Tumgik
#im MUCH MORE content with my art now than i was a decade ago
ruiiplume · 2 years
Text
Tumblr media
A redraw of these earlier this year
Incoming old art jumpscare ⚠️⚠️⚠️
2011 and 2012 nightmare fuel
Tumblr media Tumblr media
248 notes · View notes
foxfirexo · 2 months
Text
Tumblr media
my minecraft base on a server with a couple ppl; i am very proud of how it is turning out, the vibes are cozy and it has very organically expanded over time :3
tiny bit of story feel free to ignore and just scroll past but i feel like oversharing so fuck u (kindly <3)
ive always been pretty creative even if i spent the last decade or so telling myself i wasnt. when i was little it was lego, when i got older it was minecraft (among other things)
but being an audhd transgirl growing up in a very conservative southern baptist household (and as a PK and MK at that ;-;) and whose very existence was just fundamentally at odds with the teachings i was raised, i felt a lot of lot of pressure to suppress any self expression or identity i might have and with that went a lot of my creativity
after all, how am i supposed to be creative without expressing myself? and if ive numbed all the thoughts that i want to share bc they get me in trouble w my parents, what am i supposed to put into my art?
also being told your whole childhood that you're a guy and receiving all that lovely generational societal trauma of male gender roles and expectations really crushed the pointless wonderful meanderings of my mind. god i cringe a bit now(w compassion<3) but i used to brag about how obsessed i was with productivity, efficiency, logic, order but in hindsight i think it was 98% just feeling like i had to be a high achieving eventually bread winning "guy"
anyway as such ive had a very on again off again relationship w minecraft. it was a coping mechanism when i was young so ive put probably a good 5k+ hours into it but it became increasingly difficult to enjoy as i got older and ive gone years at a time never touching the damn game
its funny bc you could probably chart my whole healing journey and my ups and downs of my mental health by just measuring # of hrs spent in mc per month
but very recently ive been finally reaching a point (thank u therapist) that i am allowing myself the joy of self expression, that i am accepting and loving myself without the judgement of my youth holding me back, that i no longer feel like i have to hide myself away for fear of being crushed again because i have the self love to stand on my own two feet no matter what anybody else thinks
as silly as this probably sounds, joining tumblr just over a week ago has actually played a part in this too. ill probably ramble more ab that some other time whenever i feel like oversharing again but suffice it to say that this environment is incredible and everyone on this platform has made me feel so so so comfortable in my own skin being myself sharing my thoughts and feelings and just existing :3
and ya its a bit goofy but im actually seeing this milestone in how im playing minecraft. not only am i playing again (pretty regularly, too!) but im... just fucking around. no plan, no goal, if i have an idea pop into my head i just go out and do it but im equally content to just strip mine, chop trees, tend to my farms, whatever sounds good in the moment.....
and im building again too!!! no worrying about doing it "right", no stressing about wasting time bc i didnt count something right and now i have to move that wall or i changed my mind and now i have to redo all my flooring... just chipping away at it, trying out new blocks or decor ideas, enjoying it more for the process than the finished product and never needing anything to truly be finished
so ya :3 i havent felt this amazing playing minecraft since probably 2014/15 and im super proud of myself for getting to this point, its been a long journey and im by no means done but silly little things like this give me so so so sooo much hope and encouragement ^^
k thats all if u actually read all that im sorry or ur welcome lol
9 notes · View notes
hexhomos · 10 months
Note
do you have any advice on creating for a fandom where the target audience is super small? i published my first jv fanwork the other day and although i obviously dont just do it for compliments/attention, im hesitant about continuing to create because it feels discouraging to be the only one interested in what i have to offer if that makes sense. i feel like leaguefic is not in demand at all in comparison to arcane and im not sure how to motivate myself… i love your work, thank you so much
To be perfectly honest, not bullshitting you at all here: I don't think there is a single-person fix for this. I have a share/discussion based brain and i generally thrive when doing most of my work within, at least, a private active community. A lot of times my motivation *for* finishing a complex painting or polishing up 10k+ words of something is that i want to be able to show other people what i see and what i like about certain things. Without that community aspect, i just tend to keep to myself and never evolve past drafts lol
Making art is hard. Especially if you have some sort of affective or emotional attachment to the subject. I think a couple years ago it wasn't so tasking, or at least it didn't feel so lonely, because fandoms tended to be more willing to leave indepth feedback or engage with things they liked on a daily basis -- but the culture of 'fast consumption' 'content mills' and 'neverending generated content' of the present decade has taught a lot of people to undervalue the work that goes into transformative projects.
This is why nowadays we see so many frequent calls reminding people to comment in fic, or actually hit the reblog button on some art they like, or even try to use long tags to express what they feel. The 'neverending content influx' marketing push has rendered broader audiences (and im including myself here, i'm not perfect) more apathetic, and more wiling to silently pass by things without a word, prioritizing the 'consumption' of 'large masses of content' rather than curiosity or engaging with a single thing for large amounts of time.
the TL;DR is that I don't think this is something you can fix on your own. It's an environmental issue. When I write, I'm doing so with the confidence that at least one person is really going to engage with it. (this can be a friend, or another internet person similarly lost in the digital desert, it varies.) The only way to rejuvenate a fandom ecosystem is to remind people to *try to give a tiny piece of their time* back to artists whose work they love, appreciate, or even mildly enjoy. It doesn't have to be HUGE extensive feedback everytime. If something made you chuckle for even a second, just try telling that to the person who made it. If you enjoyed reading something, or were amused by how someone wrote your favorite character, go tell them! right now! Try doing it a little bit of that every day! If everyone who sees this post went out right now to leave a word for a small creative they enjoy, we already would be so much better off. Communities are like orchid gardens; to get the special, unique, blooming flowers, you need a steady hand caring for them. We are all gardeners.
36 notes · View notes
kirbles · 9 months
Text
really rambly post regarding bw fics merry christmas
i got into bloodweave when there was only 20ish fics, constantly refreshed the tag for every single new upload cuz there wasn't much so early in the games release. and now that it's in the 800s (including ot3/polyship content which i usually exclude in my own searches) it's nice that i can be picky! cuz i AM very picky!
but also kinda sad that i can't keep up w the constant uploads as much as i was able to abt 3 months ago. i still try to! but its hard ;; cuz i love this ship!! and there is so many new fics that are incredible and high quality.
it's almost w shame that anyone newly getting into this ship will probably only sort the tag by hits/kudos and miss all the other fantastic fics that are likely buried under the absolute mass of uploads, esp if ppl aren't used to excluding other ship tags.
i hate how we equate hits/kudos to how good a fic is because i have tons of bw fic recs that barely even break a couple hundred. the more 'popular' fics are great, sure, but also they were some of the only options at the time with so little uploads, of course they're going to be the reason for a lot of ppl into the ship and be ppls fave fic. but they aren't the only good fics!!!! there are fantastic fics constantly being posted!!!! you just need to keep an eye on them
i really didn't think this would be the most popular origin ship? (it's the most popular on ao3 right after like, 5 variants of astarion/player character LMFAO) i honestly expected more people to like wyllach or shadowzel (which i enjoyed before bloodweave had me in a chokehold)
everyone i've met thanks to bloodweave is so incredibly sweet and talented. skilled artists and writers alike. fantastic friends.
i have been so much more creative in the past few months than i have for years. i got back into writing fanfic after over a decade! i'm getting out of my comfort zone with art! i'm making character and ship playlists again! it's so nice to embrace fandom again
but i think the fics especially matter a lot to me. the writers who i consider great friends now deserve so much recognition that they don't get enough of. i wish i could scream from the rooftops how amazing and skilled and talented and sexy my friends and their writing are
anyway 😃 pointless post im just ranting
12 notes · View notes
facade · 1 year
Text
art vent, kind of makes me look like a shallow person
FOR clarification i'm 20. turning 21 in two months. yippee! what an eye opener
the point of trying to profit your art, especially using your art to help fund for survival since you were 11 - you realize that while you want to improve your art for yourself, you're so consciously aware of what parts would appeal to strangers who see your art.
because you don't want to appeal to others to enjoy your art, you want to appeal to others to garner money and funds. i've ebegged on this site for almost a decade, on so many different accounts and even used my art as much as i could to get even more money. to pay bills, to pay for food, to help my mother in medical emergencies. since i was only 11 years old, by the way. a lot of the time, while it is a huge part of my reason to keep improving -- i don't actually think of reasons such as improving my art because 'i want to go to college' 'i want to be better' as much as my main reason being: i want this to sell to people.
that being said, my art style is something im so happy with right now for myself. but i think like. you have to really make your art your signature. that way, people will want to buy what you can give them. but algorithm is just, so hard to fight with now. the heartbreaking part is that, even if i'm at my 'peak' in art.
and my art has always been my one consistent interest, thats never faded. it's apart of my daily life. my routine, my medicine, my hobby, my enjoyment. i need this to live in many different ways. whether it be for providing my funds via commissions, coping art for trauma, or generally to express my happiness for things in my head, etc. i need this hobby or i will die. its the one skill ive had my entire life thats stuck, and its something i'm *good* at. and i've kept up with it to this day.
my art looks consistently good. flattering. i would say at some points it feels.. professional, sometimes. i am consistently proud and satisfied with my art and haven't struggled on pieces as much as i used to several years ago. it took me 2 months to come up with illustrations. now ive been pumping them out with ease. commissions are so much faster. quicker. ive really upgraded. i'm efficient, quick, and my stylization journey has been amazing.
yet..
this has been the hardest i've ever fucking struggled to make money, ever. since i was 11 years old. i've never.. had so much difficulty. i feel spoiled, honestly, when i know so many other artists struggle filling commissions too. but i've always had good fortune, i guess. good luck. but not since the year began. it's been so hard to fill in requests, so hard to fill slots. even when my prices are cheaper, it's still so hard. which is crazy, because 2 years ago i was consistently filling slots like crazy. i had consistent income, for the most part. i was able to help my family, avoid eviction, pay for water, clothes, food. emergencies like car wrecks, medical stuff -- god, its insane how much my art has helped me. it's scary. to think about what woulld happen if i didnt have this skill.
back then, like my art looked like this in 2021.
Tumblr media Tumblr media
i look back and i wonder. this is fine, its definitely my art style. but how did i makee so much money off of stuff like this? so much more than i do now? i still draw fanart, and my art's been getting better. i think its honestly just bad luck, or maybe algorithm has flopped a lot of my stuff. either way, it's sort of humbling. Extremely humbling, that even with all this improvement - it still may not be enough to get me anywhere. i've never struggled before, trying to open commissions even when ive always focused on original content primarily. i know its hard to get popularity when you only draw ocs, but ive been fine for the most part. getting by, until lately.
Tumblr media Tumblr media Tumblr media
i think i'll just have to keep working harder. see what people enjoy, but its just really ego crushingi think. And i could care less about popularity or anything. i think the really awful part is that im just stressed all the time about how i can keep making money off of this when its been so hard to even fill slots, let alone gaining peoples interests. Is this competition related? is this just a shit time for artists? am i just flopping. Who knows.. ohwell. ill survive
7 notes · View notes
klavery · 3 months
Text
OK now that ive eaten and calmed down and definitely not still having a major freak out after pacing laps around my room shaking trembling hand fidgeting letting my food get cold in the microwave. i will rambleee ❤
ok so this might be shocking knowing me buuut... this was a day ive been eagerly anticipating for the past 4 years... not! ive actually been silently praying all this time that they would never get into masters. i was hoping the pokemon company would always ignore them and forget about them forever and ever, letting them fade into the distance.... so i wouldnt have 2 deal with emotional freak outs like this!
my thing with masters is that i looove the characters from pokemon a lot (admittedly mayne a little less now than i did half a decade ago.. but if youve seen my old art from my au ud have an idea❤) and when i found out they were finallygetting the attention from tpc that they deserved, all in a brand new game, a game i discovered i couldnt play, even on my new phone that i specifically bought so i could potentially play it.... i was so so so heartbroken. so after that, i ended up completely ignoring masters because it made me sooo sad. theres a lot of lore going on in that game that i dont know about, because i pretended it didnt exist. especially since ive had it blacklisted this entire time.. it just made me so upset!!
so now they are finally adding my favoritest guys E V E R with new lore and interactions and outfits and the fan art and ships that come with it- i dont know how to cope! waaaa!!! new content of MY scrimblies!! what if they TALK. TO EACH OTHER. OMG! its sooo overwhelming... i get so information overloaded and, idk if it was obvious, but i can get.. a littlee bit emotional over things that i like hehe <3 isnt it weird that someone WOULDNT want new content of their favorite thing?? idk. probably has somerhing to do with my anxiety, tbh.
to be honest, ive needed a new phone 4 a while. this is the same phone ive had since that half decade ago. maybe i will really get 2 play this time around, with my stupid sillieheads... swoon.... i just feel like theres so much to get caught up on, again with my easily overloaded brain >_<* they made a game perfect 4 me and bound it 2 a stupid fucking mobile app bro..... THEY PUT MY BLORBOS IN A APP........ an app with gameplay that, ill be honest, is very unsuited for me personally. which makes it worse! game really isnt my thing at all..... but i want 2 have my beloveds soooo bad...... am i truly the worlds biggest klavery enjoyer if i dont?? 🙊
so ya, im having the shakes rn, teehee (slash dubious) idk what ill do, but im kiiinda scared! gonna b making more posts the next few days FOR SURE...
1 note · View note
divorce · 5 months
Text
clarifying post
listen, i'm sorry to shove gofundme links in everyone's face after not being around since 2016 -- i just wake up in a tent every day and think, "fuck!!"
let me just say, "i don't expect anyone from tumblr to donate to me" i keep reading posts with 30,000+ notes that are like, 'yeah yall its not much but lets just keep shifting the small amount of wealth that we have access to around cause that's all we really have #mutualaid" i don't care about that, that's not what i'm asking
all i need is for signal boost and someone to act as 'legitimate person' between me and the public, to help carry me to the top right now i'm only committed to raising my energy to 10-25% tops. i'm setting a low bar for myself. that is why my 'content', its all horse-shit, i literally take a nap most days when im on there cause no one's watching, so if it was the most impressive talent i have to showcase or bs it doesn't matter... i'm telling you, deaf ears, the void, audience, impressions, sorted, w/e i'm going up to 100% in the next 3 years i never thought i would be alive this long, as a celebration of my life & Art while in the prime of my life, in the seat of my consciousness, i owe it to myself to perform at my best ; i am now progressing towards making the best art of my life, it would be great
if while at my peak i wasn't still forced to pack up every 3-6 months and shuffle around unhoused, unwashed, unfed, with no protection, exposed to the elements, with no relatives, income, or connections.
i've had people successfully raise funds for me in the past; alone however i do not have any 'social media' so i cannot 'share it', i need 'you guys' ie someone from the internet to take over for me on the 'social media campaign :D yahoo!' side for me, i am an extreme introvert hikki that does ceremonial magick, religious prostrations, lots of bowing, who was neglected at birth ~I CANNOT ADVOCATE FOR MYSELF WORTH SHIT~
I have a house, let me tell you about My House... My Uncle Jim lives in My House, in 2006 when my grandma was sick and in hospice my uncle Jim snuck in and had her sign over the will to the family house which was supposed to go to me and my cousin, the next generation, but Jim took over the deed, and sat in My House, forcing 3 of his brothers out (they died, my dad included). I sat homeless in the streets & my amputee cousin has to work and rent, while Jim sits in My House smoking crack & meth and being a nazi pedophile making 'ball' jokes. Jim has a piece of paper that says "I bought this house for $1 from my mom :P", and I have no such paper, so I have no legal recourse to take back the home from the person who killed my father and my two favorite uncles and made my life worse... My mom also bought my a house 3 years ago. She 100% planned, visited, bought, a home, in front of me, and then said... "You are homeless", and that I "need to work". I think, after over a decade of being homeless, what would work best for me, for solving the problem of homelessness, for me, is I need a home. I think I need access to permenant stable housing. I've tried work, that's fine, whatever. I actually need access to a place to work from. so. My family is not there for me. The Internet I need you to be my family please and transfer me generational wealth so I can get on with my life please and stop being homeless immediately thank you. I'm sorry to lump this on the general internet, but you raised me more than my parents. I'm looking for my Chosen Family. please show up. Share the links and take over for me because after so long I cannot handle this stress.
1 note · View note
thespianbooks · 3 years
Text
A Court of Nightmares and Starlight //Chapter 25//
(Masterlist)
(tags: @thron3ofbooks, @df3ndyr, @courtofjurdan, @art-e-mis, @herondamnn, @the-third-me, @im-still-trying-here, @emikadreams, @paytin77, @mis-lil-red, @sleeping-and-books, @lucieisabooknerd, @amandaraey-sunshine, @easy-p-lemon, @azymondias05, @dagypsygirl, @makeshift-utopia, @fantasyshadowhunters) *bold tags don't work!
Thank you all so much for your patience during ACONAS's hiatus! I hope you all enjoy this update! Chapter 26 will be coming on Monday, May 24th to keep in line with my regular posting schedule!
Sending all you beautiful readers love and healing! ❤️
-Rhysand-
I noticed the change in my mate almost immediately after her period of nesting had lasted a full week. The change was subtle at first; beginning after a long afternoon of Feyre rearranging clothes and ordering my brothers and I to move around the furniture in the nursery no less than ten times that day alone, then choosing to spend the rest of the evening walking the gardens with Elain. It was there, watching from the library window, that I felt the call in my blood—the call that urged me to find a sanctuary for my mate. Months ago, after the birth of his daughter, Kallias had warned me that this instinct would come. As mated fae males, the compulsions we felt in regard to our mates always traced back to the beasts our ancestors were and became especially prominent when they were with child. I had noted as much the minute I scented my offspring present in Feyre's womb, and though I had not been fully aware of her pregnancy until she was, I had instinctually known and formed a new attachment to her—to our son. Like the mating bond, the ties I formed with my unborn child were just as strong and prominent; however silent. I could sense those occasional glimmers that Feyre felt; had even felt that warning tug when they had been in trouble during the attack on Velaris. However, this tug, this preternatural warning, was different—stronger than before.
He was ready. Sebastian was ready to enter the world.
XXX
-Feyre-
"It's time, my love," Rhys purred in my ear as I stared out into the gardens, sitting on the cushioned loveseat on our balcony.
Once I had returned from my earlier walk with Elain, warm and content despite the late autumn chill—thanks to my mates magic warming the grounds, I chose to skip dinner. Somehow finding it more appealing to retreat to the privacy of my bedroom when I realized I had no appetite at all. While that should've alarmed me, my feelings of content remained as I changed into the comfiest clothes I could find; the softest pair of leggings I owned and a long-sleeved oversized tunic that was large enough to fit over my large belly comfortably. It wasn't long after I had found my seat on the balcony that Rhys was at my ear with a warm mug of tea in hand. I took it from him gratefully and relished in the warmth enveloping my face as I smiled at him in return.
"Time for what?" I asked softly, resting a hand on the apex of my belly.
He kneeled in front of me, hands holding either side of my belly as those star-flecked violet eyes looked into mine meaningfully. "For us to retreat to the Cabin," came his equally soft response.
My heart stuttered for a second as I realized what this meant, but instead of feeling the panic I thought I ought to have, I nodded slowly—an all too familiar glimmer pulsing between my mate and I, between that bond that existed between the three of us and loosed a calm exhale.
"Should we tell the others?" I quietly asked.
Rhys shook his head as he again stood, summoning those dark and beautiful Illyrian wings from the shadows. "I already told them, while you were up here getting comfortable," he said with a warm smile. "They expected as much, and they know how...sensitive this is, so they aren't expecting any heartfelt goodbyes."
I nodded, again surprised from the lack of emotion I felt at that sentiment; that I had no real urge to even say goodbye and be showered with well wishes from our family. Suddenly, I registered what was happening; my diffident state had finally arrived. It was such a strange and foreign feeling as the full weight of what was occurring naturally in my body overcame me. While part of me wanted to feel nervous and be comforted by our loved ones, all I could do was look at my mate and felt all the reassurance I needed.
Finishing my tea, I set the mug aside and allowed Rhys to help me to my feet; a small laugh escaping my lips at the effort it took to ease me upright and returned my stare into those violet eyes.
"Let's go," I whispered.
It was all he needed to hear before he lifted me into his arms with heartbreaking ease and took to the skies. I closed my eyes as the wind whipped through my hair, relishing in the cool breeze as I rested my head against Rhys's shoulder; one hand looped around his shoulders and the other caressing my belly. In spite of the awareness of what was to come looming in the back of my mind—the pain I would soon endure, my trepidation was nearly nonexistent.
The healer and our midwife had warned that my withdrawn state could last anywhere from a few hours to a few days before I officially went into labor, but some innate part of me felt that this notion wouldn't drag on for long at all. Sebastian had dropped into his head down position weeks ago and had calmed considerably since my period of nesting began. While his lack of movement had alarmed Rhys and I at first, Madja and the midwife assured that this was also normal. Our youngling, our son, was preparing himself for arrival. His loving glimmer still remained and pulsed through our bond, letting his father and I know that he was there, and that he was just as ready as we were to meet him.
As soon as we touched down to the front steps leading up to the Cabin, I let down my mental shields to Rhys, letting him read my thoughts as he carried me inside. His gentle kiss to my forehead was his only response until we were within the safe walls of the Cabin, the fireplace immediately springing to life as we entered the small living area and he set me on the couch. He came to kneel in front of me as he had earlier, the starlight in his eyes shimmering as they met mine again.
"However long this does last, at least we know we won't be leaving this Cabin until our son is born," Rhys said, a hand coming to stroke my belly gently.
I loosed a long breath as I nodded, my hand joining his. "The next time we go back to the estate...we'll have a baby," I mused as I watched our hands continue to caress the expanse of my stomach.
Our son, our baby Sebastian was just underneath layers of skin and muscle, lying in wait and ready to be born in what could be hours or days. The process would be grueling and long...but that intuitive and serene sense told me that I was prepared, that I could do this.
"You can," Rhysand interjected quietly; my mental shields still left down for him, "and I will be at your side through every second of it."
I gave him a slow smile in return, bringing my hand to touch his face gently. "I have no doubt about that, Rhysand," I said softly.
He kissed my palm before moving from his kneeled position to a seated one beside me, his hand lingering on my belly.
Will you tell me what happens in the Night Court when an heir is born now? I asked through the bond.
Rhys's chuckle sent a warm shudder down the bond as he pressed another kiss to my brow. "You'll find out soon enough, my love," he answered aloud.
Prick.
XXX
-Rhysand-
The labor pains began the next morning.
Only an hour after our arrival at the Cabin the night before, my mate had fallen into a deep slumber while we lingered together in the sitting area. I carried her to bed not long after, keeping a watchful eye on her during the night and sending as many updates as possible to our awaiting family in Velaris. After Mor's persistent "check-in's" every hour, at Cassian's insistence she claimed, I decided to communicate mind-to-mind with Az; who's ever-present composed demeanor was always a comfort no matter the situation, even as I could sense his underlying worry for his High Lady. However, in between the few hours of sleep I allowed myself through the night, I updated and reassured him of Feyre's condition. But, when my mate awoke with a furrowed brow and a pained expression, I sent a direct order for him to send for the midwife and healer.
XXX
-Feyre-
The labor pains came in waves.
When I first awoke from the most tranquil state of sleep I had ever found for the duration of my pregnancy, the muscle contractions in my lower abdomen had felt like the twinges of pain I experienced during my previous cycles—uncomfortable and excruciating, but in the last decade I had learned different techniques in order to cope, such as curling up in a certain position on my side or alternating between heating and cooling blankets laid across my abdomen and back. Like the cramps associated with my cycles, these contractions pulsed and throbbed through my lower body, ripping across my back, stomach, and thighs, but were thankfully manageable with Rhysand's help. The minute a groan escaped my lips, Rhys sprang into action, sitting on his knees beside me and helping me sit upright. He let me squeeze his hand and led me through the controlled breathing exercises the midwife had shown us in preparation for this moment, and for the first few hours they were completely doable.
The tightening would build and build, washing over my body in a flood; my deep and cleansing breaths pushing them back down into nothing...until it all happened again minutes later. From the time the first wave consumed me and dissipated, a minute had barely gone by, and Rhys was still at my ear whispering terms of endearment and encouragement until Madja and our midwife arrived. The duo immediately began setting up our space with the supplies needed for the duration of my labor, and I watched them in a trance. Thanks to the healer and midwife's many lectures leading up to this event, I knew that part of me would be so focused on making it through this arduous process that the rest of the world would melt away. However, there was still a small part of me—perhaps the part tethered to the bond I shared with my mate, that was acutely aware of everything that was happening.
It was all so...primal. As the hours passed, my body continued to endure the waves of contractions and pain that continued to surge, mount, and flood my entire being. I knew what was happening, and despite the pain affecting my innermost being, that innate female shouldered on. Meanwhile, a tiny part of my consciousness watched from a distance at the bridge that connected me to my mate. It was that part of my psyche, the only part unaffected by the unadulterated anguish brought on contraction after contraction, that could hear Rhysand's words; that could register them and find the encouragement I needed in order to push past pain after insurmountable pain.
XXX
-Rhysand-
Feyre's cries and shouts of agony were truly the worst form of torment I had ever withstood in the centuries I had been alive. For every pulse of pain that washed over her body, I wished with every fiber of my being that I could take it away. Despite knowing that I could was easily the hardest part in watching her suffer, but my mate had made me vow months in advance not to.
"Promise me you won't use your daemati abilities to ease my pain," Feyre had said softly.
It had still been fairly early in her pregnancy when she uttered those words; when we had taken a few days to ourselves in this very Cabin and whispered words of comfort and reassured each other that we would be different from our own parents. I had just promised my mate of the outstanding mother she would become for our son, and she assured me the same—dissuading any insecurities either of us had for our ability to be good parents. My forehead was still pressed against hers, eyes imploring as she stared at me meaningfully.
I raised my head, my gaze leveling with those stunning blue-grey eyes as I asked, "Are you sure, Feyre? The pain will be...considerable."
Kallias warned me as much in his letters following Eira's birth. While the experience had passed in a blur, those hours leading up to his daughter's birth had tortured a once vivacious and bright female. If the pains of labor could bring down even Viviane, I knew the same would be true for my mate.
Feyre simply nodded. "If Viviane could do it, if your mother could do it, then so can I," she insisted.
My gaze had softened as I cupped her face gently. "I have no doubt that you can do it Feyre, darling, but if I could make it easier for you-"
"No," she repeated. "Females have been doing it for centuries without any kind of pain relief, and as High Lady of the Night Court, I've more than proven I can handle this as well."
I brushed my thumb along her cheek gently as I nodded in agreement. While every feral instinct in me protested the allowance of my mates suffering, I shoved those intolerant compulsions away. This was Feyre's choice, she was the one carrying my child and would ultimately bring him into the world, so it was her decision on how she wanted to accomplish that task. My job now, as Kallias had outlined to me from his own account, was to support my mate through the ordeal.
"As my High Lady wishes," I purred before pressing another reassuring kiss to her brow.
Her returning smile was bright, those blue-grey eyes shimmering with adoration before either of us noticed the new tattoo forming in the shape of three small stars on both of our right pinky fingers. A small laugh rumbled in my chest as we both watched the stars take shape and solidify on our skin—evidence of our new promise.
"I must say, Feyre darling, if the centuries we have together are filled with more and more oaths between us, I may run out of skin," I teased.
My beautiful, perfect, mate only laughed, the sound resounding through our bond; its melody causing Sebastian's glimmer of delight to thrum between us a moment later.
XXX
-Feyre-
Rhys's was the only voice I could hear over my misery, and during those couple precious moments of respite in between surges of hurt. I was vaguely aware of my own howls of agony as my mate continued to coach me through each breathing exercise; guiding me back to calmer and more controlled breaths whenever they turned into angry or pain-filled sobs. I could hardly keep track of how much time had passed, or anything at all for that matter; my mind too focused on getting me to the end of each earth-shattering contraction. That innate part of me left on the bridge of my bond couldn't tell if the ground beneath me was actually trembling or not, and I was too exhausted to actually ask whenever the conscious part of my being was alert to my present surroundings.
There were slivers of minutes when I was able to hear Madja and the midwife, mostly talking to Rhys and offering advice; one suggestion being to actually get me out of bed and walking around the space of the Cabin. From what I could actually discern of the conversation the older females were having with my mate, they explained that any movement might help things along—staying idle and writhing in pain while lying in bed would apparently only prolong my suffering. So, while I was still aware, Rhys helped me out of bed; one arm wrapped around my back to keep me supported, and his free hand gripping mine. I kept my other on my hip, eyes closed as I shuffled out of the small bedroom with his help.
I could hear Rhys's voice again in my ear, full of nothing but love and support, as I felt the beginnings of the stabbing pain return. "You're doing so well, my love," he said softly.
I yearned for the peace the timbre of his voice once offered me, clung to the shreds of it as the next contraction sent me from my feet onto all fours on the ground beneath me. I could only feel Rhysand's hands on my back, rubbing soothing circles as I howled in pain, my groans staying loud as I followed the patterned breathing as best as I could. Somehow, this position—being on my hands and knees, made the contractions easier to cope with. Remembering the midwife's explanation that labor was such an exacting primal act in itself, that instinctual female in me realized that in order to carry on for the duration of this process I would need to follow whatever natural tendency wanted to take control.
Once the pain finally began to ebb away and my breathing regulated, I felt Rhys's hands try to lift me up. I shook my head immediately.
"No," I rasped. "This feels good," I said as I turned my head to meet his starlit gaze.
He nodded in return, hands resuming the comforting circles he made on my back whilst the magic of the Cabin supplied a plush blanket underneath me—to keep my bare hands and knees from being pressed to the hardwood floors. I realized then that my loose nighttime shift was the only piece of clothing I donned. Sometime between waking and now, Rhys must've used his magic to change me into simpler clothing.
"You won't be needing much else for this process," came the midwife's voice from behind my place on the floor in the middle of the sitting room; probably guessing my thoughts as I looked over my attire.
I raised my weary gaze to her, both her and Madja offering a kind smile in return as they sat on the settee across from me. "We've been performing hourly pelvic exams in order to check your progression in between contractions," the healer explained.
I nodded, vaguely remembering their voices explaining what they were doing and when during the few moments of alertness I had been granted thus far. Another part of me recalling the crucial details the midwife had previously explained to my mate and me. In order to reach the final stage of labor, the pushing stage, the opening of my womb had to reach a certain level of thinning out and my bag of waters hosting the baby would have to burst in order for him to pass through and officially enter the world.
"You're about halfway there," Rhys said, answering my unasked question.
"Of course, when the time comes, you'll feel that preternatural urge to begin pushing, which is a tall-tale sign for the final stage of delivery to occur," the midwife explained.
"How long has it been?" I asked, my voice hoarse from my earlier groans.
"Hours," Madja answered, waving a nonchalant hand. "The timing doesn't matter, so long as you and your youngling continue to tolerate the process well, there isn't anything to worry about."
"Which you are," the midwife added. "Doing well, I mean."
"You're doing brilliantly, Feyre darling," Rhys repeated, pressing a kiss to the side of my temple as he continued working those reposeful circles on my back.
I could only offer a brief smile in return before another gut-wrenching wave overwhelmed me once again.
XXX
-Rhysand-
There seemed to be no end to Feyre's suffering as pain continued to seize her body, the intervals of contractions growing shorter and shorter as the hours continued to pass. Still, in spite of my heart shattering every time the Cabin was filled with her agonizing wails, part of me watched my mate in admiration as she fought her way through the excruciating convulsions and followed whatever insights her body called her to do in order to manage each one. We switched from her position on the floor, to walking around the small space of the Cabin, leaning against walls and different pieces of furniture for support as the contractions persisted; the midwife and healer checking her progression with pelvic exams at every mark of the hour. The day was now transitioning into early evening, and the contractions were starting to last longer—to the point where Feyre could hardly speak, or barely register anything at all as she endured them. During those pain-free intervals, she was able to nod in acknowledgement at whatever few words were spoken to her, engage in brief conversation, or give a simple shake of her head when she wanted to continue moving around the room or into a new relieving position.
The stronger the contractions grew, so did Feyre's reaction to them. She still whimpered in pain, her groans nearly coming out as growls as she battled to keep pace with the breathing exercises I coached her through. But with my focus kept solely on my mate, I hadn't realized I was no longer updating Azriel until I felt a gentle plea from Mor. Feyre had just undergone another contraction when I heard Mor's timid entreatment. Apparently, my mate's roars of pain had been so profound, that they had shook the expanse of mountains across our court. I had been too engrossed with guiding Feyre's breathing to notice, but our family back in Velaris had. They knew it was a sign of things advancing; that the next heir of the Night Court would soon make his entrance. So, I updated them as quickly as possible, promising that my next update would come when Sebastian did, and turned my attention back onto Feyre.
XXX
-Feyre-
Somehow my journey around the Cabin had come full circle, and I ended up on all fours on the cushioned bed in the bedroom. In the time my last contraction ebbed away, and I found Rhysand's violet eyes to offer a bleary-eyed appreciative smile, I felt my body shift. Still panting and recovering the breath I had used during the last contraction, I gripped Rhys's hand, silently asking him to help me upright. He obeyed, and I leaned back against his chest for support as I rested on my knees with a sigh of relief...my eyes widening a second later when I felt a gush of water burst between my legs.
My head snapped in the direction of the mess now spreading on the once clean sheets of the bed before Rhys helped me off and back onto my feet, the magic of the house changing the sheets without a second thought. I stared wide-eyed at my mate, but he only smiled warmly in return before pressing a kiss to my brow.
"M-My...bag of waters broke," I said, still astonished.
He nodded. "Just like the midwife told us it would," he added, rubbing my back in reassuring strokes.
My hands held my stomach, suddenly feeling lighter at the loss of fluid that had built up over the last several months. "T-This is really happening, Rhys," I whispered, knowing this moment of clarity would soon pass as the next contraction started to edge back in.
"You're doing it, Feyre," he said with another kiss to my brow. "It's almost over."
I didn't have enough time to respond before the full weight of the contraction hit in an entirely different way than I had previously felt. Rhys helped me back onto the edge of the bed, and I gripped his hand hard as the pain began to mount and surge through me—a newfound pressure building at the base of my pelvis alongside with it, and my breaths came in fuller and deeper rasps. Madja and the healer, who had remained in another room of the Cabin to allow Rhys and me some privacy, must've heard the change in my breathing because they entered the room seconds later.
The words exchanged between the older females and my mate seemed far away, barely discernible to me as I closed my eyes in concentration. The painful pressure I felt continued to build, and I realized that preternatural urge to push was here. The groan that slipped through my lips must've been indication enough, because I soon found myself in the center of the bed with Rhys holding me upright and the midwife at my feet as she performed her final pelvic exam.
"It's time, my Lady," the midwife said, as I forced my attention on her. "It's time to start pushing."
My heart shuttered at the words, and I turned wide eyes to my mate, who kept an arm wrapped around my back, allowing me to partially rest against him while I squeezed his free hand.
You can do this, Feyre, darling
His warm voice echoed through the bond, reaching my innermost self left on the bridge between us, and I nodded as I felt the surge of pain return. I groaned as the intense pressure grew stronger, the urge to push becoming forceful by the second, and heard the combined voices of Madja and the midwife quickly instructing me on how to position myself on the bed. With my upper body being supported by Rhys, and my legs drawn up and open, I quickly sucked in a deep breath as the females instructed and bore down in my first push.
XXX
-Rhysand-
Feyre pushed and pushed for what felt like hours, but in reality, I knew it had only been one—judging by the path of vanishing sunlight outside the window that finally gave way to night as it always did; dark orange blending into a mix of magenta and indigo before the all-consuming dark sea of stars swallowed them up and lit up the sky. I was all too familiar with that pattern, had watched it countless times in my lifetime, but had never felt it drag on as long as it had tonight. Perhaps Feyre's continued screams of anguish as she pushed were the reason why it felt so prolonged now, but I forced myself not to linger on watching it as I honed in on my mate.
She slumped against my chest, exhausted and spent after offering another hard push, and I dabbed at her brow and neck with a cool, damp cloth. I lost track of how many she had done but kept a brave face as I encouraged her further. She was indeed the strongest female I had ever seen in my centuries of life, and I held onto that reverence in order to battle the guilt that raged within me. It was my offspring she had grown in her belly; mine she now choked back tears for as she drew in another deep breath and pushed again, brows sweaty and furrowed in pure concentration, face red with splotches as she growled in pain with her effort.
It was both the most beautiful I had ever seen her, and the most harrowing.
While my chest ached with remorse for seeing my mate in such a state, it was also filled with so much more love and devotion I had ever felt towards her. I pressed a kiss to the crown of her head, giving her shoulder a gentle squeeze as she pushed, silently letting her know how much I loved her in this moment.
XXX
-Feyre-
"I can see the head my lady," Madja cheered as I pushed.
A snarl of agony ripped from my throat; my eyes still clenched in concentration. "Get it out!" I growled without breaking my effort.
"You're nearly there," came the midwife's response.
I groaned, panting heavily as I slumped against Rhys again. He whispered loving words of support as he dabbed at my face and neck to cool me down, and I knew the all-consuming heat I felt had nothing to do with my powers and everything to do with this struggle. Not even the messy bun I had thrown my hair into seemed to cool me down in between my endeavors, so I was grateful when Rhys had begun using a damp washcloth to provide relief—the only kind afforded to me during this ordeal. It was all starting to become too overwhelming to endure for much longer, and I felt my resolve slipping. My eyes met with Rhys's for a brief moment, and instead of offering him a tired half-smile I had done so far, I broke into sobs.
"I can't do this anymore, Rhys," I cried.
His hand squeezed mine, the starlight in his eyes flickering as the hand on my back tightened gently. "You can," he promised. "Sebastian is almost here, Feyre, just imagine our little Bash here at last,"
I sobbed at the thought, the images of my baby I had been dreaming of for months flashing through my mind before I felt the devastating pain returned. I cried again, loudly claiming I couldn't do it, and was met with a chorus of voices encouraging me—claiming I could, and would. Deciding not to keep fighting it, I rallied my strength together with another gulp of air and bore down with the hardest push I could offer.
My attempt heralded in another round of voices animatedly telling me to continue, and though I couldn't differentiate the female's voices, I heard one of them tell Rhys to watch as our son's head began to emerge. My eyes were squeezed shut with my effort, so I couldn't see the look on his face, but a yelp of pain emerged from my throat a second later as I felt the strain of my baby's head coming through with the force of my pushing. The midwife quickly told me to take several deep breaths instead, and I did as I was told, gasping aloud when I felt a painful burst.
"The head is out, my lady," the midwife said with a meaningful look as I finally opened my eyes.
I gasped for even breaths, nodding before I looked to Rhys; whose violet eyes were silver lined as they met mine. He had shifted to my side for a better view of our son coming forth, his and Madja's hands holding either side of me, balancing me upright.
"He's so beautiful, Feyre," Rhys said tearfully as he lowered his head to rest his forehead against mine, a tear trailing down the side of his cheek.
I sobbed again, bringing a hand to brush that tear away briefly before grasping his free one as my body yielded to another throbbing contraction. "Just one more big push, my lady, and your babe will be in your arms." Madja promised.
"One more, and you're done," Rhys vowed, repeating the healer's words.
Instead of voicing my agreement, I continued my hold on to Rhys's hand while I gripped my knee with the other and sucked in a quick gasp of air before offering what now had to be the strongest and hardest push my body could muster. My eyes squeezed shut as I fixed all of my attention into this push, near-feral growls emerging from my throat at the unbearable pain that tore through me, my cries drowning out the myriad of voices cheering me on.
Soon, however, all the pain vanished the second I heard the tiniest, most magnificent wail I would ever hear in my entire life.
47 notes · View notes
sanstropfremir · 3 years
Note
I absolutely LOVED reading your kingdom review. You gave me such an insight in things I never even considered, especially since our rankings are so different from each other. The Boyz was my favorite, the narrative was about RTK. How they felt bad for having to compete against their friends but eventually the groups only lifted each other up and it helped TBZ grow into the group they are now through the hardships and mental dilemma, falling into the next challenge right after they reached the top. It should have been more obvious though, I agree, it wasn't really visible for anyone who didn't know. I was wondering how you felt about the dancing in general? my reason for not ranking BTOB high was lack of choreo (and Peniel's verse), same goes for SF9. Mostly because I don't feel the hype when watching, it doesn't keep my focus on the stage. As a baby-performer myself, my goal is to make the viewer curious about what's next. is that the wrong way to look at it? that's what I've always been told, building the tension up and down to create focus. would love to hear your feedback on that! thank you so much for sharing, we need more reviews of people who actually know what they're talking about.
i'm glad that you got some insight from it! like i answered in the previous ask im here to hopefully bring some more depth and understanding for people that care and are curious!
you unintentionally proved my point about tbz’s performance: that is way too complicated! even the most talented solo dancers i can think of would have trouble distilling that down to something readable in 100 seconds, much less a group of like, a dozen people! the introductory stages are meant to show us the character of the group and their abilities in the most concise way possible, it's not the stage to do deep philosophical and emotional introspection. for a full stage? absolutely, go hog wild! but for this stage it was too ambitious and ultimately was ineffective to anyone that isn't a fan of them specifically. 
by dancing in general do you mean like, every group? i put most of my opinions on the dancing where i had them in each of the individual rankings but honestly? unless there is something that really stands out positively or negatively, a lot of ‘average’ kpop dance looks the same to me. i know it’s not, obviously, and if pressed i probably could do a more serious breakdown, but dance is only one element of performance. it has equal weight with all the others in my mind, and therefore i notice when it is either 
very good
does something unique
very bad, or
interferes with another element
which is the same as how i evaluate every element, if that makes sense. 
hmmmm. i thought about this a lot in the shower and turns out i had more opinions that i expected so i'll put them under a cut.
firstly, i don't think lack of choreo should be penalized or considered an ‘incomplete’ performance. at the end of the day, these are bands, and a part of their brand/product they sell is the music. complex choreo does not need to be attached to that to make it a successful performance. also, btob did have choreo. any movement on stage is technically choreography. but this terminology can cause confusion so usually non-dance choreo is referred to as ‘blocking.’ but they also did include the song’s original point choreo at 1.41. the blocking in their performance was well thought out and suited the arrangement, by placing spatial emphasis on each part of the song that needed it. obviously it comes down to personal taste if the performance is ultimately ‘successful,’ because all art is subjective, but just because something isn't as visually complex as something else doesn’t mean it doesn't have the same level of thought. think of it like this: one is a super clean-lined post-post-modern grey/white living room, and the other is a kitsch goth basement. both share interior design principles and have obvious care put into the space, but they are vastly different styles that appeal to different tastes.
part of the job of production designer/AD is to decide what gets emphasis. a question you're always asking yourself is ‘is this important to the story that we’re trying to tell?’ and btob/their AD made a very smart choice with their introductory stage because it says a lot about them and their abilities in a short amount of time. that stage said ‘our foundation is strong, we have the training and experience and confidence to be up here and not rely on visual tricks.’ because they know they physically cannot do the things the 4th gen groups can; they're a decade older and they only have four members, it's just not feasible. something you learn with experience is the power that specific and pointed emphasis holds, which segues into my answer to your last question. i don't necessarily think that ‘building hype’ is the wrong way to perform something, but i do think it is a flawed way to approach creating a performance.
i think that ‘hype’ is flawed concept at its core, and one that focuses on the idea that there’s always being something more, something next, beyond the work itself. now there’s nothing wrong with playing with tension within the internal structure of a piece, that's exactly how constructing a narrative happens. however, the flaws come once we extrapolate beyond the boundaries of that individual work. the idea of ‘whats next’ implies that you have to constantly be promoting, have a sequel coming, building hype etc so people will keep engaged with your work. which is deeply capitalistic in nature and operates on the assumption that art exists purely as a product to be sold. and in order to keep selling you need to keep making a bigger and better and more spectacular product. and this is not the case at all. marketability is not the essence of art, it merely a factor of creating it under this insufferable system. kpop in particular suffers from this because the industry is specifically fabricated to produce capitol. we can have discussions all day about idols and their artistic integrity but at the end of that day, they are all cogs working with a system that was specifically made up by essentially one person to be culturally exported and to just print buckets of money. so in following that train of thought, there is a constant attitude of bigger and better because shock value (whether positive or negative) gets social media attention and therefore it sells. and it has become exponentially easier (and also seemingly required) to make things that are bigger and better than ever before. i remember being blown away by the projection floor at the sochi 2014 olympics because something of that scale and complexity would never have been possible without literally having the funding of the olympics. now that technology is easily accessible to anyone with an amazon account and the time to learn how isadora works. in comparison, it took 2400 YEARS for just the job of a ‘theatre designer’ to be even become a job at all.
because of kpop’s fan culture it is especially prone to ‘hype’ behaviour. in general with the accessibility of the internet and social media, everything has turned into a competition, and who can generate the most buzz ‘wins’. but ultimately that has taken away the general public’s ability to recognize that you can enjoy something quietly and you can enjoy something slowly. that the enjoyment of something doesn’t need to be all exclamation marks and keysmashes and trending hashtags on twitter. there is value in a work engaging in an emotion within you that is not just excitement. most of the artists and companies that i consume the work of i don’t do so because their work makes me excited, i do so because i liked the experience of engaging with that work. several years ago i saw the eternal tides by legend lin dance theatre, which you can watch a really short clip of here. that is not slow motion, that is actually how slow the dancers are moving. and 90% of the show is performed like that. and its two hours long. and it was one of the most incredible performances i've ever seen. if i ever get the chance I will go see another one of their shows again, not because i care about how they can top that experience i had, but because i know they can produce that experience, and that is enough to make me want to seek them out again. the speed of the internet has also loosened the general public’s understanding of just exactly how long creating a performance work can take. the lead dancer in the eternal tides was with the company for eight years before she and the piece were ready enough to be performed. large scale operas, musicals, and plays often have a year or more of pre-production before they even get to rehearsal. smaller theatre companies workshop new pieces for years at a time. performance is hard and it takes time. you can eliminate some of that with sheer amounts of money and people, which is what the kpop industry has done, but it speeds up the cycle of consumption to a degree that is not sustainable, especially for companies and creators who do not have that kind of access. performers and performance makers often don't put enough trust in their audiences. if they like what they see, they will come back. they dont need to be constantly bombarded with content at all times.
now that i’ve said a bit about why i think hype is a flawed concept, let's bring it back to kingdom. sf9 did something very interesting with their stage in that they actively chose to limit their dance time. and this plays very well off the performance film stage that taeyang did a couple of weeks ago. taeyang is talented and confident (for good reason), and his solo was incredible. but when it came to the intro stage, instead of trying to one-up the solo stage, the group instead said ‘well people are going to be looking at us because taeyang is insanely talented, so let's show them that we ALL have the confidence and the attitude to be up here.’ no need for flashy theatrics, they had the foresight to do something that would make them stand out from the rest of the groups. even if i was just casually watching the stages without doing any analysis on them (like i did for rtk), i would still be able to distinguish them because they had the stones to stand around for half their stage time. now i recognize them and would like to see what else they can do. same principle as what btob and also what ikon did. there is a fine line between anticipation and hype that gets equated in media consumption nowadays, but the two are not the same.
i think the tldr on this is that you dont need to ‘build hype’ or ‘go all out’ to make an interesting work. just focus on telling the narrative that you want to tell, and the people that recognize that will come. i could have a lot more things to say about peoples shrinking attention spans and the constant stream of information that we consume on a daily basis that devalues the labour done by artists in the eyes of the public and promotes hustle culture that is burning out and damaging creators at a rate that is both exponential and frightening, but that’s probably for another time, because this is SO LONG
3 notes · View notes
comicteaparty · 5 years
Text
November 9th-November 15th, 2019 Creator Babble Archive
The archive for the Creator Babble chat that occurred from November 9th, 2019 to November 15th, 2019.  The chat focused on the following question:
How do you deal with a lack of engagement from your audience, both emotionally and physically?
IzzyNinjaMaster
Oooo now that's a good question. If my online audience doesn't respond, I personally always show any new page updates to my family and friends and get feedback and comments from them. Really great for support. But sometimes their not available or I don't have anything new to show them. When this happens, I just look to myself for support. I know that doesn't really make sense or sounds kinda cheesy but it's what I do. I get myself pumped up and excited for what I can do next in the story and how awesome it will look all drawn out. And I go from there, I'll start drawing out ideas or writing out new chapters. So just be your own hype man, not just with your comics either but with everything. Great for self esteem.
Sorry went on kind of a rant right there
carcarchu
I prepare myself emotionally to not have any expectations. If you expect nothing and receive something you'll always be happy!
IzzyNinjaMaster
Lol true very true XD
Deo101
I'm not completely sure what this question means by physically, but I just kind of keep making art to move past it. Something that has helped me a TON is to make art that's just for me (like, that I don't post anywhere). I think that if everything is made to be shared, then we get a little too used to trying to find validation with engagement. With comics, specifically, I try to make none of my goals relate to engagement. I only have goals for myself and what i'm producing. If I'm hitting all of my goals, then I feel good about what I'm doing! No one engaging with it is just kind of like "okay!" Another smaller thing that helps me is getting my work done well before I upload it! for some reason just getting a bit of time distance between when something is done and when I post it I dont feel so bad if people don't engage.
Cronaj
I'm fairly lucky that I have a small following on one of the sites I post on, so while some weeks might be slow with feedback or engagement, I'm usually not completely devoid. I also have some very supportive family members who read my comic and often comment or text me after I update. As for what I do personally when I don't have a lot of engagement? I do a lot of self-reflecting, which is probably not the healthiest of practices. I question what I'm doing, trying to figure out what I'm doing wrong and how I could improve. I also try to understand other external factors at play, such as my readers' personal lives, jobs, school, holidays, that might have delayed them from engaging with my work. For example, I know that during November, as we get closer to Thanksgiving, there is going to be a huge drop in readership, because a lot of my younger readers will be preparing for school finals and visiting with family. By knowing this, it helps me cope a lot better. And if all else fails, I vent to my fiance or my little sister. It really does help to have someone to whine at for a bit
khkddn
If I were to get completely zero engagement on something I'd do what I'd always do, message people I know irl like "validate meeeeeeee"
In general I just take a step back from what I've posted and focus on something else. That way I remember webcomics isn't everything, and by the time I check up on things again there might be some sort of audience response.
LadyLazuli (Phantomarine)
I kept my work hidden for the first few years I was working on it (wanted to iron out any wrinkles before I was comfortable sharing) so in comparison, any engagement afterward - even a tiny amount - is pretty great! And even now, some updates get more traffic than others, for a lot of different reasons. Luck, timing, quality, etc. I always keep in mind that this project is - at its heart - for me and my own enjoyment/fulfillment. And if I’m pleased with where it’s going, that’s a win.
Cap’n Lee (Flowerlark Studios)
Oof, that question really hit me where it hurts. Over the years I’ve lowered my expectations, because while I used to have an active audience in the ‘00s, I’ve rarely gotten any engagement on my comics in the ‘10s. It’s definitely made me feel depressed and like a ‘failure’ to put heart and soul into my comics and art and get 0 reaction online. I honestly don’t have any way I ‘deal’ with it. I make something, hoping to get some comments > I get no comments > I get depressed about it and feel like my work is garbage. Rinse and repeat several hundred times. I keep going because I just love to create, but it’s like an actor trying to put on a performance and no one shows up to the play. It has gotten better lately and I’ve started getting some engagement for the first time in many years, but I honestly don’t have a good answer for how I handle that emotional reaction to reader silence.
LadyLazuli (Phantomarine)
Also good to keep in mind that lots of people may read without commenting, and still enjoy it! I did a poll wondering who would be interested in doing guest art, and way more people responded than I expected. It opened my eyes! Sometimes you just can’t tell until you outright ask for feedback
keii4ii
There's definitely a risk to that, though. You ask and still get nothing. Or worse, you ask and get negativity. Asking is a worthy gamble, but it takes courage! Sometimes when we don't have enough courage, we gotta find it elsewhere first, before we can try that gamble...
I lost that gamble one too many times and need more Courage Fund before I can try again, lol
LadyLazuli (Phantomarine)
True true! It was a gamble I had no real expectations/assumptions about, so I didn’t have much room for disappointment. Even getting one person who says “This is cool!” is enough to fuel me for days. But I know that’s not how it is for everyone. Once you’ve been disappointed once, it can take a while to get the urge to try again. I can’t imagine getting negativity, though... I think THAT would wreck me.
keii4ii
Sometimes I don't even ask and someone just randomly drops negativity off at my doorstep... I need to remember that I have also had wonderfully positive responses, that it wasn't all negative. But it can be hard to remember that on bad days.
Deo101
Yeah, negative comments always seem to be the loudest ones... They can drown out dozens of good ones if they hit you right.
Cap’n Lee (Flowerlark Studios)
I did develop a pretty thick skin for negativity in art school, which was really fortunate because my comics garnered a lot of negative attention at first. Though thinking back on it, I was making very androgynous and gender non-conforming characters (even though I never stated anywhere that they were queer) in a time when the public attitude towards such things was far less kind than it is today. At the time it was draining to get so many trolls, but unless I was already having emotional difficulties in other areas of my life, I was able to let it roll off.(edited)
keii4ii
The weirdest thing with my negativity is 99% of them come from actual readers who mean well. So I have a hard time dismissing them like 'oh they're just haters.' It's not necessarily harder than dealing with blatant trolls, but it is an entirely different beast.
Deo101
Sometimes I go and reread positive comments when I'm down about things
Yeah I'm not sure that I've had any trolls tbh... Its all readers saying what they think
Cap’n Lee (Flowerlark Studios)
Avid readers who give backhanded compliments and ‘well-meaning’ but very subjective critique can definitely be detrimental.
keii4ii
In Korea, I dunno if they're still a thing, but 1-2 decades ago there was this type of theft called slash theft. It's a type of pickpocketing, done on the street while walking by. They bump into you, briefly and lightly, but you don't think much of it because Seoul is a crowded city and you brush against other people all the time. But during that brief bump, they manage to slash open your purse and take all the contents. It's an amazing ninja level skill for sure. I know people who had their stuff stolen that way. Back to the Courage Fund analogy, sometimes a negative comment isn't just a normal theft of your Fund. The comment slashes your purse open, and now your bag can't contain Fund even if you put more and more into it.
It can take a long time and lots of support to sew your purse back.
Deo101
Idk if other places to slash theft, im sure they do, but im pretty sure historically its been a big thing. The term "cutpurse" comes to mind
keii4ii
(:o I didn't know that was a term! The more you know)
Deo101
(some book i read (wasn't great but you know) used the term a lot and i was like "ok wtf is this")
Cap’n Lee (Flowerlark Studios)
That’s a very good analogy for it, and I definitely understand what you mean. I had to take a three year hiatus from one of my comics once after a IRL ‘friend’ ripped the comic apart and called me a terrible writer in less-than-kind words. I had already been going through some very bad things with my health and family and it hurt me far more than it should. It took some encouragement from some very dedicated readers to convince me to pick up the comic again.
Deo101
(so i associate it with pirates now)
That's really terrible lee... Om glad you picked it back uo though!!!
keii4ii
I can super relate to harsh comments hurting way more than they should, when you're already in a bad state. >_<
Deo101
And also it is a really good analogy keiiii
Yeah things just kinda get harder to deal with in general when you're more tired/upset in other areas
keii4ii
The most devastating feedback I've got would have done far less damage if I weren't in a fragile state at the time.
Deo101
Like you can't go be safe elsewhere if everything is a source of stress...
keii4ii
(For all we know those slashers in Korea could be pirates )
Deo101
:o
Cap’n Lee (Flowerlark Studios)
Does Korea have pirates? If so, I’m moving to Korea.
(Sorry, we’ve probably gone way off topic for the discussion)
LadyLazuli (Phantomarine)
I got antsy when someone made a small critique of my lettering (rightfully so, though - lettering is hard and I’m still learning) so a proper heart-stabbing, bad-faith critique might sideline me for a while. Gotta be prepared for that someday
Deo101
Its weird, it really seems to be mostly about how I'm doing elsewhere in life now that im thinking about it. Also being further along in the comic helps cause I've got years of support and "just keep chuggin" under my belt
Like the other day someone critiqued me randomly and called my characters stupid and i was like "dam ok, your comment getting deleted then" but a year or so ago a comment like "I'm sorry im a little confused..." Made me second guess everything for weeks
LadyLazuli (Phantomarine)
Ohhh Maybe the obviously mean/troll comments are easier to deal with, than feeling you let down a reader who was genuinely trying to understand the story. I would definitely react similarly.
Deo101
Iunno, the big old critique was a normal reader who has left other comments he jusy kinda randomly did it. But yeah I think it can be easier to shrug off things that are CLEARLY antagonistic versus someone being harmlessly confused
Because confusion can mean I'm not being clear enough and need to change things and whatever. Its vague in a way that hits your anxiety
keii4ii
Yeah, when someone is obviously being a jerk, you know it's on them
omg... reader confusion has been the bane of my existence
Cap’n Lee (Flowerlark Studios)
I dunno, man, art school just toughened me up to most negative comments. If one person out of five is confused, I don’t take it personally and just explain it to them to clear up confusion. If everyone’s confused I think ‘Hmm, maybe I should retcon in some dialogue to make it more clear’. I guess art school really teaches you to distance yourself from your work and be very objective about it. BUT as I said, I’m not immune when other bad things are going on and it becomes the straw that broke the camel’s back.
Deo101
Though THEN you kinda get like "why am I being a target???" And its very frustrating, at the very least, and it does definitely still hurt... (Wrt trolls)
keii4ii
It's hard to tell who's confused and who isn't sometimes
Deo101
Yeah Lee im in art school right now, but for me its different when I make something to be critiqued versus a passion long term project
If I am asking for critique too, im braced for it in a way I'm mentally prepared for. Im not always braced to have someone be like "its pretty good buuut..."
Cap’n Lee (Flowerlark Studios)
Ahh, I can understand that. I guess I’m able to view my passion projects the same way I did my school projects. It took time, that’s for sure. It’s a process of desensitisation, and was something I had to build up over years.
keii4ii
I'm disproportionately sensitive about reader misinterpretations/confusion. I'm 95% sure it's because one bad experience. Someone thought my main story was garbage, but they liked parts of it, so they told me to basically make a different story using those parts. After that, every time a reader didn't recognize the main story (I got a very prominent B plot, so it's kinda understandable that some people mistake it as the A), I got vivid flashbacks of that one bad experience. Every time someone said they liked [this character that The Other Person liked], I got flashbacks. Took me good 2-3 years to get over it.
Deo101
Its also a lil different when it's like.. i wont be changing these pages so unless it's a critique for moving forward its kinda pointless and i cant really apply it
Damn keiiii that's really rough
Cap’n Lee (Flowerlark Studios)
Yeah, that sucks.
keii4ii
Yeah, it's hard to be motivated when the underlying message is "your first 100 pages are hot garbage, but you can still improve........ even if readers will give up long before they get to the decent 101st page!"
Deo101
RIGHT...
I don't want to have to preface "check out my comic!" Wirh "i promise it gets better..."
Cap’n Lee (Flowerlark Studios)
COUGH That’s exactly why I’m reduxing Eryl’s hot garbage beginning right now COUGH
Also because I’m a masochist and perfectionist.....
keii4ii
I think "it gets better" is fine when it's a reader reccing it. (I remember some of my friends reccing multi-season anime series to each other, going, "it gets better after season 1") But yeah, as the author we can't be the ones saying it.
Deo101
Mhm.
And I'm still hapoy with my old pages. I know I could do them better now but they're perfectly fine and they get the job done so... Idk its just hard when someone is like "wow two years ago you made a mistake, :/"
Like. Yeah, duh... I've spent like a thousand hours on pages theres gonna be some mistakes
keii4ii
It took me a long time to realize that Flaws =/= Problems
Deo101
I'm learning and getting better youre gonna have to bare with me here
Nutty (Court of Roses)
are you kidding i still get crit on stuff i made TEN years ago
Deo101
Mhm
keii4ii
omg
Deo101
Well its not a competition
Cap’n Lee (Flowerlark Studios)
Same, Nutty
Nutty (Court of Roses)
True sorry ;;
Deo101
Ur name just changed colors keiiii
You: flaws =/= problems Your name: im ascending
Phin (Heirs of the Veil)
I think...learning how to like not be bothered by negativity that much is a skill. Super freaked out one time when someone said they didn't know what's going on when reading HotV whoops
(turned out they just had to re-read a bit and it was just webcomics being webcomics)
Deo101
I had a group of readers say they were co fused and one person asked me to explain the last 2 chapters and i was like "holy shit am i being this unclear????"
Its stressful for sure
Nothjng wrong with being concerned with ut
Cap’n Lee (Flowerlark Studios)
Keiiii has reached a new plane of existence. The blue is unrefutable proof
Deo101
Its something you're passionate about and you want to be as good as it can be
Phin (Heirs of the Veil)
Yeah...
Deo101
So any critique, regardless of validity will be something you WANT to consider
Which is fine and theres nothing wronf with taking things to heart like that
But also if youre Happy with it that's all that matters
You gotta be your #1 fan kinda thing
Phin (Heirs of the Veil)
I'm personally super uh...yeah I am having a hard time dismissing criticism
even if it's in bad faith, haha.
keii4ii
The #1 fan thing sometimes reminds me of that scene from Lilo & Stitch
The scene of Lilo's rag doll. It's been years since I watched it, so memory's a bit fuzzy, but I think all the kids were showing off their dolls, and Lilo wanted to show off hers too
but the other kids didn't like her homemade-looking doll, and it made her sad, almost not like her doll for a moment
but she picks up the doll again afterward
There are days where I relate to that. I never not-love my story and my characters, but sometimes I feel like everyone else has a low opinion of it, you know?
and I'm like lonely Lilo hugging her rag doll in the sad corner
Phin (Heirs of the Veil)
Yeah I totally get that and...loving what you do first and foremost is really important. I don't think in a medium like webcomics you would be able to keep going
keii4ii
I'll always love my Doll but I do wish this little corner weren't so lonely, kinda thing
Deo101
I feel that keiiii
Phin (Heirs of the Veil)
Hmm
Cap’n Lee (Flowerlark Studios)
When the ‘critique’ is detrimental it does become a problem. Like that ‘friend’ I was talking about earlier who bashed Eryl to bits. He told me to ‘read some Stephen King’ to learn how to write. I was making a high fantasy story, not a horror story. The writing of a horror author is simply not applicable to building a good fantasy adventure story. That’s when I knew he was full of shit. But the damage had been done, and I lost all motivation for the project for years.
keii4ii
uuugh, I'm so sorry that it happened to you D:
Deo101
Also this story is one that i have dropped and picked up SO many times, and its wildly changed over and over, and so i worry a lot im not making it in its final form, i suppose. I worry i started it too young, and so critique of the older parts hits that anxiety
Wow lee that's terrible...
Phin (Heirs of the Veil)
Gosh...
Deo101
Also you can't really compare Novel writing to comics imo. The structure can be compared but...
Phin (Heirs of the Veil)
I think HotV is like a project I've worked on since...2008? And it changed with me and I feel pretty confident that it's in its final stage.
keii4ii
and not every story needs to be a Stephen King story
Phin (Heirs of the Veil)
But yeah, you can really not compare writing for novels to writing for comics wth
nah
tbh it's weird (I like King personally) but his stories and also his writing do have flaws too so
what
Cap’n Lee (Flowerlark Studios)
I actually do use novels as a source to study how to construct my comics. But! Studying the right genre is important. I’ve the feeling the only books that guy read were Stephen King, so that’s the only kind of story he was familiar with.
Phin (Heirs of the Veil)
God when I was still developing a picture I did got featured somewhere and someone criticised the way I did knees and linked to the picture of another artist going: Hey draw knees like that
Deo101
Every story will have flaws, its impossible to make one that is perfect. Well. Its impossible to make a story thats perfect for everyone. So alk you can do is try to make a story thats perfect for you!
Phin (Heirs of the Veil)
Agreed, Deo
keii4ii
^ THAT REMINDS ME
Deo101
Omg
keii4ii
(going back to the original question) With no response, or negative response, one thing that helps me is hearing other people gush about their beloved unpopular stories!
Phin (Heirs of the Veil)
Hmmm
Deo101
!!!!!! Me too!!!!!!!!!
Phin (Heirs of the Veil)
I am having this problem and went to ask on twitter what ppl loved about their projects
and that's really uplifting somehow
Deo101
I LOVE reading other comics and just seeing how much passion is in them its like a light
keii4ii
I need to remember that just because someone, or even a lot of someones, thinks a story is trash, doesn't make it the universal truth
Deo101
^^^
Cap’n Lee (Flowerlark Studios)
I WILL GUSH ALL DAY BOUT MY BELOVED UNPOPULAR STORIES and once you open that damn I am unstoppable. You will regret it, trust me.
keii4ii
And people gushing about their unpopular favorites is an excellent way of reminding myself
Phin (Heirs of the Veil)
hehe
Deo101
I have been very lucky and have had a few incredibly kind people who i can remember fondly when i worry my story isnt reaching people. I Know it has touched a few lives, and if it makes even ONE person happier (even if thay person is me) then im doing my job and its worth all the time and effort.
That was kind of off topic i swear it connected in mt mind
Phin (Heirs of the Veil)
Absolutely
I feel it's connected
Deo101
Phew
Phin (Heirs of the Veil)
bc hmm it's a way to deal with times when there is not much engagement?
Deo101
Aha! There we go yes :)
Cap’n Lee (Flowerlark Studios)
I do generally write very off-beat, unpredictable stories because I like reading / watching those kinds of things. A lot of my favourite movies bombed at the box office because they weren’t formulaic, which was what I loved about them.(edited)
Phin (Heirs of the Veil)
Remind yourself that there is people who enjoy what you do and who are happier bc of it C:
Deo101
Mhm ^^
Also i have my characters on a shirt so i can just wear that and be like "fuck yeah. I have a shirt. It cant be a bad comic if I've got merch babeyyyy"
Which admittedly is a very odd way of dealing with anxiety
But like.... You should get your Characters on a shirt.
Phin (Heirs of the Veil)
dfhwioufheuf Deo that's cool tho
I made so many like...background designs and posters for HotV and some of those I WANT ON A SHIRT
Oh I think what also helps me is to find a friend and just talk about the comic?
Deo101
The place i use lets you get up to 6 items a month as a sample order and it's severely discounted my shirt was like $15
Cap’n Lee (Flowerlark Studios)
I should do that. I have designed some T-shirts but that wasn’t for personal stuff.
Phin (Heirs of the Veil)
omg
keii4ii
I'm actually in the (long) process of re-learning how to talk about my comic
Deo101
And yeah for sure having people i csn talk with/joke with about my comic helps soooo much
Like the fact that i know these 5 people will get my jokes like this
THAT helps a TON
These people actually are the reason I was confident enough to be able to start after having a bad friend drive me to almost drop the story for good
So having their support is probably one of the biggest things thst helps if no one else engages.
Cap’n Lee (Flowerlark Studios)
Okay, so on the original subject of ‘How to deal with no feedback’ I do talk about my stories a lot with my two best friends. They are my biggest fans and my sounding boards. They let me go on and on about plot threads in my comics and it’s one of the main reasons I keep going. Even when I get 0 reaction online, I still have two people who I know are reading the comic and think I should keep going.
Deo101
Or like, when my family is being homophobic about my work kinda thing. Friends are good for that...
Yessss lee having people you can talk with about it is SO good
keii4ii
ngl, I'm jelly of those of you who have go-to support friends who are genuinely into your story! That's something I hope to have some day, myself
Cap’n Lee (Flowerlark Studios)
I don’t know whether to give a sad react for homophobic family or a happy react for supportive friends
Deo101
Happy react ^^
Phin (Heirs of the Veil)
Still sorry about your homophobic family tho, but your friends sound awesome
Deo101
Yeah but :> I know I'm doing good work. Again those few people who i know my story has touched.. i know I'm doin good work.
Cap’n Lee (Flowerlark Studios)
@keii4ii Just know I’ve been an acid fan of your comics for over 10 years and honestly think they’re some of the best comics I’ve ever read
AVID
NOT ACID(edited)
keii4ii
Hey acid is important too
Cap’n Lee (Flowerlark Studios)
GOD MY PHONE
Phin (Heirs of the Veil)
hiodcnioefwe acid
love this
I have one friend who has supported me since 2007 and I can always count on her freaking out about my comics Y_Y
so when I feel especially bad I turn to her
Cap’n Lee (Flowerlark Studios)
My phone is old and the keyboard lags and autocorrects like AAAAARGH(edited)
Deo101
Its okay same here lee
Typo club babeyyyy
Cap’n Lee (Flowerlark Studios)
I have to edit almost every comment I make THANKS A LOT PHONE
Phin (Heirs of the Veil)
shakes fist at ur phone to be more kind
I can't type on phone at all so...
keii4ii
Yeah, swipe-typing is high level sorcery to me
Cap’n Lee (Flowerlark Studios)
As someone who’s normally a grammar freak it causes me great pain that my texting is a syntactical disaster.
Deo101
I've been doing swipe a bit lately so it doesn't hurt my hands to text (I Tex too much)
keii4ii
This actually makes me wonder
What are some good, safe(ish) ways to reach out to people who may be 1000% willing to become that Support Pillar for your comic?
Deo101
I just straight up start doing it
keii4ii
For all I know they exist. But.. Schrödinger's pillar
Deo101
And gague the reaction
Cap’n Lee (Flowerlark Studios)
As an antisocial gremlin who hides under a rock, I have no idea.
Pakky
never hurts to ask
keii4ii
@Pakky You would be surprised
Deo101
Start sharing art, see if theyre curious, get deeper if they're good with it, kinda thinf
I've got friends who like to see my art but don't really care about my comic, and you kinda just gotta take it case by case
Pakky
mm fair enough, i always try to be supportive of content creators mostly because i would hope for the same in return. theres a lot of bluntness in my industry so if you do well you get praise but if you do poorly, you very well know it :/
keii4ii
Me: "Thank you for supporting my humble comic!" (this wasn't even asking, just thanking) Reader: "Well, your comic isn't that good." Me: "?????????"
Deo101
Wh
Cap’n Lee (Flowerlark Studios)
I’ll be honest, on the rare occasion a reader starts trying to get really close to me, my dumb brain freaks out and I put some distance in because I have Issues for days.
Pakky
thats just rude on their part
Phin (Heirs of the Veil)
what
holy fuck
keii4ii
I've Been Burned
omg, that question mark react is so appropriate
Deo101
I've chatted with some readers here or there but I don't know if id wanna use them as a support pillar
I kind of have trained myself to think readers as fickle.
If they get sick of my story, theyre allowed to leave
They dont owe me their time or energy and them being here is a gift
So I'll chat and stuff and answer questions but unless someone is my friend i will not lean on them for support.
Cap’n Lee (Flowerlark Studios)
Honestly it’s happened that I’ve gad readers try to get really close or be my sounding board, and I think they were just trying to be enthusiastic and supportive but my stupid broken brain always panics and goes WARNING STALKER ALERT WARNING ABORT ABORT.
Deo101
Hey better safe than sorry
Phin (Heirs of the Veil)
juppp
Deo101
I'll chat but i wont give personal information and im not gonna like, get all into spoiling everything im planning lmao.
If someone asks me a question thats a spoiler ill answer it in private
But bringing raw ideas up for help... I need very specific people for thst.
Cap’n Lee (Flowerlark Studios)
The thing is they weren’t even being creepy or trying to get really personal. They were just very friendly and I apparently can’t handle that. ><
Deo101
The friend group i get writing helo on are all writers, and they all understand my vision. They don't write stories like mine, i dont write stories like theirs, and we all fully understand our suggestions may go unfollowed.(edited)
Also whoever put the eye emoji yeah if u have a question straight up dm me and I'll answer.
keii4ii
It's okay, your comfort is important. If you want to be more open, you can work on that. But not everyone has the same comfort level and that's okay too
Deo101
Yes! Its all about what you're comfortable with
But I've personally got a small curated group of writers/artists who all circulate our work between eachother
Which i know is very rare.
Phin (Heirs of the Veil)
Same, Deo...helped me a lot and I also know who to turn to when I'm down about engagement
Deo101
Mhm ^^
Phin (Heirs of the Veil)
(also they are all perceived better than me so I believe them if they say sth nice)
Deo101
Omg
That group of people have done SO much for me honestly. Im thinking about them. I love my friends.
Also dont worry its nit all about me they also talk about and we help their work too i wanna be sure thats clesr
keii4ii
I figured it was all mutual! but now that you've said it's not all about you I'm suddenly imagining The Cult of Deo
That is 10000000% wonderful though
Deo101
I walk in and I'm like "y'all check out this new millennium lore" and they all take their hoods off and start scouring it for plotholes
keii4ii
Whilst sitting in a circle (a magic circle to be exact)
Deo101
Of course of course
Cap’n Lee (Flowerlark Studios)
Damn, that’s awesome! I only see my friends every few months so I dump a lot of plot on them all at once, and it’s harder for them to give really detailed critique. XD
Deo101
Oh, I do this all online
Irl I sit down with my sister and we talk for 4 hours and Lose our voices LMAO
Cronaj
Good convos literally ALWAYS happen while I'm at work
keii4ii
I'm still here
Cronaj
Good, because it made me sad when you said you didn't have a support pillar
And that readers are fickle (which can be true)
But I don't think you know how much I love your comic
keii4ii
I'm seriously honored! I still fear that maybe people are not seeing the story I'm trying to tell, and are following the comic for some other reasons (which is valid, just not what I'm trying to achieve). But hey, I'll never find out if I don't keep going, right?
kayotics
keiiii, i love your comic and i think it's beautiful in many ways, not just the art
but also, on the topic of lack of engagement... I'm pretty fortunate in that my spouse is always really supportive of my comic, so when I need a little pep talk I can always ask them
sssfrs
I’m trying to collect as much negative feedback as I can so that I’ll know my comics strengths and weaknesses and I’ll be prepared to take criticism as it comes in the future. It is pretty frustrating having no response or fanbase right now but I started my comic pretty recently and theres still time for growth
Glowbat (Aloe)
when you're collecting feedback be mindful that there's a difference between constructive criticism and people being unhelpful and simply telling you they don't like your work
the latter wont do anything but bruise your self confidence(edited)
keii4ii
Yeah, and sometimes even well-meaning critiques can miss the point too, like if it comes from someone who thinks your work should be X, when it is intended to be Y. Easy example: My previous comic was a depressing drama centering around a terminally ill young woman and her doctor, and once someone told me I "needed more fight scenes." It wasn't even an action comic! In that case, the lack of fight scenes was not a weakness. It simply meant the comic wasn't for that person.
DanitheCarutor
On the topic of lack of engagement. My answer is really boring, but I just keep working on my comic regardless of how much/little engagement it gets. I never intended or expected to have an audience to begin with since my comic has sooo many problematic elements in it, whenever I get feedback it's super nice! Always a surprise, like seeing the machine light up when winning $500 on the penny slots! (In a way, getting engagement is kinda like gambling. You post a page and you may or may not win some comments in return... Not equating real people to items to win, of course!) Admittedly, if there is a page I feel would cause reaction but I get nothing, it is a little sad. It's not the end of the world, though! I got a story to tell, and as long as I can still draw I'm content.
kayotics
i relate to that a lot, Dani. I also never intended to make the comic for anyone but me, so the fact that anyone reads it is really exciting to me.
Cronaj
@keii4ii (Potentially off-topic, but is there somewhere to read your other comic(s)? Or are they all in Korean?)
DanitheCarutor
@kayotics Every so often I look at my reader base and think "Man, there are people into this kind of stuff??" It's an almost surreal feeling.
kayotics
Yeah I get it! I wouldn’t say mines too out there but there’s so many other fantasy dnd inspired comics out there that they could read that I’m surprised they even glance at mine.
AntiBunny
How do I deal with it? Usually experience a series of emotions such as "how hard is it to leave one little comment you losers?" Then "Who am I kidding, no one is reading this, I'm creating into a void," and finally pry a few comments from people who know me personally, reassure myself that I create out of a compulsion to tell my stories even if no one's reading, and start the process all over for next week. Not exactly a healthy method I admit.
keii4ii
@kayotics There is only one Toivo out there
@Cronaj aaaa the previous one was in English. But I would not recommend it It's unfinished (though it does have more than 600 pages IIRC) and honestly really rough.
kayotics
@keii4ii true....... one weird wizard boy
Cronaj
Dang... I LOVE medical stories. I'm seriously addicted to them. @keii4ii
keii4ii
I enjoy them too and I appreciate your interest!
Cronaj
scours the internet for the lost records
keii4ii
The site layout is also broken so yeah...
I guess another thing I do is try to comment more on other people's comics, to rec them publicly, etc. Being the change I want. I don't do this as often as I want, but I think/hope even the little bit I do counts.
mathtans
Heh, I'm basically with Cap'n Lee in terms of a cycle. I think part of my issue is I won a fanfic competition in 2004, and it's kind of been downhill since. I've posted regularly to a serial site for over 4 years, accumulating 300 posts, and last month it had 100 total views... there's been 2 comments since March.
On the actual comic side though (not serial) I've relaunched it more than once, and tried to flag the more recent index as a starting point. And yeah, just hold on to the few good comments, like the guy who applauds me for continuing to post even though I only have 10 people following on Tapas.
These days, of course, I'm too darn BUSY to really think much about the lack of engagement. So one solution might be to get married and have a kid. Then you're just happy when you manage to get content out, never mind if anyone remarks on it.(edited)
Mharz
Popping here just to answer the question becos it's interesting. The lack of engagement was a bane in my existence and honestly one of the factors why I had to see a psychiatrist. My doctor told me I have self-esteem issues which leads me to seek validation from strangers. This is the first thing I work on. I have to be confident enough to not break even if nobody likes my stuffs. Which means I have to love myself first. (People prolly see me as vain at this point) Second thing I do is keep a mentality of "nobody has to care. They have things going on as well" which helps me appreciate the small percentage of people who actually took the time to engage, talk, and be friends with me. I also try to put a positive spin on it. "Nobody cares therefore I can make as much noise on my social media as I want and no one will bother criticizing becos nobody cares." If people unfollow, it's on them. It just means they're not really a fan of my work and I shouldn't waste my time. And if my mental illness is too much, then I will disconnect from the online world a bit. Treat myself. Do something fun like gaming and baking and hang out with friends IRL if possible.
Mharz
I sometimes think it's karma on my end becos I'm so vain, I rarely get interested in anything so I'm not really a fan of many stuffs so that is something I accepted as well.
AntiBunny
Perhaps being a webcomic author sort of goes hand in hand with needing validation.
MJ Massey
OH BOY ARE WE TALKING ABOUT A LACK OF ENGAGEMENT?!
over the past week, I got 24 users. Granted, I didn't update, so that's probably why
So this is a four month overview of my website traffic. I hit a high of 184 unique users in August, and after that it plummeted to just barely over 100. And I hadn't really done anything different
I have never really gained a lot of traction with my comics. I'll admit that Black Ball definitely has more appeal than my last comic, so I have slowly been building an audience with it, but it's still been very slow. Sometimes it feels like I have to adhere to some extra set of rules while others can just throw up their comic on Tapas and have instant success. Of course, that's not the case at all
the key is to remember "why am I doing this? isn't it because I love making comics?!"
and to keep on pushing, keep up that hustle, and enjoy the ride. Make great content and it will be rewarding in and of itself
carcarchu
I'm not really sure it's as simple as simply throwing something up on tapas and getting instant success. there's a lot of work that goes behind every comic even if you don't perceive it
MJ Massey
well yes of course, I'm just saying sometimes it SEEMS like that
I'm a marketing professional, so I know there's a lot of stuff that goes on behind the scenes
Glowbat (Aloe)
theres, i think, a lot of factors in certain comics gaining traction faster than others that are mostly out of a creator's control. on mirror sites like webtoons or tapas you have to factor that more attention is given to certain genres and art styles over other because of what that crowd likes. if they're into slice of life romances in anime-esque styles then someone who writes fantasy mysteries in a more western influenced style may not get as much love as they deserve
its tough out there
ive been fairly fortunate to gain a steady bit of followers on tapas but on webtoons my reader engagement and subs are significantly lower
Glowbat (Aloe)
i chalk it up to the type of crowd
MJ Massey
I've been analyzing my audience and my work and have a hypothesis that my work just works better in bulk format. I think 2020 will be a year of transitioning into bulk distro instead of the page at a time format
and see if that helps. As well as some new marketing techniques and getting back into the con circuit
Kabocha
A lack of engagement... This is definitely... a topic. I feel like, sure, one's general marketability in any given platform will definitely make it easier or harder to attract an audience, but on the other hand? It's also worth making sure you kinda figure out what you want out of webcomics. Some people have been working on their projects (or existing within a fandom) for years - decades, even at this point, which can be a big boost to initial readership on a new project! Other people just have the advantage of being able to sit down and advertise, or having someone do that for them. Personally, though. I went in not expecting to get an audience, and for a long time, actively avoided even having a comment section on my site. I just enjoy making comics and creating things - and if it happens to make someone happy, that's awesome. But comics and art aren't the only thing I do in my life that make me happy, and I've found engaging other people directly about things like comic craft and resources to be about 100x more fulfilling than posting comics themselves. (And it is fun, sometimes, to gush about my OCs and how dumb they can be.) But how do I cope with it? Eh, it's honestly not a big deal to me. It feels less stressful in some regards, because the dayjob can get hella hectic, and trying to balance "OH GOD COMICS" with "OH GOD THE SERVERS NEED PATCHED ALL NIGHT TONIGHT" can be.... interesting.
(But oh god, I will admit, having someone come up to me and say, "I read your thing or used your photoshop/csp brushes" can be incredibly motivating. But other days, I have to be my own motivation, so...)
kayotics
Sometimes it’s helpful to keep a list of really nice comments or to write down memories of when someone told you they like your work. This can take a while to gather but if someone says something nice about your work, keeping it somewhere safe for a day you’re feeling bad can help boost that morale
It also helps me sometimes to think about how there’s a TON of people who never comment on things, but they’re probably regularly reading.
MJ Massey
Totally! I was building a landing page for my email subscription, and I was able to go back and find old reviews from my last comic, and it really got me pumped
Kabocha
Yeah! When I worked in a call center, the metrics on calls in -> surveys was something like... At best, you get 10% of your callers leaving surveys. And it's usually because you left an impression (good or bad). Usually the reality was at best, you'd hear back from about 2% of your userbase unless you gave them an incentive them to say something.
Mharz
re tapas and other platforms: I have to agree that certain genres really are more appealing there. I have two comics with different genres that I regularly update and the numbers are literally like night and day. It's a sad truth.
Mharz
I also love getting notifs on tapas when a person is binging my comics and liking every update. It means I got them hooked. :'3(edited)
nice reminder that there ARE people who like my comics.
Kabocha
Well yeah - even in traditional publishing, some genres generally get larger readerships than others (and higher advances) because they're more easily marketed. There's a reason why some publishers will categorize what's basically a fantasy story with romance subplots as a "romance" overall for a relatively unknown author (it's because they're more likely to attract more readers because romance is HUGE)
MJ Massey
true that
and you have to find where you audience lives as well
Kabocha
Yeah... I have some readers who only engage when they come back to catch up, which can be every 6weeks or more. Some only read when a chapter is done being posted, which is about every six months.
Cap’n Lee (Flowerlark Studios)
Re: Tapas. Yeah, Tapas especially has very particular styles and genres it likes (anime style + romance, especially BL). I posted Children of Shadow there for six months and had 20 total subs before taking it down. A while later I tried posting it on Webtoons and got 60 subs in one week. That level of engagement slowed down considerably almost immediately though, because the prologue episode is in colour and the main series is greyscale - and I discovered the hard way that the majority of Webtoons’ users do not like greyscale (I even got rating-bombed over it). My second comic is doing much better on Webtoons since it’s in digital colour rather than pencil like Children of Shadow. Each platform has its specific interests and it can be a struggle to get noticed if you’re not making something that falls into its normal styles and genres.
Glowbat (Aloe)
both tapas and webtoons really dont push their scifi comics hardly at all. Tapas' top scifi section is littered with discontinued stories (at least theyve abandoned tapas at any rate idk if theyre for sure no longer continued) which means that because i update weekly and sorta fall into a semi-anime inspired style i get some decent traffic from the small demographic who go hunting for a scifi comic
RebelVampire
That's not that surprising, tbh. Even in the realm of novels sci-fi is more of a hunt for where the audience is sometimes.
Cap’n Lee (Flowerlark Studios)
Scifi is an under-appreciated genre, imo. Unless you’re Star Wars, Star Trek or a Marvel comic, it seems like people don’t talk much about scifi.
It might help boost views if you rework your genre labels on places like Webtoons. Like, have Adventure or Drama as your main genre tag and Scifi as your secondary genre.
Glowbat (Aloe)
actually ever since avas demon went on webtoons ive been getting about 10-15 subs a week there
for a while i had listed aloe as drama first but the results werent fantastic as i think that genre has been flooded over there
keii4ii
I think sci-fi has some very prominent associations with the genre that don't apply to every sci-fi story -- e.g. the first thing a lot of people immediately think of is spaceship explody battles. So if someone sees sci-fi and they're not into spaceship explody battles, they won't read.
Glowbat (Aloe)
i may try adventure though if scifi doesnt pan out
keii4ii
Alternatively, if someone sees sci-fi and they ARE into that... and only that... they will leave once they find out the comic is not about that
Glowbat (Aloe)
thats also a good point
keii4ii
I've had similar difficulties even though fantasy is more widely accepted these days as a more varied mega-genre
People expect X, comic contains only a sprinkling of X and is about Y instead.
Glowbat (Aloe)
in my personal case, i've alienated potential readers i feel sometimes simply by having the cast be primarily lgtbq with an agender lead. but i dont regret that and im happy to have it deter people who arent down for that
RebelVampire
That is definitely true about sci-fi. Film has really biased people as to what fits sci-fi, where in reality sci-fi is a really wide genre. So a lot of stuff never gets a chance cause it confuses people.
Nutty (Court of Roses)
Yooooo i feel that, glowbat. On one hand, I want ppl to know that my comic is a safe read for LGBT, but at the same time I know that announcing it as such will deter others on principle.
The Q - working on WAYFINDERS
I feel the same way. The whole cast of Wayfinders is some form of lgbt+, but we don't actually adress it much, because it's an adventure story moreso than a romance. So it's like.... how do we tell the readers it ain't straight
Cap’n Lee (Flowerlark Studios)
Fantasy does seem to get drowned by numbers. Eryl gets about 5 new subs per update and Children of Shadow only gets 1-2, and I think they’re just getting lost in the crowd.
Nutty (Court of Roses)
Two of my characters jokingly told each other their identity through bard puns, plus I keep pushing for gay ships within the story, so I'm pretty overt with my readers about it ahaha.
Cap’n Lee (Flowerlark Studios)
@The Q - working on WAYFINDERS I’m having some difficulty with that dilemma, too. Both my comics feature large LGBTQ+ casts but romance isn’t the focus of either. It often feels like there’s no good way to bring it up naturally until the romance threads surface very far into the story, and I’m always worried about homophobes lashing out when they eventually discover the comic is G A Y
Glowbat (Aloe)
in my descriptions i describe the comic as a lgbtq+ themed scifi flat out
keii4ii
Early in HoK, one character embarks on a journey for a personal reason, and the MC tags along. I've semi-recently heard from an American friend that she didn't really get the character's reason. He wanted to take a younger family member away from a bad living situation, but to the friend, the situation didn't seem so bad. After some talking, we realized it was a cultural thing. The situation was very obviously bad to Koreans, but it didn't/doesn't seem like a far departure from the range of normal life in the US, for cultural/societal reasons. I suspect that was a big part of the reason why people kept pegging my comic as a "fun adventure romp" despite the lack of fun adventures (it has elements of adventure, but is not that as a whole). The reason for the journey seemed superficial, like the author (me) just needed an excuse to start the Fun Adventure-Filled Journey. Whereas Korean readers, back when I was publishing it in Korean, immediately understood it was an intensely personal, difficult task that the shy boy decided to accept for the sake of love.
And yeah, LGBTQ+ as a tag/ part of the description seems like a good option to me too!
Cap’n Lee (Flowerlark Studios)
But then I’m also anxious that LGBT folks will think that’s false advertising because the characters’ labels aren’t mentioned until really far into the story (and it’s no where near that point yet). Aaaagh maybe I just overthink everything.
Glowbat (Aloe)
its really interesting to hear the difference in reception HoK gets
keii4ii
Yeah and the setting itself apparently feels different, too! To Koreans, it evokes secondhand nostalgia. But some non-Koreans have told me it feels fantastical and Ripe For Adventures
Glowbat (Aloe)
I feel you Lee- almost none of my chars have mentioned or done anything to illustrate their identities yet
keii4ii
(I also feel the need to mention, there have been non-Korean readers who got what HoK was about. Those readers mean so much to me! But I don't know if they understood that particular detail about Danbi's motivation for the journey early on.)
The Q - working on WAYFINDERS
(I'm gonna put so much lbgt+ love in the background of the story everytime they get to a new city ahahahaha >:) )
Cap’n Lee (Flowerlark Studios)
To me, @keii4ii HoK is very reminiscent of Studio Ghibli films because I get similar whimsical vibes. But Studio Ghibli has always been more about emotional journeys so after a couple chapters I was like ‘Ah, yes, I think this comic is about the characters’ emotional growth’(edited)
Holmeaa - working on WAYFINDERS
(muhahhaa, also just let Sallly flirt with all the ladies in the BG)
Glowbat (Aloe)
yesss flirt with ladies
MJ Massey
I'm worried that my comic is not "gay enough" to warrant the LGBT+ label. The character's sexualities have very little to do with the actual story, and one character is actively hiding their identity
The Q - working on WAYFINDERS
SAME
keii4ii
I'm aro/ace/agender and I don't really feel "LGBTQ+ enough" so I can't really use the LGBTQ+ label for my own comic, even though I know the label isn't exclusively for ownvoices stories.
Cap’n Lee (Flowerlark Studios)
I admit I’m not sure I ‘got’ Danbi’s motivations on a cultural level, but I felt like the tone being presented in that scene made it pretty clear she was in a bad situation?(edited)
Holmeaa - working on WAYFINDERS
but... we have calculated a total of 1 straight character in our whole comic.
Cap’n Lee (Flowerlark Studios)
‘She’ as in the niece, not Danbi. XD(edited)
MJ Massey
that's what it seemed like to me too, or at least that by leaving their village they were going to a better situation
Glowbat (Aloe)
first of all- high fives keii because agender solidarity and second of all if you have chars who identify as either not straight or not cis or both rolled into one then its gay enough to have the lgbtq label
to heck with gate keepers
there are plenty of queer peeps who just want to read stories that casually include people like themselves
but if you dont feel its needed you dont have to either
MJ Massey
I guess there is a certain expectation when you say "I make an LGBTQ+ comic" of how that comic will be, and I don't want to disappoint people or set them up to expect something different
I just figure that all kinds of people exist in the world, so I should include as many different kinds of people as I can in my work
Cap’n Lee (Flowerlark Studios)
I probs should just put LGBTQ+ labels in the descriptions and be like ‘this is genre fiction but almost everyone’s queer even though you can’t tell yet’. XD
Nutty (Court of Roses)
I use the term "LGBT-friendly" to indicate that they're present, but might not be the full focus
Cap’n Lee (Flowerlark Studios)
I write genre stories because I’m not that into romance-centric stories myself. I want queer heroes in the kinds of stories I like to read without the entire focus being on their sordid love-lives. I just want to read about the hero who slayed a dragon to rescue his prince instead of his princess, lol.
Glowbat (Aloe)
lol im in a similar position where i'd rather see the hero befriend the dragon
Cap’n Lee (Flowerlark Studios)
I have plenty of that in my comics, too!
There’s some nice dragons and some very-not-nice ones. XD
Glowbat (Aloe)
(im insufferable in d&d i was a bard who tried to be friends with everything)
eryl is on my lisssst <3
Cap’n Lee (Flowerlark Studios)
This is why I love bards
Glowbat (Aloe)
hehe
Phin (Heirs of the Veil)
I'm always happy when people mark their stuff as LGBTQ+ if characters are present tbh Y_Y
Phin (Heirs of the Veil)
Also agreed with everything said above
Cap’n Lee (Flowerlark Studios)
All right, now Imma definitely have to add the LGBTQ+ labels to my comics next time I do website maintenance.
Glowbat (Aloe)
yay!
Nutty (Court of Roses)
Aw ye aw ye
Join the brigade
Phin (Heirs of the Veil)
yiss
I feel a bit bad bc I rarely read sth that's not clearly marked as LGBTQ+ or where I know the authors are part of the community whoops
But it's mostly the fact that I consumed hetero-focused media my whole life and now I can...choose.....
the dream
Glowbat (Aloe)
heck yes
im way more drawn to stories that are marked lgbtq+
keii4ii
Don't feel bad, because seriously, even if you exclusively read LGBTQ+ marked stories? There ain't enough time in this life to read every good story that fits that bill.
There are too many good stories out there and we do need to choose.
Glowbat (Aloe)
its just nicer because then i can enjoy the story without having to worry that in the middle of it im going to get a rude wake up call from an off colour joke or somethin at my expense
Phin (Heirs of the Veil)
yeah that's true
keii4ii
Sometimes we miss out on stuff that we may have fallen in love with, but that's the name of the game, the game of not having enough time
Phin (Heirs of the Veil)
Webcomics feel a lot safer than other media in that regard atm
Jupp especially if you're also working on your own stories
Glowbat (Aloe)
it sucks thinking theres a bunch of stories out there that im sure id love if only i had the time or mental fortitude to sift through a bunch of others.
keii4ii
(OTL that reminds me... there is one instance of trope use in an early chapter of HoK that falls into that 'off color joke' category. I don't have any excuses for it, just 'I just thoughtlessly parroted a trope that I saw elsewhere.' I regret it and hope to figure out an elegant way to rewrite that one scene.)
Glowbat (Aloe)
i dont have the energy to be burned so often by stories that seem good and then hit me with random transphobic bs or using slurs as jokes
Cap’n Lee (Flowerlark Studios)
Yeah, as someone who grew up in a time when no one positively portrayed queer folks in mainstream stories (and there was no internet and living out in the boonies made it impossible to discover underground cultures) I love that now I can seek out tonnes of LGBTQ stories and drown myself in the gay every day.
Glowbat (Aloe)
yesss
Phin (Heirs of the Veil)
jupp ;;
Glowbat (Aloe)
man if i could give ten year old me printed copy of paranatural and turn to the pages with rj's identity being explained? that kid would have grown up way happier
living in small towns aint great for queer peeps
Cap’n Lee (Flowerlark Studios)
Nope it’s not. I was badly repressed until honestly only 3 years ago when I suddenly asked myself why I loved reading about and writing so many gay characters. And then suddenly my whole life made sense.
Glowbat (Aloe)
im so happy for you<3
Glowbat (Aloe)
its a heck of a thing thinking back on things and realizing why you do certain things
Cap’n Lee (Flowerlark Studios)
Honestly there were giant clues from when I was still a little kid and I can’t believe it took me so long. XD But I’m digressing from the comic talk, lol.
Glowbat (Aloe)
haha i understand what you mean
i think its why its so important for comics to be inclusive
spare some poor kids the heart ache and confusion
Cap’n Lee (Flowerlark Studios)
Yes! The internet has created such a boom for indie comics and that huge variety of voices has been so so important.
Glowbat (Aloe)
as much as comics are an art, they're extremely powerful as a vehicle for teaching and generally conveying ideas
FeatherNotes
Can i just say how happy i am that y'all are making LGBTQ+ comics that aren't just romance tho? I'm pretty indifferent and on the ace spectrum for sure, so its so refreshing that we can have a queer cast just being cool and not hurt by identities. I wish i had that as a kid
Also no shade on romance but there's def a lot and lgbtq+ isn't just for that genre
So yes yall are 'gay enough' lol
Glowbat (Aloe)
i agree! queer peeps shouldn't be squared off in romance, which unfortunately i think is a result of people's gross misconceptions
Cap’n Lee (Flowerlark Studios)
Admittedly, I use my comics as a vehicle to work through my own issues, so there are scenes planned where the characters have to deal with transphobia or homophobia. But I will always counterbalance that with other scenes that validate the characters’ identities.
Phin (Heirs of the Veil)
Hmhm my story also deals with transphobia and dysphoria bc I'm working through own issues. I don't think that's a bad thing though
generally I think it's pretty ok if the story is not a constant misery train
(even those can be written well, but they are usually not my cup of tea)
Glowbat (Aloe)
i think its perfectly acceptable to use comics as a vehicle for that lee
Phin (Heirs of the Veil)
yeahh tbh
MJ Massey
there's no wrong reason to make comics/create a thing
Glowbat (Aloe)
youre a queer creator and you're working with what you know so why not
Phin (Heirs of the Veil)
I know focusing on queer suffering has been criticised a lot but I feel there's more nuance to it. Especially if it's a LGBTQ+ person writing about it
Cap’n Lee (Flowerlark Studios)
Yeah. I’m a miserable emo and I write miserable emo stories, but I try to inject some hope into it, because I think that the majority of humans are good and/or want to be good.
Glowbat (Aloe)
theres this comic called dropout that does a wonderful job exploring the grittier truths of being queer
its a fairly short read but its super good
Cap’n Lee (Flowerlark Studios)
Hmmm, I may look that up
Glowbat (Aloe)
i can dm you the link! no pressure to read it tho
twothirty
gosh, i just want to chime in because i really relate to earlier comments around labelling comics. I'm bi, but i don't wear it on my sleeve, and my own comic has like...1 straight character. I feel like there is an expectation for comics labelled as lgbtq+ and i don't want to disappoint people who are really looking for that content to be directly addressed.
Phin (Heirs of the Veil)
Tbh I feel many people are just happy, if there's queer characters doing cool stuff (at least that's how it's for me).
Glowbat (Aloe)
i label my own comic as lgbtq+ and the plot hardly hinges on that being the central theme
just a bunch a gay scientists and robots in space
...i swear its way more interesting that that lol
man i wish i could get more of my comic out faster so i didnt have to worry about spoiling basic things geeze
twothirty
haha im into it! Ahh, well probably a big part of it is my own insecurities, but what are webcomics for if not... for figuring out your own crap (edited)
keii4ii
I feel that X'D
Phin (Heirs of the Veil)
juppp...I get the anxiety tho
Cap’n Lee (Flowerlark Studios)
Mess of anxiety solidarity.
Glowbat (Aloe)
oof yeah
also hey while we're at it with the queer biz in here:
aro/ace/bi peeps are all gay enough full stop
Cap’n Lee (Flowerlark Studios)
YES
Phin (Heirs of the Veil)
jupp
Cap’n Lee (Flowerlark Studios)
As a demi-bi dude I fully endorse that all labels are valid.
And that gatekeeping sucks and helps no one
Glowbat (Aloe)
yeah anyone who makes you feel like you dont belong under the lgbtq+ umbrella isnt doin right by you
and your comics should be allowed to be considered as queer as you want them to be
Cap’n Lee (Flowerlark Studios)
Also all gender identities are valid and don’t hinge on having a physical transition. You’re valid as trans whether you change your body or not.
Glowbat (Aloe)
^^^
YES
Phin (Heirs of the Veil)
YESS
Glowbat (Aloe)
all our experiences are valid and the comics we make because of those experience are beautiful
Deo101
Oh man I missed a huge convo, but I love y'all and it's wonderful seeing so many kinds of comics out there and seeing people make their own content
Erin Ptah (BICP | Leif & Thorn)
Yo, nothing "gross" about romance, and the reason people flock to it is because romance with same-gender couples and/or trans people has been treated as "deviant disorder that needs to be cured and cleaned up, or at least kept far away from polite society" for so long (and still is, in many places)
All queer stories are valid, queer characters don't need to be in a romantic storyline to count, but please let's discuss that without echoing homophobic rhetoric about queer romance being "gross", yeah?(edited)
MJ Massey
I don't think it was meant gross as in queer romance itself being gross, but more in the finding a general distaste for romance tropes and romance as a genre
but I agree, that we should be careful about implying those sorts of things with our work
keii4ii
Romance as a genre is valid too; the consensus was just that there's a lot of it, and other genres are valid too. That every genre is valid
MJ Massey
true, but people might just feel strong distaste for certain genres from a personal point of preference
it's part of what makes the fabric of human existence so fascinating, we all have different opinions, likes, dislikes, viewpoints...
Phin (Heirs of the Veil)
tbh I love romance stories but the thing that disheartens me is that the queer stories people take most serious are romances
keii4ii
The pigeonholing
Phin (Heirs of the Veil)
Can you elaborate on that Keiiii?
Erin Ptah (BICP | Leif & Thorn)
Those are the stories that get repressed and erased the most, is the thing, so it takes more effort to get them produced and shared, and that makes people extra-happy
Cap’n Lee (Flowerlark Studios)
I don’t think anyone said romance stories were gross?
Just that it’s not necessarily our jam.
keii4ii
Oh, I meant that's what people are doing when people start exclusively associating a very diverse experience/ group of people with ONE thing, to a point where the people in that group are not allowed to be anything other than That One Thing
Erin Ptah (BICP | Leif & Thorn)
I was reacting to "queer peeps shouldn't be squared off in romance, which unfortunately i think is a result of people's gross misconceptions"
keii4ii
and it's a really unfair, inaccurate restriction
Cap’n Lee (Flowerlark Studios)
Ahhhh
Phin (Heirs of the Veil)
OH okay, thank you for elaborating, Keiiii. I couldn't really associate anything with the term at first!
Erin Ptah (BICP | Leif & Thorn)
Misconceptions are the reason queer people have been excluded from most romance for so long
Phin (Heirs of the Veil)
I think in that case it was more about people's misconception of queer identities being inherintly sexual and/or romantic though?
and not about queer romance being gross
DanitheCarutor
Huh, I thought 'gross' in that context was more akin to 'outlandish' or 'exaggerated', but I could be misunderstanding.
Cap’n Lee (Flowerlark Studios)
I think it means more that a lot of people fetishise queer relationships when there’s only representation in romance.
Erin Ptah (BICP | Leif & Thorn)
Associating "queer people being sexual and/or romantic" with "gross" is still hella dicey
Phin (Heirs of the Veil)
the misconception is what's gross, not the queer people or their romance?
Glowbat (Aloe)
re: gross misconceptions :Oh! i think i said that Erin- i don't think i did a great job of explaining my thoughts on that. on sites like tapas and webtoons its fairly common for gay couples to be exploited for an audience thats less interested in representation than fetishization(edited)
MJ Massey
yes I think there was some lamenting that it could be difficult to show queer characters without an element of romance to make their identities apparent?
Cap’n Lee (Flowerlark Studios)
I don’t think they meant gross as in disgusting but gross as in ‘far off the mark’
MJ Massey
because some people wanted to have queer characters but not focus on a romantic plot
@Glowbat (Aloe) I know what you are talking about I think
Deo101
Yeah, though I'd like to add on as someone who is writing LGBT romance, I get lumped in with fetishization content a lot and that is very frustrating for me, too
Cap’n Lee (Flowerlark Studios)
And it does take a lot of digging to find respectful representation in romance instead of stories made by and for straight people that use bad stereotypes to fetishise queer relationships.
Not that all romance by and for straight people does this.
But it’s a problem in the genre
Deo101
I work very hard to portray healthy loving relationships and people lump me in to their hatred of romance in general or categorize my work as bl or discount it for having that. It gets fetishized or dismissed an awful lot and that's very frustrating for me to see happening
Erin Ptah (BICP | Leif & Thorn)
If you want to talk specifically about something you feel is stereotypical or fetishizing, I wouldn't object to that, it's the broad swipes at all romance that become a problem
Glowbat (Aloe)
agreed
queer romance is very important to represent
i dont think anyone here would imply otherwise
Erin Ptah (BICP | Leif & Thorn)
And, hey, sometimes queer writers/readers also enjoy a romance that's unrealistic or trashy or silly or melodramatic, I don't want to dismiss "all romance that wouldn't represent a healthy and respectful relationship IRL" either
Glowbat (Aloe)
very true
Deo101
Yeah, not what I was trying to say.
Phin (Heirs of the Veil)
Idk if anyone was saying that tbh
Glowbat (Aloe)
i think our initial conversation though boiled down to that we were happy to see stories with queer people being allowed to just be people doing things that didnt focus on romance
Phin (Heirs of the Veil)
I'm personally very glad that we are getting a wider variety of queer romance now
Cap’n Lee (Flowerlark Studios)
What we were discussing earlier is more that it’s important to portray queer protagonists in all kinds of genres, instead of only romance. Which doesn’t mean romance isn’t also a valid genre.
Erin Ptah (BICP | Leif & Thorn)
Sure, and part of my discomfort is that queer characters have already been "allowed" to do non-romantic things in mainstream media for a long time -- it's being "allowed" to have an explicit romance that's new and different
keii4ii
^ I don't know about that. It probably depends on where you are, both IRL and part of the internet?
Cap’n Lee (Flowerlark Studios)
I never saw a queer character that wasn’t either tragic, a deviant, or the butt of a joke in media until the late ‘O0s(edited)
MJ Massey
both views are valid--it's good to both want explicit queer romance and to also just want to see queer people doing a wide range of things
DanitheCarutor
@Glowbat (Aloe) Yeah, to parrot what you said. I just chalked the convo up to seeing queer characters expand into different genres, and being happy that queer fiction is starting to be known for more than just romance.
Cap’n Lee (Flowerlark Studios)
There was no positive representation in any genre in the media I had access to for most of my life(edited)
Deo101
It helps with the normalization of stories like that, but I also think it makes homophobes be "more comfortable" with gay stories sometimes in a way that bothers me
I have had someone say that my story is the only bl they can stand so I'm sensitive about this subject though
Cause there's a lot to unpack there
Erin Ptah (BICP | Leif & Thorn)
The "if there has to be a queer romance, at least make it awful and tragic" trope was absolutely true in my area too
yikes, I can see being sensitive about that
Deo101
Like me writing something that primarily isn't romance and just has a romance b plot is making homophobes and fetishizing people read my work and that's frustrating for me in a way I can't articulate. I'm very happy within the LGBT+ community to have these works be made but among the straight people I know it's uncomfortable when they start saying things like "oh yay finally some gay stuff that isn't romance" kind of thing
Phin (Heirs of the Veil)
yeah that makes sense
Deo101
From other gay people I get it, it makes sense and I'm the same way! Especially with the oversaturation of bl
DanitheCarutor
@Deo101 Gah I got a comment like that before, it was a weird situation because not only was it unnecessary but... TGtaHR isn't even a romance...
Thinking about it, that's actually kinda worrying.
Deo101
But it's important to remember that the LGBT+ community is a bubble and though it's safe to explore all sorts of stories here, it's not safe outside of our bubble
Or, not necessarily safe
Like a homophobe reading a gay story with an unhealthy dynamic could just bolster their bad opinions about gay people even if it's exploring it in a healthy way
I have a hard time explaining what I'm thinking and I really hope this all makes sense
keii4ii
I get you
Glowbat (Aloe)
(i get what youre saying deo <3 )
Deo101
And its not something we can really change but I think it's important to remember with regards to society at large and how our stories are percieved outside the community
Phew lol
Erin Ptah (BICP | Leif & Thorn)
I get what you're saying, although in that case, the homophobe was probably going to think that no matter what, and if it wasn't the story they'd find some other "evidence"
Deo101
Yeah absolutely
And I think it's important to remember that when talking about exploring stories that have unhealthy Dynamics and things other than romance and whatnot. I don't want those things to become safe for cishets to exploit basically
Like "oh great now I don't need to write them kissing so I can access BOTH the LGBT and everyone else!"
Erin Ptah (BICP | Leif & Thorn)
Ah, you mean like "the author says they're gay, so that counts as representation and LGBT people should buy this, even though there's never anything explicitly gay in the story"
right?
Deo101
Yeah
Deo101
Which again within the community I get and it's important to explore things like that for sure
Erin Ptah (BICP | Leif & Thorn)
I think the important difference is, writers within the community are going to do something to indicate the queer identity, even when it's not "having an on-screen romance"
And that's something that, say, your average JKR doesn't bother doing
Deo101
Again I have a hard time explaining myself and I might be tripping over my words a bit here
Yeah that's true as well
I trust LGBT people to be navigating stories with an inherent nuance
For the most part
Erin Ptah (BICP | Leif & Thorn)
That, or (I think people were talking about this upthread) we don't advertise a story as "look at all this representation!" while the characters' identities haven't come up in the comic yet
Deo101
Yeah I know I didn't say my story was LGBT til I had the married couple kiss cause I was worried people would think I was gaybaiting
I know I'm not but it feels wrong to me like I'm trying to rally up readers kinda thing...
But also if you know you're planning to do it I feel like you can say it'll be there
I just have anxiety LOL
Erin Ptah (BICP | Leif & Thorn)
No, I get you. Even if it's definitely going to happen in the future of the comic, it'll disappoint readers if you rally them up for something that isn't there yet
That would happen with anything, not just queer identities
Deo101
Yeah I also don't tag my pages or whatever for disability if a character isn't disabled on the page
Erin Ptah (BICP | Leif & Thorn)
Like if it was "read my comic for cool space battles!" when you had only posted the 5 pages of setup with characters having a chill talk in a field
sssfrs
I think what bothers me about lbgtq focused romance stories is that they’re often centered on how ~scandalous~ the relationship is and how the characters have to overcome personal biases or homophobia/transphobia as the central struggle
Deo101
I don't want the wrong audience. I mean I also could probably slap bl on my cover and I feel like I'd get a lot more readers but they're not the readers I want
sssfrs
Or at least I dont enjoy reading stories like that
Deo101
Yeah that frustrates me too, personally
But some people like seeing that overcoming idk
sssfrs
My comic has at least 2 visible prominent gay relationships but its not about romance at all
I guess thats personal preference(edited)
Phin (Heirs of the Veil)
I think a lot of the time you also know what intentions the person behind telling a story like that has? I have a straight aquaintaince writing BL and it's totally clear that she thinks the whole ordeal is kinda cute and endearing when it's pretty...harsh for actual queer people
Deo101
Mines got 5 and it is about romance cause I absolutely love romance and I love love, but I am overly frustrated with romance as a genre. Which is why I write my own
Erin Ptah (BICP | Leif & Thorn)
I think that goes back to the "talk about a specific trope that bothers you, don't treat it like the whole genre" thing I was saying
Deo101
Yeah I think there's a lot of nuance to it that cishet people largely don't have
sssfrs
I feel like it makes the romance into a statement about how society is bad and its not interesting or groundbreaking to represent that bigotry in your media without adding something new
Deo101
I'm frustrated with the often unhealthy Dynamics and the frequency with which homophobia and transphobia are shown.
I live in a homophobic household I don't want it in my romance cause it hurts to see
But, I don't think it's bad to tackle those issues it's just hard for me personally
sssfrs
I like pairing up side characters but only 2 pairs are going to have an Arc. so far....
Phin (Heirs of the Veil)
I...feel for many cishet authors it's also a good excuse to not have the characters get together right away without actually thinking about why they would not for other reasons (like personality based). So there's a lot of "I'm not gay!!!" type of thing
Also totally understandable Deo :C
Deo101
Yeah absolutely.
Cap’n Lee (Flowerlark Studios)
It’s also valid, as a queer author, though, to show characters that do have to overcome their ‘gay panic’ when they first realise they’re gay. It’s something a lot of us have gone through, but it’s important to show the comfort you finally feel in yourself when you come out the other end if it.
sssfrs
Why should fiction include all the shitty parts of real life
Deo101
I think straight people see LGBT authors tackle these issues and go "oh so I can too!!!"
And yeah this is why I'm largely drawn to sci-fi and fantasy, I get to entirely remove all the things that hurt me about reality. Dude can just use a cane and everyone is like dope
Cap’n Lee (Flowerlark Studios)
Because sometimes fiction helps us process all the shitty parts of real life. Both happy stories that take away shit and gritty stories that acknowledge shit are valid and important
Deo101
Ppl can just be trans and it's fine
I agree they're all important
Phin (Heirs of the Veil)
(I think I'm just super bitter bc here I've seen cis and straight women get awards for their queer romance stories which just hmm)
Deo101
^
Phin (Heirs of the Veil)
I agree it's a super nuanced topic
Erin Ptah (BICP | Leif & Thorn)
...I feel like you've also gotta make some allowance for bad writing. Like, maybe someone's not getting a lot of nuance in their story because their skills aren't sharp enough to handle it yet.
Phin (Heirs of the Veil)
Agreed, Erin!
Erin Ptah (BICP | Leif & Thorn)
And one of the ways they'll get good enough to write better stories is by working out issues through writing the worse stories.
sssfrs
My main character is a butch lesbian gnc completely androgynous person and no one is ever going to say anything nasty to her about it
Deo101
I feel you sssfrs lol(edited)
Deo101
I thirst for gentle, nice LGBT stories. I just crave them
Nutty (Court of Roses)
I feel that. As I build Prismal and decided to include lgbt folks in it, my first thought about it was "would there be any reason for them to be hated in this society? No? Then why would I include that theme?"
Deo101
And yes it's important to delve into the harsher realities and I think it's good to use fiction to explore and work through those themes, definitely, but personally no thx
sssfrs
I like where ppl are just all expected to be pan or bisexual by default
Erin Ptah (BICP | Leif & Thorn)
heh, I literally have 2 comics and one of them is "real world where characters struggle with realistic prejudices" while the other is "fantasy world with 0% homophobia/transphobia."
Something for everyone!
sssfrs
Nice
Cap’n Lee (Flowerlark Studios)
I’m too goddamn miserable to write such nice stories, lol. But writing gritty stories where my characters go through hell helps me process the stuff I go through in my life. But I love reading those nice stories where we can forget racism and queerphobia exist.(edited)
Phin (Heirs of the Veil)
hehe...I've decided to go into some queerphobia in my next comic only bc I want to...explore historical queer spaces and the kind of space does not make sense in a world that's 100% accepting
Deo101
Yeah it's just all about that nuance babeyy
Phin (Heirs of the Veil)
yeahhh
Deo101
I think that's also why we see so much more LGBT content of all kinds in indie media
Erin Ptah (BICP | Leif & Thorn)
Absolutely
Less gatekeeping, less opportunity for homophobes to shut it down
Cap’n Lee (Flowerlark Studios)
No big boss complaining it’s not ‘marketable’ to be inclusive
Deo101
And I worry that mainstream stuff will be like "ohoho, so that means I can do it too" *stumbles and sets gay people back 10 years in the eyes of the general public *
Cap’n Lee (Flowerlark Studios)
YEEEEEEAH there’s that
Erin Ptah (BICP | Leif & Thorn)
I think the mainstream is going slow enough that that's far from my biggest worry
Cap’n Lee (Flowerlark Studios)
But change never happens smoothly
Sometimes it goes up and down before society evolves into a better mindset
Deo101
Well yeah ofc, but even on a smaller scale of bad people reading good works it is kinda happening I feel like
Cap’n Lee (Flowerlark Studios)
So there’s gonna be periods of shit before being queer is faithfully represented in the mainstream
Deo101
Yeah for sure
It helps normalize things but it also can do it in an unhealthy way and it's frustrating
As in people going "yes let's include gay romance *it's just bl tropes *"
And things like that
Erin Ptah (BICP | Leif & Thorn)
I think the best way to counter that is by producing & supporting more stories of all kinds -- the more complex and multifaceted a view people get, the better
Deo101
Yeah
From people who are handling those stories well, too ^^^
Which is subjective of course I know that
Erin Ptah (BICP | Leif & Thorn)
Also, something nobody's mentioned that I think should come up...a lot of times you don't know who's straight/cis and who's not. Like, if it's Famous Mainstream Author JKR, you can be pretty sure, but with small-scale indie creators, how much can you tell the difference between "straight/cis artist who thinks BL tropes are how all real gay relationships work" versus "gay/bi/trans/etc artist who understands IRL fine, but it's fun and self-indulgent for them to write those tropes"?
Especially since the artist could be actively in the closet. Or could still be on their own journey of self-discovery and not know they aren't straight and/or cis yet. All the more so since indie creators are more likely to be younger than well-established mainstream standards.
Cap’n Lee (Flowerlark Studios)
I don’t know about you guys, but it’s always BLATANTLY obvious to me by how they’re writing.
Erin Ptah (BICP | Leif & Thorn)
How did you confirm it? Did you ask them?
Cap’n Lee (Flowerlark Studios)
Call it intuition
Phin (Heirs of the Veil)
I don't think it's always confirmable tho :C
Erin Ptah (BICP | Leif & Thorn)
Granted, sometimes a person writes with enough nuance that I can tell they're queer, but how do you tell a straight writer from an awkward/inexperienced/clunky queer writer?
Phin (Heirs of the Veil)
I know a lot of authors thinking they were cishet and later on realizing they were not
and some of them wrote a lot of "yikes"
Cap’n Lee (Flowerlark Studios)
There’s writing patterns and use of tropes that signal whether the person is actually respectful if the queer community or not
Deo101
Also just cause you're working through things doesn't mean it's a healthy exploration that is good for the community at large
Cap’n Lee (Flowerlark Studios)
Even if they’re queer and self-indulging, there’s a lot of tells both in the comics and in their commentary
Phin (Heirs of the Veil)
tbh I think some tropes are fair to criticise no matter if the author is queer or not but there are also queer authors writing disrespectful tropes
it's not sth that I see a lot, but I've seen it
Deo101
^ yeah this
Erin Ptah (BICP | Leif & Thorn)
All questions of their writing aside, there are definitely queer people who don't respect the community IRL, either...
Deo101
Like it's not good to write glorifying rape fic of pedophilia no matter who you are or how it's helping you work through things. I mean you can write it but then to share it is something else entirely
Not saying those are common things but they're pretty very much "bad" things
And actually glorifying rape is something I do see much more than I would have expected
Cap’n Lee (Flowerlark Studios)
And that’s problematic, too. When you’re part of a community but not respectful of it, that’s just as bad as a straight person being homophobic. Sometimes the worst homophobia cones from within the community, but that doesn’t make it okay or healthy.
Erin Ptah (BICP | Leif & Thorn)
If you share a dark story behind accurate warnings and labels, then it can reach other people who are working through something by reading it, and be avoided by people who don't.
Deo101
Yeah there's a lot of lateral agression within the community
Okay but glorification of it isn't a healthy way to work through those things it's not a dark story
Erin Ptah (BICP | Leif & Thorn)
I'm not saying homophobia from within the community is okay or healthy, I'm just saying it doesn't have to indicate that the person is straight/cis.
Cap’n Lee (Flowerlark Studios)
I have a lot of dark themes in my comics. There is rape, but it is never shown on panel and never never glorified. I think it’s a subject that’s important to talk about, but I find it extremely disturbing how much it’s romanticised in fiction.
Deo101
^^^
Phin (Heirs of the Veil)
yeah...
DanitheCarutor
Huh, this convo reminds me of an article a friend sent me from someone's Patreon. https://www.patreon.com/posts/25994657 It talks about creation policing, and problematic fiction. You all proooobably won't agree with it given the direction of discussion (which all points of view are totally valid), but this whole subject is super interesting.
Cap’n Lee (Flowerlark Studios)
All right, true, you can’t always know if an author is queer or not. I should have been more specific in whether an author has a healthy view of the LGBTQ community or not.
Deo101
So you might not be able to tell if someone is gay by their writing, but there are certain trends that gay people do not generally fall into that MOSTLY indicate someone is straight, though there's no way to know for sure.
Cap’n Lee (Flowerlark Studios)
THAT is always obvious to me.
Deo101
And like def there are bi women who fetishize gay men, and there is transphobia and biohobia and everything within the community
Cap’n Lee (Flowerlark Studios)
If they’re being homophobic or just don’t ‘understand’ the queer community, I mean
Deo101
Etc etc, so even if you can't tell whether a harmful representation is written by someone who is LGBT it's a harmful representation regardless
Cap’n Lee (Flowerlark Studios)
^^^^This
Phin (Heirs of the Veil)
Yeah. I'm always very hesistant on how to address things like this
Deo101
Me too esp since I have such a hard time saying what I mean
Erin Ptah (BICP | Leif & Thorn)
I'm not saying it's impossible to write harmful representation, but "this is harmful!" gets used as a cudgel against any representation, so often that I'm wary of talking about it as a vaguely-defined blanket category.
Cap’n Lee (Flowerlark Studios)
It’s hard to articulate things clearly when in fast-paced chats like this
Phin (Heirs of the Veil)
yeah, haha
Erin Ptah (BICP | Leif & Thorn)
At least it's good for leveling people up, huh?
Phin (Heirs of the Veil)
eifhiuef pfft
Cap’n Lee (Flowerlark Studios)
Lol. ‘You levelled up talking about homophobia!’
Phin (Heirs of the Veil)
(I feel we're all respectful and try to explain ourselves and give others the chance to do so too)
Erin Ptah (BICP | Leif & Thorn)
At least it's good for something??
Phin (Heirs of the Veil)
(so that's good haha)
Cap’n Lee (Flowerlark Studios)
Yes. Talks like this are super important to help see each others views on tricky subjects
Erin Ptah (BICP | Leif & Thorn)
Yeah, I feel like we're making good-faith attempts to understand each other, which...is not something you always get in internet discussions
To put it very very mildly
Cap’n Lee (Flowerlark Studios)
We all have our own stories and unique perspectives, and that’s important to share both in the fiction we write and in discussions with each other
DanitheCarutor
@Phin (Heirs of the Veil) The subject is pretty sticky. On one hand artists should be allowed to create whatever they like, on the other if that work can perpetuate harm for a certain community should it be allowed? There is a lot of this going around right now where people want sanitization in media, and what works of art are and are not allowed to exist. Not saying it's bad, but it is fascinating. I'm not fully getting into the convo because I'm honestly super neutral.
kayotics
I’m definitely watching the convo play out, it’s interesting to see a chat like this develop
LadyLazuli (Phantomarine)
yeah I'm taking notes this is not my area of expertise, and it's all good stuff to keep in mind
Erin Ptah (BICP | Leif & Thorn)
I'm okay discussing & criticizing specific examples (which is probably why I keep bringing up Dumbledore...), but I don't like being critical of broad categories, because they can be so ambiguous & easily misused.
Phin (Heirs of the Veil)
@DanitheCarutor I think it is very hard to differentiate between people who want difficult subjects to be explored (which is valid) and people who don't want to be called out for certain kinks for example and a lot of the times stuff like "purity policing" gets used to shut legit criticism up. On the other hand there are a lot of examples of callout culture gone wild and honestly ??? Idk anymore.
Deo101
Its very frustrating
Phin (Heirs of the Veil)
But I'm also at a point where I'm getting super tired of constant discourse so
Deo101
Yeah I've literally had to block words like "ace" cause it's just so often discourse from either side and I'm just so tired of it
Cap’n Lee (Flowerlark Studios)
Plus there’s always going to be stories that help one person work through things but that are very toxic and upsetting to someone else. Just like there’s people who are toxic to one person and important to someone else.(edited)
Deo101
I've also blocked LGBT and "feminism" kinda things
I JUST see cats and memes now thank you
Erin Ptah (BICP | Leif & Thorn)
Lee: absolutely, which is why accurate labels are important
Erin Ptah (BICP | Leif & Thorn)
Eyyyy, it's my turn!
Cap’n Lee (Flowerlark Studios)
Yes
kayotics
I think it’s important to curate your online experience, and sometimes NOT curating your experience leads to purity policing
Phin (Heirs of the Veil)
HMM
kayotics
But yes tagging is really important!!!
Phin (Heirs of the Veil)
I think there is the creation of a lot of anxiety in what and what you can't tell in stories
Deo101
Tags are super important but also when someone doesn't think or realize they're doing something harmful they might not tag it
Cap’n Lee (Flowerlark Studios)
Warning labels all around are always a good idea
Deo101
Like if someone is being a homophobe just cause etheyre homophobic they're not gonna tag that
Cap’n Lee (Flowerlark Studios)
True
Deo101
Why tag it's glorifying abuse if they think it's hot or reality and don't realize that's bad
Etc etc
kayotics
There’s definitely a lot of creator anxiety lately, I’ve had a lot of friends come to me with anxieties about not wanting to start a project they love because they’re afraid of who might attack them online
Deo101
^^^ I've been scared about this
kayotics
Me too, honestly
Phin (Heirs of the Veil)
Same honestly
Cap’n Lee (Flowerlark Studios)
There’s always the issue if ‘should harmful ideas be given a platform’ vs ‘stifling voices you just don’t want to hear’ it’s a fine line.
Deo101
I once got all in a tizzy cause I was like "oh my god my planet of women is asking a man for help"
Yeah cause some free speech silences other's
LadyLazuli (Phantomarine)
Same
Erin Ptah (BICP | Leif & Thorn)
And sometimes you get people thinking "if I label this with a warning that it contains Bad Content, the internet police will come after me," so they don't use warnings for that reason, and then it's just bad times all around
Deo101
Yeah.
And also there are things no one thinks to warn about, like some very specific triggers
Phin (Heirs of the Veil)
yeah...
Deo101
Its just all around a very difficult to navigate space
DanitheCarutor
@Phin (Heirs of the Veil) Right? People do that with anything, if it's not the "purity police" excuse it's "my style", or "I'm friends with -insert minority here-!" I don't bother with the arguments anymore since I've been pushed into them enough, I'm more into seeing opinion on general art policing, or what is and isn't allowed to exist in art. Sorry, I'm being slow at typing again.
Erin Ptah (BICP | Leif & Thorn)
Heck, if we're talking about actual psychological triggers, most of them are going to be super-specific
Phin (Heirs of the Veil)
I have a trigger for fungal growth on bodies now bc I have 3 people who either have probs with plants growiing on bodies OR funghi lol
Deo101
Ya I have a "someone watching someone else sleep" trigger which people use a surprising amount
Erin Ptah (BICP | Leif & Thorn)
...wait, Phin, now you have a trigger, or now you use a warning for it?
Phin (Heirs of the Veil)
@DanitheCarutor srsly don't worry about it, haha. It's a nuanced topic and I think generalizing is pretty bad when it comes to what you can and can't portray
I use a warning for it, sorry Erin, wasn't clear
I had multiple people approach me so I warn in update posts and should probs also do it on the website
Erin Ptah (BICP | Leif & Thorn)
no worries, just wanted to be sure
kayotics
I do have an extreme phobia of needles and you’d be surprised how many news sites use active needle shots for vaccination stories
Phin (Heirs of the Veil)
GOD I KNOW
I am not afraid of them but like once they are near skin
I don't wanna see...these shots
Cap’n Lee (Flowerlark Studios)
I have a deathly phobia of vomiting and there are NEVER warning labels for it.
Phin (Heirs of the Veil)
yeah I think most people don't regard it and sometimes it's hard to get everything...
a friend of mine, Eli, creates a very gory comic and they put all their warnings on their update post images
and I kinda wanna try to be similarly mindful?
Cap’n Lee (Flowerlark Studios)
(I’m okay if it’s in a comic and off-panel or the gross part is not shown but the sound and sight are crippling for me and shows and movies just SHOW it all the time)
kayotics
That’s true. Not a vomit fan.
DanitheCarutor
Ah I've thought about using page by page TWs, and I tried it out with one page, but with the amount of triggering thing in my comic I decided on a general warning. (since almost every page would get a warning) A few of my readers also said they preferred not to see them due to possible spoilers.
Phin (Heirs of the Veil)
Hmm...I have a list of possible triggers in my about section
Cap’n Lee (Flowerlark Studios)
I probably should start doing that bc my comics get very bloody
kayotics
I know I’ll have a scene eventually that I’ll want to have a warning on, but I’m not sure how to warn for it without spoiling?
Erin Ptah (BICP | Leif & Thorn)
I installed a spoilertext plugin on one of my comics for that! Now I can put specific warnings at the front of a storyline, and readers who don't have triggers & don't want spoilers can leave them hidden.
Phin (Heirs of the Veil)
OHH that's a cool idea
DanitheCarutor
Yeah, mine is like a general pop-up that you have to click on to proceed to the comic.
Cap’n Lee (Flowerlark Studios)
I’m going to have to look at that plugin. Potential spoilers are the only reason I don’t have really detailed warnings on my comics
Erin Ptah (BICP | Leif & Thorn)
Here's the one I use: https://wordpress.org/plugins/inline-spoilers/
Phin (Heirs of the Veil)
Yeah I'll look into it too. It seems super useful.
Heck thanks Erin!
DanitheCarutor
I don't know how you could make a warning without spoilers, @kayotics! I mean, you might have to if you want to do a page specific one.(edited)
Sorry, my cat sent the message for me.
kayotics
I was thinking a page specific one for the upcoming scene.
So I’m glad that doesn’t seem weird
Erin Ptah (BICP | Leif & Thorn)
I'd say super-general warnings are mostly not spoilers. A movie will say "contains graphic violence", and that doesn't tell you who's being violent, or why, or how it's resolved.
DanitheCarutor
^^^
Phin (Heirs of the Veil)
yeah, I think that's not a spoiler, especially if the comic was already violent
Cap’n Lee (Flowerlark Studios)
Yeah. I have warnings for things like ‘graphic violence, blood and gore, nudity, etc. But some chapters or pages probably warrant more detailed TWs.
Deo101
Yeah I'm gonna put in my a/n for a few updates before like "hey there are some spooky scenes comin' up!'
kayotics
I wouldn’t say my comic is already violent, so it’s more applicable for this one scene
Deo101
And yeah things like "watching someone sleep" is gonna be at least somewhat of a spoiler...
Phin (Heirs of the Veil)
hmhm
DanitheCarutor
@kayotics I think it really just depends on the person too. Some readers like page by page TWs, and don't see them as spoilers, others are the opposite. Your readers might appreciate a warning more than mine since your comic isn't overall super graphic.(edited)
Gah I can not type today!
Erin Ptah (BICP | Leif & Thorn)
I put "this will get bloody" before some of the vampire storylines, not spoiler-cut -- because it's not a given, but shouldn't exactly be a surprise, either.
Deo101
I also do not mind spoilers whatsoever and I WILL spoil to anyone who asks as I've said many times, but I know not everyone is like me and spoilers are a big deal to many people
"i don't mind spoilers" i love them and they make me enjoy things more for many reasons
DanitheCarutor
Ah same! I'd love to just spill everything!
Phin (Heirs of the Veil)
(Deo high five bc same)
Deo101
My people
Phin (Heirs of the Veil)
tbh spoilers got me interested in many comics and I actively spoil myself
like getting into new comics and reading the updates before jumping to the beginning haha
kayotics
I’m very much the opposite
Erin Ptah (BICP | Leif & Thorn)
I don't want to spoil anything, I want to keep people guessing! But sometimes you gotta.
Deo101
Yes. I get incredibly stressed about whether or not things will work out and spoilers relieve that. Even if it doesn't work out like at least I know
I get so so sooo stressed about it
kayotics
Whenever people tell me spoilers I actively like content less
DanitheCarutor
I don't mind them myself. My mom absolutely hates them, and used to make me spoil every movie if I saw it before her, so I'm pretty alright with it.
Deo101
Yeah ik many people are that way
Phin (Heirs of the Veil)
yeah I also think that's fair
DanitheCarutor
Also spoilers don't affect me either since it's not the content that means anything, but how it's used. Imo
kayotics
Usually for me it’s like. “Ok you spoiled a major character death/reveal, that’s not fun for me anymore”
Phin (Heirs of the Veil)
OH yeah Kay! Tbh
Erin Ptah (BICP | Leif & Thorn)
If there's a big twist, I want to be unspoiled the first time I watch/read/etc the thing. If it's handled well, I can always rewatch it again with the knowledge.
kayotics
Because then I don’t get to experience that anymore
Phin (Heirs of the Veil)
that's sth that can also ruin a story for me
kinda didn't get into the current season of CritRoll bc of such a spoiler
with comics it's kinda like...I see them on twitter, read along a few updates and then jump to the beginning so there I don't mind spoilers at all
it's more scoping out if the story's for me
Deo101
Oh man I sometimes only get into things because of spoilers LOL I know I'm weird with this but genuinely I love spoilers so much they make me comfortable with what I'm watching. I love rewatching things cause I know how it goes down and I'm not stressed by it
Phin (Heirs of the Veil)
I sometimes have troubles to deal with...raw emotions towards media so spoilers help me with that too
like preparing myself for it to hurt
(not always tho)
Deo101
Right yeah for sure
Even if I know it won't work out I KNOW and I don't put energy into getting my hopes up
Cap’n Lee (Flowerlark Studios)
I hate spoilers, personally. I love going into stories completely blind or with just the bare-bones ‘genre, overall theme’ because I LOVE being shocked and surprised and have plot-twists thrown at me, so that’s what I do with my own comics(edited)
Phin (Heirs of the Veil)
yeah that's also fair. Right now my brain's not in the mood for that so I gotta play it save hehe
Erin Ptah (BICP | Leif & Thorn)
I still don't like saying "here's what the Beings are" in ads or sales pitches for BICP, even though the page where it was revealed is several years old by now
Cap’n Lee (Flowerlark Studios)
But everyone likes different things so there’s nothing wrong with giving spoilers for your own stories if people want them(edited)
Phin (Heirs of the Veil)
yeah it depends honestly and that's pretty okay.
Cap’n Lee (Flowerlark Studios)
Everyone’s different and everyone’s valid
Phin (Heirs of the Veil)
I don't spoil my own story, except with artworks and mostly it's without context or cryptic enough that it's not...a real spoiler
yeah!
in that regard, it's just a huge matter of taste
twothirty
i also jump into webcomics, read them backgrounds for a bit then realized im actually into it and read it properly haha
Phin (Heirs of the Veil)
hahaha yes
If I get invested without context I know it's good lol
Deo101
I don't spoil on public platforms cause I know people don't wanna necessarily see that (unless it's in an ama but I try to avoid spoilers still) but in private? I'll spill whatever tf u want like
I have and I will again!!!! Lmao
I know no one is gonna write it like me and also it's p linear so the only spoilers people really ask are Character things not plot things, anyways
So I'm not worried about theft im not doing anything super wild or original lol
LadyLazuli (Phantomarine)
all my favorite panels I've done are all the most spoilery ones, so... whether I share them or not, I lose
Deo101
Aw man
Cap’n Lee (Flowerlark Studios)
SAME
Phin (Heirs of the Veil)
nooo
LadyLazuli (Phantomarine)
but it makes sense! I put all my effort into those moments where the story twists and turns
Cap’n Lee (Flowerlark Studios)
Some of my fave panels or pages are when big reveals or plot twists happened
LadyLazuli (Phantomarine)
and it shows
so meh, I'll live
Cap’n Lee (Flowerlark Studios)
So I can’t share them to people who haven’t read my comic yet XD
LadyLazuli (Phantomarine)
luckily they don't make a ton of sense out of context, but... as soon as people start reading they might be like OHHH I know what's coming now
but it got them reading so shrug
I guess all mileage varies
Deo101
I feel like even the way I talk about my comic spoils it LMAO whoops
I'm made out of spoilers I can t hold them all in very clumsy
Phin (Heirs of the Veil)
haha
I feel the same a lot
(But I also just wanna scream 24/7 about my stories whoopsie)
Deo101
I once had readers asking me to sum up a chapter caus ethey were confused and I just waited til someone else did it cause I was worried I'd spoil Something in trying to sun it up
Cap’n Lee (Flowerlark Studios)
Linear stories are good too, though! Just reading a satisfying, well-written story is great; there doesn’t really NEED to be twist and turns for it to be food.
Deo101
Who doesn't wanna scream all the time and their stories hahahahha
Cap’n Lee (Flowerlark Studios)
GOOD
NOT FOOD
GAH
Deo101
Millennium is yummy yummy yum
Erin Ptah (BICP | Leif & Thorn)
...for the in-universe version of spoilers, I just had a moment of "hang on, this scene could've been way more dramatic if this one character hadn't already been given a certain reveal last chapter"
Phin (Heirs of the Veil)
good food, agreed
Erin Ptah (BICP | Leif & Thorn)
Normally I get away with not having a long buffer prepped ahead of time, but for once I wish I could still change this
Nutty (Court of Roses)
i spoil a lot about my characters more than i do the plot lol
i mean except their backstories sometimes
Phin (Heirs of the Veil)
Oh :C sometimes it's like this, Erin. Reasons buffers are good, but when do you have the time....
Erin Ptah (BICP | Leif & Thorn)
I've tried putting this one on hiatus to prep a buffer, but it turns out I need the deadlines and the regular feedback to push me through making the pages...
Phin (Heirs of the Veil)
oh I see. Understandable though...the only time I create real buffer is when I finish a book for print and have a deadline there.
(I wanna try to actually...get better though, since I wanna start a second comic project)
Erin Ptah (BICP | Leif & Thorn)
I mean, sometimes if there's a process that works for you, you gotta just go with it and not waste energy fighting it. Even if it's not the Best or Most Professional way.
Phin (Heirs of the Veil)
yeah that's true. It's just frustrating when you compare the work you get done in these phases vs. every other time.
Erin Ptah (BICP | Leif & Thorn)
Clearly the solution is to split it up into smaller books, so you have more print deadlines!
Phin (Heirs of the Veil)
haha, that might be!
Cap’n Lee (Flowerlark Studios)
I need buffers or I get super stressed. Unfortunately I also find them difficult to keep up.
Phin (Heirs of the Veil)
Buffers are very hard to keep up. I'm running out of mine next week, whoops
But I've already started working on new pages
Erin Ptah (BICP | Leif & Thorn)
I have...a half-finished, past-deadline page open in another window right now, lol
Cap’n Lee (Flowerlark Studios)
I haven’t been able to draw for about a month, so one comic’s buffer is getting low and the other’s going to either miss this week or be late.
And I’m stressing about it. -_-
sssfrs
I’m so excited for my story to progress. I’m tempted to talk about it but when I am I think that nothing I say casually will be as impactful as just letting the story actually play out
Desnik
I deal with lack of engagement by throwing my ideas (or myself) at people. I learned that keeping secret twists as spoilers was inhibiting my growth as a writer, so instead I talk through my plots with my writing group and I often walk away with much better ideas to write
We're a kidlit/MG/YA group and I'm writing in a similar fashion, so we usually don't have to warn each other about anything we're writing, which is its own kind of freedom
if I can get the content to be good enough, and land in front of someone who'll help me take it further, then the engagement will follow
keii4ii
(This the right place?)
Deo101
Speaking of a lack of engagement, i feel like my engagement rates are incredibly low. I get a good bit, i get comments on every page and im very happy with that, but it's odd that i dont get more given my amount of readers and I wonder if some comics just aren't the kind of story people feel a need to say anything about, or what?
I think so?
Cap’n Lee (Flowerlark Studios)
My engagement rates are... almost nonexistent.
keii4ii
I TOTALLY GET THAT DOUBT
When my anxiety is bad, it gets... really bad. "Maybe my story isn't worth commenting/ there is nothing to talk about it." I know that's just anxiety, so I try my best to not listen to that voice.
Cap’n Lee (Flowerlark Studios)
Although I think my audience is just not there? My page-views are pretty low, too, so maybe I just don’t have enough readers to comment (outside of you awesome SF perps)
PEEPS NOT PERPS
MY GOD THIS PHONE
keii4ii
Yeah, my views are fairly low too, considering the sub count I have on platforms
Come on, phone. We're not criminals. (Probably. )
Deo101
Yeah, its just weird when i have like. 1000 readers on tapas and get 0 comments i guess? I do kinda feel like my comic is very.... Its very linear its character driven and people can onky say "aw cute ^^" so much so idk what they would say
Like its legit .1%
keii4ii
hides the bloody knife
Deo101
ITS IN THE FLOWER POT!!!
Cap’n Lee (Flowerlark Studios)
I was getting about 1k daily views right after I joined SF but now it’s back down to about 100 a day, so shrugs
keii4ii
Views though, it's natural they spike like that even if you retain 100% of the people who checked out your comic!
because typically, people only go through the old pages once
so they give you more views upon first visit
Deo101
^^^
keii4ii
But I 100% understand the worry of "why do people check out my comic and decide not to read it... is there something wrong with my work"
Cap’n Lee (Flowerlark Studios)
On webtoons I think I have relatively good engagement for Eryl considering my low sub number. I have about 350-some subs and get an average of 1-2 unique comments per page, though that number goes up when a character dies. (edited)
That’s true! They do get kinda ‘falsely’ inflated when people binge-read archives
Deo101
Most comments i ever got is when I said "tell me your pet names"
Cap’n Lee (Flowerlark Studios)
Lmao, I should try that
Deo101
And then outside of that when luzio and sage do something cute is the most I get like, organically just frim my content
Amas are second most comments which are again, me starting the discussion
Maybe alk my authors comments should be like "tell me about your fave color" that'll inflate my stats
keii4ii
One person told me they don't comment because everything seems so obvious, and they don't wanna be captain obvious. Which I can respect. But I don't think everything is that obvious if the most common comment I get is "I'm lost"
Cap’n Lee (Flowerlark Studios)
Hmmmm
Deo101
Hahahahhahahahah
Like "NO PLEASE SHARE THESE THINGS"
keii4ii
IKR
Deo101
Help everyone else out!!!
keii4ii
There is a term in Korean comment section culture
"Konan" (from Detective Konan)
It's a term for commenters who explain obtuse stuff for other readers
Sometimes you'll even see comments like "Hurry up, Konans! I'm too tired to think! Spoonfeed me what happened in this update!"
Deo101
Me reading every comic ever
keii4ii
I NEED A KONAN IN MY COMMENT SECTION
Cap’n Lee (Flowerlark Studios)
Honestly I wish western readers did that, but they either get attacked for being ‘Captain Obvious’ or people scream SPOILER!!!! at them
Deo101
I really wish people woukd expkain for me too because then i know some people get it, but ALSO i dont want to explain things i didn't show, accidentally.
snuffysam
one thing i've found that helps with engagement is making sure to include something on the page for people to talk about, no matter how relevant it is. like a while back i had a (in my opinion) fairly boring scene where it's basically "where do we gotta go" "i'm not telling" "please" "ok you gotta go here" so to give readers something to talk about i had one of the characters take a hotdog out of a pokeball and eat it.
keii4ii
There was also this incredibly, incredibly obtuse comic. It had a fascinating hook but then became almost impossible to follow. You'd see comments like "so this is the Forbidden Realm that even Konans cannot enter."
Cap’n Lee (Flowerlark Studios)
Hahaha
Deo101
I try to make every page have something, i usually have 3 goals i want a page to accomplish but it's not very... Fun i guess? Its just kibda like "yes this happened"
keii4ii
It's also kinda sad when you DO put something important to you, and nobody says anything (or worse, says "so when is it gonna get interesting???")
Deo101
Yeah...
Cap’n Lee (Flowerlark Studios)
So once I spun this theory on a comic by picking it up from context clues. And I was like ‘Hey guys, what if X character is the dragon???’ and everyone was like ‘WELL DUH IT’S IN THE HOVER TEXT.’ I read comics on mobile where hover text doesn’t always work, and after getting sneered at for something ‘everyone knew already’ I was put off of ever being a Konan type again.
Deo101
:(
I never read the hover text unless its by accident I just dont think t
Cap’n Lee (Flowerlark Studios)
Yeah. And it wasn’t obvious from reading without the hover text so I was really proud of myself for figuring it out. But it just goes to show how rude commenters can scare away well-intentioned ones.(edited)
keii4ii
aaaugh D:
snuffysam
tbh i'm not sure why an author would put something important in the hover text where mobile readers can't see it. or tbh in blogs, side stories, etc. if it's important to understanding the main story, it should be in the comic.
Deo101
Yeah that's what im thinking... Hover text should be for puns
Cap’n Lee (Flowerlark Studios)
It was revealed later that chapter in the main comic, but apparently it wasn’t a ‘secret’ like I thought it was.
keii4ii
Bleeeh, sorry that happened to you. >_< This is why we can't have nice things
Where is the nearest Konans R Us, I want to order one for each of our comics.
Cap’n Lee (Flowerlark Studios)
Yeah... I’m very socially anxious / awkward so I’ve been scared away from quite a few comment sections. I still read the comics and buy them if they go to print, but a negative commenting experience usually discourages me from ever participating in the discussion.
keii4ii
100% understandable
Cap’n Lee (Flowerlark Studios)
Which is why I feel it’s super important for the creators to moderate their comments (or hire a good moderator if they don’t have the time). A lot of comment sections get toxic if the author is lax about fostering a positive discussion environment.
Deo101
That makes me feel much better about the times ive asked people to cut Something out or deleted comments.
Cap’n Lee (Flowerlark Studios)
I appreciate that effort very much.
Deo101
I worry that its "disengenuous" or something and if someone has a negative opinion I don't want to be like "nope you're ONLY allowed to be nice to me!!!" But it's not good, i don't think, to let people feel safe being mean In my comments.
keii4ii
Yeah, there is being critical, and there is being mean
Deo101
So I rarely do it but I have and I don't feel any guilt over the times i have
Right
keii4ii
Sometimes a comment can tread the fine line between the two and it's really annoying that it's not Obviously, Blatantly Mean
Deo101
Yeah hahahahahhaha
keii4ii
But I try to remember that I too have walked that line unintentionally and obliviously, back when I was younger
Deo101
Right. I have too
I was like "oh man I am so smart and im about ti IMPART MY KNOWLEDGE ON YOU!!!" *Is a jerk *
Cap’n Lee (Flowerlark Studios)
That one comic I was talking about earlier: the author had a hard time keeping up with moderating and eventually took comments off the main site. It was 100% not her fault and she was herself getting emotionally distressed from the amount of negativity in the comments. Especially since the comic itself is really thoughtful and has a lot of messages of acceptance.
Deo101
:(
keii4ii
>_<
Deo101
Uhh but yeah! Does .1% feel like about what y'all get as far as comments:readers goes?
.1-.2
I feel like i have no actual gague for this lol
Cap’n Lee (Flowerlark Studios)
It varies from comic to comic (for no quantifiable reason, usually) but that is about right. 99% of readers are lurkers.
Deo101
Dope, I was worried I had like super low numbers when talking with some people and it got me worried about my content
Cap’n Lee (Flowerlark Studios)
Plus subs don’t necessarily translate to active readers. A lot of people just never clean out their library after they stop reading something / subbed it to read later and never got around to it or left the site entirely.
Deo101
But I've also just got a lot of anxiety about what im producing and how it's percieved in general
Yeah ik
Cap’n Lee (Flowerlark Studios)
I can see people binging my archives from my stats but maybe 1 in 100 or less leaves any comments.
snuffysam
on average, each subscriber to my comic has posted about 45 comments total (which is like 0.07 comments per subscriber per page) if someone clicks on a page (subscriber or not), there is a 0.5% chance of that person leaving a comment.
Deo101
See for me its like. 1 in 1000 leaves a comment...
Cap’n Lee (Flowerlark Studios)
(It’s okay I get anxiety over it, too)
Deo101
Yeah i was gonna say uhhh whats it called
Shoot i lost mt train of thought.
Right. I feel like the longer a comic goes on tbe less frequently people engage
Cap’n Lee (Flowerlark Studios)
Yeah, I’ve noticed that in my comics, too.
Deo101
Like less readers will have made it to the end, more will be inactive, etc
snuffysam
i've found that my active commenters take a jump in early march (i.e. right after the comic's anniversary), and any time a book ends (since, i guess people like seeing how all the stuff that's happened in the book culminates)
Deo101
Oh that's an interesting note
snuffysam
i suppose that's some other advice on increasing engagement - give a reason for even caught-up readers to leave comments. one thing i've been doing is redrawing old pages and releasing the redraws on anniversaries, which gives reason for people to re-read.
and for end of book stuff, i suppose people are more willing to predict how something is going to end when it's close to ending
Deo101
Hmmmm
I'm taking notes
twothirty
seeking validation through comments is my downfall, because i just dont seem to write a comic that has the type of readership who is into that. What helped was just looking at google analytics and being like "oh right, of course people read this, its clearly here in this data" haha.
Phin (Heirs of the Veil)
twothirty, same. It's kinda hard to get out of that mindset.
Cap’n Lee (Flowerlark Studios)
Raises hand I need constant reader validation and get depressed easily when there isn’t. It’s not healthy, but it’s really hard to break out of that mindset.
Deo101
Im not seeking validation through comments, but when i have thousands of readers and get only like 5 it does make me look twice and start wondering if there's something I'm doing wrong.
And yeah it's hard to break out of the mindset
Phin (Heirs of the Veil)
Me constantly atm haha
Deo101
Especially if you've bee. Hurt in the past and you feel like people secretly hate your work because... In the oast they have
Phin (Heirs of the Veil)
I wonder if it's actually...a change in how people interact with media nowadays?
Cap’n Lee (Flowerlark Studios)
Oh yeah, definitely, Deo. I got so much negative feedback when I first started posting webcomics and it still sticks with me today.
Deo101
Yeah I've been lucky where people have been mostly nice to me or otherwise just indifferent which makes it so I don't have a super negative experience that my anxieties latch onto
And its STILL hard
Because words of affirmation is my love language lol
Cap’n Lee (Flowerlark Studios)
Partly I think it was because I was creating a lot of gender-nonconforming characters in an era when that wasn’t well-accepted in Western comics (reminder that I was surrounded by a veeeery conservative environment at the time), and partly because my skills were just not what they are now. There were a lot of nasty comments from both strangers and people I knew, and it was really tough to work through. I think if I hadn’t had the Tomgeeks forum to hang out in, I probably would have given up.
(For you young’uns, Tomgeeks was a webcomic list site and we had a really tight group in the forums. A lot of that old crowd are now in Spider Forest).
Kabocha
(Sorry, saw the tomgeeks mention! I remember aspiring to be in that group one day, but I was a lil' too much of a noob back in the day.) A lot of media is kind of... Sometimes you need to put a call to action to be like, "HEY LEAVE A COMMENT!" or something - else, they forget in a lot of cases, but ofc that's no guarantee.
keii4ii
Re: people being less willing to engage the longer a comic has been going on, that is definitely a thing
I think it's called archive burn or something
and I feel it too sometimes, as a reader. I feel like I'm not "allowed" to start reading a comic unless I can find a big enough chunk of free time to finish the archive in one session
It's 100% irrational but... it is a thing
I've found that I don't experience it IRL, with physical books. The end of each volume is a really good stopping place
snuffysam
then i suppose a problem is that webcomics don't really have stopping points you can physically see like physical books like when you're reading a book series, you know where one book ends, but when you read a comic you don't really unless you check how many pages each chapter has
and even then it's hard to keep that in mind when it isn't physical
mariah (rainy day dreams)
I definitely understand that feel. It's kept me from doing a lot of the book club comics because I'm like "I got ten pages in, but that's not enough to comment" T_T
snuffysam
maybe someone could program a widget for comic sites that works similarly to the page indicators in ebooks. like "you're 40% of the way through the chapter, and at your current reading speed you have 10 minutes left"
Cap’n Lee (Flowerlark Studios)
Comic Rocket!
mariah (rainy day dreams)
Does Archive Binge also have a feature like that?
I feel like they might... I don't use those kind of readers so I'm not super familiar with them.
snuffysam
archive binge lists what page you're on and how many pages the comic has, but there's no reading speed thing no
Cap’n Lee (Flowerlark Studios)
I don't know. I'm technically on Archive binge, but didn't get any subs there so I didn't look into it past creating my listing. I don't use those services myself because I like a nice long archive to work through, but I know that comic Rocket shows you how much of an archive you've read.
snuffysam
also, the thing i'm talking about would be for chapters as well as the whole comic. because if there is a big archive, people like to know how long they have before a good stopping point
mariah (rainy day dreams)
I'm on Archive Binge. I don't think I have any subs either but definitely get traffic regularly as if I did. How even does internet work ¯\_(ツ)_/¯
snuffysam
i guess recently updated?
Cap’n Lee (Flowerlark Studios)
I usually check out the archive page of a comic to get a good idea of chapter length, myself. So I know if I'm in for 10 pages chapters or 100 page chapters. Plus, idk, I have no problem stopping anywhere and picking it up again later, but I may be a pretty atypical reader.
Lmao, I have no idea how the internet works. I was one of the first people to list on Archive Binge and I have never gotten a single click from it. I get a steady number from Comic Rocket, though.
keii4ii
I wonder if it'd be worth experimenting with chapter numbers? Like, re-number existing chapters like "Season 2, chapter 2 of 15" instead of "chapter 20" ?
Deo101
^ thats a good idea
seeing "chapter 20" makes me as a reader go like, oh god, theres so many,,
snuffysam
^ that's one of the major reasons i label things "book X chapter Y" instead of just counting up chapters forever though adding "out of" is an interesting addition...
keii4ii
I'm nearing the end of season/ book/ whatever 2. I should give this a try
Cronaj
Lol, my books are going to be 3 chapters long each, so I don't think it would make much sense for me XD
keii4ii
Yeah, my chapters are short but numerous, so this might have a different effect than comics with longer but fewer chapters
Deo101
I'd be afraid of saying "out of" cause... well, i dont know how many heheh...
it all gets wacky when it comes time to actually make the thing
snuffysam
i mean, could add 'em retroactively as each "season" finishes
Deo101
oh thats true!
keii4ii
I would probably do "Chapter x out of [REDACTED]" (not that but something similar) when I start posting book 3
Cronaj
Yeah, my chapters are around 35-50 pages, so they're pretty long'
snuffysam
listing how many chapters are in book 3 would kinda spoil a twist lol, so i'll probably only do it retroactively
same lol
and some are 80 pages
book 3's going to have one 120 page chapter which is wild
Cronaj
I was thinking about printing 4-5 chapter books, make it more like a manga-length
keii4ii
You know, some comics (Korean comics do this a lot) do like... Chapter 10: Happy Day, followed by Chapter 11: Happy Day (2), followed by Chapter 12: Happy Day (3)
Cronaj
but full color printing is expensive
keii4ii
Dividing what might have been a single chapter into digestible chunks
snuffysam
i've split "arcs" into multiple chapters before, but unfortunately there aren't really any solid split areas in the chapter in question
Cronaj
and I doubt anybody wants to shell out $25+ on a 200 page comic
This is of course, a consideration for the future, as I don't even have the first chapter finished yet, but ya know
Come next year, I'll have some big decisions to make
@keii4ii Is that a webtoon thing? I've noticed that webtoons have shortish chapters
snuffysam
webtoons an entire chapter is posted at once
keii4ii
It's a Korean thing, which means Webtoons gets some of it
Cronaj
I mean, technically I post my comic in scrolling format, so I consider it a webtoon, but it's definitely drawn for print
@snuffysam, I mean the length of the chapters. The chapters (or episodes) are usually somewhere between 50-100 panels long, which is anywhere between 10-20 pages of a traditional comic
keii4ii
(Tangent, but as a Korean speaker I'm very weirded out by the word "webtoon" in English contexts. Over there every webcomic regardless of format is called a webtoon; I guess it's like anime/manga in Japanese? That in Japan, every animated show is anime, and every cartoon thingie is manga?)
Cronaj
Yeah, that makes sense
In the english speaking world, originally there were comics and webcomics, with little difference between except that one was posted online
but when Korean webtoons entered the English-speaking market, the naming conventions changed
The major difference being the prevalence of scrolling-format webtoons, which made people think that the difference between webtoons and webcomics is the format
but really, it's just a naming thing
You can call a comic a manga, and people expect a black and white comic in a specific style, but really, it's just a comic in Japanese
keii4ii
Yeah
Deo101
I usually just say "scroll style comic" or "page format comic" because im putting pages up on webtoons so it feels... weird to me
keii4ii
That too
IT'S A PICTURE STORY THINGIE WITH SPEECH BALLOONS
Deo101
hahahaha
Cronaj
In the end we are all just children XD
kayotics
this is really late, but i've been getting a lot more comments on my main site lately and I have no idea what I did to encourage that.
Deo101
people caught on
kayotics
That's probably all it is, but it's really surprising that my main site is the one getting more comments, since I wouldn't say it's necessarily a well built comment system? It's the native CMS comment system, and I require the first comment to be moderated
keii4ii
Does this mean I can claim I started reading Ingress before it got famous 8)
kayotics
yes
BUT, I'd say that the estimation of 1% of readers (or whatever the number was) is still accurate.
Deo101
.1% ish
kayotics
I have the most eyes on my comic over on Tapas, and while I do get a handful of comments there, it still equates to less than 1% of the total people subscribed. I'm sure there's a lot of reasons for that (like subscribers who aren't regular readers, people who quit the app, etc), but even the ratio of views to comments is pretty low.
Deo101
yeah I've been noticing that too
I have the most eyes on webtoons but I still have like. a good chunk on tapas and I think those are just more... casual sites
kayotics
yeah absolutely
Deo101
like on comicFury I have way higher engagement rates and i think that's pretty typical cause most of that audience there is also creators
kayotics
I'm sure there's some people who are pretty dedicated on Tapas, but I'd guess that there's more dedicated readers on my self-hosted site, just because they have to specifically seek out the content.
Deo101
^that makes a lot of sense to me
I know a lot of people who follow me on tapas are following 100+ other comics
and i know for SURE I wouldnt be able to take the time/effort to comment on like 10+ comics a day, assuming theyre even keeping up with all thsoe
wow yeah I just checked my list this person has over 6,000 comics theyre subscribed to, and a few have over 500
just on the first page of my readers(edited)
sooooo yeah it makes sense why engagement would be low if people are regularly reading that mant...
keii4ii
I actually rambled about this on twitter recently!
Deo101
and also makes me feel a little bit less bad when people are confused hahahahaha
keii4ii
How I thought I'd get a very small readership who are into what I'm making, but I ended up getting that very small readership PLUS a huge number of people who are just casually reading it
That first expectation was mostly based on my experience with my previous webcomic, but things were different back then. Big platforms weren't a thing, so casual readers were less common.
Deo101
yeah that's really neat
since I've only been making millennium for like... a little over 2 years and it's my first comic, I kinda just started with like 5 mirrors and was like "alright well, lets see how this goes I guess"
I had only ever read one webcomic before i literally have no idea how or why i got so convinced into making a comic
but since I was like 12 years old I was like "hm... I am going to make a comic i think." I just never did any research or tried til recently
or read any. I dont know how this happened
keii4ii
Casual readers vastly outnumbering the dedicated ones used to make me feel like I was doing something wrong, but I think that's just how the times are.
Deo101
Yeah :/ it's hard NOT to notice and feel like you're doing something wrong though.
when its like "okay i have 7,000 subs and got 5 comments" it's like ??? what am i doing WRONG
even though... its nothing wrong
it just be that way
hard to match those two ideas up though
almost went to continue this thought in an entirely different channel.
I think there is also something to be said for people not wanting to repeat a comment
like "oh someone already said what I thought so I'll just give it a thumbs up"
keii4ii
That's what upvoting is for!!!
Deo101
yup!
keii4ii
though, tfw highest voted comments are like "I have no idea wtf is going on lol"
Deo101
YEAH.
also do you ever comment on your own pages?
like not replying to people
keii4ii
I think I did once or twice, back when I actualy had relevant info and didn't have enough room in author's notes or something
Deo101
I've done it a few times, but it's usually kind of to ask questions where I can get replies
keii4ii
I have also seen a pro Korean creator post "first" on their own comic because they were tired of seeing so many of those
Deo101
I did that once LMAO
it's funny when people comment on my comic "FIRST!!!" cause i'm like. dude i get like 10 comments it's not that special to be first
but i'm happy theyre there and theyre excited its kinda cute i guess
keii4ii
Yeah, it's harmless
Deo101
and it's also nice to have people think that they have to race to be first
even though they don't
so it's kind of a nice comment to get even if it's not commenting on my work at all
keii4ii
It's kinda like hitting the like/heart button, just with more HURRY POINTS
Deo101
yeah hehe
oh i do 100% like all my own pages though
Cap’n Lee (Flowerlark Studios)
I actually get the most commenters on Webtoons but I’m (fairly?) sure I have more readers on my website.
Deo101
on webtoons, I don't do it on tapas cause you can see i did it LOL
Cap’n Lee (Flowerlark Studios)
I think I only ever got one First! comment and that was the only comment on that page.
keii4ii
Hey no shame in being your own #1 fan
Deo101
the one time I said "first!" was cause it had no comments on it for like a year and a hal
Cap’n Lee (Flowerlark Studios)
Oh no, I don’t like my own pages. For some weird reason I feel like it’s cheating.
Deo101
and hell YEAH! I'm my number one fan so much that i'm making a dang comic for how much I like these characters ;D
keii4ii
I don't feel bad about liking my own pages, but I rarely do it because I wait a bit before even looking at the post
Deo101
inflate your own stats its cool. all the cool kids are doing it
keii4ii
And by the time I look at it, I forget about liking
Deo101
I only do it on webtoons cause I have to manually post there anyways
so i post and its like "heres the page!" and im like :) good job me :)
Cap’n Lee (Flowerlark Studios)
I might start doing it. XD I get an average of 5-10 likes per page so why not.(edited)
Deo101
I also rate myself 10* or whatever the max is wherever I can
keii4ii
Yeah, and TBH one like isn't gonna give you an unfair advantage anyway
Deo101
^
keii4ii
If you're making a dozen alt accounts to give yourself more likes, now that's a bit questionable
Deo101
yeah that would be not so good
but you're a real account who likes your work so why not!
keii4ii
Yeah!
Deo101
I also honestly kinda like to sub to my own stuff and like my pages partially to make sure it's all working right
Cap’n Lee (Flowerlark Studios)
I should probably rate myself 10* bc both my comics got ratings-bombed at one point for really dumb reasons.
Deo101
like to see when the page goes up and everything
Cap’n Lee (Flowerlark Studios)
The ratings have slowly crawled back up a ways, but it’s always disheartening when people attack my comics for stupid things.
keii4ii
Oh, to go back to an earlier point about asking questions to readers to encourage commenting, I might straight up ask next week if my comic is making any sense.
Deo101
ohhhhh man i dont like swingin at that hive lol
keii4ii
I'll have to word it well because I do not want it to be a pity party
Deo101
but i mean it might encourage the people who do get it to go "yup!"
Cap’n Lee (Flowerlark Studios)
I do straight up ask every now and then. Sometimes I’ll get a pity comment when I do and sometimes it’s still crickets.
Deo101
also I feel really lucky that I havent had anyone be like, mean to my about my work.
I feel like trolls have really gone down in popularity
keii4ii
like even right now I feel like nobody's getting it (except maybe <10 people) so..... I don't think the answers could make me feel worse
Cap’n Lee (Flowerlark Studios)
I meant I straight up ask for comments, ugh, I misread Keiiii’s post.
I GET IT, KEIIII
I LOVE UR BABIES
Deo101
oh man, I could never just ask for comments. if I'm feeling really down I usually send it to my friends like "can i have smth nice please" I just get really anxious asking people for things
not that asking is necessarily bad I just, as a person could never do that
also keiiii I havent read it yet but it's on my list cause the way you talk about your work and what I do know of it... seems like it would really jive right with me
Cap’n Lee (Flowerlark Studios)
I usually do it along the lines of: ‘If you enjoy this comic, don’t forget to leave a comment! Getting feedback motivates me to keep drawing!’
Deo101
oh okay thats not so bad
oh my god how are the eyes moving
Cap’n Lee (Flowerlark Studios)
I’m shameless, you can say it
Deo101
I have too much shame probably
keii4ii
It is my anxiety moving the eyeballs
Cap’n Lee (Flowerlark Studios)
Give me sone of your shame, it’ll even us out
Deo101
please take it
keii4ii
(anxiety with Nitro powers)
Deo101
NOOO dont be anxious im gonna love it
god that eyes shaking emoji is so great
keii4ii
ikr!
Cap’n Lee (Flowerlark Studios)
So fun fact- my real face eyes do that
keii4ii
I think Tatsumaki wants to see you do it
Cap’n Lee (Flowerlark Studios)
It’s called nystagmus and it’s super trippy if you’ve never seen it before!
keii4ii
OH, I knew someone with that condition!
I never noticed anything about their eyes (only heard about them having the condition from talking), because I never met them while wearing my glasses X'D;;
Cap’n Lee (Flowerlark Studios)
My eyes just RANDOMLY do it a lot and it really freaks people out XD
Desnik
I've found that comments don't matter too much, but getting a boost from someone with a big following does
and the only comments I take seriously are from people I trust, although I get it: chasing the internet numbers is fun
snuffysam
what do you mean by "comments don't matter" you mean, like, in terms of garnering popularity?
Desnik
yeah, and as validation they can be a bit fluffy too
my perspective changed when I started printing out my work as zines and got people to buy them irl, it was very eye-opening
very few people commented on them online but in person I've found out they're not bad? And one of them got me a lettering job
keii4ii
Eh, I think it's okay to have different goals. To some people, good comments mean the world, and that's totally valid to want that.
Desnik
I know, just stating my pov
keii4ii
I mean that to some people, a good comment is not just an "internet number."
Desnik
fair enough
I believe I allowed for 'good comments' as being from someone I trust
keii4ii
Me, I treasure insightful comments from anyone who's invested in my story. To each their own
FeatherNotes
I have a book that I write them down to give me a lil boost to morale when I need it! i def appreciate the time it took for someone to write something thoughtful
keii4ii
Yeah!
Capitania do Azar
Oh comments are like.. What I like the most! (not all comments are the same tho). The reason I put my story out there is so I can share it and discuss it with people and the fact that a few take some time off their day to actively tell me what they think it's what keeps me moving
eli [a winged tale]
I really enjoy comments too. I always respond to my Instagram ones but not the comic ones mostly because of platform difficulties
Glowbat (Aloe)
I love reading through all the comments- they really motivate me when I'm having a low point and need a pick me up to get goin on pages. I just wish I was better at knowing how to respond instead of just liking the comment and hoping they recieve my telepathic brainwaves of gratitude
Phin (Heirs of the Veil)
Replying to comments is very hard and I always have the anxiety of "ruining" it haha ;; whatever it is (the person's enjoyment of my work?? who knows)
Glowbat (Aloe)
I feel that- part of me is always nervous I'm gonna say somethin to off put them or smthn.
Though I do try my best to curate comment sections if things are looking like they're gonna get rowdy
keii4ii
YEAH, and/or sometimes you're like "this comment is Awesome and deserves an Equally Awesome reply... HOW DO I DO THAT" and get stuck in a loop
Glowbat (Aloe)
yesss exactly that
I'm not that clever and I require lots of time to come up with anything I'm confident in lol
and by the time I have something cool to say back its been like a week
keii4ii
I made a Discord icon to express my internal response in a visual form to such Awesome comments, but I can only use those on Discord
This one:
Glowbat (Aloe)
Hehe
cuteee
and also a mood
keii4ii
Sparkling tears of happiness
Capitania do Azar
I believe them
Cronaj
Man... I will admit, I barely respond to comments
And that probably sounds terrible
But I honestly don't have time to respond to every comment
As well as the anxiety of not know what to say
It does depend on platform tho
keii4ii
I mean, as a reader I don't expect a reply if my comment is like "ooo nice!"
Cronaj
Generally, I respond more readily to comments on Tapas than on Webtoons, because I only have like 2 commenters at most on Tapas
And usually it's readers who ALWAYS comment, so I almost feel like they deserve a response, even if it's just a smiley face or a "thank you"
keii4ii
But if I've written a long ass essay comment, it would be nice to have some kind of engagement with that. Don't get me wrong, the creator doesn't owe me a reply but it's like... should I ever do this again with this comic. Or is my reply-writing time better spent on another comic
Cronaj
True
keii4ii
I def respect that not every creator has time to read all of the comments, regardless of how many comments they typically get
Cronaj
On Webtoons, I have way more engagement, but most of it is thirst for my characters or talking about the art style
keii4ii
and that not every creator may even aim to get comments
Cronaj
So I don't usually know how to respond to stuff like that
keii4ii
But if that is the case........ I would rather know before committing myself to multiple essay-length comments
Yeah, that is understandable!
Cronaj
I read every comment, but I don't want to respond to all of them
keii4ii
I'm 100% cool with "thicc" comments on my MC's butt or on my tiger dude's legs, but I can't necessarily think of productive replies to those
Cronaj
The only comments I respond to on Webtoons are either a) incredibly funny, b) meaningful and noticing more than the art, or c) a genuine question
Like if someone asks about my update schedule
Or if someone wants to know which programs I use
I had one comment about how good my grammar in the dialogue/thoughts is, and I felt so honored that someone else noticed
Usually I get comments about the art (which is also nice), but I prefer comments about the story or subtleties
keii4ii
It's the best thing when people notice the things that you put a lot of thought and love into
Cronaj
For several years in high school, I played around with the idea of getting a writing degree, so grammar and literary language have a special place in my heart
sssfrs
I respond to every single comment... I get one comment a month pretty much though
When friends or readers say nice things about my comic on any platform I save a screenshot and read them if I start to feel like nobody likes what I’m making
LadyLazuli (Phantomarine)
I do the exact same
FeatherNotes
Its a good practice when things are kind of slow! Or just for that lip morale boost too
1 note · View note
viralhottopics · 7 years
Text
How an Army of Twitter Bots Almost Created a Political Pundit
This story was originally published by Reveal from The Center for Investigative Reporting, a nonprofit news organization based in the San Francisco Bay Area. Learn more at revealnews.org and subscribe to the Reveal podcast, produced with PRX, at http://bit.ly/2nUq67u.
Tweets from 60 Minutes correspondent Scott Pelleys account normally get only a few dozen retweetsat least until Pelley enlisted the services of Jim Vidmar in late March for an episode about how fake news spreads. Vidmar, a social media consultant, bought access to a network of 5,000 Twitter bots from a Russian website and turned them loose on this tweet:
What happens when 60 Minutes investigates fake news? #marchmadness
— Scott Pelley (@ScottPelley) March 16, 2017
And voila: 4,000 retweets within minutes.
Its not surprising that Pelley went to Vidmar, who spent years mastering the art of deploying fake social media accounts, to get the true story behind the bot army accused of bolstering Donald Trumps 2016 presidential campaign. Except for one thing Pelley failed to mention: Vidmars name is as fake as the Twitter bots he helped Pelley purchase.
Vidmars real last name is Denlinger. He often goes by his wifes maiden name when talking to the media about practices that run afoul of the rules of the social media platforms on which he long has made his livelihood.
Amid the scrum of last years presidential campaign, Denlinger attempted to use his own network of Twitter bots to reinvent himself as an influential political pundit.
In January 2016, Denlinger began tweeting from an account with the handle @PoliticsJim. While that account was suspended by Twitter a few months later, its tweets now lost down the social networks memory hole, Denlinger briefly was able to dominate the Twitter conversation surrounding a handful of presidential primary debates.
An analysis by the social media analytics firm Spredfast found that on hashtags relating to the Democratic primary debate Feb. 11 between Bernie Sanders and Hillary Clinton, @PoliticsJim had six of the top 10 retweeted messages. During a Democratic town hall the following week, @PoliticsJim scored the biggest tweet win of the night. For a GOP debate a few days later, @PoliticsJim produced seven of the 10 most viral tweets.
Denlingers tweets typically contained simple image macro memes, priming them to be shareable on their own. However, the bots he created popped his message to the top of a trending hashtag, a perk usually reserved for celebrities with large followings. Top tweets about major political events usually come from politicians such as Clinton herself or high-profile comedians such as Patton Oswalt. But Denlinger had figured out how to game the system, and he was riding the bot wave to the top of the feeds of anyone scrolling through debate hashtags.
Denlingers bots had their origin in a program he developed to help gamblers cheat at online poker in the early 2000s. The program, which he hacked together in about a week, scanned what was happening on a video poker app and automatically counted cards, giving players an edge in deciding when to hold em and when to fold em.
What he needed was a publicity plan. If I dont learn marketing to get this in front of the right people, its not going to go anywhere, he said during a phone interview last spring. A lot of people in the tech industry dont understand that concept. They think if they create something great and click submit to the internet, boom, theyll be found.
Denlingers insight about his card-counting software contained the seeds of everything hes done sinceexploiting technical flaws in computer systems to draw attention to whatever he wants to sell. He claims hes developed nearly 200 pieces of software that have sold over 1 million copies and taken on a host of clients ranging from musicians to businesses.
For example, he discovered Twitters official Android app didnt limit the number of accounts you could actively follow per day. Thinking back to his poker program, Denlinger loaded a cellphone emulator on his PC and wrote a script that followed a huge number of accounts at lightning speed 50,000 accounts a day, about one-quarter of which immediately would follow him back. With corporate clients looking to pad their accounts with real followers, Denlinger had discovered a money-making machine.
I made so much money that year, it was unbelievable, he said.
When the Wall Street Journal profiled Denlinger in 2013calling him Jim Vidmarit mentioned the ruse, and Twitter quickly closed the loophole.
In 2015, after selling a pair of startups, a gaming company called BadgeHelp and online task marketplace MyCheapJobs, Denlinger had time on his hands. A longtime political junkie, he turned his attention to following in the footsteps of one of his heroes: political analyst Mark Halperin, best known for insider campaign tell-alls such as Game Change and Double Down.
Thats the kind of journalism that I respect, the kind where you cant tell who theyre going to vote for, Denlinger said. I just want the facts. Thats what Im trying to do with this.
Ive heard so many pundits and so many of these people at CNN and MSNBC and Bloomberg and all these other sources I get information from, he continued. I sit here and listen to the people they drag on that they consider to be experts and Im like, Oh my god. Maybe if I got some attention, I could go on some of these shows.
While Halperin spent a decade climbing the media food chain, starting as a desk assistant for ABC News in the late 1980s, Denlinger saw the current media landscape as eminently hackable. He employed a mass of bots, retweeting everything @PoliticsJim posted. These bots spread the tweets to their followers, but more importantly, they boosted Denlingers tweets to the top of whatever hashtag he wanted to invade.
On social media, nothing draws attention like a crowd, and soon Denlinger was in the mix with political pros.
Using another tool he created, Denlinger identified and followed between 400 and 700 influential human-operated Twitter accounts each day, hoping they would follow him back. Even so, bots dominated the ranks of @PoliticsJims followers. TwitterAudit found that nearly two-thirds of his followers were made of code, not flesh and blood.
Denlinger woke up one morning last spring to find his account had been suspended.
Twitter did not respond to a request for comment, but Denlinger notes that the company rarely detects this type of bot use on its ownespecially when the bots arent obviously shilling a specific product. He suspects a user noticed what he was doing and tipped off Twitter.
He considered starting anew with another account but scrapped the idea.
If I wanted another @PoliticsJim, I could have had one within 20 minutes, he said. I have 50,000 accounts that are over five years old. I could have brought one up, slapped a few thousand followers on it, and there we go, off to the races again.
But the experience had been less than fulfilling. Denlinger had shoved himself into the Twitter conversation, generating hundreds, if not thousands, of interactions on each tweet, but he never broke through the cacophony: He never made it onto political talk shows.
I felt like I had done this big thing online, but nobody recognized it, he said. No one cared. No one understood it. Nothing.
So he went back to selling. Instead of focusing on himself, Denlinger has returned to helping others go viral.Bots can take a piece of content only so far. Pelleys tweet, for example, has amassed over 4,500 retweets so far, but only about 300 likes. The content didnt strongly resonate with actual human beings.
That resonance, Denlinger said, is crucial. Trump may have over 6 million fake Twitter followers, according to TwitterAudit, but Denlinger says those bots arent why he became president. And they are not what made people pay attention to the at least 325 people, places and things the former reality TV star has insulted on Twitter since announcing his presidential campaign nearly two years ago.
When the TV bookers came from 60 Minutes, they werent seeking Denlingers political acumen, asking him to be the next Halperin. They wanted to tap into his social media savvy, his ability to find holes in a system used by millions around the world.
Now Denlinger is playing that to his advantage: On his website, he is offering a 60 Minute Show Special, a one-hour social media consulting session for $60.
Aaron Sankin can be reached at [email protected]. Follow him on Twitter: @ASankin.
Read more: http://bit.ly/2nUi6DD
from How an Army of Twitter Bots Almost Created a Political Pundit
0 notes
cynthiadshaw · 3 years
Text
Community Member Spotlights
It’s more important to understand someone than to judge them. We think the first step to understanding someone is asking them the fundamental questions about who they are and how they became the person they are today. Understanding and empathy are essential building blocks for a better, more compassionate world. We’re incredibly fortunate to be able to ask these questions each week through our interview series. Below you’ll find interviews from our community members and content partners – the folks who’ve been heavily involved with us, collaborating with us on content, sponsoring our mission and spreading the word about the work we do.
Rebekah Jensen | Founder & Visionary
Sanara’s Tranquila Collection was launched in 2019 by Rebekah Jasso Jensen. Since 2016 Rebekah has been creating her own products in her kitchen having lived with Psoriasis since her teens. Rebekah has worked in women’s health as an OB-Gyn and Maternal-Fetal Medicine Diagnostic Medical Sonographer for over a decade. She’s seen first-hand the course life can take and impact on a woman’s life when she feels empowered by her own self-care and health advocacy. Read more>>
Akea Collins | Branding & Business Strategist
My name is Akea Collins. I am a serial entrepreneur. I am the Owner & Founder of The Resume Chop Shop, The Branding Bandit Academy and AKC Rentals LLC. I created this businesses because I have some secrets, I want to share to obtaining a 6-figure Salary. I love to assist and motivate everyone in my network to be a better version of them. I have deep desire to take my knowledge and experience and allow for others to pick my brain for success. I have Bachelor of Arts in Business Administration with a concertation in Marketing. Master of Business Administration with a concentration in Health Care Administration. Read more>>
Rola Jabri | CEO of MAOC Studio & Marketer
I am Rola Jabri, founder of MAOC Studio. I founded my marketing agency 15 years ago with a modern mindset that favors creating new ideas rather than falling for the ordinary. I always believed that standing out in the crowd is the best approach to succeed, lead, and make a difference. Therefore, I created the extraordinary for my marketing agency, I set it apart in a very competitive market. I market, brand, and structure my clients’ products or services with the same approach of creating authentic strategies that help them build the extraordinary and reach their short and long-term goals and vision. Read more>>
Marguerite Knowles | Watercolor and Acrylic Artist
My name is Marguerite Knowles, and I am a 22-year-old artist from Dallas! I went to college in Scotland to study Art History and am about to move to London to get my master’s in Art Business. I create acrylic paintings as well as watercolor paintings and most importantly, greeting cards! Recently, my handmade watercolor greeting cards have been my most popular product and are sold at Needle in a Haystack on Preston Rd. as well as on my online Etsy store! Read more>>
Erin Willis | Owner & Executive Chef
My name is Erin Willis. I was born and raised in Texas and have lived here all my life. I got into the hospitality world starting as a server in Fort Worth while in high school and continued to work in and out of the industry through college. After graduating, I applied to numerous culinary schools yet couldn’t obtain any financial aid. During this time, I was working as a server at Patrizio’s in Highland Park, where the then executive chef offered me an apprenticeship where I worked for 3 years. 30 years later, with more experience and understanding of the business, I now own my own restaurant, RM 12:20 Bistro, located in Lake Highlands. Read more>>
Durant Searcy | Singer, Songwriter, and Performer
I am a Singer, Songwriter, and Actor from Fort Worth, Texas. I started singing at the age of four. In 2005, I released my first independent EP called “The One 4 Me”. Local self-promotion for my first EP led me to performing professionally in DFW area theatre. To this date, I have performed in over thirty local professional plays/musicals throughout the DFW area. My most recent EP “CRASH” was released two years ago, and since then I’ve released several singles such as “Rose-Colored Glasses”, a Christmas song called “This Season (Jingle Bells)”, and my most recent single “Summer Fling (‘21 Re-Vamp)”. During the day, I am an 8am to 5pm corporate employee, which provides me the income to pay for all of my independent artistic endeavors. Read more>>
Demetrie King | Entrepreneur
My name is Demetrie King. I am from Waxahachie Tx and the Founder of the company Vending Mychine. This mobile application is disrupting the vending industry by bringing the best win/win situation to consumers and vendors. Vending is a quiet but very lucrative industry. A lot of new entrepreneurs have created a side hustle by purchasing machines or micro markets to place in various locations and I am here to help their customer engagement. Read more>>
Preach The Poet | Teaching Artist/ Orator/ Activist
My name is Preach the Poet. I am an activist, a poet, and an Educator. Im a descendent from the rhetoric of Fred Hampton. Born in Chicago, IL my roots are rich with culture and community service. I’m the epitome of the work as my Mentor would say. Born from struggle to end struggle. I spend a lot of my time in a classroom using poetry to teach different subjects to scholars and also grow them emotionally in order for them to work out traumas. I would call my classroom the hospital disguised as a playroom. Read more>>
Shamela Clark | CEO/Nail Professional
My name is Shamela Clark, CEO of Jux Like Honey,LLC since 2016. I am responsible for creating Jux Like Honey Hair Oil. Also the owner & License Nail Professional of Too Pedi. Read more>>
Rebecca Spears | Artist
My name is Rebecca Spears I am the a creator Awkward Citizen apparel. I creat design all the of Awkward Citizen’s apparel. Read more>>
Tina Lytch | Co-founder of Love 41
Love 41 was started by Suzette Munson (wife of Dave Munson, Saddleback President) and her sister Tina Lytch. They were motivated by a deep desire to help the many hurting orphans, widows, and street children Suzette found on her first visit to the country of Rwanda in 2010. Rather than try to accomplish this monumental task on her own, Suzette realized that she and Tina could multiply their efforts by partnering with like-minded women. To gain their attention, Suzette began to do one of the things she does best – design. Since Saddleback already had the capability of manufacturing high-quality leather goods, the best plan was to use those facilities to produce women’s leather products such as backpacks, totes, and purses. The profits from the sales of those products would be used to further the mission of helping the helpless around the world through education, job training, the teaching of God’s Word, and numerous other avenues. With that, Love 41 was born and today continues toward its goal of reaching those less fortunate in places far and near. Read more>>
Pamela D. Smith | Author, Mentor, Speaker
I am Pamela D. Smith, a Wife, Mother, Prayer Leader, Speaker, Author, and Mentor. I help women use prayer, writing, and self-care to live purposefully and serve authentically. My books are written for the modern-day woman of faith who desires to live a lifestyle of prayer and demonstrate her faith in the marketplace. The pages of my books, my speeches, and my mentoring ministers to the woman who wants to walk boldly in her purpose and understands that faith and purpose is not limited to those behind a pulpit or a podium. Read more>>
Artisha Moore | Noninvasive Body Sculpting Aesthetic Nurse
My name is Artisha Moore. I am the owner of Boomin’ Body Spa by Artisha LLC. I run a noninvasive med spa that specializes in gut health, not just body sculpting. I have been a nurse for 21 years and I love making people feel great about themselves. I am currently in medical school retaining my doctorate degree in Functional Health, or Holistic Medicine as some people refer to it. Read more>>
Rogers Healy | Owner, CEO, Realtor, Music Enthusiast
I am the Owner and CEO of the Rogers Healy Companies. I have been in the real estate industry for over 20 years, and I am continually looking for ways to evolve the industry. Read more>>
Antonio Paden | Upick Mobile Oil owner
My name is Antonio. I’m 28 year old. I’m originally from Arkansas. I’ve been in the DFW area for about 8 years. I started college a Southern University of Arkansas and I dropped out. I tried again at Texarkana college, and guess what. I dropped out there too. Once I moved to Dallas, I got into entrepreneurship. My kids were all babies and I needed to provide for them. I have 4 kids (Ryder, King, Iyah, and Princeton). I’m married to Jameshia. She owns a women’s online boutique (Queen Lux Boutique). We’ve been married for 9 years. I’ve been a CPR trainer, a Chargeback Analyst, an Insurance agent, a Auto Damage adjuster and I’m a musician. Last thing is I’m working on my real estate license for the state of Texas. I’ve started multiple “ventures” I believe that Upick is my most successful one. I started Upick in 2019. I have a business partner who works just as hard as I do. Lastly, I’m apart of the Church of God in Christ. I’m a cool and laid back guy. I love traveling and Tequila. They go together well. I love trying new things. I’m a aircraft lover and I love art. Read more>>
Kristo Blanc | Record Producer, Recording Artist, Creative Director, Creative Production, Artist Manager, Executive Producer
My name is Kristo Blanc. I am a recording artist, producer, designer, creative director, artist developer and much more. I was born in Oklahoma City, Oklahoma. I’ve been making music and creating since I could formulate my own creative visions. My connection with music began in a small studio space at a very young age and I’ve loved music ever since I could remember. Read more>>
The post Community Member Spotlights appeared first on Voyage Dallas Magazine | Dallas City Guide.
source http://voyagedallas.com/2021/08/20/community-member-spotlights-2/
0 notes