helia replies, giving one last kiss to your pussy and kissing your inner thighs as you cum.

Helia begins to strip, and his clothes go flying off. His six-inch cock drips with precum, and you instantly want it in you.

"I'll be gentle. I know it's your first time. God, I can't wait to make love to you and give our kingdom an heir," Helia says, crawling towards you and lining up with your entrance.

You lift your legs to give him room, and he holds your hands. You wrap your legs around his waist, and he kisses you deeply. 

"I'm going to enter you. Tell me if there's any pain," Helia states, slowly inserting his dick in you.

You twitch in pain, and Helia's hands are on your face. He kisses you again, and you kiss him in return.

"I'm ready, Helia," You say, looking at his beautiful green eyes. "I'm ready for you."

Helia thrusts slowly, panting and moaning as if your body is sweet nectar. His steady rhythm of thrusting sends your body into ecstasy.

"Mm~ Helia," You moan, feeling Helia's cock move in your pussy and kisses on your neck.

"Are you enjoying me, my love?" Helia questions, speeding up the rhythm of his thrusts.

"Yes! Yes!" You exclaim, loving your high.

Your toes begin to twitch, and hearts appear in your and Helia's eyes. Helia's thrusts speed up, as do his kisses. Love bites cover your neck as Helia reaches his orgasm.

"I-I love you, my-my princess! I love you!" Helia stammers, climaxing and cumming into your pussy. His legs twitch as he orgasms.

"Oh-oo-ah-Helia!" You scream, your toes curling from the release and your pussy tightening around Helia's dick.

Helia kisses you, tears flowing from his eyes as he rides out his climax. When he's done, his sweaty body rests on yours.

"I love you. I-I love you so much, Y/N. I want to be with you forever. I need you," Helia rambles, resting his head on your chest.

"I know, my prince. I know," You pant, rubbing Helia's head.

~~~~~~~~~

After your passionate session with Prince Helia, your prince covers both of you with his cape. He's been kissing your skin since fucking you, holding you in his arms as if you would go away.

"I'll announce our engagement tomorrow, and we'll be married next week," Helia says, kissing your hand, knuckles, and fingers.

You fall asleep in your prince's arms, and he kisses you goodnight. 

"Goodnight, my darling."

[deliciousangelfestival]

New Light | B. Barnes

Character: Neighbors!Bucky Barnes x Female!Reader

Summary: Y/N meets a mysterious neighbor in a stuck elevator.

A/N: I live in an apartment and often encounter different people. I wish I could start a conversation like the reader 😭

Main Masterlist || support: Ko-fi

Thank you to anyone who gave a like, reblog, and left a comment. It motivated me to write more. 

Y/N had become a recognizable presence in her apartment building, exchanging greetings with familiar faces each time she entered the lift.

One tenant, however, remained an enigma—Bucky. Tall and always clad in a large black hoodie, he never uttered a word during their encounters.

One evening, after a long day at work, Y/N stepped into the lift, and to her surprise, Bucky entered just before the doors closed.

As the elevator ascended, an unusual silence settled between them. Y/N, feeling the need to break the ice, finally spoke up, "It's been a long day, hasn't it?"

Bucky, still maintaining his stoic demeanor, nodded in agreement. The hum of the elevator provided an awkward backdrop to their brief exchange.

As they continued in silence, the lift abruptly stopped, causing them both to shift their attention to the sudden halt.

"It's probably just a minor glitch," Y/N reassured, attempting to ease the tension. She reached for the Ring button, pressing it to summon help.

The building security's voice crackled through the speaker, providing assurance that maintenance were on their way.

With a shared glance, Y/N and Bucky exchanged a subtle acknowledgment of the situation. Y/N tried to strike up a conversation again, "So, Bucky, do you live on the same floor as me?"

Bucky, though initially hesitant, replied with a simple nod. The conversation was slow to develop, yet Y/N persisted, asking about his day and interests.

Bucky, gradually opening up, revealed snippets of his life. "I work from home most days, I'm a graphicdesigner," he admitted, his mysterious aura starting to unravel.

In turn, Y/N shared stories from her workplace, finding common ground in the challenges and triumphs of daily life.

In the middle of their conversation, Y/N noticed subtle movements within Bucky's hoodie. Curiosity getting the better of her, she finally asked, "Is everything okay in there?"

Bucky hesitated for a moment before revealing a small, furry face peeking out—the source of the movement. To Y/N's astonishment, Bucky introduced her to Alpine, his cat.

Y/N was awestruck when she caught sight of an incredibly adorable cat. Its fluffy fur and playful antics immediately captured her attention, eliciting a warm and delighted smile.

Approaching cautiously, Y/N couldn't resist commenting, "Alpine is such a sweetheart! Does he always greet everyone like this?"

Bucky, Alpine's owner, looked pleasantly surprised as he replied, "Actually, Alpine is usually quite reserved. He doesn't warm up to strangers easily."

Feeling a bit special, Y/N observed as Alpine continued to display an unexpectedly friendly demeanor, rubbing against her legs. Bucky chuckled, "This is a rare sight. Alpine doesn't usually take kindly to newcomers."

The atmosphere shifted as Bucky eagerly shared stories about Alpine's quirky habits and endearing antics.

Initially taken aback, Y/N found herself engaged in a lively conversation with Bucky about their shared experiences as pet owners. "Alpine loves to climb onto my shoulders when I'm working on my laptop," Bucky chuckled, his reserved demeanor giving way to warmth.

Sensing Bucky's willingness to share, Y/N asked about his hobbies. "Besides graphic design, what do you do for fun?"

Bucky cracked a faint smile, "I'm a bit of a movie buff, and I like taking Alpine for walks." Y/N's eyes lit up, "Really? I love movies too, and I've been meaning to explore the nearby parks."

As they exchanged stories and discovered shared interests, the once awkward elevator space transformed into a comfortable setting for connection. Bucky, now more animated, even shared amusing anecdotes about Alpine's adventures, eliciting laughter from Y/N.

Y/N thought Bucky was a scary person, but it turns out he's not. She sees him in a new light.

In the end, as the building security announced that they had successfully repaired the elevator.

Relieved, Y/N couldn't help but express gratitude for the unexpected camaraderie. Before parting ways, Bucky suggested, "You know, since we've become elevator buddies, how about we walk Alpine together to the park sometime?"

Genuinely pleased by the idea, Y/N smiled and replied, "I'd love that!" The invitation marked the beginning of a new chapter in their connection.

Author Note:

Hey friends,

If you've been enjoying the content, I've set up a Ko-fi account. Your support through tips would mean the world and help me keep creating. Only if you feel like it!

Here's the link: Ko-fi

Thanks a bunch for being fabulous followers!

Tag list:

@thezombieprostitute

@scott-loki-barnes

@rebeccapineapple

@ordelixx

@winters1917

@kandis-mom

A/N: I'm sorry I couldn't tag everyone because I wrote and edited this on my phone.

[essentiallyleaf]

day 03. wall sex. with. winter.

1113 words.

tags.

kinktober ‘23, idol x male reader, dom(?) reader, sub girlfriend winter, making out, daddy kink, wall sex, lift and carry, standing doggy, semi-public sex, a smidge of size kink, barely edited, actually about as long as i expected this time.

notes.

honestly, not that much to say. oh right, i don’t actually know if a wall sex kink/fetish actually exists, which is perhaps not a minor concern for a kinktober piece. so if it really does, let me know, and if it doesn't, help me make it a thing and specifically winto’s thing. solidly, leaf.

You step between her legs, hanging slightly parted off the counter as she sits on it. She’s still staring at the window to her left, so you caress her cheek and redirect her chin towards you, trying to fish something out of the sea blue colored contacts Winter wears on her eyes. You love that color on her. You kiss her lips softly, they’re slightly wet. Your mouths detach as you bring a second hand between her jaw and her neck.

The only thing that comes off your hook is lust.

So you kiss your girlfriend again, this time longer and deeper; you feel her tongue brush your lips, so you retaliate with yours. It starts as a little game, taking turns exploring each other’s mouths, but the longer it goes, the longer you feel her trying to take more space past your entrance, so you let her in.

That’s how it is with her: she only needs to ask. “Can we go to the animal shelter tomorrow?”; “Can I read manga with you while we’re on the train?”; “Can you get me that cute black one piece over there?” (That’s when you bought her the dress she’s wearing right now. And it’s not cute. On her, combined with that messy bun and those fishnets, it looks fucking filthy). Then, the magic word. They always taught you it was “Please”, but really, it’s what comes after: “Daddy?”

That’s why when she grabs the collar of your leather jacket to pull you towards her, when she wraps her arms and legs around you like she needs you, like she’s a koala that needs to make sure it won’t fall from its tree while sleeping, you give in. Because there’s no one else that can grant Winter’s wishes like you do, just like there’s no one else that needs you as much as Winter does.

Which takes on an extremely carnal meaning as you lift her from the counter and turn around, your hands on her ass and your forearms supporting her thighs. She’s so tiny and light, you don’t need all that support, but you want to feel her every inch of her body on yours.

You wander through a couple rooms, looking for a bedroom in the enormous maze-like mansion. Given the handicap of having Winter kiss you the whole way through and of barely being able to keep your eyes open because of that, it’s a miracle that you don’t slam into a doorframe or trip on a carpet in the process. Then, her impatience takes over.

“Let’s do it here”

You look around the room, puzzled. It looks like some kind of library, though at least one third of the shelves of the old-fashioned white carved bookcases is almost empty. “Where?”

Your girlfriend stretches her arm towards the wall behind her, palming it as if trying to get a grasp of its texture.

“Isn’t this good enough,” she knows she can’t get it so easily, but she also knows the most direct shortcut, “Daddy?”

She doesn’t need an answer. She needs you to slam her into the wall, pull her little slutty black one piece up to her waist and her thin, almost see through black panties to the side, rip those fishnets apart and fuck her. As you find out, she also doesn’t need any foreplay, her slit and crotch already wet just from the prolonged make-out session, which finally comes to end as you switch from her mouth to the junction of her neck and shoulder.

You kiss, lick, and suck the same spot over and over for several minutes as you pump into her with feral instinct, her hand now gripping your hair tightly; she even pulls on it a little - it hurts, but that’s not your biggest priority right now. You need to mark Winter as yours, she’s your girlfriend, your (this exact moment, a little less) soft, sweet fluffball, she’s your tiny fuckdoll. And as such you shall use her.

Thrust upwards into her like that’s what she was built for, like there’s nothing stopping you. Meanwhile, the only thing stopping her is the wall behind her, which feels cold on her nape and asscheeks, stark contrast with her boiling hot clavicle and pussy.

“I’m gonna cum, daddy”

It’s not a request this time. It’s a factual statement. She orgasms silently, so overwhelmed by the bursts of pleasure flowing from her pussy to her brain to what feels like every inch of her body, that she simply goes limp. Fortunately, you and the wall are there to hold her.

It takes her a good couple minutes to even be able to feel the world around her, past the overpowering signals coming from her own body. That’s enough for you to ask her:

“Now, I’m gonna need you to hold onto that wall, just for a little bit longer, okay? Can you do that for Daddy?”

You wouldn’t be able to tell from her still dazed face, but as she lowers her legs and tries her very best to stand up, you know Winter understood perfectly, and this is her “Yes, daddy”.

She looks so precious as you hold her hips up and help her turn around, her palms on the wall, fingers tensing like she’s trying to find something to grip onto. So precious that you just wrap your arms all around her waist as you split her tight slit open for a second time and start shoving yourself in and out of her repeatedly.

You know you can’t last long, so you try to get your girlfriend to a second high, though you don’t know if she can even feel much given her state. You turn her head to the side to kiss her again and you reach towards one of her little boobs and start groping her, first through, then inside her daddy’s girl dress.

It’s when your other hand presses upon her clit that she completely loses it. She lets out a sequence of animalistic guttural moans you never heard from her, and watery liquid starts gushing on your cock and out of her pussy while her walls clench rhythmically. The combined pressure of the two triggers your own orgasm, as you deposit buckets of white honey into her womb until she can’t take any more and semen drips out of her pussy and onto the floor.

You hold Winter tightly, almost squeezing her against the wall as her knees threaten to give up completely; you kiss her temple repeatedly as she pants heavily.

“How are we gonna go back downstairs for the party?”

“You can carry me for a while! Please, daddy?”

-

footnotes.

wow i think i actually wrote different characters this time. this one was a little crammed, but i’m pretty satisfied with the end result. it feels like i’m slowly finding out which things i like writing more and which less and more generally about my identity as a writer. i’m still a sprout, but i think i’m learning a lot. sorry if i bored you and you’re now asleep and somehow still reading. do let me know how to do that! dreamily, leaf.

[fishyfishyfishtimes]

One of my teachers believes megalodon is still alive, what should I tell him? It's the usual "Well, you can't prove it's not around" sort of argument

Oh brother... well, he's definitely wrong, because proving that megalodon isn't around anymore is incredibly easy! It's as simple as, "how come we don't see tons and tons of discarded megalodon teeth that date back only a few years, or even a few centuries and millennia, and we only find fossilised teeth?" See, megalodon tooth fossils are very common, and that's because the meg like all (most?) sharks shed their teeth as they grew new ones. If the meg was still alive we would see those giant teeth, even if the sharks themselves were "hidden" then eventually those teeth would wash up ashore after several years. But we never find them! Nor do we find lots of whale or large fish carcasses with massive bite chunks on beaches, or even living whales with battle scars left over from narrowly escaping the jaws of the meg. We could speculate on the giant squid thanks to sperm whales having fighting scars from them, but there's no similar phenomenon for the meg! The government can't hide EVERY tooth and carcass.

Oh and then there's also the more general stuff. "We've only explored 5% of the ocean we don't know what's out there" that mostly applies to the deep ocean where life is scarce. The megalodon lived in the tropical and subtropical regions of the world and was a predator of the topmost layers of the ocean, most likely. It's also theorised to have given birth close to the coast. In the coastal and shallow parts of oceans we would've sooner or later spotted them. "What if it just evolved to live in the deep sea" Such a large, specialised animal that was dependent on coastal waters for breeding? In such a short amount of time, while its prey was going extinct and the climate cooled? Unlikely. The meg ate whales and large fish to support its humongous size, where does one find such prey on the bottom of the ocean, I wonder? One does not. "Maybe it evolved to filter feed" wh- Then that's no longer the megalodon, is it!!???? There are real, actual super interesting and cool filter feeding sharks that need our attention and protection, and if someone's willing to completely ignore them for the sake of a stupid argument about their beloved megadeath murdershark still existing, then that's pretty sad. At that point you can calmly whisper, "it's okay, shhhh, you can let her go. It's okay. You can miss her, but you need to let her go."

Ah, if you're going to attempt to talk to your teacher about this, I do recommend you don't get snarky like I do about this matter, because that tends to get people on the defensive. No one wants to feel like they're being made fun of (very understandable)! I'm just personally very dumbfounded about people who willfully ignore science in favour of going "I wish this cool giant gigamurder killershark was still alive so I'm going to think that way now"

[katzske]

Thoughts on Earthspark Season 2 (first half)

Spoiler Free:

I must admit I’m dissatisfied.

The animation and rendering definitely looks cheaper. Sometimes it feels like frames are missing, animations not polished, scenes not fully rendered. 2d and 3d poorly blends. It’s quite noticeable unfortunately. Characters also do the TFP Megatron stare now.

That being said, time was taken to revisit old models of characters and give them a new appearance. (4 i’ve noticed) It makes sense given a lot has changed during one year time skip.

The writing often feels either like exposition dumping or naruto filler episodes. I was never at the edge of my seat even during the climax. I ended up skipping through episodes due to the lack of relevant plot information.

Something ES managed to maintain were carefully composed shots that make great still images. While that’s nice for screenshots and redraws, I also feel like it’s the only unique aspect of ES’ animation style that remained. The rest, as previously mentioned, has lost quality.

Character Details I’ve noticed and want to talk about (spoilers ahead)

half of season 2 part 1 is filler. optimus trailer episode, great america with cosmos, a pachycephalosaurus-truck fighting mushrooms, hashtag taking ten years to dispose of hard drives…. each episode did have a few minutes of either cute or important moments. but the majority is a waste of time.

I was hoping that we would learn more about the decepticons. now that they’re free, what are they up to? how are their dynamics? how did season 1 finale change their perception on things? would they try to convince the terrans THEY are the good guys? nothing like that though.

There is no satisfying character development for starscream. ES Starscream was perfect to explore a more neutral version of him, who does not do bad things out of pleasure, but due to necessity; following his desire to be free. In the show he mentions he wanted to get rid of his oppressors (in his eyes autobots and humans), but a real “bruh” moment was when he told Hashtag the only reason he opened up to her last time was to tell her “take care of yourself first”. It completely disregards the fact he came to help in the season 1 finale after reflecting on Hashtags words. It also aggravates me that the writing could have been a very easy fix. “hey i’m not being selfish by destroying this town. im doing this for the decepticons, we have lived under the control of the autobots and then of humans. this needs to stop, we deserve freedom and i will do anything it takes.”

the show managed to establish some friction between starscream and shockwave but for deception standards it was very tame. overall i think it was written okay; he purposely let the Terrans escape with the fragments, and he bailed on Starscream once he went bonkers. I hope that he gets to be a Decepticon leader in the second half; i don’t think we have seen that in any TF TV show before. i also like that his antennae and eye color give away his emotions now.

i feel like the autobots are treated even worse than the decepticons this season ngl. they merely exist; and when they do have the spotlight it’s often for comedy.

why the fuck did shockwave not wait for hashtag to just dump the hard drives and leave. if someone walked up to me yelling “give me your trashbag” as i’m trying to dispose of it i’d be weirded out too lol.

i hope the chaos terrans don’t return. aftermath imo was, plot wise, redundant. spitfire at least was interesting and had an impact.

i wish there were more interesting fights like in season 1 instead of, oh no they’re hitting the trailer with sticks, oh no we are an abomination of dinosaur and vehicle for what feels like 15mins straight. i miss seeing soundwave slay.