#i'm having feels

[miss-sternennacht]

[ihni]

Apologies that Billy Hargrove will never get:

"I'm sorry I left you behind" and "I'm sorry I didn't come back for you" (his mom)

"I'm sorry I hurt you" and "I'm sorry I made you feel worthless" (his dad)

"We're sorry we didn't see or care what was going on with you" and "We're sorry we didn't do anything to help you" (his teachers)

"I'm sorry I just stood by and watched" and "I'm sorry I looked the other way when you were hurt" (Susan)

"I'm sorry I got you in trouble with your dad" and "I'm sorry I didn't notice how he used me against you" (Max)

"I'm sorry I acted inappropriatly towards you" and "I'm sorry I treated you as a piece of meat when you're just a boy the same age as my daughter" (Mrs. Wheeler)

"I'm sorry I lied to you" and "I'm sorry I didn't tell you about everything that was going on" (Steve)

"We're sorry we only saw you as a monster when you were a victim" and "We're sorry we didn't try harder to save you" (the Party)

"I'm sorry you had to go through all of that" and "I'm sorry you didn't have anyone to turn to when you needed help" (me)

[angeart]

(sneak peek on the thing i'm writing)

[thiziri]

Tim Laurence caressing his wife's hand but nearly made her fall over in front of a very amused Duke of Edinburgh, during the Midnight celebrations at the Millennium Dome in Greenwich, on 1st January 2000 ❤️

[flowercrown-bard]

when sleeping in the same bed, Geralt always turns his back to Jaskier. Jaskier thinks it means Geralt doesn’t like him, but really it’s the greatest show of trust for a witcher to show his back to him, making himself vulnerable

[grandmaster-anne]

15 March 2005 The Duchess of Gloucester accompanies President Carlo Azeglio Ciampi visiting the British Museum during a state visit to Britain

[annabtg]

Okay but think of the pure joy on James Potter's face when he holds his son in his arms for the first time and sees how much they look alike.

And think of Sirius Black's enthusiasm when he sees the baby and goes "oh my it's a baby Prongs!!!"

And think of Lily, so tired after the whole ordeal of giving birth, leaning back into her pillow, watching the gobsmacked faces of her two beloved idiots and thinking, 'that was worth it.'

[chaosandwolves]

Is it ridiculous that fandom is what keeps me going atm?

Is it really not healthy that one of my favorite characters currently not having a heart beat revives me like nothing else?

Maybe, but

The excitement, the exchange with other fans, the art that everyone is creating and sharing... It gives me so much joy

It's really why I want to work in film and theatre.

It touches people and connects to them in so many different ways. It's so healing and community building and yeah idk...

[poorly-drawn-mdzs]

Must be a Sugondese joke.

[give-soup-please]

raise a glass to the posts you love that end up deleted. to the fanart and fanfics you lose track of and can't locate. to the blogs you used to look through that ended up unexpectedly disappearing. to the things you didn't archive because you always assumed they'd be there.

[brick-brooke]

[vavoom-sorted-art]

what happened on the drive home from tadfield...?

Edit: this happens on wednesday after the paintball arena (and the wall slam), not after the nopocalypse! I am well aware they took the bus! ^^

[andi-o-geyser]

a full SAGA of chaos choices at the diner in the centre of your mind

[rapha-reads]

A featuring that would be absolutely out of this world amazing: Elyanna ft Saint Levant ft Dana Salah. Arab Pop King and Queens.

[nouverx]

Louise never heard about puppy love, cause they don't know that term in France 💔

---------------------------------------------

Lyrics are from Louise by TV Girl ! I was listening to it yesterday and that specific line on the second page screamed Alastor I just had to draw something about it

[joycrispy]

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.