#im drawing So much dr who stuff. help

[g1ngerbeer]

great plan. perfect. absolutely no flaws

[themyscirah]

Philippus? Wym philippus this is a wholeass other woman?????? She's white?????? Guys come on now

ALSO cursed white Euboea in this same sequence.... homeboy she's Asian please stop

Joe Phillips I'm sorry but this is some shitty ass guest pencilling how can you not know anything abt what these people look like thats literally your job... you also just needed to read the issue before this to know?

Editors should have caught this one these are major Amazon characters

[paper-mario-wiki]

transfems can be women but you are not, you're an agp

(i actually blocked the original person who sent this and then resent it to myself on anon to keep the presentation fitting since i would like to share my perspective on this anyhow. here's what i would have said to this straw-man argument-haver if they weren't already blocked!)

TL;DR: you're wrong with both of the things you asserted in your statement. 1) i am not an AGP which is because 2) AGP's are exactly as much of a woman as i am.

what meaningful categorization could you put on someone to fit the description of "autogynophile" that precludes them from womanhood without inherently being contradictorily transphobic? "it turns them on to think about being vaginally penetrated" yeah i bet a lot of cishet woman fantasize about that too. "they only changed their identity because they like being a lady so much it helps them get off" okay? and? this is not a categorization which is inherently predatory, so who cares? gender is, irrevocably, an invention. it's a farce. it's nothing, we made it up, that's the whole point of agreeing that people can change it if they say they want to.

drawing a social line by the physical distinctions of "do they have penis or the other one" is as arbitrary as separating people by right handedness and left handedness or the eye color they were born with. the social expectations, behaviors, and woes are a consequence of the fact that everyone has been taught "this is just how it is, and it makes you different in every way, and this is how it's always been, and this is how it'll always be", same as the way people keep using fiat currencies (the US dollar for example), despite them being backed up by no singular tangible thing in any way that matters, aside from the word of the person who controls it.

and sometimes going along with that stuff is fine! i mean not the money, but the other one. the gender one. i like to be called a woman, while also knowing that "woman" is an invention. "pretty" is also an invention, and i love to be called that. "sonic the hedgehog" is an invention that people talk about using the same verbiage they use when describing real, tangible, breathing creatures, despite the fact that sonic the hedgehog exists conceptually and not physically (not including physical representations, which are not the same thing).

i think agp's are also women. if i could read someone's mind and they said "hi im a woman" but i knew they were thinking "im actually a man" i would still say "hello woman" because they might as well have given me their name for all the difference it makes in how we interact moving forward. if someone has no intention or probability to harm themselves or anyone else, i couldn't care less.

all that being said, you're wrong with both of the things you asserted in your statement. 1) i am not an AGP because 2) AGP are exactly as much of a woman as i am. it is a meaningless category coined by bigots and only given credibility by people with bigoted views.

[stelladess]

EDIT: I only now found there are more complete translations of the new lorebook, that may alter things here quite a bit depending on if it touches on relevant stuff. Ill probably write a more easy to follow and updated version of this post when I got less schoolwork anyway so yeah. Arknights Theory: The nature of the Lord of Fiends powers and the purpose of the black crown. IDK how to spoiler and non of what I find onlines helps with that so just know... spoilers ahead. I also wanna say that I havnt double checked a lot of this stuff, I did for some of it but id like to re-read a bunch of this when some of the CN only stuff has come to global anyway. So take with a grain of salt is all im saying that I remember right since I dont remember exactly where to find all of this info, altough I will mentioned where I thought I got it from for various evidence. So tl;dr here is that I think Amiya´s powers is actually about manipulating originium, the memory, emotion and energy blasts (also making a sword) is all extensions of that and NOT fully distinct powers like some believe, also the Lord of Fiends has to have oripathy. Also the black crown was made by Priestess to eventually facilitate her resurrection and the reason doctor convinced Theresa to transfer her powers to Amiya was part of that plan. Now, why do I think all this? Starting on Amiya´s powers. While dialogue indicates some skilled casters *can* learn multiple types of arts, Amiya is not a skilled caster. She is very powerful but not particularily skilled at it. Her powers are ALL derived from the originium arts her oripathy and Lord of Fiends nature grants her. She also had all these powers pretty much from moment 1 it seems so it seems unlikely she learned it trough practice to do many different things. So its likely one ability that is just very broad in its usage, similarily to how Rosmontis´s powers work (if I remember right Kal´tsit even says their powers are very similar in nature). Amiya can do energy blasts, view memories and sense emotions... according to Kal´tsit in chapter 7 the way sarkaz prophecies work is basically that thoughts are stored in originium allowing other sarkaz to tap into the memories in that originium to calculate a likely outcome with multiple people´s brains. So originium can store thoughts/minds. And by extension memory would be a part of that. There is also clearly stuff relating to the dead but ive heard several CN server events have gone into that more so I dont wanna speak about anything regarding dead souls until that comes to global because I do not wanna go reading very complicated lore stuff in a language I dont understand really, so ill adjust or drop this theory as nescesary based on future information of course. So, then the emotions and memory stuff is covered, making the sword is also simple, its just made of originium. So the energy blasts? Well the main way originium is used is as a power source and its required to cast arts for those without oripathy (who have originium inside them to channel arts anyway). Another piece of evidence here is that Manfred could disrupt Amiya´s arts with his own, which seem to revolve around detonating or manipulating the energy in originium, allowing him to harm Amiya when she tried to gather up energy from nearby originium. When she pushes herself extra hard she probably draws extra power from the originium in her own body, which is why it has such a negative effect on her physically even compared to other casters. This, and a bit from the new lorebook revealing the first Lord of Fiends was the first person with Oripathy, is why I think the Lord of Fiends HAS to have Oripathy.

So, with that established, why do I think the Black Crown is meant to resurrect Priestess? First of all, the Black Crown or Civilight Etherna, is tech from the advanced precursor civilization (it was not found by them but invented by them, its directly referenced as a different project to the AMa projects, which is part of what Kal´tsit is refered to by certain beings in the know about the previous civilization, the crown also resembles Mon3tr in appearance). Its stated in Amiya´s module that its purpose is to store information, memories and emotion. And we know for a fact that they were capable of brain uploading, as seen with Friston in Lonetrail. Its original purpose was as a historical record, but that doesnt mean it cant have been altered later. Priestess is stated by Friston to have created Originium, something we will likely learn more about in the Victoria arc on account of certain reveals in chapter 13. Since Originium is so closely linked to the crown, by virtue of the first infected being the first Lord of Fiends, originium was clearly created in relation to something to do with the Crown. And well.. when Priestess put the doctor into the sarcophagus she said they would be reunited and their love would outlast the stars. Despite her seeming convinced she would die.... Kal´tsit seems to have been either created or turned into what she is now by Priestess too, or well by their people at least. But for dramatic convenience I think Priestess makes the most sense. I think the crown getting linked to the sarkaz collective unconcious/dead souls (this is the part im most uncertain about because there is so little info on this on global especially) was NEVER part of the plan. Since it seems likely the previous civilization created the ancients (animal people) to drive the sarkaz away (and also be slave labour, this isnt like 100% confirmed but there is some hints for this) I suspect they saw the sarkaz as lower beings and had never considered the crown would link up with them. So I think the original purpose was that some sort of great calamity fell upon their people, Priestess tried to store her mind in the Black Crown in some process that led to the creation of Originium and because the first person to down the crown was a sarkaz made her unable to do what she originally intended, possessing a later wearer of the crown and reunite with the doctor. This part is of course pure speculation as well with very little evidence, but it does line up somewhat. And I think some of the concept trailers supports the idea the crown can let someone store their mind to take over a later host (altough not with Priestess specifically).

So, fast forward to Amiya... she was born in Rim Billiton a normal cautus girl, her family were miners and lived on a normal landship in Rim Billiton... but one day disaster struck and the ship got destroyed in a horrible disaster. This is all gone into more in To the Grinning Valley but was already implied beforehand. To the Grinning Valley is also interesting for several reasons to this theory, they explicitly call attention to how strange it is that the doctor would bring Amiya with them after finding her in the wreckage. Saving her is in line with their behavior, but why bring her along? Its common in Rim Billiton for miners to adopt other children. Why not leave here somewhere? Why bring her with them to Babel? And this isnt just Amiya wondering or an outside observer, we find out from Savage that Kal´tsit doesnt know why the doctor did what they did. And whats more, Kal´tsit believes the doctor convinced Theresa to transfer her powers to Amiya, and since no previous Lord of Fiends had done so directly, the crown picked a successor, I think the doctor also taught Theresa how she could directly move it, circumventing the dead souls of the sarkaz will being imposed on the crown´s choices. So, why Amiya? Kal´tsit either doesnt have any idea why or just didnt want to tell Savage, but it is clear that she NEVER agreed with the decision. We have some ideas why Theresa did it, Amiya not being a sarkaz would mean she would be less strongly influenced by the dead souls and the lords of kazdel would refuse to follow her. Or at least chapter 12 and 13 heavily implies this was her motive. But why did the doctor want that? In To the Grinning Valley the question of if the doctor always intended to use Amiya for that from the start and grew to care about her over time, or if they took her in with no ill intentions and then got the idea later out of desperation, is raised but left unanswered because the doctor cant remember, and no one else knows why.

I believe the doctor also wished to undermine the crown´s link to the sarkaz, and that the plan was to use Amiya as a vessel for resurrecting Priestess. And it is an interesting topic, its often brought up how much even pre amnesia doctor cared about Amiya... but in To the Grinning Valley we focus a bit on the insecurity and uncertainty Amiya and Savage have about *why*. Savage telling an anecdote about a friend who went bad after fame got to their head and admitting she doesnt know which is worse, if the doctor did love Amiya and their circumstances made them so willing to trample over what they loved that they would force the black crown on her, or if the doctor had always been intending to just use Amiya for that purpose. And Amiya admitting she never knew why doc would care for her so much. And here is an interesting thing... in anything post victoria arc, we have NEVER seen Amiya and the doctor interact so far. Amiya is in Arturia´s oprec but otherwise she hasnt been on screen post victoria arc. To the Grinning Valley is set before it. The doctor has been doing all manner of things all over Terra in that time period, but Amiya isnt there with them, she is still with Rhodes Island is clear though. So... does Amiya and the doctor still have a good relationship post Victoria arc? Doc clearly cares for Amiya still, when Rosmontis talks about missing Amiya in Lonetrail (she had been away for some weeks or months, unclear) doc agrees that they miss her too, but they dont really go into any detail and are talking about both Amiya and Logos. Depending on what we learn in the later chapters of the Victoria arc, I could see Amiya feeling rather betrayed by the doctor. Not to the point of completely cutting them out but that it might still make her a bit more distant to them. I think it would be interesting to see how Amiya would take it if she learned that the doctor had originally intended to use her for very selfish end goals. Surely the thought has crossed her mind and she just isnt willing to entertain it, but if she learns something in the climax of the Victoria arc that shakes her absolute confidence in the doctor? That could be a pretty big deal. We already know Amiya has a habit of rather then accepting people wronged her first try to look for excuses. What Theresa did to her Amiya refuses to admit is wrong even when directly pointed out to her how messed up it was (chapter 8 Rosmontis compares what Theresa did to Amiya with what Loken did to her). She isntead focuses on how she must be failing to live up to Theresa´s expectations, an idea NO ONE tried to put into her head as far as we can tell. Altough it is a little unclear because she gets VERY defensive about it when the Damazti Cluster suggests she was forced into her role at Rhodes and given too heavy responsibilities to carry. Will she do this this time as well? Look for excuses why what doctor did was "justified"? But in chapter 13 she also finds meaning in rejecting the legacy of the black crown and that she will use its powers purely for her own ideals and not worry about what its purpose is. With that in mind how would that color her perception of finding out an even older purpose for it that implicates the pre amnesia doctor?

[vorenado-m]

happy disability pride month! please consider helping me take back my life as a disabled person!

the TL;DR is that for the last 3 months i have had an absolutely soul-sucking miserable minimum wage retail job that, due to the way scheduling works (and the app being broken as fuck) has prevented me from having access to literally any of the life-saving mental health/medical care i need as a disabled person.

my disability is best managed through a combination of medication, therapy, and casework-- not a single one of which i have had since march! :) contextually, up until i got this job, i took three daily medications and had casework once a week and therapy once or sometimes twice a week. these services are offered at an affordable cost to me through a local organization that is threatening to close my case due to lack of participation.

ill make another, more detailed post later with some of the services i can offer for money (i draw! i code! i write!) but until then here is a code you can scan if you have a few dollars to spare:

there are more details beneath the cut (idk about you guys but im kinda nosy so i wrote some more stuff in case anyone else is also nosy) but thats the gist of it. you can also always ask for details. i dont have a therapist right now so it might feel good to say things.

my plan is as follows: i would like to take the month of july more or less "off" from work to get my affairs in order, starting with scheduling appointments for therapy and casework and getting back on my meds. i am actively looking for a job, but i would like the ability to be somewhat picky instead of applying everywhere i think might have me for the sake of having money coming in to pay rent.

for the last two years i have made less than $800/mo and i can survive on roughly $600-$650 a month. my july rent ($550) is paid and my august rent (at least $500) is most likely also squared away, through a combination of some cash i was hoarding, a previous donation, my last expected paychecks from my current job, and my brother generously offering to cover whatever is left over. the extra $100ish is for roughly a months supply of the food that is part of my daily routine that i get cranky without (i have tea every morning, for instance.)

i have a fantastic roommate who is not struggling as much financially who will do everything in her power to make sure i have access to staple foods (rice, eggs, etc) so i really just need to buy the things only i consume (kimchi, milk, etc.) there is a food bank i go to, so i am not worried about food, but i can only go to it once per month. we have a barter system where i trade her the things i dont want from the food bank and she buys me things i will eat; alternatively, i sometimes give her things i get from the food bank (eg meat) that she turns into meals for both of us.

i live independently/"alone" with roommates and do not have support from my family pretty much at all. they have never been particularly useful for emotional support and have openly denied me financial support since i was a teenager. moving in with them/getting help from them/talking to them is not an option.

i have emailed my caseworker at the mental health organization i work with as well as my caseworker with the disability vocational program i work with to help me find a new job that is "back of house" and requires less customer interaction. i did this over the weekend, so i expect to hear back from them sometime this week. in the meantime, i am searching for jobs on my own in places like indeed, jobhat, careerbuilder, etc. as well as checking company websites of places like chain grocery stores to see what is available in my area.

my job pool is a bit limited due to the fact that i cannot drive (due to both my disability and the medication im supposed to be taking for it) but i am very well-versed at taking the bus, which is free. getting to and from work is not a concern for me; it is being able to do the job without being driven to the edge of a mental breakdown that is the problem.

the disability vocational program is my ticket out of poverty! last month i had a follow-up evaluation (i had to call out of work for it, but frankly i was at the end of my rope then too) where they approved my career goals as a web developer and we are in the process of deciding what my next steps are! the program will likely (depending on what route i take) help pay for vocational training, too, but i obviously have to pay rent while in training. which i think i can do if i have a job that doesnt make me want to die.

i have some other things that make my life a bit harder (im mixed race, i am nonbinary + gay, etc) but i would say those things dont really impact my ability to get a job as much as the disability does LOL which is why i did not feature them prominently in this post. like, the reason i cant get a job isnt because people dont want to hire me because i have blue hair and pronouns, its because im obviously disabled.

if you have any other questions, no matter how intrusive you think they might be, feel free to send a DM or an ask, and i will try to answer.

[dragonroilz]

Hey there! I've come across your art ever since I got into Risk of Rain 2 (better late than never, I've been sleeping on this game for years, jesus), and I'm enamoured with it, to say the least. Is there any advice you could perhaps give for an aspiring artist?

you're getting an essay whether you like it or not.

tl;dr of it if you dont want to read

- learn how to take critique

- dont skip fundamentals

- tracing is okay*

- be mindful when drawing

- you wont see good results for a long time

ok firstly, glad you like my art! i try my best on pretty much everything i make so the compliment is greatly appreciated!!

secondly, you have NO clue how much i love yapping about how to draw. im not an expert on how-to-draw-ology but i like to think i know enough to help other people not swing in the dark when it comes to getting better.

learning how to take criticism is THE most important part. not getting butthurt or at least listening to peoples critiques when they mean well is critical to improvement because its specialized advice for you. you have no clue how many young and/or new artists have gotten mad at me for giving critique when they specifically asked me for it. if youre looking to improve you gotta bite that bullet. not all criticism is valid(dont listen to people who are just tryna make you upset), but good and valid criticism can come from anyone. dont unvalidate someone's critique just because theyre not an artist or "not as good" as you. try and get as much feedback as you can and move onto the next piece instead of fixing something to perfection. you will get obsessed in a very destructive way.

learning fundamentals is another step to getting better. that means actually learning perspective, hands, anatomy, and all of the other stuff people hate drawing. its like lifting weights. most people dont like it but if you want to get stronger you need to put in the time to do the painful stuff.

chris christodoulou(ror's composer) actually made a similar comment about the topic of improvement in his field that was along the lines of "if you want to write music, stop playing video games and read a book". he got a lot of shit for saying that but honestly its true.

you need to treat art as a discipline if you want to get better at it. draw as much as you can for as long as you can before it becomes a health hazard. when im not resting i tend to draw at least three hours a day, not counting the 3 to 6 hours additional hours a day i draw during college. obviously a beginner doesn't need to draw that much but drawing daily is a good start.

if you want resources on where to look for fundamentals, Sinixdesign and Ethan Becker were who I turned to for advice that is relevant to the industry. There's definitely others out there but I tend to do more self studying so i don't know the more recent stuff.

something that they'll bring up is that tracing isn't bad AS LONG AS YOU DONT POST IT AND CLAIM IT AS YOUR OWN. it's a good way to see how other people deal with stylization, but its absolutely not okay to post that stuff online. treat it like how traditional painters do master studies. its for your own education, not clout. and you shouldn't be drawing for clout anyway.

last but not least, draw what you love and you'll always love drawing. dont be afraid to hyperfixate and lose interest in things. it will help you continue your art journey. a lot of people in my art school have little to no motivation to draw outside of college because they have no interest in drawing outside of assigned work, which is not a great relationship to have with art if you want to pursue it in the long run. draw what you want to draw when the motivation hits you. if that motivation is risk of rain? draw it. if it's leg muscles then fuck yeah draw that too.

you can stick fundamental practice into your casual art by being mindful of what you are drawing. that can be done by asking questions about what's going on to further the progress of your art. its kind of hard to explain in text, but its basically just keeping in mind how your lines influence the piece.

in the beginning youre going to have ideas and none of them are going to translate to paper. its going to take years before anything will ever compare to whats in your brain and thats just the sucky part. ive been drawing seriously for about 5 or 6 years and theres still a ton of shit i do NOT wanna touch but i have to if i want to improve.

we're all sisyphus pushing that goddamn stupidass boulder and the only thing we can do is acknowledge how far we've come while still knowing that there's more work to be done. but thats kind of the shit that i live for.

[psi-hate]

diana, this might sound like a weird question, but how do you draw boobs/gock/vaginas and anatomy in general? i wanna improve my art and you seem to have a lot of experience with it

-alice in anon because im embarrassed lol

hmm good question! im gonna be honest i don't really use references most the time, and i recommend you absolutely use references very often when drawing something you're not the most confident in.

for anatomy, it sorta comes down to me focusing on how other artists draw specific parts of anatomy and getting a good feel of how they generally look enough to know what looks wrong in my own attempt so i can continue adjusting it. it's a shitty bruteforce method but for me i sorta just osmosis it from exposure. in general i have a decently trained eye in 3d space on account of my 3D modeling experience, so coming up with shapes at particular angles is a little less of a headache i imagine some others would deal with at my skill level. i still struggle with posing which is something i really gotta practice more. i know it'd be faster if i used references for practice but my art process is a bit too casual out of stubborness... but i will do what i can to improve my workflow at some point!

regarding stuff like sexual anatomy or what have you, i actually pull up a few different artist's works, specifically those who draw shapes i find most appealing, and apply their concepts to my own attempt. it's sorta hit or miss atm, i'm still very new to drawing sexual anatomy. at the very least, i try and draw bodies as they are. what i mean is, a chubbier body is going to have more pockets of fat pulling some parts down, and comparing with my own body and those whom i've been with, i just try and capture the practical "flaws" and do my best not to polish them out of the equation. sunken eyes, messy hair, folds of skin, muscle definition, wrinkles, hair, etc it's all very pretty and more than anything i want to appreciate those bodies.

use references, look at your own body and try and plan out angles and poses before you get too deep into the drawing! my biggest flaw at the moment is lack of forethought going into a piece which can make a lot of my art much more stiff because an idea i wanted occurs halfway through the drawing and retroactively adjusting things is just not gonna work and it'll look stilted. come up with your idea and sketch a very simple example so you know what you're aiming for the entire time instead of me who habitually draws heads and facial features long before deciding how i want the rest of the body, usually locking me into the same perspective and angle as always lol. i have been fixing this most of the time now and i hope that is more apparent in some of my recent works.

sorta just rambling, but yeah! the most simple way for me to tl;dr this is that i recommend using irl examples for references for poses or how particular pieces of the body are structured in 3D space, and looking at other's art for ideas or inspiration, reverse engineer their process and practice it until you feel satisfied it makes sense in the context of your drawing. take special attention of smaller details of the body and don't be afraid of making something look "unappealing" if you want to portray a specific feature. you might not draw something the way that looks good to you, but the most important thing is learning what it is that does look good in your opinion, and reviewing what you could do to help draw more like that.

i'm really sorry if this is far too convoluted and not great advice, i'm the literal embodiment of "fake it till you make it" and any skill i've learned is simply because i am stubborn and bruteforcing it till i accomplished whatever it is that i wanted. for someone who is more interested in learning and improving the "right way", i tried to offer some more rational strategies to what i do in hopes that it makes sense in helping better lol. hope this helps!

[atariaaren]

wgat made you like conductor so much??? (/lh)

OH BOY HERE WE GO

there's actually a lot of reasons that i wont really get into here but! tl;dr i was going through a really tough time when i first got into a hat in time and i kind of fixated on him through a majority of that time which caused me to enjoy him so much, and him just kind of existing helped pull me out of that rut as cheesy and silly as it sounds?

it wasn't out of me relating to him per-se? although i do see myself in *some* parts of his character (like his hotheadedness and him holding grudges and stuff), i just think he's neat, and how he acts towards his grandkids in the SLD DLC really sold my feelings towards him, especially from him actively searching for them during the time the ship crashed, which kinda served as a "see! he does care!" moment for me i suppose?

but, i mean??? even regardless of that- he's a scottish owl who has a really cool design thats voiced by the joker AND smash ultimate guy, why wouldnt i like him? why wouldnt YOU like him? this is now connie propaganda go show him love!

anyway i guess my simple enjoyment for him developed into a mini fictional crush for some time because hes been part of the polycule for awhile despite me not even realizing im gay until. recently /hj

though fyi! hes not actually my only favorite character in ahit, HOWEVER he is my #1 fave which is why i draw and post him a bunch hehe, hope this helps!!!

[skrunksthatwunk]

HI IT'S SQUISHY fic ask game time:

F: Share a snippet from one of your favorite dialogue scenes you’ve written and explain why you’re proud of it.

I: Do you have a guilty pleasure in fic (reading or writing)?

R: Are there any writers (fanfic or otherwise) you consider an influence?

X: A character you enjoy making suffer.

:3

YAHOO HI SQUISHY TY FOR THE ASK >:33

ok uhhhh uh uh

F: i think if i had to choose anything, it'd probably be the cat petting circle scene from and who do you think i'll be (without you)?, because i am. really really bad at juggling more than like 3 characters in a scene and this has FIVE and it's still really fun to read, at least for me. it's dynamic, though admittedly the attention still mostly falls on kuwabara and yusuke (sorry keiko </3 i wish you were more prominent in this one but alas) everyone carries some weight. i'm also not great at understanding (and thus writing) anger, so yusuke's bubbling frustration through the scene is like.. kinda cool to me. (a/n: eikichi is kuwabara's cat lol)

i'm also including another two from this same fic bc i think they're neat as well :)

(i'll put a transcript of the screenshots at the end under the read more)

honestly, i love writing yusuke's dialogue no matter what he's saying, so this fic's got a few moments i'm very fond of, but didn't include. anyway it's the only good thing i've ever written (<- exaggerating, but it's probably my favorite fic i've written, and maybe favorite prose piece)

i also remember enjoying some of the dialogue between sagawa and majima in tough love for loveless things, and i assume i liked a lot of the stuff for i long for you and your expert hands, but i... haven't revisited that one in a long time (idk why but i'm a little afraid to?? i haven't forgotten it though), so i couldn't point to anything specific really ^ ^'

I: hm... i think i overindulge in characters just talking about nothing, at least when it comes to my writing. if i like them, i like hearing them talk about nothing, and it tends to bloat scenes and drag on, i figure. i also tend to gravitate towards really specific intensely described points of imagery that barely come up again and totally break the flow of the scene (oops). in terms of guilty pleasures in reading, uh...? i'm kind of a sucker for werewolf stuff because i got that dog in me. im drawing a blank ig sorry <3 OH i've always been hopelessly fond of whump / hurt/comfort / sickfic STUFF. legit since i was a child. i like it when they're out of it i like it when they're woozy. and anything with dumb hijinks and/or slapstick is good to me. comedy's hard and i like seeing idiots be idiots. and really introspective/inner monologue heavy pieces are mmmmwah for writing and reading

R: oh man. whatever i'm currently reading often ends up influencing my writing in noticeable (to me) ways. one time i was writing smth for my fiction writing class and i typed out a sentence that felt at once like smth dr seuss would write (you'll never guess what unit my children's lit class was on) and a line from lolita (because that's what i was reading at the time). it's a mashup that worked weirdly well. ANYWAY to actually answer the question, the little prince ruined me as a kid, and a lot of the way i express sadness and emptiness is channeling saint-exupery there. currently, arkady martine and andzrej sapkowski have been influencing my scenery descriptions in particular, because that's what i was most recently reading, but earlier this year i remember cormac mccarthy's the road finding its way under my pen a lot. for really flowery stuff (i don't think you see it much in my fics, but it's not Never), i think of alfred tennyson's maud quite often. this is not a conclusive list im just empty brained :P

X: ohhohohohohhh. god help me but i love making all of them suffer. to love something is to vivi/dissect it. currently kuwabara is the one i'm putting through the most though (<- channeling personal issues into this orange guy), but majima and kiryu were always lots of fun to break down >:). perhaps that's the real answer to the guilty pleasure section

[SCREENSHOT 1]:

“Hey, why’s she goin’ to Kurama and you and not me?” Yusuke complained, pouting at Keiko.

Kuwabara piped up. “Maybe it’s ‘cuz they have manners, unlike some of us.”

“Or patience,” Botan offered.

Yusuke stuck out his leg and prodded Kuwabara’s arm. “Yeah, and how’re your manners workin’ out for ya? You still look like someone’s been playin’ tic-tac-toe on your hands or did she become a saint overnight?”

“Shut up, Urameshi.”

Keiko spoke up from her spot on the floor. “Aw, I think she’s just sweet. Right?” She put her chin on her folded arms and gently rubbed at Eikichi’s cheek. With a warm smile, Keiko turned her head into her arms further, squishing her face, openly endeared. “Even if she bites sometimes.”

“Finally, someone gets it,” Kuwabara moaned. “Keiko, tell Urameshi that for me, will ya?”

Yusuke didn’t buy it. “If she was sweet she’d be sweet to me, too.”

“Benevolence is nearly always conditional,” Kurama said, leaning over to rub Eikichi’s ears. “Perhaps she senses your standoffishness and simply chooses not to engage with someone who does not seem to want her.” Kurama’s brilliant green eyes swept back to Yusuke for emphasis. “You two may have that in common.”

“Wh—?!” Yusuke spluttered a bit, before settling on, “Watch it, fox boy.”

“Aw,” Botan giggled, “Yusuke, it’s alright, you know. Some of us just have an animal-like charm. Meow meow!” She hooked her hands like paws.

“Right, and I’m saying Eikichi’s not so charming. I mean, she’s been ignoring you, too, Botan, whaddyou think?”

“Oh, she’s just lovely! Simply adorable,” Botan cooed.

“Heheh, looks like you’re outnumbered, Urameshi!”

[SCREENSHOT 2]:

Rocking his chair back lazily, Yusuke noticed Kuwabara’s scratch-laced hands and whistled. “Damn, Kuwabara. It’s kinda beating you up, huh? That cat o’ yours. You look like you just fought me, only smaller.”

“For the last time, Urameshi, Eikichi’s a she! Quit it with the it crap or I’ll knock you into next Sunday brunch.” He jabbed his chopsticks at Yusuke pointedly. “And I don’t think you could get any smaller.”

“Yeah, yeah, whatever. She’s beating the shit outta you. But what’s with that? I thought kittens were s’posed to be all cute n’ cuddly.” Yusuke swirled his drink thoughtfully before taking a swig.

“You’ve never had a kitten, have you, Urameshi?” Kuwabara deadpanned. He had the right to do that now that he was a cat-rearing expert, as if he hadn't learned it very recently himself.

“No. ’M not really crazy about animals. Neither's my mom.” Under his breath, Yusuke added, “Knowing her, that’s probably for the best.”

“Wh—? How?!” 

Yusuke shrugged.

Kuwabara huffed. “Ugh, she’s teething right now, okay? And I haven’t got her a scratching post yet. She’ll grow out of it, you’ll see.”

“Whatever you say, man. Just try not to lose any limbs waiting for her to get manners, arright? Don’t wanna make our fights even more one-sided. That’d just be sad.”

“Yeah, right, Urameshi.” Kuwabara puffed out his chest. “Eikichi could take two o’ my limbs and I’d still wipe the street with ya.”

“Hey, try beating me with four limbs first, tough guy.”

The conversation devolved into threats and bickering from there, culminating in little more than wrinkled uniforms and mussed hair-dos, and one final exchange.

“You haven’t even met her, Urameshi, so how could you know what she’s like?”

“‘Cuz you’re carryin’ the proof right there, stupid! Look, don’t take it so personal. I just don’t feel like spending all day roughhousing with someone that far beneath my weight class, even if she is the precious little angel you say she is."

[SCREENSHOT 3]:

Yusuke lounged on the floor, Eikichi sitting on his chest and staring down at him.

“What’re you starin’ at, Stinkass?”

Kuwabara scoffed loudly, fluffing out the pillow Yusuke would use.

Yusuke smirked at him. “Oh, I’m sorry, your highness, I left my manners at home.” He cleared his throat. “What are you staring at, Her Royal Majesty the Queen Stinkass?”

“Man, why'dya only pick mean pet names to give ‘er?” It came out a bit harsher than he meant.

“What?” Yusuke began to sit up, but stopped when he remembered Eikichi’s place on him. He dropped back down and shut his eyes lazily. “These aren’t pet names, they’re, like, insults. That I don’t mean.”

“So ‘Stinkass’ is your idea of an affectionate nickname?”

“Gee, you don’t have to make it sound so damn girly. I’m just callin’ her that ‘cause I like her.”

“Ooh~ so you like her, huh?” Kuwabara sat up on his knees and—once Eikichi got the hint and clambered off—smacked Yusuke’s face with his pillow, holding it over his face. “Whatever happened to not bein’ mushy, tough guy?”

Yusuke wrenched the pillow from his grip and lazily swung it at him, not bothering to get up. “Hey, you told me she doesn’t judge about that sorta thing, right? And I’m learnin’ there’s benefits to bein’ mushy, like kicking ass better.” He shifted to crack his back, then sighed, relaxing into the floor. “I’m just sticking to my way, and sometimes that means calling her Kuwabara’s Favorite Little Shitblaster or whatever.”

[itsdappleagain]

it is time for the crackle goes kiwi caper!

oh man. im so close to being caught up. hold on, stockholm, I'm coming and i WILL be on time (i hope)

thats auckland btw

notes under the cut as always

OH okay ive been saving a really old edit for this episode

you're welcome

oh opening thoughts on the episode. ummmmmm its good. i like it. only reason i would have to dislike it is i guess the sort of red crackle stuff from it but i dont hate red crackle on default so it stands as a good episode. i like the dancing and the stakes actually feel pretty high a lot of the time!

not player hacking into the russian government

ah, neal. neal the eel. he is indeed. an eel

also rhys darby is my favorite voice actor on the planet

also also autistic dr bellum real and true

YOU WILL TRY

YUHHH GET IT

neal loving puns 👍

the "coo" neal does after he escapes into the vent is the bane of my existence i hate it with a burning passion

i wonder if "project tripwire" is supposed to be an experiment left over from the cold war or something?

zack is enjoying his sandwich!

that lean over carmen's shoulder one hand on the desk one hand on his hip move shadowsan is doing is the most dad thing

top ten moments before disaster

GIRL THE 3/4 PROFILE IN CS STYLE DOESNT WORK STOP USING IT

i love that the vile harddrive is like. VILE google

CRISPY FRIED CARMEN

player: we need an electrician who knows their stuff so carmen doesnt get electrocuted to death!! the job they need done: wooo slidey thingies....ooooooo dont let it touch the line!! woooo!!

player in s1: we CANT let crackle get ANYWHERE near you he may be a SLEEPER AGENT or put you in DANGER player in s2: we cant 🥺 even bring him back to play for the good guys? 🥺🥺🥺

i guess thats probably because shadowsan confirmed that he doesnt have any memories or sleeper agent tendencies lmaoo

fun fact! graham's cafe does not in fact exist. it is a housing complex/ lookout

carmen could not have picked a more. i mean just what a cover story. obviously i get that its personal to her but imagine being an electrican and this lady who is even younger than you comes up to you and is like oh...yeah i run an international charity. for abandoned children how unaccomplished would you feel wheeze

i will never stop saying this but SAY GOODBYE OR SOMETHING PLEASE CARMEN

interesting that the "cuppa" he insists she has with him kind of sets off a shit ton of stuff for s4. if acme hadn't taken gray in they wouldnt have probably ever been able to help carmen get out of mind control, or it would have taken much longer. she wouldnt have been able to discover and destroy the robots. weird stuff

insert meme about people calling paper star tammy because of that one time she used that as a codename here. except its with player and peter

ALSO HEEY PLAYERS ACCENT FROM S1 PAID OFF...he was practicing...

where did they get that ballet which is perfectly synched up to the lights he needs to turn off

not bellum's ominous green lighting black shiny lab. so subtle

also you would think that the power station bellum draws ALL her power from would be better protected wouldnt you?

did they let crackle practice the "lights" because if they didnt- yikes that sucks and if they did- bellum's security mechanism just going haywire as he practices pjgkkjsghd

mm this scene is good

OH also. eternal bounce looping gif because mmgh that animation is good

that animation of gray adjusting the slides where he goes in like. an arc in reverse. good shit

carmen is so not normal about the electric fields i love her. i get you're supposed to be dancing but girlie just run and jump its ok

even more bouncy because i cant be stopped

I LOVE HOW BOUNCY SHE IS. LOST IN THE SAUCE (the sauce is tchaikovsky)

a nearly electrifying performance is the best way to tell your best friend you didnt just die in a really horrible way

honestly the quip about sheep is a pretty good one. neal is SO COOL his fight scenes are really fun. takes a lot of ingenuity for our mains to outdo him

also his score is SOOO COOL its like. its slithery idk how to explain it

HAHAHA SHE PROTECTED THE FACE AND HE WENT FOR HER LEGS

i love how she was just like "nah fuck this" and ran the other way

HIS "OUGH" WHEN SHE TRIES TO KICK HIM IN THE FACE DHGDJHGKD. WASNT EXPECTING THAT ONE I GUESS

she goes down really hard a couple times fighting him. you can hear after he mule kicks her against the wall that it hurt

carmen's signature move, the titty twister

that "slick" line has become a line i just repeat with the same inflection like five times a day wugewghdh

player's kiwi went a little irish there

why did he go out the back door looking for carmen if the rest of the "theater" was supposed to be the other way 😭

oh okay nevermind he's just. he just doesn't listen

gremlin bellum appreciation

gray is literally the luckiest motherfucker alive please

didnt carmen lock the door behind her also??? im so confused how did he get in

"carmen?" "sandiego" (clapping noise from the intro)

the little confused noise gray makes pls its so funny

also love how his first question is "what kind of concert hall is this" and not "why are we sprinting down a hallway"

THATS THE NIGHT THAT THE LIGHTS WENT OUT IN AUCKLAND (sick guitar) THATS THE NIGHT THAT THEY H wait a minute

so hot i love her

kill, my queen

WILHELM SCREAM!

i love the disgust and annoyance that immediately overtakes her face when neal shows up again

are we ever going to talk about how neal was trying to snap her neck or no

no? okay

it would have been really funny if that crackle rod was set to lethal

i love how she says "zackivy" as one cohesive unit

pls carmen looks so short next to cracker

sharon muthu is such a queen

love also how carmen is more concerned about gray recognizing the voice than bellum threatening to take out auckland. yes girl priorities

fantastic shot of her grinning and then getting all smirky about it. she's so hot. again

michael put his whole pussy into that scream/crikey

"it won't blow up in our faces will it?" "um just. stick your hands in there okay"

i love when cs uses "bad" colors like the red flashing warning light to indicate goodness like carmen winning

the crikeys are killing me

THE TRIPLE SHOT OF THE TRIPWIRE PROJECT BLOWING UP IS SO ICONIC

i love neal going from horrified at the explosion to looking at bellum like. what did you just say

crying over how carmen just looks at him with no expression on her face after he makes a kiwi joke

and now a series titled "OW!"

thank you

also carmen does a WHOLE FLIP when she crashes (not doing photos because its hard to see) but she goes down on her neck, does a flip, and then slides in on her stomach

wow! good thing carmen is okay after crash landing in the woods due to something going wrong with a glider flight. im sure that won't happen again, and even if it did I'm sure the consequences couldn't be that terrible!

it would have been funny if he had died on impact im just saying

maybe he did and the power of carmen saying the wrong name brought him back

if the copyright wouldnt blow them to hell and back im a thousand percent certain they would have had crackle ask if carmen was like james bond

carmen: ill explain over that coffee also carmen: explains nothing

wow look the line that jumpstarted me writing fanfiction. my first fic was a red crackle fic based off of this scene/the afterscene of acme looking at the cameras and speculations of gray joining acme. guilty ✋

carmen vaporizing on the spot and leaving graham with thousands of dollars is a vibe

yeah vile didnt lay eyes him. yep

ALRIGHT FUCK YES IM CAUGHT UP WITH CS WEEKLY!! STOCKHOLM HERE I FUCKING COME ON TIME YES BITCH MY FAVORITE EPISODE

[blueskittlesart]

Less of a question and more of a personal thank you! (Sorry if this is a confusing mess to read)

For about the past year I’ve really been into the idea of wearing more feminine clothing, it started out with soft pink clothes and such and I’ve even tried out some dresses while I was out but i was never confident enough to buy it for myself to wear around other.

That was until recently, when about a month or so ago a friend of mine introduced me to your artworks, specifically ur Prince Link and Knight Zelda stuff (11/10 stuff IMO). But through that I found your “Modern AU”(?) link and Zelda chillin out in modern clothes together, and seeing Link in skirts and dresses and non-traditional clothing was just like YES! Omg so much yes! And it was then that I realised that… I want to wear that.. i want to be comfortable enough to wear that. And thus starts my journey of self exploration and crushing my genders norms. I went out earlier in the week and bought myself a skirt! And oh god I love it! my friends have been super supportive of me and my family as well! (I’ve got this nice combo of a short skirt and a hoodie and I’m loving it!)

TL;DR: your artwork has helped me discover what it means to be comfortable in my own skin and with what I wear around that skin. thank you, honestly :)

Yours truely,

Some cis het loser dude ^-^

hi. wow. i don't know if i can quite express how much this means to me lmao. as someone who also just recently (within the past few years) started dressing the way they really wanted to i TOTALLY understand just how amazing a feeling it is and the idea that i might have helped kickstart that journey in someone else is. wow. lol. i dont usually think about like. my art in terms of IMPACT especially since i only ever draw link legendofzelda but this. makes me rlly happy lmao im so glad i helped you get here in some way!!! pls keep wearing skirts theyre literally the best article of clothing on this planet

[strange-creature-222]

HELLO, WELCOME, WHY DON'T YOU TAKE A SEAT? RELAX, GET COMFORTABLE, TAKE A SECOND IF YOU NEED TO

Here's my little blog site thingy, I'd recommend using it while viewing my blog, so the posts aren't annoying white blocks

Y'all can call me Creature, Archivist, or scourge , I go by it/they pronouns, as well as any neopronouns

MORE INFO BELOW [warnings, interests, tags, blinkies, and is that a playlist of songs I like?]

One: GENERAL WARNING FOR INSECTS, ARACHNIDS, AND OTHER CRITTERS IN THIS BLOG

I SHOULD ALSO ADD THAT IM REALLY INTERESTED IN JUST ABOUT ANY OTHER ANIMAL THAT PEOPLE FIND SCARY

Two: this is my only account, I don't have a side blog or art blog right now, if you specifically want to see my art you can use my art tag (tags listed below)

Three: I block freely so I'm not writing a big dni, don't interact if you fall under basic dni criteria (racists, pedos, nazis, etc. You know who you are), terfs don't interact (although I don't see why you decided to come here in the first place)

Four: WARNING FOR EYESTRAIN!!!! I LIKE BRIGHT COLORS!!!! Oh and eyes, A lot of eyes

I tend to avoid flashing lights, they don't cause me pain but they're really annoying

If I should start tagging stuff as warnings just ask <3 I might not be amazing at it but I'll try

SOME STUFF IM INTERESTED IN

Wings of fire*

Will wood*

Warrior cats*

Wander over yonder

Lemon demon*

Animaniacs

Ride the cyclone

Hamilton

The beetlejuice musical

The Jekyll and Hyde musical*

Tally hall

Miracle musical

Jack stauber

Lackadaisy

Gravity falls

Across the spider-verse

Birds (mainly birds of prey)

Sea Creatures

Bugs

animals that people find scary in general

Fossils

history

Space

Rats

My chemical romance*

The owl house

The strange case of Dr. Jekyll and Mr. Hyde*

The glass scientists*

The Magnus Archives*

A bunch of other things

*starred interests are ones I mainly post about*

MUSIC

MY TAGS

MY ART POSTS

#creature draws : this one has my art!

#creatures neon dragons : this one has some simple brightly colored sketches of dragons on a black background (im not sure I'm continuing this, all posts here are old)

#super cool art : other peoples art that I reblog

#creatures comic collection: comics that I reblog, I will still also put comics in the art tag

MY TEXT POSTS

#creatures ted-talks / #creatures ted talks : these have my text posts, stuff where I talk (I don't do so very often)

#creature answers : this one has my answers to asks and responses to tags

MY REBLOG STUFF

#creature rambles In someone else's post : self explanatory, I talk in someone else's post

#very important post (vip) : this one has posts I find important, nowadays I stick to things with helpful links

#creatures faves : posts I really like

#creatures faves² : posts I really really like

#creatures saved files : this one has things I want to save for later

#creatures saved files art edition : art tips and color palettes I wanna save

INTERESTS

#wee woo : will wood related stuff

#silly music people doing silly things : other musician related stuff (where you'll find lemon demon and mcr posts grouped together, yaaayy!!)

#casualdejekyll and formaldehyde : Jekyll and Hyde related stuff

#Normal British archives : The Magnus Archives related stuff

#wof of fire : wings of fire related stuff

#warrior kitty cats : warrior cats related stuff

(edit 2/20/24 THEY TOOK THE YELLOW TEXT AWAY WHAT THE FUCK)

Any now for a collection of blinkies and banners (credits in tags)

HERE'S MY PRONOUNS PAGE, THIS HAS MY NAMES, PRONOUNS, WHAT WORDS YOU SHOULD CALL ME, AND OTHER QUEER STUFF

[theendofuno]

okay….haii tl;dr: i want to throw myself from a reactor nuclear and besides loving this page dearly keeping it daily isnt helping me with these kinda of thought so ill start a god-knows-who-long hiatus

now *puts a music box version of meltdown by iroha for dramatic purposes* *cleans throat* pretending im talking to an audience its easier for me okay dont judge me :(

i dont know how to write texts but ill try my best to explain everything without going into too much annoying stuff but the text may have a few suicide mentions here and there

okay

i created this page in a very dark period of my life that never went away, it actually worsened everyday. it was supposed just to be fun and games, "oh this character didnt got released this month, maybe drawing him everyday for a month until he gets here will be very funny!!!" *stares at 2 years*

as you can see, i didnt had ANY prepare to keep going for the long we did, but this is 100% not a complain

i really love this page, i really do love everyone i've met, i love having this project with my best friend, but i cant and wont lie: it made me VERY worse than i already was. it made me feel good, it made me feel loved, it made me feel human again, and at the same time it absolutely killed me

having to keep this consistence everyday, having to do good drawings, not allowing myself to do what it was better for my own health just because i didnt wanted to disappoint people with silly drawings when the first week was all cool drawings full colored with a bunch of details, references and etc

i really lost my count of how many times i had a terrible breakdown or even an attempt and my first thought was just "yeah that sucked. anyway i have to work so people will have some art tomorrow!"

and to be honest i dont think starting this page with my friend was…..that of a good idea. i know youre here just for their art. you dont need to lie i know theyre better than i am and you would prefer to see their art everyday other than mine. dont worry the feeling its mutual

but well theyre a slow artist and i wont be the one forcing them to draw everyday, i am the one that can do it and thats what i did for 300 days until now!

but that was something that kinda broke my feelings also cuz im very harsh on myself and keeping comparing their drawings to mine, not only the quality but also the different attention it all got (and sometimes it was almost a 20 likes difference so..sucks to be me ig) isnt doing good for my little damaged brain. its 100% not their fault tho and im not saying it is KJGDKFDK but if im going to be honest then i will

i dont know how to keep going the text tbh,, so,, my point is that im havent felt well since i started the page, and i love it with my whole heart, and these feelings have nothing to do with uno, grand chase itself, or the community (maybe a 2% fault go for annoying people from twitter /hj), im just being a little egoistic and doing this for myself or otherwise i can go completely insane and well. psych wards dont look funny :(

i really feel nasty, an HORRIBLE human being, absolute egoistic trash by abandoning the page, i feel SO FUCKING BAD for not drawing my son, by not updating here everyday and allowing people to see the silly stuff i do, but i guess i got to my breaking point where i just cant keep ignoring my suicide attempts by drawing and keeping my mouth shut (really, my last attempt was so scary i didnt fully recovered from)

yeahhhhhhh

i guess that was it

i pinky-promise i'll try my best to keep drawing and posting everytime i can, but it wont be daily, and it may not be weekly also, but i didnt gave up and i WONT gave up, this page is my absolute pride and joy and i cant just let it go away for a bad mental day. i still love and forever will love uno and drawing him, and i'll be forever happy for everyone i've met and helped me even without they knowing, just by liking or commenting on my stuff

i hope you guys can forgive me for abandoning stuff right now and i hope y'all dont forget me. i wont be mad if you forget me. i'll just be a little sad. maybe cry a little *stares at you like that ( ◕_◕)* but dont worry. its okay.

i'll be trying my best to get back posting daily at least around day 330, but dont put high hopes. please. dont expect much. bigs chances i'll be just dropping a stick man with a heart ahoge saying haiiiii and go back to posting silly ugly art

[takasgf]

12 and 15 for the self insert ask? :3c

Hewwo Wishi... this ask is from april and was supposed to be answered in an audio file but I'm almost never home alone so I cant record myself talking >_> thank you so much for sending it, I'll write the replies for Frogeru !! ʚ₍ᐢ. .ᐢ₎ɞ

12. how would the fandom view your character?

Knowing them, they might reduce her character to a meme or her ship with Ishi. In the worst possible universe she becomes one of those ms paint drawn moe anime girls working at mcdonalds or whatever (examples come to mind...konata osaka lain etc). But realistically I wish she'd remain dr fandom exclusive. Frogeru DO NOT go mainstream, worst mistake of your life. I keep going on tangents, im sorry. The fandom would be very divided - those who defend and love her (and Ishi) with their life and those who are stupid 😆 just kidding. She's a more watered down version of Hiyoko, she's a lot nicer to those who deserve it, but she doesn't refrain from mean remarks and behaviour towards her other classmates. She would be so damn popular in the cosplay part of the community, akin to Ibuki. I'm still very proud of her design and she looks super fun to cosplay and add personal design headcanons to. And I think she'd be one of the choices for that aesthetically pleasing type of fanart that some artists who only draw like 3 dr girls (chiaki, kaede and junko/kiri) do

I actually think her and Ishi would be a pretty popular ship, definitely their most popular (since I change the story quite a bit in their universe so that Ishi doesnt befriend you-know-who). It might be one of the "basic" ships if thats a thing (like...those who get drawn by literally everyone and are generally accepted by the community; but thats not a bad thing at all😼). They have the appropriate amount of sweetness and angst (not in between them, just the context is angsty) in canon, so they;d have lots of fans, shipping AMVs/PMVs, official art and matching merch <3

15. how does your self insert play a role in the plot of the story? do they help directly defeat the villain, support the heroes, etc.?

I FORGOT ALL THE DR LORE UNRELATED TO MY FAVES SO UH... IDK... I dont think she'd contribute much to the actual plot, but she does have her own super complex side-story, accompanied by a bunch of random characters that get mentioned by name once and appear in a background frame in that damn anime (not "the animation", but like the actual anime i never watched) but still have niche tumblr ask blogs about them. of course she'd be on the side of hope, but she's got more important stuff to care about. like taka's favourite color or how to shave her brother's hair off while he sleeps

[morganmerylhodgepodge]

So..... Mafia.

TL;DR: Should I combine aspects of the original Mafia and Mafia Definitive Edition into one for my project? Or not? And should this comic be colour or black and white when I eventually do the art?

Sorry if me asking these sorts of questions is annoying or bothersome.

On the one hand it also feels fruitless, because what if I can never draw again? On the other hand this is why Im doing all this, because if I CAN draw again, I'll still be doing something creative right now, and have all of the other stuff done pretty much, and I'll be able to just concentrate on the art and really make it good.

And... obviously... unfortunately... I'm a naturally indecisive person and someone who often sees value in multiple ways of things... for lack of a better way to put that.

But more in depth…

But Ive got several questions regaurding the adaptation process rattling around in my brain.

Thinking a lot about Mafia since I got into it.

I cant help but want to take hold of this energy Ive got going on.

Why not set The Quarry aside for a moment and work on Mafia instead?

First of all, for LA Noire I know that both because the game comes with a black and white mode I prefer to play in and because it fits the noir vibe better, Im going to make that comic black and white.

Mafia Definitive edition also has a black and white noir mode that looks fantastic. Even better than LA Noire's and it would be cool to have more than one black and white comic, since I know most will be in full colour. That said, it also looks gorgeous in full colour. and several set pieces from the original 2002 Mafia have nice colour as well. Not to mention an iconic character outfit from both the entirety of the 2002 game and the end of Definitive edition feels like it would be more iconic to say the least in colour.

Second and IMO more important, While this project was to adapt these into motion comics, using the games as audio, while I VASTLY prefer the Definitive Edition for several reasons, there are quite a few lines I like from the original game. But both games have VERY different casts.

Its made me wonder if:

A. I should Adapt JUST from Definitive Edition and still do a motion comic.

B. Adapt a story from both games and just do a regular comic, with no video.

C. Adapt a motion comic from both games, but only use the audio from Definitive edition and have the original's audio silent.

D. Adapt a motion comic with only music and SFX but NO voices from EITHER game.

or the big wild card option…

E. Fully adapt both games into a motion comic, including audio from both games, even though the voices are different, counting on the eventual art to do the heavy lifting on convincing that these different voices go to the same characters?

What do you guys think about all this? Not going to do a poll. Those seem unreliable and tbh I get antsy. Plus since I just got into it, I know not everyone is going to care since they might not know much about these games themselves. But just from an adaptational standpoint, I'd love to hear y'alls opinions on this. This is quickly becoming hugely interesting for a number of reasons, and I really want to do right by this story, as is with all the other ones I want to adapt for this larger project.

[thelandscapingemployeetrap]

The Inconvenient Secret to Levelling Up

In this episode, Keith dives into the inconvenient truth about levelling up in life and business. From sharing personal mindset insights to discussing the impact of external circumstances and internal responses, Keith explores the gap between stimulus and response, drawing inspiration from Dr. Victor Frankl's book, "Man's Search for Meaning." He emphasizes the importance of facing challenges with resilience and choosing to respond to difficult situations. Keith also reflects on the concept of toughening up and building emotional resilience to navigate the adversities of business and life.

  "The secrets to leveling up - surround yourself with A players and people who have a great attitude and who actually genuinely care about you. There are people who are coming to your life and they leave for just a season. And if you make the mistake of thinking that and opening your heart up too much to somebody who doesn't deserve that part of you. Then you're, you're opening yourself up to getting hurt."

 - Keith Kalfas

Topics Covered: 

Impact of external circumstances and internal responses on personal and business growth.

Concept of freedom of choice in responding to stimuli

How to toughen up and develop emotional resilience in business and life.

The importance of selective sharing of personal matters with a trusted inner circle.

Maintaining boundaries and not exposing vulnerable aspects to everyone.

Strategic quitting in business and life.

Celebrate and acknowledge progress to build self-worth.

Finding your purpose through helping others

Key Takeaways  "So here is the inconvenient truth to leveling up. You might've heard this stuff before. And it's funny that the cliches are true. It's when you're faced with hard times, how do you respond?"

Connect with Keith

Instagram: https://www.instagram.com/keithkalfas/ Facebook: https://www.facebook.com/thelandscapingemployeetrap Website: https://www.keithkalfas.com/resources Youtube: https://www.youtube.com/@keith-kalfas

  Resources and Websites: 

🙋♂️Get My Free Landscaping Business Startup Video Series Here👇  Here https://www.keithkalfas.com/Landscaping-Series

Landscaping Course https://keith-kalfas.mykajabi.com/store/8bFERMcs

LANDSCAPING BUSINESS  How to Guide: https://www.keithkalfas.com/16

Get Jobber: https://getjobber.com/im/ambassador-referral/?gspk=a2VpdGhrYWxmYXM4NTIx&gsxid=Rs6pwtznLDcs

Get Ballard: https://www.ballard-inc.com/

Check out this episode!