#imagine doing a frame by frame analysis

[cinnabundolly12]

Listening to this youtuber give misunderstood information on lmk macaque is killing me and I want to go through the screen and shove all the evidence and timestamps in their face PLSSSSS

THEY HAVE A MACAQUE PFP TOO LIKE EXCUSE ME THATS OUR BOI DONT DO HIM DIRTY LIKE THAT WJDNWJDNSJ

And no it's not cuz I'm obsessed with lmk and a "I told you" person it's literally in the character sheet and hidden details you have to look closer at (because writing and the way the episodes are made makes it obvious that its gonna be relevant or explained later if lego would just give them the time or opportunity to do it later AND ITS IN THE TOY-) and also basic information on the og book description of macaque or something

Has 6 ears ESPECIALLY ON HIS MECH HE MADE so they didn't ignore or cut it out technically idk about his hearing the past or present magic tho tbh I don't think they've hinted at it cuz I'm pretty sure we would know of it by now

Season 3 “benched” white tail is not an animation error it’s tangs (and/or piggsy's?) magic kinda fucked up macaque's glamour (caught him off guard I think is the wording?)

And season 4 “a lifetime of mistakes” the broken portal thing sun wukong caused kinda has this thing around macaque possibly showing the 6 ears existence finally (kinda sounds like a stretch but it's rly weird when you think about the animation looking closer fr)

[icewindandboringhorror]

I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?

(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)

Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c

[spocks-kaathyra]

u know an episode is good when u have to pause it in the middle to cry

[box-dwelling]

Honestly sometime you'll see the most basic ass fucking equality 101 take one here with thousands if notes that adds nothing to any discussion and presume it must be made in like 2016 when it was all 15 year old just realising that maybe racism is bad but then you look and it's dated like last year but it has a comment at the end saying "group with x privilege should reblog this" and you know that the people of said group have just insanely inflated the notes because its such a basic take they don't have to actually reexamine their biases

[kathaynesart]

So I read your analysis of Donnie’s ninpo and I think it’s really interesting. I find it funny that the last turtle to hone his ninpo is now one of the top two skilled in it.

I did want to ask though, what’s up with the little Donnie projection he has flying around? I’m assuming he’s not actually doing all the poses the little guy does like laying on the ground when it lays on Mikey’s palms. Is this his Ninpo, or the visors they wear, or possibly a third option I haven’t taken into consideration yet? I imagine it’d be a little draining to make a perfect detailed replica (hehe) of yourself flying around with energy that could be going into shields and the sort. Also the little guy can talk to people! Is that their visors or can Donnie’s ninpo allow him to almost throw his voice literal miles away?

Just curious about how your Donnie works! Your AU is REALLY amazing and I look forward to every part! Genuinely you are such a big inspiration to me :3

Also feel free to ignore this if someone has asked it already <3

Ah-ha! Good catch. For the most part what we see is in fact a projection of whatever pose Donnie is actually making. It's basically just a hologram of him and uses minimal energy since the mystic fragments in the boys' armor is doing most of the work for him (this includes voice projection, because *mystic science* and I'm lazy). He just can't go very far from them since it's their armor that is projecting him.

However, we do get to see one other projection of him in the latest chapter. Namely the "Mini Donnies."

If the Donnie projection we usually see is similar to a "live feed" then these little guys are more like animated gifs. They're basic images of him used as indication markers for his brothers. Had this scene been fully animated you would have seen that these little versions of Donnie are just doing a back and forth 2 frame hammer animation. That way his brothers could see if he was mending all the spots on the shield. (Sure they couldn't see the backside of the shield but boy was panicking haha.)

As far as Donnie laying down that is TOTALLY something the real Donnie is doing right now. Bro went and exhausted himself then crawled back through Leo's portal in a much less flashy fashion. He's probably laying on Raph's pillow pile back in their dorm now. Thanks for your question!

[prettyboykatsuki]

TEXTBOOK CITATIONS ON IMMORAL SEX | S. GETOU ft. F. TOJI

✮ tags ; porn no plot, afab + fem!reader (good girl, little girl once sarcastically by toji, pretty), mild degradation (dirty girl, a bitch in heat), professor!getou + security guard!toji, dubcon, imbalanced power dynamics, age gaps(10+ years), mild coercion / blackmail, spit play, wet ‘n messy sex, face-fucking, oral (f +m!recieving), spanking, restraints, dirty talk, creampie / unprotected sex, 18+

✮ wc ; 10.6k

✮ synopsis ; You’re willing to do anything to pass your intro course. Whatever it takes. No cost is too high.

✮ a /n ; a comm for the beloved @fushironi !!! thank you for commissioning me and letting me post your work. if anyone is interested in a commission i will be reopening them at some point this month hopefully

A SIDE NOTE: THIS IS VERY CONSENSUAL!! but the relationship is inherently unethical so the dubcon tag is there. and this is. just smut. no plot no brain. just porn.

You're failing ethics. 

You're failing ethics and failing it badly. 

You refuse to take all of the blame for your failures. Some of it is your fault, but most of it is the fault of your good-for-nothing academic advisor. You're not sure what they get paid for, since it seems like there's an elaborate prank going on between staff and you're the only one not in on the joke. In what universe is it possible, plausible - that an individual could get paid for doing everything but their job? 

Apparently this one. But whatever. 

In your last semester of university, on the edge of graduating and totally on the right track - you're informed that you're not going to be able to graduate in the expected time frame because you are missing a single course. You learn this information about two days before registrations close, which means all the meaningful classes contributing to your major are booked and busy. Everything is full, and everything that isn't doesn't contribute to your degree. As in, even if you took it - it wouldn't give you what you need to graduate. 

After a full-blown mental break, a long night crying yourself to sleep in your dorm, and an egregious amount of begging - you managed to snag yourself a class. It wasn't ideal by any stretch of the imagination, and it did put quite the strain on your schedule. Straight out of your 8am lab - you had to speed walk to the other end of campus and make sure you made it to lecture. The lecture time itself was an hour and twenty minutes, attendance mandatory, twice a week - which meant you had to delay lunch again till afterwards and learn on empty fumes till 1 pm. 

Still, better than not graduating at all. 

You'd hoped (expected?) that the course itself would be about average in coursework. For one, it's an intro class. Intro to Ethics or PHIL-2467, with Professor Getou Suguru. Secondly, the actual listed coursework seems simple enough. Discussion boards, reading analysis, and a few papers made up for most of the grade. The expectations were outlined as clearly as they could be. 

You didn't really know anything about Professor Getou at the time, only that his ratemyprofessor described him as somewhat strict but mostly good. 

In any case, you'd consider yourself lucky. And in an effort not to freak out about your circumstances, you'd practically chanted to yourself each night the same mantra. Everything was going to be fine. You've taken nearly 120 hours of coursework, and a little extra time won't kill you. At the start of the semester, you fully believed it too. Bright-eyed, bushy-tailed, and utterly naive.

How could a single course torment you like this? You hadn't the faintest clue. At first, it struck you as odd that the course felt as difficult to grasp as it did. The readings were complex and extremely long but always said a lot of nothing. Much of your grade was dependent not only on assigned work but participation and discussion. The paper criteria was only simple on the surface, but proved to be too lengthy to comprehend and too difficult to fulfill. 

Long story short, the class was kicking your ass. And the ass-kicking slowly progressed into a failure so bad it was laughable. You're in your final year, and that means taking a lot of difficult and specified courses in relation to your major. You were at the point where your classmates were starting to thin out, and you were seeing the same group of people you had as a freshman. As far as prioritizing goes, a 3-credit hour course that isn't technically meaningful to you falls to the very bottom of your priorities. You're more concerned with things like job-hunting and finishing your capstone and all the stuff related to your actual career. 

So you've been half-assing all the papers and exams, falling asleep in class, and lowkey straight up ignoring the weekly discussion boards. 

However, above everything else, the worst part of your class is your professor. Professor Getou Suguru. PhD in Comparative Ethics with a Masters in Cognitive Science. 

You didn't really have a chance to speak with any of your friends about Professor Getou, despite it being in your best interest - because you only knew you had the class two days before it started. You'd come to learn only two things about him after attending. First, he's a complete hardass when it comes to grading any assignments, and second most of his merit comes from the fact he is ridiculously good-looking. 

He can't be any older than his late thirties or early forties, which means he's young. Young enough to be attractive but old enough for most of your peers to thirst for him in unhealthy ways. He's at least a decade and a half older than you, and by god does he make it clear. 

What they don't tell you about college is that there's nothing that can make or break a class more than your professor. Everyone is always too worried about everything else, about getting their schedule right - that they often overlook this basic tenet of college life even though it's so crucial. The worst part is that while various websites rating your professors are helpful, you won't truthfully know how you feel about a professor until you've met them in a classroom. You've had professors with lower ratings be absolute angels, and professors with higher ones being some of the most useless in your entire academic career. 

You were hoping that Professor Suguru would be what you expected. That his astounding 4.5/5 would be a meaningful assessment of his character, that he would be tolerable and polite and understanding and that your semester would be smooth sailing because of it. 

But of course, of course - that couldn't be further from the truth.

You don't know at what point exactly your relationship to Professor Suguru became as sour as it is right now. There's no real pivotal movement where mild intolerance became full-blown and outright distaste. But part of it, you know, stems from the fact your beloved professor is a snake. 

You have no idea how no one else notices it. It genuinely feels like you're the only one who catches the subtleties of his behavior. There's just something about him that's a little…off. The irony isn't lost on you. He's an ethics professor, but something about him makes alarm bells go off in your head. A walking red flag, though a handsome one. He's off in a subtle way, but more than that - he's very openly smug to every single one of his students. It's just that no one else seems to really care. The air of pretension that surrounds him in his every movement is suffocating. Maybe that's part of the charm, if the way girls flock to him after class is anything to go by. 

Even so, you just know there's something deliberate about his casual cruelties. He always seems to pick out the quiet kids, and from the beginning of your semester to now - he always, always manages to single you out of the crowd of students. In every class, in every discussion, in every chance he has to make you out to be a troublemaker he will. 

Yes, you don't really have any idea how it started. But you've been keeping a long record of every single act of personal terror that damned man has been inflicting on you since the start of the course, and you're not unconvinced that your shit grade is in part because he wants to see you grovel in front of him. 

The first time it happened - you figure it was a coincidence. He had called you out in class after you missed a discussion board. You hadn't done the reading, and it wasn't obviously humiliating but it singled you out all the same. When you fumbled coming up with an answer, he gave you a smug smile that so quickly morphed into a fake sincere one, you wondered if you were imagining things. 

The second time was when you came in late after a walk of shame, and Professor Suguru greeted you by the door by asking if those were the same clothes you wore yesterday. After being completely mortified by it, the once dark gaze immediately rescinded to his usual fake-calm self. It was suspicious, but not the concrete evidence you needed. 

And the third time was after your first project of the semester. Your grade was lower than you deserved, and you knew it - so you went to his office hours to bitch and moan to get it bumped up. But he wouldn't budge, saying that he thought his assessment was accurate. Made a smug face as he told you he just didn't think you thought your points out through. Unfair critiques shielded by flowery words and polite gestures. It was that moment that cemented the dislike, though it wasn't the start.

The beginning of the end, so to speak.

Ever since then, you've harbored nothing but dislike for him. You can see past his pretty face and you don't see anything good. You've had unpleasant professors before, but none have ever targeted you so specifically. None of your previous professors, even at the worst, seemed to hold such an unbelievable personal grudge. 

You're all alone, fighting an invisible battle. 

The worst of it though, is that you simply couldn't be bothered to give a shit about it for most of the semester. You had way too much going on, so you just had to put up with the inexplicable dread of attending that class until you had to deal with it again eventually. 

And after months and months of avoiding the issue head-on, you're at a point where you can no longer do so. Your grade is officially below a C after bombing your last quiz, and there's only 5 weeks left until your semester is over and you're barred from graduation. 

And you have no fucking idea what you should do about the situation. 

__

There's a subtle pit of dread in your stomach as you enter your first philosophy lecture of the week. 

For the first time since the start of the semester, Professor Getou doesn't antagonize you as soon as you enter the door. In a strange way, this makes you kind of uncomfortable. He gives you his usual fake smile, but the fact he's gone out of his way to leave you alone makes you feel like he's planning something. 

You brush your paranoia aside as you take a seat in the back of your class. You don't have any friends in this lecture, at least not ones you do more than greet. You sit closer to the back of the lecture hall, tucked into a corner and up a few steps.

The charms on the end of your book bag zippers click together as you take your seat. You open your laptop - pulling up the lecture slides to pretend to study while opening 2048 to play while Professor Getou goes on about his business. You're hoping he's going to go easy on you today, and that his lack of interference is a sign of mercy. 

More people start to trickle in and the classroom is the usual amount of packed it is by this point in the semester. The last day to drop passed last week, so the number of students has decreased despite it being spring semester. 

Your professor starts his lecture as soon as the clock hits 11:30am. You look up from your computer, watching him as he sets up his slide deck and waits for all the conversation to settle before he begins talking.

He catches your eyes briefly before he continues, but he holds it for long enough that you know it's intentional. You frown at him, and it almost looks like he laughs - but you can't be sure your mind isn't tricking you into thinking that. 

"Good morning everybody," His voice is smooth and pleasant - hair tied up neatly. He's wearing his usual attire. Black slacks, and a loose-fitting white shirt with some kind of canvas shoe. "How's everybody hanging in there? Good? Bad?" 

He takes a look around the room, gauging peoples replies before chuckling. 

"Not in good shape huh? Stick it out, a few more weeks and you'll be out of here. Today, we're going to continue on into section five of our coursework - the shortest of all of our other sections," He grabs something that clicks the slide into the next one, a few images next to a wall of text "We have a lot to cover in the last few weeks, but I want to start with a refresh of what concepts we've been learning for the last few weeks." 

The swiftness in the way his eyes land on you is comical in its predictability. You give him an uncomfortable half-smile as he calls your name and brings the class's attention your way. A few looks of pity don't go unnoticed. You stiffen, straighten your back as he says your name slowly before asking. 

"Do you think you can tell me, what are the four core structures that define modern Japanese philosophical thinking?" 

There's real, uncomfortable weight to his gaze that makes you choke. You pull back slightly. 

"Uhm, well - there's Shintoism, Confucianism, Buddhism and western ideology. Primarily German idealism."

He gives you a smug look, the same one you always see before it fades off to an uncannily brilliant smile. Not a sincere one, because when is it ever - but there all the same. 

"Someone's been studying hard huh? But you are correct. We've spent the majority of this class going over the first three. How Shinto tradition, Confucianism, and Buddhism were experienced in Japan - isolated from Anglo-Saxon influence for the first few centuries of its establishment. We've also studied the vague historical timeline of these influences, mostly focusing on modern philosophy. We've covered Edo period philosophy as a precursor for what we know and understand now." 

You can say a lot about Professor Getou, but more than anything - he has a certain way of commanding the room's attention that never lets you get completely comfortable. He has an air of charisma you've never seen in your life and being in close proximity to it makes you feel like you're being swept in by waves larger than life. 

You fidget almost anxiously as you wait for him to continue his lesson.

"Our last few weeks are going to cover the culmination of your previous lessons, and what dictates both national morality and the hierarchy of modern Japanese social mores - Bushido. The way of the Samurai." 

Professor Getou continues with this slide deck as he outlines Bushido conceptually. From its existence as a moral code in late 12th century Japan, to the many misconceptions about the strictness in which it was adhered. He starts the lessons like he starts many others, explaining misconception and myth before touching the surface of the subject at hand. 

It's in his nature to advocate for the whole truth. From the start of your classes to now, Professor Getou always places the same emphasis. If only that truth is unable to be understood without opposition. It's like his whole being is constructed by it, opposition that is always radical and jaw-dropping. You've known this about him since he voiced his open critique for certain ideas about social welfare and about the emphasis of national morality. 

You can't be certain what he really believes - only that he'll voice his views as critically as possible, if only to stir the room. 

"Bushido is the heart and soul of modern and postmodern Japanese ethics, but it remains critically undefined despite its usage and citation functionally. Other philosophical schools of thought have strict definitions - Bushido is evolutionary in nature. Inazo Nitobe is primarily credited with the modern and popular interpretation of Bushido, but has received criticism for its obvious influence from Western ideas, and its comparison to chivalry."

Professor Getou sits back on the edge of his desk with a look on his face. 

"The tendency of Japanese philosophy to lean into metaphysics does not align with the many values of infrastructure and military present in the culture now, but I'm not going to critique the philosophy for you," He skips to the next slide, your last project of the semester on the wall "For the sake of brevity, I'm going to have you write a paper on one of the eight outlined ideals in Nitobe's work, and I want you to reflect on that ideal in your paper." 

A collective whispering erupts in the class as people stress about the assignment of their final few weeks. Not unexpected given the circumstances. Professor Getou doesn't flinch as he waits for the room to settle down.

"This will be your final project in this classroom, and will count as your final grade. On one hand, doing a good job on it means you have nothing to worry about for the last few weeks. On the other it's make or break," He locks eyes with you again as he says this, startling you as his smile grows coy and inauspicious "So if you're in need of a good grade to pass you, I'd recommend coming to see me during office hours or during one-on-one time so I can get you the grade you need. We'll discuss more at the end of class, but we've gotta get through more lectures so you can get an idea of what you can pick."

He gives you one another look, another pointed and obviously direct look, before he proceeds on with his lecture. It gives you a bad feeling in your stomach, and maybe you're being too self-centered thinking he's focusing too much on you.

But you can't help it, swallowing down your uncertainty as you continue on with the lesson. 

You need to pass this class. 

___ 

You meet up with Nobara after the fact. 

She's a good sounding board for your problems as usual. Where you're always looking for the most civil solutions, she's good at giving it to you straight on what you should do. She's no bullshit and you like that about her. Whenever you need a kick in the ass or an ounce of courage, she's the person for the job.

 So after meeting up for lunch, ranting again about Professor Getou (for the hundredth—no, thousandth time), and whining about his weird behavior, you're expecting some semi-sound, if not mean advice on what you should do. 

"Have you thought about just fucking him?" She says instead, her voice full of sincere boredom. It comes out so casually, like she's relaying the news cycle to you - and you can't help but be utterly shocked listening to it. "Not that it was my first suggestion, but I mean…it's getting ridiculous." 

"Hello? Where the hell did that come from? What do you mean just fucking him?" 

She gives you a sideways glance of disdain as if you were the one saying something unreasonable. She leans forward into her hand mirror, gluing on her eyelashes for her afternoon date with Maki. She scoffs when she realizes your shock is genuine. 

"Are you serious? Does this not read as an elaborate scheme for this total jackass to fuck you?" 

You're flabbergasted. Surely she's not being serious with you. 

"Nobara." 

"Haah? Tch. Don't make that face. It's a gross abuse of his power but well, he's not ugly. If he were any younger of a professor, would you like… not assume that was the end game?" 

"Nobara, he's a professor of ethics. His whole career is ethics." 

"Yeah. Like. The perfect cover for wanting to screw his wide-eyed, desperate students. He's a hot, young professor. Not my type but you get me. Don't you think it's a little naive to assume his personal vendetta against you is shit, I don't know… totally lacking that motive? Think with your brain, not your tender little heart for a minute, okay?" 

"It's not that!" 

"Really? Just like your relationship with Mr. Fushiguro is totally platonic?" 

"I said it was one-sided, not platonic." 

"You're my whole heart and soul, you know that right? I didn't freak on you when you said you had a crush on Megumi's deadbeat dad. You're my salvation from the idiots we call guy friends. So I'm saying this with love, and not as the complete bitch you know me as - you're being dumb." 

"Nobara, are you seriously saying you think this whole thing is about him wanting to," You can barely even get the words out. You're not that much of a prude but god. "Wanting to have… sex with me?" 

"Yeah. What else would it even be? I think an awful man is interested in screwing you - a hot, capable twenty-something. Are you stupid? Is that like, sooo impossible for you to consider?"

"Well it's not the first place I would think to go, that's for sure." 

"And that's your whole problem. Don't get me wrong, again, totally gross. Is it like.. a total abuse of his authority? Yeah. But that doesn't have anything to do with you personally. If I'm right, and you fuck him - you get a good lay and to graduate. And you need both."

"Nobara!"

"Don't be mad, I love you, okay? But I'm thinking about your future and your prospects. There's nothing wrong with it on a technical level."

"That is so untrue and you know it—"

"Look. I don't like it. I think it's a weak move and kind of corny and gross. But you've been planning your big graduation for years. And it's not a bad opportunity, and you're not a complete idiot. You said before that he's never inappropriate with the other girls right? You might even be the only one. As far as I'm concerned, there's no reason for you to not get laid and pass." 

"Oh, so the student-teacher thing isn't reason enough?" 

"Not if you wanna graduate it's not." 

The two of you remain at a stand-still as his words trap you into a corner. How the hell do you even deal with this information? And how on Earth is she so sure of herself anyways? You think you're pretty good with signs, at least about things like this.

But it doesn't feel like flirting. He's never flirted with any of the students in class, despite how much they seem to fawn over him. Could this weird, psychological dance you've been doing for the last twelve weeks be some sort of unspoken foreplay ritual? 

The more you think about it, the less it seems implausible to you. There's a wave after that, some cross between impending doom and shameful arousal blooming up inside of you as everything hits you all at the same time. 

When you return to reality after being trapped in your thoughts, Nobara gives you a mindful (almost pitiful) smile and shakes her head. You frown at her in reply, squeezing the bridge of your nose. 

"If it were like literally anyone else, I'd totally tell them it's a bad idea. But it's not like you're going on to date him, and you're what - 24? because of your gap year so you're not a preteen like some of the freshmen in your class. I just don't see any reason not to go for it." 

You tamp down the small voice in the back of your head, encouraging you to do - and instead ask her a follow-up question. 

"...Do you think I should attend his office hours tomorrow, yes or no? I have to email him by tonight to get the one on one." 

"Yeah. Yes. And shave before you go." 

__

You decide, for the sake of your sanity and everyone else's - to ignore Nobara's odd implications about what Professor Getou wants from you and to attend his office hours.

(That's a partial lie, you figure - given the fact you did shave, and shower before attending. You're wearing something kind of nice underneath. But you still don't think he wants to fuck you. It's more of a safety precaution than anything else.)

 You made the game plan last night that you would go, present your idea, and then beg him to be kind to you during the grading process. You even developed a list of things to sob and cry about it to generate something of a sob story if everything went awry. You've forsaken your pride. The only thing that you need to get out of this meeting is a passing grade. 

And that is, of course, by any means necessary. 

Fearing for your life, the state of your mood improves as you approach the building hosting Professor Getou's office. Of all of the people you interact with semi-regularly on campus (all of which you are quite fond of), Nobara wasn't lying about your affection for campus security guard - Toji Fushiguro.

He's an older man. Older than you by double digits, and from what you can tell - older than even your professor. You've been fond of him ever since he brought you back to your dorm after a horrible break-up with your ex as a sophomore. He's got a rough edge, and there's plenty of unverified rumors of his past. You know that he has something of a criminal record too. 

But for all of those rumors, and for all the things you hear about him - he's been one of the highlights of your campus experience. You've had a one-sided school-girl crush on him ever since that night, because you were sober enough to catch his body and how it feels. He was strong. Not in an average way. He made it so effortless when he was carrying you home in his arms - and it's not the first time you've seen him lug around things at least over 300 pounds like they were nothing. 

But attractiveness aside, he is uncharacteristically good at cheering you up. He's funny and witty, all while maintaining a cool facade. He's endearing in his own way too, and you're a little head over heels for him though you'd never push yourself to make the first move. 

Still, when he sees you come towards the building - he greets you with a wide smile. The scar over his busted lip - split open and welcoming as you run up to him for a hug. He's normally patrolling around campus, so it feels lucky to catch him where you least expect. 

He wraps you up with a single arm, your feet temporarily lifting from the ground before you get put back down again. 

"Mr. Fushiguro, what are you doing here?"

"I got moved over here since there's been some rumor about someone stealing from the labs upstairs. So I'm on lock up duty for this building 'till it gets fixed up and solved," He says, voice as smooth as ice "What about you sweetheart? It's gonna get dark out soon." 

"Ah, I have office hours with Professor Getou today. I need to consult with him about a paper." 

"That right? Just gonna be you in there, then?" 

"Yep. I'm gonna go in there and beg him for a good grade on our next assignment. So for the sake of my sanity, please wish me luck?" 

Mr. Fushiguro tilts his head to one side, grinning. 

"Wouldn't that mean you graduate sooner instead of later? Can't wish ya luck on that." He says, making you flush and letting the feeling linger before continuing "Just kiddin'. A pretty face like yours should do you just fine. Knock 'em dead." 

"I feel a lot better about it with your encouragement." You say honestly. Mr. Fushiguro gives you a laugh.

"Treat me to something if my luck makes any difference. And hurry in. Last thing you'd wanna do is be late." 

You nod, wide-eyed and dazed by how charismatic he is before you rush into the building. It's silent, given how late in the school day it is. Most people have already gone home, with the exception of the other poor souls likely chasing down their professors for the same reasons as you. 

You feel an overwhelming sensation of dread as you encroach upon Professors Getou's office. There's no one else in the close vicinity, only a few closed classrooms and students who are passing by the small corner where his door resides - most of which are making their way to leave. 

You decide to take a deep breath, calming your shaken nerves before knocking politely once on his door and entering the room. 

Professor Getou's office looks like how you'd expect it to look. It's clean, and sleek - and lacking almost completely of items of personal effect with the exception of his desk. It's the first time you've ever been inside of the room before, but it smells distinctly of him. He has that same scent surrounding him, like flicks of nicotine and a hint of bergamot. Sweet with the taste of metallic bitterness, like blood and sugar.

You feel the back of your throat bob as you see your Professor sitting at his desk. It's lacking his usual gracefulness. His shirt is unbuttoned down by three entire buttons, and his slacks seem looser. Most notable is his hair - classically long, now in a loose bun with pieces falling all on his shoulders and rolling down his neck. 

You think of what Nobara said to you earlier in the day alone, a strange and overwhelming sensation of lust and embarrassment making it difficult for you to open your voice and talk.

It's Professor Getou who greets you first. He looks up from whatever he was reading and looks at you from where you stand awkwardly at his door. His smile widens, though it's just by a little. 

"Ah, I was wondering when you'd be here. Looks like you're right on time." He says first, sitting up in his chair but not bothering to gather himself in any way otherwise "Come on in and sit. I assume you're here to talk about your grade."

 You sit across from him hesitantly, hands folded in your lap as you put your bag down on the floor. 

He studies you quietly. There's a long stretch of silence, where neither of you do anything but sit in each other's company.

He breaks the silence first.

"So, while I have a guess," He says, elbows on his desk "Do you want to talk to me about what you're here for?" 

You've practiced the dialogue in your head so many times now. What to do and how to say what you need too, but the words seem to fizzle out completely when it's time to really say them. Leaving nothing but uncertainty, you open your mouth only to close it once again. 

"Uhm," Your voice strains trying to make the words out into a coherent sentence. "I came to talk about my paper. And my grade, like you mentioned in class."

"So you decided to heed my advice? Good girl, that was a smart choice," You try not to be taken aback by the pet name - unsure if it's as inappropriate as you think it is "Do you know what virtue you want to cover?" 

"I thought I would pick uhm, righteousness - and then pull from some of the Western ethics we learned about. Making uh, connections between deontological ethics and duty and how it relates to the defined idea of righteousness," You explain nervously, an uncomfortable laugh bubbling out of your throat "How practicing duty and righteousness relate to each other."

 "Hmm. Sounds like you've had time to think about it a little, then."

"I uhm, haven't finished the reading but I did take a look over my section to see if I could make it work." 

"I think you have something to work with. You'll need to straighten out the thesis of your paper into something more tangible. I know that's an ironic ask. But I think it's a good idea," He gives you a brief glance, studies you with eyes. Snake-like. Something coils inside of you, tickles and brushes against your skin and makes the hairs on the back of your neck raise "It seems like you have something more to tell me, though." 

Do you? Is there anything more there? The answer lies indifferently on a scale from obviously to no. nothing at all and it haunts you that he's able to pick it out. 

"It's just well. Uhm. You know, I don't have the best grade in this class so I was more prepared to go down with my grade. You approved quicker than I thought you would." 

"Your grade is pretty abysmal. Did you come in here planning to beg?" 

You refrain from an instant yes, even though it's what you feel. Something about the way he says it makes your stomach clench. Your heart quickens. Your tongue feels too heavy in your mouth as you laugh uncomfortably. 

"Something like that? Uhm, or at least try to hash things out between us. I know our relationship over the c-course of the semester has been kind of sour so I…"

He cuts you off.

"Has it?" 

Your brain stutters to halt.

"Uhm. Yes?"

It's unpredictable, utterly and completely - the way he reflects on your words like you've said something incomprehensible. You aren't sure if that's sincere. You can't be sure if any of the words out of his mouth are. But he doesn't seem like he's lying. Your mind flashes to Nobara, and you find yourself speaking before you can stop it. It comes out like a flood.

 "I j-just always assumed you singled me out in class because you didn't like me? I don't mean to be accusatory, though."

"I'm afraid you've got the wrong idea," He says, shaking his head "I don't harbor any negative feelings for you at all."

"Oh," You say, eyes falling down to your lap again "Right, then." 

"You must be desperate for that passing grade, hm? If you're meeting with a professor you think hates you." 

You glance at him. 

"Well, yes. I want—need to pass this class. I've already planned my graduation for this semester." 

"And you'd be willing to do anything for that, is what you're implying?" 

"Yes," You say, with a sudden rush of unwavering confidence "Anything." 

"Let me ask you another question, then." He lets his elbows rest on the edge of his table, a familiar coy smile "Do you think there's any other reason for why I've been paying special attention to you, aside from me disliking you? You're a smart girl, so I'm sure you'll be able to figure it out." 

The weight of his words don't go unnoticed. The air feels heavy as it hangs between you. He couldn't be implying it so directly could he? Your mind drifts back to Nobara's warning to you, and your breath hitches. Your eyes widen as you glance up for the first time and give him a look of mild distress. 

And he smiles. His grin widens as soon as it dawns on you.

"Seems like you've reached an important conclusion," He says, casually - as he sits up in his chair and leans back. Stretched like nothing could get in his way "Why don't you share with the class?" 

"You," Your voice is a nervous tremor. You must be crazy. You must be completely out of your mind "...To sleep with me?" 

"See? I told you, you're a smart girl." 

The question is a burning one. One you've been wanting to ask since you started thinking about it last night. 

"B-but…why? And why me? A-and," 

"You have a tendency for being combative. You know that? An air of defiance. I can tell you're a little older than your peers. A little wiser, and a little more knowing of when to ask for help," Getou outlines, staring you down "And seeing you with that sense of desperation was exciting for me. I'm a man of simple tastes. At my age, I know what I want." 

"And I like when tough, combative, clever women turn into babbling, desperate, needy girls. I'm quite fond of it, actually." 

He's detrimentally serious. Your stomach flips. 

"Do you want to pass this class?" He asks you, an air of confidence surrounding him. You close your eyes, unsure if you can call it coercion when you're feeling so terribly willing about it. 

"Yes. I need to pass." 

"Then come up here," He gestures, widens his legs and leans back in his chair "And sit." 

Your body is burning. You don't know if you're even really in the situation, or if you've daydreamed it into something impossible. Something phantom moves you. Stands you to your feet shakily before walking in short strides. Professor Getou looks at you from where you stand over him. 

His hand brushes your outer thigh, patting it. 

"Sit." 

So you sit. You spread yourself and straddle your professor - and the reality dawns on you the minute you touch what you're doing. You haven't gotten laid in a bit, and he's nothing like anyone you've ever slept with. You feel out of your element. You get the impression he's a man, a grown one. There's a confidence in him that looms and looms and looms, overshadowing any of your doubt.

He's sexier up close. There's the faintest trace of smile lines on his expression as you look down at him. He guides your arms to loop around your neck, and holds your hips with his hands. 

Then you feel it, almost instantly - something hard and bulging pressing against the seam of your pants and against your crotch. He's already half-hard and he hasn't even kissed you. He grins at you lazily, like a cat with cream. 

"I'll pass you as soon as I put it in," His hands are so big - long, slender fingers gripping your ass "And give you extra credit when you cum for me. How's that sound?" 

You feel dirty. It's all happening so fast. Almost vulgar, but it's impossible to feel cheap. To believe in the wrongness of it when Professor Getou is so undeniably sexy. Wrong, on so many levels, to do this for the sake of your grade. Or just in general. Yet you want it, yearn for it, find the culmination of all your annoyances melting as he graces you himself. 

"I wanna pass," You say, uncharacteristically nervous about everything. You add the next part a little quieter "...I want it." 

"What do you want, exactly?" 

"Want you to fuck me." You admit, against your better judgment "Please?" 

"Gonna make a real pretty mess out of you," He says, voice smooth and serene. You look down at him. His knuckles brush against your jaw, on your cheek before his thumb holds on your lower mouth. His fingers push past the edge of your lips, sliding against your tongue and gently running along your teeth. He gags you on it, so slightly - enough to startle you but not enough to hurt. You feel spit pour from your lips. 

Thick messy strings of drool drip down the sides of your mouth. You want to back away in shame. But there's an air of intention behind the gesture. It's deliberate, the action - the mess and how it runs down your neck. Before you know it, he's kissing you in that same state. 

Professor Getou kisses like he's done it before.

His hands grip on your ass as he kisses hot and heavy. Self-assured, he sucks and bites at your mouth - sticking his tongue in and mixing his saliva with yours in a way that feels downright dirty. Yet it makes you throb, white-hot flames licking at the back of your thighs. The sparks of arousal crawl up your skin. 

Your nerves tighten as Professor Getou cups your face with one palm, kissing you with fervor. You melt into him, arms wrapped tightly around his neck. 

"Been thinking about what you would look like bent over my desk all semester," He says as he pulls away, looking on with admiration at your messy complexion "You wanna go on ahead and show me?"

Another wave of embarrassment washes over you, but you find yourself standing to your feet. Sliding your sweats off down your legs - your lower half is left bare with the exception of your feet. You lay or stomach on his desk, the cold wood sending chills up your whole body and your stomach and tits lay flat and squishy against the hard material. You stand, shoulder width apart, and present yourself in front of him. 

"That's what I like to see," His voice is rich and deep as he speaks. You can feel him inch towards you, pulling you apart with his palms before his hand comes down on your ass in one hard motion. The noise echoes against the walls of the room "See, I knew you could listen well when you had to." 

You don't say anything in reply, pressing your cheek against the desk. 

"W-what do I call you?" You ask, your voice trembling. You feel his fingers against the seam of your panties. He snaps the cotton waistband against your skin before humming thoughtfully, a light tap to your ass. 

"Getou is fine. Suguru is too. Sir if that makes you more comfortable."

 Getou makes a show of fondling you, though you can't see it - you can feel the way his eyes nearly swallow your naked lower half. How his fingers touch and prod all of your sensitive places, with some kind of keen observation. Everything Getou says is like that, keen and particular.

"Such a pretty pussy on you. Would've been such a waste if you didn't come to me."

You don't bother to ask what he means by that. Behind you, there's a noise. Of a chair rolling back, and the dull thud of knees hitting the ground. Before you know what's happening, there's a face dangerously close to your clothed pussy. The minute you try to squirm, there's a tight grip keeping you in place. He takes a deep breath. Without any real hesitance, you feel his tongue lick across the clothed material. 

In one fell swoop, he pulls your panties to one side and kisses your clit without any more real introduction. You're gripping the edge of the table you're bent over as you feel his tongue slide against the wet folds of your pussy, making your voice cry out involuntarily. Normally people would urge you to be quiet, but you got the feeling he didn't care if anyone heard you crying out for him. You get a second wave of intuition telling you he might even like it. 

A sensation of bliss washes over you as he sucks hungrily at your cunt. It feels good enough to be holy. There's such immense expertise in it that you can't help but succumb to it completely. The warm, heavy muscle gliding over sticky folds.

You're so lost in the pleasure, your mind completely blocks out the intrusion. The sense that would detect another person in the room disappears completely. You only know because of Getou, the way he stops and scoffs. It forces you to blink your eyes open. He speaks before you get the chance. 

"What are you doing here?" 

You recognize the voice instantly, and your heart drops through your stomach. 

"Thought I heard a ghost howling," Mr. Fushiguro says, his voice is rougher and deeper and older "Turn out it was just a little girl wanderin' into the woods." 

"If you can see I'm busy, why're you still here?"

You can't help but feel the second wave of overwhelming shock as you sit there, naked and unafraid. Still, they stand like nothing is wrong. Chat like they know each other somehow, but you have no idea in which way. All you can focus on is the bubbling, nauseating shame. 

"Oh god." You voice, but both others ignore. Mr.Fushiguro speaks first.

"This one is off-limits, Suguru. What kinda professor goes around fuckin' their innocent little students?"

"Just the one, Mr. Fushiguro. And I'd like to get back to business."

"Ah, no way I'm letting you off the hook. I could report this y'know? Make headlines. Ethics professor coerces student into sexual activity. It'd be big. 

Your heart drops. 

"Fuck off, would you? Does she look coerced?" 

A beat of silence. "Nah. Not with the way she's twitchin'. But it's not fun if I just let you go. How about you tap me in and I'll keep your little secret hm? She's gotta cute crush on me already."

Your heart flounces around in your chest, a muffled noise of shock escaping your lips as you squirm to move but are held, still, so firmly in place. Your expression and feelings all go through 5 stages of grief before settling at dumbfounded. They don't especially ask for your input, but you hear Professor Getou behind you.

"Fine, if it'll get you to shut up. And I'm fucking her first."

Strange. Nothing about today makes any sense. You don't miss the almost childish sense of competition in Getou's voice that changes your view of him in an instant. Humanizes him in the strangest and most unrecognizable ways. It lacks his usual virtue.

Mr. Fushiguro walks up in front of you, imposing. He's grinning, a well-worn smile on his face that you know. He helps you up, and you keep yourself upright on your arms as he grabs your chin with his palms. You look up at him wide-eyed, unsure of what to do.

"Dirty fucking girl aren't ya?" He says, though he almost sounds like he's impressed with himself 

"You into older men or is it a coincidence you're screwing 'im for your grade?"

You're speechless, and you moan a little pathetically as Getou doesn't stop eating you out. This only seems to make Mr. Fushiguro even more excited. You look up at him through wet lashes, unsure of what to do.

"Don't mind either way, just curious. Guess I'm a little sad 'cause I thought your little heart eyes around me made me special," He tells you this looking down at you, eyes locked. You can tell he's just teasing you, and it makes you twitch "But I guess that's not true, is it?"

"You're different. I uhm. Well it's true at least."

"Yeah? You're just letting both of us fuck you 'cause you're like a bitch 'n heat?"

You flush. He gives you a smile and a well-meaning laugh that makes your body feel warm with heat.

"Mind if we're a little rough on you, sweetheart?"

You shake your head.

"Good. Stick your tongue out and open your mouth for me then."

You listen, oblige the instructions almost obediently. Your face is still covered with spit from before. You watch idly, intently - as Mr. Fushiguro pulls his cock out from his black pants. The loose material covers him well, but as soon as they're down past his thighs - the outline of his cock borders on intrusive. Your eyes widen, fluttering and unfocused because it's hard to think about anything while feeling such intense pleasure.

But Mr. Fushiguro is captivating as he pulls himself out for you. His cock is thick and heavy, protruding but too much that it can't stand up on its own. Weighed down by gravity, you stare at it wide-eyed. It's the size of your forearm, so thick you can't possibly imagine what it feels like.

Your heart stammers. 

"It won't fit in my mouth." You say, gasping for air as if you're already suffocating on it "You're—you're so huge."

He laughs with an edge of snark. You blink at him in complete seriousness, taken aback. He lets the tip of his cock tap the plushness of your cheek before pressing against your lips. You stare at him, almost afraid.

"Of course it'll fit," He says in confidence "Just gotta make sure you're relaxed. So relax, sweetheart, and open your mouth for me." 

Hesitantly, you open your mouth wide. You feel the corners of your lips stretch around the intrusive, thick head of Mr. Fushiguro's cock. The taste of sweat and skin is invasive and heavy, violating your senses. Just the tip and it barely fits in your mouth. You try and concentrate, sticking your tongue out and curling it around the underneath of his cock, focusing on sucking just the tip. He groans above you, a hand on the back of your head. He doesn't force you down, but you can tell by the twitch in his fingers that he wants to.

"Look at you," He says, his voice coarse with restraint and desire "You're drooling on my cock while you're professors busy eatin' your pussy. Thought you were an innocent girl, but now I don't know what to believe."

He says this as he eases more into your mouth, slowly letting you adjust. He rocks his hips back and forth until you relax. You open yourself up, trying to focus on blowing him.

But a hand comes down on your ass, hard and heavy - making you yelp. The noise is muffled but audible. A short squeal, you can't turn your head to look 

"Don't you think you two are getting too comfortable upfront without me? I'm the one who decides your grades."

"Maybe you're not doing good enough for her to care."

You can feel a strange sense of competition between them, but you're too occupied to ask about it. How do they know each other, and for what reason do they seem so automatically hostile? It bothers you, but you can't think about it too hard.

"That's not true. Her pussy is soaking fucking wet." He punctuates his words with a harsh smack against your cunt, the force rippling through your as you bend forward and choke "Almost as messy as her face."

He's quick, again, to latch himself to your clit. He flicks it with his tongue, licking it mercilessly as your brain starts to fog up with desire. Like he's trying to prove a point, you moan around Mr. Fushiguro's cock as your pleasure starts to thrum up again. The back of your legs tense, trembling as a knot begins to uncoil in your lower stomach. The cock in your mouth moves too, using the distracted moans to ease himself even deeper into the wet, arm cavern of your mouth. 

Your head feels heavy, body weak as the both of them use you to their contents. Your stomach starts to stir as a familiar feeling of euphoria claws at you. 

You cum for the first time like that, your body pressed against a wood desk - restrained and under careful watch of two men. Your whole body explodes - white, hot nerves fraying off and ricocheting off your ribs inside of you. Your insides shake as the wave of an orgasm washes over your entire body. You gasp, clenching down hard and gasping as tremors of orgasm pulse and push through your whole body. Something in you ignites as you grip the edge of the desk for your life, trying to keep yourself upright as Getou pushes you through the orgasm. 

You've barely recovered when Mr. Fushiguros pulls out of your mouth, pressing his spit-soaked cock against your face and cheeks with a smile. You let it slide against your tongue, eyes fluttering open as your face gets covered in precum and saliva. 

"You look so fucking filthy right now, you know that? But it looks good on you. I'm dying to fuck you." 

"Mr. Fushiguro," You groan. He clicks his teeth. 

"Toji's just fine sweetheart." 

You whimper helplessly as you ride out your high. Behind you, your professor pulls away. You peek behind you to see him, flush as he wipes his mouth with the back of his hand. 

Toji looks down at your frazzled expression with a grin, teeth showing as he cups your jaw a second time and slides his cock back in one go. This time, he pushes his cock in the base - keeping your throat around him with a hand on the back of your head. 

"Just focus on me for now, baby. Focus on sucking me off, yeah? Just like that, easy easy. He's gonna open you up. Stretch you nice and make your pussy all sloppy. That's what you want right?" 

Getou leans over you, the weight of his body looming as you feel slender fingers slide through your sticky folds. His middle and index brush against your abused clit, rubbing a few circles into it before pulling away. He grabs your arms and positions them behind your back, gripping them in one hand to keep you restrained. You squirm against the gesture, unable to get any leeway as he holds you down. Then you feel his fingers move, middle finger catching on your wet hole as it trembles and sticks. He opens you up like this without any warning. 

His middle finger goes first - delicately intrusive as your pussy widens to accommodate him. They're so much bigger than yours. Just one feels like two of your own. You push back out of instinct but Getou doesn't let you move. He buries himself, pushing in and out until he's able to fuck your pussy all the way down to the knuckle. Once there's no longer any resistance, he pulls back and makes room for another. The sensation is duller, lets you clear your head and think even as Toji rubs his cock on your face and fucks your mouth in short ruts. 

Not enough to make you choke, but enough to smear something hot and nasty all over you. 

Professor Getou repeats the process with his pointer, pushing and stretching and opening until you can't fight it anymore. With two fingers, he scissors them trying to make your insides soft enough for him to take you. 

"You're stretching out for me like it's nothing. You must be turned on, hm? Like getting all your holes used like this? Getting your face-fucked by a man old enough to be your father?" 

Toji laughs harshly, smacking your face lightly, enough it doesn't hurt but enough to make you feel it. 

"She loves it. She's clenching down on you tight ain't she?" 

"Sure is. All this for a grade. Maybe I should've bullied you about it a little more first. Since you're so eager." 

"Gonna give her extra credit for this?"

"I should deduct points for the fact you're even near here."

He laughs good-naturedly at this point, and you're still having trouble making sense of their relationship. You manage to speak for the first time in forever, voice barely there as you go to question them. You're not expecting any solid answers. 

"How do you two know each other?" You ask, before Toji starts fucking your mouth again 

"Goes a long way back. And we're still on bad terms, so congrats on bringing us together, sweetheart. Kind of an expected reunion really." 

"He's been working here since Professor Gojo and I were students here and we knew him from before. A long story. Don't worry your pretty little head about it." 

The burning question is quick to fade out of your mind as you feel your professor's clothed bulge rest against your cunt. You moan, a clipped needy sound as you nearly beg him to fuck you. Toji bends over you this time, reaching back to spread your pussy open by grabbing your ass. You can feel the grip of his hands, strong and assured. 

"She's gettin' impatient. Give it to her." 

"Don't need your help with that." Getou spits, irritation sounding in his words. 

"Consider it an apology." 

The air of tension is there temporarily, before Getou pulls his cock from the confines of his boxers. You can't see it, eyes squeezed tight as you work your mouth and tongue Toji's length. You can feel it though. He makes a show of rubbing his cock against your puffy, sore cunt. You get a feel for its shape as he pushes it between your thighs and lets it cling in between your lips. Professor Getou's cock is longer and more narrow, but it curves upright. It's hard, throbbing between your legs. Whining helplessly you wiggle your ass again. You feel increasingly restless about needing something inside of you. You're still bound though, completely and utterly unable to move. Toji's hand comes down heavy on your ass as you do, clicking his teeth in faux irritation. 

"Don't fucking move unless you want my handmark on your ass forever," He says, his voice cool and forgiving "Impatient." 

Getou must feel something inside of him merciful enough to keep you waiting. Even with all the stretching and prep, the minute you feel the head of your cock push through - something inside of you snaps. It's still so big, still too much, still reaches a part of you so deep you didn't know it was there. The position itself - still being on your stomach, makes it reach so much farther than other positions. The raw, skin-to-skin contact leaves your tummy fluttering, skin prickling with heat. Your top is pushed up enough to expose your lower back and your skin is pulsing. You feel like your whole body is on fire, suspended between men so much older than that want nothing more than to fuck you.

Every time you try to wiggle away from the sensations, Toji's hand comes down heavy on your backside. It doesn't matter how minuscule the movement. If he gets the idea that you're going to try and pull away, he spanks you hard enough that the room echoes with the sound. Your skin tingles, phantom sensation left before as you're held open and made to take your professor's cock - obedient and wanting. 

Inch by miserable inch, it takes forever to take him down to the base. Your toes curl, eyes shut and mouth sloppily trying to keep up with the cock in your mouth and just barely succeeding. 

He groans behind you, shuddering 

"That's incredible," He praises, and it feels so good to hear him saying something so overtly kind you don't know if you want to laugh or cry "Your pussy is fucking incredible. Shit."

"You hear that? You gotta. Pussy's twitchin' like crazy. Ass is too, how cute." 

"Feels sho good," You slur, brain clear of any and all rational thought as a string of saliva drips down your chin "Please fuck me, please,"

"You heard her teach."

Toji lets go of you and returns back to where you are. He pulls his cock away from you, instead holding you up and cupping your mouth open. He kisses you, after everything - with all of his pre-spend in your mouth before spitting into it harshly and kissing it again.

"Such a pretty face you're makin' right now." He says, something of a warm and unprecedented affection to it "So excited to get your pussy filled up."

He leans you on him, lets you wrap around his midriff, and squeeze tight while he pets the back of your hair in a strange streak of affection. You don't know what to make of anything. All you can feel is the long cock pounding into you without any mercy. Razor-sharp thrusts, nudging against your swollen g-spot and pounding into your cunt with immeasurable force. A man so much older than you is fucking you, pounding your pretty little pussy, and turning you into a complete mess. He's meant to be a mentor to you, but he has his cock imprinting itself inside of you over and over and over.

Your stomach feels hot again, but some other feeling takes you over as Toji cradles you - watching you just as intently. He talks you through with confidence you can't entirely understand.

"Yeah, that's it. Tighten up for him, just like that. Feels good doesn't it? I know baby, I know."

You whine out in Toji's arms as he talks you through it. Behind you, you feel Getou's grip hold you tight as he pistons you. The sound of his thighs smacking against your ass is noisy, almost as noisy as your pussy. Slick wet, sounding each time he thrusts.

"I'm not gonna last like this, shit." He pumps into you a few more types before his hips stutter to a halt. He cums with his cock buried deep inside of you, filling you all the way to the brim. You feel his white, hot seed fill your belly, cock twitching as he unloads and makes your legs shake.

A sense of emptiness overwhelms you as Getou pulls out, landing a hit on your ass as he shakes. He kisses your spine. 

The two of them switch places without communicating with each other about it. Getou pulls out, and away - coming back in front of you and picking you up in his arms as Toji positions himself behind you. He spreads your cunt out with his fingers, examining the seed left over with a light laugh. 

"Gonna fuck into your sloppy little cunt, give you another load where you need it and make you cum." Toji says, not hesitating at all. You feel your breathing start to quicken as he takes the same positions as before. 

Toji doesn't neglect touching you as his arm curls around your waist, calloused fingertips brushing against your clit before his cock pushes into you. Your pussy takes him much easier, but even so - Toji is just so thick, you can't help but feel him all over again. This time, Getou has you in his arms, holding and guiding you. Your hands are curled around his bicep and lower spine as you're held up. 

Toji's thrusts are slower, but just as rhythmic - focused on bringing you to another orgasm. It's duller this time, the sensation more focused and spread. Toji is so big you feel it in your hips, your entire lower half tingling as he pumps his cock in and out of you. He gives you all of his attention, staving off his own orgasm as Getou encourages you with his own words. 

"Gonna cum again, pretty? Take another man's cum in you right after me? You want to, right? Take it all in, every drop. You've earned it."

You feel your insides tighten again, for a second time - in a miraculous span. Every muscle in your body tenses and contracts as both sensations work in tandem to bring you closer to your edge. 

Your nerves fire off a second time as you push yourself to the limit. Toji fucks you through another orgasm with ease, thrusting with each tremor until you've ridden out your high. His own orgasm and chase come not long after that fact. 

As soon as you've gone totally limp underneath him, he sheaths himself as deep as he can. Bent over you, he cums hard and deep, filling you to the brim a second time.

There's a brief moment of silence as Toji rides out his high, where all three of you sit in silence.

You find yourself limp as you lay there, Toji pulling out and Getou slowly letting you down before you look up with a tired expression. 

"...So, did I pass?"

Your professor laughs harder than you've ever seen him laugh.

"With flying colors."

[smoothriverrocksrock]

So for fun and curiosity’s sake, I decided to watch flatland… safe to say it was an experience. Genuine thoughts on the movie (I watched the 2007 version) and stuff under the cut, spoilers!

I hear the book is an actual, genuine political comedy (and honestly I believe it if that’s what the movie adaptation looked like) so Ima go see if I can buy it and I recommend y’all do to!

Aside from the whole “what the fuck is going on” feeling that kinda permeates the whole movie, it was actually more than a nothing spectacle! I liked the whole “flawed higher power” theme that the movie had going on. The way the president caused a purge and framed it as a riot, the way the general/warden only wanted war and glory. The vain sphere, the 3D shapes’ general lack of empathy for Asquare.

The oxymoron that is the president circle being all “oooh am I doing the right thing?” And him still turning around to murder a bunch of guards for nearly no valid reason is 🤌. Classic corrupt politician

I LOVED that scene where it’s the Sphere in the elevator, and each time the elevator is in the public eye he poses like a celebrity, and when the elevator hides again Asphere returns to a bored/uncaring pose. No dialogue, and honestly just a really simple scene, but it speaks volumes.

Mrs. A was kinda annoying at first (all the lines deserved better voice actors) but that “Hear my battle cry!” Scene immediately raised her to my favorite. AND??? MRS. B CASUALLY MURDERING TWO GUARDS??? Queen shit, go save your husband girlie

Good time to mention the casual misogyny in the film. If I had a nickel for each time a shape called a woman an “it” I’d have tooooo many nickels. The “woman are actually really dangerous/lethal” thing is kinda funny, but if you really try and interpret that it gets kinda gross. I imagine (hope) it’s an actual point in the book, but in the movie it’s just not addressed. The movie is an alright commentary, doesn’t completely fumble the message but it does distract a lot from it. Like… I enjoy the idea of the chromatic leader being a irregular shape, but to give him such a silly voice is reallyyyy undermining some of the movie’s point. Other examples and all, but watch the movie yourself. If I ever make an analysis for the book, I’ll then give a better analysis for this movie (compare and contrast, the good stuff)

[miguelhugger2099]

OMG imagine the one bed trope w miguel. like idk why itd happen, maybe like they’re scoping out an anomaly in another universe and somehow the portal back gets blocked and they gotta stay the night at a hotel, but miguel and reader are stuck in the same bed (she SWEARS she booked two beds but oops! all the rooms are filled up!) and like oh no they need this hotel!! so at first they’re really rigid and like miguel’s all tense, he’s like “i’ll sleep on the floor” but reader is like “no it’s okay we can share! i don’t move a lot in my sleep anyway” (that’s a lie btw.) so then like miguel’s wide awake in the middle of the night, and reader keeps shifting in her sleep, and they end up in a pretty compromising position if ykwim… and then maybe she wakes up and finds miguel like so flustered and starts teasing him a bit and then things heat up ofc… idk just a thought! it’s been so long since i’ve seen the one bed trope tbh. (fem reader btw plssss)

Forced Proximity

i tried with my best with this 🫠 i wanted to try something new instead of regular p in v i hope that's okay 😭 thank u for requesting! if anything, i'd be happy to redo this when my requests open again

Miguel x Reader, Suggestive/Smut, Word Count: 2,271

Just as you and Miguel were about to shoot your webs at the new anomaly, a black bubbly portal opened up and sucked them up into another dimension. “Dammit!” You cursed, groaning at the convenience of an anomaly escaping. Miguel is already beside you, mask eyes squinted in focus as he clicks buttons on his watch. “Where’d he run off to?” You ask him. “No clue. Trying to track him now but the touchpad isn’t responding.” He grunts and furiously taps his screen but it seems to be glitching. He tries to open a portal back to HQ but it only warbles a little bit before shutting close again. “Let me try.” You lift up your watch to try and press the same coordinates when it responds the same way: a little warping but it shuts close. “Lyla,” Miguel calls out and she pops up between you two. “Run an analysis on our watches.” Her small heart glasses fog up with various numbers and letters, codes that only she knows. “Looks like the watches are bugged, Mig. Probably an effect the anomaly had.” “So we’re stranded?” You rip off your mask and place a hand on your hip. “Yup!” She nods. “For how long?” Miguel pinches his nose bridge with his finger and thumb.

“Well, most part-time spiders are off doing other missions in other dimensions and the other half of them have the day off. No one will be available until morning.” “So, we’re staying the night.” You lift your arms up and slap them down. “I’m finding a hotel.” You turn and look around for any around you two. Miguel sighs and faces Lyla. “Is there another way home? Are we safe from the glitching?” Lyla nods, pulling up frames and data for him to look at. “Safe from glitching. Probably just a program issue. Maybe an update issue. Unfortunately, not even Margo is at HQ so your next bet is waiting for a spider to portal you two back.” She explains and glitches out of the air. He tries to find a new solution but comes up short, deciding to just accept it before he grows angry. Miguel hears you calling his name as you run back to where Lyla and him were standing. “Okay, I found a hotel! I talked to this lady up front–luckily the currency is the same as yours–and we got extra lucky,” You huffed with a wide smile on your face. “They’re pretty busy but she managed to get us a room with two beds and two bathrooms. Left her a tip, hope you don’t mind.” You placed your hands on your hips and continued to grin at the frown on his lips.

Miguel rolled his eyes and called for Lyla, her little form glitching back and perching on his shoulder. “Lyla, get back to base. Let the others know we’ve been stranded and call for backup whenever someone’s available.” Her vibrant yellow glare shifts as she moves, her hand coming up in a salute and a police hat glitching on her head. “You got it, boss! Have fun you two!” She giggles and phases out. Miguel passes by you coldly, heading for the hotel where you booked for the night. You yawn behind him, just wanting to rest after a wasted day of failing to catch an anomaly. You walked through the hallways of the hotel, checking down at your key for the number of your room. Once you found it, you slipped the keycard on the lock and opened the door. “Home sweet–” You cut yourself off after peeking into the room and what greeted you was a singular bed. “Wha–?!” You glanced back at the roomkey number and the plate outside, finding the two matching that this was indeed your room for the night. “I swear I asked for two–” “I’ll take the floor.” Miguel grumbles behind you, his entire frame stiff and rigid. You take a look up at him and his face is unamused and staring straight ahead to avoid your eye. “No, it’s–it’s fine,” You chuckle nervously and walk over to the bed. You pat the edge of it and try to convince yourself and Miguel that everything was fine. “There’s so much space. It’s like–what– a king size? We have plenty of room to share!” Miguel doesn’t seem convinced in the slightest, already making a move to grab a pillow. “I don’t even move that much in my sleep! Promise! Pinky promise.” You hold up your pinky to Miguel and he stops to stare at your hand with a deadpan expression. “Fine.” He grunts, placing the pillow back down and not wanting to deal with you any further since he was exhausted.

You, in fact, actually do move a lot in your sleep–Miguel figured out. He really was exhausted and expected himself to pass out as soon as his head hit the pillow but with you next to him, it was like the energy hadn’t left his body. He laid there straight as a pole with the blanket at his chest and staring at the ceiling. You were in dreamland, snoozing and sprawled on the mattress– blissfully unaware of Miguel’s misery by the situation at hand. You shifted around in your sleep, your hand hitting his shoulder or your leg bumping against his ankle. Miguel could handle it. He’s spent many uncomfortable all-nighters so he thought to himself that one more wouldn’t be too damaging for him. It wasn’t until you moved further to his side of the bed that had Miguel’s heart racing. You turned to his side, throwing your leg over his and your arm draped around his neck to bring him closer to you. His arm instinctively went under your body and held your waist while you pressed yourself against him, so as to not make the position uncomfortable for either of you. Miguel’s cheeks burned while you nuzzled to his chest, acting like he was some sort of teddy bear. He hoped his heartbeat wouldn’t wake you from your slumber. Your thighs were close together and any closer you’d start accidentally grinding on him. Miguel looked back up at the ceiling and prayed that you’d move soon.

His prayers were not answered. You woke up after feeling a bit too much heat and it became unbearable to sleep through. You blinked away the sleep groggily, wondering why the pillow you had been on had gotten a little more firm. You lifted your head to see you weren’t on your pillow but basically cuddling up against your boss. You looked down to see your legs intertwined together and turned your head to apologize when you stopped seeing Miguel’s cheeks flush red. His eyes did not meet yours but you felt the pounding of his heart. A smile curled up on your lips, apology wiped off your mind and instead leaning into wanting to taunt him for how shy he’s acting. “Miguel,” You tease with a bit of laughter. “Aw, c’mon. A little accidental cuddle gets you nervous?” Miguel glares at you from the corner of his eye. As you laugh, you continue moving against him. You don’t notice how he takes a sharp inhale when your knee brushes against his crotch as you lift yourself up. Your hands rest on either side of his head. “Did you even sleep? Or did you just stay up all night like some perv?” You snort, having the time of your life seeing your usually sulking boss look so cute with red scattered across his cheeks. Miguel squeezes your waist then uses both his hands to grab you and force you down on his thigh. You gasp in shock, all playfulness leaving your body as your core hits his firm muscle. The action ignites a spark in your chest that sends it straight between your legs, making you whimper, all in a split second.

You snap your head towards him, cheeks already burning and mouth dropped open in shock. Miguel meets it with a cheshire like grin, his own blush on his cheeks but less now that you’re  more flustered than him. “Careful,” He says. “Wouldn’t want to be some sort of perv, huh?” You could’ve sworn his voice dropped down an octave. You stutter, unable to respond back as he rendered you speechless. His thigh flexed and it sent a jolt up your spine with your cunt throbbing which he felt. Maybe it was him being tired, drained from the day that he was acting out of character. Too tired to care about the consequences while his mind clouded and numbed his usual feelings. For now, he enjoyed the way your hands gripped onto his shoulders, cute eyes wide open and feeling the delicious beat of your pussy on his thigh. He rubs your hips on his thigh, his muscle flexing to put some stimulation to your pussy. You squeak and lean forward as the pleasure runs through your body and makes you grow hot. “Miguel…!” You gasp and moan. You automatically grind yourself on him and his grin widens, leaning back to see the show. Miguel feels your wetness seep through the thin fabric of your suit and panties onto his own suit. He phases just a small part of his thigh out his suit to feel just how wet you’ve gotten with a little teasing. “Already?” He murmurs and your cheeks burn brightly. “You like this, huh?” “Fuck…” You huff out, hanging your head to not meet his gaze. Your nails dig into his shoulder as he moves your hips. “C’mon. Show me how much you like this.” You know he was only doing this to get back at you for teasing him, for booking a one bed instead of two and with how his patience had run out from being stranded here, you decided not to test that anger anymore.

So you slowly moved up and down his thigh with a soft whimper, shutting your eyes close while you did so. Your breathing grew heavy, and you shook with every slight movement on his end. Slowly, you picked up speed, the lust flooding your mind and the pace you were going at hadn’t been enough. You humped his thigh faster, still opting out of looking down at him. “Shit…Not enough…” You murmured under your breath, not thinking he’d heard you over the accumulating wet sounds on his skin and shuffling of bed sheets. “Let me help.” You hear him say and feel his hand by the zipper of your suit at the nape of your neck. Weak from your pleasure, you let him tug your suit off your torso. Miguel tapped your thighs as a signal to lift yourself up while he slipped the rest of it off you. You were now bare in front of him, his hands placed back at your hips. You still felt embarrassed, trying to cover up your chest with your arms and hands. Miguel wasn’t having it, growing annoyed at you covering yourself. He cupped the back of your neck and pulled you flushed down on his chest. “Keep going.” He growled. The rumble of his voice went straight to your cunt once more, succumbing to him as you began grinding yourself on him, skin to skin. Your folds smeared your juices on his thighs coating him in your wetness. The swollen nub of your clit rolled deliciously between you and his thigh and you panted softly as you tried chasing you high.

“There you go. That’s it.” Miguel murmured, bucking his thigh to your pussy to the same pace of your humping. He held your hip with one hand to help you and his other hand raked up and down your back, his talons scratching your flesh. “You’re doing so good. Good girl riding my thigh, yeah?” He purred which made you groan and buck your hips faster. “Miguel…” You breathed out. “More, more.” You pleaded. His talons pricked your skin. “Cum on my thigh first and maybe I’ll give you exactly what you want.”

Peter B. met you two once the portal fully opened up in your stranded dimension. He greeted you with a smile, Mayday babbling in her carrier. “Hey! Glad you guys survived the night. Took a minute to get you guys. Sorry about that.” He playfully punched Miguel’s and your shoulder. You beamed at him and held Mayday’s little hand, wiggling it around softly enough to make her giggle. “Hope it wasn’t agonizing.” Peter chuckles to you. You chuckle back and step away from Mayday, giving the two a smile. “Not at all. He’s surprisingly good company.” Miguel doesn’t react behind you. “Oh, yeah? Must be going soft. Big guy isn’t just pleasant for anybody.” Peter says. “Funny how things work out.” You grin and turn around to peck Miguel’s cheek and walk towards the portal. “I’ll see you guys later?” You give a wink and slip into the portal, your body phasing out and leaving the two men behind. Peter gapes at the warping space where you had just left and slowly turns to Miguel to see his friend, very much stiff but his face has a slight tint to it. “Did something happen–” Miguel shoves his face aside and phases his mask over his head to hide his cheeks. “Cállate.” He mutters and enters into the portal towards his dimension.

Peter gets snapped out of his stupor by Mayday babbling and waving her arms around as if cheering Miguel and you on. Peter looks down at her and grabs her little hand in his. “He’s growin’ up, huh?” Mayday squeals.

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[solar-sunnyside-up]

I'm really curious about what you think schooling would look like in a Solarpunk world/future!

Because the current public school system is broken af and the homeschool system isn't much better. I personally have looked into things like Sudbury schools and found good things and also issues. I've always been a proponent of the IDEA of Unschooling (which I understand to be, letting the child learn naturally through the world around them, learn reading through reading to them or teaching math and even basic chemistry through teaching them to cook, etc) but it seems like most parents use it as an excuse to not educate their kids...

I really think kids should learn practical things alongside the Academic stuff (three Rs, science, etc) but no system seems right...

Oooh boy! Have I thought about this one endlessly!

So background info that I have to frame where I'm coming from-

A- the current system is built for school>> factory worker pipeline

B) it also evolved from ppl working at factories and needing to put their kiddos somewhere while they worked their 9-5! Thus Sunday school evolved from something to teach basic literacy to a full time job for children (it's legit nearly 40 hour weeks for CHILDREN) so there's a lot of padded time to ensure they meet that quota

C) it's used of a massive scale it was NOT designed to be used at

Soooo!! Let's imagine a better one!

Personally, based on children's development I think schooling should be broken up into focused chunks and then obvi each kiddo should be able to work at their own pace within these chunks of time.

0-6 Motor and sensory skills- introduced to music/shapes/building, "helping" with community chores (laundry/windows/dishes/sweeping), basics of plants/gardens, learning about transportation and basic navigation.

7-10 Written- literacy (reading/printing/telling time/storytelling/etc), health (emotional+physical), basic cooking + tool usage, basics of history/geography, basics of all sciences, gardening more independently

11-13 social + advanced work -- advanced history/science/literacy/home eco/etc.. start working within the community in a vollunteer capacity, Starting to specialize in interests, focuses in philosophy/analysis/debate,

14-20 community and citizenship --greated focus in Philosophy/debate/analysis in addition to apprenticeships of testing out what they'd like to do with their lives

20+ whatever they wanna do! Personally I think our adulthood should start over from 0 here. Bc after you hit 20 your a baby adult, but like a 35yr old is nearly a teenager as should be treated as such! Finding themselves, building community, getting the swing of all that jazz.

Then the WAY this is taught would be with ppl close to the kiddos, neighbors and parents and community leaders would be in charge of these chunks. Much more like a tutor or professor style where each teacher specializes in both the thing their teaching but also the kiddos their raising.

[rileyslibrary]

Hi, this might be a strange request, but could you please do some sort of character analysis, or maybe tell some of your headcanons for the 141 characters??

I’ve been trying to find some, but everything I find is either weirdly out of character or just some sort of weird projection onto the characters 😭

Not strange at all, anon! It just occurred to me that, for a blog dedicated to Ghost, I’ve never done something like this. Also, I understand what you mean, but it’s also important to remember that headcanons are extremely subjective. Maybe the same applies to my case, and someone also finds my headcanons out of character; who knows?

Please note that I can’t say much about the other boys since I’ve only focused on Ghost, so here are some of my headcanons (i.e. that’s how I personally imagine Ghost):

He’s your average, ordinary guy on the outside. Sure, he is stereotypically attractive (tall, beefy, with a deep voice), but so are a billion other people in this world. There’s nothing extraordinary about him, which is precisely what makes him so intriguing.

I like to imagine his personality similarly to how he wears his uniform—layer, under layer, under layer. You want to peel him like an onion; uncover what lies beneath the surface.

He’s extremely pragmatic and values function over form. It doesn’t matter if something looks bad/ugly/weird as long as it gets the job done. If it works, it works.

Moderation gives him a sense of discipline. He wants to control everything that’s within his ability to do so—managing what food he puts in his body, regulating his alcohol intake, handling finances, and even carefully choosing his words. It helps him maintain his sanity, knowing he has control over his life, especially considering what he went through.

He’s also incredibly efficient. He doesn’t waste time on things that aren’t important or beyond his control.

He’s not a gym rat (he doesn’t regard it as a second home), but he’s definitely a regular. The gym owners are familiar with him, though their interactions are brief—maybe they exchanged a few words to renew his membership in the past, but that’s about it.

He tends to stick to the free-weight section at the gym. If it’s crowded, he’ll put on his headphones to tune everything out, but if it’s quiet, he doesn’t bother. While he doesn’t use the machines often, he’ll turn to them occasionally, particularly when he needs more controlled movement.

Warming up before exercising is particularly important to him, and he takes his time to stretch afterwards, usually in an isolated corner of the gym. He never skips leg day.

He is not a flirt. Usually, it’s others who pursue him rather than the other way around. It’s almost like he has it too easy in that department. He doesn’t have to make much effort—he simply goes about his business (occasionally checking his surroundings for potential dangers,) and suddenly, people gravitate towards him. He’s not a fan of this attention but keeps it to himself.

He engages in a flirtatious exchange almost every day with the elderly lady who manages the convenience store in his neighbourhood, though. He often compliments her on her hair and how young she looks and sometimes jokes that if her late husband were still around, he’d have some competition. She, in return, offers him freebies, which he politely declines. However, he sometimes accepts these gestures in exchange for lending a hand with tasks around the store.

His apartment is modest since he travels a lot, yet he considers it his personal haven when he returns to it. He deliberately keeps it free of any traces of his alternate identity. There’s a family photo framed somewhere. Even his dad included. Maybe he considered cutting him out of the picture but decided against it. He wants to be reminded of both the positive and negative experiences that influence his decisions and actions.

He likes to make his own jokes. They mostly come to him when he does something mundane, like cooking, showering, or watching TV. He doesn’t take offence if others don’t laugh at his jokes, though. He simply views them as idiots or lacking a sense of humour.

He opts for public transport only when needed, like during heavy traffic, but that doesn’t mean he likes it. He keeps his back against the wall and doesn’t wear headphones since he wants to be aware of his surroundings.

He breaks fights if he stumbles upon them late at night and calls the police. When the officers arrive, he is the first to talk to them and usually scolds them for not getting there faster.

I don’t think he wears his mask when he’s out and about. In my mind, Simon Riley is different from Ghost. If someone manages to connect the dots, he’ll make sure it’s the last time they do so. For him, good people don’t know who Ghost is. Only bad people do.

He wants to extend his sleeve tattoo further up his arm but struggles to find the time to schedule an appointment with his tattoo artist. Yes, he has a trusted tattoo artist.

[haru-dipthong]

How long will the japanese wikipedia article for goncharov last?

And how big is the internet, really?

I was in a wikipedia hole recently and I happened to notice that the Japanese article for Goncharov is the only language variant that is completely in-character.

Every other language specifies it as “Goncharov (meme)”. Japanese lists it as “Goncharov (1973 film)”, and formats the introduction as if it were a real movie:

Goncharov is a 1973 mafia film set in Naples, Italy. Produced by Martin Scorsese, the main cast includes Robert De Niro, Al Pacino, John Cazale, Gene Hackman, Cybill Shepherd, and Harvey Keitel.

— Wikipedia (my translation)

The rest of the article does go on to acknowledge Tumblr’s influence in Goncharov’s popularity, but every mention of this influence frames it as reviving the popularity of the supposedly real film. On two occasions the word 再燃 is used (the first kanji means “again” and the second kanji means “burn” - it means “rekindle” and can be similarly used in the metaphorical and literal sense, just like the english word “rekindle”).

Goncharov became particularly popularity on social media as a result of a reblog of a Tumblr post in August 2020. The post depicted shows the title of the film (Goncharov) in place of a brand logo on a shoe, which were described as “knockoff boots”. The image post and the comment attached to the reblog, mocking the fact that the original poster had not seen the film, became an internet meme. In November 2022, a poster made by a fan of Goncharov was uploaded to the internet, and the film’s popularity resurged. Various fan-made content about the story and production began to spread on Tumblr and other platforms. Goncharov has been widely covered in the media as an example of how fandom is born on the internet, with many prominent figures, including Scorsese himself, leaving comments.

— Wikipedia (my translation)

It’s clear the article is trying to adapt the real history of the meme and incorporate it as much as possible into the fictional history of the film. The rest follows quite similarly, and includes more analysis of how Tumblr culture created the “reignited” popularity, how Elon’s acquisition of Twitter resulted in an exodus of users to Tumblr which may have contributed to the increased awareness of the “movie”, etc. Though most of it is directly translated from the english, enough of it is original (such as the attempts to reconcile both real and fictional histories) that I suspect the article’s current state is intentional.

To get back to my initial question, how long will this article last like this?

Remember the whole Scots Wikipedia debacle? An american teenager had basically used simple word replacement to translate over 23,000 articles into Scots. Some people noticed this, but not many, and not loudly enough. It was only after a well researched reddit post pointed out the scale of the damage that people really took notice and action was taken. The wikipedia editor had apparently been doing this for 7 years before the reddit post was made.

If 20,000 articles could go largely unnoticed for 7 years, I imagine a single article could easily evade similar detection. Realistically, how many Japanese speakers are going to even hear about Goncharov and make it to the wikipedia article? Then, how many of them are going to do more googling and find out it’s all a hoax (or know already)? THEN, how many of them are going to tell a wikipedia admin that the article is a lie, or publicise it somehow in a way that forces the editors to update the article?

I think the reality is that although the internet may appear to be a massive open town square (or several), it also has side streets, and side streets of side streets. I feel like the number of active members in each online hobby or interest group are really quite small, and then they get divided between platforms, and even further divided into subgroups. I think if one decided it was something one wanted to do, it would be quite easy to become one of the most prevalent members of any online community you chose just by devoting the time and energy to it.

It’s also kind of shocking how much internet content is inaccessible on account of it being in a different language. English reigns supreme in terms of sheer volume, but there is original research and journalism and entertainment and art in every language, that hasn’t and might never be translated into english. For example, I found it very difficult to find any english sources or research for my post about the evolving conjugation of 違う, but I easily found several japanese papers and websites. In fact, if you google “違くない adjective or verb”, the first english result that doesn’t just handwave it as “informal” or “slang” is a tumblr blog with my post on it!

It’s a small internet indeed where my little hobby language blog is, according to google, the prevailing english source on what is quite a remarkable change in Japanese grammar that’s been happening since the 80s.

I think the Japanese unreality version of the Goncharov wikipedia article will stand for many years to come.

(below link shows the article at time of writing)

[rockymintscollective]

Oh my god more Dead Poets Analysis

Holy fuck holy fuck holy FUCK PEOPLE

SPOILERS FOR DEAD POETS SOCIETY AFTER THIS.

I just realized that whenever it's revealed that Neil ended up kicking the bucket you can *see* how everyone else reacts. You can tell how they feel whenever you realize the stuff that went down with everything.

like especially in the scene where they're all singing. (pardon for the shitty quality if it looks bad)

Like... You can tell how they're all feeling in this scene alone.

Charlie isn't even singing. He's not even participating in this. You see Cameron in the back participating but it seems like he's thinking about something and you can tell it's probably not something good. Same thing with how you see how torn Meeks is.

Like of course they all are close in their own ways. Not even a few seconds later you see the light hitting Todd's face just right to show that there's snot on his upper lip (showing that he's still been crying) and how Knox and Pitts are singing with their full lungs and chest.

There's such a vast array of emotions in this it's literally suffocating?? In an odd sense. Like it feels like there's too much and not enough emotion in it at the same time.

Also??? When you see keating??? A few frames later and how sad he is??? Oh my god??? /lh /aaughgh???

You see him looking away. Not even at Mr. Noland like the other teachers and administrators are, but he's actively looking away and almost in a dissociative-like state. Like oh my god??? Holy shit???

Adding onto this, the scene afterward where Charlie chews out Cameron for finking??? I love to imagine that the reason Cameron said "Nuwanda" instead of "Charlie" (like his actual name is) is because of the fact that he's genuinely putting his foot down this time. Like they did when Charlie outed out this DPS to begin with.

You see it in his eyes that he genuinely means what he says here. Like when he says "You just signed your expulsion papers, Nuwanda." you can tell that he's just pissed.

ALSO. A SMALL DETAIL I NOTICED EARLIER. Could be an entire coincidence and I could be so SO wrong, but look at this.

I want you to focus on Pitt's signature for a moment. Stay with me here.

You see that?

Remember what the the DPS "signature" looked like?

If not, here's a reminder:

Now I could be so very wrong. I could be so off. But I do imagine Pitts had more of an attachment to the DPS than we saw because of this. You could at least tell in the signature (in my eyes at least) that he clearly cared a lot about this shit.

Anyway rant over my bad I got really passionate here this time. But oh my god I'm in love with this movie

[starlight-bread-blog]

My Interpetation of The Southern Raiders: Part 1 – A\ang

Warning: The views expressed in this analysis will be very critical of Aang. If you aren't critical of him in this episode, you aren't going to enjoy this post. This is your chance to leave. I probably won't have a debate for personal reasons.

——————

The Southern Raiders is probably one of the most discussed episodes in the fandom. Everyone knows Zuko Alone is great, but the discussion surrounding this episode is a war zone. In this essay I will try to answer every question posed in the discourse. This is part 1 out of three. In this part, I will discuss A\ang. I believe that understanding both Zuko and Aang's decisions in this episode will give us great insight into Katara's. Because the this episode is hers.

——————

1. Is Aang's philosophy of forgiveness valid?

(1) "Revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself".

(2) "You do have a choice: forgiveness". // "It's easy to do nothing, but it's hard to forgive". // "Forgiveness is the first step you have to take to begin healing".

This philosophy is indeed morally sound. Revenge comes from rage, a negative emotion that causes harm in the long run. Forgiveness is letting go of that rage, which is healing. I cannot write a full thesis, this essay is not about that. But on paper, I do agree with A\ang. He's right to say that letting go of rage is a better alternative than getting consumed by it. (However, his philosophy might not help some).

——————

2. Was A\ang being insensitive when talking to Katara?

First I must reiterate, a lot of people frame the conflict of the episode as one regarding the ethics of murder. In my interpretation, it is not. During this episode Katara was in a deeply emotional place. Her rage stemmed from intense grief and those around her should treat her as a mourner - with great sensitivity.

Now, was Aang being this sensitive with Katara? Well, in my opinion, very much so.

Imagine a scenario where A\ang just happens to meet Haru, and he's about to go on a quest to find revenge on who imprisoned his father. He tries to help him with the following sentences:

(1) Um ... and what exactly do you think this will accomplish?

(2) Wait! Stop! I do understand. You're feeling unbelievable pain and rage. How do you think I felt about the sandbenders when they stole Appa? How do you think I felt about the Fire Nation when I found out what happened to my people?

(3) I don't think so. I think it's about getting revenge.

(4) Haru, you sound like Jet.

(5) The monks used to say that revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself.

(6) Haru, you do have a choice: forgiveness.

(7) No, it's not. It's easy to do nothing, but it's hard to forgive.

(8) You did the right thing. Forgiveness is the first step you have to take to begin healing.

Everything makes sense, right? The pieces fit.He just talks about his cultura\personal values, nothing about what Katara needs at the moment. He could have had this exact conversation with Haru without changing a thing.

Therefore his lines are impersonal and thus preachy. In this conversation he doesn’t show signs of trying to convince Katara not to end her mother’s killer because she is, fundamentally, a good person and couldn’t live having committed murder. He shows signs of trying to make her obey his cultural ethos. This is highly insensitive. Katara was in a very emotional place, filled with rage and grief. And his response was, intentionally or not, to impose his own cultural principles onto her.

But his lines weren’t insensitive just because they were preachy, some of them were judgmental and even harsh. When A\ang is first confronted with Katara’s intentions, he says:

A\ang: Um ... and what exactly do you think this will accomplish?

You can tell from his tone and how the rest of the conversation plays out that he does know what Katara thinks this will accomplish. He asks the question as a form of disapproval - that he thinks that going after Yon Rha won’t accomplish anything. He’s not being genuine, he’s casting judgment on her. He’s almost looking down on her and Zuko, looking down from a moral high ground and sarcastically interrogating the two. Another line that sticks out is

A\ang: Katara, you sound like Jet.

He says she sounds like the man who wanted to flood an entire village full of innocent civilians. He’s insulting her, and greatly so, all the while wanting to keep a moral high ground. This is incredibly rude and condescending.

In the next scene, right after the intense argument concludes, it appears as though A\ang comes around to the journey Katara was about to go through.

A\ang: I wasn't planning to. This is a journey you need to take. You need to face this man.But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

While he’s still discouraging Katara, it’s not outright condescending. But it’s as clear as day that he’d just preferred if she didn’t go on the journey at all. When he sees Zuko and Katara taking Appa to find Yon Rha, he says:

A\ang: So you were just gonna take Appa anyway?

Clearly disapproving of Katara. He doesn’t want her to go on the journey to find inner peace, he wants her to forgive the man who killed her mother right here and right now. He couldn’t change her mind on the subject, so he’ll advise her the next best thing. It is worth noting that in the beginning, before he advises her, he cracks a joke.

A\ang: It's okay, because I forgive you. [Pauses.] That give you any ideas?

Overall, A\ang’s behavior is unsympathetic and callous.Instead of placing his focus on Katara’s wellbeing, he preaches about Air Nomad teachings and goes as far as insulting her. Even when he comes around, it’s not because he realized his mistakes, it’s because he knew he couldn’t change her mind. And then he makes a humorous remark while giving him his supposed new found advice. The answer is: Yes. Aang was very insensitive when talking to Katara.

——————

3. Did A\ang know what Katara needed?

I don’t think he did. A\ang thought Katara needed to forgive Yon Rha, and as we previously established, without going after him. But even if we look at his second advice, she still doesn’t follow it.

A\ang: This is a journey you need to take. You need to face this man. [Katara situates herself on Appa's head.] But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

Katara explicitly didn’t forgive Yon Rha, and yet the whole point of the ending is that she’s in a better place now. No matter what Zuko says, A\ang didn’t know what Katara needed. And considering that his lines in the episode were as impersonal as they were, it isn’t a surprise.

——————

In conclusion, A\ang’s behavior in The Southern Raiders is questionable at best. He might have had pure intentions, and had a good message, but the way he put out the message was degrading and preachy. And in the end, he didn’t know what was the right thing for Katara.

Continued

[not-that-n]

I think Kotor 2 is a really funny game when it comes to the average analysis of it's themes, because it managed to create such a compelling antagonist that most people just kinda get lost into trying to analyze her words and actions through her apparent philosophical stand when she is just written to be a great hypocrite, something that they almost always fail to mention in the average analysis of Kreya's character.

Like she makes some points, that sometimes helping others without thinking about your actions can hurt them more than you could imagine and says some other things that are almost true but she frames them as a philosophy of might, you shouldn't help others because you are depriving them of their strength, because through suffering there's growth, through struggle you reach enlightenment, through individual freedom you reach apotheosis. She then reaches the conclusion that God, aka the Force, is the biggest chain of all and to be truly free is to kill the force, to reject fate completely.

She acts like she has some sort of moral high ground over the sith and the Jedi when in reality she is not much different. In a way, she does have some beliefs she follows without question, she still uses the force and if you ask her about it she admits the hypocritical nature of her argument, first comparing to a poison and then saying that that's just an argument of an old woman trying to justify it. She always talks about how there are no chains, how you must be completely free of fate because there's no determinate outcome, whatever happens being a result of your strength, yet she still betrays you by the end because there must always be a Darth Treya, there must always be someone that directly betrays the order in it's moment of need. That's fate, that should, and will, always happen.

I always read her admiration for the player originating from our achievement of her goals without becoming hypocrites like she is, something I'm sure she is aware of as hinted by her dialogue in her last fight. The player rejected the force, reject fate, through strenght of will alone, using it more alike a weapon than a dogma, but the player, in a way, still uses the force mostly as a way of unknowingly influence others, their strength is not in self isolation in pursue of the strength of an individual through the death of morals and complete freedom, but instead in connection with others.

In the dark side ending the player becomes Kreya, a hypocrite that acts on their own desires, on their own impulses, because they can, afterall they had the strength to reject the force once so they are strong enough to do whatever. On the light side ending the exile takes the correct path, not following Kreya but transcending her, becoming better than her, understanding that you can overcome the chains of fate not through individual freedom but through connection, in the light side ending you archive what Kreya never could.

I always read Kotor 2 as a story of abuse and trying to grow out of it, in this case Kreya being the abuser, breaking both Scion and Nihilus causing them to become what she hated the most, and the player character being her new target, the exile being able to either follow the narrative's themes and be able to grow despite the abuse or fail and become the abuser themselves, perpetuating the cycle, the chain, that I always read as what the force is supposed to symbolize in this story.

Kreya is a spiteful person that believes that she can not grow, that she can not change and become better, she accepts herself in her own hypocrite nature because of this belief, she understands that through her own argument, one of complete freedom and transcending any chains that bind us, she is a failure like the rest of her students because she follows her own chain, she believes she most perpetuate the cycle of abuse.

That's the reason why I always disagree witht he concept that Kreya steals the show from both Scion and Nihilus because both of them are different outcomes that the exile could have become, both are victims of abuse that thought they couldn't change.

There's this one study I always think about, how kids that came from abusive households were more reluctant to let go of their parents, and Scion reminds me of this, rejecting Kreya at every opportunity but being unable to let go of her, she defined who he became as a person, a failure in both of their eyes. That's why he is so mad when you are going to confront Kreya, he thinks of you as her favorite, as the one that didn't become a failure, as someone who could reject and grow from their abuse when he couldn't. And I always found so interesting that the way you beat him os through words because, well, because you try convincing him that he can change, that he can grow, you beat him not through a fight, through a show of strength, but through showing, arguing, that the abuse he went through is not an unmoving chain, that he has the capabilities of change. And he doesn't believe you, never does, he would rather die than think about that, that admit you are right, he reacts the same way Kreya does, dying rather than admit they were wrong. It feels incredibly tragic that this happens because you know it could end up in another way, you are that other possible outcome.

And Nihilus is a simpler character because most of the content related to him was cut, but I always read him as the complete rejection of Kreya, as doing the exact opposite of whatever she said even when it still ends up hurting him, becoming a shell of what he was once. That said, most of that is just me guessing something that would fit with my reading of the themes and is never actually said in the game, it's kinda hinted but I admit there's not enough information to confidently say that.

Anyways, my point is that I find kotor 2 quite a compelling story and, while I understand why most people only ever discuss Kreya, I feel slightly disappointed that most discussions of the game never really talk about anything else the game presents

[l-in-the-light]

If we consider this scene as a whole paralleling to the neighboring frames then it reveals a possible reason why we see Bepo instead of Law here. Long story short: Law's not there with Bepo anymore!

Let's try to break it down:

Sabo is calling out for Ace and Luffy, but not for Dragon (despite Dragon also being a D. and it's a known fact ever since Dragon's and Luffy's family ties got revealed to the whole world in the newspapers), Koby is calling out to Luffy and Garp, and Bepo is calling out to Law. Do these three scenes have anything in common? Sabo's and Koby's do: they're both calling out only to people who aren't there with them physically (Sabo doesn't have to call out to Dragon because he's right next to him, listening as well).

So why shouldn't we draw a connection to Bepo's frame as well? Bepo has no reason calling out to Law if Law is right there with him. We know Law's goal: to know the meaning of will of D. and learning about history, it seems unlikely that he wouldn't pay attention to the broadcast (and so wouldn't need Bepo to call out to him), right? This should be important to him and we shouldn't imagine him sitting there doing his own thing, uninterested. Which leads to this conclusion I came up with:

Bepo's reaction suggests Law isn't there with him anymore. And that's why Bepo calls out to him, just like Sabo and Koby call out to absent people. Which leads us to two most likely scenarios:

Law is already on his way to somewhere else and asked Bepo to listen to the broadcast for him (which creates the question: what would be so important and couldn't wait an extra half an hour?)

Law is still unconscious after his fight with Blackbeard (not unlikely, but we know Law's unusual skill of staying conscious even after having his arm severed).

That's my analysis of the frame and the not-obvious information it can give us. Bepo indeed carried them to safety, they were in some place where they patched up their wounds and could even listen to a snail, but Law seems to be already away somewhere.