#if they were written at the start

[moonfromearth]

THE BOLD THE FACTS tag by @helenofsimblr

The Rules are simple! Tag people and name a character you want to know more about! If you want to let the person you tagged decide who to showcase, then don’t name a character and they can pick somebody. Easy! The person who is tagged will then bold the remarks below which apply to their character &, if they want to, include a picture with their reply!

I was tagged by @akitasimblr who requested answers for everyone's favorite outlaw, Corey!! Thank you so much for the tag it's been a while since I've gotten to talk about my favorite sim 😊

Corey Altman!

[ PERSONAL ]

$ Financial: wealthy / moderate / poor / in poverty

✚ Medical: fit / moderate / sickly / disabled / disadvantaged / non applicable

✪ Class or Caste: upper / middle / working / unsure / other

✔ Education: qualified / unqualified / studying / other

✖ Criminal Record: yes, for major crimes / yes, for minor crimes / no / has committed crimes, but not caught yet / yes, but charges were dismissed

[ FAMILY ]

◒ Children: had a child or children / has no children / wants children

◑ Relationship with Family: close with sibling(s) / not close with sibling(s) / has no siblings / sibling(s) is deceased

◔ Affiliation: orphaned / adopted / disowned / raised by birth parent / not applicable

[ TRAITS + TENDENCIES ]

♦ extroverted / introverted / in between

♦ disorganized / organized / in between

♦ close minded / open-minded / in between

♦ calm / anxious / in between

♦ disagreeable / agreeable / in between

♦ cautious / reckless / in between

♦ patient / impatient / in between

♦ outspoken / reserved / in between

♦ leader / follower / in between

♦ empathetic / vicious bastard / in between

♦ optimistic / pessimistic / in between

♦ traditional / modern / in between

♦ hard-working / lazy / in between

♦ cultured / uncultured / in between / unknown

♦ loyal / disloyal / unknown

♦ faithful / unfaithful / unknown

[ BELIEFS ]

★ Faith: monotheist / polytheist / atheist / agnostic

☆ Belief in Ghosts or Spirits: yes (he'd totally be the type to pretend he wouldn't be scared of a ghost, but in the middle of an encounter with one it'd be a totally different story) / no / don’t know / don’t care

✮ Belief in an Afterlife: yes / no / don’t know / don’t care

✯ Belief in Reincarnation: yes / no / don’t know / don’t care

❃ Belief in Aliens: yes (dude grew up in Strangerville and battled an alien plant so... definitely 😆) / no / don’t know / don’t care

✧ Religious: orthodox / liberal / in between / not religious

❀ Philosophical: yes / no

[ SEXUALITY & ROMANTIC INCLINATION ]

❤ Sexuality: heterosexual / homosexual / bisexual / asexual / pansexual

❥ Sex: sex repulsed / sex neutral / sex favorable / naive and clueless

♥ Romance: romance repulsed / romance neutral / romance favorable /naive and clueless / romance suspicious

❣ Sexually: adventurous / experienced / naive / inexperienced / curious

⚧ Potential Sexual Partners: male / female / agender / other / none / all

⚧ Potential Romantic Partners: male / female / agender / other / none / all

[ ABILITIES ]

☠ Combat Skills: excellent / good / moderate / poor / none

≡ Literacy Skills: excellent / good / moderate / poor / none

✍ Artistic Skills: excellent / good / moderate / poor / none

✂ Technical Skills: excellent / good / moderate / poor / none

[ HABITS ]

☕ Drinking Alcohol: never / special occasions / sometimes / frequently / Alcoholic

☁ Smoking: tried it / trying to quit / quit / never / rarely / sometimes / frequently / Chain-smoker

✿ Recreational Drugs: never / special occasions / sometimes / frequently / addict

✌ Medicinal Drugs: never / no longer needs medication / some medication needed / frequently / to excess

☻ Unhealthy Food: never / special occasions / sometimes / frequently / binge eater

$ Splurge Spending: never / sometimes / frequently / shopaholic

♣ Gambling: never / rarely / sometimes / frequently / compulsive gambler

And I'll tag.... @windslar (zadie) @thebramblewood (helena) @minty-plumbob (scooter) @seokolat (shian, in honor of gen 1 ending 😭) @tiniestsimmer (violet) but no pressure if you don't want to do it/already have!

[fumifooms]

Falin who cares too much and too little - analysis

Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is heavily encouraged prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.

Falin cares too little :

A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.

We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.

Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.

She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.

Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.

What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.

And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.

People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.

One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?

So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?

And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.

So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.

So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.

Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.

And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.

She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.

And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.

We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.

Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.

She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.

So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.

She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.

And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.

It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"

So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."

And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.

And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…

So.

Not feeling as much as she should. And……. Is this not Faligon pushed to the max?

You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.

Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.

There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.

Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.

And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.

Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.

Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.

But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.

In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.

No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.

I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.

Falin cares too much

She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.

So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.

In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.

Post-canon, she needs to leave to find herself, away from them.

Herself. What if she wants to just be with herself for a while.

And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.

Notes & nuance

I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.

I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…

Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.

Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.

And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."

Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will*, like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’. To which said friend quoted: "to feel like you belong you need to be useful. when you can’t be useful the next best thing is being convenient."

And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter. Man also… Obviously Marcille is very vocal about how she shouldn’t get with Shuro, but imagine how Falin’s whole perspective on marriage must have felt when her only friend ever is a Romantic with a capital R who gushes about idealized romances and grand gestures and True Love and doing things with fully pure feelings all the time.

AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.

Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.

But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.

Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…

Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).

A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.

It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.

I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc.

I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.

Conclusion

Flighted birds have hollow bones. With freedom and wings there comes risks and sacrifices.

Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.

She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)

Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.

-

I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it

That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.

Here’s my spotify playlist for her if you’d like

Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.

[starry-bi-sky]

DPXDC CFAU Headcanon: Ghostspeak Edition

Ghosts in the Infinite Realms who saw Jason and Danny together called them "luzdra", a term in ghost speak that directly translates into the words "shared soul". It's literal definition is; "two ghosts with a bond so deep that it was as if they had split their souls in half and given one to the other", but in general it just means two ghosts with a profound, indescribable bond.

Luzdrus is the singular form of the word, and refers to only one ghost in the bond. While "luzdra" is plural and either refers to both of them together, or the relationship as a whole. It depends on the context of the conversation and who they're saying it to.

There is no romantic, platonic, or familial connotation behind the word. It just means "someone who shares a deep bond with someone" and can be between anyone.

It also does not mean soulmate, and if you say that you'll be corrected. Soulmates implies that their bond was destined by the universe, luzdra are two people who developed and built that bond themselves. It's a relationship forged between two (or more) people.

Some of Danny's rogues -- like Kitty and Johnny, who might've seen the two together and are possibly luzdra themselves -- still call him 'luzdrus' even after Jason's disappearance from the Zone. Danny doesn't know how to feel about it.

[mangostarjam]

declarations (alternate version) — kaiju no. 8, hoshina soshiro x f!reader, use of foods as nicknames, childhood best friends dynamic, reader wears a dress and heels, oral (f!receiving), 3k words — the first bit is the same as the original but it does deviate

"Why do I need to wear a dress?"

Hoshina Soshiro glances up from where he's lounging on your bed. You've already pulled on the dress, of course, and he watches with probably way too much interest as you tug and adjust the way it drapes along your body. It's pretty. It fits perfectly, though you have no idea when Soshiro learned your measurements enough to show up at your door with such a gorgeous dress hanging from his fingers. Maybe he got them from Okonogi-chan?

"You'll be walking 'round with me and the Captain, egg tart, so you've gotta look the part," he says idly, though you can feel the burn of his stare along the newly exposed skin of your back. "And don't forget the heels!"

You glance at the cute, strappy heels he left by your mirror and frown. "If I wear those, I'll be taller than you, Soshiro-kun."

"Aw, that doesn't matter," Soshiro says. He sits up and you look away from the flex of his incredibly defined abdominal muscles beneath his compression shirt, which he apparently wears all the time, even under his formal dress uniform with all its tassels and buttons.

God. Embarrassing. You really need to get your staring issue under control.

"I can fight whoever looks at ya."

"Wha— ?" Heat sears across your face as you splutter and spin around to face him. The skirt of your dress twirls with the movement and you catch his gaze snapping down to your thighs. "Why would you need to fight anyone?"

"Hm?" You take a step back as he gets up and stalks over to you, holding your breath subconsciously as he kneels at your feet and takes one of the heels in hand. Your room suddenly feels warmer, the air hushed, as if the two of you are the only ones who exist in the entire universe. Soshiro chuckles quietly and shoots you a grin that makes your knees feel wobbly.

"Soshiro-kun?"

"Well, 'course I'm gonna fight for ya, apricot," Soshiro says. You flinch as he reaches out to grip your calf, the rough callouses on his fingers scraping lightly as he lifts your leg and slides your foot into the shoe. "You're my best friend, yeah?"

And I'm just a simple man in love goes unspoken as he carefully ties the silk around your ankle to keep the shoe in place. You wobble a bit at the balance and he glances up from beneath his violet bangs. "Hold onto my shoulders," he says quietly, reaching for your other leg. "Don't worry, I've got you."

"S-Soshiro-kun, I can put these on myself," you mumble, heat flaring up your spine at the careful pressure of his fingers on your ankle. He lifts your leg and you grab abruptly at his shoulders, fingers digging into the thick muscle there as you regain your footing with his support.

Soshiro lets out a breath. "I know," he says simply. "But I wanna do it."

Is this what men do when they're in love? You wouldn't know — the only man in your life you've ever cared about is right in front of you, and he's refused to elaborate on his strange statement no matter how many times you've asked. You have a feeling he means it, though.

Like, really means it. You love Soshiro — of course you do. You've always loved him. But lately it's felt… different.

Still comfortable. He's still your biggest supporter and vice versa, and he still knows exactly how to cheer you up and make you laugh. You know all his ticks and tells, and you take great pride in taking care of him while he's looking out for everyone else.

But at the same time… it's uncomfortable.

These little touches — they're new. The way his gaze lingers on your body is also new. Or… maybe you've just never noticed before. It's not a bad thing. But it makes you feel strange and fluttery inside and you catch yourself daydreaming about what it'd be like to actually get a hickey from Soshiro. Your best friend.

You stare down at the top of his head and try to repress a shiver as he skims up your legs to where your skirt rests against your thighs. His touch leaves behind a trail of warmth that burrows deep. "Um— ?"

"Ya look real pretty like this," he says. You're still holding onto his shoulders as he rises from his crouch, your entire body hot and hyperaware of how close he's standing once he straightens. "I could really just eat ya up." The smirk on his face makes your heart thump painfully in your chest, but he doesn't give you a chance to question it before he's grabbing your hands and spinning you around in a little twirl.

"S-Soshiro!"

You let out a little yelp as the room suddenly turns sideways, your center of gravity abruptly gone as Soshiro scoops you off your feet with one strong arm behind your back and the other beneath your knees. You throw your arms around his neck in a desperate move to keep from falling, though you know he'd never drop you.

Soshiro looks down at you with a glint in his eye. "Maybe I will."

"You'll… what?" you ask, breathless. He looks… hungry. Something about that look makes your stomach clench. "Soshiro-kun?"

"As your best friend, I think I've gotta do a lil inspection," Soshiro says brightly. He carries you over to your bed effortlessly, laying you down with a care that makes you burn up in a mixture of embarrassment and want.

You want… something. Soshiro gently detangles your hands from behind his neck and brings them up above your shoulders, gripping both wrists in one of his hands. His other hand is planted by your shoulder to keep from squishing you, though he keeps his balance with a knee between your thighs. "What…?"

"Just checking," he murmurs, leaning down to brush his nose against yours. You can feel his breaths on your lips and you strain a little against his hold, wondering if he can feel your pulse beating rabbit-fast in your wrists. His hand is trembling, though you can't imagine it's from the strain of holding himself up. "Can I?"

What… what is he asking?

Does it matter? It's Soshiro —

"Yeah," you breathe. "Go ahead."

His lips brush yours in a whisper, an exhaled sigh, a pressure as light as a butterfly. You make a funny sound and he grins as he skips down to your neck, pressing a firmer kiss there at your pulse.

"You do taste good, chestnut," he mumbles, just before you feel the sharp nip of his canines pinching your skin. You yelp in surprise and he chuckles, brushing his lips across the spot in apology.

"What did I say about food nicknames," you manage to gasp out, blinking blearily as he rises back up to face you. The tops of his ears and the arch of his cheekbones are painted a charming pink, but his eyes are serious as he meets your gaze.

"Are you good?" Soshiro asks.

Are you? You do feel good — better than good. The way your heart is racing would probably raise some eyebrows in a medical ward and your brain feels like mush, but. You've had your share of meaningless crushes — puppy love, infatuation — but none of it ever really mattered because you've always had Soshiro.

None of it ever felt like this.

Oh.

"I'm good," you whisper.

"And this is okay?" he asks. "I'm not — I told ya I don't mess around when it comes to you."

"I'm not messing around either," you grin up at him, feeling suddenly buoyant as the pieces click into place. "I'm yours, Soshiro."

Your best friend looks at you for a moment, but whatever he sees in your expression makes him laugh — a rough burst of sound punched out of his chest — before he leans down to kiss you again.

You can feel him smiling into the kiss.

It's a little awkward — he bumps your nose and you can't keep from grinning, either, so the kiss turns into several kisses, the smooth press of his lips against yours sending heat curling through your veins as his kisses get deeper, hungrier. He tilts his head and finally lets go of your wrists to grasp your chin, moving you to get the angle just right, though his careful intentions go up in smoke when you reach up to tangle your fingers into his hair and tug.

He pulls back with a gasp, eyes wide and pupils blown, panting as if he's just finished fighting off a kaiju. His voice cracks as he murmurs your name.

"Yeah?" you lean up to brush your lips against his jaw, admiring the strain of his neck as he huffs. "You're so pretty, Soshiro-kun."

It takes a second, but Soshiro's next breath is a sharp inhale as he presses his body against yours, pinning you to the mattress.

Then he whines.

Oh, god.

The sound seems to startle both of you, but he recovers first, dipping down to kiss you senseless as the ache in your core intensifies. He's solid and warm and heavy on top of you, his hands burning along your arms and sides and skimming over the neckline of your dress before he seems to settle on gripping your hips as he bullies his way between your thighs. The gasp you let out is loud in the thick air of your room, but the groan he lets out when you squirm against the solid, unyielding length of him is even louder.

Soshiro moves back to pressing hard kisses to your neck and exposed shoulders, panting hard as you whimper with every stinging nip of his teeth. "You're gorgeous," he murmurs, "you're so fucking perfect, I can't —"

"S-Soshiro," you whine, wiggling your hips in an effort to chase the electric sparks of pleasure rising with every sharp, aborted thrust of his hips. "What's — why're you —"

"I'm tryin' not to cum in my pants," he grunts, fingers digging hard into your waist to still you. You sob at the loss of friction and Soshiro huffs. "Fuckin' hell — you're so — but I can't be walking 'round the party all dirty."

Your eyes snap open at the reminder and you shove at the shoulders you were clinging to for dear life a moment ago. "The party!"

"Yeah, the party," Soshiro laughs, grabbing one of your hands. He presses a kiss to the leaping pulse in your wrist. "Didja forget, pumpkin?"

The tender affection somehow makes you warm, even as his hips grind slowly against your core to make you burn. Your legs, which you hadn't even registered moving, drop to the sides, sending your dress to pool further up your thighs and exposing the thin fabric of your panties. Soshiro glances down at the movement, but you can only see the way his lashes flutter at the sight before he's grinding his clothed cock against you again.

A muscle in his sharp jaw ticks as he glances back up at you. "Ya look real good," he says, "and I'm tryin' to do this right, but —"

One thing about being best friends for your whole lives means you can tell when he's holding something back.

One thing about becoming lovers with your best friend is that now you can see he's been holding back from this.

"You can't go into the party like this," you point out. Soshiro laughs, a strangled sound.

"We're not havin' a quickie as our first time," he says firmly. His expression lights up. "But I did promise an inspection, didn't I?"

"What're you — Soshiro!"

He moves too quickly for you to react, pressing another hard kiss to your lips — his tongue dipping in to draw out a startled moan — before he's suddenly kneeling at the edge of the bed, yanking you closer by your legs spread on either side of him. "The heels look nice," he says conversationally, dragging his hands up your calves.

You suddenly feel over-sensitive, your nerve endings straining into his touch as he leans forward to drag his nose along the inside of your thigh. "Ah— Soshiro, that tickles!"

"They make your legs look good," he continues, as if you hadn't spoken. You raise up on your elbows to glare down at him as he brushes his lips featherlight against your thigh. Soshiro smirks and turns his head to nip the skin there, kissing and sucking along your thigh as he slings your leg over his shoulder for easier access.

Oh, shit.

The whine you let out would be embarrassing except that Soshiro mutters a curse and shoots you a look that makes your core clench tight. You reach for his hands, desperate for some leverage or an anchor, and he lets you take one of his hands but uses the other to hike your other leg over his shoulder.

"This is cute," Soshiro remarks, looking intently at your panties and the damp spot clearly evident even in the dim light. "Were they expensive?"

What is he asking? Why would it matter when the only thing you can focus on is the incessant ache in your core, inches away from his touch, heartbreakingly empty and wet and hot —

Soshiro rips your panties with one hand and tosses the flimsy scraps of cloth aside, exposing your fluttering core to his hungry gaze. You shift desperately, torn between wanting and wanting to hide, but before you can voice a request Soshiro dips in and licks you.

"Oh, fuck —" you moan, collapsing back on the bed as your hips buck up into the friction. Soshiro licks at you sloppily, digging his tongue into every inch and fold of you as he groans.

"All this for me?" he murmurs, catching your eye as you clutch desperately at the blankets. "Only for me, right, melon drop?"

You nod shakily as he gently kisses the throbbing bundle of nerves at your core. "I'm yours, Soshiro," you gasp. The waves of pleasure building in your body are frightening, your heart pounding hard, but you can't help tilting your hips closer to him. "Please, Soshiro — I… I can't —"

"Hah — fuck you," Soshiro groans. "Hold on to me."

You barely get a moment to register his command before he dives back in, targeting your clit and sucking on it as you sob with pleasure. White hot electricity races through your veins as you scrabble desperately for something to hold on to, grabbing at the purple strands of his hair and rocking your hips as he devours you.

You feel the burning touch of his finger as he drags it along your lower lips, making you suddenly hyper aware of how empty you feel. Your insides clench futilely, your fingers twisting into his hair painfully as you moan and beg. "Soshiro, Soshiro please —"

You can hear the squelch of your wetness as he finally slides his finger inside you, poking and prodding your walls until he presses against something that makes you see stars. Your back bows off the bed as you pant and squirm.

"There ya go," he grunts, pulling back to fix you with a burning red stare. "Let go for me, honey. I've got you."

You clench around his finger as he adds another, the intrusion unfamiliar but welcome, pleasure spiraling and spiking through you as he flicks his thumb over your clit and presses against that spot just right. It's — it's too much — too overwhelming —

Soshiro sucks your clit between his lips again and you shoot over the edge with a shout.

"Good fucking girl," Soshiro murmurs. You can barely hear him beyond the fuzzy aftershocks, but the words bleed warmth into your face as you melt into the mattress. He carefully licks you clean, chuckling when you whine at the overstimulation.

"Soshiro?"

"Yeah?" He climbs back over you, the lower half of his face shiny with wetness. It should be gross, but you're so boneless you can't even bring yourself to care as he leans down to kiss you, tongue tangling with yours as you moan at the taste of yourself.

"Where'd you… where'd you learn how to do that?" you mumble tiredly.

"In my dreams," Soshiro says, laughing when you pout at him. "I've been dreaming 'bout you for ages, y'know. But most of the technical stuff was from locker talk with the guys."

You nod and glance down, but the angle is awkward and you can't quite see —

"Ah, don't worry 'bout me," Soshiro ducks his head and you stare at the pink flush rising up his neck. "I'm gonna hafta meet you at the ballroom, hazelnut. I need a change of pants."

"Oh," you nod, wide eyed and blushing as he snorts. "Sorry?"

"Don't apologize for bein' a dream come true," he says. "But we should really go soon, or the captain'll have both our heads."

Soshiro helps you stand on wobbly legs as you regain your balance on heels, kneeling to smooth your dress back down your thighs. "Wait — what about my panties?"

He tilts his head thoughtfully. "Right, I'll help ya with that."

Soshiro's touch is warm this time, not burning hot, and the kisses he presses along your thighs are more ticklish than anything. He grins up at you as you giggle. "Will we tell Captain Ashiro after the party tonight?"

He rises and his gaze goes to your neck and shoulders, exposed by the straps of your dress. Something sharp and pleased settles in his smile. "I don't think we'll need to worry 'bout it. Any fool who gets close to ya when you're marked up all pretty for me is askin' for trouble."

… What?

You look past him to the mirror and gasp. All those little bites from earlier are blooming pink and purple beneath your skin. Soshiro laughs, swoops forward to kiss your scolding right out of your mouth, and pulls away only after you've melted back into his arms, pliant and breathless.

"You passed inspection, by the way," Soshiro adds, smiling a little lopsided and fond. "Congratulations on becoming the Third Division Vice Captain's fiancée."

Your eyes widen. "Fiancée?"

"Oh, too soon? We can start off with 'girlfriend' first."

"Soshiro…"

"What? A guy's got dreams, alright?"

You laugh. "You didn't even propose!"

"Alright, fine," he kisses you again and you beam, delight and happiness swooping through you at how easy it all feels. "Keep that third finger on your left hand empty for me, apricot."

"It's a promise."

[smilezandmics]

Can you draw vaggie and Charlie?

“before the fall”

[clambuoyance]

[DC] doodled these two a lot this week

[sophfandoms53]

Everything about these moments makes me sob.

For this little kid, who’s not only non-verbal but also has broken horns, to come up to Fizz and communicate how much they love and look up to him and how much Fizz inspires them, it’s a reminder of why Fizz loves performing. It’s about the audience. All of the different types of people in the audience. Impacting them and giving them an experience they’ll never forget.

Fizz used to be that audience. He was that little kid who was inspired to pursue performing and now he gets to inspire kids too. And he especially gets to inspire those kids who are just like him.

He might’ve been a teenager when he was injured, but that doesn’t change the impact Fizz has on people as a disabled person who is still able to live his life how he wants it.

Like he said last episode, he’s not broken. He has his prosthetic limbs, he has Ozzie, someone who loves him, and a thriving career.

So having this little kid with a disability and the same broken horns as Fizz, it truly shows how impactful Fizz as a disabled performer is.

This kid is inspired that someone who has a disability like them is able to live out their dream. Fizz is a reminder that they too can achieve their dream of performing no matter what.

And the fact Fizz was able to communicate with this little kid, you can see that meant everything. The way their eyes light up each time Fizz responds is truly incredible.

Fizz is able to be the role model for this kid that Mammon should’ve been for him.

Not to mention that Fizz’s own broken horns aren’t known to the public, this little kid doesn’t know Fizz also looks like them in this regard, Fizz hides his horns under his jester hat so he looks “perfect”, but this kid’s broken horns are out and proud. This kid is not ashamed, and Fizz shouldn’t be either.

This is part of who they are and we see Fizz embrace every part of himself during his final performance when he rips apart his clothes to show off his prosthetic arms and scarred body.

And that thank you to this kid that Fizz gives them, it’s not only a thank you for being part of the audience, it’s a thank you for reminding him why he loves performing and that they inspired him too.

Fizz sees himself in this little kid just as this little kid sees themself in Fizz and I think that’s beautiful.

[jubileepizza]

Waking up in a cold sweat remembering that the torchwood writers gave us Toshiko and Owen’s backstories, which introduce completely new and significant context to their characters and open so many avenues to explore, one episode before Exit Wounds

[thelilylav]

I’ve gotta admit as much as I know Darabella is a flawed ship (and some of the ppl who are anti for it have legit criticisms I love y’all for pointing it out cause it frustrates the hell out of me too trust) they’ll always just kind of be it for me.

Because as much as it was an “I can fix him” trope, as much as Rosabella could be selfish and Daring’s flaws got cranked up to 1000, she was also the first person to look at him after his destiny, the thing he dedicated his life to, failed, when people were questioning him as a prince and putting pressure on his and Apple’s relationship and tell him that, like, maybe it would be alright? Maybe this wasn’t his destiny, and maybe that was okay.

And the part that really gets me? She’s the first person after this happens to tell him that it doesn’t matter what’s on the outside, which as much as you can like other Daring ships or him whatever he desperately needed to hear. Not even cause he was selfish, that’s not what I’m saying, but bc he placed his whole identity on this image that people concocted for him based on him appearing the perfect prince. He was handsome, he was talented, and he was handsome! So who cares about him as a person?

Idk man. You spend four seasons (I watch the specials on Netflix so that’s why four idk if it’s three to some ppl or whatever tho) watching him be praised for his looks, watching girls fawn over him, and of course he enjoys it so nobody really questions how much he enjoys it. And then you get this girl, this girl who owes him nothing, this girl who (contrary to popular belief apparently) has a life of her own and people she cares about outside of him, and she’s nice to him. And she’s the first person after everything happens to just be nice to him, for the sake of being nice. Something about that will always hit different for me

[hamletthedane]

Falling deeper into obsession over the parallels between Hamlet and Juliet’s characters, and how both plays are ultimately about children playing out their parents’ revenge fantasies. Protagonists placed in the position of puppets who only exist to further the ends of others.

The revenge of their stories is not their own. They did not cause the problems that they now suffer for. And somehow they ended up as the protagonists to a story already in motion.

But that’s where it gets interesting: they actively CHOOSE to struggle against the legacies and ancient grudges of their parents. The plot is not their own, but they MAKE IT SO.

The story of Hamlet is not that of Othello or Macbeth or Henry V: he is not self-motivated in his revenge, and can only be the passive participant of the inevitable plot (as R&G Are Dead points out to great effect). The things he does don’t ultimately matter: this is his father’s story, and his father’s revenge will occur in one way or another. “The readiness is all…” But he can do something: he can choose to end the story, to accept his fate and refuse to forestall his doom any longer.

The story of Juliet is not that of Rosalind or Merchant’s Portia: her defiance and cleverness, struggling against the edicts of those who raised her to create a renaissance generation, does not result in happy marriages ever-after. She dies trying to change the course of her fate and trying to defy the inevitability of a revenge plot coming to a head. She dies at her own hand, aware that only her and Romeo’s deaths can resolve the story they’re in.

Incredibly, in the inevitably of a narrative set in motion - doomed from the start - there is still an element of choice.

We have two very different characters driven by very different goals but still bound by the contract of their narrative to play out the tragedy. They’re children doomed by their parents and characters doomed by their narrative and stories doomed by the audience’s consumption of them. But what makes Hamlet and Juliet exceptional is their struggle against it. Somehow, in all the chaos and violence of the stage, they gain a small amount of power and control - for just a brief moment, they make decisions that change their story.

(And maybe those changes only work to immediately end their story, but they work nevertheless. In the horrible time-loop of a tragedy narrative, their escape is arguably the ultimate resolution of their character arcs. They “take arms against a sea of troubles/and by opposing, end them” at last)

[girlrandomstuff]

No I don't think a lot of people understand when I say Bail and Breha Organa are criminaly underrated.

This two knew the freaking most important and dangerous secrets in the entire galaxy. They BOTH knew about the rebelion, knew about important imperial figures that supported the rebelion in secret, they knew about the Alliance plans and next steps, they were SO DEEP into it. And they BOTH knew about Vader, they knew that he was once Anakin Skywalker, that he had a relationship with Padme and had two children together, they knew what happen on Mustafar, they knew the location of the other twin, they knew about Palpatine being a Sith, and they hide Leia from Palpatine and Vader for 20 freaking years, and they did it like it was nothing, like it was another family thing.

[intramoon]

Nes + Erin: partners in crime & platonic soulmates & always dressed coded (+ Erin all grown-up. ;-;)

[poorly-drawn-mdzs]

Happy Pride month everyone B*) Allow me to reveal a little behind the scenes detail behind my Banner and Icon. Love was always winning <3

[thelaurenshippen]

cw: harry potter, jk rowling, transphobia

I occasionally see posts/get messages about the various harry potter references in the bright sessions, etc. and I've gotten a bunch of new followers recently so just so any new/younger listeners of my shows know:

jk rowling is a terrible transphobe whom I hold zero respect for and I haven't given a dime of my money to her since she revealed who she truly is. I want the whole bright universe to be a safe space for trans people (including the trans folks in our cast and crew!) and if I could go back and remove those references, I would. but I can't! harry potter was an extremely significant part of my life until...well, until it became very clear who she really was. it makes me so sad to think that folks might be finding TBS now and get thrown out of the story by these references, but just know that the people who made the show do not stand by jk, and that in many ways, the show is a product of its time.

[stone-stars]

a while ago i saw a post by @sideblogdotjpeg about how the cycles in c3 seem a lot more personal/familial. and i kind of went insane in the tags at the time and i’ve been thinking about it a lot since because like…

you have the heroic cycles that the band of boobs parallel/break on this large scale. the idea of these broken trios of adventurers is there throughout the campaign, but they really start to engage with it towards the end— with the divine hearts, and thiala, and the wheel of suffering/wheel of joy idea. the thing hardwon says as he takes the divine heart, that no matter what anybody chooses from then on it’s with love in their hearts, i feel is very relevant to how they break the cycle. they love each other, and they choose over and over to hold each other tighter rather than be driven apart.

and on the other hand, you have duck team’s refusal of fate vs their family’s resignation to it. look at swag working with mothership, oliana’s contrition, and the stuff that is currently ongoing with gowan. you know— sol is a version of swag who fully rejected mothership and found his friends instead. callie refused to be a part of her family’s business, and her love for the wild and the serpents is giving the world a chance. calder, when he makes the deal with ultrus, telling callie and sol that he trusts them to save him. and now calder is refusing to sit back and let gowan handle things in the ice knife.

it's not that duck team aren't trying to save the world. they are. and it's not that the boobs didn't have a personal connection to the cycles they were breaking. they did. but it's like... well... how do i put this into words. right--

the song melora's boon plays when the boobs arrive at the heart of the world and speak to melora. when she talks to beverly about duty, shows him the places he faltered and how at the last second, he gets back up. (later, when they face thiala, bev doesn't go unconscious once. at one point, he's the only one standing.) for sol, this is the song that plays when he expresses his fear of going down again. when he admits to callie that he's scared of the day that she and calder are down and he's the one that needs to stand up alone. when callie says she's not afraid of that day, and sol finds himself empowered by the mushroom in his chest. the moment that sets up sol's long death monk ability, where he's able to refuse to go down and keep on fighting.

melora’s boon is also the song that plays for moonshine’s boon at the heart of the world. there are actually two songs in this scene, hardwon’s is different, and the transition back happens when melora says there’s a part of herself that moonshine hasn’t embraced. when she speaks to moonshine leading her people to a better future like an alpha wolf leading her pack. for callie, it plays when she tells hardwon and sol that she’s a liability and she needs to change— to embrace winter— in order to get calder back, even as they reassure her that she doesn’t. it also plays when callie asks the others to help her protect honeysuckle while he’s weakened. when they promise to lead honeysuckle home and free him from his connections to gromdal.

the writing on the wall plays when the boobs reach the court of gods. there's the wall of prayers there, and they hear the prayers of the people of bahumia, reaching out to them. prayers of protection-- for and by them. prayers that put the future of bahumia in their hands. for callie, this is the song that plays when she sees aryox's carving of her reaching the cave. when she realizes her mother acted the way she did because she could see what was coming in the future. when she realizes her mother was leaving the world in her hands.

the songs that the boobs first encounter at the end— when they’re basically demigods stepping up to face thiala— return for duck team in these personal moments. when sol finds the strength to refuse death. when callie talks about embracing winter, her mother’s season, something she eventually finds strength in, to save her friend. when callie asks the others to help honeysuckle, one of the serpents that she’s promised to protect partially due to the harm her family caused to the wild. and when callie realizes her mother saw the future and acted as she did because of it, pushing callie to walk the path she’s walking now.

anyway. this was a post about naddpod music.

[stergeon]

> Resign from your JOB and move to ALMYRA.

Well, it has been nice. You will miss a great many things about FÓDLAN, but this is for the best. You make to bid FERDINAND goodbye and depart for the east.

There is no need to be glum. It is not so bad. ALMYRA will be fine. You do not really know much of much about the country, but it will not be here, and that will be preferable. This is a good plan. You want to do this. It will be like a VACATION (or what you assume a VACATION is like), except it will be forever and you will never return. You can write to FERDINAND about the HORSES, and try getting yourself some sun as DOROTHEA has done, and perhaps make yourself some new FRIENDS.

No... No... Actually, you do not want to do this. You do not want to do this at all.

In light of this revelation, it occurs to you that you must give further thought to some of your emergency scenario plans.

Whilst you were mentally four thousand miles away, something else happened, and FERDINAND is now cheerfully espousing the virtues of adopting a fresh new look. How fortunate indeed to have a SORT-OF-BOYFRIEND so immune to the devastating effects of truth.

There is an opening in the conversation, and since you sidestepped the last one so deftly, you are obliged to fill it yourself.

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