#is the way forward

[not-poignant]

Question! You juggle so many projects at once, and I think that's awesome. Do you have any advice for how you stay motivated (and/or organized) to work on so many different things? If I'm inspired by something, I want to focus on That Thing and Only That Thing — I have a really hard time pulling my brain away to work on other projects.

I'm wondering if a schedule would help? How do you even set your schedule?

This is a lot of questions packed into one ask, I realize — I guess I'm just in awe of your NaNoWriMo progress (you are insane (affectionate)) and want to pick your brain about your process a little.

Hope you have a lovely day!

Honestly anon, we all have our ways of writing, and it's best if you stick to what actually works for you instead of forcing yourself to do something different.

I'd recommend looking into some of the coaching / videos / podcasts by Becca Syme. A lot of it is simply based around accepting who you are, instead of forcing yourself to write like other people. Part of that is finding your strengths, but some of it is simply...being like 'okay, I'm like this as a writer.'

I don't write lots of projects because I taught myself to, but because I love doing it. I write more when I work on more projects. If I forced myself to only focus on one thing I'd feel stifled and held back, I'd write slower, and I actually think my writing would be muddier and less good.

Other people do best and write fastest when they're focusing on only one project at a time.

And which kind of person you are anon is something you'll figure out over time. Though it sounds like you might already know.

If you wanted to try working on multiple projects, I'd look at adding just one more into the rotation and seeing how it feels. Does it make you write more? Does it make you want to write more? Is it pulling focus? Is it making you lose inspiration on the other story? It's not so much a scheduling issue as it is simply...which one gets the words out?

The goal isn't to become like me as a writer, just like my goal isn't to become like other writers. The goal is to get your words out in the way that works best for you. If that's slowly, that's amazing. If that's fast, that's great, and while there are techniques you can try, it should always be with a view to respecting your organic process.

Many writers quit, or burnout, as soon as they stop respecting that process, or when they start feeling ashamed of their natural process and put pressure on themselves to do it another way.

Also I'll be honest, I'm working on too many projects right now and even though I'm loving it, I know it's too many. Like, I've deprioritised Underline the Red for my own sanity, and I am actually really looking forward to clearing a couple of stories from the schedule so I can focus on other things. About 3-4 stories is my sweet spot.

I don't exactly 'stay organised' anon. I actively want to work on all of these stories. And tonally they're all different, so if I feel like something more wholesome, or something darker, or something more pornographic, I have options. I do have a monthly kind of idea of what I should be working on (i.e. based on the upcoming schedule), but I can only really do that thanks to ADHD meds and I'm cautious of recommending techniques that I personally can only access and make use of because medication has fixed some of my executive dysfunction issues. If you're playing with any kind of unmedicated ADHD, there are tools that won't be as useful without tangible medical or therapeutic support. D:

I set my writing schedule via a mix of the writing that makes me money, alongside extra writing that I enjoy that doesn't make me money. Ideally I enjoy all of it and it's all fun. But the stuff that makes me money has to come first, because of like...life reasons. Idk where you're at professionally, or even if you want to do this professionally, and that would profoundly influence how I'd even suggest scheduling. If you don't have to schedule your writing, don't do it! If you don't have to make decisions like this, then don't make them!

Also, if I hated any of these stories, I'd put the story on hiatus. I don't believe in writing stuff I hate or resent writing. I know other people can make themselves do this and I'm glad that works for them, but I can't do it and I just...yeah. I have to love the story and enjoy it and not resent it to see it through, it's probably why there's so much drama happening all the time, and angst, I'm keeping my dumb hurt/comfort brain engaged lmao.

Never underestimate the power of also just 'I've been doing this for 10 years and I'm very practiced at stuff that other people will only learn with years of practice.' Some of this stuff doesn't have shortcuts, it just had a lot of time and 5 million words sunk into it. When I first started writing on AO3 I wrote one story at a time (though I did quickly become bored of that and moved to two). I wasn't making money. I didn't have a schedule for 9 years. I didn't want one.

The things I've learned... my wordcounts are reliable because I've just had a lot of practice writing. Unfortunately there's no trick to that, beyond sitting down and writing. The more you do, the more you learn about your own process and respect it, the more you write the stories you love, the better you'll get. And I've had times where I've burnt out, times where I've needed long breaks, times where I pushed too hard or forced myself to be like other writers and ended up wondering if I'd quit.

I want to give you easy answers, but the easiest one I have is - which way of writing brings you the most joy? Which way makes the words flow? Is it just one story at a time? That's great - that's your way. That might change in time, but don't force it to. You can experiment like a scientist and try different things, but be compassionate and accepting of whatever your innate way of doing things is.

I struggled so much with the fact that serials is just my way in a world of novelists. I cannot tell you how much misery it has brought me, trying to force myself to be a dedicated novelist when I always just wanted to write sequential stories live. And I really thought I was doing things wrong and you know, other authors thought I was doing things wrong.

It turned out I wasn't, but self-acceptance of my own methods and style went a long way in that process.

You might not like this response anon, and I apologise for not actually just lining up a schedule for you to try (I don't listen to my own schedules), but...it's okay to be someone who works on one story at a time. Or two stories only. I actually think it's awesome, and my writer-friend in my writer's group whose work I've been helping beta for years is a 'single project at a time' writer and a *rewriter* (no one wishes they could change their process as much as rewriters imho) and her writing is amazing. Like, incredibly good. (That's Stephanie Gunn by the way, for anyone who wants to read some cool science fiction / gothic fantasy).

So that's her process, and it's an amazing one, because it creates the writing that it does. Whatever your natural process is, anon, it's okay to write that way, trust me.

[kingofmyborrowedheart]

The thing that is striking me the most about this album is just how messy and human it is. She’s not holding anything back or trying to appear one way or another. She’s just letting it all out regardless of what anyone might say. She found that trying to be polished and keep all the ugly, imperfect, human stuff in to be stifling and just said fuck it I need to do this for me. This album was an exorcism for her.

[shesnake]

“Monkey Man” was shot and completed in 2021, and Netflix soon after acquired the rights for around $30 million, but it’s been on the shelf for three years and they‘ve all of a sudden decided to get rid of it? What gives? It turns out, according to an in-the-know source, that it was the portrayal of a fictional right-wing Hindu Nationalist character in the film that worried Netflix about their future dealings in India. And even though they had paid more than twice the production cost, they decided to give the film back to the producers, which is what caused the long delay. Universal and Peele eventually took a particular liking to the film, so much so that they suggested possible editing changes and delayed the release until what they thought would be the right date. It’s as simple as that. In the end, it was all about politics and optics for the streaming giant, especially since India has become the current top growth market for Netflix. Co-Founder Reed Hastings has mentioned that a majority of the service's next 100 million subscribers would most likely come from India.

Universal/Jordan Peele's "suggested possible editing changes" in question:

[sleepysebris]

felix exuberating theater-kid energy nonstop this season just makes me imagine his pv chat noir design being a parody of adrien's chat noir

[vriskan8or]

let her go

[chatlote]

Royal Trio ❤️

[domirine]

ever seen a man so beautiful you ram your bike into his flowers?

my full piece for the retrouvailles zine! i had a lot of fun painting it. hope you enjoy looking at the lil details, plants, and the only character who has his shit together (the dog)

[whimsicalsesquipedalian]

Y’all I’m literally never going to be okay about Simon and Betty.

Simon realising that their whole relationship he hadn’t been examining why Betty always followed him because he was too focused on his love for her and not what she really needed. Not what they both really needed.

The devastating parallel of Betty being so blindly in love with Simon that she willingly and unthinkingly always put him first. And Simon being so blindingly in love with Betty that he saw her being happy and so never thought to fucking question whether those were the right decisions to make. Enabling them every time because they were in love and that was what she wanted, right? She wanted to be with him. She loved him. She was happy. So why would he think it should be any different?

And Betty reassuring Simon that she made her own choices. That he didn’t hold her anywhere. That he never forced her to be with him, or put him first. That she made those decisions and that she didn’t have any regrets. But that they both had to let this go because as long as they were focused on each other neither of them were ever going to be able to have the life they needed.

That they had both been trapped for so long carving pieces of themselves out for other people. Betty in her blind devotion when it came to Simon. Simon in his belief that his crimes as the Ice King, and that all the ways he had let down Betty, meant the only purpose and worth he could have was in sacrificing himself for others.

That they both deserved self-possession and the ability to find autonomy and actualisation as individuals. That they deserved to make their own choices, the good and the bad, and just live without the blind devotion, and guilt, and sacrifice that was going to trap them in this loop forever.

That they meant everything to each other, but that now they needed to mean everything to themselves. That the only way forward was on different paths, but that they both deserved that. That they were able to show each other that they deserved that.

That Simon gets to live now.

I will never be okay about this show. Or these two.

[obsob]

making and weaving and loving! like we have done for millennia!!

[morthyew]

sometimes i think about how garak is the kind of old gay to wear a black turtleneck and wire rimmed glasses to read a book at a bar and who tries so hard to seem mysterious because that’s the only way he can even tangentially flirt, but everyone can tell it’s a sad old man ploy except this one guy, who has the reputation for being the shiniest naïvest kid on the block but the two of them start dating and everyone’s like oh no garak’s taken advantage of this hot young thing and conned him into hooking up with him but then they find out the kid actually has a fucked up intense cold machiavellian streak and that garak is using the fake mysteriousness to cover up the fact that he did war crimes for the CIA and is emotionally destroyed by his dishonorable discharge and somehow their initial guesses were kind of also correct but it’s bashir who has garak in a chokehold actually??

and everyone goes jesus christ thank god you two found each other you should never involve anyone else in whats going on with you.

[shepscapades]

A break from our regularly scheduled programming: a DBHC Docm77 reference sheet!

This is something I’d like to do for all of the androids as I get more familiar with their designs and story, so I don’t know how long it’ll be until all of the androids are done, but for now, here’s a little bit of a peek into my thought process behind doc’s design! His never-before-seen Pre-Deviancy design was both incredibly fun and incredibly disorienting bc for real who is that man DBJCGHK but he’s also kinda fun to draw =w= So I may do some Beginning of S8 doodles or comics at some point for fun :3

[dumplingsjinson]

List of “how about we get comfy and cozy with each other, in more ways than one?” prompts

(Warning: This list is pretty much an overshare in the form of a prompt list, because it is very much based on my personal experiences. A lot of TMI happens. 

If that makes you uncomfortable, please don’t read the list. If you’re okay with it, proceed on at your own discretion. 

Don’t say I didn’t warn you because… It’s a lot.) 

1. “I hope I’m not being too needy.” “Well, I like it when you’re needy. I like it when you’re like this.” (THE FUCKING AUDACITY OF THIS MAN WLEIFLEKWNKLEWFN) 

2. Character B groping Character A’s ass while they’re making out.

3. Character A moaning and whimpering into Character B’s ear while rubbing themselves against Character B’s thigh, desperate for release.

4. “I… I want you to touch me,” Character A admits, while staring up at the ceiling, cheeks reddening in an increasing show of embarrassment.

5. “Tell me to stop if it becomes too much, okay?” 

6. Character B dry humping Character A; hips thrusting into theirs, picking up with the pace when Character A whimpers in their ear and pulls Character B even closer in response because they don’t want any sort of space left between them; not even a sliver. 

7. Character B getting all sweaty and heated while they’re dry humping Character A.

8. Character B taking off their shirt to get more comfortable with Character A, and Character A subtly admiring their physique. (WHEN HE DID THAT?? THE DISRESPECT??? This guy’s gonna ruin me, I know it sjjsjs)

9. “Don’t be too loud,” Character B murmurs softly, planting a tender kiss on Character A’s face while sliding their thigh against Character A’s crotch, taking in the way Character A lets out a strangled sigh at that. (SIRRRR?? THEN DON’T FUCKING DO THIS TO ME?? WTF LWKENFWEK. Mind you, his fam came home after we were alone for an hour or two, so-)

10. Character A and Character B continuously checking in on each other every now and again to make sure they’re comfortable with the way things are going. 

11. Character B planting soft kisses all over Character A’s face and their neck, reassuring and sweet while things get very, very heated. 

12. “You’re going to make me not want to leave the bed if you keep doing this,” Character A warns in a low moan, as Character B continues to kiss their neck, their body pressing against Character A’s. Character B only chuckles in response, nipping at their skin playfully. 

13. Legs tangling together so they can get closer to each other. 

14. Character B fondling Character A, enjoying the noises they’re eliciting from Character A; enjoying the way they’re making Character A unravel at the seams, coming undone by their touch so easily. 

15. Character A hiding their face into Character B’s shirt because they can’t keep the noises at bay, and hoping to God they’re not being too loud. 

16. Character A and Character B’s hands roaming each other’s bodies, almost like they can’t get enough of each other (and they can’t. They can’t get enough of each other is the fucking problem here).

17. Character A desperately humping Character B’s thigh, chasing their high, shameless noises scraping at the back of their throat. 

18. Character B’s fingers speeding up in response to the sweet sounds falling out of Character A’s mouth. 

19. Character B letting their hands wander all over Character A’s body; slipping under their shirt, their pants, their undergarments, and Character A enjoying having their hands all over them like this even though they’re too shy to admit to that with words. 

20. “Do you want me to straddle you?” 

21. “How am I supposed to think about anything else while fucking myself now?” Character A questions in a rushed gasp as Character B continues to rub their thigh against their crotch.

22. “You’re so adorable,” Character B murmurs as they continue to thrust their hips into Character A’s. “How is me doing this adorable to you?” Character A questions, moaning a little at a particularly hard thrust of Character B’s hips against theirs. 

23. Character B leaving hickeys on Character A’s neck, on spots that make them pretty damn visible to the public.

24. “So… How do you like it on top?” “It’s uh… It’s an interesting experience.”

25. Character B’s body responding to the noises Character A’s making because of what they’re doing with them; to them.

26. Character B’s hand slipping past Character A’s pants to grope their bare ass while they’re dry humping each other.

27. Character B hitching Character A onto their thigh, pressing their thigh firmly against Character A’s crotch to tease them. 

28. Character B caging Character A between their arms while kissing them, and Character A’s arms wrapping around Character B’s neck to pull them closer, fingers carding through their hair; hands sliding down their neck; their shoulders; their arms; slipping under their tank top, palms resting against their bare skin; palms gliding along their spine and their back. 

29. Character B asking for consent whenever they want to do something a little out of the blue, and stopping when Character A isn’t comfortable with it. (BOUNDARY RESPECTING KING, PEOPLE NEED TO BE LIKE HIM!!) 

30. “Sorry if I went too far,” Character B says, and Character A shakes their head. “No, you didn’t go too far. You didn’t go far at all; you didn’t go far enough,” Character A says, flushing at the brazen admission coming out of their own mouth.

31. Character B trailing kisses down Character A’s chest/breasts. 

32. Character B pulling up Character A’s undergarment/shirt and taking Character A’s breast/nipple into their mouth, with Character A arching into them with pleasure at the unexpected gesture, a soft, encouraging gasp leaving them.

33. Character B slipping their hand under Character A’s shirt/undergarments to fondle with their nipples/breasts. 

34. Just Character A being a needy little fuck and needing Character B to be all over them because they’re so fucking addicted to the taste of them and the way their body rocks against theirs. 

35. Character A letting out little obscenities while they’re fooling around, which only fuels Character B further. 

36. “Well, now I’m really wet/hard.” “I see no problem with that.” 

37. Character A rocking back against Character B while they’re spooning and Character B shallowly thrusting against them in response. 

38. Character A biting their bottom lip to try and keep quiet (and failing pretty miserably).

39. “Yeah, you like that?” Character B softly murmurs into Character A’s ear as Character A lets out an involuntary sigh, arching up into Character B in response. 

40. “Well… I do fantasise being restrained by handcuffs.” “We can try that in the future if you’d like.” (WELL FUCK ME I GUESS LWKENFEWLKNF) 

41. Character A moaning into Character B’s mouth while they’re making out, which spurs Character B on, with the way they pull Character A even closer and kisses them harder; with much more fervour than before. 

42. Character B touching, teasing and feeling Character A up. (DID Y’ALL GET THAT WAYV REFERENCE OR WHAT—)

43. Character B caressing the side Character A’s thigh while they’re kissing.

44. “And you’re telling me this is what cuddling is?” “Mhm.” “Bullshit.”

45. Character A fucking themselves on Character B’s fingers, whimpering in a way they’d be embarrassed about if they weren’t so in the moment. 

46. Character A trying so fucking hard to control the soft little whimpers leaving them when Character B rubs against them with their fingers. 

47. “I’m all over the place and it’s all your fault,” Character A whines while Character B chuckles. “Mmm, it’s not all on me, you know,” Character B says, tone teasing. 

48. “It’s just me and you now,” Character B murmurs softly, planting a kiss on Character A’s lips, slowly rocking their hips against Character A. (onrwlfgnrekljng FUCK!! OFF!! ALKFHEWLKNF) 

49. Character B closing the blinds for privacy reasons. (He was struggling to close the blinds and I was giggling and teasing him about that lmfaofenlkfn)

50. Character B slipping their thigh between Character’s A’s legs with the intention of messing with them.

51. Character A grinding against Character B’s thigh and Character B responding by pressing their thigh firmer against Character A. 

52. The soft pleas and whimpers slipping out of Character A’s mouth as Character B quickens the thrusts of their fingers. 

53. “How are you feeling?” Character B would ask every now and then to make sure Character A’s comfortable and okay with what they’re doing, and the pace they’re going at. (This is ALWAYS so fucking sexy! Do this with your partner) 

54. Character B unbuttoning/unzipping Character A’s pants, in a tauntingly slow manner; slips their hand past the waist band of Character A’s pants whilst Character A squirms around a little, their heartbeat quickening in anticipation of what’s to come. (Uh, no pun intended???)

55. Taking a break in between each of their little sessions and cuddling with each other, and using those moments to check in on each other.

56. Character B stopping themselves from going further whenever they sense Character A getting a bit overwhelmed with everything that’s happening and making sure that they’re okay. (He just… He’s so caring and it’s so fucking sweet AHHHH) 

57. Character B’s ragged, laboured breathing in Character A’s ear as they fuck themselves against Character A, and Character A squeezing their biceps in encouragement; the soft pants from Character B and the whimpers and moans from Character A intermingling in the air.

58. Character A burying their face in Character B’s chest out of pure embarrassment after doing all of that, and Character B chuckling at them while cuddling them close to their chest, planting several kisses on their face. 

59. Character A’s clothing smelling like Character B’s because of how much they were all over each other, all day and night. 

60. Character A leaving Character B’s room with the messiest hair by the end of the night.

[offkilterkeys]

The world isn’t ready for my alpha kid readings.

[ruporas]

on the run!! (ID in alt)

[poorly-drawn-mdzs]

Turtle Takedown Teamwork.

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[lastofthe20thcenturygirls]

when your refined honey smile disgusts her but acting childish works