#if i seem a bit vague its because

[no27-autonation-honda]

congratulations to Mme. Pascale Leclerc, who has surely just experienced both the funniest and most unhinged weekend a mother could ever have. Dear fucking christ, I hope your middlest son brought you a bottle of champagne for yourself, ma'am.

[youssefguedira]

wrote this instead of doing any of my actual tasks <3 tw for brief mention of animal death (by hunting)

Yusuf has been dreading this since the moment they left for Akkala. He had made as many excuses as he could to stay in Goron City for as long as he could, but every one had run out in the end, and he could no longer put off the inevitable. 

The first time he had walked this road, his father had accompanied him with a platoon of guards, still cautious, still reeling from the attack that had taken Yusuf's mother. The second time there had been fewer, but still many. 

In the years after that, the number of people sent with him had decreased even further until it was only two or three guards, enough to keep him safe. His father stopped accompanying him on these journeys after he turned fourteen and there had been no sign of their worth. 

Now, only Nicolò. 

He follows, keeping a respectful distance away from Yusuf, but closer than he had walked before they had gone to meet Nile, to ask for her help. He doesn't ever ask to stop, or to slow down, letting Yusuf set the pace. He keeps a hand on the hilt of his sword and does not speak. 

What is there to be said? Nicolò knows what lies at the end of this road, even if he does not know what it will mean for Yusuf. 

Yusuf can feel Nicolò's eyes on his back. It is bad enough that the whole kingdom knows he is a failure: he does not need Nicolò to watch him fail and say nothing. 

The sun is low, casting the landscape in burnt orange. It would be beautiful were it not so horribly familiar. There is a cabin nearby, and not far from it, the Spring. They will stay in the cabin tonight; they will leave for the Spring in the morning and spend three days there, then return to Goron City and after that, the castle. 

Yusuf thinks about returning, about his father's inevitable disappointment, and feels sick. 

“Yusuf,” Nicolò says, sounding uncertain. He is not yet used to calling Yusuf by his name. “We are not far, yes?” 

Yusuf had forgotten that Nicolò does not know every cursed inch of this road the way Yusuf does. “No, not far. In a moment you'll see the cabin.” 

Nicolò says nothing. Yusuf glances back just long enough to meet his eyes before looking away. 

What is Nicolò thinking? Yusuf can never tell. 

Yusuf catches sight of the cabin a moment later. Dread sits like a stone in his stomach. 

When they get closer, Nicolò takes hold of his elbow, gentle. It startles Yusuf all the same - he hadn't realised Nicolò was that close to him. 

“Let me go first,” Nicolò says. “To check. But stay close.” 

Yusuf nods, and lingers barely a handspan from Nicolò's back while he surveys first the outside, then the inside, of the cabin. Once he's satisfied, he gestures for Yusuf to enter. 

“You should rest,” he says, and he is being so gentle with Yusuf it almost hurts. Perhaps Andromache has told him what this will mean for him: she has accompanied him before. 

Yusuf shakes his head, because sleep means dreams, and dreams will be worse. “What are you going to do?” 

“I am going to find something for dinner,” Nicolò says. 

“Let me come with you,” Yusuf says. Anything is better than sitting in this cabin alone with his thoughts.

Nicolò looks at him for a long moment. Perhaps he takes pity on Yusuf, or perhaps he thinks that it will be easier to keep Yusuf safe if he stays with Nicolò. Either way, he nods. “All right.”

----------

Finding something for dinner means that Nicolò leads Yusuf a little way into the woods, far enough that the foliage and the dying sunlight makes it difficult to see, and bids him hide beneath a tree, in a space formed by the roots, while Nicolò crouches beside him with his bow, nocking an arrow in one smooth, seamless motion. From his vantage point, Yusuf can see a small clearing with a few fallen trees.

“Do not move,” Nicolò instructs him in a whisper, “and do not make a sound.”

Yusuf rests his head against the tree and watches the leaves move in the breeze. It is quiet enough that all he can hear is their rustling, the sounds of birds and animals calling to each other, the rushing of the stream nearby. After a moment, and with nothing else to watch, Yusuf begins to watch Nicolò. 

He has gone as still and as quiet as the trees around them, barely breathing, his shoulders rising and falling only slightly, like he has become a part of the forest. Faron Woods is much further south from here, but Yusuf supposes that this forest must be somewhat similar to where Nicolò grew up. He wonders who taught him to hunt; who taught him to be so comfortable in this place. Why he left it behind to travel to the castle and work for the king.

There are a lot of things Yusuf wonders about him. He cannot tell if Nicolò is aware of Yusuf’s watching; he must be. Still, Yusuf cannot help but watch.

It happens faster than Yusuf can track. Nicolò goes entirely still, and draws his bow swiftly, silently. Yusuf holds his breath and so does the forest.

Nicolò lets the arrow fly.

Yusuf doesn’t see whether it finds its mark, but Nicolò looks for a moment and then stands. “Wait here,” he says to Yusuf, and then heads for the clearing. When he returns he’s carrying something behind his back, the arrow in his other hand. Blood drips onto the grass. 

“You can wait inside while I prepare it, if you prefer,” Nicolò says haltingly. Yusuf shakes his head, and so he sits on a log outside while Nicolò skins the rabbit, arms wrapped around his knees and chin drawn up to his chest. Nicolò keeps his back to Yusuf, shielding most of it from view. 

Who taught him this? Yusuf wonders. It is a part of Nicolò he has never seen before.

When it is done, he takes it back inside to cook over the fire, and they eat it alongside the bread and cheese they brought from Goron City, across from each other at the cabin’s little table.

“When do you want to leave, tomorrow?” Nicolò asks softly. 

“I don’t,” Yusuf says before he can stop himself, and then adds, “I don’t know. Early, probably.” The thought bursts the little bubble he’s been in since they arrived. He doesn’t want to leave, could stay here for the three days they’ve been allocated and return to his father without even having tried and it would change nothing. 

“Just after sunrise, then,” Nicolò says. “It is not far, you said?”

Yusuf shakes his head. “No,” he says. “Not far.”

----------

The water is freezing.

It has always been freezing. But Yusuf knows well enough that if he stands in it for long enough, it will start to warm. It reaches to around halfway up his thigh; when he was younger, it felt deeper. 

The stone in front of him offers nothing. No sign, no indication that anything is listening to him except for the water and Nicolò, who has been standing at the gate of the Spring for however long he has been in here. Has he been listening? Has he heard Yusuf pleading for something, anything, dreading the moment he returns to the castle and his father looks down at his left hand and sees nothing there? 

What does Nicolò think of him now? If he did not see a failure before, does he see one now? 

His legs may be going numb. They tremble beneath him, struggling to hold his weight. How long has he been standing here? 

“Tell me what I am doing wrong,” he begs the stone. His voice sounds like it’s coming from somewhere else. “I know I am not the one you wanted, but I am trying. I am trying. I have given everything. I do not know how much more I have left.”

The stone says nothing.

Nicolò says, “Yusuf.”

Yusuf hears him without listening, falls to his knees in the water and does not even feel the chill. 

“Please,” he pleads. “I cannot return – I cannot give anymore.”

There is a splash behind him, and then there is Nicolò, pulling him to his feet, pulling him from the water. Yusuf tries to hold fast - he cannot leave now or it will have been three days in the Spring with nothing to show for it. 

“Yusuf,” Nicolò says again. His grip is gentle but unrelenting, and he is warm. Yusuf, shivering as he is, can’t help but lean into it. “You are exhausted. You are going to freeze. Come with me.”

“I can’t,” Yusuf says, even as he lets Nicolò take his weight, lets him guide Yusuf out of the Spring. “I can’t.”

There is a small paved area where their camp is set up. Nicolò has kept the fire going, or restarted it, while Yusuf was in there, and he half-carries Yusuf over to it now. Yusuf’s legs buckle under him the moment Nicolò lets him go, and he sinks onto something soft laid over the paving stones. He blinks, and there is a bowl in his hands, warming even if he does not really taste it. 

“It was never supposed to be me,” Yusuf says without really meaning to. 

From across the fire, Nicolò watches him.

“It was supposed to be my mother,” Yusuf whispers. The only sound between them is the crackling of the fire. Yusuf is so, so tired. He has never said this to anybody else, not even Andromache, but he cannot keep the words from rushing out of him now.

“It came to her when she was nineteen,” he says, “and that’s how they knew it would happen in her lifetime. So she trained, and she mastered it, and we were ready. And then she was killed, and because I was the oldest, it came to me.”

He does not like thinking about this. He has not thought about this in years. They do not speak of it anymore.

Nicolò is still watching him.

“I was asleep when it happened,” Yusuf continues. “I dreamt it as it happened, but I didn’t know until later. The moment she died, I woke up screaming. They told me afterwards that I was– I was glowing, bright enough that nobody could look at me for long or get close enough to see what was happening to me. They just had to wait until I came out of it. It felt like I was burning.” If he closes his eyes, he is there again, twelve years old and terrified.

“That’s how we know it should be me,” he says after a moment. “Who can do it. Because I did, once, but never again, despite all of this.” He waves at the Spring, the water, the stone. 

Exhaustion tugs at him. His eyes will not stay open, but he cannot let himself fall asleep, not yet.

“Don’t let me fall asleep,” he tells Nicolò. “There’s still time.” It cannot be late yet; the sun has gone down, but it is not quite dark. “Don’t let me.”

“You have to rest,” Nicolò says. It is the first thing he has said to Yusuf since he pulled him from the Spring, and Yusuf cannot tell what he is thinking. 

“I can’t fall asleep,” Yusuf insists.

“At least let yourself warm up first,” Nicolò says. There is a pile of dry clothes in his hands - where did he get them?

Nicolò convinces him to change and to sit back down, to rest a little while longer. This time he  steers Yusuf to sit down on his bedroll instead, and Yusuf’s grip on his arm goes tight.

“Don’t let me fall asleep,” he says again. 

“You cannot go on like this,” Nicolò says. “Sleep, and I will wake you in a few hours’ time.”

Yes, a few hours. That, Yusuf can afford. “Promise me,” Yusuf says, but his eyes are already closing unbidden. 

Nicolò says nothing.

----------

When Yusuf wakes, it is still dark outside, and there is a cloak that is not his own draped over him. Nicolò is crouched over the fire only a short distance away. He catches Yusuf’s eye, but doesn’t say a word.

It all comes crashing back at once: the water, the stone, Nicolò. Yusuf sits up.

“You didn’t wake me,” he says.

Nicolò watches him for a long moment. “You needed the rest,” he says finally. 

Suddenly his consideration stings. “That wasn’t your decision to make. What time is it?”

Nicolò glances at the sky. “It will be sunrise soon.”

Yusuf’s heart sinks. Sunrise means return, means return to the castle and his father with nothing. He gets up, pushes Nicolò’s cloak aside. “You should have woken me.”

Unexpectedly, Nicolò pushes back. “You would have only made yourself ill. You were barely conscious. I would not have done it if–” “That was not your decision to make,” Yusuf snaps. “I am not a child, Nicolò. I am capable of handling myself. I have lost hours.”

Nicolò does not say anything. Yusuf almost wishes he would keep pushing, but he does not. He simply folds himself back into the same blank expression he always carries, and again, Yusuf cannot read him.

“If the sun will rise soon, there is not much use in staying here for much longer,” Nicolò says eventually, quiet. He doesn’t meet Yusuf’s eyes. Guilt twists his stomach. 

Did Nicolò know? Did Andromache warn him? Or was he just worried?

Yusuf nods. 

They pack up their camp in silence, side by side. By the time they set off on the road back towards Goron City, the sun has risen, and the early light turns the world around them to gold.

Yusuf walks, and Nicolò follows behind him, as always.

[hylianane]

I know the dudebros who pitched the theory of Zoro scarring (possibly removing) his very own eye in order to draw out his Observation Haki did so because they thought it was cool and badass. But personally. I’d be fucking devastated man. Thinking of the context and specially considering Zoro’s mental state in Kuraigana Island after being left in pieces by Kuma and discovering he’d failed to be there for Luffy at Marineford- listen. He’s always been portrayed as having very self-punishing tendencies since at least Alabasta, so if this was truly what happened, I don’t think it’d be portrayed as an empowering moment of manliness at all. I certainly wouldn’t want it to be.

[mothbeasts]

i miss posting and making and engaging with ieytd content but I will be honest sometimes it feels alienating. as a lesbian.

[seapiglet]

The only way I would've accepted seeing pre-fall Crowley and Aziraphale together is if they were like in the Heaven cafeteria, Crowley complaining to a celestial dinnerlady that the lunch options all look bad ("the food hadn't been that good lately"), while Aziraphale walks by in the other direction, needlessly worrying about something. Neither notices the other. They were this close and yet!

Perhaps Aziraphale and another angel are even discussing some rumour about angels starting to ask questions of The Almighty and expresses concern.

Keep in the "how much trouble can I get into for asking a few questions?" or whatever from Crowley but have it be with the disgruntled dinnerlady or one of Lucifer's crew he was presumably hanging out with. Show one of these soon-to-be-cast-out angels casually mentioning to him that they're thinking of bringing up a few of their concerns to "the boss" and would he be interested? It's worth a shot after all. What harm could it to?

Just anything to make it less fucking needlessly dramatic and serious.

[slugandthorn]

The coolest gender thing in the 2009 Japanese video game persona 3 100% how hard they coded shinjiro as the dead mom

[jacksprostate]

dunno what that users on about... people on tumblr put way too much attention on the unnecessary

GOOD LUCK ON NOT FRYING YOUR BRAIN BOSS 🫡🫡

- SUPERFAN ANON BACK AT IT AGAIN

Eh I was a little annoyed but ultimately I just kind of feel bad for that person, it takes a lot of shit being fucked up for you to be a wholeass grown adult arguing to the death on tumblr + believing in a sort of catholic 'suffering means I'm moral' thing as a way to make yourself feel better about what feels unchangeably cruel about your life. It's why I was like, no I'm not gonna continue this. Not healthy for either of us.

[sonofsin]

I've felt off since showering. all I know is that a kid who had no awareness that it isn't the early 2000s fronted and had to be caught up to speed... I've been stuck with both persephone and steph nearby internally and am being affected by both of them. I want to just enjoy fallout and playing, but the ghosts feel very loud.

[eclarinet]

same soup... different day

[the-yearning-astronaut]

As if I need something else to dwell on right now, I'm having a hard time with my orientation again. Like I just.... Idk. I feel like I don't fit in with the queer community because I'm aroace spec but I also feel alienated from the aroace community because I'm demi aroace. And it makes me feel very lost and very isolated.

[st5lker]

why would someone hoping that companies being able to take people's likeness and duplicate it via software becomes illegal be "dumb as fuck"?

actors already have some ownership of their own likeness which prevents studios from making CGI copies of them when they havent been signed up to a film, so why wouldnt voice actors get ownership of their likeness?

because first of all i do not believe that owning private property is ever a good thing at all and either way owning a likeness is very different from saying "all ai impressions of a voice should be illegal". actors owning their own likeness means, in an extremely simplified way, that companies cannot make money off of tricking people into thinking somebody is part of something when they're not. it's essentially the same thing as coca-cola having a trademark on their name and logo. and voice actors already DO own their voice's likeness. see bette midler's lawsuit against ford for using a voice impressionist to sing like her in a commercial. what YOU'RE suggesting should be illegal already is, and that's not even what kellen goff (and many other people in the notes of that post) seem to be suggesting, which is that using ai to make an impression of someone's voice at all should be illegal.

i'm not saying companies should be able to take actor's likenesses. i am saying that making it illegal to make ai text to speech of an actor's voice is dumb and will only help big companies and rich people and hurt the small timers that dont have the same legal team budget. back to the idea that owning a likeness is like owning a trademark, do you think trademarks are good? what about when monster energy tries to sue every single game developer that puts the word 'monster' in their game's title? what about when adidas tried to stop the black lives matter global network from using their logo for the crime of having three stripes? do any of these instances sound like strict "intellectual property" laws help anyone but large companies?

[steelycunt]

I’m not saying that a lot of Regulus fans are only interested in him because they picture him as a Timothee Chalamet insert and wouldn’t give half a fuck about the character if that fancast didn’t exist but… oh wait that is what I’m saying.

yeah i mean. i definitely think there's something in that lol honestly. as ive said before i never really got the interest in regulus i just couldnt care less about the guy he genuinely has zero canon character but. simultaneously i can see how the little that we do know about him makes him an interesting character and i can see why people enjoy the idea of him as a blank slate that you can superimpose nearly any traits you want on to--treating regulus as essentially an oc gives you lots of room for creation. its for these exact reasons that he is of no interest to me personally, and i really don't like the common conceptualisation of him that has emerged from popular headcanon consensus (especially when it involves stripping his character of all agency and half the things that could arguably make him compelling in order to gloss over the fact that he was a death eater) but thats a matter of opinion i suppose. thats a me problem. its just not my cup of tea.

the timothee chalamet thing irritates me for the same reason the ridiculous instagram model/influencer/celebrity fancasts for most characters irritate me, because one of the ONLY things we know about regulus is that he is 'less handsome than sirius'. like ok why not work with that. especially with a character like him where there is virtually nothing to work with. like please explain to me why you refuse to accept that im genuinely curious. why is that the aspect of his character you are so firmly refuting lol.

all in all, if the character is only likeable or interesting or a convincing love interest if you have to pretend they were actually super conventionally attractive, maybe they're just not that likeable or interesting or well-suited to the character you're trying to pair them off with. its a personal thing again i am just not interested in reading/writing about a cast of characters who are all meticulously tailored to conform to beauty standards i do not respect. the minute u try to convince me all your characters are super hot n yassified it all feels less real to me sorry i care less about them. im bored of hot characters i think all fictional characters should be made to look like normal everyday people and i think everyone should be less afraid of so-called ugliness i triple dog dare u

[tomwambsgans]

i'm just gonna say it. on the app that could reasonably be called Misinformation: The Website, where you have no good reason to believe almost anything that anyone says, where people are known to play genuine fucked up long cons where they go so far as to fake a disability, or stage scenes of verbal/emotional abuse with their partners, or make some other incredibly serious claim only to eventually come out and admit that they lied or faked it to be *interesting* or whatever... i think it's wise to take the anecdote of a single random person with a grain of salt

[the-acid-pear]

I have yet to keep inspecting the sweepstakes, I need some air and food first, but I might as well share what I've been thinking about Mike today, because I heard of an interpretation saying Mike was a camera man for Spamton which ... Is very interesting. Like for me this makes me think of Mike as someone who admired Spamton, someone way smaller than him, definitely younger imo, who simply excitedly followed along with the orders given. I mean, up to a certain point. I mean this feeling is reinforced in the q&a when asked about Mike, that makes Spamton get very defensive, almost protective. In my eyes it almost creates this almost platonic familiar bond dynamic whatever. But like this is just a shot in the dark, bc what we know is, 3 lines, period. But if when chapter 3, 4 and 5 come out and Mike is there and I'm right about these things then I'm gonna feel like a god tbh.

[chisatowo]

I wanna rant abt aro shit again buttttttt it involves getting all philosophical abt the concept of love and I don't wanna touch that with a ten foot pole my mental health can't take it rn lol

[robitherat]

Man just saw someone saying that "flaunting" the fact that they spent money on the stupid little blue checkmarks on here when "there's countless donation posts floating around" makes you a bad person and just like. Congrats you reinvented catholic guilt on tumblr.