#it cant mean anything more

[poppy-metal]

just thought of being scumbag patricks pretty little girlfriend and saying you love him mid-stroke and he groans, puts a hand over your mouth because you dont mean that shit - he's gonna pretend he didn't hear it, cause hes bad for you and you falling in love with him would be fucking awful for you both - doesn't stop him from fucking you deeper though, immediately after you say it. like the words have a lasso affect and his hips crash into yours, not parting this time, just grinding his cock inside - way more intimate than he usually allows. biting his palm, wrestling your mouth from under his palm in defiance like the brat you are so you can pant and whine another breathless "i love you - i love -" he fucks you harder until the words fade out into moans. acting like his balls aren't twitching to unload inside you the moment you said those words, like its just to shut you up, the desperate slam of his hips, and not like the confession means anything.

[mipexch]

I WAS MADE FOR YOU // YOU WERE MADE FOR ME

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[sharkylad]

Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.

Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?

Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.

The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.

Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.

It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.

I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.

He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[skunkes]

[shellem15]

One thing that bothers me in a lot of Shen Jiu fics is that they often make him too repentant. Like my man canonically would rather get turned into a human stick than apologize for his actions. This man has never said "sorry" in his life.

And you know what? His unrepentantness is what makes him such a good character! He knows he's doing wrong. He knows he's a terrible person. And he continues to be horrible, not because he doesn't think it's wrong or even because he doesn't care, but because he believes himself to be, on the most basic and fundamental level, a monster. (Also, that whole "only the stong survive and if you're weak you deserve it" thing he's got going on)

Why bother pretending to be something you aren't? When people will always see the rot within you no matter how high you rise, no matter how hard you try to hide it. Apologies have never gotten Shen Jiu anywhere; people assume the worst of him no matter what he does.

And I don't think SJ is incapable of feeling sorry for his actions, it's that he can never express that regret! In words, at the very least. If he lets go of his pride to genuinely, verbally apologize, the rest of him would crumble. He physically cannot, he would not survive going back to (what he sees as) begging for forgiveness.

I think if he ever did try to "make amends," it could not be in the form of a verbal apology. It would be through actions, most likely subtle actions at that (remember he will never willingly explain himself to anyone ever). He will never admit regret. That would be akin to giving in and rolling over like a dog (and he will never let himself be a dog again).

[ultimateinferno]

People act like they know what "Life Before Death" and "I will protect those I hate" means, but at the mere thought of someone who actually makes the pain personal that shit is out the window and they'll string together excuses as to why this instance actually means the death penalty is okay (because they're uniquely qualified at identifying who's deserving/capable of life/redemption and no one else has every mistakenly thought their violent vendettas weren't unjustified).

Yes this is about Moash.

[juniemunie]

"Why am I still doing this?"

"Don't you get it?"

"This is all just a show... and we're playing parts~"

[buwheal]

OH!!!!! HAVE YOU CHECKED THE CYBER CAFÉ DUMPSTER by any chance? there HAS to be some leftover cake there!!!! i heard there was an event recently!!

[deoidesign]

My comic is so pretty...

The hiatus is letting me take a little extra time on these episodes, and I'm definitely putting it to good use!!!

[starry-bi-sky]

Part SEVEN of "Clone Danny"

Red Robin, Danny recognizes, steps away from him as he sits up. "My name is Phantom," he signs, blinking the exhaustion out of his eyes. (From Red Robin's perspective, it looks like he has no eyes. There lacks his signature green glow.) "I'm not a gang member, just an out-of-town vigilante."

Red Robin frowns at him, an uncertain grip on the bō in his other hand. "Phantom?" He repeats, no lacking amount of suspicion in his voice. "How can I believe that?"

Right. Yeah, okay, that's fair. Danny shrugs at him, and slumps against the wall. "Google search?" He gestures, he's been out in the daytime before and he's seen the news articles about him.

Red's eyes narrow at him and Danny simply draws his knees up and faceplants into them, half-listening to Red's murmurs into his comm while also trying to get some extra-shut eye.

("Oracle, can you pull up anything on a vigilante named Phantom? The guy here is claiming to be one." Tim says.

"On it."

"Is this Phantom wearing a white mask?" Bruce asks, his voice gruff like an aftershock. "There's a vigilante who shares the same name, but he resides in Illinois."

"Is this guy from that Amity city you visited ages ago?" Says Tim, before shaking his head. "Don't answer that. Yes, he's wearing some freaky mask. I said it reminded me of Hood's helmet for a reason."

"I've got something," Oracle interrupts, "Bats' right. as usual. The Phantom of Amity Park, not much stuff of this guy but he's only been out for over a year. Apparently, his rogues' gallery consists of ghosts."

"Oh great.")

"Look tell the Batman that I'm sorry for trespassing on his turf," He signs irritably when Red Robin eventually starts talking to (re: interrogating) him again. "It's not like I want to be here."

"How did you get in Gotham anyways?" Red Robin questions, batman was on his way to help deal with the situation but Tim doubted he wouldn't get caught up on the way with dealing with petty crime. "Your turf is nearly a thousand miles away from here."

"Two words." Danny deadpans, "Teleport ghost." (Red Robin winces sympathetically.) "I'm keeping this bastard in the thermos for a month for this alone."

(Danny was ignoring the slow-choking anxiety growing in his lungs over how he was gonna get home. He never takes his phone when he goes out, the risk of breaking it was too high. He had no way of contacting anyone to get him home.)

(He swallows the growing lump in his throat, and buries the feeling in the back of his mind.)

"Thermos?"

Danny unclips his Fenton Phantom Thermos off from his belt loop and shows it to Red Robin. "My ghost-catching device," He says with one hand, tilting it carefully for Red to inspect. "I wish I could say I made it, but its a FentonWorks invention."

(He wasn't sure if it was a smart idea to say who it belonged to, but saying it wasn't his probably loosened up any tracks on him, right?)

"Do you work with these Fentons, then?" Red asks, and something dark and shadowy flickers from the corner of Danny's eye. He glances over, and sees nothing, and his hackles raise.

(Either that was Batman, or a ghost, or Danny's mind playing tricks on him. He couldn't feel his ghost sense building in his throat, so he decided it was either the latter of the former.)

Danny snorts, quiet and gruff. "No." He clips his thermos to his belt again, stifling a smile on his face. "The Fentons hate me actually, I prevent them from catching ghosts themselves. Their son gives me their tech."

He had a cover story, so he might as well stick with it, right?

Batman shows up at that moment, appearing atop the little roof where the door is, and giving Danny a heart attack when he speaks in his low, rumbly voice like thunder rolling in, "Why would they hate you for that?"

Danny shoots up to his feet with a startled yell in his throat, clutching his chest as he whirls around and looks up. He nearly runs into Red Robin, and signs a few choice swears at the Bat.

"wow you're scarier in person, asshole."

"you didn't answer my question."

"Of course I didn't, you scared me." and Danny takes a trembling step back when the Batman jumps down and lands on the roof in front of him. He's faced ghosts before, but somehow the living is always scarier.

"But, um, the reason is a bit.. complicated, I guess." He says, fingers beginning to shake as his adrenaline wears off. God is he tired. He wants to go home. "The Fentons are the local ghost hunters and local crazies. I don't know if I can call them mad scientists because they're harmless to the living."

"But they're extremely anti-ghost. I've heard from their son multiple times the very unethical things they would do to ghosts if they got their hands on one."

Danny 'talks' a little more before calling it quits, even telling Batman that he can't tell him more without putting his identity at risk.

Plus, its getting harder and harder to hide his bone-deep exhaustion and his growing fear of being stranded in the most dangerous city in America with no way home.

"I would love to tell you more, believe me I'm dying to." Danny signs, shaky sarcasm dripping from his fingers. His hands are visibly trembling and he's withholding a slowly growing panic attack. "But I would like nothing more than to figure out a way to get home."

"Do you have no one to contact?"

"Sort of. But only one of them could probably come get me and get me back to Amity by sunrise. And I have no phone."

That one person being Ellie.

=====

Part 1 Part 2 Part 3 Part 4 Part 4.5 (Dani interlude) Part 5 Part 6 Part 7 Part 7.5 (Dan Interlude) Part 8

Taglist: @the-navistar-carol @thought-u-said-dragon-queen @gin2212 @youracearocroatneighbour @luckybyrdrobyn @deeplyconfusedbear @epilepticnerd @beautifulmomenttodrawblank @sara0055 @blusunkhild @letmesayfuxk (?) @latheevening226 @tkiesai @rosedasy @meira-3919

[tremendously-crazy]

Relationship envy except I envy the bond between iconic fictional characters Sherlock Holmes and Dr. Watson

[aroaceleovaldez]

they cast a 28 year old for Tyson 💀

[relevant rants: here and here]

yeah, i saw - i wasn't holding onto hope of them casting a disabled actor for Tyson (still disappointed, just not surprised) but casting a 28 year old for a middle schooler is really out of left field. It's just an odd choice? Particularly given how much they've been emphasizing age-accurate casting so far.

It makes me really wonder what major rewrites they have planned for Tyson's character. Because as things stand currently there's no way to make Tyson's existing character work with this casting. Tyson is supposed to be in Percy's grade, but Daniel Diemer sticks out like a sore thumb against the child actors. Tyson being in Percy's grade is pretty important for the entire arc of Sea of Monsters with the main character arc being Percy combating internalized ableism and establishing him as a character who stands up for other marginalized kids. If they remove that, what's Percy's arc going to be for that entire season? At what point are they going to establish that about his character? Or are they just going to exposition it at us like usual with nothing backing it up and no actual character progression? And in later seasons the age gap is only going to be more prominent - like how is Tyson going to work in BoTL or TLO? Are they planning on removing his character entirely for those scenes? Are they going to remove him as a recurring character in general? It'd be really weird if they killed him off or something.

I'm also afraid for if they do try to keep Tyson's disability coding in some form - cause there's kind of no good way it can go at this point. Either they completely erase Tyson's coding because they cast an abled actor for him and that messes up the entire arc of the book and his character particularly in relation to Percy, or they have an abled actor attempt to portray a character heavily coded as having down syndrome (and i believe they're already doing similar with iirc Chiron's actor is abled but they're doubling-down in the show on Chiron being disabled) and given how they've written the neurodivergence themes (or absence there of) in the show so far there's just no way that'd end well. Like, Tyson's characterization is a little questionable to begin with in the books, but given the show's writing so far it just feels like we're very rapidly ramping up for an extremely ableist characterization of Tyson. Like i'm sure Daniel Diemer is a great actor, but... i'm just getting real tired of the show erasing the entire premise of the series :T

anyways as per my initial post about pjo tv tyson casting theories i guess it's time for me to start tearing stuff apart with my teeth ¯\_(ツ)_/¯

[bacchuschucklefuck]

official finish-this-sketch-how-you-want post idk what to call thisSAMPLE TEXT

hi! I miss drawing with people in a café and some folks mentioned they'd like to mess with my sketches themselves and that sounds cool so this is now a thing. if u play gartic phone this is basically the complement mode! but without the fucking ring noise that freaks you out right when you're getting into the flow of it

few things are 1/there's no hard deadline! take this at ur own pace if u do, but 2/I'll also be finishing this sketch and I estimate it to take around uhh 3 to 4 days? from the time this is posted. so if that's a structure u like then let's aim for something done in that timespan as well! and 3/if u finish ur piece and post it and want me to see it the best way to do that is to @ this blog! above all we go into this one determined to have fun and enjoy. I already bought u a matcha latte with oat milk sorry if u don't want that

here I got u today a sketch that's supposed to be Riz Gukgak (SY) (grey bg version and transparent version for ur ease of peruse)

remember to have fun & be urself & finish ur drink & see u in 4 or 5

[oceanwithouthermoon]

maybe its just me but i cant stand when people are like "it just doesn't sit right with me how teruhashi thought about aiura 🥺" like yes... its not supposed to ??? because her thinking badly of other girls and prioritizing male validation over everything is one of her main flaws ??? can we talk about that WITHOUT making it seem like shes not allowed to have a single actual flaw without suddenly becoming an awful person? nobody can handle complex female characters at all and its so fucking annoying