#indieflix

[yotko97]

A lot of filmmakers around the world typically state of short films being nothing more than calling cards to showcase potential producers/studios on what your skills are as a filmmaker. I can’t blame them fully as generally, we weren’t educated on recent and ever growing platforms either dedicated to shorts/videos beyond just YouTube and Vimeo… and only educated in film schools that the only way to earn any money is from private premiers and hopefully win prize money from film festivals. 

And before you go ahead and say “But surely distributors can grab my film from me and put it out there on NETFLIX and Amazon prime and such…” Oh you sweet yet naive idiot. 

Firstly, notable and underground distributors generally don’t take shorts unless its made from Pixar or a famous director or something since they get as much eyeballs as much compared to features and documentaries.

Secondly, Most popular streaming services as a rule of thumb don’t insert shorts into their catalogues. Not many people watch as much shorts in the same way we watch features or doco’s, therefore, they would consider it a waste of money for streaming services to acquisition into their catalogues if not many people by design are going to watch them frequently.

But that’s not to say its all doom and gloom with no way to earn something from your shorts. Luckily, upon during my research on film distribution whilst making my first short outside of film school “FULL CIRCLE” I would like to shed some hopeful light on new filmmakers out there that have just created a short and clueless with what do do with them more than just slot them into your showreel or film festivals. Here are the tips, ideas and platforms you can submit and monetise your shorts;

Theatrical releases = You can contact a local cinema to hire a cinema hall for you to showcase your short film on a certain date and create a ticked screening event. If their quotes aren’t listed on their websites, you can ask for a quote to help calculate costs (including marketing & DCP testing). It would be wise to contact and network with local filmmakers where you can showcase other filmmakers shorts to aid with splitting the screening hire costs. In exchange you can offer a profit share system with all involved. Make sure you invest into marketing your event locally via word of mouth and social media’s to get bums on seats. You can also offer mercy to throw into the mix like posters, t shirts, USB’ etc… if done right, this can be a potential source of income from your short film.

. Website = You can create a filmmakers website to showcase and sell your shorts directly from your followers and customers. The price is up to you and can create one via Wix, square space, Shopify etc…

. Shortly = Shortly is a platform/App with the intent of exclusively streaming short films around the world. It’s a Combination of SVOD/AVOD options for filmmakers to monetise their shorts when they submit here. It’s a relatively new platform but its gaining traction amongst new filmmakers and new streamers.

. Vidiverse = founded by Notable Director Alex Proyas (The Crow, iRobot, Gods of Egypt), Vidiverse was created with the intention of kickstarting the commerciality of shorts in both auteur and non auteur style shorts. Shorts there can be viewed via a transaction or through a subscription. There are a few originals along with being able to directly submit your short here.

. INDIEFLIX = IndieFlix takes almost any bit of video content independently made from shorts to features to series to documentaries. They do a 50/50 split of the total generated revenue of the platform as a whole with the platforms and filmmakers. 

. Film hub = (kanopy, slash shorts) A platform  where filmmakers big and small can self upload almost any form of content wether they are Features, shorts, Documentaries or music videos. They’ll be forwarded to all the streaming platforms under their belt that accept your content and have some big streaming companies like Amazon prime, Apple TV and Hulu etc… Their primary methods of earning money are TVOD, SVOD and AVOD. Ther’es no upfront fees to upload your shorts but they do take 20% of total revenue made monthly or quarterly.

. Cineshort = An app platform where they showcase short films around the world both old titles to award winning festival run shorts. Their primary method of earning money are TVOD, SVOD and AVOD.

. WeShorts = A short film streaming platform based in Italy but they accept shorts that contain any language. They operate under an SVOD model.

. Facebook watch = This one goes without saying but for those living under a rock for a few years, you can upload and monetise all kinds of video content on facebook watch. As long as you have a facebook account/page, you’re good. They operate and monetise on via ads per certain views (they fluctuate and very due to type of content and from location to location). This seems to be an ever growing platform for short form content.

. Twitter/X = Thanks to their recent ad revenue share program, you can upload your short film and posts related to your content in general and start earning even use from ads and sponsors.. There are some conditions you must follow through however to be eligible, like having a premium account, min 500 followers and at least 5M organic impressions within 3 months, so try to drive as much traffic as you possibly can to achieve this creatori to start making money on twitter.

. FENIX360 = A growing TVOD platform dedicated to artists and creators as a marketplace for them to sell their content. These range from pre ticket releases to mercy to videos to even NFT’s. You can manually set the price on your short film to any amount desired during the upload process.

. Instagram reel/TikTok = cmon, you don’t really need me to let you know this is a good way right? You can re export your shorts into vertical aspect ratio along with cutting them into bite size chunks in top multiple parters and release them accordingly. They can be monetised via their creator programs where and add may show on a previous reel and earn a portion of the ad revenue from that. 

. Argo media = an established streaming service that’s dedicate to showing shorts from first releases to award winning shorts straight from Sundance. There are some shorts there with now prolific talent like Benedict Cumberbatch. Who would’ve thought?

. Dailymotion = Another form of YouTube that operates on the same basis but doesn’t seem to be  as popular compared to YouTube for some reason. Their CPM seems quite alright being $75 per hour played on your video per 1000 views, regardless of the type of content. If you can market your short well to draw people in to Dailymotion, you’d be making a good move I believe.

. Bitchute = A version of YouTube that’s more aligned with non fiction content, however you’re still at liberty to upload fictional shorts and such. This would seem like an ideal platform for short videos/documentaries. They’re operated and monetised via a shared AVOD scheme akin to twitters new scheme.

. Indie shorts = An app platform specifically for indie short films. They showcase shorts from no budget to relatively high budget shorts in any genre. They operate and monetised via AVOD.

. Shorts TV = A very notable platform tailored for shorts that has been going on for a while now. Most of their viewers stem from the UK and Europe but are growing to a global scale. They operate and monetised via AVOD and SVOD methods. 

. Shortindies = ShortIndies is…you guessed it, another exclusively short film streaming platforms primarily popular in Europe. They’re a combo of SVOD and AVOD options.

. Minute shorts = This is an OTT platform for short from India. However, they alo include western short films. Primarily AVOD based structure

. Vimeo/Vimeo OTT =  This one is pretty known in the filmmaker circles. Think of it as YouTube for creatives. You can see content ranging from music videos to feature length films. They can operate and monetise via TVOD and AVOD methods. You can either set a custom price for people to directly buy or just place ads before hand for free for people to enjoy.

. YouTube = This is an obvious one. If for some reason you don’t know what this platforms , its the biggest online video platform to date. You can earn money from uploading your short film onto here. It’s a 55/45 split with average CPM being $18-36 per 1000 views (at least in Australia, rates vary from location to location) but can generally earn a bigger CPM if your short is longer than 10 minutes.

. Patreon = A platforms where you can connect a YouTube account with and get people to donate to your channel for exclusive perks that you can custom create for your donors. You can control donation amount and different level of perks per subscription. 

. Buy me a coffee = Basically a newer alternate version of Patreon. Similar details as written above for Patreon.

. Crypt TV = a youtube network for horror short form content where they’re open to other filmmakers to submit horror shorts onto their platform for an agreed upon cut per frequency of time.

. Rooster Teeth TV = A well known production company with their own platform beyond just their youtube channel. They’ve been going on for years and are know willing to take your shorts to put onto their established channels only for a 10-20% cut per quarter. Not that bad compared to other alternatives distribution wise.

. Gumroad = Just like FENIX360. Gumroad is a reputable TVOD platform dedicated to artists and creators as a marketplace for them to sell their content. These range from e-books to merch to videos. You can manually set the price on your short film to any amount desired during the upload process.

. Payhip = Just like FENIX360 and Gumroad, Payhip is a growing yet still reputable TVOD platform dedicated to artists and creators as a marketplace for them to sell their content. These range from e-books to merch to videos. You can manually set the price on your short film to any amount desired during the upload process.

. Koji = Koji seems to the creators content website that has it all. It’s the most perfect combination of Patreon, Gumroad and facebook rolled into 1 site. You can manage social media’s to posting content, especially shorts and can place/adjust the format and pricing in any way you choose to sell to your audience and followers.

. Omeleto = A YouTube channel dedicated to showing sci-fi shorts from numerous filmmakers. They also get a major cut of the revenue when submitted, approved and uploaded onto their channel. They have a noticeably big and loyal amount of subscribers with consistently large amount of views per video.

. ALTAVOD = This is another VOD platform specifically catered to indie filmmakers to upload their films onto. This was also created by Robert Schwartzen (relative of Jason schwartzen, tali’s shire and Francis ford Coppola) and is primarily TVOD and is a standard 90/10 split between the filmmakers and the platform.

. Cubestream = Another quite recent platform for filmmakers to upload their content onto. The unique thing about this one is it’s based on the crypto blockchain system.

. Rumble = Ruble is an alternative to YouTube where creators can upload their content too besides just YouTube. It’s just gaining traction as more youth ears are also using the platform.

. GUDSHO = this is a relatively new platform that filmmakers can upload their shorts onto. It has a TVOD and SVOD system along with donations possible like Patreon. 

. Shortfundly = An OTT marketplace platform based in India that you can upload your short film to. Its primarily AVOD based.

. Short film Gem = A new short film platform that runs on the trifecta of TVOD, SVOD and AVOD as sources of revenue. It's new but its getting traction to submit when you still can.

. Stock video websites: Depending on the nature of your short, you can either submit your whole short if its under a minute or edit and cut bite size chunks of your short film, then submit those clips onto various stock video sites for extra revenue for either commercial/editorial use. If your smart, you can even isolate and export some B-roll or BTS clips or even some 2nd unit backdrop clips as seperate videos to submit. Here are the well known primary stock video website i know and use;

shutter stock

Adobe stock

Depositphotos

Nimia.com

Dissolve

Artgrid

Storyblocks

123RF

Dreamstime 

Getty images

. Stock photo websites = Same principle as with stock footage listed above but with still images. Find and screenshot the best stills within your shorts and sell them as stock photos. Here are the well known primary stock photo websites i know and use;

shutter stock

Adobe stock

Depositphotos

500px

Clickasnap

Bigstock

IStocks

Alamy

Getty images

Dreamstime

123RF

Thank you all who've read this blog. I hope these platforms help you prosper to make a living as a filmmaker to the max. Good luck.

[focusgroupentertainment]

Love Transcends All: The Impactful Journey of 'By the Way' a Decade Later

“By the Way” is a heartfelt 2013 short film directed by Shanti Lowry, written by Chioke Dmachi. The film features a talented cast, including Chioke Dmachi himself, along with Chris Salvatore, Sabrina Revelle, and Sarafina King. Shanti Lowry is an American actress and dancer known for her roles in “Charlie’s Angels: Full Throttle” and as Dionne Taylor on the TV series “The Game.” Chioke Dmachi,…

[apollostears]

𝐵𝑈𝑇 𝐼'𝑀 𝐴 𝑪𝑹𝑬𝑬𝑷 # ！︎

♘︎ 𝑾𝑨𝑹𝑵𝑰𝑵𝑮𝑺: yandere!armin, bimbo reader, manipulative themes, mention of murder, dark theme (based off of joe from YOU ) + reader is really gullible and naive + college!au setting + MDNI bold and italics are armin’s thoughts

♘︎ 𝑺𝑼𝑴𝑴𝑨𝑹𝒀: small look into armin’s possessive thoughts on the object of his obsession. you.

♘︎ 𝑷𝑨𝑰𝑹𝑰𝑵𝑮: armin x black!reader

♘︎ 𝑺𝑯𝑶𝑾: you

- apart of @indiecursor indieflix & chill collab

creep by radiohead

Armin had been watching you the entire night. You had shown up to the party with Mikasa, a new scenery for you as opposed to the comfort of your bedroom, music playing as you got high. He had been with you for all of those, watching from afar the whole night. But this. This was different. You were here and in his space. With nowhere to go.

“Come on Armin. We’re going to Jean’s to smoke. Tell Y/n to ride with you.” Eren’s voice pulled Armin back to reality, but it was really the mention of you riding with him. Alone.

Armin’s calculated eyes never left your frame as he nodded his head in response and got up to grab you from the group of random females you’d acquainted yourself with. You looked beautiful in the skirt and crop top combo you’d showed up in. Beautiful brown skin on display for Armin to place his hands easily on your waist to gather your attention.

God, you feel soft.

“Armin!” You gasped excitedly, wasting no time in throwing your arms around the tall boy for a hug.

You smell delicious, pretty bird.

The blond tightened his hold around you as he savored the contact. “Hey, beautiful.”

You felt floaty from his pet name, internally battling the small crush you had on him.

“Hi ‘min.” You spoke breathlessly.

Fuck. You’ll be the absolute death of me.

Armin used two fingers to tug your chin upwards and towards him, your eyes wide as you looked at him in awe. “We’re leaving, headed to Jean’s.”

You pouted, not wanting to leave the ladies you’d just met, but once your eyes landed on Mikasa heading out behind Sasha, you gathered your things.

“Okay,” the small pout on your lips made the man desperate to kiss it away, “Bye y’all!”

Armin had dropped his hand and instead, used it to guide you through the crowd of college students.

Oh my sweet dove. So obedient. The perfect pet.

His hand never left the exposed skin of your back, his touch warming your whole body in contrast to the cool, late summer, air. Armin felt his cock grow in his pants just dreaming of his hands touching other areas of your body. The hidden security cameras in your room were not doing your body justice.

No other person had the rights to look at you in the way he had. It made something evil stir inside him at the thought of even having to see you with another. It’s why he’s killed all the other guys that had tried to approach you.

“Armin! Is that the pink bracelet I gave you?” Your eyes widened at the jewelry decorating his wrist as he opened the car door for you.

The blond chuckled deeply, guiding you inside the sleek car with his body a bit closer to yours than needed. The bracelet in question was a DIY beaded one you made with his and yours initials. You foolishly gave it to him under the pretense of it being a friendship bracelet. But that only fueled the boys’ fantasies.

“Of course it is baby,” he spoke charmingly, “put your seatbelt on for me.”

A shiver trailed down your spine at the authoritative tone of voice and you found yourself rushing to please him. The action didn’t go unnoticed by Armin as he he held back a moan.

I can’t wait any longer, sweet dove. I’m sorry.

You sat patiently as he walked around the car and got in on the driver’s side. Music played quietly when Armin started up the car and his bluetooth connected.

“I want to show you something real quick. You trust me?” Armin asked you, his face soft but his eyes held a mischievousness that you overlooked.

You nodded your head quickly, eyebrows furrowed in a frown as you worked quickly to dispel any of his worries. “Of course!”

Oh, You.

I knew I made the right choice.

𝐓𝐀𝐆𝐒. @kennyackermanswhore @chaoticevilbakugo @indiecursor @gabzlovesu @desiray562 @brownmochii @knjkitten @sweeneyblue1 @namjoonswifeyy @nyxeclipse @rubinocore @somerandompipzsxh @dabilovesme @histarean @hannas16 @caribbeanwifey19 @emonaculate @po3ticb3auty @waka-umm @wilsonsbuck  @ctrlstar @jealousfuckingcunt @savagemickey03 @dukina @saintblk @sisnot @littlemochi @garyy @hoohoohope

[kirnet]

that post prompted me to double check my library resources and yeah. im in the wrong i should be going more. they have a free spotify type of thing for downloading stuff? kanopy and indieflix? magazines? lectures? a service just for live musical works? AND they have a bitchin fish tank if you go in person?? i know what im doing later

[kvibe-test]

<img src="https://cdn.discordapp.com/attachments/1046530452657279067/1257713695656644639/kvibestudios_Create_a_cinematic_blogpost_thumbnail_image_depict_79c3a14e-7961-4bb0-9b90-75940f8c3129.png?ex=668568a8&is=66841728&hm=835fcbfb87b489fa7220a9c345da29f6d120a61025951134c976048a80faced2&"> Thriving in the Indie Film Landscape

Navigating your way through the independent film market has never been straightforward, and these days, the challenges seem even more pronounced. With the dwindling interest in conventional revenue streams and the surge of streaming platforms, the journey ahead isn't devoid of obstacles. However, by making a few strategic decisions and fostering a strong community, it's absolutely possible to thrive in this tough landscape.

Building a Strong Community

One of the most effective tools in my arsenal as an independent filmmaker has been a supportive community. It's about more than just creating outstanding films; it's about making connections with people who see the vision, share the struggles, and align with the goals. Through social media, local events, or online forums, cultivating a dedicated follower base provides continuous support and invaluable word-of-mouth promotion.

Think about it: when you have an audience eagerly looking forward to your next project, you’re not just relying on sporadic interest. These are the people who will show up at your screenings, fund your projects through Kickstarter or Indiegogo, and share your content. Building this community doesn’t happen overnight, but with patience and genuine interaction, it becomes one of the most fulfilling parts of being an independent filmmaker.

Leveraging New Distribution Channels

Traditional film distribution routes have been upended by the proliferation of streaming platforms. The times when theatrical releases and DVD sales were the main income streams are behind us. Adapting to new distribution channels is a necessity today. Services like Amazon Prime Video, Netflix, and Hulu offer immense opportunities but can be incredibly competitive and tough to break into for indie filmmakers.

Exploring niche streaming platforms or services that cater specifically to independent films can also be an effective strategy. Channels like FilmFreeway or IndieFlix focus on showcasing indie media, helping you reach audiences actively seeking fresh, non-mainstream content.

Another viable approach is self-distribution through your own website or video-hosting platforms like Vimeo, where you control your sales and rental prices. Direct engagement with your audience is crucial here, emphasizing the importance of building that supportive community. By doing so, you can bypass traditional gatekeepers and ensure your work reaches people who genuinely appreciate it.

Navigating the Streaming Platform Landscape

The dominance of streaming platforms is both a challenge and an opportunity. On one hand, fierce competition can be discouraging, especially when algorithms favor major blockbusters. However, these platforms can catalyze your career by expanding your reach beyond traditional boundaries.

Submitting to film festivals and contests that align with streaming services often results in distribution deals. Many indie films have gained traction this way. Persistence and continuously seeking these opportunities to get your film seen is key.

It’s also beneficial to stay updated with the latest trends and metrics. Knowing what types of content succeed on these platforms can help you tailor your pitches and marketing strategies. Be flexible and ready to adapt your vision where necessary without compromising your artistic integrity.

Final Thoughts

While the independent film market is plagued with difficulties, the keys to success lie in adapting to the changing distribution landscape, leveraging streaming platforms wisely, and most importantly, building a strong, connected community. Staying true to your passion and remaining open to innovation can break the perceived limits.

Ultimately, the shared journey with those who support your vision becomes extraordinarily fulfilling. So, here's to building bridges, creating groundbreaking films, and showing the world the essence of independent filmmaking.

#indiefilm #filmmaking #streamingplatforms #communitybuilding #independentcinema

[seositetool]

Over the Top Market Size, Share with Focus on Emerging Technologies, Top Countries Data, Top Key Players Update, and Forecast 2027

Meta (US), Netflix (US), Amazon (US), Google (US), Apple (US), Home Box Office (US), Roku (US), IndieFlix (US), Rakuten(Japan), Tencent (China), and Kakao (South Korea). Over the Top Market by Type (Game Streaming, Audio Streaming, Video Streaming, and Communication), Monetization Model (Subscription-based, Advertising-based, and Transaction-based), Streaming Device, Vertical and Region – Global…

[breekelly]

Exploring the Cinematic Cosmos: LosMovies Alternatives Light Up Your Screens

In the ever-evolving landscape of online entertainment, LosMovies stood as a shining star for movie enthusiasts around the globe. With its vast collection of films spanning genres and eras, it served as a cinematic haven for countless viewers. However, as all good things must come to an end, the farewell of LosMovies left a cinematic void that demanded to be filled. Fear not, for the universe of alternatives has risen to the occasion, promising an enchanting and diverse array of movie-watching experiences.

The Quest for Alternatives

Imagine a world where your movie cravings are not bound by a single portal. Welcome to the era of LosMovies alternatives - a constellation of platforms that offer a similarly exhilarating journey through the reels of celluloid dreams. These alternatives come in various shapes and sizes, each with its unique charm to cater to the eclectic tastes of cinephiles.

1. StreamVids

Picture a river of cinema flowing endlessly, and you have StreamVids. This platform boasts an interface that mimics the simplicity of LosMovies, coupled with a powerful streaming engine that ensures a seamless playback experience. From the latest blockbusters to the hidden gems, StreamVids gathers them all under one roof, satisfying both mainstream cravings and the quest for cinematic exploration.

2. CineVerse

For those who believe in the power of community, CineVerse emerges as a haven of shared film experiences. It's not just about watching movies here; it's about connecting with fellow movie enthusiasts. CineVerse offers virtual movie nights, discussions, and even user-generated content that adds an interactive layer to your cinematic journey, replicating the camaraderie LosMovies was known for.

3. ReelScape

In a world where recommendations are gold, ReelScape steps in as the ultimate guide. Its intuitive algorithm analyzes your viewing history and suggests movies that align with your preferences, much like LosMovies' "related films" feature. This alternative is like having a personal cinephile friend who always knows what you're in the mood for.

4. RetroCine

Nostalgia knows no bounds, and RetroCine pays homage to the classics. If you're a fan of vintage cinema or simply wish to explore the cinematic roots, this platform is your time-travel ticket. Just like LosMovies, it celebrates the timeless gems that laid the foundation for contemporary masterpieces, reminding us that the magic of cinema spans generations.

5. IndieFlix Hub

For those who crave the unconventional and the avant-garde, IndieFlix Hub offers a curated collection of independent films that challenge norms and defy expectations. This alternative follows LosMovies' tradition of shining a spotlight on underappreciated gems, giving indie filmmakers a platform to showcase their artistic brilliance.

Conclusion

The departure of LosMovies Alternatives marked the end of an era, but it also heralded the dawn of a new cinematic adventure. The alternatives mentioned here are merely a glimpse into the vast expanse of options available to movie lovers. From the nostalgia-soaked treasures of RetroCine to the interactive community of CineVerse, each alternative is a star in its own right, contributing to the constellation of online movie platforms. So, gather your popcorn, dim the lights, and embark on a new journey through the dazzling universe of LosMovies alternatives. Your next cinematic odyssey awaits.

[docrotten]

SCANNERS (1981) – Episode 221 – Decades Of Horror 1980s

“All right. We’re gonna do this the scanner way. I’m gonna suck your brain dry!” Yikes! Can we not do it the scanner way? Join your faithful Grue-Crew – Chad Hunt, Bill Mulligan, Crystal Cleveland, and Jeff Mohr  – as they go in for some vintage 1980s David Cronenberg with Scanners (1981). That’s right. Somebody’s head will explode.

Decades of Horror 1980s Episode 221 – Scanners (1981)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

A scientist trains a man with an advanced telepathic ability called “scanning,” to stop a dangerous Scanner with extraordinary psychic powers from waging war against non-scanners.

  Written & Directed by: David Cronenberg 

Music by: Howard Shore

Cinematography by: Mark Irwin (director of photography)

Film Editing by: Ronald Sanders

Makeup Department:

Dick Smith (special makeup effects consultant)

Stephan Dupuis (special makeup)

Tom Schwartz (special makeup)

Chris Walas (special makeup)

Brigitte McCaughry (makeup artist)

Constant Natale (hair stylist)

Selected Cast:

Jennifer O’Neill as Kim Obrist

Stephen Lack as Cameron Vale

Patrick McGoohan as Dr. Paul Ruth

Lawrence Dane as Braedon Keller

Michael Ironside as Darryl Revok

Robert Silverman as Benjamin Pierce

Mavor Moore as Curtis Trevellyan

Anthony Sherwood as Aiden

Fred Doederlein as Dieder Tautz

Victor Désy as Dr. Gatineau

Louis Del Grande as First Scanner

Jeff has always been drawn to stories of humans with paranormal powers so Scanners is right up his alley. He came for the legendary exploding head and stayed for the story . . . and, of course, Patrick McGoohan’s and Michael Ironside’s performances. Bill saw Scanners in a theater and witnessed the audience flipping out at the scene. It is the closest thing to an X-men movie he’d found up to that time. After his buddy snuck him into the theater, Scanners seemed like a superhero movie to Chad. Even now, he enjoys it more every time he watches it, always noticing something new.

It probably goes without saying, but as usual, they say it anyway. Michael Ironside! Holy Cow! His performance is . . . over-the-top? Uninhibited? Off the wall? Sick? Dope? Well, you get the idea. They ran out of words.

At the time of this writing, Scanners is available to stream from HBOmax, Criterion Channel, and IndieFlix as well as some PPV options, and on physical media as a Blu-ray from Criterion.

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Bill, will be Dragonslayer (1981). They don’t need any stinking CGI.

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the gruesome Magazine Youtube channel, on the website, or email the Decades of Horror 1980s podcast hosts at feedback@gruesomemagazine.com.

Check out this episode!

[psychonaut-gamma-ray]

Psychopath Bronson

[indieflixhq]

An Update From the IndieFlix Foundation

What are you most thankful for this year?

We are thankful for the good work and positive impact of the IndieFlix Foundation which raises funds to bring social impact programs to underserved schools. This year their big focus has been anxiety in schools. Here’s a little more about IndieFlix Foundation from founder Scilla Andreen.

Dear Friends,

I believe film is one of the most powerful mediums on the planet and we at the Foundation feel stories can have positive, life-changing impact when followed up with conversation. I’d like to share a little bit about what we do and what we support at IndieFlix Foundation. As we pulled the data to share with you I found myself in awe of how much has been accomplished this year; thanks to generous gifts, support, introductions, feedback and the hard work of many who assist in getting the word out. We are seeing and feeling the positive impact the projects we support are having in schools and communities across the country as well as abroad. They are reaching kids as young as 7 years old and seniors who are discovering for the first time that what they’ve felt their whole lives has a name; it’s called anxiety and it’s treatable.

Finding Kind a film about girl bullying has almost completed it’s 14th Founders Tour. Angst has booked school screenings spanning 20 countries and we just held test screenings of LIKE, a documentary about the impact of social media on our lives. Lastly, we’ve just created and launched the Creative Coping Toolkit (CCT), an interactive companion program designed to normalize and easily keep the conversation going about anxiety, social media challenges, digital addiction and mindfulness in schools and at home.

This year some of the projects we have supported have a combined reach of over 600K students and families as young as 7 years old. Thanks to you, we are changing lives for the better. These projects model conversations about mental health, bullying and empowerment. They teach coping tools, share resources and ultimately open hearts and minds to build a stronger social, emotional community.

Below is a brief update of some of the projects we have supported.

Thank you and happiest of holidays.

Sincerely,

Scilla Andreen Founder IndieFlix Foundation & the IndieFlix Foundation Board

Finding Kind Still Screening in Hundreds Of Schools

In October, Finding Kind a documentary about girl bullying embarked on it's 14th Founders Assembly Tour with filmmakers Lauren Paul and Molly Thompson. Since 2009, Finding Kind has had thousands of screenings around the world. This was the first project we supported and its mind-boggling to think here we are 8 years later and Finding Kind is still having an impact in schools around the world. It's a testament to Lauren and Molly and their dedication to help eradicate bullying through their foundation Kind Campaign.

Watch the Finding Kind Trailer

Angst (2017) One Year 1000 School Screenings

In just one year, Angst a documentary about raising awareness about anxiety has been booked in almost 1000 schools and communities in 20 countries. Recently, Angst was featured at the Mill Valley Film Festival to kick off their year-round educational programming in schools. We have received calls and emails sharing stories of how Angst has helped to improve the lives of some children and provided more understanding of teen suicide. We will be posting some of these stories on our website in the coming weeks as we clear it with the families to share.

Here's a snapshot of a recent survey of 2950 people across the country:

Gender 70.3% female, 28.3% male,1.4% other

53.4% students, 28.1% educators/counselors, 18.5% parents

80.6% believe anxiety is on the rise

96.8% think watching Angst could be helpful for teens

58.5% would be more open to talking about anxiety after watching Angst.

For full survey results please visit angstmovie.com

Watch the Angst Trailer

LIKE (2018) Are We Addicted To Social Media?

LIKE (47 min) takes an in depth look at the impact of social media on our lives and what we can do to create more balance. Through interviews of kids, parents, educators and experts including Facebook "Like" button co-creator, Leah Pearlman, LIKE delves into what's really going on in the world of social media. Psychologist and author, Dr. Joe Dilley says in response to LIKE,

"...I am shocked at how moved, upset, and compelled to act I feel as a result of having seen this documentary. That LIKE will inspire you is an understatement. Quite simply, it's the most important film I've ever seen."

Thank you Dr. Dilley, we love your quote. For the full review please visit

TheLikeMovie.com

Watch the LIKE Trailer

Screenagers (2016)

Screenagers launched in 2016 and the website states more than 5,000 schools, community groups, churches, synagogues, mosques, and companies have hosted screenings in communities all over the globe. Congratulations Dr. Delaney Ruston on creating such a groundbreaking film.

Watch the Screenagers Trailer

The Bully Factor Coming (2019)

The Bully Factor addresses how bystanders can fuel bullying. They also have the power to eradicate it. The Bully Factor explores cyber-bullying, bullying amongst friends, families, co-workers and the brain science behind it all. The film and series highlights new laws and programs already reducing bullying in schools and shows us how we can all make a difference. Appropriate for ages 10+

Release is slated for Fall 2019 and will be the newest addition to the arsenal of social, emotional impact films we support to create positive, solution-focused change in the world.

Read more about The Bully Factor

About us: IndieFlix Foundation is a 501(c)(3) that promotes and supports social impact films to create social change in the world. We maintain a roster of several film projects. Some are in the early stages of development or production, while others are completed and available for public screenings. Once the films are completed, we support the screening of them year-round in public settings for communities across the United States. In most cases, we work with K-12 schools, colleges and universities, and community-based organizations to screen these films for their students, parents, and other appropriate populations. And while some schools and organizations can afford to pay for the full cost of a screening (which includes use of IFF’s curriculum materials as well as facilitation support for Q&A sessions with attendees), many – especially those serving low-income communities – cannot. IndieFlix Foundation uses grant funding and individual donations to help subsidize the costs and make screenings free to these schools and organizations.

https://www.indieflixfoundation.org/

[angstmovie]

When someone is thinking of suicide, these are the people who talk them out of it

Photo as seen in CNN One Atlanta call center gets 800-1000 calls every day. Sometimes we don't think about the people whose job it is to help talk someone out of suicide. For this particular call center in Atlanta GA, the state pays the employees. But most call centers are staffed by volunteers. The article talks about how there is usually an increase in calls when a celebrity or public figure takes their own life. Most of the calls are from adults but even elementary children will call sometimes. The crisis line can also be used to ask for help for a family member or friend who is suicidal or even struggles with anxiety or substance abuse. The employees are encouraged to discuss the particularly difficult calls with each other. There is a Zen room when they need a break, especially because their own mental health can be severely challenged. One employee at the Atlanta call center says to a caller, "Remember, we're here, so if things get worse for you, you can call back, OK?" Remember to take a moment and check in with yourself, a family member, or a friend and remember to think about the people who dedicate their lives to helping others save their own. Read the full article on CNN here. 

Angst screening at HPE Houston

RESOURCES & TOOLS Crisis Text Line: Text 741741 from anywhere in the USA to text with a trained Crisis Counselor.

ANGST IN THE NEWS Mashable: How one newspaper is helping kids during a teen suicide epidemic

"Every day may not be good, but there's something good in every day." -Unknown

Find Angst screenings: Events in your community

Host a screening: Click here to learn more

If you or someone you know might be at risk of suicide, please reach out to someone who can help, and in an emergency, call 911, call the National Suicide Prevention Lifeline 1-800-273-8255, or text the Crisis Text Line 741741.

[jotatetsuken]

meant to be

a mini fic-series based on the popular tv show, bridgerton. coming soon!!

features: kate sharma!atsumu miya x anthony bridgerton!f!reader (afab! reader, using she/her pronouns) x edwina sharma!osamu miya

tropes and setting: royal au, bridgerton au, enemies-to-lovers, mutual pining, love triangle

warning: heavily suggestive, consumption of alcohol, possible infidelity, possible injury, gaslighting? as and when the story develops, i’ll be adding more tags.

since nsfw will be implied but not explicitly mentioned, minors, ageless blogs and blank blogs, please dni! block the tag # shyna suggestives too.

submission for: my ...that wears the crown collab and @indiecursor’s indieflix and chill collab (i thought it would only be a one shot but it may just become a two/three parter help)

synopsis: you are a part of the royal family that was a part of house karasuno, the most revered family in all of miyagi. with you being next in line to be wedded, your family, especially the king, keishin ukai, was eager to see who would be your suitor, thus planning on establishing a beautillion ball for you to declare your intentions. enter house inarizaki with their deemed candidate: osamu miya, the viscount of inarizaki and a successful entrepreneur, having established a well-established restaurant. however, he may not be the only one who vies for your heart. enter him. the duke of inarizaki, and the one who would not only be the bane of your existence, but also quite possibly be the object of all your desires, atsumu miya.

a/n: when @beware-of-the-rogue sent me a request to write an enemies to lovers fic for atsumu, for my 100 milestone event in april, my mind had gone blank for days, weeks, months, until I watched Bridgerton, and saw a couple of posts from @saintlike78 and the inspiration hit. I know not many people who watch anime watch TV shows and vice versa. but I hope that idea won’t be entirely disregarded. as always, likes, comments and especially reblogs are highly appreciated.

brainstorming credits: @lou-struck @izukunii (i am so so grateful to y’all for helping me out <33)

masterlist | glossary | chapter one

chapters:

are you mine?

make up your mind

rewrite the stars

meant to be

TBA…

networks: @tokyometronetwork @hanayanetwork @downtown-roponggi

tagging:  @mrskenmakozume @festive @ambieux @trueformsukuna @mattsunkawa @ceo-of-daichi @maitaro @wakatshi @sennsational @bokutosmochi @sanoinc @hyeque @aizumie @kagejima @portfolio-of-dreams @krystalgaia @ffsg0jo @arminsomnia @blueparadis @solliiee @satisfactooru @atsumeii @bokuroskitten @maitaro @mxonigirimiya (please send me an ask or lmk by commenting if you want to be tagged)

( taglist form / @shynahasabookshelf, turn on notifications)

© Shyna 2022 - reposting on any other account or platform is not allowed

[claytonstockermyersactor]

Excited to announce in addition to being available for viewing via Amazon and Amazon Prime streaming video services, HEAVEN BURNS is NOW available for viewing through Indie Flix, a new video streaming site dedicated to presenting independent films on an easy to navigate platform for a yearly membership. - - - - - - #HeavenBurns #HeavenBurnsMovie #heavenburnsfilm #indieflix #indieflixapp #filmmakinglife #distribution #filmdistribution #streaming #vod #videoondemand #nowshowing #indiefilm #actorslife #oxy #rx #lovestory #watchnow #amazon #amazonprime #amazoninstantvideo #actorcsm

[dejwritesarchived]

— COLLABS.

— mafia hitman/bodyguard!hinata x black reader, omertà collab event (august 1st) — bodyguard!nicolas x black reader, the anti collab (august 31st) — dom!hiromi x sub!reader, sizzling sextember collab (september 15th) — nevertheless, owen knight x reader, indieflix and chill (september 30th) — college boy!benkei x reader, big n beefy collab (november 30th) — aran ojiro x reader, retro l8ve collab (december 1st) — vampire!toji fushiguro x reader, mosterfucking collab (viva said fuck due dates for this)

— PERSONAL.

— xoxo, gossip girl event (3 out of 4 completed) — facetime, takuma ino x reader

— FICS.

— chapter 6 of debt — chapter 17 of cam competition — chapter 12 of muse

[gabzlovesu]

NOW STREAMING: ME FIRST.

[ brigerton!au ] — kaeya x fem!reader

RATED M // contains: alcohol consumption, sex, occasional profanity, forced courtship, mentions death...

[ synopsis ] — there's a fine line between carrying out your duty and depriving yourself of the things you desire most. things have always been crystal clear for Y/N, but after being forced to join the season, her ideals and preconceived notions become muddy. and it's all thanks to a certain prince.

[ author's note ] — this little series is apart of @indiecursor's "indieflix & chill" collab. i wanted to do a twist on the bridgerton story and i hope you all enjoy!

[ episodes ]

episode 1 // episode 2 // episode 3 // episode 4 // episode 5

NOW BEING POSTED EXCLUSIVELY TO WATTPAD AND AO3!

art cred: @_ellphon on insta | original picture

TAGLIST FORM

tagging: @hungrynessforfics @dejwrites @rinhoes @iloveitblackbhna @protectpancakes @fight-me-bitch @nneedynymph @indiecursor @po3ticb3auty @nanaminshousewife @festive @apollostears @cosmicglowe @thenerdyrebel @luffysthickwaifu @svlims @4ngrysgf @daichisbunnybaby @urwifey2 @picayunne @kurtaclangobrr @kookieflvr @woahhajime @syomi @chrolloderulo @vivisspamm @erentoes @kutosznn @takemichiluvr @sweeneyblue1 @tyga-lily @jeanslove @getoswhore @thicksimpx @cosmicyeager @sakurashell @38riku @tonaken @muzanskimono @wiserebelpartypie @g0revixen @sintiva @sleepy3 @yuujilove @yooniluvbot444 @imperatorkhaleesi

i will probably make a separate taglist for this series. i’m sorry if you did not want to be tagged in this &lt;3

[indieflixhq]

From the Minnows to the Narwhals, Make Sure Your Content Has Porpoise.

Sail the 7 Seas of Knowledge with IndieFlix

Wild Life

All life on Earth is connected.

Documentary Series ~50 minute episodes

Watch Now

El Caballo: The Wild Horse of North America

El Caballo documents one of the most complex wildlife management issues today. Where do modern wild horses fit in our view of the natural world? Documentary 53 minutes

Watch Now

A Different Kind of Farm

Seahorses were disappearing from the world's oceans at an alarming rate. In 1998, aquaculturists Carol and Craig Schmarr quit their jobs, packed their bags, and moved to Hawaii where they used their life savings to build the world's first seahorse farm. Documentary 63 minutes

Watch Now

Africa's Super Seven

On the northern bank of the Sand River in the Mala-Mala Game Reserve in South Africa, seven magnificent creatures reside in an area the size of Manhattan Island. Tracking them for 24 hours we reveal the invisible threads that bind them together in a never-ending daily drama. This action-packed film will show how seven individual stories become one.

Documentary 52 minutes

Watch Now

Ocean Voyagers

Ocean Voyagers explores the familiar themes of motherhood and parenting in a world as unfamiliar as it is breathtaking. Featuring a precocious newborn humpback calf and his enormous 40 ton mother, we are taken on a journey of discovery into their world.

Documentary 70 minutes

Watch Now