hello mae ! could i ask for an apple pie with any of the marauders with these prompts?
“a flea market wedding dress” & “hands stained with pen ink”
it would also be alright if it’s just the first one if ever you don’t feel like writing with two of them in mind !
- 🧸 (i always forget to sign off with this 😭)
Thank you for requesting <3
cw: some non-sexual nudity (it's hardly mentioned only really implied)
Remus Lupin x fem!reader ♡ 749 words
“Do we need eggs?” Remus asks from the other room.
“I don’t think so.” You zip the dress up in the back, relishing in the smooth feel of the fabric on your skin. It fits like it was made for you. “I’m not feeling very eggy lately. Our last ones went bad.” You smile at yourself in the mirror, going to show Remus.
“It just feels strange not to have eggs…” he trails off as you come into view. It’s not your appearance that surprises him—you’ve been showing off your finds from the flea market since you got home—but the dress itself. “That’s pretty.” He sounds a tad breathless. “It’s, um. It’s white.”
“Yeah,” you laugh, “it was someone’s wedding dress, once. Isn’t it nice?” You give him a little twirl. “I think if I take out some of the layers in the skirt it could be cute for summer. Very flowy.”
“Very.” Remus caps the pen he was using for your grocery list, amusement coloring his tone. “You look lovely in it, dove. You know everyone will think we’re getting married when you wear it out, though, don’t you?”
“With the way you dress?” You grin. It worsens when he stands, coming over to you with a grin of his own. “Doesn’t seem likely.”
“My jumpers are very dapper,” he says, smiling into a kiss.
You hum noncommittally, and he gives your middle a playful warning squeeze. A quick peck to your lips, then another, longer and sweeter. You set your hands on his chest, feeling the soft material of the jumper he’s wearing now.
“I don’t know,” you tease, looking down at your contrasting outfits. “I think—oh, Remus!”
You move away from him, but the damage is done. Two smudges of ink remain on your dress where his fingertips were.
Remus is quick to follow your gaze. “Fuck.”
“It’s okay,” you say, even as your heart sinks.
“No, dovey, I’m so sorry.” He looks like he wants to reach for you again, but he looks at his hands and swears instead. “I can—wait one second.”
He goes back around the counter, and you hear the sink running.
“Really,” you say, “it’s fine. It was only a few quid.”
“No, but you were excited about it. I think I can get it out.”
“It’s ink, Rem, it’s…”
You trail off as he comes back around the corner, soapy dish sponge in hand, and presses it to your dress.
“What…” You move your arm out of the way. Remus settles a hand on your hip, holding the both of you steady as he bends closer to your waist. He swipes the sponge over the fabric with a concentrated furrow between his brows. “Are…are you washing me?”
“I’m getting the stain out.”
“I don’t think soap is going to do it, honey.”
The look your boyfriend casts up at you is equal parts loving and exasperated. “It usually works for me. This isn’t my first time getting ink on clothes.”
That, you can believe. The writing in Remus’ notebooks is always smeared, the culprit to be found in his inky hands. Sometimes you swear he gets black and blue stains up to his elbows. You’ve no clue how he manages it.
“Now we only need to put baking soda on it, and it should come out.” He gives your dress one last good scrub with the sponge.
“Right,” you say hesitantly. “So should I just lie down for that, or…”
“I probably should have had you take it off first,” Remus admits. “I panicked, a little bit.”
You laugh. He looks relieved to hear it, some of the guilt easing from his expression. “That’s my fault, I guess.” You unzip the back of your dress, trying to step out of it without disturbing the stain.
“No, I think it’s all still mine,” Remus says, but he takes it from you.
Once he’s done arranging it in the sink and piling it with baking soda, he comes back to you, slotting a hand behind your ear and letting his fingers slip into your hair.
“Sorry, sweetheart.” He kisses you.
You roll your eyes. He knows you can’t be cross at him when he does that.
“You just didn’t want me to be better dressed than you,” you say, though there’s nothing but fondness to be found in your tone.
“You’re always better dressed. As you’ve said, the bar isn’t high.”
“Oh, shut up. You know I like your jumpers just fine.”
351 notes
·
View notes
Fiddlestan AU!!
AU where Ford gets into West Coast Tech, but Stan manages to (somehow) get into Backupsmore and gets roomed with Fiddleford!
Stan was kicked out after Ford left (because if his brother was ready to leave home, so was Stan). Stan lived in his car & the public libraries he found (all his fake IDs are just fake Library Cards lmao. nerd). Stan also discovered he was queer (did drag for the prize money, then went OH. All these queens are treating me like this because I'm a baby queer. That makes sense. Guess I’m doing guys now.).
I like to think that Stan spent a year or two studying up after Ford left so when he gets in Fiddleford is in his second or third year! This does result in a “I'm your new roommate. You first year?” and Fiddleford going “What in tarnation... I'm THIRD year? How did we end up in the same dorm????”
At first they HATE each other- Fiddleford thinks Stan is reckless, and doesn’t know what he’s doing there, and that he’s kind of stupid, while Stan thinks Fiddleford is some stuck-up hippie who formed an opinion on Stan too quickly (he did). Once they do start talking they have a very quick ‘oh you’re actually not that bad’ moment. Fiddleford leaves before Stan, obviously, but they keep in close contact even after Fiddleford moves in with Emma-Mae.
Stan and Ford have a huge argument about Ford not needing Stan anymore. Cue: “Of course I need you, you're my brother” “WELL YOU DON'T ACT LIKE IT”, which is another reason that Stan and Fiddleford leave together. Not long after this, around Stan’s graduation, Fiddleford has a 'I'm gay and don't love my wife' moment, and Stan casually suggests running away, just driving (maybe something a little nostalgic in it, maybe when Stan looks back at his car he feels like he can hear a distant New Jersey shore). The next day Fiddleford shows up with a duffle bag of things, and Stan realises Fiddleford took him seriously. That he’s willing to run away with him, even if it’s not on a boat, that Fiddleford wants to. Stan gets very, very close to realising he’s in love that day.
They run away after Stan’s graduation and just drive until they get to Gravity Falls! They set up shop there, with Fiddleford doing auto repairs (and making inventions on the side). Fiddleford confesses to Stan when they’re staying in a motel- he thinks Stan is asleep, so he just says that he thinks he’s in love with him, while Stan is laying wide awake in the bed next to him. Stan spends the next few days Freaking The Fuck Out while Fiddleford doesn’t acknowledge what he said. Stan thinks Fiddleford knew he was awake, so when he confesses back he says something along the lines of “I think I’m in love with you, too” and Fiddleford bluescreens.
Just General HCs:
Stan falls first, but doesn't realise until Fiddleford confesses.
Ford is still self centred but doesn't hate Stan. Stan resents Ford for not doing anything when he was kicked out, and a little bit for leaving him. He understands, though, why stay with your good for nothing brother when you have dreams across the country to fulfil?
Fiddleford is Repressed Gay until he confesses his Awful Secret to Stan who's just like....”okay?”. He does get to the point of marrying Emma-mae, before he confesses to Stan.
I don't quite know what Stan will be doing, both in Backupsmore and once they move to Gravity Falls. I like a little bit about him either doing Art or Law, but I feel as though he’s not willing nor smart enough (respectively) for either one.
Stan IS smart, don’t get me wrong, he just needs it to be something ‘physical’ that he can interact with. Fiddleford helps a lot with this (having gotten a lot of hands-on work while he was on the farm).
I think eventually Ford does end up in Gravity Falls too, but by this point he’s distanced himself from everyone not because of Bill, but because of his own hubris.
Because of Stan and Fiddleford being queer, I don’t think Dipper and Mabel would be allowed to visit them until their parents have no other choice- though they do hear a lot about their Grunkles and see them from time to time.
If I did include a Bill/main timeline ish plot it’d be Fiddleford who gets tricked- maybe after Ford gets to Gravity Falls, and Bill offers a way to keep Stan happy/repair his relationship with Ford (maybe Fiddleford thinks Stan is going to run away- just without him this time. He knows Stan would never, but he could.)
I’d probably include a B-plot where Stan thinks Fiddleford will cheat on him with Ford- they click immediately and so much better, Ford is so much smarter, he’s the better twin, because insecure Stan is my favourite thing ever. Just a small detail, but I think that Fiddleford is a lot more confident and stable with Stan, mainly because Stan has encouraged him to step out of his comfort zone so often, and has proved time and time again that all Fiddleford has to do is ask and Stan is right there to catch him.
I'm still not sure what Stan should do, so if anyone has any suggestions, let me know! That and drawing requests god let me draw them PLEASE.
117 notes
·
View notes
Omg I js discovered ur blog ❤️
Can I request relationship headcanons with Gaolang? I’m so in love with that man :((
THANK YOU <3
never wrote for Gaolang but I tried my best 😭🙏 thank you for the ask!
Kaolang/Gaolang Realationship Hcs!
let’s go!
It was kinda of hard to get into a relationship with Gaolang, he was very quiet and kept to himself and he most likely didn’t even get the hint that you were hitting on him at first. But once you finally got into a relationship, everything felt easier.
✠ ——— ✠ ——— ✠ ——— ✠
I feel like Gaolang dates to marry so he will definitely have you move in with him within the first couple of weeks. Of course you won’t have to lift a single finger during this process.
✠ ——— ✠ ——— ✠ ——— ✠
Gaolong spoils you but with caution. He will get you whatever you want but be ready because after that you’re gonna have to wait until Christmas.
✠ ——— ✠ ——— ✠ ——— ✠
Gaolang (unintentionally) introduces you to Saw Paing. Of course, it probably went down with Saw bursting in while you are at home alone waiting for Gaolang to come back from grocery shopping and naturally, you thought it was an intruder. So you can guess how that went. You and Saw definitely went on a bumpy start but ended up being VERY close.
✠ ——— ✠ ——— ✠ ——— ✠
Gaolong INTENTIONALLY introduced you to Karo. You’re not as great friends with the large fisherman but you definitely like and enjoy his company as much as Gaolang does.
✠ ——— ✠ ——— ✠ ——— ✠
Gaolong is the ideal househusband. Even though you both work, Gaolang still and will make time to prepare you a meal. He might clean but he expects you to do the laundry. Either way, it’s more like you’re the husband and he’s the wife. 🤗
✠ ——— ✠ ——— ✠ ——— ✠
Gaolang trains you. I mean, he never wants you to join in fighting arenas like he does but it does come in handy; being able to fight for self defense. He’ll teach you the basics of boxing and maybe a bit of Muy Thai.
✠ ——— ✠ ——— ✠ ——— ✠
I feel like Gaolang doesn’t want kids. Mostly because of his dangerous lifestyle but also because he is barely there at home to attend to you, let alone kids. All the stuff with the underground fighting and the boxing championships keeps him busy so he’d have a lot of guilt if he couldn’t see his kids because of that. ☹️
✠ ——— ✠ ——— ✠ ——— ✠
Gaolong is INCREDIBLY patient. If you ever get in a dispute (which happens literally NEVER) Gaolang will wait until you’re calm before explaining to you his side of whatever the problem is and talking it out.
✠ ——— ✠ ——— ✠ ——— ✠
If Gaolang could get a penny for the times you’ve asked him to meet Rama he’d have 7 pennies, which isn’t a lot but it annoys him slightly. Eventually he caves and introduces you to him and of course, like you do to all of his friends, you become super close.
✠ ——— ✠ ——— ✠ ——— ✠
I feel like Kaolang shows you his phone without any reason. Even if you ask, he’ll give it to you without even thinking about it. He knows he’s loyal and doesn’t blame you for thinking that he’s doing something because of the late hours he comes home. Obviously you never find anything.
✠ ——— ✠ ——— ✠ ——— ✠
Kaolong has you as his lock screen and home screen, he wants anyone that sees his phone to see you.
✠ ——— ✠ ——— ✠ ——— ✠
Gaolang is very romantic. He will have a candle light dinner with you if you’d like or if you want, he’ll play with you in the rain. He likes showing his love to you in ways in physical terms rather than verbally.
✠ ——— ✠ ——— ✠ ——— ✠
Gaolang definitely has a playlist he made for you. He doesn’t even listen to music much but he listens to that playlist and does it once a day as a reminder of the luck he has to have you.
✠ ——— ✠ ——— ✠ ——— ✠
Definitely gets a matching necklace that he never ever forgets to wear. He’d be pissed if he did.
this ask was responded to SO LATE im so sorry 😞
𝙖𝙡𝙡 𝙧𝙞𝙜𝙝𝙩𝙨 𝙗𝙚𝙡𝙤𝙣𝙜 𝙩𝙤 𝙮𝙤𝙤𝙣! 𝘿𝙤 𝙣𝙤𝙩 𝙨𝙩𝙚𝙖𝙡, 𝙘𝙤𝙥𝙮 𝙤𝙧 𝙩𝙧𝙖𝙣𝙨𝙡𝙖𝙩𝙚 𝙢𝙮 𝙬𝙤𝙧𝙠.
24 notes
·
View notes
Two of Us Play: Thoughts or 'This Could Mean Nothing: The Play'
I saw Two of Us and I have thoughts. and feelings. Frustrated feelings.
What I liked: the mental health angle, the details, the research, the bones of the story and the acting for the most part (good actors, poor direction basically).
What I didn't like: First off the script needs work. At the minute it plays more as a spot the reference rather than one coherent story. This doesen't feel like convo between friends but a recap of Beatles lore with no train of thought that gets satisfyingly resolved and whilst hitting off the movie beats rather than building to them. The pay off feels less like a cathartic journey and more 'cool it's Mclennon I guess..'. Next the chemistry is off, the two leads don't feel like platonic soulmates/best frenemies and they don't fly off of each other as John and Paul did. Instead the energy is super low, even in their heightened fight scenes it doesn't feel like two people duking it out. There's no screaming and shouting, it's like two old but never that close friends going from awkward to semi awkward and back again repeatedly without ever hitting any moments of sizzling connection. This I think is partially to do with the 'nice Paul' characterization, which please lord can it end! Let our beloved alpha bitch be beloved and alpha bitchy, it's good for his skin AND MORE REAL.
I think the chemistry/energy problem is linked though to the main problem and the elephant in the room: the 'latent' homosexuality. Latent is probably the best word for it, but that's only because of the play's fear of its own implications. To be clear, with a slightly more daring director unafraid of the material, the latent would be BLATANT. The dialogue is BLATANT. John's wordplay is loaded with suggestion: 'best fuck you've ever had', 'you should have married me' and there's a closeness when they are singing on the piano which was 👀👀. The 'I love Paul' badge is also there with a 'lucky Paul' comment that COULD have built to a potentially interesting character moment. But they just fly over these bits like they haven't been said. The candlelight dinner as well that John puts on for Paul is by its nature loaded, as is John offhandedly calling him 'my love' when fiddling with the stereo during that scene.It's so casual that it feels like an accidental slip on John's part. But nothing is made of this, no pause, shift in the air, comments, nothing. This was the worst with the KISS which was initiated by John and yes, way way way too long for it to mean nothing and the Epstein jokes are completely omitted. Its a wild moment, but the play can't seem to handle what they've just laid down so just ... skates past it. Its like HAHA WEIRD RIGHT THEY JUST KISSED ANYWAY ROOF SCENE.
But the implications also aren't consistent as the whole thing is too attached to the 'Paul is a jilted victim' angle. It's Paul who is jealous of Yoko, but save a line about being surprised about Linda, John seems neutral (weird considering its JOHN making the overtures and was IRL not Linda's biggest fan). The ending is the strangest for this. They have the SNL thing like in the movie but it's weirder as Paul is CRYING. OBVIOUSLY CRYING. CAN HEAR AUDIBLY FROM A DISTANCE CRYING. The whiplash of John throwing down these implications and suggestions to just ... nonchalantly giving a hand grip goodbye and ignoring Paul's tears after going on this whole journey together is WEIRD and makes him look like a user and a selfish, insensitive prick. Like bestie your bestie is crying you can call Yoko back??? Also the end is meant to be a love you to both each other and their wives but Paul's is clearly to mostly John and John's feels mostly to Yoko. It's not a good look on John and its not a good look on his relationship with Yoko (yh John could free himself from the prison he's made for himself and was about to but the darn Yoko pull is just too strong guys). Again this would be sort of sad but fine if it was Paul making the overtures or there were no overtures but it isn't and there are! John is both the mooning would be romancer and the unavailable ex. Once again nuance and coherency (as well as Paul and Linda!) are sacrificed for the traditional John and Yoko angle. Wholeheartedly, it feels like there has been a layer of implication added onto the script, a layer which means that the original elements of the script would need to change to work but they haven't done it so you have this Frankenstein's monster of a traditionalist narrative fused with loaded suggestion.
So yeah, I think the whole thing had a lot of potential as a play but the script needs an overhaul, the actors need better chemistry and if you are going to go there, for gods sake GO THERE.
35 notes
·
View notes
Jaster: While your Padawan is on planet, it would benefit him to go through some schooling with my Sat’ika. She’s my vod’s ad, same age as him, has a vod’ika so they’ll have someone to entertain after classes.
Dooku: Hmmm. This sounds like another ploy to steal Obi-Wan.
Jaster: :) of course it is. You’d never fall for it but a verd can try. He could use a better understanding of Mandalorians after that kerfuffle that nearly happened on Galidraan.
Dooku: True enough, even if I can feel you vying for him to be the next Mandalorian Jedi out there. His schooling is very advanced, as the teachers will see, but he’s a gentle soul. Do you have poetry and ancient writings classes?
Jaster: *nearly vibrating* Yes! Yes we have those. I’ve never been in a poetry class but I’m told it’s advanced because of the grammar mechanics of Mando’a language, but I teach the course on sult’essan era literature.
Dooku: *deep sigh, replotting his and Obi-Wan’s lives for the next 15 years* ugh. Fine.
456 notes
·
View notes
While doing reach for my owns OCs, I was surprised (while I shouldn't because if Sanada do something right it's definitely the symbolism of her characters) that Eddie is incredibly Thanatos coded.
✅ Psychopompe of sort (carried the bodies to hell/eternal rest), guardian of dead (literally one of the meaning of Eddie's name: Guardian of Tombs)
✅ Poppy theme (its seeds are narcoleptic and help create morphine, related to Thanatos, Hypnos and Morpheus in myth. Other than the sleep like apparence of dead, it's also because ingesting too much of it can be deadly.)
✅ *Anime only* butterfly theme (in Ancient Greek, butterflies are a symbolism for the human soul - it's also why Psyché is given butterfly wings, as she becomes the goddess of Soul. Sometimes, Thanatos is also represented with butterflies)
Both the flower and the insect are also symbolism for the beauty yet the brevity of life.
✅ Give peaceful/unpainful deaths (Thanatos was originally just the Death, then as the myth goes on, the brutals deaths were given to his sisters, the Keres)
✅ Big Family (For Thanatos: A twin brother who had A TON of children including Morpheus + all the others Nyx's children, being his siblings. Mason family is smaller in comparaison (4 boys) but they had a zoo in their house soooo...)
✅ Buttmonkey (Thanatos on paper is scary and inflexible, yet this dude manages to get caught in a bag by Sisyphus.)
(I mean.)
(And he also loses to Heracles for some reasons.)
(As is Eddie for the Angels who always ended up with the short stick).
Now I can see a more twisted vision of Thanatos/Hypnos with Albert/Eddie, so this will be more a theory/interpretation than a true comparaison but still.
Hypnos and Thanatos are twin brothers, and sometimes co-workers.
Hypnos, god of sleep, is represented with white wings and is beloved by humans and gods alike as they allow them to rest, to be at peace. This love is reciprocated.
Thanatos is represented with black wings. In opposition to his brother, he is hated and feared by humans and gods alike, but as Hypnos, the feeling is shared (though the fear is replaced by distaste).
Now, Eddie and Albert. They aren't twin brothers but I still feel there is some parallelism.
Albert is the "favorite" one, despite being the violent one. While saying he hates everything and everyone is probably exaggerated, he is in so much pain, frustration (and delusional), he projects on others, especially the weaks (and Eddie) and search to destroy them.
Meanwhile, Eddie is the "unfavorite" but also the kind one. The one who wants pets (and people) to be at peace. He feels that by 'owning' people (by killing them) he can make them 'happy' and connect with them that way (hence his interest in Ray).
All this to say that, somehow, Albert is like a Thanatos rejecting his role (as a gravedigger) and his family (becoming ironically more 'peaceful' than his so loving brother), while Eddie is a sort of Hypnos who had gone wrong by embracing his brother's (Thanatos) duty.
14 notes
·
View notes