#if you don’t think

[sustetas]

It’s not safe. Take this meme

[laikabu]

save me mother and child imagery save me thistle’s innate desire for a family save me (peep the mother and child painting on the first pic)

[traumatizeddfox]

“but it wasn’t that bad”

did it hurt? did you feel scared? unsafe? were you embarrassed? humiliated? terrified? did you feel confused on why? does it keep you up at night? do you avoid being in a similar situation? did you cry? did you want to cry? who told you it wasn’t that bad?

[nubs-mbee]

The people against bows becoming a trendy fashion accessory has annoyed me sooo much lately. Saw a tiktok that was like “if you get uncomfortable with us saying wearing bows infantilizes women and supports the patriarchy, it just means you’re uncomfortable with us pointing out you’ve been engaging in a harmful trend/behavior 😌” aaaaaAAAAAAH people online are allergic to nuance

[greelin]

[AFTER REVEALING VERY TELLING PERSONAL INFO] But don’t read into that. let’s move along

[thepollingplace]

[greykolla-art]

Alastor: “Now, let’s talk about literally anything else please!”

Me: “Good! Cause I don’t know where you went so I can’t go further with this!😂”

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[cock-holliday]

Sometimes wild attraction shit happens when you learn to separate masc/fem from man/woman. I’ve known queer women find the femininity in a man attractive. I’ve known gay men get so hot and bothered by the masculinity of a woman.

There was once a guy who was not really my type but then he did drag and was suddenly wildly attractive to me. And since I’m bisexual it doesn’t give me a crisis when someone is suddenly hot to me in an unconventional way. I used to think this was particularly a bi experience.

Then I’ve met plenty of gay men and lesbians who are also chill about that sort of thing. Sometimes life is like that “oops made out with a twink in Brighton who turned out to be a lesbian who thought I was a lesbian” and sometimes it’s like “hey, I’m not normally into men but this guy has got something hot going on.”

[maxgicalgirl]

Being a “Fun Fact !” kind of autistic is all fun and games until you get halfway through sharing an interesting tidbit and realize that it probably wasn’t appropriate to share in polite company and now you have to deal with the consequences :(

[acidgirl]

[counting-stars-gayly]

I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?

Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.

Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.

Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.

[buggachat]

something so fucked up about Chat Noir’s whole deal is that he is in a lot of ways Adrien playing a character. Like Adrien picked up his miraculous and was told he’d be a superhero so he was like “ok, time to act like a superhero!” and he lets himself have fun w it and play up the role and let loose and kind of just allow himself to be silly and goofy and have fun and for once in his life not care about performing Perfection™.

But. But none of the other characters KNOW THAT. So everyone just sees Chat Noir and is like “look at this guy’s ego. He’s so full of himself. Surely it’d be fair to knock him down a few pegs” without being aware of how few pegs he actually HAS. He’s like the “insecure character who overcompensates in ego” trope except he’s really not doing it unironically, he’s just having a fun LARP pretending to have self worth in his off-hours but nobody else is on the same page about it being a game and he refuses to tell them. He just dramatically pouts about it and lets them laugh and pretends like he’s not internalizing it and it is almost 3 am and my brain forced me to write this instead of sleeping I’m gonna take a melatonin

[jerseymuppet]

getting up on my soapbox for a moment. i find it laughable that nearly every time someone says they don’t like rap they cite hamilton and k-pop as the only rap they can tolerate. because everything else is just so violent and full of blatant consumerism. first off. so is k-pop. secondly. idk how to tell you the founding fathers were some of the most violent people around (coming from a black american descentant of slaves who is most likely related to thomas jefferson. shouldn’t have to explain the relevance here). thirdly. hamilton and k-pop both reference and interpolate rap. so idk what to tell you babes. you do like rap. you just don’t like black people. say it with your full chest next time.

[bioshzrd]

this random ass guy who’s entire bit is that he can move like this is the only good wesker fan ever

[greelin]

people when trauma victims act traumatized especially in a way that is unpalatable to them because it involves lashing out and unpredictable moods and having boundary issues rather than just being demure, sad, and consumable