#i’m never getting over this in my entire life

[fairyhaos]

◈ love of my life // yoon jeonghan

jeonghan x gn!reader, 2k+ words

tags: technically requested by lots of people bc everyone wants jeonghan fluff, childhood friends to lovers, fluff, crack, mutual pining, almost-confessions

warnings: light swearing

summary: in which your relationship with jeonghan isn't exactly platonic and isn't exactly romantic... but rather, it's a secret third thing.

It has to be at least two in the morning when Jeonghan's ringtone blares throughout his bedroom, and he rolls over with a groan, grappling blindly at his nightstand before finding his phone and pressing it against his cheek. 

“Who is this and what do you want?”

“Jeonghan, let's go on a date.”

He recognises your voice in an instant, even in his half-asleep state, and he huffs a laugh, flopping back against the pillows and rubbing his eyes. 

“Gee, at least ask me when it's not ass o'clock in the morning, won't you?”

“No, no, this only works if you get up right now,” you say. “Come on, Jeonghan, just go on a date with me. Right at this very moment.”

Jeonghan rubs his eyes, before taking his phone away from his cheek and peering at the screen so he can read the time. “See, you’re not presenting a very good argument,” he says, once he’s put the phone against his ear again. It’s almost three in the morning. What are you thinking? “I don’t wanna date you that much.”

You make a sad sound on the other end of the phone. “What will it take to get you out of the house?”

“Wire me an obscene amount of money right now and I’ll think about it.”

There’s a pause.

“No. Best I can offer is a pretty please.”

Jeonghan can’t help smiling at your dry tone, and he rubs his eyes once again with a yawn. “Fine. I guess I can’t expect anything better from you, anyway.” He can almost see you biting your lip in annoyance, wanting to quip something witty back at him but also wanting to keep quiet so he’ll actually come. 

“You know me so well.”

“Yes I do,” Jeonghan teases, and groggily hauls himself out of bed. “I’ll be ready in ten. Where do you want me to go?”

“Don’t worry, princess, I’ll pick you up,” you say, suddenly sounding excited. “Just wait for me and I’ll come over to take you out.”

Jeonghan raises an eyebrow. “Is that a threat?”

You laugh, bright and happy, like it’s not four in the morning and you’ve asked your best friend to go on a date with you. Jeonghan can’t help but smile again, even as he grapples blindly through his dark room to find some clothes.

“Don’t worry. It’s a promise.”

───────────── 🌘

Jeonghan is, admittedly, more than a little confused when you just take him to the nearest playground.

Sure, maybe this entire thing is weird—you calling him up during ridiculous hours of the morning to “go on a date” is definitely not something you’ve done before—but that’s just the kind of friendship he and you have. 

It’s like how, last year, he spent an entire month calling you increasingly ridiculous pet names, ranging from “beloved” to “honey butter snuggles bunny bear”, and purposefully took you out to public cafes and restaurants to test them out for everyone to see and hear, preventing you from punching him as hard as he probably deserved. 

So this is, like, nothing new. Just a funny and silly thing the two of you do, because you've known each other for the whole of your lives, and when it comes to the way your relationship works, the lines separating “platonic” and “romantic” have always been curiously nonexistent. 

It doesn’t mean anything. It’s never meant to mean anything.

But sometimes, sometimes, it feels like it should.

“I think I’m going to end up alone forever,” you say abruptly, and Jeonghan looks over at you in surprise. You’re sitting on the swings next to him, dragging yourself back and forth as you look up at the sky. There’s nothing to see up there, with the clouds obscuring any moonlight, so it's obvious that you're just looking away so he can't see your face. 

It's so quiet; Jeonghan didn't realise that the world could be this quiet at 2 in the morning, and it makes your words echo extra loud into the abyss, before they're swallowed by the darkness. 

Jeonghan shrugs. “Maybe you will.”

Instantly, you're leaning over to swat him on the arm, and he laughs. 

“Asshole,” you say, but there's no venom in your voice, even as you level him with a glare. “You're really no help. I'm trying to unload all my deepest fears for you, here, practically begging you to reassure me, and yet all you can do is be mean.”

“You said one thing,” Jeonghan points out. “I don't think that counts as unloading all your deepest fears.”

“Yeah, well, maybe it's my only deepest fear.”

“Why are you unloading your deepest fear on me?” Jeonghan asks, kicking his legs out in front of him. “We're on a date. Our first date, mind you, so this hardly seems appropriate.”

“Asshole,” you say again, but like before, the word has no bite. You glance over at him, before realising that he's looking at you, and then quickly raise your gaze to the sky. “I'm being serious about this, you know.”

Jeonghan says nothing for a long moment. Watches the way the pale light from a nearby lamppost gives you an unearthly, almost otherworldly glow. 

“I'm being serious too,” he decides to say, looking up at the cloudy sky with you. “You shouldn't be saying that stuff on a first date. Kinda makes it sound like you don't think things will work out between us, you know?”

You huff a confused laugh, looking over at him again. “Jeonghan, wha—?”

“And maybe you will end up alone,” he carries on, thoughtfully, as if he's talking to himself, forgetting that you're sitting there too. “But maybe you won't. I think you probably won't. And even if you do, it's fine, because I'll still be with you.”

It's a painfully vulnerable thing to say, made doubly so by the quietness of the night. Like a love confession, almost. Except it's not, because he's not in love with you. 

He isn't. 

“That's really sweet,” you say, almost begrudgingly, as if it pains you to admit that Jeonghan actually said something nice, and he laughs. “Though wrong. If you’re with me, then I'm not alone, am I?”

“Oh, I see. When you said alone, you meant in general. I thought you meant, like, romantically.”

“Well, maybe. But maybe I also meant overall,” you shrug. “I didn't think you'd want to spend the rest of your life with me.”

Jeonghan swallows, tilts back on the swings, head still raised to look at the sky. “I want to spend every life with you.”

You look away from the sky at his words, turning to face him in surprise. The echoes of what he’d just said were already fading away, muffled and pressed into the velvet dark of the night, but the surprisingly soft air that followed in its wake still remained.

 Now, he's the one avoiding your gaze, keeping his eyes firmly locked on the shapeless, misty blur of clouds above him so he doesn’t have to look at you. Out of the corner of his eye, he can see you tilt your head, and smile. 

“Oh, look at you, you sap,” you say, bright and teasing. “Face it, you like being with me. Oh! I bet you're in love with me, seeing as how you agreed to date me and everything! Isn't that right, Jeonghan? You love me.”

Jeonghan pulls a face, and you burst into laughter, so ridiculously loud and happy even though it's two in the morning and the whole playground is silent, the sound of your happiness ringing against the cool air of the night. He can't help but look at you then, exasperated and fond, shaking his head as you grip the swing chains and sway back and forth, still giggling to yourself. 

He sniffs, feigning annoyance as he leans to the side, making a dramatic show of pulling his swing away from you. 

“This isn't a real date. I could never date you.” He scrunches his face in faux disgust for good measure, and you laugh again, rolling your eyes. 

“Yeah, yeah, whatever. And yet you still came out when I called, didn't you?” you tease, smiling widely, and Jeonghan has to admit that you're right. He's here because you asked him to be here. He’s here for you.

Hm. This was getting weirdly soul-baringly truthful for what he’d thought would be a silly little hangout in the middle of the night.

“Next time you call me at 2am, I’m blocking you forever,” he says dryly, giving you an exaggerated look of disdain just so he can revel in the laugh that it pulls out of you.

“No you won’t,” you say cheerily. “Because you looove me.”

“Um, lies.”

“No lies. You literally love me so much.”

“I don’t.”

“You do.”

“No, I don’t.”

“You do. You do, you do, you do, you’re actually genuinely in love with me and there’s nothing you can do to deny it, because it’s so obvious that I’m literally the love of your l—”

Jeonghan makes a clicking sound with his tongue and leans over to shove your arm, causing you to swing to the side as you cackle with delight at his reaction. He glares at you, again, sighing with exasperation as you continue to laugh.

“Yes, yes, I love you, just as much as you love me. Now if we’re not actually doing anything of importance, then can I go home?”

“What?” you say indignantly. “Of course not! If I can’t sleep, then that means you’re not allowed to sleep either.”

“I knew it. You called me out here because you couldn’t fall asleep.”

“Duh. Now come and push my swing, will you?”

Jeonghan rolls his eyes and stands up from his swing, groaning and holding his knees like he’s some kind of grumpy grandpa. You laugh, mocking him for his bad joints as he walks around to stand behind you, and he snarks back something ridiculously funny and rippling with light, twisting through the cool air.

And then his hand presses against the small of your back, soft and yet sure, and suddenly all you can focus on is that gentle, feathery point of contact that connects you to him.

Your laughter subsides as he begins to gently push your swing, and you move up, and down, and up, and down, the fleeting warmth of his hand an intermittent pressure against your back. He doesn’t say a word. Everything is quiet, in your head. Like his touch alone could silence any worries that still floated around in your brain.

It’s one of the things you adore most about Jeonghan. He makes you feel safe.

“For the record, by the way,” you say, voice quiet, “I really do love you.”

There’s no noise but the metallic creak of the swing, sounding weirdly small in the yawning abyss of the dark. Jeonghan’s hand is still steady as he pushes you, again and again.

“As a friend?” he asks, eventually.

You can’t see him, and maybe that’s for the best. His voice is tinged with a colour, an emotion, that you can’t quite name, warm and cool and fleeting and present all at once.

Yet more silence greets his words. You continue swinging, and he continues helping.

It’s hard to know what he means by that. As a friend, in a hopeful way? As a friend, in a meaningful way? Or as a friend, in a way that could maybe, maybe, signal that he thinks, or wishes, that you mean... something else.

More.

These things are difficult to tell, when it comes to Jeonghan. Who wears his heart on his sleeve and yet also hides it away where no one can see.

“Yeah,” you say, after it has been far too long since he’d asked, but it’s clear that you were both waiting for your answer anyway. The word leaves you as a sigh, threadbare and thin. “As a friend.”

Jeonghan huffs a soft laugh. Maybe because he believes you, or maybe because he doesn’t. You’re not too sure.

“Okay,” he murmurs, pale as moonlight. “In which case, I love you too.”

fics tags: @jeonginssa @weird-bookworm @minhui896 @slytherinshua @haowrld @belladaises @moonlitskiiies @mirxzii @zozojella @kawennote09 @a-wandering-stay @abibliolife @doublasting @wonranghaeee @icyminghao @sweet-like-caramel @your-yxnnie @odxrilove @kyeomyun @crackedpumpkin @jeonride @kellesvt @eightlightstar @onlyyjeonghan @aaniag @starshuas @raevyng @isabellah29 @hrts4hanniehae @mcu-incorrect @dokyeomkyeom @suraandsugar @haodore @tulsa24 @melodicrabbit

[orimuraa]

⋆ ˚｡⋆୨୧˚ Gotta make that money make purse - OT7

(synopsis) ✰⋆⁺ when enhypen loves spoiling their girlfriend ༯

ot7 enhypen x fem!reader ✰⋆⁺ fluff ✰⋆⁺ enha is richhh ✰⋆⁺ headcannon ✰⋆⁺ wc 762

✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡

𝑳𝒆𝒆 𝑯𝒆𝒆𝒔𝒆𝒖𝒏𝒈 - 이희승

he would probably take you on weekly shopping sprees at the very high end stores

wouldn’t let you buy anything with your own money

gets sulky when you do :(

he would give you his card whenever he was away so you could still spend

since he’s a prada ambassador, you have everything prada

he loves smothering you with gifts because this big baby loves you so much !! (pls never leave him)

he gives off penthouse vibes, not mansion idk ¯\_(ツ)_/¯

overall, he just loves spoiling you so much <3

𝑷𝒂𝒓𝒌 𝑱𝒐𝒏𝒈𝒔𝒆𝒐𝒏𝒈 - 박종성

okay here me out

he’s the type to surprise you with a luxury brand gift pretty much everyday

like, this man would be like

“surprise! i got you a chanel bag!”

my man is nawt here to play

he needs to make sure his princess is well taken care of !!!

he has a very very very fancy car that’s probably worth more than my life

and he loves to just take you out on little driving dates to random places to see the view

he’s just so romantic and loves you so so so much

𝑺𝒊𝒎 𝑱𝒂𝒆𝒚𝒖𝒏 - 심재윤

my little jakey over here will never be caught not spoiling you

this man absolutely will go broke for you if it means you’re happy

you’ll be like, looking at something for a second longer than usual things and he’ll buy it for you

he saw that you liked a post of a golden retriever on social media, and bam! next day, you’re now owners to a baby golden retriever

he just loves spoiling you because you’re so beautiful and perfect and sweet to him that he wants to be able to pay you back somehow (even tho you told him you don’t need all these gifts)

gifts galore!!

𝑷𝒂𝒓𝒌 𝑺𝒖𝒏𝒈𝒉𝒐𝒐𝒏 - 박성훈

he gives off the richest of the richest vibes

he’ll probably be the type to take you out to really expensive dinners and just spoil you so much

you would have an entire closet dedicated to the dresses and clothes he gifts you

he knows your exact style by now so whenever he sees something that reminds him of you, it’s bought

he would make sure to remind you not to spend your own money because why would you do that when you have his money? so silly

he loves you very much and he likes to show that through his gifts sometimes

and the result of that is your room being full of expensive items that have been gifted to you <3

𝑲𝒊𝒎 𝑺𝒖𝒏𝒐𝒐 - 김선우

he seems like the type to be a very rich person who doesn’t like to show it off too much idk

he would spend his money on super expensive skin care products so you two can have luxury skincare dates

he is superrrrr rich but he likes to spend it on more meaningful items rather then luxury brand stuff

he would make sure the item meant something to you and him but also make sure it was the best one, even if it meant it was hella expensive

he will though occasionally spoil you rotten with a luxury brand item

he cares for you so so so much <333

𝒀𝒂𝒏𝒈 𝑱𝒖𝒏𝒈𝒘𝒐𝒏 - 양정원

kinda like, sunoo, i feel like he would be more about spending lots of money on more meaningful things then just straight up expensive things

he likes to make things have meaning to it and so whenever you see it, it’s a happy thought

because his girl always deserves to be happy and loved

you two would share a really nice and expensive apartment together and it’s just super cozy

you wouldn’t expect a millionaire to be living there i guess is what i’m saying

but he will not allow you to pay for your own things because why would you when he’s around?

𝑵𝒊𝒔𝒉𝒊𝒎𝒖𝒓𝒂 𝑹𝒊𝒌𝒊 - 西村 力

okay, unlike the other maknaes, nishimura riki is going full out

he will make sure everyone knows how much he spoils you

he LOVES to shower you in gifts from gucci, prada, chanel, etc. because his favorite hobby is spending money on you <3

in his eyes, you deserve anything and everything <3 he just loves you so so much

he would definitely make sure to spend lots on your hobbies too

even if it’s something small like, for example, collecting sonny angels! he would buy out the entire stock just for you

alllll the furniture in the house is above $1000

have y’all see his $6000 couch in his room??? yeah, that’s what’s in your guy’s shared apartment

he wants you to be appreciated the way you deserve <3

✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡✗♡

sooo, new style today! please lmk if you like this style of writing or the other one better cause then it can help me and give me good feedback! tysm for reading, likes and reblogs are always appreciated!!!

⚘. Perm taglist: @vmpivory

[0omillo0]

Han x Reader … Hurt/Comfort

this is a vent post

꒰ 🗯️ ꒱

The argument had started over something trivial—maybe the dishes, or a canceled plan. You couldn’t even remember. But now it had escalated, words flying between you and Han like daggers, sharper than intended. The tension had been simmering for days, both of you stressed from work, from life, from everything that felt like it was pulling you in opposite directions.

Han stood a few feet away from you, his arms crossed, his jaw tight. You could see the frustration etched into his features, the way his brows furrowed in anger, and it made your chest tighten. The air felt heavy, oppressive, and the weight of it was pressing down on you, making it hard to breathe.

“I don’t get it, y/n. Why can’t you just—”

“Just what, Han?!” you cut him off, your voice rising in defense, tired of feeling like you were constantly falling short. “I’m trying! I’ve been trying, but nothing’s ever good enough, is it?”

He exhaled sharply, shaking his head, running a hand through his hair in frustration. “That’s not what I’m saying! You’re twisting my words.”

Your heart pounded in your chest, adrenaline mixing with anxiety as you felt yourself being cornered. You had been here before. This exact feeling. You’d grown up in this kind of chaos, in the shouting, the accusations. In a home where every argument turned into a battlefield, and you had always been the one caught in the crossfire.

“I’m not twisting anything,” you shot back, but your voice trembled, betraying the fear you were trying to bury.

Han’s face was strained, his eyes dark with emotion. And then it happened—the moment he raised his voice, the moment his tone shifted. It wasn’t anger. It wasn’t even directed at you, but it was enough.

“Goddamn it, just listen to me for once!”

His words echoed in the room, louder than they needed to be, and in an instant, everything inside you collapsed. You froze. Your breath caught in your throat, and it was like you were transported back to a time when every raised voice had meant danger, meant pain.

Han saw it—saw the way your entire body went rigid, the way your eyes widened in fear. His face softened, his mouth opening as if to apologize, but it was too late. The damage was done.

You couldn’t be here. You needed to get out. Now.

“Y/n, wait—”

But you were already grabbing your jacket, your hands shaking as you fumbled with the zipper. Without another word, you turned on your heel and bolted for the door, your heart hammering in your chest. You barely heard Han calling after you, his voice muffled by the roaring in your ears as you sprinted down the street, the rain hitting your skin like icy needles.

---

You didn’t know how far you’d walked or how long it had been. The rain was relentless, coming down in heavy sheets that soaked through your clothes, plastering your hair to your face. You couldn’t feel the cold anymore; you were numb. Numb to everything except the pounding of your heart and the ringing of Han’s raised voice in your ears.

Eventually, you found yourself standing in front of a Seven-Eleven, the neon sign flickering like a dying heartbeat. It wasn’t much, but it was shelter. You pushed the door open, the warmth of the fluorescent lights washing over you as you stepped inside, dripping wet and shivering.

The clerk glanced at you with mild concern, but you ignored it, heading to the back of the store where the windows overlooked the storm outside. You sat down on a bench by the vending machines, curling into yourself, your arms wrapped tightly around your knees as you stared blankly at the rain pounding against the glass.

Your phone buzzed in your pocket, but you ignored it, the weight of everything pressing down on you. You felt stupid. Why had you run? Why had you let yourself fall apart over something so small? But it wasn’t small. It had never been small. The years of trauma, of living in a household that was a constant war zone—it had left you fragile in ways you hadn’t even realized until now.

Your phone buzzed again. And again. The screen lit up with Han’s name—ten missed calls, and the eleventh one ringing through.

On the twelfth, you finally answered, your voice barely a whisper. “What do you want, Han?”

His voice was breathless on the other end, tinged with desperation. “Y/n… thank God. I’ve been calling you. I was so worried. Please, just tell me where you are.”

You sniffed, wiping at your eyes though they were already wet from the rain. “I—I’m fine.”

“You’re not fine. I know you’re not. Please, y/n, I’m so sorry. I didn’t mean to raise my voice, I swear. I—fuck, I didn’t realize… Please, let me come get you.”

Your throat tightened, the tears finally spilling over as you choked out a sob. “I didn’t know where else to go.”

“Tell me where you are. I’ll be there in five minutes.”

“I’m at the Seven-Eleven on 4th Street.”

“I’m coming. Don’t move.”

---

He arrived quicker than you thought he would, his car screeching to a stop outside the store. You watched through the glass as he jumped out, his hair and clothes instantly drenched in the rain, but he didn’t seem to care. The moment he walked inside and saw you sitting there, his entire face crumbled with guilt.

He rushed over to you, kneeling in front of you, his hands hovering near your arms but not touching you, as if he was afraid you’d pull away. “Y/n… I’m so, so sorry.”

You couldn’t even look at him, your gaze fixed on the wet floor beneath you. “Why did you yell at me, Han?”

His breath hitched, his voice low and raw with emotion. “I didn’t mean to. I swear, I wasn’t thinking. I—God, I’m such an idiot. I didn’t realize how much that would hurt you. I never wanted to scare you.”

The sincerity in his voice made you look up, and when you saw the anguish in his eyes, something in you softened, despite the pain still lingering in your chest.

“You don’t get it,” you whispered, your voice trembling. “I grew up with yelling. It wasn’t just yelling—it was—”

“I know,” he said, cutting you off gently, his hand finally reaching for yours. “I should’ve known. I should’ve been better for you, y/n. I never want to be like them. Please believe me.”

You swallowed hard, your heart aching with the weight of it all. You didn’t want to be afraid of him. You didn’t want to run from him.

“I was scared,” you admitted, your voice barely above a whisper. “I didn’t want to be, but I was.”

His face crumbled, his eyes glistening with unshed tears. “I’m so sorry, baby. I’ll spend the rest of my life making it up to you if that’s what it takes. Just… please don’t shut me out.”

You stared at him for a long moment, the rain still beating against the windows like the storm between you was fading. Slowly, tentatively, you reached out, your fingers brushing against his cheek. He closed his eyes at the contact, leaning into your touch, as if it was the only thing grounding him.

“I don’t want to run from you,” you whispered.

He opened his eyes, locking onto yours. “Then don’t. Let me be your safe place.”

Without thinking, you leaned forward, pressing your lips to his in a slow, tender kiss. It wasn’t rushed, or desperate—it was an apology, a promise. When you pulled back, his forehead rested against yours, his breath warm against your skin.

“Let’s go home,” he whispered, his fingers entwined with yours.

For the first time that night, you nodded, knowing that home wasn’t a place—it was him.

[violettwrites]

new kid — tp!daryl

a/n: hi besties !!! i hope you enjoy the little backstory on our fave duo 😌 if there’s anything you’d like me to write about these two, just let me know ! i’m also working on some tp!trio stuff including merle bcos those three are just chaotic.

if you enjoyed this, please like, reblog, and/or comment !

you can find my ask box here — which is open for requests !

summary: reader (11) moves into yet another place in another town, and isn’t exactly thrilled about it. that’s until they meet the quiet kid in the park.

warnings: allusions towards/mentions of abuse

word count: 1,166

resources: divider by @adornedwithlight

➸ tp!daryl masterlist

➸ regular masterlist

it was mid june when you first met daryl dixon.

your father had just pulled his old pickup into the trailer park, kicking up a cloud of dust that hung in the air long after the engine had shut off. you stared out the window, eyes scanning the rows of faded, sun-baked trailers, each one looking as old as the next. your dad, already in a foul mood, grumbled something about going inside and “not making a fuss.” you knew better than to argue with him.

you had just moved here. not that it was much different from the last place. same kind of peeling paint, sagging porches, and rusted cars that never seemed to run. but little did you know, this trailer park would have one difference.

you didn’t know him yet, but you saw him the moment you stepped out of the truck. he was sitting on the steps of the trailer not too far away from yours, his small frame slouched like he was trying to disappear into the wood behind him. his hair was dirty blonde, a little too long, falling into his eyes. and his clothes were dirt streaked and a couple sizes too big for him. he looked like he hadn’t had a good meal or heard a kind word in a long time.

your dad noticed him too, but all he did was grunt. “tha’s will’s kid,” he muttered, spitting on the ground and making you grimace at the action. “stay clear of him. ain’t no good come outta that family.” you frowned, because as far as you knew, your father and will were friends. he was the reason your dad knew about this place.

you didn’t say anything, turning on your heel to make your way into the trailer. your new home for however long your dad could keep a job, or not piss off the park owners and get kicked out. it had been like that your entire life. and you were just a burden on his back— someone he had to feed and provide a roof over their head.

it had always just been the two of you. you didn’t know much about your mother— sure you remembered her a little bit. she stuck around until you were about four, but then she had run off with someone else. someone who had more money. someone nicer.

according to your father, she had always been selfish like that.

later that afternoon, while your dad was off drinking with some of the other men that lived in the park, you wandered out. you kicked at a rock as you walked along the dirt road in the park, feeling the dry heat against your skin. the kind of heat that made everything feel like it was moving slower. you saw daryl again, this time sitting by the edge of the lot.

without thinking too much about it, you walked over. he didn’t say anything when you stopped just a few feet from him, he just stared at you through a tangle of hair.

“hey,” you said, trying to sound casual, though your anxiety caught the best of you and your voice wavered.

daryl didn’t say anything, his eyes darting away like he wasn’t sure if he was allowed to look at you.

you kicked the dirt again, feeling a little awkward but not wanting to leave. you looked back up at him, a small frown on your lips. “i’m (y/n),” you said, hoping to get something out of him.

“daryl,” he replied, finally glancing up at you. his blue eyes were sharp, like they saw more than they let on.

you nodded, not sure what else to say. you knew that look. you saw it in the mirror sometimes — the kind of look kids get when they’re used to keeping their heads down, used to trying to stay out the way.

“i think your dad is friends with mine,” you stated, hands shoved into the back pockets of your shorts, rocking on your heels.

daryl flinched— just the slightest twitch of his shoulder, but you saw it. he didn’t say anything, but you didn’t need him to. you could tell what his life was like. his dad, will, and your dad — they were all the same. angry men with heavy fists and loud voices. men you had to learn to survive around.

after a long silence, daryl finally spoke, his voice barely more than a whisper. “yeah. he is.”

you didn’t push. you knew that was enough for now. instead, you sat down on the ground next to him, the dust covering the back of your legs. daryl didn’t move, but you could tell he wasn’t as tense as before. the two of you sat there in silence for what felt like hours, the sun slowly dipping behind the trees, casting long shadows across the trailer park.

as the sky started to turn orange, you finally broke the silence that enveloped the both of you. “you wanna hang out tomorrow?”

daryl glanced at you, his brow furrowed in confusion, wondering why you would want to hang out with him. “why?”

you shrugged, picking at the hem of your shirt. “i dunno. ain’t got nobody else to talk to.” you looked at him, meeting those sharp blue eyes again.

he didn’t answer right away, but eventually, he nodded. “yeah. okay.”

that’s how it started. you and daryl weren’t the kind of kids who needed a lot of words, but it seems like you needed each other. you spent a lot of your days wandering the woods behind the park, throwing rocks at tin cans, and sitting by the creek when you wanted to escape the heat. you talked about your families a lot, but not your fathers. it was obvious what fathers who drank to much did, who hurt too much, who left scars deeper than anyone could see.

he’d talk about his older brother, merle, a lot. and you’d grimace at a lot of the things merle seemed to do. you were yet to meet him, but you weren’t exactly sure if you wanted to.

as the years went by, daryl became more than just a friend. he was your escape, your reason to keep going. you knew he felt the same, even if he didn’t say it out loud for a long time. you had each other’s backs in a world that seemed determined to keep you down, and that was enough.

even on the worst days, when your father’s temper flared and you were too scared to go home, daryl would be there, waiting by the tree line, ready to disappear into the woods with you. and when his old man came around looking for trouble, you’d do the same for him.

and though merle constantly teased the both of you, calling you names like lovebirds, you felt a little sense of security with your newfound family. it wasn’t picture perfect, but it mattered to you.

[apomaro-mellow]

King and Prince 33

Part 32

A kiss had never driven Steve so crazy. Never in his life had he ever spent so long thinking about something as simply as a kiss. But it wasn’t just one kiss, was it? For one thing, there had been several until they’d been interrupted by the children. And for another, each one had felt more meaningful than the last. More heated too. Eddie had rushed them back to the castle like he couldn’t wait to get Steve in bed.

They never did find out what the boys had been doing out so late, but maybe that was for the better. The heat of summer was getting to them all and so it was planned to have an outing at Lover’s Lake. Typically a royal going onto an outing like this meant the entire court coming along. It meant several carriages and even more servants to wait on them hand and foot.

But Steve should have known that Eddie wouldn’t put on any airs like that; that he was the type to choose only the bare essentials. So the lot of them piled up into a wagon, a couple of baskets of food, snacks, and refreshments to tithe them over until they returned to the castle.

“Why is it called Lover’s Lake anyway?”, Steve asked.

“Because legend tells of two loves who couldn’t be together, so they drowned themselves to be with each other”, Dustin said with a ghastly smile.

“That’s not the story”, Lucas argued. “Two lovers came from the lake. One made of moss, the other of water.”

“I heard two people were so in love, their passion created the lake”, Robin said.

“I was always told it was a bunch of people”, Will said. “Not just two.”

“Stories can change over time”, Eddie said from the front where he drove the horses. They got to the lake shortly after that. The surface glittered in the sunshine. And they weren’t the only ones enjoying the cool water. There were a couple of boats down the way, fishermen. Although it was clear even from a distance that they were doing so for leisure. The boys wasted no time tearing their shirts off and stripping down to their swimming shorts.

El and Max took their time, choosing instead to head off for a shady area under a tree. Steve couldn’t tell what they were doing, but it looked like serious business. Robin was already lounging with a nice, cool drink and Steve was about to join her when he saw Eddie heading for the water. He too had stripped down and Steve was struck by the fact that this was the first time he’d ever seen Eddie in a real state of undress. His chest, arms, and back were visible and they were covered in tattoos.

Most of his body seemed to be covered in black vines. They branched this way and that and at the end of each branch was something new and different. Steve was mesmerized. He didn’t realize that he was until Robin reached over with a stick and poked at his cheek.

“Sorry, I was trying to close that gaping hole in your face.”

Steve glared at her but he didn’t know what he was more perturbed by - her making fun of him or her interrupting his staring.

“I was also trying to wipe the drool off.”

“With a stick?”, Steve asked, trying to wipe his face without being obvious.

“I’m not touching your drool with my bare hands.”

Steve rolled his eyes and went back to watching Eddie as he went into the water. His skin was pale under the sunlight and Steve worried he might burn if he was out for too long. Was he like the demobeasts in that regard? He must have better tolerance, able to even be in the light at the height of summer at all while the others hibernated in dark caves.

He watched as Eddie dipped below the surface and then came back up, his hair draped over his face. He used his hands to brush it back and damn, Steve might actually be drooling now. 

“He’s…”, Steve trailed off, not having the words.

“I can’t believe our king has reduced you to speechlessness. In a good way”, Robin said. She looked up to view Eddie and only saw a wet dog where Steve saw beauty and power.

Finally, Steve couldn’t take it anymore and he prepared to take to the water. Will was distracting Mike when Lucas dunked him in the lake. Immediately after, Dustin breached to knock Lucas off balance. Eddie was wading at a distance, making sure they didn’t get too wild, when he noticed Steve stepping in from the shore.

Immediately, Eddie’s mouth got dry, watching Steve enter like something from his dreams. He didn’t wade through the water so much as the lake caressed his body. Before he knew it, he was moving towards the prince.

“Hey there”, Steve smiled.

“Hello, little prince”, Eddie smiled right back as they got nearly chest to chest. 

Steve’s hands found his under the water and Eddie brought them up out of it to kiss both sets of knuckles. For a moment, the screeching of children at play were distant. They didn’t even notice El and Max diving in with a splash. All they could see were each other’s eyes and the droplets of water shining on them both. 

“Can I tell you something?”, Steve whispered in the small space between them.

“Anything, always”, Eddie’s voice was soft, not wanting to break the moment.

“I’m still thinking about our kiss, from that night.”

“As if I could ever forget. My dreams are sewn with the sweetness of you. It permeates my every thought. If I could go without breathing, I would, just to keep your lips on mine.”

“You don’t know what your words do to me”, Steve ducked his head. “When you talk it’s like…it’s as if you take my words away from me just to return them.”

Eddie’s hand came up to grip the back of his neck, “If that is the truth, then I should give them all back. For I am no thief.”

Their foreheads came together and Steve blinked, taking just a second to savor him. And also to glance around and remind himself of their surroundings.

“What are you thinking about, my joy?”

“I am thinking of the fact that we must have eyes on us.”

“Then let them bear witness to our affections.”

“Hey! We can and will douse you with water!”, Mike reminded from afar.

Eddie snickered, letting his hands move up from Steve’s neck to further up into his scalp. “Sounds like they’re warning us off.”

“It sounds to me like they’re itching to splash us anyway. So it wouldn’t make a different whether you kissed me or not.”

Eddie’s eyes got bright. “Oh it makes a difference to me.”

When they kissed this time, they knew it would only be a second before they were interrupted and sure enough, water hit the side of Eddie’s face, getting Steve in the crossfire. It was still one of the sweetest kisses Steve had ever received. He and Eddie retreated to the shore, where those tattoos were brought to his attention again.

“That’s quite the mural”, Steve said, looking them over again. He could see a paintbrush, a sword, a book, and several other things that almost seemed like charms on his body. 

“Each one is for someone in my life”, Eddie admitted. 

Steve looked over all that he could see, wondering who was who. And also wondering how long until he found a space on Eddie’s skin and what he would be illustrated as. They returned to the castle hours later, children hanging on by a thread and ready to collapse from swimming all day. Steve was right alongside them, eyelids getting heavy. Eddie took it upon himself to carry Steve up to his room, even laying him in his bed.

He left the prince with just a kiss on the forehead and then the door separated them as he stood in the hall. He gave a heavy sigh and leaned heavily against the door, which was how Jeff found him.

“How goes the courtship?”, his friend asked.

Eddie gave him a long look. “I have to marry him before the year’s end.”

Part 34 coming soon

Taglist CLOSED

@thesuninyaface @only-evanescent  @snakeorsquid  @ignoremyworld  @theclichefortunecookie 

@goodolefashionedloverboi  @just-a-tiny-void  @0body0disphoria0  @cinnamon-mushroomabomination  @samsoble 

@jamieweasley13  @y4r3luv  @xtkxkrzrizir  @un-knownperson  @greekgeek24 

@justdrugsformethanks  @potato-of-the-lord  @notaqueenakhaleesi  @swimmingbirdrunningrock  @queenie-ofthe-void 

@nebulainajar  @lil-gremlin-things  @nicememerino  @robininblue  @hornedqueenofhell 

@anne-bennett-cosplayer  @moomkin77  @here4thetrama  @bookworm0690  @autumncrocusandladybug

@lil-gremlin-things @littlebluejane @puppy-steve

[lucky-clover-gazette]

(for the request thing) sometimes i wonder how Volo would feel/react if someone (like arceus’s chosen 👀) took a blow for him from a wild Pokemon or another person. From his perspective, Volo doesn’t have anyone in Hisui that cares about his wellbeing, and the game alludes to him having a troubled and lonely past, and with him having planned on erasing all life in Hisui in pursuit of his desires, would he feel guilt if someone showed him a level of care that would make them sacrifice their safety for his, when he was ready to potentially sacrifice them for his own sake when it came to Arceus?

(also wanna say ive loved your fics on Ao3, so talented <3)

(also on ao3)

You really prefer not to die in front of other people.

The edges of your vision darken as you shove Volo aside, taking the full force of the Alpha Vespiqueen’s attack. You manage the subdue your attacker with a well-aimed sticky glob and ultra ball, but not before suffering an undoubtedly fatal blow.

The consummate merchant comes to you at once, leaning over your fallen body with an oddly indecipherable expression. Usually Volo is abundantly obvious with his feelings, whether he’s passionately rambling about ruins or earnestly praising your efforts as the hero of Hisui. But the man you see now, as your vision begins to blur, simply stares.

“Caught it,” you brag.

His grey eyes widen slightly. You haven’t shared this with him, but you’ve always found them rather beautiful.

“You shouldn’t have…”

“Saved you?” you ask with a dry chuckle. “That’s why I’m here, remember?”

Volo furrows his brow. Reaches out to touch you, then pulls his hand back.

“I sincerely apologize,” he tells you, bowing his head. “If you are to perish in these circumstances, you deserve to know—”

You die and can’t hear the rest.

And then you open your eyes.

You stand on your feet now, in the last place you felt safe before the Pokémon’s attack. Volo still kneels in the distance, seemingly unaware that your body has been replaced by a fallen satchel containing your entire supply of ultraballs, a fire stone, and exactly four medicinal leeks.

You frown. This is going to be awkward.

“Hey, buddy,” you say, coming up carefully behind him. Volo’s back goes rigid at the sound of your voice, his head turning around at once.

“You—you!!”

You rub the back of your neck, sheepish. “Surprise?”

“You died!” Volo exclaims with an accusatory finger-point. “I just saw—” His head swivels to the satchel on the ground, then he turns back to you. “How?”

You sigh and sit down beside him. “Chosen One perk. I die, Arceus says my work isn’t finished yet, I get another shot. It happened for the first time when I fought Lord Kleavor. I had no idea what I was doing, and it took like a dozen tries before I got good.”

Volo looks horrified. “You’ve died a dozen times?”

“Of course not!”

“Then why—”

“My death count’s definitely in the triple digits now. Lord Arcanine was ten times worse than Kleavor, because of all the fire and bullshit arena. At least Lady Liligant was a total pushover.”

“Did it not hurt?” demands Volo, his face growing noticeably pale.

“Oh, it totally hurt,” you admit. “But somebody’s got to deal with it, and I’m the only one around here who’s been made invulnerable by God.”

Volo looks as if he’s been slapped. You suppose that’s fair, considering the shock of witnessing your death and resurrection. But to you, this really is just another Tuesday.

“I know it’s disturbing,” you sigh, putting a hand on his shoulder. His muscles are tense. “That’s why I try my best to make sure people aren’t around to see it. Just easier that way, you know?”

Volo wears another unreadable expression.

“Sucks to lose a satchel, though,” you say, lightly. “Thanks for keeping an eye on it. Without witnesses, I usually lose some of my stuff. Never the plates, though, don’t worry.”

He still looks lost in his thoughts, which is no good. You don’t know how to explain that this happens all the time, for much less important reasons than protecting your favorite person on Hisui. The pain is a small price to pay for his safety, and you’d readily pay it again.

“I thought you died,” Volo eventually says. “Saving my life.”

You elbow him playfully. “I guess Arceus is looking out for you too.”

His expression darkens. “No.”

“No?”

He looks you dead in the eyes, with a different sort of intensity than you’ve come to expect from the eccentric wanderer. “Under an unjust god, endless life is endless pain. Do you truly wish that for yourself? For the world?”

Distantly, you wonder what exactly Volo had thought you deserved to know before your presumed demise. You have a feeling he’s not going to tell you now.

You offer him a hand. “Well, unless you’ve got a better god laying around somewhere, I think we’re stuck with what we’ve got.” And I like what I’ve got, you absolutely do not tell the merchant. I like that I’m here with you.

Volo still seems distracted, but he takes your hand anyway. “Right,” he mutters, and then smiles. “We live to fight another day.”

You rub your thumb against the side of his hand. “And maybe someday, we won’t have to fight. We’ll have everything we need.”

You can picture it, with him. You wonder, maybe foolishly, if he might feel the same way.

Supporting you is actually an investment in my own fortunes, Volo had told you once.

You would protect him regardless of your personal relationship, of course. Just as you protect the rest of this world. You want things to be better, for everyone, and intend to use your god-given powers to ensure that your dream becomes reality.

Volo nods, his sharp gaze fixed on your joined hands. A chill runs down your spine as he squeezes.

“Yes,” he agrees. “Someday.”

You smile softly.

“I think I can live with that.”

[raayllum]

Callum is so right about Rayla never doing anything for herself. You could say freeing Runaan was for herself but she also treats it as her "sacred promise" and chose him for Ethari too (shows how great her heart is). You think sparing Callum will finally count as her doing something for herself? Choosing her future and her love for him over the "greater good". She couldn't get her og parents back‚ this girl keeps losing and suffering she seriously deserves more wins

God, I could write an entire meta about that line - maybe one day when I'm feeling self indulgent. In regards to your actual prompt, re: saving Callum will count as something for herself -- a big yes, absolutely, I think! Though I think freeing her parents is something she deeply wanted for herself, too ("I miss you so much" / "so I wanted to do something for yourself for you") even if it was something she was continually putting off till the Aaravos situation, as far as she knew, was resolved

Prior to S6 I went back and forth on whether the show would frame Rayla's end of the possession plot line / trying to get Callum back as either "It doesn't matter what happens to me (again) I just want to save him" (which is what leaving in TTM and other moments was about) OR whether it'd be framed as "I refuse to sacrifice him / something I want (again)" and therefore be character development. I leaned towards the latter for reasons outlined here since the two have the chance to be even more thematically codependent than they already are in terms of their senses of identity:

As long as Callum is Callum (not possessed, or she has reason to believe he’s still in there), Rayla likely won’t be able to bring herself to kill him. This is from an emotional / characterization standpoint, of course, but from a thematic standpoint, we can see where it stems from Callum and Rayla continually being each other’s main connection to their sense of identity. As long as Callum is Callum (“you’re the destiny is a book you write yourself guy”), he’s worth saving. As long as Callum is Callum, she can be Rayla (“Rayla’s brave. She saves people” / “Rayla. My name is Rayla, and I’m going home”). As long as she’s Rayla, he can be Callum. Because if Callum isn’t Callum, then he’s dead, and if he’s dead, she can kill him. And if Rayla kills him, if Callum is dead, then she won’t be Rayla anymore. Because to literally kill Callum would be to simultaneously symbolically/emotionally kill herself.

This goes both ways of course - Callum can't/won't sacrifice Rayla because to do so would be to sacrifice a fundamental part of himself (namely his deep and Pure devotion to others which means he'll never go entirely down the negative side of Viren's path, and keep to the positive - leaving Aaravos, breaking free, etc). This was subtext prior to S6, but now it's actual text (she's his light/truth/hope of salvation, etc) so it goes double going forward. This is true for Rayla too — Callum is her guiding light and her star, he's one of the people who's taught her the most about how to love and the person she wants to be.

With all that in mind, yeah, I do think that Rayla will choose to not sacrifice Callum for the right reasons. Part of this is scaffolded under witnessing Callum not sacrificing her No Matter What prior to her won choice, and realizing "what [she] most deeply desires" isn't just Callum's survival even, but specifically the life they can have together, which she needs to stick around for and thereby not sacrifice herself. Runaan is also explicitly remorseful over the actions he took towards her where he choose duty over love, so Rayla realizing she should choose love over duty ties into them growing together as well in a positive way. We also see her realize some of this I think in choosing to let Lain and Tiadrin stay together rather than separate them specifically because of the Moonphoenix bracelet Callum gave her as well.

"I risked losing the best thing I ever had" because of her own duty turned revenge vs "I refuse to lose either of us like this" and finally fully accepting an assassin was never who she was and never who she Should be, in sacrificing others' lives or her own included. Them both Choosing each other above everything else was exactly what I was hoping for as soon as the "I need you to kill me" plot line started / wrote in my first CHET fic pre-S4 years ago:

She has two options as she pulls away. She can make a grab for her swords and go out, swords blazing. Kill Viren or Aaravos if she can as the sky splits open, purple and thrumming with magic; die with a sword in her hand in all likelihood. The release spell has already started. Or she can help Callum up, and they can live to fight another day—together. Rayla grips the back of his jacket. Presses her forehead to his neck for a second, tears building her eyes. “I’m sorry,” she says. His arm tightens around her, like he’s braced for her to go. “Rayla—” “I’m so sorry,” she repeats, sobbing. This is all her fault, but she can’t do that to him. “We have to get out of here.” [...]

Callum is staring at her when she pulls back and she swallows hard. She doesn’t know what to say. It’s both a blessing and a curse when he speaks first. “You chose me,” he says, not quite softly; she can tell there’s a lump in his throat. An edge of anger that not doing so was even an option. “Yeah, well. It was about time,” she says quietly. “I—”

So uh, here's hoping!

[physalian]

Narrative Framing Devices

This is a long one…

A story need not be told chronologically, nor does it have to be only one layer deep. There’s a ton of different ways to frame your narrative, I’m just picking a couple today, some I thought worked and some I thought didn’t, and my personal favorite.

Most people think of framing devices in terms of time travel stories or fairytales, where it may start in the present or the future and work backwards, giving up the ending before telling how we all got here. Or by chopping up the chronology and letting the audience try to puzzle out the order.

There are also those that break the fourth wall, with the narrator beginning the story directly addressing the audience but never doing so again, or the narrator opening the story telling their own story to a present audience, so we’re the audience behind the fictional audience.

The other obligatory framing device is the time-skip, a la “6 years later” or “8 months later”. I’ve already talked about those. Or the preface/preamble/prologue that may spoil some important event later in the story, or is simply an important moment or montage of moments to catch the reader up on “how did we get here”. Shoutout to Castlevania for the most efficient pilot episode I have ever seen, with a 1 year timeskip.

Also honorable mention to the “A Life in the Day” montage from Magicians, speedrunning decades of a life together between two characters stuck in a Situation, maybe 60 years? Key moments between the two having a whole romance, with a kid and grandkids, over the course of one beautiful bit of soundtrack. One of the best episodes in the show, for a sequence that only lasted a little over 5 minutes.

—

Story within a Story | Princess Bride, "Ember Island Players"

Best example I can think of, specifically the film, which is based on a book that already incepts itself. The movie opens with a regular kid being read the book The Princess Bride by his grandfather, and occasionally cutting between the kid’s reactions and the fantasy story with the actors.

There’s several moments where the grandfather either loses his place and rereads a scene that replays the same dialogue, or skips a scene in the “kissing book” because his grandson gets squirmy, and moments where the grandfather narrates over a couple montages.

Princess Bride is one of those movies that knows exactly what it is and isn’t trying to be something it’s not. It’s self-aware and loudly and proudly sincere, with one of the best revenge arcs ever put to film.

Recap episodes can either be clipshows or get really creative like ATLA, telling the series recap through the medium of a propagandized play about the Avatar's journey, performed by actors of the Fire Nation. The Gaang sits there in vague states of discomfort, horror, or in Toph and Sokka's case, thrilling enjoyment, watching their hardships and heartbreaks played for laughs. That it's the story we know, but also with the added filter of it being enemy propaganda takes what could have been just a clipshow and still told multiple layers of a story with it.

The Fourth-Wall Break | Riordan-verse, Deadpool

“Look, I didn’t want to be a half-blood” defined a generation. It’s one of those fourth wall breaks that opens up the story and never appears again, though occasionally Percy will get slightly self-aware, saying things like “I didn’t know it then, but I’d never come back here”. But for PJO it almost doesn’t count.

Kane Chronicles on the other hand chose a bizarre framing device, having the two leads pretend to host a radio show, or a podcast—something where they were recording themselves and I don’t think it worked very well whenever it popped up and stopped the plot.

Shoutout to Tangled, too, for having a fairytale style fourth-wall break at the end, much like KC, where Flynn reveals that Rapunzel has been listening to him tell their story the entire time. Many fairytale stories open up with the physical book flipping open to the story, like Shrek and Shrek 2, but I don’t think those are translatable to the written medium very well.

The big one, though, is of course Deadpool. Have not seen the second one, and while ‘breaking the fourth wall’ isn’t by itself a framing device, DP & Wolverine absolutely makes it one, fast forwarding and jumbling up the sequence of events to deliver a “how did we get here?” during the opening credits.

Chronology Salad | Memento, Predestination

Have not actually seen Memento but I know the premise, working backwards as the protagonist recovers his memory of “how did we get here?” Predestination is a batshit insane time travel story that I don’t think most people have even heard of and detailing the plot at all is giving spoilers but it is the most “how the fuck did we get here??” movie I have ever seen.

Then you have stories like Twilight that open with “I’ve never given much thought to how I would die” that spoils (kind of) the ending, with the goal of the story not detailing if something bad will happen, but how. Twilight’s prologue reminds me of The Bachelor, where they’ll tease the audience with *shocking* moments completely out of context from later in the season that are way less cool when they actually come to pass (from the one time I watched with relatives out of morbid curiosity).

The point of these chronological mixups is how all the random puzzle pieces fit together, despite essentially spoiling themselves constantly, they’re so random, so out of place, meant to keep you constantly guessing until the big reveal of the picture on the box—and are extremely tricky to do well without completely losing your audience. You’d have to have a very thorough outline to not confuse yourself while trying to write it.

Honorary mention here for Inception, one of my favorite sci-fi movies, because the plot is crazy, but still told chronologically, just across different dream levels. However, the movie does open with the ending scene (though you don’t know that on your first watch). And Tenet, but I don’t know anyone who likes or cares about that movie.

Dual Timelines | Outlander

There are others I just cannot think of them at this moment. Dual timelines tell two stories simultaneously across two different eras, either decades apart or mere hours, with some relation between the two. Sometimes one timeline’s protagonist is the ancestor of the present timeline, for example.

Dual Timelines happen in sequential order, making them distinct from a flashback arc (more below) essentially two chronological plots running in tandem squished into the same book, episode, or film. They carry equal weight and try not to overshadow each other in flair or importance.

In Outlander, Protagonist Claire is already a time traveler, in a time travel story whose rules are “whatever happened, happened, and you end up causing whatever you tried to prevent”. Season 2 opens with her returning to the present, leaving the entire rest of the season with a foreboding sense of dread, wondering what will get her back to that moment.

Season 3 dangles the carrot on the stick, randomly cutting between Claire in the 60s and trying to move on with her life for… I think 20 years, while Jaime, her love interest from the past, just keeps getting kicked while he’s down. It takes forever to get these two back on screen together. And the dual timelines continue taking up screen time when Claire and Jaime’s adult daughter also eventually makes a trip to the past. Points off for being blatantly manipulative storytelling with its cliffhangers, but season 1 is still worth the watch.

Flashbacks, Flash-Forwards, and Flash-Sideways | Lost

This show’s earlier seasons were heavily framed with this device. In The first 3 seasons (up to the last episode) the framing device was exclusively flashbacks, focusing on one of the main 13 heroes for an episode, particularly in season 1.

They didn’t always answer “how did we get here” but told some story relevant to the character in the present, either a challenge they had to face or parallel relationship drama or ghosts come back to haunt them. Usually, these little flashbacks were told in sequential order, but they could hop months or years ahead at a time depending on the episode.

The flash-forwards began in season 4 and closed the gap between the “Oceanic 6” escaping the island and all the missing time while they were gone, before the infamous “We have to go back” line.

The show also had flash-sideways, which featured the main cast, many of whom had been dead for a few seasons, reprising their roles to show what could have been their lives if they never crashed. To… mixed reception.

The show also also had a time-traveling character who in-universe experienced flashes of the future and got mentally temporally displaced between two timelines for a hot minute.

Lost was… a show that demanded a dedicated following. I still love it.

Flashback Arcs | My own personal soapbox

This right here is the whole reason for this post. First you have flashback episodes and I can name a lot of those—ATLA has a couple, “The Storm” & “The Avatar and the Firelord” but both are technically “stories within a story” with characters either around a campfire telling it or reading about it. The alternate timeline takes up a majority of the runtime, only occasionally cutting back to the present characters for a reaction.

In TFP there’s an offbeat flashback episode “Out of the Past”, framed, again, as a character telling this backstory stuff to another character. Many, many vampire stories will have flashbacks to some degree, since their characters live for so long. Vampire Diaries, especially in the earlier seasons, had dozens of them filling in all the blanks back during the Civil War when the two leads, Stefan and Damon, were competing for the affections of the main villain, all leading up to how they were turned, and how she allegedly died. Once the Originals were introduced, the show then had flashbacks to a thousand years ago, when they were human, and various eras in between.

True flashback episodes don’t waste precious minutes setting up a framing device, they just dump the audience in an alternate timeline and let them figure it out on their own that something isn’t right.

But none of that comes close to the full-on Flashback Arc. I. Love. This. Trope.

I actually first saw it when Arrow was good in its earliest seasons, cutting fairly equally between a present-day Oliver back home and starting his hero journey, and him learning combat back in the past, over several episodes like a series within the series.

What you end up with is a happy medium between a full dual timeline and a random grab-bag of flashbacks as they become necessary to the plot. A flashback arc relies entirely on the existence of the A-plot to make sense, as opposed to a dual timeline where it’s essentially two self-sufficient stories rolled into one big narrative. This arc is substantially shorter than the rest of the plot, cutting the story it’s telling down to the absolute need-to-know moments and cutting all transitions between the two. These arcs tend to cover weeks, at minimum, and decades of a long life at most.

I think they're best implimented after the first book, film, or season. Not something you want to throw at your audience who barely knows or cares about these characters, so if you're stuck with ideas for a sequel, consider the Flashback Arc.

My favorite thing that I have ever written (sans ENNS) was for my sci-fi WIP, a C-plot flashback arc in 13 parts. They started out as in-universe nightmares to give credibility to when these flasbacks started occuring, framed around the character's reaction to the scene, but then took off independently to avoid redundancy.

This arc covered his time as a POW, telling the reader how he came to be the living weapon he was, and the first detail it opened with was the reveal that he wasn’t the only one of his kind, he’d lied and shouldered the blame of every atrocity to protect the others, as their numbers dwindled and it all fell into place. A truth he wouldn't tell with a gun to his head.

Because you already knew he lived, because he’s right there in the present A-plot, the arc wasn’t telling you if he’d survive the war, but what he’d do to survive, and how it all fell apart. Because it was framed up with the existing narrative, I had a lot more leeway in omitting details and dropping the reader weeks or months ahead as opposed to this being a completely fresh story with new characters. You knew immediately based on the tone that this POV was the C-plot flashback POV, and you knew the only person who could narrate it was my poor character.

Over 13 POVS, 34k words (of a total whopping 202k), I told a whole love story, established and killed off 10 characters, and gave heaps of worldbuilding lore and exposition to fill in all the blanks in the present and answer questions that this character would never, and revealed just how much he lied about and why.

All of this tied in with the A-plot, staggering the physical placement of POVS within the book to hit at the right moments tonally and as the character’s condition kept deteriorating because he refused to talk about What Happened. His reason was that he’d done all of this and suffered so much to keep their legacies pure. If he gave it up now, he would have done all this for nothing.

And this was some heavy shit. There was murder, suicide, death by giant alien super robots fond of ripping people apart, assault, mercy killing, torture, gaslighting, and psychological horror. One of my magic systems let magicians regrow limbs alchemically, which meant they could endure a shit ton of pain and just get reset to do it all over again.

It was a lot.

But because it was just in flashbacks, I gave you just enough dark shit before cutting back to something marginally lighter, not just one long slog of misery. There was also the unknown of how quickly it would end. The book would end when you hit the last page, but you had no idea which flashback POV would be the last.

And also.

I got to flex my writing skills to the fullest, writing this character’s flashback POV in a completely different tone and style to make it that much more distinct from the rest of the present book.

ENNS’ sequel is very much under construction, but the one thing already polished is a flashback episode packed into one chapter for one of my characters. It’s perfectly knife-twisty and I can't wait for people to read it.

—

There’s dozens of framing devices out there. Most important thing, I think, is not sacrificing audience understanding for the sake of something ‘cool’. Doesn’t matter how amazing the story is if your audience gets completely lost and confused trying to keep up with what’s going on.

If you'd like to check out my book, Eternal Night of the Northern Sky is available now!

[angelstitss]

i have nothing else to say about this. i am absolutely batshit.

confused? let me show you because after my months of analyzing this song i did not see this a SINGLE TIME until it was pointed out to me.

i’m going batshit insane. this is the reason why i need to be locked in a padded room.

right after alastor said that vox asked him to join his “team” and alastor said no.

there is no other explanation for this.

LALALALA IM GONNA DIE ‼️‼️‼️

WHAT WAS THE FUCKING REASON.

[feral-teeth]

Smosh - omg thanks to the brainrot not only has my hyperfixation with them help my art, they have helped me get out of my years long writing hiatus

(Some I haven’t even posted yet!! Or even be able to post because of how much I’ve drawn - And there are sooo many WIPS that are all smosh)

[angelnumber27]

It’s so embarrassing and heartbreaking being in so much pain over losing someone while knowing they don’t give a fuck if you live or die. Your favorite person becoming a stranger is a special kind of hell.

[sqwdkllr]

And if I were to say C!phil may have passed his worst trait into C!sam unintentionally (being self sacrificial and as a result hurting those they love for their own version of “a greater good”)

[chibishortdeath]

Hmmm I kinda want to make a side blog for RPG Maker game development related things to be able to talk to more experienced people in that community, but at the same time I both don’t really think I’d get much attention and don’t want to accidentally spoil my own game (^^ ; ).

I have a rough story, concept doodles, a tileset, some character sprites, an enemy that walks around but can’t initiate battle yet (if I even decide to have a battle system), a couple rooms with some events, and a functioning run button, but I’m still lost on how to do much else at the moment. Especially since this program has the ability for scripting, meaning I’ll probably have to learn and actually retain another coding language.

So, I’m not very far at all lol. Idk how well that’d go over on the established fandom website, but eh.

[archduke-enver-gortash]

posting on here is like my sisyphean boulder i'm constantly rolling tbh

[uhode]

she posted like parts of a photo from this summer on her instagram story doesn’t matter whatever i am in that photo and it’s the beach at the end of my street and i am going to be fucking sick i hope i really fucking hope it makes her a bit sick too

[theladyfae]

nothing to me will ever be more iconic than my beloved mutual managing to get me so invested in a (rarepair) ship for a media i had no previous interaction with that i was actively making my own headcanons abt their potential relationship dynamic and making song associations and engaging in others’ brainrot for months before i ever even considered getting in to said media. and now a year later i’m finally writing fic for them but still know next to nothing abt what they’re like in canon cause i still haven’t made it to that part of the story, the memories of the shared delusion are genuinely the only thing keeping me going.