#is set in medieval England I think

[offonaherosjourney]

If I said that The Frugal Wizard's Handbook for Surviving Medieval England is the book with the most dystopic setting Brandon Sanderson has ever written and could also be considered cosmic horror would I even need to elaborate or...

[knightsickness]

westerosi perfume culture thoughts based on medieval/early modern ^^

incense in septs to the point of both cat and sansa immediately thinking of the smell of it when thinking about the faith. this is fully a ‘the faith is just catholicism’ thing theres reference to a censer being used at tywin’s funeral, though this is also to cover the smell of the body - i believe its implied theyre using a lot more incense than they typically would and failing to overpower the rot smell

scented candles and incense are both used in septs and to scent rooms - scented candles higher-end, beeswax candles, which even unscented smell quite sweet and are quite expensive (they burn cleanly and don’t spit). animal fat tallow candles are much cheaper but perfume can’t stop rotting fat smelling of rotting fat it just combines with it. tallow tends to be used in poorer settings, for light not scent

scented beeswax candles used by tyrion and cat, and in the sept of baelor - imo v unlikely most smallfolk or smaller septs are buying them regularly, especially considering how many candles they need to keep lit. i’d say tallow 90% of the time beeswax on holy days

basically every noble in kings landing seems to wear perfume, ned specifically repulsed by the fact that robert now does which is crazy. whats roberts taste in perfume like

varys specifically is always described as perfumed, which is like. effeminacy due to eunuch status he leans into but also his ambiguous origin - while a lot of people in westeros wear perfume it seems to be significantly more popular in the free cities + beyond, vv frequently mentioned in dany chapters

perfumed and powdered often go together, varys and lysa off the top of my head - powders could also be scented, quite popular in france

multiple references to oldtown being heavily perfumed, dual reference to incense as a faith centre and worn perfume on a dowager, oldtown as a wealthy city and consumer centre

perfume also strongly associated with prostitution, an irony - septs and brothels often scented with incense, the ‘perfumed boy’ slaves victarion kills, satin wearing scent in his beard

popular scents rarely described in more detail than a type of flower or ‘sweet’ - most interesting perfume a westerosi lady wears is taena’s wildflower and musk, which cersei compares to the smell of moss

the tyrells seem to only wear rosewater this is pretty explicitly part of their branding as a house. even the blue bard a tyrell servant washes his hair with rosewater. most roses actually don’t distill well i’m assuming they have some westerosi equivalent to damask roses grown in bulk at highgarden or some other reach territory (probably at highgarden their scent in the gardens would be part of the tyrell image cultivation there. henry viii did this specific thing so you would smell his rose perfume in the gardens even when he was away from home which some historians have referred to as a ‘serve’) only like two varieties of rose work in perfuming. i’d also speculate that the roses margaery and her ladies brought to tywin’s funeral, if they were strong-smelling enough to cover the smell of an unnaturally rotting corpse, were probably roses scented with rosewater

perfume application on people typically oils, waters and more rarely waxes - multiple mentions of perfumed beards or hairstyles and waxes would be easier for that - perfume in baths common for the wealthy

no mention of scented accessories e.g. gloves or fans, though both immensely popular in elizabethan england - are there civet cats or equivalent in westeros? there are whales and thus presumably ambergris, taena’s perfume referred to as musky but unclear if this means it contains actual musk - animal perfumes are best for scenting leather, strong and waxy and other lighter scents can cling to them. dany wears scented silk clothes

tyrion associates worn perfume strongly with old whores, which suggests cheap perfume widely accessible, probably perfumer’s shops in major cities (notable bc otherwise we could conclude perfumers worked primarily for aristocratic patrons)

there are probably westerosi perfume-makers but its also likely theres a solid luxury import trade - dorne and the free cities both have established distinct perfume cultures and strong trade links with merchants

[katabay]

SUBTEXT

so I've focused in on Perceval and Bors before, and I've done Perceval and Gender (for more on this specifically, see: Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey) and did a whole comic that leaned into some subtext™ on temptation, but actually let's throw out the subtext! let's bring Augustine into this!!

Perceval, de Troyes (trans. Burton Raffel)

introduction to Confessions, Augustine (trans. Sarah Ruden)

so for perceval a knight is both the gender he wants to perform but also something that is expressly compared to god, and if god is a lover that seduces. well. does this not also apply to knights as well?

Homosexuality in the Renaissance: Behavior, Identity, and Artistic Expression, James M. Saslow

and while galahad might be the obvious choice, I think perceval's relationship with bors during the grail quest narrative is more interesting. it's not god that transforms perceval, it's the sight of knights for the first time. something in here specifically is incredibly intriguing to me, but there's a different text I need to finish reading to fully form some thoughts on it.

le Morte d’Arthur

and finally! tentatively. I think I might slowly start turning this idea I had a couple years back into a fully formed comic. we'll see! I had most of it blocked out, but halfway through reading augustine's confessions, I think was when perceval finally clicked for me as a character in a later narrative cycle setting. I think I might have to spend a lot of time doing some visual research first because my god I cannot consistently draw armor to save my life......back when I lived in new england, there was a museum with a wonderful medieval armor collection I could visit.....alas.........I will have to hit the books (literally, I have a collection of books on medieval armor but this is apparently the one thing I can't visualize properly in my imagination. save me, museum collections, you're my only hope)

⭐️ credits for the collage panels! (all open access or public domain, etc.)

-Saint George and the Dragon -Saint George and the Dragon (different one lmao) -Pages and Knights, Frontispiece for "The Man at Arms" -Cloisters

⭐ if you like my comics and have a couple bucks, I have a tip jar (ko-fi)!

⭐ and other places I'm at! bsky / pixiv / pillowfort /cohost / cara.app

[antiquatedplumbobs]

Antiquated Brindleton

An 1890s Decades Challenge Save File

This save has been almost a year in the making, but it's finally here! It includes a completely rebuilt Brindleton Bay inspired by historic New England towns and set in the 1890s. This save uses a light amount of historical cc and most of the packs.

Download and details under the cut:

SAVE DETAILS:

Includes:

Eight new residential lots

Seven new community lots

Six new households

Builds and households are all located in Brindleton Bay. The world is intended to be historically accurate to about 1890, though some liberties for functionality have been taken.

Builds in other worlds have been deleted. The necessary buildings, like dorms, active career lots, and the high school, have all been left in place.

Townies have been evicted, but not deleted, as I prefer EA townies to fully randomized townies.

If you’d like more period appropriate townies to add, the lovely @jewishsimming has some great historical ones to download and @cowplant-snacks has an amazing tutorial on how to manage your townies with MCCC.

REQUIREMENTS: I have all the packs except Batuu and some of the kits. I didn’t limit myself when building. I don’t have everything listed out here, but I will be uploading all the lots and households to my gallery, so if you’d like to know specific pack usage you’ll be able to check there. If you load in and things are replaced or missing and you think it looks obvious feel free to message me, I’m always happy to try to help you find something else that fits! This save includes historical CC, some is included in my download in folders and some you will need to download from the creators directly. The CC required is listed and linked below, you need to download these linked pieces in ADDITION to the included cc folders.

CC To Download:

@lilis-palace

FOLKLORE Set

@s-imagination

Cottage Kitchen Stuff Pack

@happylifesims

1840s Suspenders Outfit

1900s Male Hunting Fashion

1920s Nightgown

Piteous Outfit

Sylas Fashion Set

Wilbur Outfit

@satterlly

Medieval Nightgown Della

@vroshii

Functional Tennis Set

@vampireloreskill

Antique Standing Camera

Creators Whose CC I Included:

@ameyasims (Better Than a Bush Outhouse, Victorian Swimwear)

@buzzardly28 (Multiple women’s hairs)

@chereindolente (Sacco Chore Coat, Edwardian Child Clothes)

@gilded-ghosts (Boudoir Belle, Victorian Visions, New Woman)

@jewishsimming (Off The Grid Objects, CAS items)

@linzlu (Assorted CAS and BB items)

@the-melancholy-maiden (Victorian Hair and Hat)

@nolan-sims (Potbelly Stove Set)

@pandorasimbox (Get To Church Pack, Azariah’s Sack Suit, Antique Slipper Tub, Heirloom Silhouette Portraits)

@peacemaker-ic (Simple Siding Wall Set, Luxurious Single Bedding V2)

@plumbobteasociety (Some BB and CAS items from the Cottage Garden Pack, HSL Happy Birthday Set)

@twentiethcenturysims (Langtree Hair, Historical High Chair, Quilts for Kids)

@waxesnostalgic (Sportswear Separates, Peterpan Bodysuit)

Thank you to all of these wonderful creators, your historical cc creations make this game a million times better to play and I appreciate all of you so very much. Recommended but not required mods:

Timeless by @pandorasimbox

Default Map Replacements by Deshayan (if you’d like your map to look like mine does in the preview)

Victorian NPC Replacements and Llama Scouts Historical Replacements by @cowplant-snacks

Home Regions by Kuttoe

DOWNLOAD: There are five zipped folders to download, four of which contain included cc, and one which includes the save itself.

Download the "AB_SaveFile" folder, unzip it and simply move the file inside to your saves folder inside your Sims 4 folder (where your mods folder is located).

The included cc is in four folders (to allow for easier upload/download) for build, buy, clothing, and hair. Simply download the folders, unzip them, and place them in your mods folder.

After this you should be good to load up your game and get playing, let me know if you run into any issues, I'm happy to try to troubleshoot. SFS | Google Drive THANK YOU: To all my amazing testers: @epistolarysims @aheathen-conceivably @cowplant-snacks and especially @simadelics who edited my household and build descriptions.

If you use this save file, please tag me in any photos you take, I want to see them all!! This save has been my baby for so very long and I cannot wait to see what you all do with it!

@maxismatchccworldrld @mmoutfittersters

[oldshrewsburyian]

As much as I adore your (highly) interesting takes on medievalism and how it differs from what we actually know (or hypothesize) about the medieval period, I don't think I've ever asked: are there any books set in either the real middle ages or some fantasy approximation of the period that you WOULD recommend? They don't have to be "perfect" representations, obviously, but it would be nice to learn about any books that side-step the usual potholes. Thank you!

Hi, friend! A of all, thank you; B of all, there are and I would. From the following list it will become apparent that my criteria are idiosyncratic. Really, I think, the most important thing for my own enjoyment -- for any historical fiction, but especially for that set in the place/time I know best -- is that the work and its author are exploring the period as a way of opening up a conversation between past and present, rather than looking down on the past from the vantage point of the contemporary. This sententious prolegomenon concluded:

The Book Smuggler, Omaima Al-Khamis (eleventh-century Islamicate world, about knowledge and wisdom and religious intolerance)

Morality Play, Barry Unsworth (fourteenth-century England, about justice and law and vocation and community)

The Name of the Rose, Umberto Eco (doesn't need my introduction, hilarious and deeply poignant meta-meditation on the genre of the detective story, also on theological debates and the love of one's neighbor and the nature of fear)

Sword at Sunset, Rosemary Sutcliff (fifth-century post-Roman Britain, has some clichés, also some magic, but is so richly imagined and full of people I love. Also good dogs.)

Cadfael Chronicles, Ellis Peters (twelfth-century England; I was wondering why I love these so much and I think a lot of it comes back to how much Ellis Peters loved the particular place she lived/set the books in, and watching the changing of the seasons there, so that that close observation of time -- very medieval! -- is also central. Inequality isn't made invisible or grotesque here, either, and it's often one or the other in Fictional Medieval Europe.)

Isaac of Girona mysteries, Caroline Roe (C14 Spain, also whodunits, but I cannot resist including this charming series about a blind Jewish doctor and his beloved wife and his daughters and the orphan he adopts and his chess-playing buddy the bishop and and and....! It's great.)

The History of the Siege of Lisbon, José Saramago (C12/C20 Portugal, called "metafiction about the instability of history and the reality assumed by fiction" by Kirkus Reviews and... yeah!)

She Who Became The Sun, Shelley Parker-Chan (C15 Ming China, with ghosts, definitely fantasy rather than regular historical fiction, and on the cusp of early modernity, also so so interesting)

The Apothecary's Shop, Roberto Tiraboschi (C12 Venice, deeply weird -- affectionate -- and drawing on Calvino and gialli as well as medieval history; some inaccuracies about women and medicine but I still found it compelling and thought-provoking)

[wlykjh]

knight in shining armor

✩₊˚.⋆☾⋆⁺₊✧

masterlist

can you tell I’m in love with writing period pieces 🤭 (even if they’re not that historically accurate…) ALSO PLEASE SEND ME REQUESTS 🙏🙏🙏 btw, italics is y/n's thoughts and bold is euneok's thoughts.

summary: y/n’s a college student majoring in history on a school trip to a historical castle in england. somehow she and her academic rival, eunseok, get stuck in a secret chamber in the castle which ends up transporting them to the 1300s! will the pair overcome their differences and manage to get back to the 21st century? (not proofread)

date: 04/09/24

scenario themes: time travel, enemies to lovers, period piece

idol: song eunseok or eunseok of riize

concept: fluff, fantasy

warnings: swearing

word count: 12k (i got a bit carried away)

song eunseok is an exchange student from korea who makes your college life a living hell.

you love studying history, especially the entirety of medieval england. you’re even writing your senior thesis on english nobility during the medieval period.

unfortunately for you, eunseok excels at history as well.

since you have such a huge passion for history, you’ve always naturally excelled at it. you tend to be a bit of a try-hard when it comes to school and that bit increases tenfold when it’s anything history-related.

it’s immature to compete so openly with a peer at this age. to many, ‘rivals’ are a high school concept. and yet, something about the way eunseok knows every detail about chinese foot-binding practices and confidently leads discussions about the cold war makes your eye twitch.

history is your thing.

you know you sound crazy, but it’s not like it was completely one-sided. eunseok hates not being the smartest in the room.

he worked his ass off to learn english, leave korea, and get a scholarship at your university. there’s no way he was going to settle for mediocrity.

and of course he noticed how intensely you glared at him when he answered a question you were dying to answer.

just like you noticed how annoyed he was when you would mention getting a slightly higher grade than him on a paper.

you were both in the same major which meant you had a lot of overlapping courses, and unfortunately for your professors and classmates, you almost always ended up in the same class.

for the most part you tried to ignore eunseok outside of class. sure he was the bane of your existence for the hour and a half lecture on roman architecture, but outside that he was none of your concern.

eunseok on the other hand found himself thinking of you quite often. it’s not like he always disliked you. in fact, he found your passion for history admirable, and he thought your dedication to your coursework was cute.

but when you began treating him coldly and sending him glares from across the room, he was quick to react in the same way.

eunseok isn’t stupid, he knows why you dislike him, and that if he was less of an overachiever, you’d maybe warm up to him. but he’s not going to jeopardize his grades and hard work to please some girl… no matter how much he’d like to get to know said girl.

you’d be lying if you said you didn’t find him attractive, but there isn’t a soul on this earth that could waterboard that information out of you.

to put it simply, you can’t stand each other.

but right now that doesn’t matter. nothing matters. because you’re going on a trip set up by the history department to riize castle in england.

it might just be another old site to everyone else, but it's your absolute favorite castle. you know the entire history of the building, you've studied the floor plans an embarrassing amount of times, and have spent most of your childhood yearning to go there, and that dream is finally coming true.

and not even eunseok could ruin it for you... or so you thought.

your flight was set for 3 am, and while the other students were groggily arriving at the airport one by one, annoyed at both the timing and the expenses they'd have to cover for the trip, you were elated.

that is until you received your boarding passes and found out you would be spending the entirety of the 10-hour flight from california to england seated next to the one person you abhor.

maybe he's less insufferable outside of class, you thought to yourself.

after your group boarded you sat down next to him and the two of you continued to sit in awkward silence until takeoff. but once the plane began moving, you noticed eunseok starting to shuffle around and breathe heavier.

"are you alright?" you asked, glancing at his trembling hands gripping onto the armrest. "yes." he responded immediately.

"don't you go back to korea every school break, how are you scared of flying-" before you could finish your sentence, eunseok grabbed your hand, squeezing it tightly.

you were about to interject but you realized the plane was beginning to ascend so he must've been frightened.

his hand was warm and soft, despite his trembling, the foreign feeling of his hand on yours was comfortable.

as soon as the plane was fully in the air, he let go of your hand as if nothing happened and picked out a book from his carry-on.

"um.. are you okay?" you questioned, confused at his sudden behavior change. "i get a bit nervous during takeoff and landings, i'm usually fine during the rest of the flight so you don't have to worry about me holding your hand for the next ten hours." he deadpanned.

"a bit? you were shaking like a leaf." you chortled. he rolled his eyes in response, going back to his book.

it was then that you realized you stupidly hadn't brought any entertainment with you for the trip, and your flight didn't have wi-fi either.

you decided the only thing you could do to remain sane in this situation is fall asleep, it was 3 in the morning after all.

leaning your head as far back as the stiff seats would allow, you closed your eyes and drifted off.

approximately five hours later, you woke up with a crick in your neck and an odd numbness on the side of your mouth. opening your eyes slowly, you were greeted with the site of eunseok's shirt directly beneath you with a large wet spot.

holy shit.

you fell asleep on eunseok's shoulder and drooled all over his shirt. if he didn't say anything this far he's probably going to the next 5 hours you're on this flight.

you haven't moved your head yet, scared that if you indicate you're awake, he's going to hold this against you until the end of time.

panicking, you accidentally jolted your stiff neck up, causing your chin to collide directly with eunseok's.

fuck. well there goes my cover.

"ow!" you both exclaimed in unison. "was drooling over me not enough? you had to break my jaw too?" he grumbled, rubbing his chin.

"you could've moved my head!" you defended, flustered. straightening yourself up, you wiped the side of your mouth awkwardly.

instead of responding, he grabbed a napkin from his bag and handed it to you.

"thank you." you said, taken aback.

why is he being so nice?

"i'm... sorry for ruining your shirt," you mumbled. "it's no big deal." he shrugged.

was this the same eunseok that commented "worst thing I've ever read." on your peer-graded essay?

maybe you could mend things with him during this trip. after all, he did seem pretty excited when the announcement was made.

"so... have you ever been to england before?" you began, initiating small-talk.

"can we just sit in silence?" he replied coldly.

nevermind, he's still just as much of an asshole as ever.

shit. why did I say that? eunseok thought to himself.

the truth is, you made him nervous. whether it was your icy stare or your intimidatingly vast knowledge on history, he could never let his guard down around you.

the rest of the flight was spent with the two of you refusing to so much as face each other until landing.

as the plane was about to descend, you noticed eunseok starting to take deep breaths. part of you wanted to extend a hand, but the other part of you wanted to throw him off the plane.

deciding to be the bigger person, you asked "are you alright?"

"I'm not a child." he croaked.

"I didn't say you were." you sassed.

"then stop talking to me like I am one." he began, growing more irritated.

the two of you began to go back and forth, and before you knew it you had landed. eunseok managed to forgot all about his fear because of how unbelievably petty the two of you were.

"will you guys shut up!?" a passenger behind you shouted, causing the both of you to stop arguing.

annoyed, you got out of your seat as quickly as you could and made a beeline for the baggage claim, waiting for your bags.

how do you keep getting forced into these kinds of situations with him? were you some kind of monster in your past life? was he your karma?

once you and the rest of your group received your luggage, you headed to the hotel. due to the time zone difference, it was already 9 pm in london so your group supervisors told everyone to get some sleep so you could head to the castle in the morning.

whether it was because of the nap you took on the plane, or simply how excited you were, you couldn't sleep at all.

staring at the clock reading 1 a.m. in your hotel room, you decided to try catching a glimpse of the castle before everyone else woke up at 7. it wasn't your brightest idea, but it's not like you had anything else to do.

you managed to get past your sleeping roommates, throwing on a jacket and slipping out the door. coincidentally, eunseok couldn't sleep either, and he decided to go for a walk around the hotel at the same moment you decided to leave.

spotting your figure leaving the hotel and heading off towards the street, he couldn't help but follow you.

was this extremely stalker-ish? yes. but what if she got hurt or kidnapped? we're in a different country after all. not like I care if she gets hurt or kidnapped... but if she did it would ruin our trip! so I have no choice but to follow her eunseok reasoned.

it didn't take long for him to figure out where you were going. the hotel is extremely close to the castle, after all. once you reached, you stared at the castle from afar, marveling at it.

you waited for this moment your whole life, and it was even more beautiful in person. there's no way you could turn back now. you have to see it closer.

carefully maneuvering past the gates, you managed to miraculously sneak in, and there didn't seem to be any security guards present.

what the hell is she doing? this is illegal!

what the hell am I doing? this is illegal!

you thought about turning back, but your curiosity was eating you up inside. you had to go see what the interior of the castle looked like.

thanks to your insanely intensive study of the building, you managed to find a secret opening that not many people knew of and you quickly slipped inside, hoping nobody would notice.

however, someone--that someone being eunseok--definitely did notice. and he mentally cursed himself for following you this far, wondering why he couldn't bring himself to turn back.

slipping through the opening, he entered a completely dark hallway, unsure of where you were.

you had dreamed of walking these corridors your whole life, and even without any light you were able to manuever around the halls.

unfortunately, eunseok couldn't say the same, and when he started walking, it didn't take long for him to bump into a stand of knight armor.

the loud crashing was enough to trigger an alarm system and turn on emergency lights, which exposed both eunseok and you to one another.

"what the hell are you doing here?" you shrieked "what the hell are YOU doing here?" he retorted.

you knew it wasn't long until authorities would arrive, so you grabbed eunseok and began running further into the castle.

"what are you doing? we need to leave!" he yelled.

"if we leave, they'll just catch us on our way out. we need to hide somewhere they won't look."

dragging him by the arm, you rushed into the old servant chambers, diving into the closet. well... what you thought was the closet.

what it actually was was a secret set of stairs that the two of you fell down, leading to a small room that you've never seen before.

impossible. i've watched every virtual tour, studied every reconstruction plan, read every primary source document... and i've never heard of this room.

"great. now we're stuck in a dark, cramped, dusty room in the middle of a castle that's going to be searched any second now and it's all your fault-" eunseok ranted, stopping midway when he saw you staring bewildered at the room.

"what's wrong with you?" he poked your shoulder.

"i... didn't know this room existed." you whispered.

"it's an old castle, I'm sure there's plenty of secret rooms everywhere... you think this is where the servants used to smash?"

"shhh" you urged him, hearing distant footsteps.

"what are we gonna do?" he sighed.

"let's just lay low until they leave. I doubt they'll look for us here. and don't touch ANYTHING. this room might be undiscovered and contain hundreds of year's worth of preserved artifacts-"

you were interrupted by eunseok toppling over a candle.

"EUNSEOK!" you whisper-shouted. "I'm trying to get some light in here." he defended.

fishing in his pocket, he pulled out a lighter before picking the candle off the floor and lighting it. once the room was illuminated, you could see your surroundings much better.

the room was stacked with cabinets and shelves containing miscellaneous items, it must've been used for storage. it seemed to have some personal items that belonged to servants.

you heard the footsteps start to get closer, and a voice appeared right outside the closet doors. looking to eunseok, you began panicking.

"blow the candle out! now!" you whispered.

eunseok blew out the candle and right as he did, the door creaked open.

shit.

shit.

"I know my rights!" eunseok yelled at the foreign figure coming closer.

"what are you talking about?" a woman's voice echoed throughout the room.

a middle-aged woman appeared with a candle in hand, dressed in a long cloth dress, similar to the ones maids would wear centuries ago.

"are you some kind of role-play tour guide? I didn't even know they did those tours this late into the night." he asked, confused.

"what? why is he speaking like that? and why are you two alone in here? and what happened to your clothes?" the woman interrogated.

the both of you had messed up your clothes running through the castle and falling down the stairs. your shirt was ripped up and dusty and his jacket was covered in cobwebs.

"oh, I see. the two of you are following eleanor and harold's example and fooling around in here! how many times must I tell you kids not to fornicate in the storage closet! go back upstairs and fulfill your duties." she reprimanded the two of you.

"told you they fucked in here." eunseok whispered to you.

you shoved him in the arm before responding "ma'am I appreciate your dedication to your job, but can you just tell us if you're going to turn us into the cops or not?"

"what are the... cops?" she exaggerated. you fought the urge to roll your eyes. you might be obsessed with history, but at least you can accept the fact that you live in the present.

"let's just leave." you turned to eunseok. "and get arrested? absolutely not." he crossed his arms.

"who is getting arrested?" the woman gasped. "you know damn well who, lady." he scoffed.

"lady?! I'm simply a chambermaid! have you hit your head?" she exclaimed.

"you know what, you're right. I'd rather get arrested than deal with this crap any longer." he sighed as the two of you began making your way up the stairs.

when you reached the top, you noticed the decor had changed drastically and the windows were letting in sunlight. wasn't it just 1 in the morning?

men and women dressed in modest, cloth clothing were running in and out of the halls and rooms.

"y/n... what's going on?" eunseok tugged at your dirty shirt. "it must be some kind of role-play experience? I'm not sure... how long were we in there?"

"you two must change out of your soiled garments!" the elder woman said, handing you a long dress and eunseok a matching set.

"wait! what's your name, and what's going on?" you sputtered, just as the woman was about to walk away.

"now I'm sure you've hit your heads. I'm agatha, head chambermaid and in one week from now is the duel of knights. we are hosting for the first spell in a decade and tis in a week. now get up and get to work!" agatha demanded.

dumbfounded, you and eunseok simply stared at the clothes she handed you. "let's just go along with it. maybe we can pretend we're a part of whatever this is and avoid getting in trouble." you urged.

"what about the rest? won't they notice we're gone?" he worried. "let's just focus on getting out of here."

he nodded in response and the two of you rushed to find a place to change into your clothes. once you were changed, you walked out and led eunseok back to the secret entrance.

to your surprise, the parking lot that was once set up in front of the castle had been replaced with a moat. a large moat at that. with a ginormous drawbridge leading to a dirt path. the city looked different as well, with the cars being replaced with horse carriages and once large, gray buildings now appearing much smaller and made of stone and wood.

"is there some city-wide renaissance fair happening? are we getting pranked? where's the cameras?" eunseok whipped his head around, waiting to see john quinones pop up at any second.

"is this a dream? did i go unconscious during the fall down the stairs? quick, y/n! pinch me."

you did so eagerly.

"ow! what the hell? I didn't mean literally." he complained, rubbing his arm.

"will you shut up? i need to find out what's going on." you huffed. pulling out your phone, you saw that there was no signal or wi-fi network available nearby. "that's weird, I swore the website said the castle had guest wi-fi." you muttered.

"i have an international data plan, let me try," eunseok whipped out his phone, only to find there was no signal on his device either.

"do you think... maybe, we're actually back in the medieval times?" you shuddered.

eunseok never laughed louder in his life.

"yes, y/n. we time traveled like we're in back to the future! should I call you marty? or do you want to be the old scientist?" he cackled.

"his name is doc brown. and I'm being serious," you began, "how else would all these buildings change overnight, and why else would all these people be wearing clothes from a different time period. look around: there's not a phone, car, or even pavement road in sight. there's no way we were in the castle long enough for them to make all those changes either."

"let's just talk to an actual sane person here and I'm sure they'll explain everything." he assured.

just then, a young woman wearing a silk blue gown walked past, surrounded by two men in armor.

"excuse me, miss. sorry to interrupt your little role-play party but my friend and i were wondering if we could use your phone to make a quick call." eunseok asked.

one of the men rushed forward, "halt! how dare thee speak so freely to her highness, the crown princess."

eunseok rolled his eyes, "i'm not hitting on your chick, dude, i just want to use a phone."

the armor-clad man suddenly put his sword up to eunseok's neck. "what the hell?" eunseok exclaimed.

"release him! who are you sir and why doth thee use such... peculiar language?" the princess implored.

"you people are psychos. no way you're taking this shit so seriously." eunseok grumbled, rubbing his neck after the guard let him go.

"answer her highness!" the other guard insisted.

"we are travelers, here to observe the duel of knights! I must apologize for my companion, he is delirious from traveling all day." you interjected, grabbing eunseok and beginning to walk away.

"wait! your companion is… quite handsome. and his odd way of speaking is rather charming. i wish for him to compete for my hand during the duel!" the princess chirped.

"yeah right, you're crazy if you think I'm gonna-" eunseok was interrupted by your hand slapping over his mouth.

"whatever you wish, your highness." you responded, bowing curtly.

"wondrous! I would also like to invite thee to stay at my manor. surely a handsome man like you is a person of importance." she batted her lashes at him.

"no thanks weirdo-"

"we would love to! we thank you kindly for the offer your highness!" you interrupted eunseok again.

"oh I must have misspoke. I did not invite your mistress, only you." she spoke, shooting daggers at you.

"mistress?!" you gasped which made eunseok send you a shit-eating grin.

"actually, I would prefer my mistress stays with me, if that's alright 'your highness'" eunseok mocked.

the princess rolled her eyes and agreed reluctantly. once the princess and her guards were out of sight, you turned to eunseok. "see how those men didn't hesitate to hurt you? we're clearly in a different place!"

"yeah, a place where people have lost their minds." he scoffed.

"and her dress! it was real silk and embroidered with gold! I doubt a cosplayer has enough money to pull that off, especially in this economy." you tried convincing him.

"fine. lets say we really time-traveled to the 14th century and the princess wants me to join a little duel for her hand. does that mean...

... that i'm hot by both modern and medieval standards?"

you may not like eunseok, but he is quite attractive. it's no wonder his looks attracted the affections of a princess.

"eunseok! will you take this seriously? she wants you to participate in the duel of knights for her, do you understand how dangerous that is?" you practically screamed at him.

"yeah yeah the duel of knights is a fight to the death between the most skilled swordsmen of a kingdom for the right to court noblewomen and the princess. i know it may be hard for you to believe but i passed our medieval history class y/n." he quipped.

"and you realize you will be fighting those men to the death, right?" you asked.

"sure, i'll fight a bunch of history nerds in party city costumes." he chuckled.

you grabbed him by the arm and began pulling him in the direction of the city center… or what used to be the city center and now looked like a town square.

"we really need to talk- about boundaries because you-hey! can't keep dragging me around like a ragdoll-" he struggled as you continued tugging him into the busy streets.

"i'll stop when you quit being so stubborn. i'm gonna show you just how real this is." you stormed.

by the time you reached the city you were greeted with a sign that read 'SM's southern district' in big letters and below it in a smaller font was inscribed 'taverns, traders, and shops'.

perfect.

the two of you went inside a tailor's shop since you deduced that if you were going to pretend to be people important to stay at the castle, you should dress the part.

as soon as you stepped inside, the tailor called out "good morrow strangers, thou must be travelers from far hence."

"why yes, and we were-" you started before the tailor cut you off, "is there anything I may help you with, good sir?" he ignored you for eunseok.

you forgot that as fun as the medieval period was to learn about, it was hell to live through as a woman.

trying to bite your tongue, you waited for eunseok to respond.

"yeah, can we get some fancy clothes?" he asked nonchalantly.

you sent him a glare as the shopkeeper stared at him puzzled, "I'm afraid I do not understand your way of speaking."

"what he means to ask is if we may purchase some refined garments?" you asked, clearing your throat, only for the tailor to continue to ignore you.

sighing, eunseok repeated, "may we purchase some refined garments?" the tailor's head snapped up and he grinned, "of course, good sir! for the lady as well?"

"yes." you stated through gritted teeth. no response. "yes." eunseok repeated once again, to which the tailor nodded.

as the tailor went off to find some clothing for the two of you, you turned to eunseok, "I thought you were a history buff, how do you not know how to speak to these people?" you interrogated.

"first of all, i specialize in east asian history. second, I didn't think I'd ever actually have to rely on my shakespeare lessons from high school."

the tailor came back rather quickly with suits for eunseok and a few uncomfortable-looking but beautiful dresses for you. at least they didn't wear many corsets in medieval england.

"I shall fit them to the both of your measurements and you will be able to pick them up in a few days time. services included, the charge will be 30 pounds, good sir." the man said, awaiting eagerly for eunseok to pay.

"right... one second, good sir?" eunseok hesitated awkwardly, turning to you "you don't have any money, do you?"

"my wallet should be in my pocket... shit I left it when we changed our clothes in the castle. ask him if we can pay him when we come back to grab our clothes." you urged eunseok.

"how the hell do I say that?" he panicked. "just try your best!" you whisper-shouted.

turning back to the tailor, eunseok sputtered out "may we pay... in a few day's time... perchance?"

the shopkeeper looked confused before laughing, "doth thee wish to pay at which hour you come to pick up the garments?"

eunseok nodded vigorously which was enough to communicate the message across to the tailor.

once you left the shop, eunseok breathed a sigh of relief "okay, I believe you. we time-traveled, nothing makes sense, and I'll do anything to get back to the 2020s."

"let's head back to castle, grab my wallet, and we'll figure out what to do from there. we already have a place to stay anyway." you declared.

"if you weren't... yourself, I'd find it hot how calm and collected you are about this," he admitted. you shot him an annoyed look.

"sorry I don't know how to regulate my emotions... or my thoughts... or words. we traveled back in time. we're marty and the doctor guy." eunseok began rambling.

"it's doc brown. and calm down." you grasped his shoulders. "we're going to get out of here, because i need electric plumbing and I refuse to die of syphilis. but that doesn't mean we can't enjoy our time here. you and I both love history right? well now we get to experience it ourselves!" you exclaimed.

there's that look in her eye, the one she always gets when she's talking about history. I could stare at her forever... what the hell am I thinking? it's been a long day and I should get some rest.

you noticed eunseok spacing out while looking at you so you shook his shoulders a bit which jolted him awake, "so what do you say?"

"fine. let's experience your nerdy little medieval fantasy. but, we find out how to get out of here as soon as possible in the meantime." he agreed.

as you guys made your way back to castle, you were stopped by guards in front of the moat. "who art thee and what business doth thy have at riize castle?" a guard barked.

"we were personally invited by her majesty the princess to stay at the castle until the duel of knights." you reported. you saw the guard contemplating a bit before giving the other guards the signal to let you in.

breathing a sigh of relief, you headed towards the castle doors. after a few steps you realized eunseok hadn't moved from his spot.

"what are you doing? let's go back inside!" you scolded him. he looked completely pale and visibly shaken as he started towards you, "y/n. if we're really in medieval times... does that mean I have to fight during the duel of knights?" he fretted.

"i can't die yet. i haven't gotten cross-faded yet! do they even have weed here? I told myself once I leave korea I'd try it but what if I don't even get to experience that-" he began rambling once again.

you grabbed onto his hand, similar to how you did in the plane before trying to calm him down, "you won't die, because you won't fight anybody. we'll find a way to get back to our time before then, it's in a week so we have plenty of time. and you can always just try getting out of it by asking the princess!" you assured.

"you're right!" he exclaimed, squeezing your hand and pulling you into a hug. by the time you processed what was happening, you felt butterflies in your stomach.

that can't be right. butterflies... over eunseok? maybe I'm just touch-starved.

he pulled away rather quickly though, awkwardly trying to move past you to rush into the castle gates as if it would somehow undo his action.

fuck. did I make things awkward? did I kind of like the hug? wait-why do I care? we're just classmates who time-traveled together, nothing more and nothing less.

you followed after him until you reach the room you stumbled out of a few hours prior. digging through the pile of your old clothes, you were able to find your wallet.

fortunately, you exchanged some of your dollars for pounds at the airport. unfortunately, modern-day pounds look nothing like the ones they used in the 14th century.

"I don't think he'll even take these." you sighed, waving around the colorful bills with queen elizabeth's face stamped on them.

"we'll just say it's currency from... wherever we're from." he shrugged.

"and where's that?"

"uhhhh... america?"

"europeans haven't even heard of america yet." you rolled your eyes.

"which is why it'll work perfectly, they'll think it's some secluded, far away town." eunseok reasoned.

you don't know if it was eunseok's annoying presence or the lack of sleep you've had in the last 24 hours, but you felt a migraine coming on. massaging your temples, you decided you should take a nap before you try to find a way back to the future.

"let's get some rest, we can worry about everything else later." you yawned.

"where are we gonna sleep? the princess didn't even tell us which room we'd be staying in." he remarked.

"maybe we could ask agatha." you figured, walking towards the center hall.

"stop wandering off! we could get lost, this place is huge." eunseok argued.

"we won't. I know this place like the back of my hand." you assured.

"nerd." he commented, under his breath. for the sake of your sanity, you pretended you didn't hear anything.

with all the people rushing around the castle corridors it was nearly impossible to pinpoint agatha, and you ended up walking headfirst into the chest of a tall, handsome man wearing a padded shirt, usually worn by knights underneath their armor.

the man was slightly sweaty and holding a leather-wrapped sword in his hand, he must've been a knight coming back from training.

"art thou alright, madam?" the man asked. i am now.

eunseok let out a loud cough behind you, "she's fine. let's go, y/n."

"doth thou not recognize me? perhaps the two of you are not from here." the man reasoned.

"we're travelers, from... america." you hesitated.

"america? where is that?" the man questioned.

"tis a small town up north." you stated, trying to sound as sure of yourself as possible.

"makes sense." the man nodded "what business do you have in my castle. i've never seen you around, and I reckon I would remember a face as enchanting as yours."

am i getting hit on by a hot knight? maybe staying here isn't such a bad idea after all.

"your castle?" eunseok replied.

"yes. i am the crown prince, anton. now remind me again what you're doing in my castle?" anton asked.

"the crown princess invited us, my... brother here is to compete in the duel of knights." you quickly added.

"brother? I thought you were supposed to be my mistress-" eunseok started before you cut him off.

"do you know where the princess may be? she hasn't yet told us in which room we shall be staying." you asked the prince.

"ah, forgive my sister for she is very easily overexcited. I doubt she put much thought into housing you two as guests. I'd usually turn two strangers away, but you're an exception," he stared at you intently, "i'll arrange a room for the two of you shortly. in the meantime, would you care to join my family and I for dinner? it's the least we can do as hosts for you as you've traveled so far."

"we'd love to!" you exclaimed. "wondrous! I shall see you in two hours for dinner. the maids will help you to get ready." he smiled, kissing your hand before he walked away. you felt your cheeks heating up as you waved him goodbye.

"I thought you were tired. now you wanna have dinner with the royal family?" eunseok grumbled.

"eunseok, this is a once in a lifetime opportunity. eating dinner in a castle with medieval royalty! how many people can say they've done that?" you beamed.

eunseok held back a smile as you gushed about the opportunity. why is she so cute today?

in a matter of minutes, a young woman approached the two of you, ushering you into a room.

"...here is the closet, and finally, the washroom. I shall give the two of you your privacy now." the woman bowed her head before exiting quickly.

"that was a quick tour." eunseok joked. "she must be busy preparing for the duel." you figured.

"ugh, don't remind me of the duel." he dramatically collapsed on the bed. "wait... is there only one bed?"

am I being lazy and using the one bed trope? guilty!

"I'm honestly too tired to care. scooch over." you shoved him to one side of the bed as you made yourself comfortable on the other. you wouldn't usually be so bold, but you were exhausted. after nearly getting arrested and getting stuck in the 14th century, you deserved a nap.

eunseok, on the other hand, was more wide awake than ever. he didn't want to look immature and get up the second you laid down, but he was even more nervous around you right now than usual.

looking over at your figure, he was shocked to see that you had already passed out. he couldn't hold back the small smile on his lips while watching you.

what the hell am I doing? I look like a creep. he thought, snapping himself out of his daze. deciding to wash up, he headed the the bathroom.

great. a large tub, a couple of buckets, and a hole in the ground. not a single source of running water in sight.

venturing out of the room, he tried calling one of the maids rushing past for some water but everyone seemed to be preoccupied.

annoyed, eunseok decided to try finding water himself. just because y/n's annoyingly obsessed with this castle and knows how to talk like these people, doesn't mean I'm completely lost without her.

after a few minutes of wandering around the castle, eunseok was completely lost.

unknowingly, he stumbled into the throne room while the princess was in the middle of receiving a lecture from her advisors.

"you mustn't invite complete strangers into the castle. do you understand how harmful that could be?" one of the advisors warned.

eunseok tried leaving as quietly as possible but it was to no avail as the princess spotted him almost immediately.

"you! traveler! what is your name?" she chirped, jumping up and heading towards him.

fuck.

"eunseok, your highness." he shared through gritted teeth.

"what an odd name! I suppose tis because thou are from a far away land. my brother told me you were from am-amiri? amera? what ever it's called." she rambled.

"i am princess giselle, and between you and i, you're my favorite contender for the duel of knights. oh how I hope you win and earn my hand." she gushed.

"i hope so too." he responded nervously.

"the prince told me the woman you were with is your sister, did you not refer to her as your mistress earlier... sir is your sister your mistress?" the princess gasped.

"umm, no! where I'm from we use the word mistress instead of sister. silly, isn't it?" he hesitated, holding his breath as he waited for giselle's reaction.

the princess burst into laughter, "how amusing! oh please don't die during the duel so you may make me laugh for the rest of my life." she cooed.

the hairs on the back of eunseok's neck stood up. even if he manages to survive the duel, he'll have to spend the rest of his life married to a loud-mouthed princess in a castle with no electricity.

I have to find a way to get out of this time.

"if you would excuse me, I should wake up my, er, sister for dinner!" eunseok mumbled, turning to walk away.

"nonsense! I'll have a servant do so. you may have the privilege of sitting with me until then." she assured.

"well, I was actually thinking of washing up before-"

"why would you need to wash up? you look perfectly clean." the princess interjected.

eunseok was anything but perfectly clean, but then again, that was by 21st century standards. in 14th century england, even royalty only bathed about once a month.

I can't believe it's gotten to this point, but I really wish y/n were here right now.

as princess giselle kept eunseok company, you were lightly shaken awake by a familiar figure: agatha. once you finally sat up, you heard her gasp.

"aren't you the servant from earlier? what are you doing in the guest bed?!" she shrilled.

"well... we're travelers invited by the princess. besides, it was you who assumed we were servants." you tried shifting the blame.

she put a hand above her heart, "goodness! that explains your odd clothing and speech. oh I apologize deeply. how can I make up for my terrible mistake?" she begged.

you felt bad seeing how apologetic agatha looked, but you remembered there was a favor you needed. "very well, then I demand full access to the storage room in the servant chambers." you declared.

agatha sent you a puzzling look, "what's so special about the storage room, my lady?"

well for starters, it's an opportunity for me to study a room never heard of by most historians. and a way for me to figure out how we got here, and hopefully, how to get home.

"i... liked it?" you said lamely. agatha simply nodded, "anything else?" she added.

"a piece of paper and a writing instrument, please."

"for your lord?"

right. most people, especially women, were illiterate during this time.

"um... yes!" you lied, not wanting to make yourself stand out anymore.

"I shall see to it." agatha dismissed herself.

as soon as she left the room, you collapsed back onto the bed. all you needed was some quality alone time-

the door burst open again, with a flock of servants pouring in. "we must prepare you for the dinner!"

for the next thirty minutes, you were stripped, clothed, had your hair done up in an elaborate hairstyle, and exposed to powders and cosmetics you were 99% sure were toxic. you almost didn't recognize yourself in the mirror, but you had to admit the dress was flattering and you might even copy the hairstyle when you get back to your time.

as annoying as it was, it was fascinating to experience everything you've read about in books up until now. the history nerd in you couldn't help but marvel at it all.

by the time you arrived at the dining room, you were greeted with the sight of eunseok sitting next to the princess, looking mildly irritated. you spotted an open seat next to the prince directly across eunseok and decided to sit there.

shooting the boy a small smile, you sat next to anton who immediately began talking to you.

eunseok took in your appearance, staring intensely at you.

she looks stupid... with her big hair, obnoxiously red lips, long gown, perfect smile-snap out of it!

"lord eunseok, why are you staring at your sister like that?" princess giselle asked loudly, catching your attention.

you turned your head quick enough to see eunseok staring at you with a look of... admiration? impossible.

he turned tomato red and cleared his throat, "I was... wondering what we'd be eating for dinner! I'm famished."

"once mother and father arrive, we may begin eating." prince anton assured. he turned to you, "tell me about your family, lady y/n. aside from your brother here, of course."

eunseok rolled his eyes. why's he so concerned with y/n? and why is this princess on my case?

after a few minutes of you and anton conversing and eunseok stealing glances of you while giselle talked his head off, the king and queen arrived.

you immediately got up and curtseyed to them, gesturing for eunseok to bow. "your majesty, tis my pleasure to dine with you." you resounded.

"my children have told me much about you. do tell me about this 'america'" the king mused.

the rest of the dinner consisted of you and eunseok making up ridiculous facts about america and your backgrounds. occasionally, you'd send each other knowing looks and have to stifle your laughs. it was the closest the two of you got to bonding this whole trip.

by the time the dinner came to a close, anton rose up slowly. "I wish to make an announcement." once he had everyone's attention, he continued, "I have completed my knight training this year, and I have father's word that I will be able to compete in the upcoming duel of knights."

"excuse me?" the queen cried out, "it is far too dangerous. and whose hand will you be competing for? your sister's?"

"of course not. I will be competing for lady y/n's hand."

"WHAT?" you and eunseok yelled in unison. "I understand this may come as a surprise to you, my sweet y/n, but I truly feel we have developed a connection."

we met two hours ago!!!

"NO!" you screamed, resulting in horrified looks on everyone else's face, "I mean... no, your highness. I could never expect you to put your life at risk for my hand, PLEASE reconsider." you begged.

"nonsense. the last ten knights left standing win the duel, and I am sure my son is capable of coming in tenth place at the very least." the king argued.

"charles, he is but a boy-" the queen began, angrily.

"he is twenty for christ's sake! I was even younger when I competed. there will no more discussion, anton will be competing for lady y/n's hand and lord eunseok will compete for giselle's." the king settled

fuck.

fuck.

"what the hell are we going to do?" eunseok panicked once the two of you were back in your room. "if we don't leave before next week, I'm going to die fighting for a girl I don't even want and you're going to get married to that guy!"

"you care about whether or not I get married to the prince?" you teased. "what? no, I- shut up." he deflected.

"relax. I got us unlimited access to the storage closet. whatever brought us here is in there, I know it. we'll look through it tomorrow and find out how to go home." you determined.

"and if we don't?" he gulped. "then we'll figure something out." you resolved, holding onto his shoulders. "we'll be alright, we have eachother." you smiled.

you couldn't explain why you were being so nice to the man you swore you hated just yesterday, but something about the vulnerability of your situation made you desperate to hold onto the only ally you have.

eunseok's heart rate increased in response to your words and close proximity, he couldn't help but stare at your lips. "they overdid it with the lipstick." he commented, mindlessly.

"it's a mixture of berries. and I know." you giggled.

before you could say anything else, eunseok began leaning in. his lips were on yours in a matter of seconds, and it felt completely natural.

your friends always joked that the two of you were just covering up sexual tension with the whole rivalry thing, and you're embarrassed to admit you may have fantasized about kissing eunseok before, but you never in a million years thought it would actually happen.

the kiss was slow yet passionate, there was an unprecedented amount of emotion in it, you felt like you were drowning in it.

eunseok was on cloud nine, it was better than any other kiss he's ever had. his hands wandered to hold your waist tightly as yours flew to his hair.

you don't know how long the kiss has lasted so far, but you know that you never want it to end.

except it does. when the prince and princess walk in on the two of you.

as soon as you heard princess giselle scream, the two of you pulled away, but it was too late. they had seen enough.

"you people are sick! I should have known it when you said you call your sisters your mistresses!" the princess cried out.

before she could say another word, you and eunseok dragged the siblings inside and shut the door. "what the hell are we going to do now?" eunseok frantically whispered to you.

"we have to come clean." you said, which eunseok shook his head 'no' to almost immediately.

"anton, giselle, we lied to you." you confessed while eunseok stayed silent.

"I knew it! there is no america. are you thieves? or spies? who sent you?!" giselle accused.

"there is an america, and we did come from there. but we came from a different america than the one that exists today... we're from the future." you shared.

it didn't take long for both siblings to burst into laughter. "the future? do you take us for fools?" anton choked out.

"it's true! eunseok, show them your phone." you insisted. he pulled out his phone and tapped the screen, causing it to illuminate.

"sorcerers!" giselle screeched.

"it's not sorcery, it's technology! it's made from various metals and allows you to communicate with people across large distances." you explained.

"sounds like sorcery to me." anton commented.

"y/n, you've spent years studying this stupid castle, don't you know anything about the residents? there has to be some information you have on the royal family that could convince them." eunseok looked to you.

"well I wasn't able to study much on these two because they both died young..." you said quietly.

"WHAT?" giselle screamed. "how dare you even suggest that?" anton stood up angrily.

"the records I read said you passed away during the duel of knights when you were 20 and that giselle was unable to take over the throne afterwards because she disappeared one night and was presumed dead... but some say she fell in love with a commoner and eloped with him." you shared.

this caused giselle to gasp loudly, "you... i... i believe them."

"how?" anton interjected, "she just said I'll die and you'll elope with a commoner. you show interest in every nobleman you come across and get over them in a matter of days. there's no way you'd fall in love with a common man and elope."

"I've been pretending to be boy-obsessed so nobody finds out that i..." giselle hesitated "i'm in love with mark."

"the stable boy?" anton cried out. "he always mentions the possibility of eloping but I never took it seriously-" she began.

"you two can sort out whatever's going on with mark later, can we go back to y/n and I time-traveling?" eunseok interrupted.

"how did you even end up here?" anton asked.

"in our time, your castle is a historical monument. eunseok and I managed to sneak in, but we were about to get caught so we hid in a storage room. when we emerged, we were transported to your time." you explained.

it took the siblings a while to process your story, but they agreed to help the two of you find a way to get back to your time. once everything was settled, anton asked to speak to you privately--which eunseok did not like.

"I'm sorry for lying, anton, I was just trying to avoid getting in trouble." you apologized, breaking the awkward silence.

"I understand. I've been meaning to ask about you and eunseok. are the two of you...?" he began.

"I don't know what we are. this whole day has been confusing for the both of us." you answered honestly.

"right." he replied, sadly. "well, I wanted to ask you specifically about my death. does the future really say I die in the upcoming duel?"

"i'm sorry anton... i know how excited you are for it."

"excited? i'm dreading it." he chuckled dryly. "i've only ever shown interest in being a knight because of my father. he was a knight back in his day, that's how he courted my mother and became king."

"wait, so you don't want to compete in the duel?" you queried.

"absolutely not! I'm terrified. I've always wanted to be a writer, but my father told me I have no time for silly dreams like that. I'm the heir to the throne, after all."

I feel horrible, most of the documents i read mentioned anton as an eager knight-in-training, but I guess history books aren't always accurate.

you grabbed anton by the hand and began taking him back to where eunseok and giselle were.

"so you really don't think I'm handsome?" you overheard eunseok asking giselle. "you're okay-looking... but I just needed a cover-up for my late-night rendezvous with mark." she shrugged as eunseok's face fell.

"eunseok. giselle. we need to do something before we go back in time." you announced.

"and what's that?" eunseok responded.

"we're getting anton out of the duel of knights." you declared.

"but how? father is adamant on him competing." giselle protested, "and I doubt he'll believe your time-traveling story."

"we'll just have to figure out a way." you said stubbornly.

although eunseok and giselle seemed uneasy, anton sent you a grateful look which was enough.

the next few days were spent with you and eunseok exploring the storage room and you writing down as much as you could about the contents of the room as well as the royal family.

eunseok agreed to help giselle meet with mark in secret and you agreed to help anton with his writing. in return, the siblings helped you look through the castle library on anything related to time-travel.

to avoid the awkwardness of sleeping in the same bed with eunseok after the kiss, anton offered up his room and slept with him instead.

there was now four days left until the duel, and you still had no idea how to get back or take anton out of the competition. anton and eunseok seemed to get a lot closer though, either through sharing a room or the mutual dread of having to fight to the death in a few days time.

"y/n, can I speak with you. it won't take up much time." giselle asked you. "of course, what's up?" you responded.

"what's up?" she repeated, "what is the matter." you corrected yourself. you and eunseok let down your guard when it came to speaking in old english since the siblings already knew your secret anyway.

"you said in the future, I disappear. mark keeps asking to elope, especially with the duel of knights approaching as many men will be aiming for my hand." she worried, "I'm scared, y/n. I don't wish to leave but I don't wish to lose my beloved either. what do I do?"

you honestly had no idea. maybe it was a bad idea telling them their fates, but if i can try helping them avoid it, I should.

"I think you should try telling your parents. how bad could it be?" you said, stupidly.

"are you serious? they would murder him and i for even suggesting it. royals and commoners don't belong together, of course you wouldn't understand." she stormed.

"okay, okay I'm sorry. I really don't understand. I'm used to modern royalty, where the prince of england married an actress and left the royal family, then got to go on oprah." giselle shot you a confused look, "but if you never try, you'll never know."

"i suppose you're right. but I'm far too terrified of my parents." she sighed. before you could respond, eunseok called out to you, ushering you and giselle to join him and anton.

"we found a way to get out of the duel!" he shared excitedly.

"and how is that?" giselle asked, unconvinced.

"knights are covered head-to-toe in armor, right? we'll just pay two knights to replace us! anton said he's got the money covered."

"yes, I have the money covered, as they say in future america." anton added enthusiastically.

"and you've already found these knights?" you asked, "how do you know they won't tell the king?"

"we did, and anton made them swear because they are under an oath to serve him." eunseok shared proudly.

"don't you think that's a bit wrong, abusing your power? and what's gonna happen at the end of the duel when you have to take your helmets off?" you badgered.

"will you stop being such a baby, y/n? we'll tell them to keep their helmets on, and both you and giselle will be there anyways so you can cover for us." he argued.

"well i'm sorry that I want to make sure your little plan is foolproof so you don't, y'know, die." you fumed.

and just like that, the two of you began arguing again. giselle and anton gave each other a worried look before rushing out of the room, leaving the two of you yelling at each other.

"you're getting a bit too comfortable here, don't you think?" you scoffed.

"comfortable?! you think I want to spend the rest of my life in the 14th fucking century?" eunseok retorted.

"well you've barely been any help in looking for a way back. i've been the only one searching that stupid room for any traces of how we got here!"

"maybe because we've been searching that room for four days and haven't found anything. excuse me for trying to make sure I don't die before I find a way to travel back, if there even is a way."

you stepped closer to him, still seething "you piss me off to no end, song eunseok. you're the last person I wish I was trapped with in this stupid century!"

"do you really think you're my perfect idea of a travel buddy? my life is a mess, all thanks to you!" he snapped.

"I didn't ask you to follow me like a crazed stalker, did I? so why did you?"

eunseok finally went quiet. it seems like he didn't really know the answer either.

you were irritated, but you didn't want to keep arguing, so you decided to walk away before he started up again, "I'm going to town to pick up our clothes from the tailor."

up until now you've been wearing the servant clothes agatha brought you to bed and borrowing the royal sibling's clothes during the day. it'll be nice to finally have our own sets of clothing.

you tried to organize your thoughts but you were still thinking of eunseok. it's not like you haven't argued with him before, but they've never been so... personal.

it pained you to say but his words hurt you. you don't know when you started caring about what eunseok has to say but some time along the last four days you've been trapped here, you started to feel more strongly about him.

and you definitely can't forget about the kiss. you can't believe the two of you just acted completely normal after that. you were too scared to bring it up and so was eunseok.

he's so confusing. one day we're making out and the next we're screaming at each other... and it doesn't help that I can't read him at all.

by the time you were done reflecting on your entire relationship with eunseok, you reached the tailor's shop. walking in, you greeted one of the workers there before informing them of your prior visit.

as the worker brought out your clothes, he held his hand out waiting for the payment.

shit. I didn't bring any money. and it's not like the money I had would've done much anyway.

"I-um, I don't think I can give you the payment just yet," you stuttered, nervous.

"why not?" the worker asked, already putting the clothing back.

"because-"

"because i'll be paying." you heard a familiar voice ring from behind you. what is he doing here?

eunseok walked past you and handed over the old-timey pounds to the worker, taking the sets from him in the process.

once the transaction was finished he walked past you and out of the shop, completely ignoring you. confused, you caught up to him.

"did you seriously follow me again? what's your problem?!" you exploded on the street, catching the attention of nearby townsfolk.

"I saw that you left your wallet and didn't even bother asking for money from the prince or princess. you're welcome for saving you the embarrassment and a trip back-and-forth from the castle." he retorted, stopping to turn to you.

"I don't want to argue. not right now, and not in public." he sighed "good. because neither do i." you sassed, walking past him deeper into the district center.

he rolled his eyes and continued after you, "where are you going?"

"does it matter? or were you planning on stalking me again." you retaliated.

i should just leave her alone if she's going to be so difficult... but this place is sketchy and confusing, and it's getting dark.

"I don't think it's safe to walk around alone here, it's almost sunset." he called out.

"I'm a grown woman, I can handle myself." you refused.

"fine." eunseok said, turning to walk back to the castle.

you spent the next two hours making a mental map of the district, excited to write all about it later. you had to admit this was a much more fun way to learn about history than sitting around with a textbook and reading all day.

unfortunately for you, there weren't any clocks around, so it was easier to lose track of time. you figured it must be around 9 p.m. and decided to head back to the castle.

after about 15 minutes of wandering the streets, you realized you were lost.

fuck. I can't believe I'm about to prove eunseok right. whatever, he's probably living it up at the castle, especially since I'm not there.

on the contrary, eunseok was worried sick. "what if she was kidnapped, or fell down a well or something?" he ranted to anton.

"we shall find her, there's no need to worry." anton assured as they headed out the castle gate.

as the two of them began walking, eunseok couldn't help but overthink.

I shouldn't have let her walk away. and I can't believe the last conversation we had was an argument. what if something bad happened to her? how will I forgive myself?

eunseok doesn't know when or how he became so worried about you, but what he did know was his heart was pounding just thinking about you.

"what... relationship do you and y/n share?" anton inquired as they walked. "we're just school peers." eunseok answered coldly.

anton laughed in response, “peers do not thrust their tongues into each other's mouths."

eunseok's ears turned red upon hearing the younger boy's comment.

"they also wouldn't worry as much as you are right now." anton added.

"she's my ticket back to the 21st century, of course I'm on edge. I need her help finding the way home." eunseok shrugged.

"whatever you say." anton smiled.

"are you into her or something?" eunseok asked, trying to sound casual.

"pardon me?"

"do you wish to wed her?" eunseok sighed. I'm definitely not gonna miss these shakespearean conversations.

"well... she is strikingly beautiful... and strong, and intelligent, and-"

"okay I get it." eunseok cut him off, erupting another laugh in anton.

"but she seems to only have eyes for you. besides, I'm a bit more preoccupied with the duel as of now." anton commented carelessly.

she has eyes for me? eunseok thought to himself again and again until they reached a nearby tavern.

it was then that the pair spotted your figure arguing with a clearly drunken man. before he knew it, eunseok rushed to your side to defend you from the man until he heard your conversation.

"you've gone mad if you think euripides is anywhere close to sophocles!" you yelled.

"you're the mad one, sophocles couldn't have written medea but euripides could have easily written oedipus rex in his sleep!" the man yelled back.

of course she's arguing over history. what a nerd.

"pardon us sir." eunseok interjected, dragging you away by the arm.

"hey! I wasn't finished. and stop dragging me." you ripped your arm away. "now you know how I feel." eunseok scoffed.

"y/n! are you alright?" anton asked. "yes, I'm fine. and I was just about to make my way back to the castle." you asserted.

"point in the direction of the castle." eunseok challenged. you pointed in a random direction hoping it would be somewhat close.

"you were going to head north, further into the town when the castle is down south." eunseok smirked.

if he didn't look so good right now I'd smack that smirk right off his face.

the walk back to the castle was dead silent, with poor anton making the occasional comment trying to spur conversation, but you and eunseok weren't having it.

when you finally reached the castle, anton excused himself leaving you and eunseok alone.

sighing, eunseok broke the silence first, "I was worried about you."

you whipped your head up. did i hear that right?

"I don't hate you. I hope you know that." he went on.

"I don't hate you either." you added. for the first time in a long time you looked at him in the eye.

the tension was palpable, but before you could act on any of your emotions, eunseok turned away. "goodnight, y/n." he walked off.

ouch. I know I said I wanted him to leave me alone, but not like this.

time passed by until it was the morning of the duel. you and eunseok had been growing even more desperate to find a way back home, and giselle and anton were getting even more nervous about the duel approaching.

eunseok had remained distant since that night, and although you hadn't argued since then, you also haven't really spoken much.

you missed him, but you had more important things to focus on.

as the knights began suiting up, you and giselle headed to your seats at the top of the arena. the arena was full of thousands of people, ranging from commoners to nobles.

if everything went to plan, the knights pretending to be anton and eunseok would win the duel, one of them would pretend to be injured and the other would carry them off into the stables where they would switch places with the real eunseok and anton.

of course, nothing ever goes according to plan. 'eunseok' was slain within the first ten minutes.

despite you having no connection to them, it hurt you to see young men lose their lives for a tradition meant to please the rich and powerful. and it hurt even more knowing that this tradition would continue for a few more centuries.

however, not everyone else shared your sympathies, as the majority of the crowd cheered excitedly with each kill. that was... until 'anton' was slain an hour in.

the entire arena went silent and the king jumped out of his seat, "stop the tournament! stop it now!"

oh shit.

the king ran down to check on his 'son' only to reveal a complete stranger under the helmet. still teary-eyed, the king roared "what is the meaning of this?"

we're screwed. we're so so screwed.

just when you thought it couldn't get any worse, the real eunseok and anton entered the arena, assuming the silence meant it was over.

"son! what have you done? answer me, boy!" the king seethed. "i... i don't wish to be a knight." anton confessed, eliciting gasps from the crowd.

"what on earth has gotten into you? is it that boy next to you influencing you?"

"no! I never wanted it. you know I've always wanted to pursue writing-"

"nonsense. you are to be a king. and a king is to be able to fight for his people. will words on paper solve wars? no. only a sword will protect your throne."

dejected, anton nodded before eunseok interrupted, "weren't you just crying over your son's death?"

another round of gasps travelled through the arena. "how dare you speak to me that way? I should have your head cut off!"

"all I'm saying is, if anton listened to you and fought, he'd be dead right now. is forcing him into combat worth losing your son?" eunseok reasoned.

the king faltered for a moment before recovering, "he is not enough of a man to look me in the eye and you want me to let him pursue his childish fantasies?"

in that moment, anton snapped, raising his head, "if I am to be heir to the throne than you will treat me as such. my whole life I've done what you wanted me to do, and look how that would have ended," he paused, pointing at the corpse on the floor.

"father, i assure you I am grown enough to discern what I want and don't want. and what I don't want is a life of a knight. I am not an extension of you, I am my own person, and most importantly, I am a writer." anton concluded.

the crowd erupted into cheers at the prince's heroic delivery until giselle ran down, seemingly inspired.

oh no.

"and I am in love with a stable-boy!" she declared loudly.

just like that, the arena was dead silent again and the king went red with anger.

"this is all your fault!" he pointed at eunseok "you, and that sister-mistress of yours!"

the crowd began murmuring, confused.

"guards, execute them!" he declared.

now you were definitely screwed.

you saw eunseok running out the back as giselle and anton held their father back. panicking, you ran through the back of the arena, meeting up with eunseok.

"what the hell are we going to do?" he panted. you grabbed onto his hand and began running into the castle. you're not sure why, but your gut was telling you to head to the storage room.

once you reached the room, eunseok whispered "won't this be the first place they'll look for us?"

" just hurry up and light the candle, I have to grab my papers." you rushed. he found a set of matches and lit the candle as you frantically searched for all your research.

you heard voices gathering around the outside of the door.

"y/n. if we really do die, I need to tell you something." eunseok began dramatically.

"I love-"

he was interrupted by a banging noise on the door. you quickly blew the candle out, hoping the darkness would somehow make the two of you invisible.

but it was too late, the door flew open, and a man came down the stairs holding a... flashlight?

"stop there! london police, you are under arrest for trespassing."

"what?" you muttered, confused.

"oh my-OH MY GOD. we're back... we're back! what year is it?" eunseok asked the officer desperately.

"are you two on some sort of narcotics?" the officer asked.

the two of you were then escorted to the police station where your group supervisor had to bail you out. you and eunseok were grinning ear-to-ear the entire time.

you were informed that you couldn't go on the tour as a result of your trespassing and you couldn't care less. "I know how much you were looking forward to it, are you sure you'll be okay?" your friend asked, worried.

"I'll be fine! go enjoy it for me." you assured. I'm sick of that damn castle anyway.

after taking a long, warm bath, you settled onto the hotel couch before hearing a knock on your door.

opening it, you were greeted with the sight of an awkward eunseok.

"hey... can I come in?" he asked, nervous. "yeah." you smiled.

"I'm still trying to convince myself that was all real." he chuckled.

"me too." you breathed "but at least it's all behind us."

"yeah, thank goodness." he agreed.

"what was it you were saying before we got arrested?" you asked innocently.

"um- I was saying, i... wonder whatever happened to giselle and anton! surely there's some more information on them now that anton survived the duel." he changed the topic.

"you're right!" you exclaimed, rushing to your computer to google their names.

"it says here that the king passed away from a heart attack due to shock and anton inherited the throne, but he didn't want it so he passed it onto giselle. he went on to become a successful writer and giselle married a common man named mark, they had a son and a daughter named... eunseok and y/n!"

"you think they're sister-mistresses?" eunseok joked.

"gross. anyways, anton's most famous book is called across centuries and it's about a pair of lovers that time traveled." you gasped.

"well that definitely can't be about us, we're far from lovers." he laughed.

"right..." you agreed quietly.

"well, I guess that now that we're out of the medieval period, I can get out of your hair." eunseok began, standing up.

"wait." you spoke up suddenly. if giselle and anton could confess in front of an entire kingdom, than i can confess to a single guy.

"eunseok, i..." you began.

fuck. I can't bring myself to finish my sentence.

"you what?" he asked.

"I'm..."

"are you alright?"

"no! yes-i mean no?" you sputtered.

"i'm gonna go let you rest." he nodded, slowly backing away.

"I love you! I'm in love with you. please-please don't leave yet." you practically begged.

eunseok's jaw fell to the floor.

"I don't know how or when I started feeling this way, and I get it if you don't feel the same way but I had to tell you. I'm-"

you were interrupted by eunseok's lips crashing onto yours, and for once you didn't mind the interruption.

"will you be mine, lady y/n?" he asked dramatically, shortly after you two parted from the kiss.

"why yes, my knight in shining armor." you laughed.

[calirph]

𝐌𝐄𝐃𝐈𝐄𝐕𝐀𝐋 𝐖𝐀𝐑𝐅𝐀𝐑𝐄, 𝐋𝐎𝐕𝐄𝐅𝐀𝐑𝐄, 𝐏𝐄𝐀𝐂𝐄 𝐀𝐍𝐃 𝐌𝐎𝐑𝐄 𝐐𝐔𝐎𝐓𝐄𝐒

All quotes here have been taken from different sources of media, literature, television, movies and more regarding medieval or period drama quotes in the context of those stories, some might work on more modern setting but these were made with the intention of medieval and fantasy settings. Change names, pronouns and locations as you see fit.

I just wish he'd have the decency to say whatever he came to say in front of his wife.

His wife should track him like a bloodhound.

Let him who knows who he is be no other but himself.

Seduction, as you know by now, for women starts with the ears and for men starts with the eyes.

She is my friend, and there is nothing you can say or do that can stop me from helping her.

You seem a might bit distracted this evening. Is something the matter?

History belongs to those who write it.

But I have never lost faith... even if the world turned upside down I could still find you.

Some mistakes are bound to be repeated.

Do you plan on marrying Charles?

This is a time of change. This is a time of enormous power.

Do you understand the meaning of the soil beneath your feet?

The other Clans will soon arrive. The greatest times of our family are before us. And so are the darkest.

Tonight must be our secret. Swear it.

You pander to her. You spoil her. You make such a fuss over her when she tantrums. This is what happens when you raise a child like that.

I´ve always wanted him to love me the way I loved him. 

We were arrogant and naive, thinking we knew what we felt then was love. 

A man´s desire is a powerful thing. It can reduce a strong man to nothing. When he sees a woman who fascinates him, he will give up everything for her.

 You are like a golden rose, a rare bloom but no less lovely.

So, you see, you're not the only ones who have lost someone. War doesn't discriminate, Petra. 

What you think is indecent, I do to my wife every morning before breakfast. There is no such thing as indecent between a husband and a wife. The only thing indecent is a cold marriage bed. 

The earl and I...We were... not intimate.

He fought in the war. He might fall apart, fly off the handle, go off the rails.

Mr. Russell, don’t you think I’m too young for you?

To be humiliated so publicly. I don't know. I never wished him ill.

He wasn’t quite what you’d hoped for, was he, Mother dear?

It is easier to start a war than to end it.

All I am guilty of is surviving, and for that, I will not apologize.

There is no law that gods must be fair, Achilles.

How many times can a heart be shattered and still be pieced back together? 

She succeeds because she is loved and respected. 

I have waited to see you again when none believed that you should ever return; I would have waited for ever.

Your lips are calling for me.

This is your home now. You're one of us, and we take care of our own.

You have a spine of steel and fire in your eyes, Rosalie. 

I've never met anyone as kind as you are.

A little taste before the wedding, Jayden?

God’s given you to me, and as soon as He allows, I’ll claim you as my own.

I brought you something. It gets cold in Nashville in the wintertime.

It seems you want me at your mercy, Princess. The question is why?

I am a slave in your palace.

To speak my truth, even if my voice shakes.

What would you say if I asked to kiss you?

Will you allow me to kiss you?

Do I have a choice? Doesn’t it happen with or without our consent? Falling in love, that is.

I have the power, and you will obey me.

You’re a lady. It’s written all over you.

It is amazing what a woman can do if only she ignores what men tell her she can't.

I am not a besotted fool. If you think to jilt me, think again.

It's all my fault. He was trying to save me.

All things in Fiji are paid for in blood.

I have not forgotten that I am a Norman, nor the responsibilities that I bear.

I swear I will be a lady worthy of our family name, worthy of England, and worthy of my conscience.

Being set apart is lonely, until you find purpose.

My faith has promised me to me to my king.

I want your reputation... I want everything you have.

Remember when I told you I would marry none but a warrior, Collector?

I want you to be the father of my child, yes, more than any other man in the world. 

I am the flesh of your flesh, and you are the heart of my heart.

My father fought against the infidels during the last crusade. It cost him his life. 

Grace saves us, but is not grace beautiful? I think it must be full womanly, even, to draw men in, and to give us a second birth.

Marriage is less about love and more about who is right.

A woman's life is never a fairy tale ... neither is war.

You're not made of kings, boy, but of common clay.

I'm Uther's daughter and sole heir: Morgan Pendragon.

Who better than you, King Lot, my father's strongest opponent.

If we forge a union, we'd have the strength to unite the realm. As King and Queen.

Ambition for its own sake is worthless.

Uther's daughter, Arthur's sister. You can't be defined by others. People need to know you for yourself.

The past doesn't matter. Define yourself in the present, and you might rule in the future.

We are going to build a land full of hope and honor where fear is extinguished, to which people will flock from far and wide, seeking out our beacon of light.

With a little luck, in time, you might fall in love with him. And if you don't, before you know it,he'll give you children, and then you'll love them.

Well, the most enticing aspect for any man is the forbidden. But you'll just have to forego the looks from men other than your husband.

What exactly do you think I'm capable of?

To forget myself. To lose the world for a moment.

One rumour of my death, and you proclaim a new leader! A king could get offended.

If she takes the crown, I'll tell you what you get. Fear!

You have no rights in this kingdom anymore.

[hotvintagepoll]

I am adoring all of these polls and gif sets and just being fed so many hot vintage people. As someone who really hasn’t watched very many classics, are there any movies you’d recommend for someone just starting to dip their toes in older media but unsure where to start?

Sure! I don't want to sway any voting, but I'll put an incomplete list of favorites that involve hot men not still in the bracket below the cut.

Something to note that applies to most of these old movies—older movies have different pacing than modern movies, so some of these might seem really slow or weird to start. There are also different ways of framing gender and agency, for better and for worse. I've italicized the ones that I think are the best for starting with, but go with whatever genre/aesthetic sounds best.

The Court Jester (Danny Kaye, Basil Rathbone)—a circus performer working for a quasi-Robin Hood infiltrates the royal court. Fun comedy that's incredibly accessible and still so light on its feet. Swordfighting, glamorous medieval costumes, court intrigues, and silly accents.

Singin' in the Rain (Gene Kelly)—fun polyamorous musical comedy. The dancing is incredible, but so is the sense of joy and camaraderie between Gene Kelly, Donald O'Connor, and Debbie Reynolds. Genuinely captures the feeling of hanging out with your best friends. 1920s Hollywood, big movie studios, backstage drama, goofy hijinks.

The Adventures of Robin Hood (Errol Flynn, Basil Rathbone)—classic swashbuckler/romance. It could read a little slow to modern tastes but the action scenes are absolutely killer, as is the sentiment of seeing little guys pull down big capitalists evil monarchs. Swashbuckling, labor activists merry men hanging out in the woods, hot men in tights, social commentary swords, a Maid Marian who really holds her own and falls in love with the socialist

Charade (Cary Grant)—thriller/romantic comedy. Audrey Hepburn's husband dies and leaves her a hidden inheritance, and she's racing some skeevy characters to find it. A little bit scary but mostly charming and gorgeous, and you can find it high quality virtually anywhere because they fucked up the copyright trademark in the opening credits. Romance, murders, Paris, 1960s fashion, chases in the night.

Chitty Chitty Bang Bang (Dick Van Dyke)—this movie is divisive for some reason—I personally like peace, love, and joy, so it makes the list. This is a James Bond movie if James Bond had two kids, lived in a windmill in the south of England, and was into cottagecore inventions more than martinis and racism. This is very much a kids' movie so go in with that expectation, but enjoy the gorgeous production design, the wonderfully silly performances, and Lionel Jeffries pulling out every stop as an insane old man. Dick Van Dyke has excellent DILF energy. Magical cars, big musical vibes, fun inventions, and romantic fantasy.

To Be Or Not To Be (Jack Benny)—comedy/drama. A ragtag Warsaw theatre troupe stands off against the Gestapo after the invasion of Poland. TW for Nazis, obviously, but overall this is a comedy with some heft, and kind of shocking to be this ballsy about fucking hating Hitler's guts in the 1940s. Hambone actors, Shakespeare, spies, 1930s gowns. It's been a minute since I watched it so I don't think there are any TWs here, but go forth with caution.

Witness for the Prosecution (Tyrone Power)—mystery/legal drama based off an Agatha Christie story. The performances are campy fun and the twist would be at home in something like Knives Out. Big dramatics, hambones, lots of talking, a bit of a mindbender.

The Lady Vanishes (Michael Redgrave)—mystery/suspense/romantic comedy. It's a little slow to start but roll with it—once the action moves to the train the pacing really picks up. This gets slotted as a thriller sometimes but it's much funnier and gentler than that. There's some period-typical snarkiness directed at anyone Foreign™ by some of the British characters; the British characters are also made fun of. Trains, British people, international shenanigans, mystery, and humor.

All About Eve (absolutely none of these hot men, lots of hot women though)—a legendary actress fights for her life against the rising star who supplants her. Big drama, big performances, lots of gasp! and dahling! and vicious little quips. New York, theatre pronounced theahhtah, drama queens and plotting.

The Philadelphia Story (James Stewart, Cary Grant)—talk-heavy comedy, lots of quick banter and period transatlantic accent fun. It's a bit shouty and conflict-heavy at times, but I don't think James or Cary have ever been hotter, and Katherine Hepburn is just wow. Very funny dialogue, relatable characters, incredibly hot across the board. There is one instance of a racial slur (not directed at anyone but still there) and one shove. Some people won't like the discussion of Hepburn's character's choices as a daughter and a wife. With all of these movies you'll see a a range of how female characters are presented and treated, and while some period movies fall hard for sexist tropes, I personally think the performances, direction, and subtext of many of these films actually prioritizes the experiences of the female characters and shows them as living, breathing people, even if they're not framed the way they would be today.

[mostlyghostie]

New book stickers have arrived!

I was thinking of which book opinions I needed represented in sticker form before drawing these, the books that first came to mind for each are as follows (all opinions entirely my own):

Either Adored or Loathed This, Not Sure: The Magicians by Lev Grossman- what a brilliant story filled with such unreadably unlikeable characters!

I Need to Read the Sequel Immediately: I have so far started all of the next Robin Hobb books the minute after finishing the previous one. I can't actually sustain that pace unfortunately because they're all 900 pages long.

Extremely Sad, But in a Good Way: All of my favourite books are this- most particularly the Elizabeth Strout's Olive Kitteridge books and Marilynne Robinson's Gilead books

Loved, Loved, Loved This Book: The last book I immediately decided was my favourite before I even finished it was The Fortnight in September by RC Sheriff, in which nothing happens except an English family goes on holiday in the 30's. Fucking brilliant.

So Good That I Bought a Fancy Special Edition: The only fancy special edition I own is His Dark Materials, it is indeed very good and important and wonderful.

Shouldn't Have Bought This, Never Going to Read it: 90% of the non-fiction books I buy that aren't about the Beatles sit unread and unloved. I have been meaning to read SPQR by Mary Beard for several years..

Didn't Understand a Word of This: I read 200 pages of Darkmans by Nicola Barker when I was at university and tried to reads the whole Booker longlist once. It made me feel like I'd forgotten how to read English

Relevant to All of My Very Specific Interests: I read Piranesi by Suzanna Clarke in one sitting, slack jawed in surprise at how exactly 'for me' it was. Unreliable narrator! No real explanation as to what is going on! A fantasy about characters rather than medieval England-ish settings and magic systems! So so fantastic.

This Has Not Aged Well: I pushed my way through to the end of American Pastoral by Phillip Roth, but my word.

How about you?

Instagram / Shop

[qqueenofhades]

would you ever write a modern/no-powers au for dreamling/sandman?

"Look, Mee," Hob says, for the fourth or fifth time that conversation. "I'm sure your brother is, uh, great, but I'm not sure -- "

"Come on," his best friend says, also for the fourth or fifth time that conversation. "Honestly, you'd be doing me a massive favor. I can barely get him out of the house most days, so I figured that at least the two of you could faff off and be really pathetic together?"

"Thanks." Hob switches the phone to his other ear and glares suspiciously out at the garden; when you've got two small children and it's quiet, you figure something's gone terribly amiss. Robyn and Alison haven't burnt the place down or gotten run over in traffic, but they're playing with something small, muddy and possibly still alive, and Hob debates whether he has to sprint out and save them from certain death. "You're a great friend, truly."

"I know," Morticia says airily. That does, bewilderingly, seem to be her actual name (were her parents massive Addams Family fans or something?) but with Hob and the rest of her friends, she generally goes by Mors, or Mee for short. He looked it up once. Ancient Roman god(dess) of death, which made him laugh, at least when it didn't kick him in the teeth. "You can thank me later."

"And I want to spend time with your brother... why?"

"Because." Oh God, here it comes. He can hear her trying not to say it, the same way everyone's tried not to say it in the going-on-eighteen months since his wife went into an ordinary central-London NHS hospital to give birth to their second child and didn't come back out. "You know it would be good for you, Robbie."

"Right." Hob's voice turns wry. "Can't have me wallowing alone in my misery? You know I've got the kids to look after, and they're talking about extending my contract at Birkbeck. I'm keeping busy."

Keeping busy. It always sounds stupid, even if it's the truth. Like you can chase overwhelming, soul-crushing grief away just by getting out of bed and making breakfast for the kids, holding Robyn's hand as you trundle off on the school run and tell him to have a good day, the thousand and one ways you think you're massively arsing this up and Ellie would have been so much better. Every time the doorbell rings or someone comes up the walk, he thinks -- for a stupid moment he thinks -- and then of course it isn't. You think about women dying in childbirth like it's something out of medieval times, or some third-world country. Not in England in the twenty-first century. Not in London. Not as if your daughter is beautiful and bright and alive, and every time you look at her, you remember that her mother isn't, and the happiness you feel is poisoned by grief again, cold and blue and endless as the ocean. You laugh with the kids at some Disney cartoon one moment, and the next, you're crying alone in the kitchen, in bed, in the silent darkness. And no matter how much you ask, she doesn't answer. You think she does, sometimes. You're just fooling yourself.

You know, Hob thinks. Maybe it would be good for him. At least it would let him spend time with (if Mee's account is anything to go by) the one man in all of London more pathetic than him. It doesn't have to be anything more than that. Even if she is trying to set him up, she wouldn't admit it. She isn't, surely? Trying to match her brother off with her best friend, widowed-single-dad-part-time-lecturer who's clinging onto sanity by the bare edge of his fingernails? Right? Fuck. Should never have told her that he's bi. Doubled her meddling possibilities at a stroke. And yet. He's so lonely, he almost doesn't care.

"Fine," Hob says resignedly. "I'll see if I can get a sitter for the kids. And it better not be that grotty brewery in Shepherd's Bush you dragged me to last time."

"No." Mee sounds like she's laughing at him. She probably is laughing at him, or else she thinks he's become such a pathologically undatable freak that his only chance for happiness ever again is with her equally pathetic little brother. "Nice new Asian-fusion place. Hammersmith. Fifteen minutes from you on the Tube. Don't chicken out, Robert."

And with that, well --

There's pretty much no choice.

Hob finds a sitter for the kids, promises to pay her twenty quid an hour (it's London, after all), and grumblingly picks out some clothes. He's not good at this. It's been almost ten years since he was dating anyone, and Eleanor was from a rich enough family that there was no chance of ever impressing her parents; he could have turned up in anything from Savile Row to a bloody dishcloth and they still would have hated him. Then he finds himself fucking around to the point where he's going to be late, the Tube will be a nightmare anyway, and panics again and rushes out the door with barely a word about what to feed the kids and when to put them to bed. Is nice Olivia from down the street judging him? She almost surely is.

Hob grimly toddles off to Hammersmith, exits into a light rain, and spends an inordinate amount of time searching for the restaurant. When he finally steps inside, he's not quite sure who he's looking for. Mee texted him a picture of her brother, but Hob has trouble believing that such a pale, pasty, and terminally uncharismatic twink could ever be related to her. One of them has to be adopted, and he's laying money on this one, whose name is -- no, seriously -- Morpheus. Morticia and Morpheus. What is wrong with their parents? Determined to doom their children to an eternity of primary-school torment?

Hob contemplates turning around and leaving, but now he's come this far, Olivia will definitely judge him if he returns within the hour, and frankly, he's judging himself. Even worse, he's fairly sure he's just spotted his man. Morpheus (come on, really?) is sitting by himself at a corner table, looking appropriately dark and broody, in his emo-goth dark coat and toilet-brush hair. Just like the photo. He's admittedly not bad-looking in person; he's got a pale, chiseled beauty that is briefly arresting, almost unearthly. Still, though. Definitely a wanker.

"Hello," Hob says, deciding to bite the bullet. He strides over, hand outstretched. "I'm Robert Gadling, and I think you're the bloke I'm supposed to be meeting? I know your sister."

Morpheus's mouth makes a small lemon-sucking motion. He rises to his feet, regards Hob's hand as if not certain what to do with it and/or wondering if he can get away with not touching it, and finally shakes it, brief and cold and dry. "I am," he says curtly. "You may sit."

Well, good. Glad they got His Majesty's permission. No unauthorized sitting happening here, no sir. Resisting the urge to roll his eyes, Hob puts his bag on the floor and slides into the chair across from Morpheus. Like every Londoner at a loss for a better opening line, he reaches for the weather. "Shame about this piss, isn't it? And it was all the way up to twenty degrees last week. Did you have to come far?"

"No," Morpheus says, still not displaying any particular delight in being forced to spend this evening in the presence of another human being and looking as if he is very much hoping the floor will suddenly open up and swallow him. "Not far."

Hob waits, in vain, on the chance that Morpheus might elaborate. He does not. Well. This is going swimmingly. Are they on a date? Did Mee tell him that they were on a date? Is Hob sure this isn't an extremely elaborate prank, and she just plucked one of her single friends from the vast and bewildering mystery of her acquaintances? Truly, it is no wonder that Morpheus is, in fact, unattached. He's got the personality of a soggy rag and the face of -- well, not that. He is pretty. But Hob is not that shallow. Thanks very much.

Conversation suffers badly until they order drinks and food; or rather Hob orders, and Morpheus says that he'll take just a glass of wine. He does loosen up slightly as they talk; Hob does most of that, but Morpheus listens with cool, intent attention. From time to time he asks a question, but he doesn't interrupt, and finally Hob, trying to make it as light-hearted as "my wife died eighteen months ago and this is the first not-date I've been on ever since" can possibly be, admits it. He braces for Morpheus to get up, to run, to fire off an indignant text to Morticia or anything else, but he doesn't. He just nods once. "I'm sorry," he says quietly. "I know that it is... difficult."

All of a sudden, Hob is forced to consider the startling and unsettling possibility that Morpheus himself knows something about this. He can't say why or how that might be, but life is full of mysteries. "I -- yeah." It's an abject relief to say it and to have someone acknowledge it simply and matter-of-factly, not smother him with sympathy or cluck about how hard it is. "So if I'm off my game, that, uh. That's why."

Morpheus thinks about that for a long moment. Then all at once, out of nowhere, he smiles. It completely transforms his face, it twists like a fishhook in Hob's gut, and all of a sudden, he wonders in alarm if he is, in fact, entirely that shallow after all. "Believe me, Hob Gadling," Morpheus says. "It has very much been my pleasure."

[miapcain]

I feel like you've probably read a lot of medieval history stuff. So have you, and if you have how do you think it impacts your work on vesna? p.s. I'm reading a Medieval Life by Judith Bennett and its an awesome read so far can't recommend it enough

Hello! Thank you for the ask!

I read a lot and have for a while. Vesna is the composite of a LOT of interests of mine, many of them specifically historic and regional. I've always been interested in the medieval period, and I loved Pillars of the Earth when I read it as a teen (still like it, the second book especially, though I take issue with some of Follett's character work). Name of the Rose too, naturally. Recently I've enjoyed Between Two Fires by Christopher Buehlman, and the game Pentiment. I like the ASOIAF books, which are obviously less interested in intricate medievalism than tone and complex political and personal interplay, but imo aren't any worse for it.

In terms of non-fiction, currently reading "Felix Austria" by Stephan Vajda on that front. I love The Once and Future Sex by Dr. Eleanor Janega too. A lot of my process for Vesna involves researching specific points, though- I was trying to find out how exactly rushes worked, and stumbled on a 19th c. text which documents rush-bearing in certain parts of england and goes into the history, for example. I try to read as much of this stuff as I can. The region Vesna is set in doesn't get much materialist history done to it. It's very hard to find out what sort of agriculture was practiced in the hills at the time, for example. Even Felix Austria, a pretty hefty book, mostly brushes over it and says "life was on the whole easier and fruits and crops more abundant than in other parts of europe at the time," which is a bit meagre.

Visually, it's influenced by whatever visual art I consumed recently. I read Dungeon Meshi and fell in love with Ryoko Kui's solid figure drawing and character designs. I read Berserk and fell in love with Miura's landscapes and shading. I played Dark Souls and fell in love with the intricate architecture and tranquil emptiness. I visit ruins and castles here in Austria whenever I can, ideally one a week, and forests and rivers even more. I already mentioned Pentiment, but I have a huge reference folder of 13th century art on my pc. My biggest artistic influence is probably Socar Myles, who does better hatching work and dark fantasy illustration than anyone I've ever seen.

For the character work I would have to point to my best friend Digital Poppy's work. I liked her games before I knew her, and actually getting to talk to her about them (and helping make them!) opened my eyes to what you can have characters do in a story.

I hope this answered your question! Sorry i don't have a specific text to point to!

bonus: Vesna appearing in one of Digital Poppy's games

[adarkrainbow]

Is it just me, or Americans and Europeans depict the standard, stereotypical fairy tale setting differently?

In my opinion, Americans depict the fairy tale setting as closer to the middle ages. The Fairy Tale Setting is often just a more colorful standard, almost Tokien-like, Fantasy Setting.

Meanwhile, in actual European adaptations of said tales, the stereotypical fairy tale setting is closer to the 18th, 19th century, with the architecture being the only thing vaguely medieval

Yes, I actually do believe as such. Mind you, I cannot speak for all of Europe - mainly France and a handful of other countries I am vaguely aware of adaptations (like England or Germany).

And I believe it is due to two specific things.

A) The very "American" view of fantasy. I mean, we have been repeating and endlessly talking about it for decades now - but for Americans everytime there is something fantasy or magical it is either "standard European medieval setting" either "modern-day America". And when I say "standard European medieval setting", it is this sort of idea and phantasm American built of a vaguely European setting which mixes various countries of Western Europe (Americans only have taken recent interest in other parts of Europe, such as Northern or Eastern, due to the success of things like "Midsommar" and folk-horror and whatnot), and various eras of the Middle-Ages (the Middle-Ages were divided into three specific period quite different from each other), with a good handful of things that were not from the Middle-Ages (like the witch-hunts, for example, they were Renaissance, not medieval).

Of course it is due to a mix of general ignorance about Europe (or any part of the world that is not the USA), and of not actually caring about the original setting since their point is either to parody/reinvent the fairytales in lighter/darker ways, or prove that theses stories are "timeless" and can invent outside of any specific context (which does greatly benefit Americans since like that they can snatch anything they like). Mind you it isn't something universal - take the Disney movies for example. They might not be quite exact, but at least they made a neat effort to evoke different cultures and different eras of Europe. It is very obvious that Disney's Snow-White, Cinderella and Sleeping Beauty take place in various points of Europe's history and in different countries (Snow-White's visual influence by German furniture and statues versus the nods to French culture in Cinderella ; Sleeping Beauty's medieval illumination visual versus the more modern royal outfits of Cinderella, etc...). But it is an effort that got completely lost through time (and I think it can be shown in how, when Disney made "Enchanted", their fairytale setting was turned into a random fantasy setting outside of time and space - it did reflect quite well how people saw the fairytale world at the time).

And you know what is even worse? This "random medieval setting" you speak of is NOT even Tolkien's! Tolkien setting was not medieval in the slightest, and doesn't look like your usual "medieval setting". Just look at the visuals of the Lord of the Rings movie, compare it with some "random fairytale setting" and you see the huge gap. If anything, Tolkien's world is more of a "Dark Ages" (you know, this unknown gap between Antiquity and Middle-Ages) feeling than anything, due to mixing Ancient Scandinavia with Ancient Greece and Dark Ages Arthurian Britain.

But... when you think about it, that the Americans would create such an unclear and artificial setting for their fairytales make sense, since this is literaly what "their" fairytales were compiled as. I'll explain: when you ask an American to list you fairytales, when you see the fairytales used in the American media, it is a Frankenstein-creature. You've got the brothers Grimm and Charles Perrault and Andersen and Joseph Jacobs and nursery rhymes and some Asbjornsen and Moe fairytales... Their exposition to fairytale was by compilations of stories literary and folkloric, from different centuries and different countries, mixed together as one. As such... it makes sense for them a fairytale world would look like a pile of mashed-potatoes in terms of history-geography. Because they have to build a world that mix all of these stuff as one... (Plus something-something about the Americans being fascinated by the Middle-Ages because they did not have one?)

B) The Europeans are very "conscious" about fairytales. I will almost say "self-conscious".

Europeans are bound to always test and try various time-eras, fashions and context for fairytales due to a set of three reasons.

1) We have centuries of "traditional medieval imagery" that the Americans lack. Since our fairytales were published between the 17th and 19th centuries - some even by the 20th - Europe already underwent the whole "Random medieval setting" phase through popular imagery and children book and whatnot. America just begun it from the 19th/20th century - we have been at it for two, three more centuries. So today we are moving forward (and in general, while there are many aspects Europe is "late" compared to the USA, in many other ways Europe is "in advanced" compared to the USA, just because of how "young" this country's history is).

2) We are aware of the context of our own fairytales. Due to the language barrier, for example, we know every time a story comes from somewhere else. We have folktales compilations classified by countries and regions. And everytime we bring up a specif set of fairytales, we bring up the life, job and time-era of the fairytale tellers (Perrault, Grimm, Andersen, which are our "national treasures" - unlike Americans for which they're just "yeah little foreign guys we see in the distance"). As such when the French talk about Cinderella or Puss in Boots, the very images of Renaissance are brought up, the same way a German will immediately think of the Napoleonian wars and the post-Napoleon era when thinking of the Grimms - even though the fairytales are supposed to be in the "pseudo-medieval" setting.

3) Europe has been flooded and dominated by the American media when it comes to fairytales. As such we are very aware and accustomed to the "pseudo-medieval" setting popularized by America, and when Europeans try to do their own thing, they usually try to set themselves apart from it, due to knowing how cliche and Americanized this already is. Something very similar happened with French fantasy literature for example - French fantasy books are always trying to stand away from the "cliche American fantasy book" precisely because we are flooded with them and they form the bulk of our fantasy literature, so as such we are very aware of the flaws and stereotypes and expectations coming with the genre... It also doesn't help that most of the castles and "old-fashioned" architecture around Europe is not medieval per se (or that the medieval architecture is for example very impractical when it comes to filming movies), and we have much more Renaissance buildings and the like. In France for example most castles are Renaissance-era. "Real" medieval castles (as in medieval castles not "remade" by Renaissance or modern designers) are much rarer, or not as well preserved as the Renaissance ones.

Anyway this post got way bigger than I intended, but if you ask me some of my thoughts, here they are - mind you they are just my thoughts and I can't speak for every European. I am just one little eye and one little mind in a big big world... But that's the things I am led to believe.

[wildgreentide]

Good Omens Historical Fic Recs!

While I'm waiting for my favorite authors to write their new post-s2 stories, I'm revisiting some of my favorite older fics and wanted to share some recommendations! More than anything else I've been craving stories that explore Crowley & Aziraphale's relationship throughout history. If you have a favorite historical fic that's not on here, please feel free to share!

All Seasons, by rfsmiley (20k, M)

Set in Tudor England, this story has Crowley becoming an advisor to Henry VIII and befriending Thomas More. Achingly good.

The blood of Christ, or, Is that any way to speak to your mother?, by doomed_spectacles (528 words, gen)

A brief Biblical story, in which Aziraphale attends the Wedding at Cana. Perfectly Pratchetty.

Communing with the Dead, by acommontater (927 words, gen)

Another Biblical story, but very different in tone: Crowley says the mourner's Kaddish for Judas Iscariot. Powerful.

Gods in the Gaslight, by anti_kate & rfsmiley (12.5K, T)

Aziraphale embarks on a career as a stage magician in Victorian London. Entrancing, atmospheric, heartbreaking.

knowing this will I reach for you, by Aria (24.6K, E)

A dozen or so scenes throughout history, starting with Eden. I absolutely love this story for a number of reasons, but one is that it explores Crowley's anger at God and Heaven after the Flood, which I think explains a lot about his state of mind during the Job story in season 2. It is also (so far) the only fic on AO3 with the tag "Crowley Doesn't Fall in Love He Saunters Vaguely Downwards."

A Letter from "Crawly" to Azirapil, by mostlydeadlanguages (486 words, gen)

Set in Mesopotamia, tiny but brilliant.

The Parting Glass, by equestrianstatue & omnishambles (16.8K, gen)

Seven scenes throughout history, from the dissolution of the monasteries in 1539 to the present day (well, 2019), by two of my favorite authors. Drily funny with just the right amount of angst.

Your Mirror, by equestrianstatue (28.2K, E)

Going backward and then forward in time, this story explores all the ways that Crowley and Aziraphale come together, drift apart, misunderstand each other, and still long for each other throughout the millennia. There are so many great little details in this story, plus *fans self* some extremely hot scenes.

The Weight of Well Tailored Clothes, by reserve (5K, E)

Speaking of extremely hot scenes, my bookmark comment for this one just says "Good lord." Crowley helps Aziraphale undress after he rescues him from the Bastille.

You, Soft and Only, by thehoyden (9.4K, E)

Starting in Mesopotamia with a kiss of convenience, and continuing through ancient Rome, a medieval monastery, Renaissance-era Florence, and more, this story is absolutely swoony.

[ghouljams]

Hey Ghoul! What era is 1Fae1 set in? When I imagine Witch and Price I think of almost like a Medieval England world but with Soap or Gaz I think I is in modern time. Or is it both?

Also do you have any head cannons for the clothes the Darlings and the fae wear?

The main au for the 1fae1 is set in modern day.

I know Witch and Price have a very.... olden days feel to them which is by design but they're modern. (Everything about Witch is meant to show her isolation and disconnection from the world around her, but she does have like... a cell phone.)

As for clothing headcanons, yeah I have a million, I'm just gonna do a couple inspo photos for everyone instead of writing a novel. Also, I know it's been said a million times, but pinterest is overwhelmingly white, very annoying when I'm trying to find photos. Just look at the clothes idc about the people wearing them.

Love: lots of color and patterns, sort of 80s kidcore inspired, very fun but also very put together.

Witch: Victorian or 50s revival, dresses a lot like a hobbit, lots of neutral colors, long skirts, aprons, a woman out of time.

Liebling: very earthy, easy to get dirty clothes, demin, loose shirts, oversized sweaters, bandanas, Carhartt jackets

Threat: leather jackets, thick rings, chipped nail polish, reds and blacks, sexy but dangerous

Crybaby: This bitch has no drip. She's messy. Oversized t-shirts she got for free, jeans with paint all over them, tote bags she made herself, flannels from a thrift shop that are a size too big. Lots of blues.

Sunny: Yellows, oranges, browns, a little 70s, lots of playing around with their gender.

Now for the Boys and I won't be explaining myself.

Price:

Gaz:

Ghost:

Soap:

Konig:

I'm gonna be real with you I have no idea what this freak wears.

[racefortheironthrone]

So is there any actual evidence to suggest Richard might've been vilified or is he as bad as he's usually portrayed?

Well, it's kind of both.

For example, Richard of Gloucester was not born already damned to Hell, he was not put on earth by Satan to torment England, he was not born with a full set of teeth, he did not see demons, he was not the Antichrist - all of this is pretty standard medieval vilification stuff and should be dismissed out of hand.

On the other hand, Richard came up in the cutthroat political world of the Wars of the Roses and learned his lessons well. He was a hard bastard who did not flinch from killing anyone he viewed as an enemy or a threat or an obstacle, and I think Ricardians shouldn't minimize the awful things he did for power.

Even if your project is to try to reconstruct Richard III's historical reputation, it's both more accurate and more effective to argue that Gloucester was not distinctively evil but rather a conventional politician of the Late Middle Ages.

[cosmic--dandelion]

So how did we get from this

Dedicated to his Worshippers, George Frederic Watt (1817-1904)

To this?

A brief history of Mammon

Addendum Because We Can't Have Nice Things: this essay is in no way meant to be a "critique", criticism, or personal attack against Helluva Boss/Hazbin Hotel/Vivziepop as I am, in fact, a big fan of all three! I actually loved the newest episode and Mammon as a character. Seeing him in motion, I think he looks damned near perfect as a modern take on the King of Greed. I wrote this ONLY for educational purposes.

Mammon is a Chaldee (the Semantic language of ancient Chaldeans, the people of a small Mesopotamian country who were later absorbed by the Babylonians) or Syriac word meaning "wealth" or "riches".

The Worship of Mammon, Evelyn De Morgan (1909)

He is best remembered from the Sermon on the Mount from Mathew 6: 24 (King James version): “No man can serve two masters: for either he will hate the one, and love the other; or else he will hold to the one, and despise the other. Ye cannot serve God and mammon.”

Some scholars believe Mammon might have been loosely based on Dīs Pater, originally a Roman God of mineral wealth and fertile lands who was later merged with the chthonic deities of the underworld Pluto and Orcus (because minerals come from underground). Pluto was depicted in the Divine Comedy as "wolflike demon of wealth"; wolves in the medieval times were symbols of greed. Others think he might have been an ancient Syrian god, though no trace of his cult or temples exists.

Mammon transformed over time from an abstract concept to major demon. This is thanks to later philosophers and theologians such as Saint Gregory of Nyssa, a third century Byzantine scholar, Archbishop of Constantinople John Chrysostom, and Peter Lombard, bishop of Paris from 1159 to 1160. His book of Four Books of Sentences (Sententiarum libri IV) was the standard theological text of the Middle Ages.

Mammon was assigned the sin of greed according to the Peter Binsfield classification of demons.

John Milton of Paradise Lost fame imaged him as a fallen angel. He is described as being stooped over (literally the "least erected" of Lucifer's demonic host) because he always has his eyes downward looking for gold and would rather use Hell's resources to finance his lavish lifestyle than wage war against Heaven.

In Edmund Spenser's 16th long poem, The Faerie Queene, Mammon is a “uncouth, salvage, and uncivile wight” who sets up his cave of riches right next to the entrance to the underworld. Subtle, huh? He tries to tempt Sir Guyon, the protagonist of Book II, with all his fabulous wealth, arguing that he could use it for good. (This is a religious-moral-political allegory about temperance, so you can guess how well that went.) He shows up again in Jacques de Plancy's Dictionnaire Infernal as Hell's ambassador to England. Yes, really.

Just like in Biblical times, reformists used Mammon as a symbol of exploitation and unfettered capitalism during the industrial age.

Fun fact: Mr. Burns lives at the corner of Croesus and Mammon street.

So how does Vivziepop's version compare to the historical Mammon? I dunno, he hasn't appeared in the show yet. It's not my favorite design, but I like the fact that half the fandom was expecting him to be the Big Bad of Helluva Boss, and he's a just big heckin' chonk who sort of looks like a demented Dr. Suess character crossed with a demonic air freshener. It's a silly design for a silly dude, but he could be more dangerous than he looks...