#im so scared of ending up alone

[maryreadings]

i really want to be married some day

[greenfiredragonfly]

My brain keeps shouting at me: "what are you even here for if you're not needed?" I'm so tired of this. Just shut uuuuuuuppp. T_T Stop telling me I'm unnecessary and unimportant and just in the way. God.

...how do I find a place where I feel wanted? Where I feel safe? Is it possible? Is it even possible? Please tell me that it's possible please please

[angellurgy2]

in the backs of my eyes, light does not reach. black and white, monochrome stars, inky null and blinding full.  others dream, and my thoughtlessness seeks.  though i cannot see, and though i cannot breathe  in every moment my eyes breach free- i dream. not for grandeur, not for fillment,  i dream of nothing but hope.  for days where i could, for the days i would dream.  sitting in the back seat. squalid radio turned to rage. looking at her shoulder’s locks, dreaming of the cage. taken to my first bar, shown my first rave not forgotten, not forsaken, the only love i will take to my grave. cigarettes and mud, alleys and grunge all i wanted was saving.  gone so far, seeded so deep, until it whittled into camaraderie. when the shows over, she’d take me home and leave me in her bed. that night i would be cherished, and that morning we'd be fed. i see their faces in my dreams, as every possibility, every tangle, every thread, every filament held together. like a bastion of memory, creating false to fill the empty. to grant hope to a greyscale null. * * starlight ash, the null of the void, the hopes of a begotten child. is there anything to hear, when the screams are of fear, or choking of brittle and tears? his hopes were so mild, his rage was unbridled, how could she be any different? feel her eyes shiver, feel her soul take, feel the ties of the poverished ingrate. your help cannot find it, your thoughts cannot find it, your hands cannot feel it, your heart cannot take it, your legs cannot shake it and your teeth cannot break it.  in every part of you is her no matter how hard you fight it has been the end of her not of her blight. only of her light.

[moeblob]

Amazing, take some of the side character demons from Evil Bound.

Vincie is a menace to Chuck and Chuck alone so in Hell, Chuck hexes his hand behind his back so that he isn't grabbed as much (and it's harder to pet him). Chuck is like the most irresponsible older sibling ever to demons though so Kelvin recruits him (as an older sibling vibe) to go help him get his ACTUAL older sibling from Earth. Chuck agrees. And then drags Vincie from Hell with them because no one else wants to babysit him and he refuses to unbind the hex just to re-hex when he returns to Hell.

In Hell, Kelvin actually doesn't appear much different than his human form! Like Kronos, the lines under his eyes are red in Hell but black on earth. Chuck however? In Hell he has wolf-ish ears and has a fur lining his neck (note the neck scars in human form). In addition to that he has four eyes in Hell (note the scars under his eyes in human form). Vincie just has horns in Hell. And! In Hell the hex doesn't have a silly looking "tied up" look, it's invisible unless Vincie strains it with movement and then its red text. But it shifts on earth to be visible.

Vincie's biggest agony for the entirety on earth is "dude it's colder here than in Hell I want a jacket to slip my arms into BUT I CANT BECAUSE IM BOUND".

[riacte]

how it started:

one ren peeing twaddle conversation later:

[iguessitsjustme]

I know Moo and Kang are kind and forgiving and wonderful human beings. I’m not though. Shone is getting pushed right off thr cliff.

If you answer “not me” congrats on being a good person. You are so much better than I am. But also if you ever need a mean friend to deal with someone for you, congrats, I’m your friend now.

[thebigqueer]

i dont wanna eat anything or do anything and i just wanna lay around but i also dont wanna do that and i dont wanna watch anything or read anything and idk what i wanna do

[oogaboogaghosttt]

ok wrestling is dirt pits by ethel cain is sooooo raph and leo coded. to me.

[piplupod]

mistakes were made. should not have gone to library today. i will be leaving the house all five days of the week now (plus we went to a waterside on sunday for several hours) and uhm... i feel like i need to go hibernate for several weeks to feel even remotely okay again fhdkdl i am so tired i can barely think enough to string words together in any comprehendable way 🧍<- upset

[pepprs]

hi im going to leave chicago in a few hours. i don’t want to come home

[bare1ythere]

I was trying to clean my keyboard because I realized that I had not cleaned under the keys even once in the almost 10 years I've had this computer and I took a couple keys off and then realized I couldn't get them back on. I can't figure it out no matter how hard I tried and the whole time I was just terrified that my parents would be mad at me. I don't think I've felt that in a while

[bluejaybytes]

@snowshinobi Hiiiii :3 I'm responding to your tags on a new post and not the original since the original was already somewhat lengthy, and I plan on being LONG and RAMBLY, but I have sooo many thoughts on what you said and I'm going to say them. Also my browser crashed TWICE (TWO TIMES. 2) when trying to write this post so I'm really fighting for my life out here to get my silly little OC posts done. Also it's under the cut because it's looooong as hell LMAO

Firstly, you're so nice to me forever <3 Secondly, I think you've basically hit the nail on the head. The majority of the issues Maggie has coming back from death and her 9 years gone are really tied almost exclusively to her close family, because she... never really had anyone else. While in-universe it's only 9 years, realistically the jump in technology and culture is around ~20-30 years (Maggie died in the 90s/early 2000s essentially, and wakes up in a just barely futuristic city), but... the most jarring thing to her in terms of what she missed out on is just. Flipphones are no longer popular. Other than her family, she's only close with one other person... who just so happens to be a ghost, and therefore both 1. Wouldn't change much over the timespan due to how long she's been a ghost and 2. Unlike her family, was aware that something happened, since she could see the ghost-of-a-ghost Maggie left behind (The ghosts name is Opal, she positions herself as a sort of "guardian angel" figure, though she's not actually, and serves as just another parental figure for Maggie while also getting after the ghosts that constantly harass her to pass on messages to the living). Maggie has no real relationships outside of her family, and while her relationships with her family are massively impacted by her unknowing death, other than that... the timeskip itself doesn't weigh on her because she had no one regardless. Her struggle to adjust to everything thats happened would've happened regardless of the timeskip for her, because she was such an isolated shut-in that it's the same whether it happened the next day, or nearly a full decade later

So another very interesting thing is that you've actually completely seen where I was going with everything, in spite of everything I said being very surface level and not actually delving into the plot at all. I completely skimmed over Jenna (She's very important to the plot, but she's by in large a regular person as opposed to Maggie's... everything), but for some additional context, Jenna has a horrendously shitty homelife, so her moving in with Maggie is both a gradual process (It goes from spending time there, to spending nights, to eventually just never going back home and moving in fully), and also serves as an escape for her. Part of that is also, so vitally, the food aspect. For some additional additional context, souls essentially serve as a persons lifeforce, practically every bodily function is improved by a soul that's stronger, though the "strength" of a soul is essentially entirely random, and not dependent on the individuals actions of any kind. Maggie had a generally weird soul before (Seeing ghosts inherently means she has to have something going on with her soul), but when she wakes up after her death, her soul is now even weirder, and part of that is that it essentially lets her get away with bad habits she absolutely should be seeing more consequences for. She barely eats, and when she does, it's basically exclusively crackers and whatever other safe foods she has around the house, because actually making food is a level of care and effort she just... doesn't give to herself in the slightest. Part of Jenna staying with her is that Jenna, without really discussing it, entirely takes up the mantle of caretaker of the apartment, with the biggest task being food prep, Jenna sees Maggie's unwillingness to take care of herself and silently steps up and starts making her actual meals so she's eating properly.

The problem is is that this also kinda... just straight up sucks? Jenna doesn't think much of it, it's something that needed to be done so she's doing it, she wants Maggie to be well fed even if she won't do it herself, and she's already been responsible for making all of her own meals for years prior anyways, so it's just another thing she does. Except that's shitty! Maggie's seen firsthand how terrible her homelife is, and it really weighs on her how even in her escape from that, Jenna's still being put in a position where she feels like she must care for her or else she just won't eat properly. So food is such a massively important thing to both of them, it's this symbol of love for both of them, it's love on the part of Jenna, for stepping in and taking care of Maggie when she can't do it herself, and it's love on the part of Maggie, for realizing how her own bad habits impact the people she cares about and wanting to lift that weight by taking care of herself better. It's also very vital for Maggie because she just... doesn't... have hobbies. Learning how to cook becomes really her only hobby and she puts all of her love and care into it, because for the first time in a long while she's actually passionate about something! ...Unfortunately she also is very very bad at it. She's inventing new dishes like "Burnt Salad" and "Please Help I Fucked Up Kraft Mac N Cheese" and still having to have Jenna come in and help her. But it's the thought that counts, and it'll only be a matter of time before she can make something vaguely edible.

And finally, the stuff about names! I didn't post it here, but while idly talking about her in a Discord server I'm in, I definitely think that had I made Maggie like even a few months later than I would've done she would've been nonbinary. As it stands right now though, I'm saying she's probably some form of genderweird but too busy trying not to die to think about it <3 Growing up knowing that ghosts are real and routinely being shut down by authority figures in her life about it has made her very aware of how bullshit a lot of things are and how the people who claim to be knowledgeable tend to not know what they're talking about (Beyond just the "people don't think ghosts are real", she's also got ghosts willing to tell her when people are lying because they've got nothing better to do than just gossip) , so if she spent even just a moment thinking about gender as a social construct she'd instantly recognize that and probably take up some form of genderweird label, but as it stands she's just too stressed with Being The Protagonist to think about that

Now, the thing with Margaret. I'm not even going to lie to you, I think you made a better connection to how a name connects with community in terms of the narrative themes than I did. The thing with Margaret denying the name "Maggie" existed for two reasons, the in-universe explanation is that, with the little scrap of soul Margaret has leftover from Maggie, it's essentially working overtime just to keep her vitals working, it can't dedicate time and energy to making her an individual with preferences and a personality, so part of that is that she doesn't respond to "Maggie" because ultimately, that is not her name. Her name is Margaret and she's not going to respond to "Maggie" because "Maggie" isn't her name. Of course, out of universe the reasoning is that I wanted an easy way to distinguish between Maggie as she is the protagonist, and the version of her that lived in the years she was gone, so different names makes the most sense.

I think your connection to how name relates to community genuinely works on a level I hadn't fully pieced together myself yet and I really love that because I think that absolutely works with everything. One of the main conflicts of the plot is how Maggie is entirely disconnected from her family thanks to the years she was gone, with Margaret having no priorities beyond "survive", she basically never spoke with her parents or brother for years. While her family tried to reach out to her repeatedly (Especially given that, while they're unaware the truth of what happened the night Maggie was murdered, they do know something happened, and they believe that whatever it was severely traumatized her, and that's where the sudden and drastic shift in personality came from), there's a point where they just... gave up. She wasn't trying to talk with them or contact them in the slightest, so around a year or two after Margaret moved out, her parents gave up on her. Her brother would still be there a bit, but he also didn't really... try... anymore.

When Maggie wakes up, she tries to call her parents... and they don't pick up. They'd grown resentful over the years, and now that Maggie wants to talk to them, they don't forgive her for the years of not speaking to them, and aren't interested in whatever she has to say after nearly a decade of trying to reconnect with her and being met with nothing. It's her insistence that she wants to be called Maggie that actually gets her brother to realize she's telling the truth and that something happened. She shows up at his door, already something that Margaret wouldn't have done, and that combined with her being visibly upset when he calls her Margaret and tells him that's not her and that she's Maggie, it signals to him that whatever's going on is real (...though he would've figured this out eventually, given that she also literally 17 again and not in her mid-20s, and has a giant glowing stab wound in her chest). I think it works absolutely perfectly as being a symbol of community, her disconnect from her community is what led to her being called Margaret, and her desperation to be returned to that community is when she's Maggie again. So uh. Congrats on getting the themes of my OCs better than I did <3

And uhhhh closing thoughts! I honestly did still skim over the majority of the plot (Literally never even mentioned Eli or what's going on with her stab wound </3), but I think you reeeeally hit the nail on the head with everything I'm kinda getting at with these OCs, which is... frankly wild given how little main plot I actually got at. Basically everything I mentioned in my original post was the setup, not the main plot. But waaaaugh thank you for being so niceys to me and also giving me another excuse to ramble endlessly <3

[roachemoji]

[bbqhooligan]

through all of it, after all of it, ill still be mulling over Bella Swan. unlike other parts of smeyers writing where the glaring issues take the front seat to parts that are well written or interesting, bella remains special to me. genuinely worlds most boring girl, meant to be a mormon self insert but her humanity fleshes out so nicely its hard not to think this is an interesting character who is stuck in a bad premise. i dont know if many fanfics have it in them to do her justice but i be Wondering.

[piplupod]

i will make a few random posts and dm one mutual to say smth nice to them and then sit here feeling like i've just ruined my entire life and everything is about to come crashign down around me. HGELP.

[paddockbunny]

I HATE when guys ask for your number then do fuck all with it. Like babe, text me…if you only wanted to window shop then ask for my Insta instead