what i feel like is lacking from conversations about plurality is how genuinely, fundamentally cool it is to be plural. doesnt it fascinate you how our brains can create entirely new selves, inner worlds, inner structures to keep itself afloat? doesnt it make you so curious? especially with regards to atypical plural experiences. i dont hate people for having entire systems full of fragments or fictives or subsystems. in fact, i find it wonderful, a miracle of the mind. you have a complicated inner world with unique lore? incredible, how did that develop? your entire system is full of fictives from the same source? thats amazing, hows that going? your system has entire layers on itself, with several systems running in tandem? wow, thats fascinating, how did you know? you believe you came from different worlds? tell me about them. please, tell me more about yourselves. id love to hear it. i do not fear the potential of the human brain.
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Just had a vision. Wrote this like a script, I'm so sorry. (It's my inner theater kid coming back from the dark crevices of my personality, sorry.)
Eddie and Steve sitting on the sofa at the Munson's. They're watching some movie. Steve is clearly fidgeting, not interested in the movie. Eddie doesn't move his eyes off of the screen.
Eddie: Babe, if this is boring, we can pick a different movie, y'know. You don't have to get into comfier positions to make yourself more interested.
Steve: *Doesn't answer. Doesn't even make a noise to acknowledge what Eddie said. But he has finally calmed down and is sitting still.*
Eddie: *Sighs and reaches forward for the remote to pause the VCR*
Eddie: *Then looks over at Steve, yelps, and startles backwards on the sofa, clutching a hand to his chest.* Babe, why the fuck are you so close? Why was your nose literally about to be inside my ear?
Steve: You have a mole. Right—*He wiggles his left index finger and plots it down on a spot right at the edge of Eddie's left cheek, where it meets his ear*—here.
Steve: *Still sitting as close as he was, watching Eddie get back into his previous position. His finger moves because Eddie is sitting staring at him. He just stares back at Eddie's bewildered expression.*
Steve: *Unblinking and too close and breathing kind of heavy* I want to lick it.
Eddie: *Sputtering* Wh—what?
Steve: Or bite it. Is it weird that I want to bite you? Because I want to. Really bad. Like every time you look really hot, which is like all the time, but it makes me want to bite you. Just...Just wanna take a nibble all the time.
Eddie:
Steve:
Eddie: And I'm the freak? *Mutters under his breath* Christ.
Steve: So can I bite y—
Eddie: *Offers up his left hand* Go crazy, you dork.
Steve: *Fucking ecstatic*
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Blue collar Ghost orders frilly sugary basically-a-milkshake cafe drinks and you can't change my mind!!
Marches into your coffee shop with his steel toed boots and starched blue jeans, gruffly orders the most tooth rotting """coffee""'" imagineable. Glowers at you over the counter as you add caramel drizzle, grumbling at you for more. Really, you ought to be charging him with how much caramel he's using. Once satisfied, he takes the drink and stuffs a ten dollar bill in your tip jar. He turns out to be your favorite customer, never trying to make small talk at 6AM, and once you understand his sweet tooth his orders are repetitive and easy.
(When he finally asks you out, and you kiss him for the first time, you swear you taste caramel.)
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Things "The Zionist Lobby" (Evil Jews Who Control The World) have been accused of this week for literally no fucking reason:
-Starting and perpetuating the race riots in Britian
-Trying to steal the election in Venezuela
-Starting the rumor that the Olympic boxer Imane Khelif is trans
When will people wake the fuck up and realize people are using the word "Zionist" to mean Jews and going right back to blaming us for Literally Every Bad Or Controversial Thing On The Entire Planet.
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listen that good omens lockdown phone call is literally WHAT I HAVE BEEN SAYING everything they tell each other goes in one ear and straight out the other it's kind of incredible
aziraphale hints so many times that crowley could come over if he wanted and does crowley get the hint? no! and then afterwards crowley says outright that he could visit him, and does aziraphale accept? NO! I AM GOING TO THROTTLE THE LIFE OUT OF THEM WITH MY BARE HANDS
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there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.
i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.
i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).
trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.
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instead of focusing on what member unfollowed him, or making up additional allegations, please just wish the best for the victim who had to endure his torment. please wish the best for all the women in south korea right now with the current uprise in SA crimes as well as chatrooms filled with nonconsensual content. wish the best for the underage girls who have also fallen victim to these crimes by other underaged men. the women who don’t have the courage to come forward and speak about this because of the society they live in.
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nightmare viewing the murder time three as little toys but more in like a little spoiled kid kinda way. because it would be funny and if you take into the account that he was like 6 before getting corrupted and do some mental loopholes it would be even funnier. like these are his dolls (killer dust and horror) and this is their barbie dreamhouse (his castle). they all have to stay in one room because nightmare needs to keep his toys in a toy box. the toys only ever come out when he wants to play but oh damn it they keep on breaking out!! silly toys,,, and then he locks them into the room again.
nightmare serves them food with plastic tea cups and plastic plates and there is no food. there is no tea. they have to imagine the food because dolls can't literally eat. there are food containers and stuff in the house but its all just a bunch of empty boxes. horror starts tweaking out after he scavenges the kitchen and finds a cereal box and milk carton that have NOTHING in it (why keep empty boxes?????)
they have to go where he wants them to go. nightmare gets to dress them up in whatever he wants because theyre his dolls they can wear anything he wants. it gets incredibly embarrassing when the trio is forced to wear pink pretty dresses and fight like that. or they have to go around the castle doing stupid fucking roleplays and it gets weird because theyre being forced to reenact a bullying scene and nightmare's giving them the death stare if they don't get it right (is this projection. this must be some form of coping mechanism dust theorizes)
and then you know nightmare's not exactly the best toy owner so he loses a few of his dolls here and there. maybe they get destroyed when he was playing a bit too rough with them! (killer dies in battle for like the 29th time) but its okay because he can just go back on down to the store (something new) and buy. wait no. steal another doll and then put it back in his dreamhouse and BOOM he has a full set again!! so sweet so cute. his dolls don't have consciousness what are you talking about theyre begging to be let go?? that's all just your imagination. what do you mean you're asking about the several slowly dying bodies with removed arms or legs in his dungeon. oh that's just where the broken but not yet destroyed toys go dw theyre fine its humane
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