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ceilidhtransing · 1 month

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The discussions around whether or not to vote for Kamala keep being dominated by very loud voices shouting that anyone who advocates for her “just doesn't care about Palestine!” and “is willing to overlook genocide!” and “has no moral backbone at all!” And while some of these voices will be bots, trolls, psyops - we know that this happens; we know that trying to persuade progressives to split the vote or not vote at all is a strategy employed by hostile actors - of course many of them won't be. But what this rhetoric does is continually force the “you should vote for her” crowd onto the back foot of having to go to great lengths writing entire essays justifying their choice, while the “don't vote/vote third party” crowd is basically never asked to justify their choice. It frames voting for Kamala as a deeply morally compromised position that requires extensive justification while framing not voting or voting third party as the neutral and morally clean stance.

So here's another way of looking at it. How much are you willing to accept in order to feel like you're not compromising your morals on one issue?

Are you willing to accept the 24% rise in maternal deaths - and 39% increase for Black women - that is expected under a federal abortion ban, according to the Centre for American Progress? Those percentages represent real people who are alive now who would die if the folks behind Project 2025 get their way with reproductive healthcare.

Are you willing to accept the massive acceleration of climate change that would result from the scrapping of all climate legislation? We don't have time to fuck around with the environment. A gutting of climate policy and a prioritisation of fossil fuel profits, which is explicitly promised by Trump, would set the entire world back years - years that we don't have.

Are you willing to accept the classification of transgender visibility as inherently “pornographic” and thus the removal of trans people from public life? Are you willing to accept the total elimination of legal routes for gender-affirming care? The people behind the Trump campaign want to drive queer and trans people back underground, back into the closet, back into “criminality”. This will kill people. And it's maddening that caring about this gets called “prioritising white gays over brown people abroad” as if it's not BIPOC queer and trans Americans who will suffer the most from legislative queer- and transphobia, as they always do.

Are you willing to accept the domestic deployment of the military to crack down on protests and enforce racist immigration policy? I'm sure it's going to be very easy to convince huge numbers of normal people to turn up to protests and get involved in political organising when doing so may well involve facing down an army deployed by a hardcore authoritarian operating under the precedent that nothing he does as president can ever be illegal.

Are you willing to accept a president who openly talks about wanting to be a dictator, plans on massively expanding presidential powers, dehumanises his political enemies and wants the DOJ to “go after them”, and assures his supporters they won't have to vote again? If you can't see the danger of this staring you right in the face, I don't know what to tell you. Allowing a wannabe dictator to take control of the most powerful country on earth would be absolutely disastrous for the entire world.

Are you willing to accept an enormous uptick in fascism and far-right authoritarianism worldwide? The far right in America has huge influence over an entire international network of “anti-globalists”, hardcore anti-immigrant xenophobes, transphobic extremists, and straight-up fascists. Success in America aids and emboldens these people everywhere.

Are you willing to accept an enormous number of preventable deaths if America faces a crisis in the next four years: a public health emergency, a natural disaster, an ecological catastrophe? We all saw how Trump handled Hurricane Maria in Puerto Rico. We all saw how Trump handled Covid-19. He fanned the flames of disaster with a constant flow of medical misinformation and an unspeakably dangerous undermining of public health experts. It's estimated that 40% of US pandemic deaths could have been avoided if the death rates had corresponded to those in other high-income countries. That amounts to nearly half a million people. One study from January 2021 estimated between around 4,200 and 12,200 preventable deaths attributable purely to Trump's statements about masks. We're highly unlikely to face another global pandemic in the next few years but who knows what crises are coming down the pipeline?

Are you willing to accept the attempted deportation of millions - millions - of undocumented people? This is “rounding people up and throwing them into camps where no one ever hears from them again” territory. That's a blueprint for genocide right there and it's a core tenet of both Trump's personal policy and Project 2025. And of course they wouldn't be going after white people. They most likely wouldn't even restrict their tyranny to people who are actually undocumented. Anyone racially othered as an “immigrant” would be at risk from this.

Are you willing to accept not just the continuation of the current situation in Palestine, but the absolute annihilation of Gaza and the obliteration of any hope for imminent peace? There is no way that Trump and the people behind him would not be catastrophically worse for Gaza than Kamala or even Biden. Only recently he was telling donors behind closed doors that he wanted to “set the [Palestinian] movement back 25 or 30 years” and that “any student that protests, I throw them out of the country”. This is not a man who can be pushed in a direction more conducive to peace and justice. This is a man who listens to his wealthy donors, his Christian nationalist Republican allies, and himself.

Are you willing to accept a much heightened risk of nuclear war? Obviously this is hardly a Trump policy promise. But I can't think of a single president since the Cold War who is more likely to deploy nuclear weapons, given how casually he talks about wanting to use them and how erratic and unstable he can be in his dealings with foreign leaders. To quote Foreign Policy only this year, “Trump told a crowd in January that one of the reasons he needed immunity was so that he couldn’t be indicted for using nuclear weapons on a city.” That's reassuring. I'm not even in the US and I remember four years of constant background low-level terror that Trump would take offence at something some foreign leader said or think that he needs to personally intervene in some military situation to “sort it out” and decide to launch the entire world into nuclear war. No one sane on earth wants the most powerful person on the planet to be as trigger-happy and careless with human life as he is, especially if he's running the White House like a dictator with no one ever telling him no. But depending on what Americans do in November, he may well be inflicted again on all of us, and I guess we'll all just have to hope that he doesn't do the worst thing imaginable.

“But I don't want those things! Stop accusing me of supporting things I don't support!” Yes, of course you don't want those things. None of us does. No one's saying that you actively support them. No one's accusing you of wanting Black women to die from ectopic pregnancies or of wanting to throw Hispanic people in immigrant detention centres or of wanting trans people to be outlawed (unlike, I must point out, the extremely emotive and personal accusations that get thrown around about “wanting Palestinian children to die” if you encourage people to vote for Kamala).

But if you're advocating against voting for Kamala, you are clearly willing to accept them as possible consequences of your actions. That is the deal you're making. If a terrible thing happening is the clear and easily foreseeable outcome of your action (or in the case of not voting, inaction), in a way that could have been prevented by taking a different and just as easy action, you are partly responsible for that consequence. (And no, it's not “a fear campaign” to warn people about things he's said, things he wants to do, and plans drawn up by his close allies. This is not “oooh the Democrats are trying to bully you into voting for them by making him out to be really bad so you'll feel scared and vote for Kamala!” He is really bad, in obvious and documented and irrefutable ways.)

And if you believe that “both parties are the same on Gaza” (which, you know, they really aren't, but let's just pretend that they are) then presumably you accept that the horrors being committed there will continue, in the immediate term anyway, regardless of who wins the presidency. Because there really isn't some third option that will appear and do everything we want. It's going to be one of those two. And we can talk all day about wanting a better system or how unfair it is that every presidential election only ever has two viable candidates and how small the Overton window is and all that but hell, we are less than eighty days out from the election; none of that is going to get fixed between now and November. Electoral reform is a long-term (but important!) goal, not something that can be effected in the span of a couple of months by telling people online to vote third party. There is no “instant ceasefire and peace negotiation” button that we're callously overlooking by encouraging people to vote for Kamala. (My god, if there was, we would all be pressing it.)

If we're suggesting people vote for her, it's not that we “are willing to overlook genocide” or “don't care about sacrificing brown people abroad” or whatever. Nothing is being “overlooked” here. It's that we're simply not willing to accept everything else in this post and more on top of continued atrocities in Gaza. We're not willing to take Trump and his godawful far-right authoritarian agenda as an acceptable consequence of feeling like we have the moral high ground on Palestine. I cannot stress enough that if Kamala doesn't win, we - we all, in the whole world - get Trump. Are you willing to accept that?

And one more point to address: I've seen too many people act frighteningly flippant and naïve about terrible things Trump or his campaign want to do, with the idea that people will simply be able to prevent all these bad things by “organising” and “protesting” and “collective action”. “I'm not willing to accept these things; that's why I'll fight them tooth and nail every day of their administration” - OK but if you're not even willing to cast a vote then I have doubts about your ability to form “the Resistance”, which by the way would have to involve cooperation with people of lots of progressive political stripes in order to have the manpower to be effective, and if you're so committed to political purity that you view temporarily lending your support to Kamala at the ballot box as an untenable betrayal of everything you stand for then forgive me for also doubting your ability to productively cooperate with allies on the ground with whom you don't 100% agree. Plus, if the Trump campaign gets its way, American progressives would be kept so busy trying to put out about twenty different fires at once that you'd be able to accomplish very little. Maybe you get them to soften their stance on trans healthcare but oh shit, the climate policies are still in place. But more importantly, how many people do you think will protest for abortion rights if doing so means staring down a gun? Or organise to protect their neighbours from deportation if doing so means being thrown in prison yourself? And OK, maybe you're sure that you will, but history has shown us time and time again that most people won't. Most people aren't willing to face that kind of personal risk. And a tiny number of lefties willing to risk incarceration or death to protect undocumented people or trans people or whatever other groups are targeted is sadly not enough to prevent the horrors from happening. That is small fry compared to the full might of a determined state. Of course if the worst happens and Trump wins then you should do what you can to mitigate the harm; I'm not saying you shouldn't. But really the time to act is now. You have an opportunity right here to mitigate the harm and it's called “not letting him get elected”. Act now to prevent that kind of horrific authoritarian situation from developing in the first place; don't sit this one out under the naïve belief that “we'll be able to stop it if it happens”. You won't.

#politics #us politics #american politics #us election #election 2024 #2024 elections #2024 election #us elections #2024 presidential election #project 2025 #agenda 47 #antifascism #please vote #your vote matters #voting matters #harris #kamala #kamala harris #my posts

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enwoso · 2 months

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Hey! If you’d like a request I have an idea for grumpy. What if she starts calling Alessia her first name instead of mum. Like she copies the other girls on camp, but no one understands why she’s refusing to call her mum, she just wants to fit in with the big girls.

NOT MY NAME — alessia russo x child!reader

grumpy masterlist

you were often surrounded by someone at all times of the day whether that was your mummy or your mummy's teammates or as they were your honorary aunties.

this meant you picked up a lot of their little habits as well as copying them just cause you wanted to feel apart and fit in with your aunties.

sometimes these little habits were good things like making sure you said please and thank you while others may not be as good like your cheekiness that ella and georgia would gladly teach you to be a master of or your competitive drive that lucy and leah would instil in you.

however alessia never thought that at your small age of four she would be hearing you call her anything but mummy.

but you continue to surprise alessia day in and day out and here she was hearing you call her everything else but mummy.

alessia thought it was just a one time thing, you had heard her teammates and family and friends call her alessia, less or lessi your entire life so why now were you starting to call her it.

alessia had spent time trying to rack her brain around why you weren’t calling her mummy, she’d even asked some of the girls if they may have an idea but non of them could seem to figure out the riddle as to why.

she thought maybe you were just doing it as a joke but nearly two weeks is a long time for you to carry on a joke, especially when you had a tendency to forget things very quickly because of your young age.

ella had suggested maybe it was just something she had picked up at nursery, maybe you’d been learning about family trees and needed to know your mummy’s name for that. but then why would you carry on to call her by her name instead of mummy.

you had heard ella and your mummy’s teammates call her alessia, lessi and you liked it so you decided that’s what you would call your mummy from now on.

and it definitely hadn’t been a one time thing.

"lessi!" you called out, your mums head snapping up at your voice as her eyes froze at the words coming from your mouth. "alessia!" you said again tapping your mummy on the shoulder, your mum just blinking for a minute.

"that's not my name!" your mummy said firmly as she lifted you onto her knee. your turned your head to the side to look at your mummy with a small grin etched on your face.

"it is! it's lessi!" you grin back, the team coach filled with the arsenal players as they made the journey to manchester for the game at the weekend.

"no it's not!" alessia shook her head, moving you slightly so she could carry on the essay she was writing for her uni work, alessia had been hoping you were going to nap so she could get some work done but when had anything ever gone the way alessia had hoped.

"yes it is! that's what auntie tooney and leelee call you!" you pouted, you were getting frustrated with being told that you weren’t allowed to do as you wanted. a frown appearing on your face as you folded your arms across your chest.

"yes their allowed to, i'm mummy to you!" your mummy quickly said putting an emphasis on the word ‘mummy’ as she began to type on her laptop that was on the table in front of you.

"no alessia!" you huffed your voice getting a little louder as your mummy shushed you pointing to the sleeping girls in front of you, kyra and emily.

"it’s mummy!"

"alessia." you grumbled sliding down off your mummy’s lap as you were now in a sad mood, wandering off slowly to find someone who was awake or wasn’t watching their ipads which is what your mummy wished you were doing instead of arguing what you had to call her.

you found yourself tapping lotte on the arm, she wasn’t asleep and she wasn’t watching her ipad with headphones instead she was doing some hard looking puzzle, which was slightly hurting your eyes as you looked at it.

“hey little one, you wanna help?” lotte asked sweetly as you climbed into the seat beside her, grumbled a no as your forehead still had a crease in it from your deep frown you had on your face.

your face told lotte everything she needed to know. you were not in the happiest of moods.

“what’s got my tiny so frowny” she asked shutting her puzzle book and putting her pen down as your arms still rested on your chest.

“alessia being a meany.” you said simply as lotte blinked slightly as she tried to come to terms with what you had just said.

“alessia? you mean your mummy?” lotte now had a puzzle face and this definitely seemed like a harder puzzle to solve than the ones in her book. lotte was confused.

“she said i can’t call her alessia, only mummy.”

“well tiny she is your mummy” lotte said simply, slightly lost as she raised an eyebrow still not really getting your whole point but it was slowly coming back to her that alessia had mentioned that you had this new habit of calling your mummy by her proper name.

you first picking it up on england camp a couple weeks ago and alessia had told lotte how she hoped it was jsut going to be a thing that you forgot about but here you were nearly 11 days post england camp and you were still calling your mummy by her proper name.

alessia and tried to sit you down and explain why you shouldn’t call your mummy by her proper name but you were having non of it. you wanted to be like the big girls.

“but i wanna call her alessia like you do and auntie ella and lele call her, it not fair” the pout had came back as you stamped your foot against the seat you were sitting on, your legs being held up to your chest.

“hey no no, listen.” lotte cooed as she could see your bottom lip start to wobble, knowing that if she didn’t find a solution in the next few seconds then a meltdown was definitely imminent. lotte heart rate beating just that little bit faster.

“we do all call her alessia but that because we don’t get to call her by her special name that you do, only you can call her mummy” lotte continued talking in her calm voice which you did like to sit and listen to, lotte was one of the few people on the arsenal team that you would sit and listen to talk. there was something that you found so mesmerising in her voice.

“and when you don’t call her by her special name that’s just for you that upsets her a little cause that’s only for you to call her, just like she’s the only one that calls you lovie” lotte explained as you nodded your head slowly a pout was still on your face but lotte had managed to stop the meltdown, lottes heart rate able to return back to normal.

“but i wanna be like the big girls” there it was. there was the reason behind all the madness. you wanted to fit in.

“but us big girls want to be like you, cause your so cool. and i’ll let you into a secret, your the coolest russo i know!” lotte nudged you slightly, it getting you to unfold your arms as a small smile came on your fave as lotte pointed out that she saw your grin.

“so do you get why your mummy is saying you can’t call her alessia?” lotte asked hoping she had got through to you as you nodded confidently, you understood now. and hearing that you might be upsetting your mummy made you feel a little bad as you didn’t like when your mummy was upset even more so when she was upset with you.

“yes! cause i have a special nickname for her that’s just for me to call her by!” you smiled confidently as you repeated what lotte had said. a big nod coming from lotte as you spoke.

“nailed it! good job tiny!” lotte smiled proudly, feeling accomplished that she was able to explain such a topic to you and you understand her. lotte holding her hand out for you to high five.

you knew what you needed to do now, so you quickly slid of the chair next to lotte mumbling a thank you. “bye lotte”

you wandered you way carefully back to your seat next to your mummy, in a better mood than when you left your seat. tapping your mummy on the knee when you got back.

“yes baby?” alessia smiled small as she lifted her headphones off the top of her head.

“sorry…” you said quietly as she lifted you over onto the seat next to the window.

“it’s okay lovie, if you want to call me-“ alessia was ready to admit defeat, knowing there must be a reason as to why you were calling her by her actual name and decided that maybe it would be a phase and tomorrow you may go back to calling her mummy again.

whatever it was it wasn’t worth arguing with you about it.

“no your mummy, cause that’s my special name for you. just like yours for me is lovie!” you quickly cut off your mummy, alessia taking a minute to take in your words as alessia felt her heart strings be pulled at.

“and who helped you figure that out?” alessia asked her eyebrow raised slightly as she awaited to hear who gave you such wise words.

“auntie lotte!” your mummy gave a knowing nod as you revealed who it was, of course it was lotte.

“i’m really sorry, i just wanted to be like the big girls” you admitted, alessia feeling her heart go that little bit more. a pout now form on her lips as she pulled you in her lap, hugging you tightly.

“oh lovie, you don’t need to be like them. your perfect just the way your are. i want you to be the lovie i know and love” alessia grinned as she brushed a hair out of your face, you nodding as your mummy kissed the top of your head mumbling how much she adored you.

#alessia russo x reader #alessia russo x y/n #alessia russo #woso community #woso x reader #woso #woso imagine #woso blurbs #awfc #arsenal women #woso fanfics #arsenal wfc #arsenal #england wnt #england women #england #engwnt #enwoso

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genericpuff · 4 months

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Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

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-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

#lore olympus critical #anti lore olympus #lo critical

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mythalism · 8 days

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i realized the other day after posting about this fan theory that, at this point, it is basically talked about in fandom as if its canon, and newer fans might not understand why. my goal today was to explain the theory and all of the evidence we have for it in inquisition to give people a better understanding of why this has become so ubiquitous, and to hopefully have something to look back on in two months with that "apollo gift of prophecy" dodgeball meme when veilguard proves us right.

very important before i get started: this is not my theory. i didn't make it up. unfortunately, i also don't know exactly who did and if it could even be traced at this point. this is something that many people have believed for a long time, and i'm not the first to write about it. there are a lot of great posts and essays that speculate on this theory, and what it could mean for solas's character going forward.

PLEASE feel free to contribute thoughts, or link to posts you have made yourself or seen before in the replies/reblogs!!! much of my own experience with this comes from long before this account existed, so i dont have exact sources but rather random, amorphous fandom knowledge of this theory and what major arguments have circulated in the past 10 years. this post by @sammakesart and this post by @mrs-gauche went around recently and both touch on this theory and i highly recommend them both! i know @corseque has also written about this theory multiple times over the years.

i was first introduced to this on tumblr when it started gaining ground in the fandom after the release of trespasser in 2015, predominantly due to a couple of lines of cole dialogue from trespasser, so that is where we will begin.

shoutout to @daitranscripts and the dragon age wiki for the dialogue

this line of cole's is basically the foundation of this theory, and what is cited most often. i'm not entirely sure if the theory existed before trespasser, but if it did, i dont remember it being well-known or widely accepted like it is now.

this line is usually interpreted to suggest that solas, who would have been a spirit of wisdom/pride at the time, took a body and came into being as an elf at mythal's behest. this is also the line that suggests solas himself once wore vallaslin, and that he removed it himself using the same spell he uses on a romanced lavellan thousands of years later, but did so clumsily the first time and left the scar we can see on his eyebrow.

first i want to acknowledge what are pretty much the most damning indications of this theory

solas means "pride; to stand tall" in elvhen, according to world of thedas vol. 1

the dread wolf form we see in murals, written descriptions, and of course, in real life in the veilguard trailer, bears a pretty clear resemblance to pride demons:

most notably, in the face and eyes. yeah i dont really have anything else to say about those lmao it's pretty blatant

overall, inquisition tells us a great deal about spirits, and gives the player an alternate worldview through which to understand them, distinct from the chantry/circle narrative presented previously.

solas himself, along with cole, has a lot to say about the nature of spirits throughout his dialogue and banter with several characters. one sentiment that he espouses repeatedly is that spirits and demons are the same thing, but demons are a spirit corrupted and perverted away from its purpose.

Solas: They rarely seek this world. When they do, their natures do not often survive exposure to the people they encounter. Wisdom and purpose are too easily twisted to pride and desire

During All New, Faded for Her:

PC: Solas, you said your friend was a wisdom spirit. Solas: That is not its natural form. It has been corrupted. PC: Corrupted? Solas: Forced to act against its original purpose. What did they do, what did they do, what did they do?

second, that spirits and the fade are a mirror, and reflect the waking world. specifically, that spirits reflect the perception and expectation of a mortal, and adapts accordingly. belief makes reality.

On Ostagar:

PC: I've heard the stories. It would be interesting to hear what it was really like. Solas: That's just it. In the Fade, I see reflections created by spirits who react to the emotions of the warriors. One moment, I see heroic Wardens lighting the fire and a power mad villain sneering as he lets King Cailan fall. The next, I see an army overwhelmed and a veteran commander refusing to let more soldiers die in a lost cause. PC: And you can't tell which is real? Solas: It is the fade. They are all real.

and third, that spirits are people.

solas expresses concerns over what the breach does to spirits at multiple points, including here with cassandra.

he also regularly argues in favor of spirits personhood, and passionately pushes back against characters who argue the opposite, such as dorian:

as well as the inquisitor themselves, should they choose certain dialogue options:

PC: You trust these spirits not to possess you the first time you accidentally make a wish? Solas: Do you trust your friends not to turn on you? (authors note: LMFAOOOOOOO) PC: Well, yes, but they're people. Solas: Ah, of course. PC: You know what I mean. Solas: Are people only people because they are flesh and blood? Solas: Is Cassandra defined by her cheekbones and not her faith? Varric by his chest hair not his wit? PC: They're not defined by their bodies, but they do have bodies. You need one to be a person. Solas: A demon possessing a corpse has a body. PC: A living body. Solas: A demon possesses a living mage to become an abomination. PC: They didn't make that body. They just took it over. Solas: Technically your mother created your body, with some help from your father, one assumes. PC: You've thought about this. Solas: On occasion, yes. OR:

PC: Spirits are bound by their nature. You said it yourself. They're shaped by contact with real people. Solas: Just as Leliana was shaped by contact with Divine Justinia, as those who serve the inquisition are shaped by you. If I change your mind in this conversation, does that mean you're no more real than a spirit? OR: PC: Im certain you have some rhetorical trick ready to counter anything I say. Solas: It's likely. I've had a lot of time to discuss the question with people. Or "spirits", if you prefer.

aside from this entire conversation being hilarious and very fen'harel coded, i think its notable that his enthusiasm and snark here is distinct from the way he engages in other debates, where he is often clinical and detached. on the subject of spirits, however, we get a lot more emotional investment from him - it feels personal. as he says, he's thought about it. on occasion.

solas having originally been a spirit adds helpful context for his insistence on spirit's personhood despite modern thedas's completely contradictory beliefs, and also helps inform his worldview more generally, especially in regards to elves.

one of solas's most heavily criticized aspects is his disdain for modern elves and the dalish. and i agree, it's fucked up and he is an absolute ass about it at nearly every opportunity. however, his feelings regarding the elves sometimes seem... strange, even in the context of him being an ancient elf.

keeping in mind cole's line from trespasser, that he "did not want a body", as well as another cole line from trespasser:

most people infer that there is some sort of resentment on solas's end for him having to become human at mythal's request. it seems as if he was turned away from his purpose. wisdom forced to be pride.

cole's personal quest, which shows solas passionately arguing to keep cole a spirit, supports this. it is almost as if he is trying to prevent cole from the same fate that was forced upon him.

throughout the quest he says things such as: "This is not some fanciful story, child of the stone. We cannot change our nature by wishing." "A spirit does not work through emotions. It embodies them." "You would alter the essence of what he is." "It is good that he is not entirely changed, however human he becomes."

most telling of all, i think is this line at the end of the quest if you elect to keep cole as a spirit.

Varric: "He could have been a person." Solas: Possibly. Would that have made him happier?

OUGGHGH.

clearly, for solas, the answer was no. being a person has not made him happier.

regardless, solas still values spirits as fundamentally equal to people despite their differences and worthy of the same freedoms, self-determination and respect.

this kinship with spirits, however, might help explain his disdain for elves, in a way i find to be more satisfying than "all ancient elves are assholes" and more in-line with his character overall.

it seems as if solas doesnt see himself as separate from modern elves because he doesnt see himself as a modern elf, but that he doesnt not see himself as an elf at all, but rather as a spirit.

solas infamously says, following halamshiral if you bring up briala:

"I'm sorry, I was confused. I do not consider myself to have much in common with the elves."

the inquisitor has the option for several responses, and although most of us probably pick the one that tells him to fuck off, the others are more telling:

PC: Nor should you. You're not defined by the shape of your ears. They're not your people. Solas: No, they are not. OR PC: Who do you have much in common with. Who are your people? Solas: A good question. Solas: I joined the inquisition to save the world. Regardless of who "my people" are, this was the best way to help him.

"not being defined by the shape of your ears" and solas's immediate identification with the statement and approval of it sticks out to me. it seems like he's just being racist, and he very well might be, but in the context of this theory, it can also be interpreted as him disliking being "defined" by having a body at all, or any physical characteristics, consistent with how he resists the idea that varric and cassandra are defined by their own physical characteristics.

if the player insists they want to help the orlesian elves even if he doesnt, he still has something interesting to say:

Solas: Stop Corypheus. That will do for a start. It speaks well of you to feel for the oppressed. Help them for that. Know them for what they are.

this is not the only time he equates all oppressed groups of thedas to one another, defined by their shared subjugation rather than the real, in-world divisions such as race and religion. it's also interesting to consider the relationship between oppression, as a situation that evokes certain emotions in those who experience it, such as pride. as solas says of ostagar, spirits there were drawn to the emotions of the soldiers there. are spirits of pride drawn to situations of oppression, where pride is needed for liberation?

solas's failure (or refusal) to recognize the reality of how oppression functions in modern thedas along lines of race and ethnicity specifically is one of his biggest flaws, but it continues to fit with this theory, as it is consistent with that same sort of single-minded, spirit tunnel-vision that we see from spirits and demons. i would also assume that he considers spirits to be part of this monolithic group of "the oppressed", considering the spirit slavery/bondage practices in tevinter and nevarra, both of which he criticizes.

i do believe, however, that to equate all of solas's unfair derision of the dalish to him identifying with spirits over people, rather than ancient elves over modern elves, would be too generous and an oversimplification. its also clear how much of his anger towards the dalish comes from... wait for it.... his wounded pride.

solas is prideful. when he is faced with pride in others, he becomes defensive, even nasty. when his pride is challenged, often by others pride, he becomes almost unrecognizable. the dalish specifically rub up against his pride, in the most specific of ways that grate at his most cherished qualities and that disregard his own perception of himself. the thing he is most proud of, leading a slave rebellion against corrupt tyrants, erased from history entirely. branded a traitor instead, while those he fought against are worshiped as saviors for millennia.

Solas: I have joined my fair share of causes. But when I offered lessons learned in the Fade, I was derided by my enemies... and sometimes by my allies. Liar. Fool. Madman. There are endless ways to say something isn't worth listening to. Over time, it grinds away at you.

its also possible, considering what we know of the nature of expectation creating reality for spirits, that the dalish framing of the dread wolf actually does indeed make him worse - more arrogant, less compassionate, more ruthless, more cunning, more of a liar. a spirit being perverted into a demon based on the dominant perception of it.

perhaps the most interesting tidbit about solas of all which supports this theory, is that this phenomenon of expectation shaping his nature, making him more prideful or more humble, is not exclusive to the world of thedas, but also occurs on a meta-level with the player by proxy of the inquisitor.

a 2020 interview of trick weekes, solas's writer, says this pretty much verbatim.

"Solas mirrors. If you approach Solas from a place of humility and say, "I want to learn from you," Solas will bend over backwards to tell you how flawed he is and how he's just coming at this from his own limited understanding. If you come in with ego, Solas is genetically incapable of not bristling when he sees your ego... because he can't not do that."

this is fascinating for like 7 million reasons, but most notably for the language trick uses that i believe to be incredibly revealing. first, solas himself talks about how spirits "mirror" the real world multiple times. second is the way in which they speak about solas's mirroring as innate, uncontrollable, and involuntary. he is genetically incapable of not mirroring. genetically incapable of not bristling at someone else's pride. this being a genetic incapability implies, pretty unambigously, that he is a spirit. we dont know of any people in thedas who have pride in their DNA. except. you know. pride demons.

pride is his purpose. he cannot turn away from it or betray that purpose to pursue something else. he cannot change his nature simply by wishing. if he were to attempt it, he would be corrupted.

trick offers this information as an explanation for player's extremely varied perception of solas when playing the game, and it perfectly mimics the way solas himself talks about spirits as being created by a dreamer's expectation of them.

when asked about his friendships with spirits, he says:.

PC: You're saying that you became friends with pride and desire demons? Solas: They were not demons for me. PC: Meaning? Solas: The Fade reflects the minds of the living. If you expect a spirit of wisdom to be a pride demon, it will adapt/ And if your mind is free of corrupting influences? If you understand the nature of the spirit? They can be fast friends.

i just love how perfectly this reflects every fandom argument that's been had on twitter about solas for the past 10 years. like seriously.

random twitter user: you like that guy!? but hes a [demon]!! solas stans: he wasn't a demon for me

and it is true; people who are pretty deep into the games often know what solas is like to a low-approval inquisitor, but it can be shocking for new players to see what he is like at the other end of the approval spectrum, whether that is someone who hated him seeing the tenderness with which he kisses a romanced lavellan goodbye to remove her anchor in trespasser, or someone who romanced him witnessing the cruelty and detachment which with he grabs a low-approval inquisitor to yank off their anchor. he becomes almost an entirely different person based on how the player treats him.

for all that solas, in true spirit form, reflects the perceptions of the players, he has plenty of pure pride-demon vibes on his own, independent of player expectation. he is not just proud, or made proud as a mirror for player/character pride, but he often even goes as far as to act in ways that mimic how we have seen from spirits more generally, as well as pride demons specifically.

the wiki states:

"Spirits are not complex in the sense that they seize upon a single facet of human experience, and this one idea becomes their identity.[3] They are formed as a reflection of the real world and its passions.[10] A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose. For instance, a hunger demon will attempt to feed on anything it crosses,[4] and a spirit of justice will stop at nothing to uphold its name”

along with further reinforcing solas's tunnel vission as characteristic of spirits, he does indeed intentionally attempt to stoke arrogance in others, as well as test characters to see if they are vulnerable to arrogance and power-hungriness. this is probably best exemplified by his banter with vivienne, versus his banter with cassandra.

i mean this one is self explanatory. cmon.

but it becomes especially interesting when compared to his interactions with cassandra, of whom he starts out very distrustful of. however, through their banter, he immediately begins to test her for indications of her inclination towards arrogance and desire for power:

cassandra passes solas's tests and earns his approval through her humility, curiosity, and willingness to give up power for the greater good. as a result, solas softens considerably towards her, and becomes more evocative of wisdom than pride, offering her advice when she asks, though very humbly:

"i would hardly presume" is actually hilarious considering how he does presume. ALL THE TIME. but it shows the extent of this "mirroring" that trick mentions, when compared to how he speaks with vivienne, who does not pass his tests of pride: notice how his jabs at her specifically target her pride, the things she is proud of about herself, and tear them down:

he tells her that her position in the orlesian court is unearned, that the freedom she is so proud of winning for herself will come to an inevitable end, and that her resistance to demons does not make her special. its absolutely BRUTAL.

its especially important to note how little bearing vivienne and cassandra's backgrounds have on solas's perception of them. vivienne is a circle mage, a group of people who solas deeply sympathizes with, and believes should be freed. meanwhile cassandra is effectively templar, a group whom solas despises and finds unjust, and has been complacent in the oppression of mages that solas is so vehemently against.

and yet? it does not matter. he measures their worth based entirely on their propensity for pride.

it’s worth noting too, keeping in mind Solas’s almost uncharacteristic reverence for cassandra’s faith in the maker and (take this with a grain of salt because it was david gaider and he said via forum post….) that there are actually two types of spirits that become pride. wisdom, and faith.

"A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose."

what we DONT know: pretty much everything else about this. what was the process like? at what point in history did he take the body? how was that body made? was it stolen? did he start as wisdom and turn into pride later? did he always oscillate between both? was he corrupted by what was asked of him, to fight, as his friend was in his personal quest?

i could continue talking about this forever, probably, especially with how it manifests in the solavellan relationship and what it suggests for solas's story in veilguard, but ill cut it here for both my own sanity and yours. but first, a few fun dialogue bits that strike me as very pride-demon coded but didn't fit anywhere else in this analysis.

in conclusion:

#phew!#love putting my autism + english degree to good use on a saturday morning :D #come get yall juice #solas #solas dragon age #dragon age #meta #dragon age meta

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nobodyfamousposts · 11 months

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Scarlet Lady Essay: Frightningale

Yet another essay for @zoe-oneesama. Because you deserve it.

I’m not going to bother with a compare/contrast of canon vs Scarlet Lady Frightningale because Frightningale in canon was a pretty forgettable episode. Akuma was lame. Setup was wasted. And it’s removal from the series would lose nothing of value.

So instead, I'm going to focus primarily on the Scarlet Lady version of Frightningale and what it does that makes it memorable.

I guess to start with, I should make it clear that I’m not a fan of shows being lazy, especially when they display a lack of planning or consideration of their story and characters. And perhaps one of the greater indicators of this issue is when a series suddenly realizes they they neglected multiple plot points until it’s too late to give them all the focus they warrant so they end up shoving all of those points into one episode and try to present it like it’s supposed to be an adequate resolution of all that buildup or in any way intentional.

Penalteam was that episode for Miraculous. They had the “temporary heroes” setup going for them but then wasted so much time on filler like Frightningale that it seems like they honestly forgot about it until they were reaching a designated end point and they realized they still had four more heroes they were supposed to introduce. Whoops? Ah well, just introduce them all at once. Not like anyone will care!

And when you treat most of the cast like they’re all as shallow as a puddle, I guess that’s true.

The thing is, when you have a setup where there is a running theme of every person in a specific group getting their own episode/chapter to detail their issues and how they get a power up, it’s going to stand out whenever one of them doesn’t. Especially when that one or more are forced to share their limelight episode.

That’s not to say you can’t do it, but it’s bound to get attention if you do. It reflects poorly on the writing. It shows whom the “favored” and “unfavored” characters are. And it displays the issue with pacing—namely that it’s next to nonexistent until it hits you with the force of a freight train.

But can it be done and be done well? Is it possible to pull off such a thing and have it make sense and fit in lines with the characters?

Well, yes. Off the top of my head, I can think of two different ways to do it to make it work.

And Zoe did both of them.

If you look at Scarlet Lady as a whole, you’ll see a conglomeration of characters—each with stories and arcs attached. They have personalities. They have goals and problems and their own highs and lows. One sign of good writing is that some focus is given to highlight these other characters as people. Individuals in their own right with lives outside of the main characters or situation.

Miraculous doesn't really do this.

Scarlet Lady, however, does. Because contrary to the title, Scarlet Lady isn’t just about Chloe.

It isn’t even just about the heroes.

It isn’t just about Chloe being horrible. Or Marinette being in love. Or Adrien being in desperate need of a hug and a nap. Because while the story is centered around them, it isn’t solely about them. Other characters get focus and growth and their own arcs throughout the comics.

But the big two—the BIGGEST two with arguably the most depth and most growth and quite frankly the best storylines out of everyone in the entire series?

It’s Sabrina and Lila. And their individual stories have led up to this.

As such, this episode—which was mostly filler and all around forgettable in canon, matters here.

It’s where Sabrina and Lila reach the culmination of their respective character arcs.

Yes, it’s when they both get to become Miraculous Heroes and meet their own kwamis, but it’s more than just that! They both hang out with the girls group as full members of the crew, getting to take part in a music video together. It’s also where they both get to stand up for themselves and the city at large while calling out Chloe and Scarlet Lady. This is what their storylines have been building up to and where their growth really shows.

Sabrina started out as Chloe’s minion same as canon—albeit with more attention to her feelings and her responses, no matter how seemingly small, allowing her to feel more like her own person. And through this focus, we got to see her open up more, pull and eventually break away from Chloe and her influence, and over time stand up for herself and try to establish herself both with the class and as an individual.

Lila started off as a liar and manipulator, selfish and self centered, much like canon. Unlike canon, her lies are tied to her issues, noted to be poorly thought through, and give her more introspection as a person. After the lies are revealed, she’s not “redeemed” so much as she is “accountable”, and it doesn’t change who she is. She remains selfish and certainly far from being considered “good”, but she’s letting people in past her walls and masks in a way she hadn’t been able to before.

Both of these things? Figuring out who you are and letting people know you for who you are? They’re incredibly hard. And a lot of time was devoted to both of their journeys along the course of the comic.

Sabrina’s arc was about her figuring out who she is on her own. Outside of Chloe and her previous role of being a follower and lackey. And sometimes it feels less scary to stay with someone toxic than to be alone and facing the unknown. We see it in the way she tries to put herself out there afterwards, reaching out and risking rejection and just figuring herself out. Even or perhaps especially with those she already knows and has a less than positive history with.

And we still see the struggle of her view of herself in this episode. It was in the way she was upset that she legitimately tried to help and it still resulted in bad things happening. And it was also clear when she calls herself a “sidekick” to Marigold after the day was saved, as if it’s a role she still sees herself as and one she struggles not to fall in to. Over time, we’re seeing Sabrina learning that she doesn’t have to be attached or subservient to someone else to have an identity or be accepted.

Lila’s arc involved her figuring out who she is with people. Outside of the lies and manipulations she creates, the masks she wears, and the identities she crafts to make people like her. The “real Lila” is far from the best person and arguably not even a good person, but she also doesn’t have to be for the others to accept her as the still somewhat bad influence she is. She’s still very much selfish and flawed, but she’s less inclined to hide it or treat it like something that needs to be hidden. And isn’t that a common lesson? That it’s better to be liked for who you are than to force yourself to be someone else to be liked?

And at the same time, even with being less than a fully good person, she’s showing that she can still find better ways of acting that allow her to help others rather than hurt them or serve herself. She still hates Scar, but rather than working with Hawk Moth to kill her and risk dooming Paris and the world, she’s instead working with Alya through more legitimate (and legal) means…and hitting Scar where it hurts most. She and Adrien may not be friends, but rather than try to punish him for not going along with her, she’s instead rescued him, putting herself on the line—something that the former Lila wouldn’t have considered doing and one that canon Lila wouldn’t be capable of. Even if she’s motivated by pettiness or self-interest, what would have been straight up revenge on someone who upset her has grown to be something that is working in everyone’s better interests.

Both Lila and Sabrina hid themselves in different ways and for different reasons. So having them both assert themselves and call out both Chloe and Scarlet Lady is a show of their growth and overall a huge deal. It’s not something either of them would have done at the start of the series. Sabrina, because she was a “yes man” who wouldn’t dare to argue with Chloe and Lila because she wouldn’t risk openly doing something to make herself a target.

And now boom! Look at them both! Lila stepped up to openly and publicly denounce Scarlet Lady as not being a hero for real reasons that aren’t just about herself or her feelings—complete with receipts! The girl did her research, noting incidents from before she even came into the picture. Then follow up with Sabrina standing up against Chloe’s machinations and dismantling Chloe’s main source of power: her father. Even better, she’s using logic and knowledge she would have as a former ally of Chloe’s who would know her tricks, taking her former friendship with Chloe and using it against her.

And on top of that, each of them are given the Miraculous by the person they wronged in the past. Marinette to Sabrina and Adrien to Lila. Especially in Lila’s case, it says a lot that they’re trusted. That shows narratively that even with their mistakes and bad choices and continued struggles, they still can move forward—not necessarily to find redemption, but to find themselves and be their best selves.

This is why it makes sense for them to share this episode. It’s also why both of them speaking up matters. They are both publicly confronting their greatest foe, and the fact that their foes are really two faces of the same person further highlights this.

So they both have issues with the same person, are dealing with forming their identities without catering to others, are working out how to have/be friends, were formerly not the best of people, and have a fear of rejection. As such, this isn’t just their obligatory hero episode, this is what their individual stories have been leading up to. Almost like they’re two sides of the same coin. And the comparison between the two helps them both shine.

And speaking of shining, does anyone remember how the all girls team up didn’t get a chance to shine in canon? Zoe sure did.

I have a whole list of problems I have regarding Party Crasher, but perhaps number seven on that list is that the boys got to have an all male temp hero team up episode while the girls didn’t.

In fact, by this episode in canon, only Alya, Chloe, and Kagami actually got to be temp heroes.

To be fair, only four of the guys out of seven in canon got to be part of their particular event in Party Crasher, leaving out Ivan (who often tends to get overlooked) and Nathaniel (who has had a precedent of just literally disappearing from the episode). But originally, part of the appeal of Party Crasher was that the focus was supposed to be on the male classmates and getting to see at least some of them being part of a team against the akuma.

Why then didn’t we get an episode like this with the girls? Or at least something LIKE this?

Frightningale became that episode. And if any of the episodes were to do it, it makes the most sense for Frightningale to be the one.

All of the girls were together to take part in this event. So Zag would have had the perfect excuse to include them all in the fight or just have the girls do something to help even as civilians. I mean, we’ve had episodes do this before. Max in Robustus. Nathaniel and Alix in Reverser. Luka in Captain Hardrock. Let the civilians show their heroic traits even before they become heroes. It’s not a Miraculous, but it’s still giving them focus and expanding on them as individuals.

Instead, canon Frightningale was a filler episode. And not even a good one. For an akuma who forces people to sing or dance, it’s a waste that they just had the heroes spend the whole time rhyming. A waste of writing and talent. I mean, have you heard Christina Vee sing? If there needed to be a musical episode, I would think that the akuma who forces people to sing would certainly warrant it! At least more than it’s Christmas and they sing just cuz.

So this is yet another thing that Zoe improves with the Scarlet Lady version of this episode. Giving us the all girl team up episode so many of us have long wanted and getting to see all the female heroes together at last.

And with this, we get the full roster of friends-turned heroes.

Except for Alix. Poor, poor Alix. ;_;

Your day will come.

In this way, the end where Clara goes a different direction with her music video feels less like a half-assed fix to a half-forgotten plot point and more like something that was built by everyone involved. I don’t know about the rest of you, but given Clara’s excitement over the all girl band playing and Pigella’s gift showing Clara an idea for her video, it highlights the focus on EVERYONE being part of this—both the video and the episode itself. It kind of comes off as a lesson of its own about teamwork and giving everyone a shot rather than focusing specifically only on one or two specific individuals.

And isn’t that what separates the heroes from Scarlet Lady?

But there’s a third important aspect of this episode.

This is the episode where Chloe is smacked in the face with Scarlet Lady’s falling popularity.

Let’s remember that at the start of the comic, Scarlet Lady was fully and widely considered THE Hero of Paris. She was beloved for doing nothing and it was a point of frustration for Chat, who actually was having to pick up her slack. Initially, there was nothing he could do because him being the only real hero among the duo meant he often couldn't stick around after akuma fights to prevent Scar from telling "our story". In addition, he didn’t know who she was or who chose her and why. Then even when it was clear her getting the Earrings was a mistake, for a lot of the first couple seasons, she was so popular that they couldn’t just take the Earrings away from her lest they risk backlash from the rest of the city. It’s a backlash that seems increasingly unlikely as more and more people get to see her behavior and callousness firsthand.

We’ve seen hints of it in other episodes, but none of them were so blatant to Chloe that she couldn’t ignore it or shrug it off or otherwise make excuses to protect her ego.

Prime Queen wanted to focus on Marigold and Chat Noir for their “romance” to try and boost ratings. Alya and Lila made some snarky comments, but Chloe could easily dismiss them both. Nadja also made a comment that nobody cared about Scarlet’s love life, but a lack of interest in her love life isn’t a lack of interest in herself and Chloe despises both of her “sidekicks” and wouldn’t want anyone trying to pair her with them anyway. And Nadja reassures her that they’ll focus on her after they’re done with Chat and Marigold. So yes, she can dismiss that as well.

Reverser has Chloe faced with both of her identities are made as villains in art and a story. However, she clearly looks down on Nathaniel and Marc barely registers to her. So she can dismiss them.

Look at Despair Bear, the Intermission, the interactions with the various other heroes, and the fact that only Chat Noir and Marigold are privy to the Guardian’s secret existence and allowed to pass out other Miraculous. Much has been shown of the other characters being less than impressed with her, snarky towards her, or showing the process of how they discover the truth about her and how she actually handles akuma attacks…namely in that she doesn’t. And Chloe can dismiss all of that because to her, none of them really matter to her.

But Chloe can’t dismiss the fact that a renown celebrity dedicating a music video to the “Heroes of Paris” isn’t including her. Bad enough her sidekicks are taking center stage but she’s not even in the music video at all?

And when someone she despises calls out the reasons why she’s not a hero in an openly public setting surrounded by a multitude of people who all agree with her? You could say it’s insult to injury. But some would say it was a long time coming.

Some Rando: Scarlet Lady sucks! Alya: Marigold and Chat Noir do all the work, not her! Kagami: She’s barely even necessary at this point. Clara: This video and song are to celebrate hope and love. And Scarlet Lady lacks both when push comes to shove. Chloe: ARGHHH! WHATEVER!

It further shows the turning tide of public opinion against Scar. What was once a trickle has grown into a wave, and now Chloe is forced to acknowledge her image and status aren’t as ironclad as she thought. Sure, she could denounce Lila as a liar like she’s done before, but Lila is bringing up instances that Chloe can’t deny: being late (as she’s just plain been a no show to several fights), endangering civilians, and being caught live on camera being willing to let someone die in a particularly horrible way because it’s easier.

This is the episode where it’s not just people seeing Scar is horrible, but acting on it and letting Chloe know they know she’s horrible. It’s reached the point where Chloe can’t just disregard the claims or discount and ignore her critics. And we’re seeing Chloe starting to lose control as a result. To the point she has to force her dad to ruin a previously sanctioned event in what has to be one of his most flagrant displays of abuse of power to date just to shut down her detractors.

And even that would come with more consequences for Chloe if it had been allowed to continue. Sabrina herself points it out that Clara is very popular with a lot of fans—people who would be aware she’s making a music video and whom would be very disappointed if word got out that it was cancelled due to an issue with the Mayor. And given all the very unhappy people we see in the comic in question where she points that out, it stands to reason that the word would get out. Heck, I’d be surprised if someone wasn’t recording it.

Then there’s the love square/hero shenanigans.

Remember how in canon, the whole “playing themselves/risking identities” bit kinda just dropped out halfway in? The kwamis were the only authority figures involved to call out on the risk and of the two, Plagg didn’t care and Tikki gave one knowing stare at Marinette before turning around to gush about the suit. Even though Marinette offers the alternative idea to the music video by the end, there’s no further comment or notice of how she and Adrien nearly blew their identities….or alternatively a comedic take where nobody recognizes them regardless and they worried for nothing. Honestly, I would have taken either setup.

Having Fu present to call them both out shows there is a responsible authority figure watching, makes it clear there are rules they are expected to follow, and reinforces that this was, in fact, a horrible idea. Sure, Marinette and Adrien worried enough to hide their masks, but it should have been obvious that wouldn’t work long term. They are risking their identities, not just to Paris but to each other. And he calls them out for doing it on purpose.

Then there’s the beautiful crescendo of the love square dance in that the two both pretty much have figured out the other’s identity and just want an identity reveal to make it official—which Fu won’t allow. We see it in their playful banter that gets mistaken for “getting into character” and in Adrien in particular pushing Marinette to take part.

This is a point where we are seeing them be teenagers. Foolish of them? Yes. Should they have known better and not done it? Yes. But is it in character and the sort of teenage shenanigans we would expect of teenage superheroes? Definitely. And that’s part of the point. Because they are teenagers. Teenagers in love, no less. Teenagers in love with secret identities to dance around. Which is half the fun of secret identities!

It’s just another aspect to this episode that makes it enjoyable.

So overall, the episode matters in ways that the canon version didn’t and was fun in ways that the canon version wasn’t, making it stand out not just as an episode or a remake of the canon episode, but as its own standalone episode AND a noteworthy point in the overall story.

#scarlet lady au #scarlet lady essay #scarlet lady is better than canon #for zoe

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writer-logbook · 1 month

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How to get back into writing: a 5-steps guide

As someone who hasn't written anything in a decade, this is what I did to get back into writing seriously.

Identify which archetype of writer fits me better. You may have heard George R.R. Martin saying there are two types of writers: gardeners and architects. Whether you believe in that statement or not isn't relevant per se, but the actual meaning behind that point is that you need to get to know yourself as a writer, how you work, what you need, etc., so you can adapt your environment to achieve your goals. Speaking of which…Gentle reminder : you're a person not a robot. You are allowed to work the way you want to, and not to follow whatever pieces of advice that are linked to these archetypes.

Set a realistic word count/session I can stick to over the long term. When you're a 9-6 office employee, it's not always easy to find time to write and sometime our day at work got the very best of us. Having that in mind, I set my word count up to 200-500 words per session or 1 chapter per week (they're rather small in my case). Gentle reminder : babysteps are better than no-step at all.

If I'm not writing, fine, I'll do some research or anything else. Your story will always require something from you. When I'm not in the mood for writing, there are two options : forcing myself or doing what I call para-writing. For instance it's : reading articles or books about improving my writing style, improving my worldbuilding, drawing a map of my city etc. This are not things that would appear in the novel but it would guide me throughout the process the way a walking-stick would do for an injured man. Gentle reminder : you always find something useful to do but at the end of the day, you still have to write.

Have a general idea of what I want to tell. I won't lie, I've plotted my entire novel from the very beginning to the very end, which means I know exactly what to write and when. If you're against having a defined plot, I'm no one to judge, but having at least the key events or the major points will definitely help you. Like a lighthouse, it will help you navigate through the mists of confusion or hesitation. Gentle reminder : It's better to know where to go even if you end up losing yourself along the journey. Having the map doesn't mean you have to follow it, but rather when you can allow yourself to take a step to the side.

Write something I enjoy. A bit cliché I admit, but it's the best advice I could give. You'll spend hours, days, weeks - even years !- on that story so better buckle up to something you really want to write. Otherwise the risk is to abandon that hard-work you've done halfway through the process. No one needs that frustration and that self-doubting questionnings. No one. Not you. Not even me. Gentle reminder : it's okay to want readers and reviews but I promise you, your writing will be really different on something you trully want to share...Remember how pissful it was to write an essay for class you didn't want to ?

#writing #writing advice #writing a book #writeblr #writing resources #writing tips #writing tools #writing help #creative writing #writing process #writer problems #writer blog #writing journey #novel writing #writing challenge #about books and writing #newcomer

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rxmqnova · 7 months

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Hay:)

Can you write something like Natasha and Reader in high school. Nat having her reputation of course and her friends, which is really important to her while reader is more of the outcast and "an easy target" for Nats friends. Nat does laugh along of course for the sake of her reputation. But the second they're alone Nat gets all submissive almost begging for her girlfriends/readers attention and touch. It's just how they work.

Are you done yet?

NO ONE'S POV Opening her locker to take her books for the next lesson, Y/N doesn't notice the group making her way over to her.

"Well, well, well. Look who's that" Tony's annoying voice rings through the girl's ears, making her roll her eyes and just ignore them.

And it works for a few seconds until her locker gets shut right in front of her face by the youngest and newest memeber of that group, Peter.

Y/N glares at the younger boy, turning around to walk away but locking her eyes with none other than Natasha, her girlfriend.

It's been over a year since the two started dating, yet they still haven't told anyone. While Natasha's the 'popular' one, Y/N is the 'outcast' and those two groups just don't mix, that's the rule.

But it still happened when the two were assigned for a project together last year. They spent a lot of time working on it together and Natasha realized that Y/N is actually a really sweet girl.

Though Natasha still wants to keep her 'reputation', so they haven't told anyone and the group keeps making Y/N's life a living hell. And even though Y/N sees Natasha's point, it just annoys her. Luckily, it's only for the next few months and then they'll be both out of that school.

A pair of strong arms stops the girl from walking away. Turning around she finds another group member… Steve.

"Alright, let's get this over with" She sighs out. "What is it today? Is there anything wrong with my hair? My clothes? My make-up?" She raises an eyebrow, having enough of this. Every single day it's the same and Y/N is so done with it.

"Everything! You look like a clown!" Peter blurts out, desperately trying to fit in.

"Nice. Thanks. Is that all? Can I go?" Y/N questions annoyed.

"No" Tony says, making the girl let out another sigh. Suddenly he just takes Y/N's books, throwing them on the ground on which the entire group laughs, including Natasha who doesn't think that's funny but just laughs along anyway.

"Idiots" Y/N sighs, kneeling down to pick up her books once the group is gone.

———

"Hey" Natasha smiles softly at her girlfriend who only just opened the door for her, standing at the porch of Y/N's house. "Are you okay after this morning?"

"Why wouldn't I be? Your friends are just a bunch of idiots. Come in" Y/N brushes it off, stepping aside, so Natasha could come in.

"I'm sorry they're acting like that to you" Natasha sighs, wrapping her arms around her girlfriend and pulling her in for a warm hug.

"It's fine, Nat. Really. I'm used to it. I would have been much happier if you said something, but I know how much you care about your reputation. I'm currently finishing writing my essay, I'll just finish it real quick and get right back to you" Y/N smiles, leading the redhead upstairs to her bedroom.

"How about a movie?" Natasha suggests. She absolutely loves cuddling with her girlfriend, so watching a movie is definitely a great opportunity to get some cuddles.

"Sounds good. You can choose one while I finish the essay" Y/N smiles, pecking Natasha's lips with a kiss before walking over to her desk and sitting down while Natasha takes a seat on bed.

It takes only a few minutes until Natasha has the movie chosen and even switched on the TV. Now she's just sitting on her girlfriend's bed, watching as Y/N's typing some words to her computer.

"Are you nearly done?" Natasha asks impatiently, making her girlfriend chuckle.

"Nearly, just need to write the ending" Y/N shoots her girlfriend a quick smile before turning around and getting back to writing.

Natasha only hums in response, deciding to check up what's new on Instagram while waiting. And once again it doesn't last long.

She sighs, standing up and walking over to her girlfriend, wrapping arms around her and pressing a kiss to the top of her head.

"Are you done yet?"

"Gosh, you're like a child" Y/N lets out a chuckle, pressing a kiss to Natasha's hand. "You asked me like 3 minutes ago"

Making Natasha sigh, Y/N gets back to writing once again, though the way Natasha's impatiently waiting and scanning the screen of her laptop is kinda distracting.

"Natty, can you just wait on the bed for me? You're distracting me a bit. I need to concentrate" Y/N says as nicely as possible, receiving a whine from her girlfriend.

"Can't you just finish it later? I want to cuddle with you" Natasha says with a sigh, pulling her girlfriend up.

"It's due tomorrow, Nat. I really need to finish it. I promise it won't take more than 10 minutes" Y/N sighs, gently pushing Natasha to sit on her bed before going back to her previous seat.

"You're so mean" Natasha sighs once again, a pout on her face on which Y/N can't help but laugh a little.

Natasha's growing impatience just doesn't allow her to wait. She asks the same question 'Are you done yet?' nearly every 2 minutes until Y/N finally finishes.

"Finally, can I get my cuddles now?" Natasha questions, her eyebrow raising which makes Y/N chuckle.

"Now you can get as many cuddles as you want"

----------------------

Natasha Romanoff masterlist

Masterlist

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gffa · 3 months

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I'm going through my screencaps from Inquisitor: Rise of the Red Blade and it really kills me that I can't recommend this book to more people because it's from the point of view of a character falling to the dark side, so on the surface it comes across as very Jedi critical, but as someone who constantly keeps a hawk's eye out for what the other Jedi say and do so I can put it in my citations project, let me tell you, this book drives me absolutely up the wall with how much I was handed on a silver platter for how it's structured. It's a book that's set from the point of view of a troubled young Padawan, Iskat Akaris, and everything in her thoughts is about how she does try to let go of her anger, which she finds very difficult, but she also constantly craves battle and violence and seeks to find ways to justify that. She's offered by multiple people to find avenues to help her, but she always turns away from them, because they're not exciting enough for her. She never tells anyone directly of her struggles and any time another Jedi expresses support, somehow it's never good enough, she assumes it's not real empathy (because she thinks they wouldn't agree with her feelings--she doesn't want to be an archivist, she wants to fight, she doesn't want to take a regular position with the children in the creche--despite that she was really good with them and felt calmer afterwards--because she wants to be out in the galaxy fighting), and when she makes mistakes, she looks to justify why it wasn't her fault (she doesn't actually care about the civilians her actions hurt, she just cares that Adi and Yoda are telling her she has to be more careful). She's offered mentorship multiple times, by Jocasta, by Josk, Master Klefan talks to her frequently, Adi and Yoda make a point to tell her that two specific Masters are available to speak to, the Council offers her a position in the creche because they think she'd do well there--but that's not the excitement she craves, it's not the admiration for her battle skills that she wants, so she turns away from it. She's offered a position that's clearly very dear to them, it comes with multiple compliments and that they say it's meant to be beneficial to her as well (with the implication of how much it calmed her), and yet she sees it as a demotion, because it's not a mission with action and fighting. Everything that is the opposite of what a Jedi needs to seek. And it's done with such deftness to Iskat's point of view that, if you're not paying attention, it might seem like she is justified in these things. But when you look beyond her, you see how hard the Jedi are trying to help her, how many hands they hold out to her, and I want to write entire essays about this book but arrrghhhh I'm probably the only one who read this book in this specific way and who still has tolerance left for unreliable narrators who unfairly criticize the Jedi, but I can see the consistent pattern of how compassionate they are beyond it, so I feel I'd just be yelling into the void even more than I usually do, so instead I just sit with my feelings, like, I enjoyed this book through this lens, but it's a lens that scrapes a lot of people's nerves raw, so I can't blame them, but also oh man there's so much to chew on in this book and I just have to delete these caps as I make my way through my backlog. Arrrghhh.

#lumi.txt #novels #novels: inquisitor: rise of the red blade

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oatsmeall · 8 months

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You and I?

Socially awkward!Jk! X f!reader | college AU

Warnings: Socially awkward jk, very awkward jk, suggestive themes, possible smut.

(人*´∀｀)｡*ﾟ+(人*´∀｀)｡*ﾟ+(人*´∀｀)｡*ﾟ+(人*´∀｀)

For as long as you've been coming to this course you've always seen this quiet guy, he always come in 5 minutes exactly before class starts, he brings the same black metal water bottle with one singular sticker, and he's always quiet but always raises his hand to answer questions. You didn't really pay much attention to him untill today specifically though, of course you noticed his usual quirks but today? Man, it's like he became a new man. You never thought the awkward nerdy guy would pull up to class late with new piercings. On his eyebrow and his lip. You were stunned to say the least, he's... Hot? This totally normal thing called being 'tardy' suddenly seamed like a sense of rebellion, especially for this guy, Jeon Jungkook. Wow, such a bad boy.

Throughout the week he'd show up less covered, usually he'd wear sweater vests with a neatly tucked shirt and black or brown slacks or occasionally jeans. Now he's been wearing oversized shirts and baggy sweats and jeans. And not to mention his entirely detailed sleeve on his arm, which has very much been in the works for quite the while you bet. Where was the cute nerdy boy you knew? This was a whole new man. Even the girls that never bat an eye started noticing. You weren't going to lie and say you weren't a little jealous. I mean come on? These girls were ignoring him just 2 weeks ago, now they're fawning over him and his new look.....

"STUDENT SETTLE DOWN PLEASE. today we'll be writing an essay about what we've learned this month. Please be sure to turn the essay in by Friday night." The professor was making y'all write an essay. This is so boring, you were just thinking about that comfortable bed of yours.

While digging in your backpack for your laptop and some paper, you couldn't find any sort of writing utensils. This was so annoying, how is it that Suddenly when you ACTUALLY need a pen or pencil you couldn't find one. Jesus Christ, what a unlucky way to start on homework.

"pssst, hey.. hey, ppsssst" you were trying to whisper call on Jungkook, he was not budging. "Jeon, hey" you were not getting anywhere. Suddenly he side eye looked at you. Okay?...

"what do you want, were supposed to get busy." He said monotoned, he really is still nerdy sounding.

"well I won't get anywhere near busy if you'd just hear me out for a bit. Do you have a pen or pencil I can borrow, please?" You're regretting asking. He's probably gonna decline and say 'you should've brought your own".

"hmm.. I do, but you have to give it back, I always keep 4 pencils exactly." Close to the response you thought.. kinda.

"ugh okay, thanks" ou! Fancy mechanical pencil! And it had a cool retractable eraser!

This essay was gonna kill you. come to think of it what did you even learn this month?....

You and Jungkook had became friends, this past month you slowly would talk to him or try to talk big conversations, you really found him interesting. He was like a new subject you were trying to learn about. You've learned he's quite....odd? He didn't get your jokes sometimes, he was unaware of social cues at times, and he was too straight up. You thought he didn't like you, he was so blunt. on a random day when you guys went to the library he commented on how messy your notes were, how your hair was messy and looked unprofessional for school, and even on how wearing Birkenstocks with socks was strange. He was nitpicking random things, things you wouldn't even pay attention to. This gave you a feeling of self awareness, you felt like he didn't like you, he was making you realize a lot of things you hadn't.

"Jungkook, I really like you but you've got to stop nitpicking things I don't even notice, I'm sure you can keep it to yourself? You don't hear me saying how the way you styled your hair today looks off from yesterday, or how you're wearing two different shades of black and I don't like that."

"why wouldn't you like it? I like it." He said confused and somewhat agitated.

You gave him a knowing look of "do you see now?"

He sat silently before asking

"do you really not like my two different shades of black?" There was a pause before you started giggling. He looked so confused, you couldn't help but giggle.

"alright. Wanna come by my dorm tonight? Study a little and maybe order takeout and watch a movie? Shrek perhaps?" You tried changing the conversation hoping he'd forget the little conflict.

This would be the first time you invite him to your dorm, you were too shy to ask, he was also shy though, more than you probably. You didn't want to make him uncomfortable.

"uhm..sure.. just send me you dorm number." He seemed shy just asking that, you were excited though. He was such a cute and smart guy, he was very helpful when studying. He taught you new things too, the other day he taught you about why pigeons don't know how to build nests.

Around 6:30 he texted you saying he's on his way to your dorm. You were SO nervous for no reason, you tried to tidy up around your room, and by tidy you mean deep cleaned. You've never seen such a clean room, you loved it though.

*Knock, knock, knock*

"Comiingggg" you walked to your door and opened it to Jungkook. In a black tee shirt and grey sweat pants.. you felt your hear beat faster. He looked so.. FINE.

"Hello Y/n, I didn't know what kind of drink you liked so I bought Gatorade, orange juice, and water. I hope you like.. these." He looked so genuine, you appreciate him for trying.

"oh wow! I like all. I wouldn't have minded your pick. Thanks though, come in. Make yourself comfortable." He came in and sat himself on your bed, he was looking around curiously. He was looking attentively, like he was gather information.

"sorry if you might not like the scent in my room, Im trying this mango air freshener out-"

"I like it. It's okay. So where are your notes and stuff, we can get started right now if you'd like, that way we can have more time to hangout..if you want."

This genuinely surprised you? He wanted to spend time with you? Your heart had a sudden rush.

"oh? O-okay, yeah. Uhm let me get my laptop." You hurriedly grabbed your bag, you bent down you're oblivious but your ass caught Jungkook's attention by accident. He stared.. he felt his blood rush down his pants.

"okay I've got my laptop!" You walked to your bed and plopped next to him.

His face was red. Visibly red actually.

"you okay?"

"y-yeah.." he looked away from you in embarrassment. Immediately onto his notes.

After a long hour and a half, you guys were done, you decided to order for delivery instead, Jungkook didn't want to go out anymore, you were tidying around your room, who new studying was messy.

"can't wait for that pasta, I'm hungry. Also hot, this hoodie is too warm" Jungkook look slightly, seeing you take your hoodie off made HIM hot.. his body tensed up. Your black halter top made your boobs look so good, he caught a glimpse of them before you turned to him.

"freeeee!" you said in a giggle.

He was respectful, of course.. but he still IS a man.... with male... tendencies.

"can I use your restroom, please? I need to wash my hands"

"why the restroom? I've got a small sink by the dresser." You pointed to the hidden sink.

"I have to use the restroom too." He said straight faced. He was trying to get away from you as fast as possible or else his print would be visible VERY quickly, maybe he shouldn't have worn grey sweats. Maybe two different shades of black wasn't bad after all like you said.

"okay, yea. It's that door right there." You're not sure why but you have a feeling you made Jungkook uncomfortable, what could you have possibly done.

*knock, knock, knock*

"ouuu pasta must be here. JUNGKOOK! PASTAS' HERE!" you got out of your bed and quickly answered the door. You're excited.

After some very awkward moments of eating and small talk you put on Shrek the movie, you guys were on your bed now. But you felt a sudden rush, you've been avoiding thinking about him but he's so fine. He's hot in this little ensemble he put together, the grey sweats made his print noticable. Your mouth felt dry all of the sudden. You felt and decided to lay down and drape your legs on his thighs. You felt his body tense up. This made you feel butterflies. It's almost like you had an ad advantage.

"uhm.. Y/n.. I- " you cut him off and looked up at him directly into his eyes. Oh those siren eyes of yours.. they're killing him. His eyes began to widen when he realized that you're now turned around facing his lap. More so his crotch.

"Kook.." you start innocently. "Have you ever been... Touched?" You said softly and quietly. You scared him. He can't comprehend how you'd gone from fun from "fun and nice, sweet and understandable" to "horny seduction demon" he's also never had physical Intimacy, only cute kisses and hugs. This was odd, he liked how he felt though. You gave him butterflies.

"N-no" you looked at him straight in his eyes again. This time you say up slightly and palmed his dick through his sweats. He let out an lewd quiet moan. Your pussy was pulsating from excitement.

"mm poor boy. Do you like when I touch you like this?" You say quietly. You began stroking the outline of his dick, then you pulled his sweats down following after, his boxers. His hard Dick sprung up. You were in awe at the largeness before your eyes. You didn't know what you expected.. but surely not this monster. The sayings are true. It's always the quiet and shy ones.

"auh.. fuck" he whispered lewdly. What a turn on.

"mhm? You like that kookie?"

Precum began to slowly ooze from out the tip. Red and sore from the friction being created from your hands. You started pacing faster, stokes becoming gradually faster.

"augh, f-fuck. I don't wanna c-"

You sunk you whole mouth on his cock. Filling your mouth with only half of his cock. You started deep thoating, harder and faster, the lewd noises becoming louder and messier. Chocking on his dick you took him like a champ.

"I'm not done with you babe." You say with saliva and cum dripping from your mouth. You're Cock drunk.

"Y-you're not?!" He seemed genuinely shocked.

You got up and sat on his lap, legs sitting on either side of his thighs. Your booty shorts rode more up your thighs.

You began to ride him. Fully clothed, you began riding, Jungkook instinctively grabbed your ass and pressed you down to create harder friction.

"mm- F-fuck. Oh my, Jungkook augh- you moaned loudly, your pussy was so wet and it was throbbing. Suddenly. Jungkook's switched. He became the lewd one. You never expected to hear something like this come out of his mouth..

"Yeah? You like that you fucking slut? You like seducing quite guys?" He said through his teeth in a hiss. Gripping your ass. Your so turned on at his sudden switch.

"mhm baby" you mewed.

"take the shorts off. Now" yes sir. Anything for Me. Jeon.

You got up off him and you did a little strip tease. It was better that what Jungkook visioned.

You slowly hopped back on him and you grabbed his cock and slowly sat on him. Man was he stretching you out. Nice and good.

"augh fuck Kook. You're so big" you said in a gasp. He just looked at you with a smirk. Man you loved every minute of this.

"that's right baby take me like a fucking champ" you sat on him completely but suddenly.. when you began riding, his speed increased, he began slamming into you.

"fuck, fuck, fuck, augh babe, you're hitting the spot" your moans were something straight out of a porn video.

"yeah? You like that? Look at me when I fuck you Y/n look at me." He said grabbing your face. Who is this man?! This isn't shy little Jungkook with the cute boba eyes?! This was Jeon Jungkook. The fucking man.

After what felt forever, you and Jungkook did some after care. He went and fetched you an after pill at the nearest pharmacy. Yes at 1 am.

You were beat. Inside and out. Literally. You felt numb, could hardly walk. Your pussy was sore. You can't count how many times he made you cum and squirt but he really overstimulated you. You're so ready for a part 2 of this.

The next day you went to class and sat with Jungkook. Suddenly he became shy again?! Two faced much?

Guys... Let me know if you want a part 2 lol, this is my first time writing a fanfic lol🥹

#jungkook angst #jungkook smut #jungkook x reader #jungkook #bts

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rosemaeridream · 6 months

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lecturer!aeri x reader (M)

Mature content (18+)

lec!aeri masterlist

warnings: college au, lecturer!aeri, student!reader, fingering, mentions of strap, light smut, dom!aeri, slight power imbalance, technical age gap but no references to it

A/N: DO FUCKING NOT START RELATIONSHIPS WITH YOUR EDUCATORS. I DO NOT CONDONE IT IN ANY WAY. for context, i'm not american so when i say lecturer, you say professor, i was never gonna post this because 1. don't sleep with someone who could fuck up your education, 2. i have more and more thoughts about this every day so i can't find a place to stop it at, 3. i'm pregnant with lecturer!aeri's baby, she makes me genuinely crazy 4. i was considering making this a long form-piece but oh well look where we are now

word count: 2.3k

Tell me why I wanna write lecturer!Aeri x student!reader, like imagine Aeri pulling you aside before you can walk out of the auditorium to 'talk about' the email you had sent her the night before - something about your further readings and extended material, blah blah blah -and her gaze keeps dropping to your body or your lips, and she's smiling the whole time - happy to talk to you more about the subject because it's her profession, it's definitely nothing to do with imagining you pushed up in the stairwell 20 metres away with her hands down your pants.

She's been watching you from a distance, noting your schedule and when you’re on campus, ‘accidentally’ bumping into you at coffee shops or in the library when you’re studying. she always gives you tips, “oh, you should add a second critical study here” or “read this, it’s much better than the shit they assign you”. In the back of your mind, you know she’s interested in you - she downright looks like she wants to fuck you every time you’re alone - making eye contact with you when you sit down the front of the lecture theatre, gives extra praise when you answer questions, even going as far to say ‘good girl’ in front of the entire lecture after you offer your opinion on a more complex topic. (literally gagged myself thinking about that)

Then she starts pulling you aside more often, still under the guise of helping you with your coursework, but it’s all so intimate - sometimes you show her parts of your assessment on your phone, and she’ll slide her hand up your arm to steady it so she can read, or she’ll practically back hug you, looking over your shoulder, her breaths on the shell of your ear. Her eye contact is on 100%, 100% of the time, making you flush red whenever you talk to her. Eventually, she asks for your number, saying that your emails get lost in her inbox due to being the coordinator of her subject, “if you need anything from me, just text me”

You end up using her number this one time after you’re panicking over an assessment, and no one else you’ve asked has had the answers to. You’re sure she’s busy, the previous lecture she had mentioned to everyone that she’ll be unable to take questions this week due to ‘unforeseen circumstances’. But she texts you back almost immediately, answering so precisely that it’s almost as if she was waiting for that specific question. It turns into a back and forth that just doesn’t sort of end, mostly about the curriculum, but sometimes parts of her life, or your own get sprinkled in there - she’s visiting japan next weekend to see her parents, your favourite artist just released a new album that you like to listen to while you study, ect, ect.

Then there’s this one question that’s ‘too complicated to answer over text so she asks to meet you at the library. She sits in a secluded part where no one really goes - you never question it, just thinking that she chose this spot because it's quiet, or that you shouldn’t be seen getting extra help from the person who will no doubt be overseeing the marking of this assessment.

For the first 10-20 minutes, you actually work on the material together, the essay word count growing slowly. Then Aeri reaches over to take a paper from the other side of you, and her face is like a breath away from yours, and your mind goes fucking blank. Unable to do anything else, you act on impulse and straight up kiss her. I mean- when someone that hot is that close, the only natural response is gonna be to start making out with them, right???

She's sorta stiff for the first two seconds, while you’re still processing what you’ve just done, but then her hand is on your jaw, pulling you closer and parting her lips to lick into your mouth. And oh my god. Oh my god. You’re a changed person, she’s literally ruined the thought of everyone else for you.

After a minute or two you go back to your work, Aeri sort of just laughs it off, but it’s clear that you’re not paying attention the rest of the study period - you get like another 100 words into your essay but its such a struggle when Aeri’s reading over your words and all your thoughts are on panic mode - her breath yet again tickling your ear whenever she suggests edits.

She doesn’t bring up the kiss, so nor do you, pushing the thought away and pretending it never happened. Except when you’re watching a pre-recorded lecture of hers, and you’ve just woken up and you’re hot and bothered and fuck, Aeri’s voice and the way her glasses sit on her nose as she talks and makes extended eyecontact with the camera, forces you to shove a hand down your pants and fuck your leaking cunt while imagining that it was her fingers instead. The thought of Aeri’s mouth on yours and everywhere else makes you cum hard, your laptop sliding off your bed as you recover, forgetting about the lecture and falling back asleep.

Unbeknown to you, Aeri’s pretty much been doing the same thing for the past couple months, getting off on the thought of your innocent eyes widening as she pounds her strap into you. Sometimes it makes her feel so dirty, that she’s fantasising about someone she’s meant to just grade their work and offer feedback, but my god, whenever she catches you staring at her, or biting the end of your pen, deep in thought, she just can’t help herself.

You’re at a bar one night, your uni acquaintances having sorta ditched you alone, drunk, not at all mentally there, so the bartender asks if they could ring someone for you - and the first responsible person in your mind isn’t your best friend or your mother, it’s straight up Aeri. She arrives in a bustle, worry pinching at her brows as she sweeps you away to her car… asks for your address multiple times, but you’re so out of it and half asleep that she does the most realistic thing and just takes you to her own home. Literally takes all of her restraint not to do something with you, let it be letting you grind one out on her thighs or to just kiss you senseless. Even though she’s 100% sure that you’d like it, given the way you’d just kissed her randomly a couple weeks ago, you’re still her student, not some conquest. However she does allow herself to sleep in the same bed as you, perfectly happy to take advantage of your drunk cuddliness, pleased when you curl into her side, head mushed into her chest.

You wake up disoriented and embarrassed, until you see that you’re in bed with Aeri and suddenly everything is so much worse and you’re panicking - why are you in bed with your lecturer??!?! Then Aeri wakes up and she's so much more welcoming than you'd ever think she could be, rubbing your back and explaining the situation until you calm down. After that you fall into this sort of odd routine where she makes you breakfast, and discusses your courses, slowly leading into your other interests and hobbies. For some reason, in her own home, the knowledge that she’s your lecturer starts to fade until you’re both just chatting and learning about each other like you’re close friends.

And on the inside, Aeri is definitely not fantasising about yanking your pants off and eating you out on the kitchen counter. Making you whine and scrabble for something to hold while she mercilessly holds you down.

After that instance, you text her a lot more often, coming to her for life advice as well as help with coursework. Aeri’s beyond happy to help, always texting you back within 10 minutes of your question, which you never think is strange, even when you’re sure she’s giving a lecture to another class right now.

You start having lunch with her when you’re on campus at the same time. She’s adamant that you don’t eat together in cafe’s though, making sure to take you to quiet spots where no one else finds the both of you. At this point, you know she’s doing it on purpose, waiting for you to show any kind of sign that you want her. It’s always you, you, you. In lectures she’s always meeting eyes with you, always choosing you to answer, to the point where some of your friends in the course have started to notice, joking that you’re the teacher’s pet, or that she has a crush on you.

And Aeri refuses to make the first move. If she’s going to have you, you have to show her. Her touches don’t go past your mid thighs, hands always stopping at your hips if she’s resting them on your body. It’s making you crazy - the brush of her fingertips against the side of your breasts when she grasps your arm, or when she forcefully turns your head back to your work by gripping your chin when you’re getting distracted.

Finally you break, you’re in a small rooftop garden that barely anyone knows exists, talking to her animatedly about one of your hobbies, while she just smiles at you happily, prompting you with questions to keep you talking, when she reaches out to brush a crumb off your lips, no doubt from the cake she bought you. She’s been subtly flirting with you the whole time, eyes flicking to your lips or your body as they always do, and her slight touches on your wrist or arm whenever she’s explaining something. So when her thumb rests on your lip for a second longer than it should, your instincts tell you to wrap your mouth around it, flicking your tongue against the tip. You guess it makes her crazy too because the next moment you’re in her lap, gasping into her mouth and pawing at her jacket to try and get it off.

Aeri doesn’t even have the patience to get you naked, pushing your pants halfway down your thighs and almost ripping your panties at the lack of constraint that she has. She doesn’t even react when she feels your soaked pussy, just sliding her fingers through your folds and licking further into your mouth. There’s a moment of silence, then the wet squelch of her fingers inside your hole makes you groan, cutting off the kiss.

If there were anyone else near the rooftop, they’d for sure hear your moans and fucks and Aeri(s) and pleading, but you’re lucky that she’s thought this all out. Your hips stutter in her grip and she’s already calling you ‘good girl’ and ‘pretty princess’ and praising how your ‘tiny pink pussy took her fingers so well’.

And shit. You’re gone.

University is so much harder now that all your study periods are taken up by Aeri and her fingers and her mouth, sitting down next to you while you have your laptop out and slowly pulling your attention away from your work. You know it’s bad, but who fucking cares when you know Aeri will make up for it later, whether that be via letting you suck off her strap, then having you sink down till you meet her pelvis, fingers threading through your hair as you try not to cum straight away, or promising to edit your essay before you hand it up.

You’ve got all the storage and soundproof study rooms mapped out in your mind whenever she’s around. Your parents have noticed that you’re out a lot more, but they just assume that you’ve found some good friends at uni and you’re making the most of your early 20s, not that you’re getting pounded in a storage room or cockwarming a strap while sleeping over at your lecturer’s place.

Sometimes you ask her to wear her glasses while she’s fucking you, loving that her sweaty bangs get caught up in the frame and that they fog up after awhile, even going as far as pushing them back up her nose for her while she’s slamming her strap into your soaked hole.

She’s never gone as far to ask you to call her Ma’am or Ms or Professor, but sometimes Aeri likes to play up the whole dynamic, calling you a slut and mocking you for whoring yourself out for a grade even though it's anything but at this point. She knows it gets to you too - your pussy tightening around her fingers whenever she does it, reassuring her that it’s within your limits.

Aeri is altogether pleased about having you all to herself. She’s always thinking about you, buying/giving you clothes to wear, smiling to herself when you’re halfway up the lecture theatre in her hoodie, gifting you a coffee whenever you meet up on campus, taking you on trips far away from the uni so that you can spend time together like a real couple - kissing in public, letting her hold your hand, feeding you at restaurants, etc.

Your instagram page is literally filled with pictures she's taken of you - sometimes your friends ask you who your photographer is to hook them up, and you stumble your way through a conversation trying so hard not to reveal who it is. Her’s often has pictures of you, but never enough to fully identify you. A picture of her hand holding someone else’s, the top of your head in a city skyline shot or your fingers in the background of her lunch.

You find yourself with her more often than not, at her apartment, sneaking into her office at the university, eating with her, showering with her, sleeping with her (in more ways than one). You’re practically living with her at this point. Honestly, Aeri just accepts your neediness, fully prepared to let you officially move in whenever you decide to.

And the way she fucks? Well, you wouldn’t have it any other way.

i am begging someone to tell me to post more about lecturer!aeri because i am so incredibly down bad

#!! dreamy’s pieces #giselle x reader #aespa smut #uchinaga aeri x reader #kpop imagines #kpop oneshots #giselle smut #idol x reader #aespa imagines #kpop x reader #aespa x reader #giselle x fem reader #lec!aeri

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