#is this the kind of post you tag:

[shaonicwhite]

thinking about.... them..... (stained glass windows)

places these are located, in order: (1) theodore parker unitarian universalist church (2) Institut Pere Mata (3) casa comalat (4) casa manuel felip (5) casa manuel felip (6) casa tomás vendrell (7) horace peck home / kalamazoo valley museum (8) casa navás (9) the met museum (it’s not in a building, it’s an isolated panel by louis tiffany)

[samgiddings]

@staff @support @engineering @music @books

Have you ever considered this is a really stupid layout to have when there’s no way to easily get your account back if you accidentally hit the wrong button???

[gibbearish]

love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[scholarhect]

ok buckle up, this is a long one. palamedes sextus moodboard

[cinnamontoads]

this edit of rhett and link always makes me laugh so bad I had to redraw it myself too

[lucky-fy]

As I was browsing my copy of the latest Daydream Hour for reference materials, I came across this illustration. Since I don't remember seeing it shared around, here!

(description in ALT)

[swedenis-h]

TGS Mondays save me TGS Mondays..

@glass-scientists

[tevintersnakes]

Lab tech brain compels me to ramble through my OC

[christakisbang]

[heartorbit]

revstar emu save me

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[transmascissues]

if you had to live even one day as a biological homosexual male (don't play dumb or smart, you know what i'm referring to), you'd fucking k!ll yourself once you realize how miserable it is.

right, because trans people have famously never had to survive being so miserable that we feel like we’d be better off dead, and transphobia totally doesn’t compound with homophobia to make life even harder. i mean, fuck intersectionality, right? obviously being trans on top of being gay would make things easier, not harder. silly me. my stupid little female brain just can’t possibly comprehend how hard your life must be. of course i would be too fragile and weak to survive the hardships that you and only you experience. really, we should all give you a standing ovation for surviving more suffering than anyone else on the entire earth has ever had to experience.

…anyway, this whole stolen valor angle of anti-transmasculinity is weird as hell. big “back in my day we had to walk to school up hill both ways in the snow” energy. have you ever considered that maybe, just maybe, you don’t have some sort of monopoly on suffering? because believe it or not, finding community with other people who have faced similar hardships is actually a really healing experience when you let yourself do it, and would definitely be far healthier than whatever the fuck you’ve got going on here. i’d strongly recommend trying it sometime. if you get the stick out of your ass, you’ll realize we’re in this together, and that’s an incredibly powerful thing.

[cupid-tune]

BWWUWHUH SILLY FUN COMMISSIONS!

[inkskinned]

you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.

you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.

instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.

you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.

your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.

because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.

so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.

all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.

[buggachat]

i do just have to say though.................... i feel like people who really really loved the movie's portrayals of the characters are adding aspects of the show characters onto them? you know what i mean? like i see people say that adrien and marinette were more likeable in the movie than the show, when movie adrien didn't perform a single act of kindness in the entire 2 hours despite kindness being a core trait of adrien in the show? marinette was normal and not particularly weird at all and just kind of a generic protagonist? were adrien and marinette actually more interesting in the movie than the show, or are you just cherrypicking the aspects of them you like the from the show and putting them on the movie characters to make your favorite amalgamation?

marinette fell for adrien not because he showed vulnerability and forgiveness and kindness and opened his heart up to her.... but because he awkwardly tried to help her up after being kind of weirded out by her? so like i guess she thought he was hot and that was basically it? chat noir fell for ladybug not because she was strong and confident and showed determination in the face of fear... but because she begrudgingly helped him up in the middle of a battle? so like i guess he thought she was hot and that was basically it? they fell for each other over just the bare minimum interactions? most of their relationship was a montage? like, did the movie do the work to convince you of lovesquare's romantic potential, or did you go into the movie already shipping them because the show had already convinced you?

thats totally a valid way to enjoy the movie ftr! i'm just saying.... idk it's weird to see people praising the movie for being "better" when i feel like a lot of the enjoyment of the movie actually hinges on watching the show as context for their characters. and i guess im just a cringe slow-burn enjoyer but i find it weird that people are using "faster" as a synonym for "better"