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kiame-sama · 19 hours

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Humans Are Extinct (Yandere!TWST x Fem!Reader) Monster AU pt 6

(Quickly running out of Monster men drawings to use as my chapter pictures. May be a hot minute until I get the next chapter out since my laptop can barely stay conscious long enough to draw another one and I want to only use the monster AU versions of the characters for this series.)

Warnings; multiple yanderes, platonic yanderes, romantic yanderes, monster AU, eating Humans mentioned, more AU history, Cater is not having a very Cay-Cay day, food is an excellent way to bring groups together, Fauns, Satyrs, Kelpies, Crow Fae, Unicorns, Water Nymphs, vampire bats, dragons, cervitaurs, Raiju, Mermen, Cecaelia, Gnolls,

~~~~~~~~

Lunch finally rolled around and you were surprised that Ace and Deuce had actually taken Trey's words seriously and accompanied you to classes. Ace had loudly complained about his volunteering for a little bit but once he saw how many students actually took an interest in you, he stopped complaining and started viewing the task as a kind of important role only he could do. Naturally, Deuce was far less irate about the situation though there were times he almost came across as a punk when it came to others trying to harass you. Both had adjusted well to being around you and come lunch Deuce was actually taking pride in explaining things to you.

"-and that's what makes Fauns different from Satyrs."

"So Fauns are the nicer version of Satyrs?"

"For the most part. Satyrs are known for being loud and always wanting to fight-"

Ace cut Deuce off, shoving an uncooked carrot into the Faun's mouth to silence him. You had seen the two interact and you got the distinct feeling that the Faun and Satyr had more of a brotherly relationship with one another. Where they both had different personalities, when they did agree on something it was practically a law to them.

It was fascinating to hear that these monster men had similar names to the mythical creatures from your world and you wondered why such an overlap existed. Maybe the Humans from your world did interact with this world in the past, or maybe it was just a coincidence. Still, it seemed almost too close to be mere coincidence.

"Anyway, now that Dunce here is done talking-"

"You know my name is Deuce-"

"Like I said, now that Dunce is done talking, I have questions for you, (Y/n)."

You almost laughed at the back and forth banter of the two Goats- Faun and Satyr respectively- as their voices fumbled over one another. Truth was, you had been expecting far more questions than the few they threw at you between classes, so now was as good a time as any to ask.

"Okay, what do you want to know?"

"So, you don't have magic? Like, at all?"

"No magic whatsoever. Where I came from, magic is a myth and no creatures have magic."

"Okay. But how do Humans survive? No horns, no claws, nothing to protect themselves from bigger creatures."

"We make weapons. I know you all have bows, arrows, and knives, we have the same. Guns too, but I haven't seen any guns used here."

"Wait, what is a gun?"

"Basically an automatic bow that fires little pieces of metal using explosive powder that needs a spark which launches the metal through their target."

Ace seemed almost excited by your vague explanation of a gun, opening his mouth to ask you another question. His voice died in his throat as his gaze locked onto something behind you, prompting you to turn around to look at whatever it was that had unsettled Ace.

Standing not too far from you was the large figure of the Horse-man Trey. Ace told you he was a Kelpie, but you just couldn't make that connection seeing as he looked like a big white horse and not a water kelp-horse like Kelpies were supposed to be. He was clearly making good on his threat to check in as he approached you with a patient smile on his face.

"Hello (Y/n), have Heartslabyul's first-years been adequate guides for you today?"

"Yes. Grim doesn't even have to try half as hard to keep me safe now and I haven't been late to any of my classes other than the first one."

Trey gave a genuine smile at this, nodding his head as he was pleased to know his choice had been a good one. Seeing the centaur made you wonder about Cater and what may have become of the air-head student. In some ways, you worried asking would have a negative effect, but you were so curious you couldn't help but inquire about him.

"So... What happened to Cater?"

"He is being dealt with by the Headmage. He's lucky he isn't going to get expelled for what he did, but once the Headmage is done with his punishment, he's going to be turned over to Riddle."

"Is Riddle mad about all of this?"

"Well... I actually haven't told Riddle yet. He has a short fuse and isn't going to take Cater's actions well, especially since he asked both Cater and I to protect you if we happened across you. Odds are Cater is going to be collared and kicked out of his room for the foreseeable future."

This made you frown in contemplation at the prospect of the Red-haired student being punished too harshly. Though you were upset Cater took photos of you without asking and likely set several poachers on your trail, you didn't want harm to come to him. Sure, he was stupid and made a stupid choice, but he shouldn't be hurt or kicked out of his home for it.

"... If he is kicked out of his room, is there anywhere else he can go?"

"No. Riddle is very strict about rule-breakers being banned from the dorms so long as they have one of his collars on, and most other dorms aren't keen to house a student that isn't theirs. He's probably going to be sleeping in the Heartslabyul lake if Riddle doesn't ban him from there too."

The morality of the issue weighed on you and made you worry about the ditzy redhead. Though you didn't really trust Cater or his clearly impaired decision making skills, you still felt like he deserved basic decency despite his actions. You knew firsthand how the creatures that lived around campus were genuinely terrifying and dangerous, so you didn't want him thrown to the metaphorical or actual wolves.

"Can... can Cater stay in my dorm?"

Your question earned you several dubious looks from the Goats and Trey as if you had grown another head or said something unhinged. Even Grim had to pause his hesitant raw veggie medley- the only thing the cafeteria served today- to stare at you in surprise.

"You- you want Cater in your dorm? Why?"

"Well, it wasn't like he knew what he was doing was bad, and I don't think he should be left outside for his poor choice."

"(Y/n), do you realize how vicious poachers are in Twisted Wonderland? You will be hunted every moment of every day because Cater couldn't keep himself from posting you to that stupid Magicam app he is obsessed with. The second you are unguarded you will be attacked. The Headmage is even considering assigning Sam and Vargas to your dorm just to make sure poachers can't get in, or even moving you to Diasomnia so Malleus can protect you. I don't think you understand just how seriously we need to take your safety."

"I'm just a Human though, I'm not a princess or someone important. Why all the fuss?"

Your comment made Trey let out a long and exasperated sigh, his gaze leaving your confused form as he tried to keep in mind just how new you were to their world. Humans were never just Humans in Twisted Wonderland, and them simply dying out has made a far felt ripple in the history of every known species. For so long, so many species had adored and tried to protect Humans, but even they couldn't save the fragile species from the hunger so many magic users had for their very flesh.

Most things in the technological realm and cooking realm- pastries and phones included- only existed because Humans led the way to them being invented. Even now, technology has been mostly stagnant for over a hundred years with only the Shrouds having any aptitude as far as advancements were concerned. Trey himself had Humanity to thank for his family's bakery and the many cuisines local to the Queendom of Roses.

"(Y/n), Humans have never been 'just Humans' to us. Maybe to Sunset Savana, but never to the Queendom of Roses. Even Briar Valley had laws in place to protect your kind from everyone else. I get you may not understand it, but compared to most other species, Humans were better than most in the emotional and critical thinking department. It was Humans creating new inventions, coming up with unique ideas, and above all else, peacekeeping between the various species and races to the point they were called Beast-Tamers. Most wouldn't even speak to their Fae counterparts until Humans got the two to interact amicably."

You were somewhat surprised to hear all of this, having been under the impression that Humans were mainly pets to the other species. It was interesting to hear what Humans were credited for and that despite all they did to help, they were still hunted as food until extinction. The few from Savanaclaw you interacted with had been both sides of the spectrum of threatening you or being peaceful to you and it made you wonder just what kind of species were still keen to get a taste of your forbidden flesh.

"Honestly," Trey continued, "I wouldn't be surprised if several Kingdoms and Queendoms sent ambassadors to take you away from Night Raven for your own safety. I just know the international law makers are going to have a field day the moment it becomes common knowledge that you're here."

It made sense that Trey was stressed about this, you knew from your own home how aggressively endangered and near-extinct species had to be protected, but you still felt Cater shouldn't carry all the blame. If it wasn't Cater, it would have been someone else. Just because he was the fool to do it first didn't mean that others wouldn't have tried or succeeded in the same endeavor.

"Still, if he gets kicked out of the dorms tonight, will you at least tell him I will let him stay with me?"

"If you really want me to," he sighed heavily, "I guess I can tell Cater about your offer. I won't tell Riddle though, knowing how that Unicorn is, he will actually harm Cater for even thinking about taking shelter with you after what he's done."

~•§•~

"HE DID WHAT?!"

Riddle was beside himself with rage and even stomped his hooves against the marble floors of the Headmage's office, almost cracking the stone with his rage. Cater was trying to sink into his chair and hide from the Sophomore Housewarden who was beyond the point of furious with the water Nymph. Not only did he get a dressing-down from the Headmage, but he was going to be thrown at the mercy of his own Housewarden who was known for being an absolute hard-ass on rule breakers.

"It wasn't like I was trying to target her! I just-"

"SILENCE! YOU WILL SPEAK WHEN SPOKEN TO, CATER DIAMOND!"

The firm tone Riddle used made Cater shut his mouth and bow his head, trying to avoid upsetting the Unicorn further. There was no way he would be able to go back to his room at this rate and odds are he would be sleeping in the forest if Riddle had anything to say about it. Plus, he still had that essay to write for Trein that was due tomorrow.

"He apparently took a selfie with (Y/n) and posted it to Magicam with hashtags indicating she is Human. By the time I got him to delete the post, it had been downloaded several thousand times. Since then I have already received a call from the Royal Sword Academy Headmage to confirm a Human lives here now, and what we as the heads of our schools can do to protect her. No doubt representatives from Briar Valley and the Queendom of Roses have already been dispatched and will arrive on the island soon enough, not to mention how many poachers are likely on their way here as we speak."

Cater knew how upset Riddle was given the fact the Unicorn's horn was humming loudly with magic and the Unicorn himself was a bright red. Things really weren't coming up Cay-Cay today.

"OFF WITH YOUR HEAD!"

~•§•~

You felt a bit more comfortable with the school as a whole by the time classes had finished for the day. Practical Magical Theory was an interesting class, even if you really didn't have the faintest idea what they were talking about. According to Ace, you were lucky you didn't have Flight Class because there was a high chance you wouldn't be able to participate in the class itself. Still, you were happy to have a moment to let things settle down for a bit.

Ace and Deuce walked you to your dorm, but had been called to Heartslabyul by a quick text from Trey, leaving you alone in the dorm with Grim. Despite the beginning of the day being an absolute wash, the rest of the day hadn't been too bad. It was around this time you decided you may as well start on making some dinner. You could hear Grim's stomach growling already as you both went to the kitchen.

"Are you gonna make something good like you did for breakfast?"

"I'm going to try to."

"What are you gonna make?"

"Well, I was thinking we have the stuff here for a really nice soup-"

You were promptly cut off by the Kitchen door swinging open with a loud bang. Clearly, you were going to have to tell the professors or even the Headmage Crow about securing that side door given how it had already been used twice by others seeking to get into your dorm. Luckily for you, those that walked through the door had at least two familiar faces in the group.

"Sorry for interrupting," Lilia called out, happily making his way over to you in an almost bouncy gait, much like a bird hopping around, "hope you don't mind I brought Malleus, Silver, and Sebek too. I heard one of the Heartslabyul students blew the whistle on you being here in NRC. Figured you could use a bit of extra protection in case any poachers try their luck. Besides, the nest here is just as big as Malleus' nest in Diasomnia."

It was then Malleus spoke, his voice a deep rumble in his chest as he looked over you.

"They will not lay a hand upon my hoard without paying with their lives for such a transgression."

It was clear the Dragon was not happy with the events that took place and he seemed to be quite content claiming you as one of his Hoard. When Lilia explained it to you last night, apparently the moment Malleus decided he was adding someone to his Hoard, he became extremely attached to that person and would even become violent in their defense. Given the way others talked about him, he must have been a genuinely frightening and powerful person to command such fear and respect.

"... So does that mean I'm making soup for all of you or..?"

"If you don't mind. I certainly want another bite of your cooking, (Y/n)!"

Lilia took his perch back on the counter and swung his feet, seeming rather impish and almost childish in his behavior. You just shrugged and nodded, gathering enough ingredients to feed the group several times over. Your hope was that there would be some left over for you to take during lunches. As nice as it was to have raw foods once in a while, you'd rather your meals be cooked.

Grim clearly only trusted Lilia and sat next to the Bat to watch you bustle around the kitchen. He even let out a soft purr when Lilia began to pet his forehead and ears. Where you would have scolded them for sitting on the counter, it wasn't like you didn't have enough counter space already. Starting the broth and preparation was rather simple for you and it was clear those standing around you were keen to watch you prepare the soup.

"(Y/n)," Grim meowed, "where did you learn to do all this fancy stuff?"

"Humans usually cook their food. So I just learned while growing up. Of course there are some things you can have without cooking, like a sandwich or a fruit salad, but most big meals are better cooked. Now, that doesn't mean every Human can cook well, but most are good enough at it."

"So does that mean I can have more of the food you cook?"

"Like a bigger portion? No. But you will always get to have some of whatever I make, okay?"

Grim purred loudly at this, his face lighting up with an excited smile. Clearly the little creature was pleased with your arrangement even if it meant he had to go to boring classes with you. The food was absolutely worth it and he got to sleep in a mountain of pillows and blankets after a long day. It was all way better than the hole in the ground he occupied when he wasn't actively running for his life before he met you.

Once you got most of the soup started, you knew it just needed to be covered and cooked, listening idly to Lilia talk with the others about the events of breakfast and the Gnoll that invited himself in. It was when you finally got this moment that you took a good look at the other two visitors who were either Silver or Sebek, seeing as Lilia didn't point out who was who.

Much to your surprise, one of them reminded you of the Kelpie and Unicorn you had met earlier but he had an obvious three point antler rack attached to his head. His lower half was that of a reindeer and was fairly fluffy compared to the short coats of the Kelpie and Unicorn. Part of you wanted to test if he was as soft as he looked, but you figured it would not be considered appropriate to pet him.

The second new face was an almost canine like man with pale green hair that was slicked back and spiked up at the ends. His eyes were intense as was the apparent scowl that held his features, two sharply pointed dog ears atop his head. Bright yellow-green eyes tracked your every move and regarded you with as much curiosity as you regarded him. The similar medium length tail fur swayed lazily as his tail slowly began to wag when you looked at him.

The soup was beginning to smell rather good and it was clear four of the five others in the kitchen were taking note as they occasionally sniffed the air. Lilia, Grim, Silver, and Sebek were clearly keenly interested in the scent but it was Malleus' behavior that caught your attention. Instead of sniffing or lifting his nose as the others did, his forked tongue slowly slid from between his lips like a snake as if he were tasting the air. You almost laughed at the oddly reptile behavior before his gaze suddenly snapped to the door of the kitchen.

Standing in the doorway was a curious looking man that seemed to have fins on the sides of his head. His almost scaled skin had a kind of faint green tint to it with intense blue undertones, his eyes being two different colors with the right one being a pale gray and the left one being a bright gold. Atop his head were tousled blue-green locks with a singular black stripe that crossed over his forehead above his left eye.

"Oya, it seems I'm not the only one with culinary interests. Apologies for intruding, but the lovely smell drew me in. Would you mind telling me what it is you're making?"

You were surprised to see the almost Fish-like man despite how polite he was being with you. Instead of hopping in to defend you, Lilia looked at you for what you wanted to do with this interloper. Malleus seemed rather keen to rid you of this newcomer's presence but you held up a hand to stop him from acting. Part of you worried this new visitor was dangerous, but because he was wearing a school uniform you figured he was just another student.

"Soup?"

"... May I ask what kind?"

"Only if you tell me your name first and what you were doing around my dorm."

"Ah, forgive me. It seems in my haste to get to the heart of the matter, I forgot my manners. My name is Jade Leach, I'm the Vice-Housewarden of Octavinelle. I'm going to assume from your appearance you are the highly talked-of Human now living on campus. Azul informed us that you would be remaining here for the time being. As for what I was doing, I am rather interested in the foods that grow wild above water, so I was out gathering some mushrooms to sample."

He lifted the foraging bag that hung over his shoulder, showing you the contents within. He was right in that he had gathered up a fair few number of mushrooms and there were several that you actually recognized. You were no master of mushrooms- of course- but you still recognized a few species that were safe for you to eat, seeing several button mushrooms among the many gathered.

Those would be great in the soup you were making, and it was early enough that you could add them right in and they would cook just fine.

"Okay, Jade. I believe you were at least out gathering mushrooms which is innocent enough. I'm actually curious if you wanted to trade for some of those button mushrooms you have, they'd go great in the soup I'm making. In return I'll tell you about it and you can have some to eat if you'd like."

Jade actually seemed to brighten up at this, his smile becoming less strained and his expression smoothing from the stressed way his brows had been pulled together. It was almost as if he had been wanting to ask for some soup but was far too polite to actually inquire. He nodded and set his bag on the counter, letting you pick out the little rounded white mushrooms from the selection he gathered.

"I'm quite partial to the cuisines the different kingdoms have to offer. Rare as it can be to find those who are masters of their craft, I would still like to sample the meals above the ocean waves. I would be grateful for whatever knowledge you can share with me. It isn't every day that someone adept at cooking graces this school."

"Hey," Grim interrupted loudly as you set to dicing the mushrooms, "that's my Hooman you're talking to! She only cooks for me, but I'm kind enough to share with all of you. Don't forget it, got it?"

Jade gave a rather patient simper to your primary companion, resting his right hand over his heart in an almost polite gesture.

"But of course. I'm simply interested in learning to make such meals for myself. I'm certain Azul and Floyd would be keen to taste such a wonderful smelling dish."

This seemed to satisfy your little companion as he nodded with a pleased smile, watching you add the mushrooms to the rather large pot you decided to make the soup in. Thankfully it was a cauldron type pot made for cooking soups over firepits. The fire so dutifully warming your meal crackled pleasantly even as you stirred the bubbling mixture.

"Do you want to ask them to come over, Jade? I made way too much. Honestly, everyone here could all have a bowl, a second bowl, and I would still have enough soup for the rest of the week. I think I went a little overboard in the food department. Should have probably started with a smaller pot, but we're already this far..."

Jade seemed surprised at this, but nodded respectfully and pulled out his phone. You were curious just what Jade was as you really hadn't seen many fish-men during your day, but you weren't going to ask him. If he wanted to tell you what he was, that was his business. Didn't make you any less curious though.

"If you're certain? I'm sure Floyd will be thrilled to have something new to try. He doesn't like some mushrooms, but I don't believe he has tried the ones you've selected, and he certainly hasn't tried cooked mushrooms yet. Azul may try to heckle you into a deal, however. He is always looking for new ways to improve the Monstro Lounge."

"Yeah, of course I'm certain. I offered, didn't I?"

He nodded and began tapping away at his phone, but Lilia seemed rather keen to speak up. The Bat had been listening keenly to the conversation and felt he needed to make himself clear to the notoriously crafty student.

"If Azul threatens (Y/n) or tries to force her into a deal, we will have more than a few problems, understood?"

"He is aware. Believe it or not, those of us from the Coral Sea are actually quite fond of the legacy of Humans. Even Floyd has been babbling excitedly about meeting (Y/n) here."

"That's right, Humans were popular among the various merfolk kingdoms. You all even have a famous story involving the mermaid princess falling for a Human and joining him on land."

"Yes. She struck a deal with The Sea Witch to gain legs she could use to dance for the Human man she fell in love with, too bad the deal didn't hide her gills or fins though. Still, the Human loved her."

You listened to the conversation as you stirred the soup, glad that all of the flavors seemed to be coming together rather well despite the large amount of food you found yourself making. Judging from the conversation Lilia and Jade happened to be having, Jade was a Merman of some kind and apparently Mermen were one of the 'safe species' for Humans to interact with. Though you knew not to judge an individual by the species, it did put you at ease to know he was one of the safer ones.

It was as you were taste testing the soup that the door to the kitchen once again flew open as another visitor invited themselves in. It was offical now, four times proved it was far too easy to get into your dorm through that door. Maybe Lilia would be able to fix it for you, or Malleus seeing as Lilia said it was the Dragon who had mostly fixed up your current abode.

"(Y/n), you're an absolute angel! I thought I was going to have to sleep in the woods once Riddle temporarily banned me from Heartslabuyl! He won't even let me sleep in the lake even though I'm a Lake Water Nymph because of what happened. You believe me when I say I didn't mean to put you in danger, right?"

Cater had thrown himself at your feet, holding onto your legs as if he were some abandoned pet seeking shelter from a blizzard. Around his neck was a thick metal collar that extended out to the sides in black and red colors, forming a heart-shape that locked in the front with a golden and black padlock. He was careful not to get in the fire that was dutifully cooking your soup even as he groveled at your feet.

"O-oi! What's the big idea with everyone coming in that door? It's dangerous to leave that thing unlocked."

"That's what I'm saying! So much for protected and safe with that thing in here."

You couldn't help but slightly grin at Grim as he voiced your own concerns out loud. Lilia simply regarded the door, snapping his fingers to close it as a large metal bolt affixed itself to the door before clicking into place.

"There. Now it can't be thrown open anymore. But why is Cater here? Cater, when did Riddle collar you and why?"

Cater seemed to realize there were others standing around you as he suddenly straightened up, clearing his throat and taking several steps back from you. He tried to play off the desperate display he had just shown and was failing miserably. Cater looked much worse for wear than you remembered him being and you genuinely began to hope the Unicorn hadn't actually harmed the ditzy redhead.

"Well... I may have 'accidentally' posted a picture that told everyone that (Y/n) was a Human and was on NRC grounds, but I totes didn't realize it would put her in danger! Honestly!"

Lilia's bemused smile almost instantly fell away into a glare as he regarded the man standing by your side. You added a bit of salt to the soup as you wated, watching the thick broth bubble and roil with vegtables and diced meat. There were a lot of things you could do in that moment, but something told you it was best to let Lilia handle this situation.

"And what did you think was going to happen, Cater?"

"Tbh, I thought that I would just get a follower count boost and everything would be fine. The Headmage and Riddle sure made it clear I was wrong for thinking that. Lessons learned!"

"It only cost us the safety of the last Human left in Twisted Wonderland."

"I said I was sorry!"

Everyone except Cater seemed to be exceptionally upset as they all glared at him, making him duck behind you as if you were the best shield from their rage. You just let the tall student try and fail to escape the ire of the others. For once, a polite knock came at the kitchen door, breaking off the aggressive staredown taking place.

"Hey, why are we here, Azul?"

An almost sing-song voice hummed from somewhere on the other side of the door, prompting Jade to walk over and open the door for who you assumed to be the two he was talking about. In strode a rather lovely looking man with snow-white hair and shining mauve blue eyes hidden behind thin framed glasses. Around his face were lovely and intricate black markings that reminded you quite a bit of the tentacles of an octopus. Behind him lumbered a rather tall man who almost looked identical to Jade if not for the swapped eye color and slight difference in height.

"We're here because Jade told me there is a profitable venture to be had and I am not going to miss out on this chance to make the Human's acquaintance, Floyd."

The shorter one hummed in a smooth voice and you almost giggled at the rather fact-of-the-matter tone that the white haired one spoke with. You felt it was safe to assume the rather lovely man was Azul and the near identical to Jade fish-man walking with him was Floyd.

Floyd almost made a show of sniffing the air, following his nose to where you stood in front of the pot of soup, watching him curiously. Once his gaze fell on you a wide grin overtook the slight frown he had been pouting with. You could see the way his eyes trailed over your figure due to the bright yellow of his right eye highlighting his pupil as it darted up and down.

"Ne ne, what is such a cute little Shrimpy doing this far above the water? You're so small I just want to squeeze ya."

He took a single step towards you and this seemed to be enough for the two- Silver and Sebek- to suddenly intercept him with swords drawn, creating an 'X' that blocked the tall Merman from approaching further. It was more than a little surprising to see weapons suddenly drawn, but maybe you shouldn't be all that surprised. Lilia did say he came over to guard you again and even brought the others for the same purpose.

"Hey, I'm not gonna hurt them, I just want a little feel on if Shrimpy is as soft as they look!"

"Floyd, that's enough. She was polite enough to allow me to invite you and Azul over and she is quite the rare specimen, you can't threaten her so casually and expect those guarding her to not be upset."

"I didn't threaten, I just said I wanted a big ol' squeeze."

"Same difference where you are concerned."

"Eh, you're so boring sometimes, Jade. Anyway, what is Shrimpy making over there? Smells good~!"

You were stunned at the almost aggressive behavior from Floyd given how calm and level headed Jade had been thus far. Maybe it was just a quirk of Floyd's to be a little more hands on than others. It honestly made you glad to know your self-appointed guards took their task seriously as they still refused to let the large Merman near you. Speaking of your guards, Floyd didn't seem put off by their aggression in the slightest and almost seemed amused by them as if it were all one big game.

Tension was thick in the air as the almost aloof Floyd smiled at you, watching you grab several bowls and begin ladling out ten total servings. You were not really all that surprised when there was still more soup to go even after you filled enough bowls for yourself and the ever increasing number of guests.

Maybe you were right to make so much after all. Hopefully your surprise guests had all shown-

"Why is the door locked? Hey, Human, I smell food in there! I already ate all the Dandelions from this morning! Can I have some of whatever you're making? Please? I'm starving out here."

Peaking through the windows to the kitchen was a familiar grizzled muzzle of the Gnoll you had met that morning. Ruggie was staring with those unsettling bright blue eyes and you were unsure if you wanted to laugh or scream. You scolded yourself in the back of your mind, remembering that animals would often return to places if they were given food prior and no doubt the Hyena man sought to do the same.

"Should I let him in, (Y/n)?"

Lilia asked, eyeing the lock on the door as Ruggie began to loudly whine and cackle for attention. You just sighed and nodded, knowing the Hyena wasn't going to leave now that he knew there was food ready and waiting just inside.

"May as well."

The Gnoll was quick to enter once the door opened and he happily grabbed one of the ten bowls, immediately scarfing down the soup without even glancing at the now large group of men standing in your kitchen. You didn't bother offering a spoon to Ruggie as it was clear he didn't need or want one. Despite the odd group that had gathered under your roof- technically it was the school's roof, but now wasn't the time for semantics- they all seemed keen to dig in when you passed out the bowls.

Getting yourself a bowl- seeing as Ruggie had taken one of the ten- you were able to finally take in the meal of your labors. It wasn't half bad and those button mushrooms added just the right earthy flavor that really brought the soup together. All of your visitors clearly liked the soup as well and Grim was the first to ask for seconds.

"Miss (Y/n)! This is a fantastic meal! I don't think I've had such flavors in anything I've eaten before! I would only think a meal from my liege could possibly taste better!"

"Sebek," the white haired one interrupted the shouting one, "you don't need to yell at her."

"I'm talking at an adequate volume, Silver. You dare say this meal isn't divine?"

"That's not what I said at all."

Lilia giggled as the two odd characters argued, hopping off the counter to serve himself another helping of the plentiful soup. Despite the absolute lack of respect for your personal space they all seemed to share, you couldn't help but smile as well. The many men you had met were odd and so unique in many ways but none of them actually seemed all that bad once they relaxed and got talking.

Maybe these monsters weren't as monstrous as you thought when you first met them. Hopefully their worries of poachers would just prove to be worries, but you knew you weren't truly safe yet and anyone could be a threat if they genuinely wanted to be. You just hoped there wasn't another shoe waiting to drop on your peaceful evening.

~•§•~

"Trey?"

"Yes, Riddle?"

"Invite (Y/n) to tomorrow's Unbirthday party. It has become rather clear to me that no one can look after her the way the Queen demands, so I will step up and take on that task."

"Riddle..."

"She will be safe with me, I will do whatever it takes to ensure it."

#kiame-sama #yandere #x reader #yandere x reader #reader insert #tw yandere #yandere twst #yandere twisted wonderland #my monster au #twst monster au #Humans Are Extinct TWST AU

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genshin-scenarios · 7 hours

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spiderverse —!

Summary: Spider-verse AUs with the genshin guys! Each features a reader in a different role. There will be references to ‘Into the Spiderverse’ and other renditions of spiderman (vaguely).

Characters: Kinich, Heizou, Tighnari-Cyno, Venti, Wriothesley, Lyney

Kinich

By day, Kinich is a recluse who spends the better half of his free time volunteering at the local animal reserve. It’s also where he got bitten by a radioactive spider, and you can probably guess what happened next.

Ajaw is a unique phenomenon — a ‘Venom-like’ symbiote who latches specifically to technology. After Kinich managed to seal him away in a random cell phone, Ajaw has made a deal with the hero to become an assistant of sorts. If you listen carefully, you almost always hear a second voice coming out of Spiderman’s mask — Ajaw, trying to get Kinich to choose violence, while Kinich kicks him off the server for being a distraction.

However, times when they do work together are one of the most terrifying things anyone can see. Kinich’s spidersuit is engulfed in Ajaw’s power, and every lunge and strike is more destructive than the last. Often, Ajaw tries to overpower Kinich and take over his vessel, but Kinich has more than a few safety precautions to prevent the symbiote from possessing him fully.

You’re a spiderhero from another universe, much like the situation in ITSV (except it’s only the two of you)! Some sort of interdimensional portal has stranded you in Kinich’s world, and you were quick to track him down when he was on shift at the animal reserve one day, appearing out of nowhere and gaining his suspicion. The night ended swiftly, with you escaping and leaving a thousand questions in his head, while the building’s alarms blared deafeningly, trying and failing to locate the intruder that has since disappeared into the shadows.

It’s a shortlived game of cat and mouse, considering how you wanted to get Kinich’s help in figuring out how to get home. One thing leads to another, and your secretive interactions admittedly become a large part of Kinich’s daily life. When he realises that you’re destined to leave his world to protect your own one day, Kinich is left with a feeling that’s foreign to him: gaping loneliness, sitting next to an empty spot on the rooftop that used to be yours.

It’s not just the fact that you understand him on a level that most others never would — but having something to look forward to when he was Spiderman was such a saving grace. Swooping past skyscrapers alongside you, going on impromptu missions (dates), and revelling at how normal you look without your mask on. He recognises the lilt in your voice, the scrunch of your brow, and knows deep down that there's no way to undo how your existence has been engraved into him.

…And deep down, he already feels the stab of how hollow it will feel, when those who’ve seen you two hanging out together inevitably ask where you’ve gone. And all he can say is that you’ve moved back to your city with your family, knowing there was no way for any of them to find you.

Heizou

Shikanoin Heizou is a talented detective in Inazuma’s capital city, while Spiderman is a local hero. One works with the law while the other is sometimes considered a vigilante, but as far as Heizou is concerned, there was nothing wrong with using different methods to solve a case. So long as the outcome was the ideal, or best possible, he didn’t have the luxury of beating himself up over other ‘what ifs’ and ‘what can I do better’s.

Besides, Shikanoin Heizou was a genius detective, and with that came a high amount of success rates in his civilian profile. Spiderman, on the other hand, represents the parts of justice that sometimes can never be controlled — a criminal who was about to surrender, only to have been attacked by a third-party cop. A villain who realised the error of his ways and ended his life to spare the city, and the family Heizou reminded him still lived within it.

…A friend who was stealing for the wrong reasons, and reached a tragic end. There are many ugly conclusions to the cases Heizou tackles, but all he can do is push on. While being Spiderman places more responsibility in his hands, it was better than not being able to do anything.

And even at times where Heizou’s morale is at an all time low, he can at least rely on your presence to make his days brighter. You’re a reporter who likes to visit him for psychological support and gossip — and while he’d never say it aloud, everyone with eyes can tell that you’re his favourite media staff. He gives you more intel and hints to your own cases than he does with anyone else, and even assists you as Spiderman from time to time.

Heizou isn’t one to place his trust in others easily, but when you defended ‘the detective Heizou’ during a run-in with ‘Spiderman’, who’d criticised the police’s slow progress on a large case, it was a little hard not to feel endeared. Heizou still remembers the frown etched into your face as you told him that the detectives were doing all they could. And to cooperate with them himself if he was so confident.

It’s an odd situation for sure, to see you acting wary with his hero-persona yet so warm and caring towards his civilian self. Regardless, Heizou’s main worry now is keeping you safe within a climate of risky investigations and volatile third-parties. So long as you place your faith in him, he’ll do everything he can to defend you in turn.

Tighnari-Cyno

Yes, this is a Tighnari x Reader x Cyno situation!

Tighnari and Cyno are the two spidermen of Sumeru — they work together on a reluctant basis, since they are unaware of each other’s real identities. Not to mention that Tighnari (Vulpes) is more outspoken and sharp-tongued in his hero persona, while Cyno (Lupus) is endlessly talkative and fond of bad science jokes even at really bad times.

It’s a little similar to their regular selves, but dialed up within the drama of their hero work. While they get along well enough, Tighnari is endlessly exasperated about Lupus, while Cyno thinks that Vulpes needs to lighten up. (You could say that they aggravate one-another).

It does kill Cyno to not tell his best friends about his secret identity, but he is more than aware of the danger it’ll bring to them all. Besides, it’s not like he’s working alone against these villains, so it’s fine! In fact, this would be a very cool thing to reveal decades into the future, once the danger has passed onto other heroes who adopt the mantel

This is where you come in as their best friend in school! You can generally be found as a trio, and while everyone’s been ‘busier’ since the year started, you still make time to catch up with one-another about things going on in your lives.

…But, seeing as both Cyno and Tighnari are keeping their spider-selves a secret, they’ve developed different systems to make convincing stories about how they spend their weekend. Tighnari rambles something about collecting new plants to add to his collection, and then has to rush to the florist after he agrees to let you see them after this (he had to jump in through his room window to put everything into place.)

Meanwhile, Cyno keeps droning about some Dungeon and Dragon’s campaign he’s developing for your larger friendgroup to try, when in reality he has nothing written down. It’s mostly just inspired from his daydreaming during patrols as Lupus, which Vulpes always snaps him out of with a whack to the head.

The kicker, however, is when you become a bystander to a large villain attack one day, and upon the conclusion of it, Tighnari may have accepted a thank-you kiss from you (on the cheek) as Vulpes. It was a stupid decision, seeing as you didn’t even know it was him. But Tighnari was too busy trying to hide his own flushing ears when you were retelling this, to notice the way Cyno’s expression blanked out (he is planning a confrontation with Vulpes as you speak).

Said confrontation will be one of the few times he sees Vulpes looking uncertain, or embarrassed, which immediately throws Cyno off his initial anger. It makes Cyno question if Vulpes knew who you were in real life, but Cyno forces himself to stamp that curiosity away in favour of their secret identities.

Venti

You and Venti were close friends in Mondstadt, before you had to move to Liyue for family reasons. In reality, you were getting dragged into a different sort of superhero business, within a universe where many other heroes exist (like the MCU with the Avengers and etc).

As such, this AU takes on a more casual route! You’re thankfully not too far away, so Venti can visit you via a train or bus ride. But it’s never the same as when he’d knock on your window after a rough day, not able to tell you it was because of a mission as Barbatos (Spiderman), but you always accepted him with open arms anyways. Him visiting you like that was nothing new, even before he’d become a superhero. And Venti never intended to cut off that connection with you.

But, you never told him about your hero-business either. Which is why when Venti tries to visit your apartment on a whim (just to see how you were doing, and then leaving back to Mondstadt immediately since he was in the area after chasing a villain) — he can’t resist the urge to enter through the window when he sees that no one is there.

He just wanted to see how different things might be, compared to your old place. He’s getting hit by a web-block of all things at this time, and god, he can’t bring himself to call you up just to listen to his woes, but he misses you.

After what only felt like a few seconds, he hears footsteps at the door. Venti panics, praying to all radioactive spiders in the world that his web-block is not active now and sticks to the ceiling as your parents come in to look for you, only to leave after realising you aren’t there.

He lets out a sigh of relief, soundlessly steps back onto the floor. Only to hear the sound of something charging up to shoot behind his back.

‘Hands on your head. Turn around.’

The last thing you thought you’d see as the suited-infiltrator followed your instructions, was to see your best friend’s face. Eyes widened in just as much surprise as you were feeling, before he breaks into a sheepish smile.

‘Venti?’ ‘...Can I put my hands down now?’ ‘What are you doing here?’

And so, Venti ends up staying the night. He hides while you grab two portions of dinner and set it on the desk. Explanations float into the air. You tell him that your family only moved because of a project from Morax Companies. One employing your parents, while another recruited you for a certain task force.

Lore exchanges were quick to follow. Venti tries to defend his honour when you snort, asking him to reiterate that he was bitten by a radioactive spider. ‘So you can, like—stick to the wall and stuff? Like what I saw in the news?’

To make a point, Venti shoots a web to wrap around your wrist, using it to tug you forward towards him. You lose your balance and end up closer than he intended, forcing the room to fall into embarrassed silence.

This was certainly going to be a long night.

Wriothesley

As the owner of an underground boxing ring, it was safe to say that Wriothesley’s origins as Spiderman was an incredibly tragic, and dramatic one. Forced into a corner as thugs attempted to take over his underground settlement, Wriothesley almost thought he wasn’t going to make it out alive when a stinging pain bit into the back of his neck.

Minutes later, the floor was cleared of hostiles, and order was restored. No one knows who Spiderman is until this day, other than you — the detective who’s always worked with Wriothesley for tough cases and invited him to casual teatime chats.

In his defence, working with you was a matter of course. You helped cover his tracks as Spiderman and the owner of an illegal business. …And you also came from the same orphanage as him. If there’s anyone who understands the need for an anchor within this world of muddled morals and false promises, it was you.

What he doesn’t appreciate, however, is the way you always find yourself in the middle of trouble. It comes with the territory of being the city’s best detective, but sometimes Wriothesley swears you have more enemies than him. More than a few times, he finds himself carrying you in his arms after a rather precarious mission, and you have the cheek to thank him and place a kiss on his lips, blocked by his mask.

His fighting style does leave him with more injuries than not. Despite how most spiderheroes tend to use agility over strength, Wriothesley never shook off the habit of using punches and brute strength, in order to physically reorient his opponents. It’s less city damage, but the result is more strain on his body, and a silver lining of you exasperatedly scolding him as you treat his wounds.

‘At this rate, I’m going to have to replace you as Spiderman if you ever get so injured you can’t continue.’

As if he’d ever let that happen. The last thing that’ll ever happen is him leaving your side, after all the hell you’ve been through together. If there was ever a world where you were separated, he knows that every version of himself would cross the multiverse for you.

Lyney

As a reverse, you are the Spiderman while Lyney, Lynette and Freminet are part of the Fatui — not necessarily just a villain organisation, but an antagonistic force with a dangerous set of special agents nevertheless.

You first meet when you’re fighting Lyney and Lynette, in an attempt to put a stop to the Fatui’s nefarious plans. They’re known as the Phantom Twins but are otherwise unnamed — but it's clear from that one interaction that one of said twins were incredibly talkative and taunting, aggravatingly so, whilst the other was a silent blade.

Next, you meet as your civilian selves in school. Neither party suspects anything of the other, but the main attraction comes in the form of Lyney developing a hopeless crush on you. He admires you from afar, and all you know about him is that he’s a friendly, charming classmate.

Then, by night: chasing the twins across the city’s rooftops, attempting to get back an artefact they stole from the museum. If you don’t get it back soon, that one reporter that hates Spiderman’s guts is going to imply that you were in on the heist too, for sure.

In that moment of distracted thought, Lyney sneaks up from behind you and holds a weapon to your neck. Silently threatening to use it if you muse, and it takes all the self control in your body to not act out when you hear the smirk in his voice.

‘A little distracted today, are we? While I can empathise with having something on one’s mind, it really shouldn’t interrupt our dance. Unless you were thinking of another partner?’

It’s clear from his tone that his words were meant to purely taunt you. His false sympathy dripped like honey, making you see red.

If you ever got a chance to unmask these two, you already know who you’re going to get revenge on first. (Let’s just hope that this dance of double-lives doesn't interrupt each other too much, at the end of this saga. Perhaps Lyney will find out your secret identity first, and begin to sympathise with you — between his loyalty to the Fatui and his love for you, he surely will be put into a tough spot. And if he doesn’t play his cards right, he might just have to sacrifice himself to the fire to preserve your light.)

#kinich x reader #kinich x you #kinich genshin impact #wriothesely x reader #lyney x reader #heizou x reader #shikanoin heizou #Lyney Snezhevich #cyno x reader #tighnari x reader #venti x reader #cynonari x reader #genshin x reader #genshin reader insert #genshin impact imagines #genshin writing #traveler wishes #genshin headcanons #genshin fluff

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inchidentally · 19 hours

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Inch what is your opinion on this clip? https://www.tumblr.com/eightyonefour/762429464940527616/what-kind-of-guyteammate-is-oscar

It makes me sad that Lando isn’t able to find a lot of words to describe Osco ;-;

ohhh anon I know for most ppl this is all so boring and not interesting but the way excitable!nervous!shy!butextroverted!fidgety!sassy!emotional!squirmy!insecuresometimes!pleaseloveme!whydoyouhateme?!seeIknewyou'dloveme!creative!sexualconfidence!HORNY!travelstheworldintechnicolor!babyfever!workaholic!Lando exists against calm, placid, self-assured, does his job well,what's the point in doing less than his best, work life balance, lowkey, rational, good with kids but talks to them like adults Oscar makes me so emotional for god knows what reason ??? ;_;

but to Get Into It, I know this is the choppiest messiest compilation I've ever done but hopefully it'll be both self-explanatory and also go along well w my usual dissertation on something that has no real life importance for me but that makes me Feel Things

x x x

so the main thing with how Lando's stops for long periods to think and mull it over is for two reasons: one is that he hasn't done the usual PR aspect of his rs with Oscar the way he has with other drivers/teammates - and the other is that if he found Oscar dull or uninteresting then he wouldn't have had to sit and think aslfgsaljfgsajl. Lando's rly good with the media and honestly this answer would've been rly easy and quick if he could just say "yeah he's very fast and a good guy! hard worker and solid teammate!" bc it's not like anyone is expecting any more about a guy like Oscar anyway!

and with everyone else, Lando's got lots of anecdotes and jokes and shared activities as well as lots of experience interacting on camera in ways that give fans something to enjoy. it's not being disingenuous, it's just that they can easily tailor the friendship to be useful for publicity.

but !!! it's also the case of all of Lando's friends on the grid being extroverts as well as being great on camera. and Lando maybe could be seen as an extrovert but he's also naturally (self-confessed as well as confirmed by those closest to him) painfully shy and he relies on extroverts around him to help him out a lot. I got this ask that we don't even need proof of bc it's exactly how Lando is when he's alone among strangers or around huge crowds. same with when he has to do publicity stuff all alone the thinking silences stretch and he gets that upward inflection where he's trying very hard to see if the other person knows what he means??

and Osc is very much not an extrovert and while he likes the odd shared activity, he has said he prefers quiet conversation in small groups away from public places. so literally ! the ways he and Lando are compatible are simply in enjoying spending time together and being extremely low pressure friends who don't like the publicity aspect encroaching on that.

so how do you describe someone to a stranger if they're just quietly a good, reliable person who you like and work well with ?? Oscar himself needs a fair amount of prodding and encouragement to describe himself, let alone Lando being asked to do it !!

which I think is why landoscar has actually had this strong resonance for a lot of us who have those kinds of friendships or love those kinds of people - you can only see it and get to know it by observing it and knowing it in a way yourself. the way Oscar stares at Lando and does his little self-assigned duties to Lando and the way Lando watches Oscar in that wide-eyed trusting way and lets his brattiness out bc Oscar will always find it endearing. none of that makes for snappy PR content but if you get the vibes then it's so so sooooooo sweet ;__;

it's also why their dynamic lends itself so much to fic authors bc you've got a strong foundation of their authentic dynamic since they can't/don't fake it or play it up, from which you can put them in any scenario or any roles and they just… write themselves! not in a sense that the author isn't putting the work in as a writer skfgalsfg but the strongest thread among landoscar fic is that dynamic always coming through so consistently (even in the more challenging dark fic or out there AUs) the classics I can think of first off are playdate by debrief, that one from work can come over on monday night by higgsbosonblues and q&a by corsi

the common development of how Oscar is so blatantly changed by Lando in ways that seem either superficial or purely practical so that Lando ends up initially missing out on the depth of what that means - and misinterpreting Oscar not changing emotionally for him as disinterest. only to find that when someone who is solid and reliable and knows who they are decides they love you, they show it by changing their life for you and not changing themselves for you.

and that irl considering that Oscar always says how important it is for his relationship with Lily that he spend time with her that isn't connected to his career/life's passion, it's clear that he considers that to be proof of how much he cares. so all of the little ways Oscar bends and adapts and fulfills Lando's practical needs are ways for him to say "I value you" "I make you a priority in my life" "I want to fit you into my life" "I am willing to give up something/change something for you"

like idk how much Lando realizes the significance of those things and that's how I interpret him spending a very long time mulling and thinking rather than just getting past the answer in a neat, succinct way. bc Max F is a very emotionally intelligent guy and very capable of expressing his feelings, all of the guys on the grid are varying levels of emotional awareness/intelligence but they all have the same regular expectation of using their words to express how they feel about friends, and ofc the people surrounding Lando for the past ten years are highly attenuated to his needs. Oscar stands out as this very very different person to what he's used to!

and lastly, there's the whole gentleness and communicating through their kitten smiles and their ways of getting lost on a random subject - they're just such a quiet, gentle introverted dynamic. there's this moment after Japan last year waiting for a train, as well as this moment from Vegas where the crowd is singing happy birthday to Lando that I think are like, poetic levels of how their shyness/introversion fully matches up. bc neither of them feels easy or comfortable actually interacting with the crowd, so they keep looking to each other and smiling for comfort and reassurance. if another driver from the grid were around they could probably rely on him to brazen out the situation, but these two kittens just find solidarity in each other to get through!

so a lot of what makes landoscar a flop for bromance-only ppl is what a lot of us love about it <3<3<3 like I love a good bromance and self-aware PR ships too but landoscar made me want to get an f1blr and write insane pointless dissertations about them so shrug emoji !!

#inchreplies #landoscar #mctwinks #twinklaren #landoscar meta #inchidentallyanessay

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fantaatix · 2 days

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a stolitz post? in the year of our lord??

warning this is genuinely a long ass post

okay so sometime last month i was watching 3bskyen’s JLMW reaction (really tells you how long i’ve actually been cooking this post), and he was talking about color theory or something but what caught my attention was that he was paused on THIS frame:

he said something about the red/blue contrast throughout the music video; red being symbolic of blitz (the moon) and blue being symbolic of stolas (the ocean (?)) and it got me thinking, i wonder what the gold might symbolize? because this definitely isn’t the first time we’ve seen the color gold in reference to stolitz. first think back to truth seekers, there’s gold in quite a few places

golden rails, golden feathers, golden shackles; this is why i say gold and not yellow. at first i thought it might be symbolic of the power imbalance, but that’d be too easy.

quite the selection of objects, isn’t it? rails imply safety but can also be restricting, the feathers seem harmless but then turn into shackles…possibly reminiscent of the nature the book deal and the role it actually played in blitz’s mind about his relationship with stolas.

but there’s one more thing i left out; the golden dust

...okay...don't laugh...

first time i saw this scene in truth seekers i was immediately reminded of shrek ever after

AND I’M NOT COMPARING BLITZ TO RUMPELSTILTSKIN, i’m not trying to imply they stole from shrek ever after, THAT'D be a stretch. if anything blitz is better compared to shrek himself, but i'm not gonna write about that because i Don't Want To

but if i’m remembering correctly, that movie revolved around the theme of taking good things for granted, like your partner and your friends, which aligns pretty well with how blitz’s bad trip ends:

“i believe your subconscious is trying to tell you that you simply cannot fathom proper intimacy, but also craves it as well. it’s rather unfortunate, sir, considering it’s often how you treat those who stand by you, such as myself. are you worried i may have enough of it one day, as well?”

"you cannot fathom proper intimacy."

blitz doesn’t know how to be close to other people–i don’t think he understands the relationship he has with any of the people in his life.

we still don’t truly know blitz’s full belief on love and we can only deduce it from his actions; he says monogamy is boring but then goes on to stalk his monogamous employees, on their anniversary no less, bringing along his own singular date...

he focuses on the sex in his relationships because that’s what he’s good at; he finds sex less complicated than romance... and then struggles to get his asmodean crystal to open a portal because he can’t get it off.

he has this recurring pattern where the title of “best friend” eventually turns into something else, often unrequited...

“...my first ever friend!”

he didn't expect stolas' intimate attraction to him. stolas made the connection and it succeeded in making blitz feel guilty about stealing the book; that was why he stayed the night. blitz isn't used to not being rejected, even though he has a record of relationships that stopped once the Evil Four Letter Word came up. when he goes into a relationship, blitz has learned to not expect it to evolve past sex. love has negative connotations to him.

the worst part is we don’t know for certain WHY any of this is, or if it can even be chalked down to a singular thing

yeah, his mom died in a fire blitz caused, his best friend/crush lost his limbs in a fire blitz caused, he’s been treated as property since a young age; you can makes all kinds of correlations between these events and how they might have affected him later in life but as it stands now, we have no concrete answers other than the conclusion that blitz hates himself and has commitment issues.

but back onto that “taking things for granted” tidbit–subconsciously, he knows relationships can be good, but he feels he has to give up a lot of freedom in order to maintain one of his own.

also note how blitz is desperately crawling up the staircase, feathers kind of just hitting him haphazardly as he does so, as opposed to trip!moxxie who takes a few steps up after picking up a feather of his own volition. he knows moxxie’s relationship is more stable than any relationship he’s ever had, and yet:

“stop fucking talking, all of you!”

cue the gold dust.

now, i'm not saying the book deal was a good thing. in fact, it kind of reinforced the power imbalance between blitz and stolas. i'm saying that from blitz's perspective, it was a safeguard. any feelings he might have had for stolas before could be dismissed, and he does exactly that one episode prior;

"it's a transactional fucking, you see..."

what i think he does take for granted is the advice “moxxie” gives to him, his attempts to reach out in a meaningful manner, kind of like stolas’ attempts to reach out. he ignores them both; he’s too deep into his own denial.

also, STAIRCASES IN THIS FUCKING SHOW.

why do these fruity little men think so low of themselves and so highly of others??

i guess that's a bit of a rhetorical question, we all know the answer, but. wait. hold on a sec

ohhhh.

OOOHHHH, that's what this post was gonna be about!

i fucking GOT all of you, you thought i could go a post without talking about him you're WRONG and should feel SILLY.

so this was the OTHER thing i realised when watching 3bskyen's JLMW reaction: it follows the same theme as moxxie's bad trip!

JLMW vs. moxxie's bad trip

in helluva boss, we're used to seeing staircases being symbolic of a difference in power or importance, or a staircase to heaven, or a highly anticipated event going wrong *cough cough ozzie's cough full moon cough cough*

however, i think in the context of moxxie’s bad trip and JLMW, it can also be attributed to emotional distance. like stolas, moxxie's also looking for an emotional intimacy/understanding between him and blitz (he spends his whole trip actively trying to get on the same level as him for crying out loud).

this could also fit into blitz's bad trip; he's trying to get on the same level as stolas, but feels like even if he ever did, he'd still be inherently worthless. a "play thing".

he doesn’t know why anyone would want him for anything else, but he’s clearly not all about the hierarchy.

they need to get on the same level as each other emotionally; they need to break the power dynamic, and thats why the book deal had to go.

the difference in the symbolism is that while blitz has a straight and narrow path to trip!stolas, moxxie’s path to trip!blitz is this winding, unguarded staircase. he almost falls off.

now, compared to both of those, stolas’ path is a fucking stroll. albeit an emotionally damaging stroll, but it takes less physical strength.

conclusion; stairs are symbolic of a difference in power, but gold is symbolic of something else.

and there is a power dynamic between moxxie and blitz. it's not like stolas and blitz's dynamic, it's an artificial imbalance; blitz is the boss, moxxie is the employee. and moxxie has his own inferiority complex, which i think plays a role in it too.

the imbalance between stolas and blitz is kind of, unfortunately, inherited. but it's not impossible to manage. of course, stolas doesn't care about where blitz is on the hierarchy, he doesn't care about the hierarchy period. but it's still there. blitz cares because it affects him.

"you will be technically under his jurisdiction, but..."

this was problem one. stolas unintentionally demonstrating his power over blitz. "surprise, i technically made you someone else's property! please love me!" i'm exaggerating but this is definitely not the kind of thing you spring on your partner; they needed to talk about this beforehand, but according to stolas:

"no need for an arrangement, it can just be him and me!"

sigh. the many different ways this night could've gone

this is enough to trigger blitz's fight or flight. he wants to be with stolas, but he doesn't want the freedom to choose to be with him, which is problem two:

because blitz's belief of love is so inherently fucked up,

what are the chances that the very thing stolas gave to blitz to reaffirm his free will was just interpreted as another shackle?

blitz doesn't do commitment; stolas doesn't say "i love you", he doesn't need to. if you love something, you let it go, and if it comes back then it's yours--which happens in the very next episode.

blitz is the first person to mention love.

but if they want to love each other, they have to be equals, which was why the book deal had to go. they can't hold each other to these super high standards because that'd just set themselves up for disappointment. they have to be on the same level.

tldr: they're two sides of the same coin. literally!

color theory for dummies, a brief intermission

fun fact: i actually didn’t learn color theory in an art class, but in a textiles class. we love american education. but anyways, i’m gonna ask you to draw your attention specifically to the complementary colors.

we start the chorus of JLMW in a purpley sort of place, which then shifts into gold, and then into the red/blue contrast.

except red and blue aren’t complete opposites, they’re both primary colors.

if they wanted complete opposites, they could’ve used red and green, or blue and orange, which are admittedly uglier combinations but the point is that stolitz aren’t complete opposites.

however, purple and yellow, or gold, ARE complete opposites; they’re complementary colors. if purple is implied to be symbolic of stolitz together, then could gold imply stolitz apart?

well…no. i think that’s the wrong angle. if they wanted that contrast, they could have left the gold out entirely, because red and blue separate is stolitz apart.

so how are we supposed to deduce what the gold is actually symbolic of? because no, i don’t actually think it’s an extended shrek 4 reference. that kind of exclusively pertains to blitz’s trip.

listening to the lyrics in the gold part;

This unspoken contract

A deed we forged for mutual gain

If that's all this was when you're not here

What is this rooted pain?

I don't care that you're of lower station

Or primed to sate my dark temptations

Why can't you understand? Let me explain

And I'm terrified as I cry

To make these feelings true

What's left for me and my broken heart

If I cannot have you?

a direct mention of the book deal…and another mention of the power imbalance…so i realize am starting to sound insane, but please hear me out.

i think the main theme of helluva boss IS learning to love in spite of damages and traumas and insecurities–not ignoring either of those, but learning to work around them or possibly heal those parts of yourself so you can love someone else effectively. learning from mistakes.

so what if the gold is symbolic of the simple desire of a mutual understanding? or a meaningful connection with someone else?

tying it all back together somehow

both moxxie and stolas want to connect with blitz (in different ways), but for stolas, that means severing possibly the only thing connecting them thus far (the book). for moxxie, that means climbing the staircase and possibly being pushed even further away.

moxxie also has this high opinion of blitz despite all his obvious (and not so obvious) flaws. i think it's partially because of his own inferiority complex, but to him, blitz is the phantom--his scar becomes the mask he hides behind. he knows blitz puts on this loud, crude personality to hide his cracks and keep others away, and has a scarily accurate portrayal of him in his mind.

moxxie wants to be on the same level as blitz, and he knows it's possible to get there, because he's a damaged character himself and he gets it. he's just yet to take the actual first step.

stolas, even in his own imagination, doesn't think it's possible to be emotionally intimate until the deal is broken. he could reach for blitz, but blitz wouldn't reach back. he's not looking. not to mention the literal celestial view he has of blitz in his head.

while stolas can see blitz's damage, he can't fully comprehend it yet, partially because blitz won't give him the chance and partially because stolas isn't damaged in the same way he is. they both had deadbeat dads, but they adapted in different ways.

that's just the way trauma works, you adapt to deal with it, and then have to unadapt those unhealthy coping mechanisms once you're finally safe. it just takes a while for people to realize they're actually safe, and these fruitcakes are no exception.

conclusion? uhh, i don't know, i guess i don't really have one. just. enough with the discourse about these bitches i guess??? just give them each some time, change takes more than two seasons.

i guess i could compare the way the songs are set up but this was supposed to be out like two days ago and it's already 11:45 so. maybe some other time, maybe in a post about moxxie's Interesting taste in musicals

was unfortunately unable to finish the mox vs. fizz masterpost this month but we'll see sometime in the coming months, maybe sometime after the next helluva short comes out. been a bit too busy with school and other social things to have time writing these long asf posts about my skrimblos

okay goodnight o/

#helluva boss #moxxie #blitzø #moxxie knolastname #moxxie hb #moxxie helluva boss #stolas goetia #blitz #stolas #stolitz #helluva boss stolas #just look my way #truth seekers #is this enough fucking tags for you #stolas helluva boss #stolas hb #blitzø buckzo #blitzø hb

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notur-dreamboy · 21 hours

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Assinging the endless to dead boy detectives characters because I can. (With explanations using a mix of comic and tv show lore)

Edwin - dream This was a hard choice, and while Despair was the more Canon choice as she claimed him as her friend in the 7th episode. Alternatively, I like exploring the similarities in dream and Edwin's character arch. In the comics edwin died in 1916 and escaped hell in 1989 much like the show, in the comics dream was kidnapped from 1916-1989 as opossed to the show where he escapes in 2020 or 2021 (I am unsure as to which one) they also both go through archs of finding companionship/acecpting people into their life and finding a greater purpose/finding peace with the one they're given. They're also both the bitchy intellectual type and hate most people.

Charles - destruction. I see so much fan content with him and desire, and while I see the vision, I have to disagree. (I also wanted to save them for the much more obvious choice) Destruction abandoned his position after he saw science being used as a tool for destruction because he didn't want to be the cause of massive devastation or obliteration (paraphrased from destructions page on the sandman wiki) and if that's not so incredibly Charles I don't know what is. Charles arch, we see him deal with this destructive type of anger he wants nothing to do with, so much so he represses all of it with a smile until it becomes too much.

Crystal - destiny. I gave her destiny because her arch and plotting in so intertwined with Edwin and Charles's it feels like it was nothing but destiny. Without her they wouldn't of even noticed the Becky Jackson case, the start of everything. Nothing would've happened without her. Because of her charles faced things he was hiding from himself for years, edwin let other people into his life, they wouldn't of saved niko if Crystal never had that quick interaction with her in episode one. She is so intertwined into everything I wouldn't be surprised if she was crafted by destiny himself.

Niko - death. There are multiple reasons why I gave niko death (including and in spite of the obvious). The biggest one is her future role as the principal, an employee of the afterlife and death. This is also another case of the personalities lining up. Death is seen as welcoming and kind despite being hated and feared as a concept. Death is also seen as wise and understands her role in life she is also the endless dream is closest with. On the sound of her wings when dream is feeling down about his quest for his tools being she allows him to shadow doing her job and offers him advice about his own state. I also just think death and dream's relationship is so similar to niko and Edwin's.

The cat king - desire. Really, this one is obvious. I don't know what you want me to say. His kingdom is all about want and pleasure, wuth is literally desire. His entire role is just to wake edwin up to his own desires. This is such a common concept that the most popular head Canon for him is that he is desires child.

Jenny - despair. I almost gave despair to edwin along with dream given their Canon interaction, but I decided otherwise. We don't know much about Jenny's backstory, but things can be assumed and interpreted certain ways. She owns her family's butcher shop but no family is ever mentioned (outside of a quick anecdote about her father in episode 5 but more on that later), she doesn't seem to have any friends or a social life for that matter. The letters, she reads them and follows up on the but is immediately off put on the idea of a date, which ended horribly. Her father, described as an acholohic and raging narcissist, couldn't have been a man who provided a great childhood either, yet she still took up his butcher shop. We can assume he's out of the picture for one reason or another as Jenny runs the shop herself. The first piece of advice she offers essentially boils down to people who are selfish, it can be assumed this is pulled from personal experience. Jenny is a character surrounded by despair and has grown so comfortable in it she doesn't even notice it anymore.

Tragic mick - delirium. The only endless to have 2 forms, delirium used to be delight before she evolved to delirium for reasons unknown to even destiny. Mick initially seen as comfortable in his human for until we learn about the washer woman. Niko gives him a piece of sea glass in hope it will help but instead we see him descend further into the quite madness he's proven himself into. Then we hear his story, a tragedy about a walrus forec to live the rest of his life as a human because of a bad decision. He's winds up mad (or delirious if you will) by thus decision, now wanting nothing more than to go back to being a walrus.

Bonus (Esther, monty, and the night nurse as various sandman characters) (little explanation, sorry)

Esther- the Corinthian. Created (or blessed) by a god-like deity for a certain purpose but took it too far out of pure selfishness

Monty- Mathew. Simply because they're both anthropomorphic birds.

The night nurse- lucienne/ lucien. A loyal assiant to their respective endless. Certain events cause them to drift from what they've always done or thought.

#dead boy detectives #edwin payne #charles rowland #crystal palace #niko sasaki #the cat king #jenny green #tragic mick #the endless #the sandman #esther finch #monty the crow #the night nurse

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archivalofsins · 2 days

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Addendum (September 23, 2024 5:03pm )- It was brought to my attention by a concerned friend inquiring if something had happened yesterday that this post can come off as complaining about a fandom issue of some sort. Because of how often "Don't be like x" (in particularly Futa) has been used in regards to ongoing Milgram fandom incidents.

It was not my intention to invoke those sort of alarming past experiences for anyone that may have come across this post. My intentions when writing this were to interrogate the prevalence of that phrasing when it came to Futa as a character while including the prisoner paired with him known for bullying as well.

To put it in a plain and jovial way- These are my feelings in regards to this topic in a meme format,

Since I have now been informed of how emotionally disruptive this phrasing can be given the things it's been associated with in the past at least within the tumblr Milgram community I will be putting it under a cut with one more addendum further down that uses the same phrasing.

Once again saying to not be like Mu.

It's easy for individuals to understand why they shouldn't be like Futa. In a lot of ways, not many people would see their actions as being similar to his even when they are. This is why I stress not to be like Mu either.

Because it seems to me that a lot of people are comfortable with being bullies as long as they convince themselves they were the victim first.

A trait that's present throughout both Futa and Mu's narratives. Even if not many people recognize how emotionally manipulative, insidious, and abusive this sort of behavior is socially.

Because just like with these two, some will convince themselves it's the other parties fault for doing something wrong first.

That the person who did something wrong should just,

"You apologize if you do something wrong, you learn that even before words, don't you?"

Q.09 Do you want to apologise to the person you killed?

Mu: I think the person who did something wrong first should apologise first.

These two are simply not as different as some fans like to tell themselves. They are both reactionary bullies. Just because one goes on offense (attacks) and the other defense (cries/deflects) doesn't make one any better than the other. That's why they both got into codependent relationships with another prisoner over the first trial intermission.

Both Amane and Haruka provide them with something. Giving Futa and Mu hope and help in a difficult situation. Along with something to do with themselves to prove their own worth. They also both took on a naturing and protective role in Amane and Haruka's lives. Making the other their main priorities as of the second trial.

23/07/05 (Mu’s Birthday)

Futa: Oi, you. Is he ok? He’s not even left his room lately.

Mu: You mean Haruka-kun? Hmm. Yeah, probably. I’ve been bringing all his meals to him so he should be fine. Isn’t that great of me?

Futa: Hah? Who the hell says that sort of thing about themself. ……ah, no, well, right now I understand a bit. When you’re feeling down, it’s nice to have someone who relies on you and accepts you. The rest of us can’t really understand you from where we’re standing. But well, if you’re Haruka’s “salvation” then I guess it really is great.

Mu: Salvation……? I don’t know what you mean. Futa-kun, you don’t sound like yourself. Did you hit your head or something? Oh, wait, you actually did, didn’t you. Ahaha. Ah, putting that aside though, did you know it’s my birthday today?

Q.02 What do you think of Haruka?

Futa: I can’t afford to be worrying about other people at the moment. Anyway, he’s not a little kid.

This is also why one of my first posts discussed them together. They were both even abandoned by their groups,

"Everyone else was having fun, weren't they? What about them?! Why is it just me?!"

Q.18 Do you regret anything?

Mu: I think maybe I should have chosen my friends a bit more carefully.

Q.11 Who do you want to see right now?

Mu: I miss my friends too. But most of all, Papa and Mama.

Yeah, don't be like either of them, actually.

This is not a healthy thing to strive for. The only difference between them is that Futa takes the orders, and Mu gives them. Aptly portrayed in the relationships they've formed over the course of Milgram.

Also, a bully is a bully regardless of if they cry about it. Women have been weaponizing crying for decades. Stop pretending like this is a brand new undiscovered form of manipulation it's not.

Addendum (September 23, 2024 5:03pm ) continued: Also it was not intent to specifically call to attention Mu's characters flaws or take any digs at people who relate to her. Saying things like don't be like x character can be inconsiderate towards individuals who relate to that character a lot especially if it's something done on a consistent enough basis.

These are once again my feelings on that in meme format.

#milgram #gunsli rambles

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nitrateglow · 3 days

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Spooky Season 2024: 12-22

Phantom of the Mall: Eric's Revenge (dir. Richard Friedman, 1989)

The opening of the new mall is hampered by one thing: a Phantom hiding in the air vents, and committing robbery and murder. It turns out this Phantom is really a teenager named Eric (Derek Rydall) disfigured in a fire set by the mall's developers to clear out any remaining houses impeding their dreams of commercial development. Now, Eric plans on having his revenge and watching over his girlfriend Melody (Kari Whitman), now an employee of the mall. But what will he make of her burgeoning romance with a journalist?

Talk about pure '80s cheese. This film feels like it was made to capitalize on the slasher cycle and the popularity of the Andrew Lloyd Weber Phantom of the Opera megamusical. It's not a particularly good movie, but it is dumb fun. I love how this Phantom makes free use of the goods available in the stores and how he spams his spin kick attack like he's in a video game.

Also, Pauly Shore is in this. He has a great scene talking about subliminal messaging in department stores, but is otherwise the usual Pauly Shore.

Hangover Square (dir. John Brahm, 1945)

Musician George Harvey Bone (Laird Cregar) is disturbed by long sessions in which he blacks out. He fears he may be committing murder, but is reassured by the police when he goes to them that isn't likely. Detective Dr. Allen Middleton (George Saunders) advises the overworked George take a break from composing. George does so by going to a pub where he meets the lovely Netta Longdon (Linda Darnell), a music hall entertainer who dreams of fame. George and Netta enter into a toxic relationship in which she uses him to advance her career while seeing other men on the side. When George discovers her treachery, his blackouts return-- this time in a far more violent form.

I'm starting to become fascinated by John Brahm, a director best remembered for his moody, macabre dramas in the 1940s. Hangover Square was his second and final collaboration with the talented but doomed Laird Cregar, who died two months before the film was released. It's as much a noir as a horror picture, drenched in that chiaroscuro lighting and urban dread so common to the classic cycle.

Cregar is astonishing in the lead role. Though handsome, he was a bigger man, so Hollywood refused to allow him to transition into leading man parts. He is marvelous here, passionate and sensitive, yet also sinister once his jealous rage takes over. I've seen Cregar in multiple films and he was truly fantastic, able to be comic as well as dramatic. Hollywood didn't deserve him.

Lastly, Linda Darnell's character sings this really catchy song when Cregar first sees her. I saw this film weeks ago but it is STILL STUCK IN MY HEAD.

youtube

The Sealed Room (dir. DW Griffith, 1909)

In some nondescript time period (everyone's dressed like it's either the early 18th century or the middle ages), a king (Arthur V. Johnson) learns his mistress (Marion Leonard) is smooching with a musician (Henry B. Walthall). Jealous to the point of rage, he has the couple sealed in a small room where they suffocate to death.

The Sealed Room is a gem from the nickelodeon era, though I admit my liking for it comes from how extra all the performances are, even by the standards of the early silent period.

It also has one of my favorite instances of what I like to call "silent film logic"-- that is, scenes featuring action that would be very loud in real life, but in a silent film, you may not think about it as much. Here, the king has the lovers walled up alive in a small room, where they lounge unaware. And yet, there's workers slapping up a brick wall not ten feet away from them! It's very amusing.

Frankenhooker (dir. Frank Henenlotter, 1990)

When his girlfriend Elizabeth (Patty Mullen) gets hacked to death by an automatic lawnmower he built, medical student Jeffrey (James Lorinz) decides to resurrect her by killing sex workers for their shapely body parts then sewing Elizabeth's severed head on top. He does this by having his victims smoke explosive crack.

No, I'm not making this up.

I first heard about Frankenhooker from James Rolfe of Angry Video Game Nerd fame. It sounded so insane that I knew I had to watch it. It's-- well, it's definitely a bizarre movie with lots of crude humor and pitch black jokes.

Would you believe me if I said it was kind of an unsung feminist work? I definitely did not expect THAT angle coming in, but that messaging is definitely there. Jeffrey is a villain-protagonist through and through, even before he starts committing murder. We learn he was already demanding Elizabeth modify her appearance to suit his tastes before she got killed. He views women as more a collection of body parts than proper people. However, his misogyny does catch up with him in the end and his fate at the resurrected Elizabeth's hands is the very definition of irony. I don't want to spoil it.

It's definitely not for everyone, but if you have a sick sense of humor and some friends that share that humor, you'll have a good time.

Friday the 13th: Part 2 (dir. Steve Miner, 1981)

A summer camp close to the infamous Camp Crystal Lake is about to open. Little do the young, horny counselors know, Jason (Warrington Gillette and Steve Daskewicz)-- the boy that allegedly drowned long ago-- is still alive and he's mad his mama got decapitated in the previous film. Lots of people die.

I confess I have a hard time getting into these Friday the 13th films. I've read it took a few entries for the series to find its footing as gloriously dumb schlock, but the first one and this sequel were mostly boring for me. About all I liked was the last twenty minutes, when the heroine's background in child psychology comes into play. Otherwise, this gets a big meh from me. Not horrible, but nothing I can imagine I'll ever rewatch.

Corridor of Mirrors (dir. Terence Young, 1948)

A party girl (Edana Romney) becomes involved with a Renaissance era-obessed artist (Eric Portman). Their fetishistic relationship leads to heartbreak and murder.

Already discussed this one is great detail at my Wordpress blog. It's a great romantic thriller in the vein of Vertigo and Rebecca.

The Old Dark House (dir. James Whale, 1932)

During a thunderstorm, a group of unwary British travelers are marooned at the crumbling mansion of the Femm family, a collection of eccentrics who may be insane. Everything goes wrong: the hulking butler gets drunk and preys on the women visitors, the area may flood, the lights go out, and there may be a homicidal maniac imprisoned in one of the rooms upstairs. Will anyone survive the night?

I have raved about this film for a long time now. It's truly a favorite of mine in general, not just for the Halloween season. Both witty and chilling, it's an atmospheric masterpiece. The damp and mold are palpable.

What fascinates me most is the Femm family itself and the gaps in their backstory. This is one movie where I feel like there's a Tolstoyan novel's worth of drama with the Femms. It's hinted that the 102-year-old patriarch of the house (played in drag by actress Elspeth Dudgeon) used to host orgies there. The death of the seductive sister Rebecca at the age of 21 may or may not have been due to inter-family foul play. Morgan the butler has a close, even weirdly tender relationship with the homicidally insane brother Saul, suggesting a myriad of possible connections between them. It's very interesting-- I like that the movie doesn't fill in all the blanks.

A Game of Death (dir. Robert Wise, 1945)

Don Rainsford (John Loder), big game hunter extraordinaire, finds himself shipwrecked on a mysterious island. The owner is Erich Kriegler (Edgar Barrier), an urbane German who also enjoys hunting, though with a slight difference-- he likes hunting humans. Teaming up with other shipwreck survivors Ellen (Audrey Long) and Robert (Russell Wade), Don tries finding a way to escape before they become Kriegler's next wall trophies.

This movie is a pallid, watered down, shot-for-shot remake of The Most Dangerous Game, one of the crown jewels of 1930s horror, so of course, I am not fond of it. And yet, I rewatch it every few years, so it must have something going for it. So instead of tearing into it as I normally do, I'll list a few things I think are actually good about it:

I like that the main character initially tries tricking Kriegler into thinking he will hunt people with him. Very pro-active.

I think Kriegler is a good villain. Not as memorably deranged and campy as Leslie Banks' Zaroff in the original film, but chilling in a more low-key way. His "the strong deserve to prey upon the weak" philosophy fits in nicely with Nazi ideologies-- no doubt what this wartime horror flick intended.

Um... I think Audrey Long is really pretty. I like her flow-y outfits.

... Yeah, that's it.

The Most Dangerous Game (dir. Ernest B. Schoedsack and Irving Pichel, 1932)

All-American big game hunter Bob Rainsford (Joel McCrea) is shipwrecked on the unlisted island of Count Zaroff (Leslie Banks), a Russian aristocrat and master sportsman who claims he now hunts "the most dangerous game" of all. Being a himbo, it takes Bob a while before he realizes that game is human beings. Unwilling to hunt alongside Zaroff when given the offer, Rainsford and fellow prisoner Eve Trowbridge (Fay Wray) wage a game with Zaroff: let loose into the island's thick jungle, if they survive the night without Zaroff or the terrain killing them, they'll go free. If not, Rainsford dies and Eve will become a rather different kind of quarry for the evil count.

Now, here's my favorite "hunter hunts people" movie! While "The Most Dangerous Game" has been adapted and ripped off multiple times for a century, the original is still hard to beat. The castle set drips with gothic grandeur. The jungle soundstage is thick and suffocating, and once the chase intensifies, it becomes like something out of a nightmare.

I actually think the climactic hunt is among the greatest sequences in all cinema. The editing is so dynamic and the images are brilliant. And when you consider this is still an early talkie, when films were still trying to rediscover their footing after silent cinema came to an end, it becomes even more remarkable.

Going on Letterboxd, I was shocked to find a lot of people on there have mixed to negative opinions about this movie, largely because they think it's too over the top and that it's messaging is too on the nose.

I mean-- yes, these things are true, but I don't see them as flaws. It probably helps that I love camp and melodrama, and am not ashamed to admit it. And regardless of the fervent camp on display, I still think the trophy room scene is creepy and the chase is super intense. I have probably seen this movie close to a hundred times and yet, the chase still has me shouting at the TV, willing the characters to run faster. That's damn fine filmmaking.

The Haunting (dir. Robert Wise, 1963)

A researcher of the paranormal brings a motley crew of ordinary people into the allegedly haunted Hill House. Both potential ghosts and the neuroses of the visitors bring on sinister events and ultimately tragedy.

I love this movie more and more. I already wrote a bit about my reaction this time around, though since then, I started rereading the source novel, Shirley Jackson's The Haunting of Hill House. Obviously, the book delves more deeply into Eleanor's psyche, but the film does a fantastic job of this as well. Given film is a visual medium, it can be a challenge to depict a character's interior state without delving into expressionism and this film does that well.

The Phantom of the Opera (dir. Terence Fisher, 1962)

Aspiring songstress Christine Charles (Heather Sears) and producer Harry Hunter (Edward de Souza) are drawn into a mystery at the London Opera House. A phantom is sabotaging any attempt to produce Joan of Arc: A Tragedy, a show allegedly written by the cold, snobby, rapey Lord Ambrose (Michael Gough). After some investigating, it turns out the Phantom (Herbert Lom) was once the meek-mannered Professor Petrie, whose music was stolen by Ambrose. Now, he wants only to see his opera done justice and only Christine's voice can make that happen.

I am very fond of this version of The Phantom of the Opera even though I think it has a myriad of dramatic flaws. Let's get the flaws out the way first. I think the film is a bit repetitive in retelling us Petrie's story over and over, at first through onscreen description and then through filmed depiction. I also think the ending is anti-climactic, like the writers didn't want to go the usual route of making the Phantom a homicidal maniac but they weren't sure how to make a properly dramatic finish without that characterization.

That out the way, this is a unique, even refreshing retelling in many ways. The Phantom/Christine relationship is no longer one of unrequited love-- in fact, Petrie seems wholly uninterested in romance or sex at all. He views Christine and himself as victims of the truly despicable Lord Ambrose: Petrie had his music stolen and Christine was sexually harrassed. Therefore, it is up to the two of them to wrest the opera back from Amrbose's influence and make it the production Petrie wanted. Petrie is one hard taskmaster. He is relentless in training Christine and at one point throws filthy sewer-water in her face when she faints.

But the Phantom is hardly an out and out villain here. He doesn't even kill people-- he has a convenient hunchbacked assistant to do that. No, the real baddie is Ambrose, among the nastiest villains in the Hammer canon. Ambrose never even kills anyone, yet he makes the blood boil with his wanton cruelty. Michael Gough (who I always remember best as Alfred in the Tim Burton Batman movies, as well as Batman Forever and Batman and Robin) is so good at being bad.

This version of POTO also has my favorite version of the Phantom's compositions. Usually, he writes a "burning" piece called Don Juan Triumphant, fitting his romantic obsession with Christine. Here, Petrie writes an opera about Joan of Arc, a virginal saint persecuted by powerful men-- a fitting subject for Petrie given his own persecution by an aristocrat. Joan's aria "I Hear Your Voice" is gorgeous and always brings me to tears, it's that beautiful.

Not a perfect film, but still a very good one.

#spooky season 2024 #thoughts #phantom of the mall #hangover square #frankenhooker #the old dark house #the most dangerous game #a game of death #the phantom of the opera 1962 #corridor of mirrors #friday the 13th part 2 #the haunting #the sealed room #horror #thriller #Youtube

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chrissturnsfav · 3 days

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𝒷𝑒𝒽𝒾𝓃𝒹 𝓉𝒽𝑒 𝓈𝒸𝑒𝓃𝑒𝓈 | 𝘫𝘢𝘤𝘰𝘣 𝘦𝘭𝘰𝘳𝘥𝘪

you and jacob have been best friends for a few years. when you both get cast together in a romance movie, jacob can't help but get turned on by all the intimate scenes he acts with you. you on the other hand, have developed a crush on him over the past few months, and you drunkenly blurt it all out one night at jacob's house while hanging out.

ᰔᩚ requested from @anonymous: pls pls pls write for jacob

ᰔᩚ smut, oral (male receiving), alcohol use, dirty talk, use of y/n, use of pet names, established friendship, softdom!jacob

ᰔᩚ w.c. 1,911

you and jacob had started filming for lovesick about a few weeks ago.

the movie was about a lawyer—your role—who defends a man in court for drug dealing—jacob's role. the married lawyer has an affair with the client, and they can't keep themselves away from each other, growing obsessed and hungry for each other more everyday—hence the name lovesick.

this movie had a bunch of sex scenes in it, which is something you have performed before in different movies, but you'd never filmed anything of the effect with jacob. you guys have never even kissed. hell, jacob was your best friend.

although you two weren't too near the part where they start becoming lustful for each other yet, you knew it had to be performed sooner or later, and it made you nervous, of course, but you also felt excited for some reason. you couldn't quite figure out why. you had never been excited to make sex scenes with any other actor, but this time was different.

right now, you were in his car on the way to his house. you both had just finished work.

jacob groans, his grip on the steering wheel tightening. "i don't want pizzaaaa," he dragged.

"jacob i've been craving pizza this entire week and i haven't been able to have it because of stupid gianna," you complain about your sister, throwing your head back on the headrest.

jacob hesitates before he speaks as he turns to the girl in his passenger seat. "fine."

"WOO HOO!" you yell, putting your hands in the air as jacob approaches a red light, stopping the car.

you grab his face and leave tiny kisses all over it in celebration. jacob's face grows hot and pink. "you're the best!" you exclaim before leaving one last kiss on his nose and sitting back in your seat.

jacob throws his keys on the kitchen counter, leaning over it before opening his phone. "where do you want to order from?" he asks you. you are sat on the countertop beside his large body. without hesitation, you say, "pizzanista, is that even a question?"

jacob smiles warmly. "that's my favorite place."

you chuckle. "i know," you say in a sing-song voice.

after jacob places an order for a large pie and garlic knots, he takes you in the wine cellar in his huge house.

"let's see if i can still remember your favorite wine..." jacob says, narrowing his eyes at the tall walls full of different wines.

you smile and cross your arms, "okay," you say, a hint of challenge in your voice.

jacob takes a minute before reaching for a bottle of wine called chateau ducru-beaucaillou saint-julien.

he turns to face you, holding the bottle like a baby with a smile on his face. "am i right?"

you giggle, not really in shock as you know he always remembers little things. "yes, it is."

jacob's smile grows bigger. "i knew it. let's go," he says, softly taking your hand—which sent your heart to your toes—and leading you back to the kitchen.

jacob pours the expensive wine into two gorgeous wine glasses. he then walks to the connected living room, handing you the glass and sitting on the comfy couch next to you.

you take a small sip of the wine, closing your eyes when it touches your lips. "mmh, i haven't had this in forever."

"good, right?" asked jacob after he takes a sip of the wine.

you nod. "good is an understatement."

you and jacob are now eating the pizza with your wine. the box is open on the coffee table with the container of garlic knots next to it, that jacob devoured. he was a sucker for garlic knots. the two of you ate your food watching titanic on the flatscreen tv.

"i'm tired," you sigh, laying your head into jacob's lap. you were feeling a bit wine drunk after the 2 glasses you had.

jacob smiles at your face, putting a hand in your hair and gently strokes it.

you close your eyes and smile lazily. "i love when people do that."

"yeah?" jacob asks, his eyes focusing back on the movie.

"mhm. it feels so nice. my ex--well you know, jack--used to do it to me, but you do it better."

jacob feels himself get excited for some reason and he smiles slightly at your words.

"i hate him...he was so horrible to me, jacob..."

jacob's smile on his face disappears and turns into an expression of sadness, feeling for you. "i know," he says in a comforting tone.

"he was so mean..." your eyes well up with tears and you sit up to face jacob. you put a hand on his shoulder and a tear runs down your bare face. "so mean."

jacob turns his head to the girl. "y/n, don't cry," he says softly, gently wiping the tear off your cheek.

"but do you know what?" you say suddenly, your tone a bit happier as you look into his eyes tipsily. jacob tilts his head at you curiously.

"in every boy i have talked to...i search for you in them," you blurt.

jacob freezes and furrows his eyebrows. "y/n, what?" he says awkwardly, completely confused.

you laugh again. "i looked for you in jack. you guys are both funny. bubbly. happy. gorgeous. he still wasn't you, but he was close," you shrug at the end of your sentence.

"y/n, you're drunk. you don't know what—"

"i know what i'm saying jacob. i may be drunk, but i still am in control of what i say. i never knew why i looked for you in everyone else, but i did. you're just so...perfect."

jacob knew you were drunk, and that he probably should get you home, but he wanted to hear more. every word you spoke shocked him, but it made him feel some type of way.

"the problem was—and still is—, i can't really date you because you're my best friend. i can't ruin what we already have. so i think that's why i looked for you in every other boy. and jacob, i never realized this until the other day. i don't know why, but i realized everything. my mind was telling me i have a crush on you, but i don't want to have a crush on you because you're my best friend and i love you to death and i don't want to ruin our perfect friendship," you pour out. your cheeks heat up immediately in embarrassment when jacob doesn't immediately respond, and you regret every word you just said.

a smile tugs at jacob's lips. he's in utter awe and shock. "y/n..."

"i'm sorry...i don't know why i said any of that," you sigh, turning your head to avoid eye contact and instead look to the tv screen. "forget all of it...i'm so sorry, oh my g—"

you are cut off by jacob's big hands holding your face. a huge smile grows on his lips and he connects them with yours. you kiss him back immediately, draping your arms around his neck.

you push him down until you are on top of him, straddling him on the couch as you both still kissed. his hands wander down to your lower back, but he thinks he should be respectful since you'd been drinking. your tongues dance together in sync, both hungry for each other.

you run a hand through his hair gently, the other sliding lustfully underneath his shirt to feel his abs, which turns jacob on immensely.

you break the kiss with a smile to stare at his beautiful face. you feel him grow harder beneath you making you smirk.

you move yourself back to palm his pants, keeping eye contact between you both. jacob gasps at your sudden actions and at the pleasure.

he sits up. "y/n, i don't know if you should—"

"i know you want me to," you say seductively.

jacob laughed at her words. "yes, but you're drunk and i really don't think you know—"

you roll your eyes. "just shut up and let me," you say before slowly pulling off his pants.

jacob shrugs and decides to just leave you be. besides, he'd been waiting for this since he'd became friends with you.

once his pants are off, you use your thumb to trace his print through his boxers, to which jacob groans at. you hover back over him, kissing him intensely as you continue to be a tease and he huffs in between kisses.

"fuckin' stop teasing me," he moans into your lips. you smirk, humming sensually against his lips, only continuing to tease him.

when you'd thought he'd had enough, you slowly pull his boxers down to his feet, revealing his huge cock. you widen your eyes at his length and he smirks at you, leaning back in his position, "go on," he speaks cockily. "think you can do it?" he asks, putting an emphasis on the 't' in 'it' by clicking his tongue.

you scoff with a confident smile before spitting into your hand, "watch."

you begin to pump your hand on his dick up and down slowly, from the shaft to the tip. jacob's breath hitches as he watches your face when you lower it closer to his length.

you stick your tongue out to lick a long stripe from his base to the tip, before taking just the tip in your mouth to tease him. jacob lets out a small moan in response to this, "yeah, take it baby, mmm."

you swirl your tongue around his tip, then taking his whole cock into your mouth, using one hand to jerk him off. you start bobbing your head faster and jacob's breathing gets more intense.

you look up at him, batting your eyelashes with his dick in your mouth like a slut. he scoffs with a smirk. "fuck, baby...look so hot like this, with my dick in your mouth..."

jacob moves a hand to pull your hair into a makeshift ponytail as he pushes it up and down, hard and slightly rough.

his eyes roll back harshly as he lets his head hang off the armrest of the couch with his mouth open. "oh my god...fuck...don't fuckin' stop..."

this is, without a doubt, the best head jacob had ever received.

"jesus," he grunts through his teeth, squeezing his eyes shut as you suck him faster than ever. he groans deeply, "gonna fucking cum in that pretty mouth."

you hum against him in approval before you feel the warm fluid shoot into your mouth. you quickly swallow some of it before sticking your tongue out, jerking him off as the rest of his load sprawls out onto your tongue.

you watch as jacob breathes heavily and throws his head back with a sigh as he covers his forehead with a hand, riding out his orgasm. "holy shit."

you swallow the rest of his cum and wipe your mouth before giggling at him and standing up.

"that was fucking insane..." jacob says still out of breath as he pulls his boxers back on.

you smirk. "well, what can i say?"

jacob chuckles and stands up once he was dressed. you turn around and turn the tv off.

"let's get you home," he says from behind you before playfully smacking your ass, earning a laugh from you as you both walk towards the garage door.

𝗮𝘂𝘁𝗵𝗼𝗿'𝘀 𝗻𝗼𝘁𝗲: someone anonymously requested for me to write jacob so here you goooo :)) lowkey i could've written this better bc its very lazily written i feel like. but like i said i'm still learning i will get better!

thank you for reading!! <3

@chrissturnsfav ™

#jacob elordi #jacob elordi smut #saltburn #euphoria #the kissing booth #felix catton #noah flynn #nate jacobs #acting #film industry #actor #priscilla movie #elvis presley #jacob elordi x you #jacob elordi x reader #oliver quick #venetia catton

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mariacallous · 2 hours

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This is from January of 2024.

For years, the death penalty in the United States appeared to be on an irreversible decline, perhaps even headed to extinction. Death sentences have fallen by about 90 percent since their mid-1990s peak, when more than 300 were imposed every year. In 1999, there were almost 100 executions nationwide; in 2021, there were 11.

That downward trend is beginning to reverse. Driven by hardline prosecutors and tough-on-crime governors, the number of executions jumped 64 percent in 2022 and increased again in 2023 to a total of 24, the highest in five years.

Perhaps the most crucial player in the death penalty’s resurrection, though, is the U.S. Supreme Court, whose historic role of maintaining guardrails has given way to removing roadblocks. Under the conservative supermajority put in place by President Donald Trump, the justices are far more likely to propel an execution forward than intercede to stop it, including in cases where guilt is in doubt or where the means of carrying it out could result in a grotesque spectacle of pain and suffering.

States are responding. On Thursday, Alabama is scheduled to execute someone using a potentially dangerous method that has never before been used in the U.S. South Carolina announced it is restarting executions after a 12-year pause, a decision which is now the subject of a legal challenge that will be heard by the state’s highest court in February. On Dec. 22, a Utah judge ruled that the state could use a firing squad to execute Ralph Leroy Menzies, who was convicted and sentenced to death in 1988, even though past experiments with this method demonstrated that there was a “risk of a ‘botched’ execution, such as bullets missing the target placed over a person’s heart.” Earlier in 2023, Florida Gov. Ron DeSantis signed six death warrants (compared to just two during his entire first term in office) and a law that ended a unanimous jury requirement for death sentencing. Florida also enacted a law that allows capital punishment in cases involving sex crimes against children in non-lethal cases; in December, a Florida prosecutor invoked it to seek the death penalty against a man accused of multiple counts of sexual battery against a child under the age of 12. The law flatly contradicts a line of Supreme Court precedent barring the death penalty in cases where “no life was taken.” DeSantis has vowed to defend the legislation against any legal challenge, offering the justices an opportunity to reconsider an entire line of death penalty jurisprudence. Similar laws have been proposed in Tennessee and Missouri.

On Nov. 16, Alabama executed Casey McWhorter, who had just turned 18 when he participated in the 1993 robbery and shooting death of the victim. The jury could not reach a unanimous verdict on the death sentence, but the judge imposed it anyway. In Louisiana, a coalition of prosecutors led by Republican Attorney General Jeff Landry defeated Democratic Gov. John Bel Edwards’ effort to commute 56 death row sentences. Landry, a death penalty proponent who has pushed for Louisiana to expand its execution methods to include hangings and firing squads, replaced Edwards as governor in January. “If Jeff Landry wants to do it,” said Cecelia Kappel, the executive director of the Capital Appeals Project in New Orleans, “he will find a way to do it.”

So far, the new wave of completed executions has been confined to the deep South. But death penalty sentences are not, and other parts of the country may soon start carrying them out. Between 2001 and 2021, the number of people on death row in Maricopa County, Arizona, increased by more than half. One of the most avid proponents of capital punishment in the country is Mike Hestrin, the district attorney of Riverside County, California, which now has the second-largest population of people on death row — behind only Los Angeles County, which has increased its death row population by 25 percent over the past two decades.

In 1976, the Supreme Court famously declared that “death is different,” and demanded an extra level of scrutiny because a mistake is irreversible. Historically, in particularly troubling instances involving state misconduct or abysmal defense lawyering, the Court sometimes intervened at the eleventh hour — from 2013 to 2023, it stayed an execution just 11 times and vacated stays of execution 18 times, according to Bloomberg Law.

Since the death of Justice Ruth Bader Ginsburg and her replacement with Amy Coney Barrett in 2020, the Court has stopped an execution only twice and reversed a lower court to permit an execution nine times. In 2023, 26 condemned prisoners asked the Court to hear their cases; 25 were rejected. The message is clear: Prosecutors eager to seek and swiftly impose death sentences can reliably do so without judicial interference.

In the early aughts, the Supreme Court issued a series of rulings that placed bright-line limitations on how prosecutors could use the death penalty, barring the execution of the intellectually disabled defendants in Atkins v. Virginia, and those under the age of 18 in Roper v. Simmons. Neither category of person, the Court said, were as blameworthy as run-of-the-mill defendants, pointing out that most industrialized countries had long since come to the same conclusion. In Roper, the Court was blunt: “It is fair to say that the United States now stands alone in a world that has turned its face against the juvenile death penalty.”

But in 2019, the U.S. Supreme Court reversed course and started on its current path. In Bucklew v. Precythe, a majority of the court opined that the Eighth Amendment’s prohibition against cruel and unusual punishment “does not guarantee a prisoner a painless death — something that, of course, isn’t guaranteed to many people, including most victims of capital crimes.” In the court’s reasoning, the excruciating pain the defendant might suffer during execution paled in comparison with the terror and mayhem he inflicted during his crimes.

In that same opinion, the Court indicated an impatience with pausing executions while it considered whether to hear the underlying claims from appellate attorneys. Justice Neil Gorsuch warned his colleagues to be skeptical when reading eleventh hour death row appeals: “Last minute stays should be the extreme exception, not the norm.”

It has been. Consider the 13 federal prisoners who were sent to the death chamber in the final months of Trump’s presidency. In a series of terse orders, issued without briefing, argument or public airing of the legal issues, the court blessed the rushed, furious pace. Using this opaque process, which legal scholars call the “shadow docket,” the justices erased lower-court injunctions against executions in seven cases and turned away last-minute requests for stays in the other six. During the 16 years in which Barack Obama and George W. Bush occupied the White House, the Court had invoked the shadow docket to rule for the government a total of four times and “never in a death penalty case,” according to Stephen Vladeck, a professor at the University of Texas School of Law. In Trump’s single term in office, the number jumped to 28, including non-capital cases.

More recently, the Court has rejected cases that advocates say are riddled with error or rest on shaky evidence. On Oct. 2, the Court declined to consider the capital case of Robert Leslie Roberson III, whose conviction is based on dubious “shaken baby syndrome” science. Roberson will likely soon have an execution date. The same day, the justices also declined to hear the case of Toforest Johnson, who was convicted of murdering a law enforcement officer based on the testimony of a woman who was paid $5,000 by police in exchange for her testimony that she overheard him confessing — a payment that was hidden from Johnson and the jurors.

On Oct. 30, the Court turned away an appeal from Brent Brewer, whose death sentence for a 1990 homicide in Amarillo, Texas, hinged on testimony from a discredited forensic psychiatrist who said he would be a permanent danger in prison. Texas executed Brewer on Nov. 9. Two more people — McWhorter and a Texas man named David Renteria — were both executed on Nov. 16 after the justices declined to intervene.

Emboldened by the green light from the Supreme Court — along with lower federal courts following its lead — the states have gotten creative.

A major factor in the decade-plus drop in executions that preceded the recent upswing was an inability by states to secure the drugs necessary to follow a well-established and legally sanctioned three-drug injection protocol. The supply of sodium thiopental, the drug meant to send the condemned into a coma before the others were administered, dried up. Some states started using midazolam instead, which is not as effective. The change resulted in high-profile, botched executions with prisoners bucking against their restraints, screaming in pain and remaining alive for hours or even surviving the procedure. Anti-capital punishment advocates hoped that these gruesome spectacles would quell further executions.

But the Supreme Court has made it clear that the states can experiment with alternative methods, and they continue to do so. Alabama’s attorney general is moving forward with plans to execute Kenneth Eugene Smith with nitrogen hypoxia, a never-before-used method that kills people by depriving them of oxygen. The state claims it is painless, but experts disagree. “We do not even reserve this fate for cats and dogs,” wrote Columbia Law professor Bernard Harcourt in a New York Times op-ed, noting that veterinarians stopped the practice in 2020 after studies showed “those animals may experience panic, pain and severe physical distress before dying.”

Smith’s spiritual advisor, the Rev. Jeff Hood, had to sign a release acknowledging that his safety would be at risk if he were to inhale the gas because the hose dislodged or Smith’s face mask came loose. Hood, who has administered last rites inside the death chambers of Texas and Oklahoma told NPR, “There is no doubt in my mind that Alabama is the most ill-prepared, unprofessional execution squad that exists of those three.” (Alabama spent four hours trying to execute Smith by lethal injection in 2022 only to give up after failing to find a suitable vein.)

Oklahoma officials have also expressed a willingness to use nitrogen hypoxia depending on how it fares in Alabama. “The U.S. Supreme Court’s execute-them-at-any-cost mentality has clearly had an effect on the extremist states that want to carry out executions,” said Robert Dunham, the director of the Death Penalty Project at Temple University Beasley School of Law.

The Supreme Court’s recent decisions have created a permissive structure, but not a porous one. Death penalty cases are notoriously rife with racism, questions of innocence, mental health of the accused and whether they received competent legal counsel. Sometimes the facts are too dire for courts to ignore, and even some pro-death penalty politicians are unwilling to take actions in flagrant violation of established norms. The total number of executions over the past decade is still a fraction of its peak in the 1990s.

And yet, the death penalty machine continues to crank on. These days, the battles over who lives and who dies are increasingly local — waged courtroom by courtroom because the Supreme Court has largely abdicated its decades long role as the final arbiter.

“It is becoming more and more clear that the Court is reluctant to interfere in state court cases even to enforce its own precedent,” said Robin Maher, the executive director of the Death Penalty Information Center. “They are saying, ‘This is not our problem to deal with.’”

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bardicious · 23 days

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In my random thoughts of Jim today, I looked up memory alpha to see how old Jim was when he was in Tarsus (13! Baby!) and it said,

"By 2246, he was living on Tarsus IV, as his father George moved there. During his time on Tarsus IV, the planet was undergoing a food crisis that was starving the colony, which consisted of eight thousand people."

Which I found strange. 1. Cause I don't remember seeing this there before. 2. My impression was Jim was alone on Tarsus, don't know why or how - maybe visiting someone, but alone. Specifically because the implication is Jim and his rag tag team of child survivors had to have survived together, and Kodos would have needed some time to run and set up a fake dead body. Though the ships no doubt came very soon after the colonists were killed.

I guess I could see George Sr. dying there, but I doubt Sam or Winona (as apparently some Discovery novel said) were there. Because, again? Why would Jim go to the gathering that killed 4000 colonists alone? Seems like something his parents would be wary about given the circumstances. So Jim and George could have gone together, and George may have died saving his son, but... Im not sure I got the impression George was dead yet in SNW. It seemed as if Sam was specifically upset that Jim was following in their father's footsteps and doing insanely well. Which, I suppose, he could have been upset in memory of his father, rather than worried about his father's opinions as an adult.

Additionally, I think Sam would be more proud of his given name (George) if his father was already dead and died honorably, and not try to distance himself from the namesake like he has.

Honestly, I don't know where this information of George Sr. being there is from and it's starting to sound like beta canon to me. 🤔(If someone has any info on this, I would appreciate a reply!! Thank you!)

#star trek #star trek tos #star trek snw #strange new worlds #jim kirk #sam kirk #george kirk #winona kirk #Where No Man Has Gone Before and Then Some #I dont remember seeing that info about his father being there before #and I used to read memory alpha for fun as a teen #seems like a majority of people also agree - because many old and new fanfics #plus novels (I believe)#have also assumed he's alone with the other kids surviving #likely taking a leadership role #and if so - then why is there even any beta canon in the alpha canon wikia #frustrating #🤔🤔🤔

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neonhog · 5 months

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the fnv brotherhood of steel being such an intense parallel to being stuck with an abusive conservative family explored largely through a lesbian character whose constantly making excuses for them gighhrggurughh

#censoring so stuff doesnt appear in tags to specify #but the elders have a very specific type of control over the rest of the bunker thats very reminiscent of #the amount of power parents have over their children or fathers have over their general families #where they could be harming you and the people around you terribly #but despite #you have to remain neutral and calm and kind towards them to not risk being #the person who yelled at your beloved parent #and how elijah was able to #take on the role of veronicas father #simply because he chose too and then was able to isolate veronica from her lover likely using the bunkers homophobia #is actually a very terrifying thought #because he held the power to do this because he simply claimed ownership over a young girl as her father #and how veronica is often spoken about with exasperation #which is probably warranted in a way because all of these people are stuck with each-other and see each-other at the worse #they have very little privacy and if you look at the bunkers they all sleep in you can see that they likely have no opportunity to privatel #explore their sexuality in any way #which is especially terrible in an environment where homophobia can be weaponized on a whim #and the casual mentions of inc-st being necessary to keep the bunker running and how their x-nophobia is leading to this inc-st-ous abuse #is especially disturbing when you consider how easy veronica was isolated by an older man in the brotherhood #even if it wasn't for those intentions #it always could be with someone else #veronica santangelo

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blueskittlesart · 1 year

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i am an athena cykes defender forever and ever until the day i die but god. somewhere out there there is a universe where apollo justice got actual follow through and it kills me that i am not living in it

#sorry. i am replaying apollo justice. and it has SO MUCH POTENTIAL.#kills me that we never get any real answers about kristoph obv but its not even just that #klavier as a rival was so interesting. because hes basically already at the state that you're trying to get all the other prosecutors in th #series to in terms of winning vs truth. hes really well rounded as a prosecutor in a way that you as the player arent used to #and that was an interesting departure from the formula for aa in general but then they slapped him with a whole DIFFERENT problem #with kristoph and phoenix. and then they just. do not resolve it whatsoever.#even though apollo is literally right there as a perfect little avenue for resolution. and i KNOW that they WOULD HAVE resolved it #if only they would have MADE THE SECOND GODDAMN GAME #PLUS the secondary conflict of systemic injustice within the system and phoenix's role in that. TRUCY.#god fuck ace attorney why are you so good and so bad at the same time #what we really should have gotten is an apollo justice duology and THEN an athena cykes solo game #where apollo shows up exclusively as a background character and athena actually gets to be the playable attorney in more than 2 cases.#ugh. whatever #personal

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inchidentally · 1 day

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"short and easier to read" babe I am so sorry to you and everyone else for how my insane posts come out - it's why I link to so much stuff bc it is a struggleee for me to not write just run-on sentences ;__; but I do get what you mean and I promise I tried my best - it's def shorter than the og and in smaller bites if that helps ??

(I actually wrote this on someone else's laptop so it's got proper punctuation and capitalization and everything!)

For those who don’t know: Oscar is an acts of service guy Lando is a words of affirmation guy. Let’s remember that someone’s love language is how they choose to express themselves, not what they should demand of others!

Oscar is also very much not a PR guy, for anyone totally oblivious to the obvious (and that all his "greatest hits" in PR were done unintentionally or bc he's awkward or bc his mom is cooler than him). For example, Oscar brings up his girlfriend of 4-5 years a fair amount but it’s almost hilariously not gushy or romantic (having a “cuddle” is as far as it goes lasfgjlsagfl). But he’s said himself that for the most part he’d prefer not to have too much private life available to the public. *His downtime with Lando joins in with all his other social life in being extremely limited to the public.

The “thanking the sponsors” thing is one of Oscar’s safe, approved speeches he pulled from Andrea so that Oscar doesn’t have to do spontaneous on-camera speaking. Sorry but not all of us are good at it and it’s wayyyy easier to just have some rehearsed pre-approved soundbites. He tends to have a few that he repeats for a while until he updates the list lsafjslafhlafh.

He also very openly struggles to do on-camera speaking and no one knows that better than Lando who’s had to help him a huge amount.

It does seem to be mostly cameras that make him stressed bc he was fine thanking Lando for his help in Baku at the fan stage in Singapore and overall he can use more of his dry humor when he's speaking to people rather than just to a camera.

Lando’s recent inclusion of Oscar in his media responses to this degree is a reaction to Hungary and Monza - normally, his post race responses focus on himself and his own performance (which is literally normal and the default for drivers!!). The recent emphasis on teamwork/Oscar is something he feels he needs to do with his own PR work right now. He’s a smart man who’s been doing this a long time, so his reasons are valid no matter what fans think. He’s not sitting there working out or analyzing Oscar’s PR, just his own.

People are absolutely running away with themselves over Monza and ignoring that apart from that one moment, Oscar is widely popularly seen as the supportive teammate role. To the point where last year and even part of this year, Lando was criticized by a lot of fans for not acknowledging Oscar enough.

Going off of that, let’s show how easy it is to take PR and media to make one of them look bad by turning it around onto Lando (!! this is for an example, I do NOT endorse hating on Lando for any of it !!)

Lando openly disliked being referred to as the “older teammate” and kinda left Oscar to his own devices so much last season that Oscar wouldn’t know where he was going a lot of the time and even semi-joked “my teammate’s abandoned me” (again, reminder this was not a source of drama for anyone but fans). He got called a little duckling a lot bc he’d tail Lando closely so as not to lose him. In fact it started irking some people that Lando would spend so much time with Carlos or Daniel and not getting to know his new teammate and helping him out with his rookie season of F1 the way Carlos did for Lando.

In every team photo where Lando has had a podium and Oscar has had nothing (and sometimes due at least in part to team orders!) which is very often! the comments sections have always had plenty of ‘Oscar is such a great team player, always happy and showing up for Lando no matter what’. So the whole ‘Oscar doesn’t do enough for Lando’ narrative is extremely recent and at odds with the rest of reality.

Please read the very first part of my enormous full post bc Lando didn’t thank Oscar for his Miami win, he praised his driving.

Even though at Silverstone this year Lando got on the podium and Oscar didn’t, Oscar made the fan stage all about bringing Lando out of his disappointment and even said he did the shoey “to make us feel better” and then dedicated the top row of his IG that week to photos and videos of him and Lando. Special note that this is in no way Oscar’s home race and he was solely seeing it as emotional for Lando and McLaren - and he had zero reason to personally be very happy after that weekend.

I’ve seen Melbourne this year get mentioned in the team orders discussions on my fyps, so that’s a handy example in many ways: Despite Melbourne being Oscar’s literal hometown race - and Lando even filming some Quadrant stuff at Oscar’s childhood karting track where a corner is named after him* - this year Lando didn’t acknowledge Oscar really at all over the weekend until someone mentioned him at the end of the podium press conference. Lando acknowledged that Oscar following team orders made his (Lando’s) drive a bit easier in Melbourne this year but said that he was faster than Oscar and deserved third over him anyway. (Good contrast to Hungary and even Carlos stating that something an undercut due to pit strategy shouldn’t erase one teammate being faster/more dominant in a race in order to give the other teammate the win!) He did PR work with pretty much everyone except Oscar actually, even doing promo for his (Lando’s) dad’s electric scooters on the new dotmov acc. Kind of like him being on a similar PR campaign at Singapore this year because of a sneak preview of Quadrant rebranding and announcing the Landostand at Silverstone - he went for the biggest PR hits and posted Daniel on his jpg account, did a golf day with Carlos and Max F and was more active on socials than he had been for months. All while only having Oscar in one photo out of the whole weekend’s carousel despite the McLaren double podium. You could even read into him cutting Oscar and Oscar’s trophy out of two of the shots if you wanted! (He did include Oscar in the big group photo after the podium celebrations.)

*I saw some ppl say he didn't include Oscar in the Melbourne karting filming bc McLaren doesn't cross over with Quadrant, which isn't true. Zak has shares in Quadrant and Bianca has been included in the Quadrant rebranding launch with Lando's Singapore helmet design.

See how easy that was to flip it around?? If you’re even slightly biased against a driver or never see flaws in another- or are dying for two teammates to hate each other - then confirmation bias will always find plenty of “evidence”! Because the reality is that after the Austin GP, Lando found his “older teammate” mode and began helping Oscar out with his rookie year. In Melbourne, Lando spent his first day filming for his .mov account including the Oscar jersey and merch he came across - and Oscar mentioned how he and Lando talked about Lando filming at his old track. (Again, not PR coordinated or filmed, just mentioned!) And that after the Singapore race this year, they beamed at each other every other second of that night, filmed a deliriously happy post race video and joked in the cool down room - I honestly doubt have even noticed yet what the other has posted to IG salfhsalfafa. All of the negativity fans are coming up with is their own personal spin and does not resemble how Lando and Oscar are behaving to or speaking about each other.

They base their relationship on their conversations and interactions solely away from the public and the cameras and don’t do any inflammatory commentary about each other. They bragged about the door in the team hub that separates their drivers rooms from everyone else and leaves them open only to each other. Their communications only matter to each other when in private.

Segueing on from that: media and social media are literally PR. Lando is extremely skilled at it now and Oscar is not at all naturally skilled and is still learning. Lando is quick to be able to adapt his media responses, Oscar is not and often sounds stilted and uncomfortable. But it still has nothing to do with how they think of each other and talk to each other personally.

And “Landoscar” has never had the typical PR bromance aspect that we all love in other teammates, and it never will. Lando and Oscar mention but don’t broadcast or package their downtime together and they don’t share their private dynamic with fans or the media apart from the glimpses we see in more relaxed content. It’s just their choice! And just like it doesn’t mean Lando and Oscar are less friends because they don’t PR their relationship, it doesn’t mean the friendships who do utilize PR are less friends!

And tbh that’s a good note to leave on: that seeing two drivers with no PR to gain from openly liking and respecting each other should mean that we as fans place less importance on the PR responses they give to media and put on social media. So many people want them to hate each other (Netflix even begging them outright) and rivalries get far more headlines and fan engagement, that if these two didn’t like each other or even were blah about each other, they wouldn’t waste time trying to fake it (side note ppl actually thought this joke was deadly serious for a short while). F1 isn’t team sports, no one really cares if drivers or teams appear “friendly” unless they’re desperate for money/engagement to keep them afloat (even there, Alpine prove it clearly isn’t a priority to have friendly teammates when you’re lower down the grid!)

There is absolutely nothing to be gained for them in faking the smiles and laughter and twinning. Equally there’s nothing to be gained by us as fans in judging them and their relationship based on their PR responses and PR work. Lando beams and smiles the same at Oscar after all of Oscar’s awkward, stiff debrief speeches and I kind of want one of these crazy stans to say to him that Oscar is a bad team player and doesn’t show Lando enough appreciation just to watch what his adorable face does in response (don’t do that I’m joking).

#inchreplies #(did a screenshot bc I never know what shows up in posted submissions)#landoscar #I pray this is more coherent I'm sorry guys #this is why it takes me forever to write fic #to make my brain work right with words is a monumental task #mostly it's grammar syntax etc but jfc what is going on in my brain #inchidentallyanessay

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