#it doesn't have that many posts and you'll get a better sense of why i'm singling out this blog and the people who interact with it

[heritageposts]

large zionist blocklist below

i've compiled a list of all the blogs positively interacting with the @/israel-palestine-bingo blog

there's more info about how the names were complied under the read more, but just to get an idea of how vile the blog is, i just want to quickly mention that the first prize offered in their pinned post, "eight hours of memi mamtera," is the song used in the viral israeli tiktok trend of kidnapping, humiliating, and torturing palestinians in the west bank.

and the "grand prize," which needs no explanation, is "all of palestine! for free!"

some quick info: all the names here have either approvingly replied to, reblogged from, or liked one or more of @/israel-palestine-bingo's posts. for likes, i've only gathered names that appear under their original posts; mostly ones that have not been reblogged, and some with 2-3 reblogs that have not left the immediate sphere of zionists. i've also made sure that these are blogs who have either liked more than one posts from them, or who frequently reblogs from other zionists.

you can also quickly look through the blog yourself (it doesn't have that many posts), or check out any of the names on the list with a quick 'israel' or 'palestine' in the search bar or their blogs.

there are more screenshots at the end of the posts, including ones showing who made the blog (ani-lo-daredevil / katenotbishop), and the bingo board itself (ashenpumpkin).

blocking tip: fastest way to mass block users (on desktop) is to go to settings -> the blog your blocking them from -> scroll all the way down to 'blocked tumblrs,' and then copy-paste the name your blocking

names listed below in alphabetical order reminder again, block don't engage

2peachy acleverforgery ani-lo-daredevil apollo-enthusiast ashenpumpkin <- credited for making the bingo board, reblogged/liked almost all of their posts. aureatecorvid avi-on-jumblr (main @/clear-what-i-was-seeing) awstheticshit bambahalva bleepiesheepie bluenorther blueredfetch bones-and-crows britneysmeanshirt cannibalism-is-my-love-language captain-navii casavanse celepito chubbybubba ciitrus--fruitz coffeelovinggayidiot da-socks davos-is-the-one-true-king dchan87 disregardenedgnostic elder-millennial-of-zion faggotry-enjoyer fdelopera flowercrownsandfairylights fluffel677 fluffy-art-moss george-lucas-is-god got-chavi icereader12 illegitimatetenenbaum inklingm8 its-hila jewishlivesmatter just-illegal karinhasdacookie

katenotbishop <- the main account of the person running the blog. her sideblog is @/ani-lo-daredevil

kelluinox kingofslush letaot-ze-magniv lingonberryjamistakenwhat lovelyhairedpianist magic-coffee marrymepadfoot marvel-ous-posts masters-puddle <- pornblog mixmangosmangoverse morganas-simp mossadspydolphin multifandermissesanakin nameless370 namiko026 nevleg32 notcrazyiswear oakstar519 perfectlynormalperson psychologeek queerius randomname3 redvodyanoi rhysaka sally006 sbinklebooper scp-1296 shinekocreator <- commented, 'but is this the 8 hour version?' on a post where someone ''won'' the song used in the tiktok torture videos. snakelung sort-of-a-demon soxiyy stuffandatherstuff tearsandice tedious-waffle thebejeweledwatercat the-library-alcove thirdmagic thisgingerhasnosoul timegirl tolaat-bli-toelet <- the person running the bingo blog. mainblog is @/katenotbishop transmascpetewentz tribulation-of-somnolence unexistencerpg viktorrotkiv wanderingmadscientist whiterose-blackrose whitesunlars why5x5

note: @/tolaat-bli-toelet changed her username to @/ani-lo-daredevil (her main is still @/katenotbishop)

and from the same post,

the last post was also reblogged by the creator of the israel-palestine-bingo blog

[kjzx]

An important thing to remember as an artist that started out drawing characters crudely and then started learning the fundamentals, at first your art will not look nice.

At first, drawing faces and bodies in different positions will make your characters look weird, then poor perspective will make your characters look weird, and finally when all the kinda things I mentioned above will be dealt with, just the hype of finally knowing how to draw anatomy will bite you in the ass because you can do all these things, you can draw them correctly or close to that, but whether that's figure drawing knowledge gaps, or awkwards poses/composition, or just not a very harmonious combination of realism and stylization in facial features or in general, but your before and after pictures might get this look of "clear objective technical improvement but many would consider it a downgrade"

That's a very common thing. I used to be in this before/after art community, and it was so toxic it was a meme within the community that no matter how much you've improved there will be people that will say that the before is better. There's a seed of truth to these words though, what they fundamentally get wrong is this implication that you "ruined your art"

That's a big example of why you shouldn't listen to non-art people for art advice. Keep going. You're closer to your art dreams than you ever were, you just need to look into all these things like the remaining knowledge gaps or personality to your art you might've lost as you were on your anatomy grind.

Keep creating, keep looking at art that inspires you and try to think of how to make yourself like your art better. Don't get stuck on it, if it begins being unfun, please do take a breather. Also, none of that is objective, people will still prefer things different to what you find beautiful. It's alright, create what you like, that's what this post is about. If you don't wanna, don't focus on aesthetics, just the process of creating art is fun and will eventually get you in the right place, that's what I do, I just occasionally throw in things I like and sometimes they work. Take care.

These are my current thoughts on the topic. I wouldn't take them too close to heart, this is just a blogging site and I'm blogin 👍

[bacchicly]

A few imperfect thoughts about writing fat characters respectfully

By me :

A short (5'2"), fat (approx 300 pounds), middle aged (turning 42 thank god), married to not a fat man, mother of a pre-teen, white, CIS, Anglo, Canadian, upper-middle class woman who writes fic (including smut) about a character who is fat by TV and Hollywood standards (Penelope Garcia)

Note: fat hate or debates about whether being fat is healthy or not will not be tolerated on this post. That is not what this post is about. This is about giving some insight into what writers may want to consider when trying to respectfully include more fat characters in their work and generally moving towards writing doing less harm to fat people.

This post started with me wanting to respond to someone honnestly asking "how do I write good descriptions of fat people" because they wanted to write more fat characters and write them authentically (and I assume in a way that would be respectful to fat people) which is an awesome! ...Or maybe it started a few months ago when a writer friend asked about whether a fat character in a fic borrowing a shirt or hoody from her fit boyfriend made sense. ...Or maybe it started way back when I started writing my first fan fic featuring Penelope Garcia partly in response to being irritated about how so many writers wrote her as a young woman and were often silent on her size or spent a lot of time on her insecurities about her body... anyhoo that's where I come from... doesn't make me an expert except maybe on my own unique experience with a fat body...rather more a fellow muddler / fat character writer enthusiast.

THE BASICS

This first part is a quick list of basics you'll read in other posts about writing characters in general - but we'd better get them out of the way because they apply:

Every character is unique and they way they act and think and feel tends to be a product of some mix of what they look like, how their body works or doesn't, how their brain works and doesn't, their "personality", what they were taught, their unique experiences, and the situation/society they are currently in. There are patterns (which is why we get tropes) but the fun thing is that small things can make big differences. So to write an authentic character, it helps to have a fairly clear sense of at least some of those elements and do some imagining about how all of that would funnel into the moment your writing.

The amount to which you describe character bodies and the style which you use to describe them tends to depend on genre, what the heck is going on in your story, the pov you're writing from, the reason you're writing etc. So their are no hard or fast rules. There may be norms for certain styles of fiction, but then it's up to you to decide if it's stronger for you to lean into those norms or to write "against" them at a particular moment.

In order to be more respectful and less harmful to fat people (especially if you see value in actively challenging the anti-fat status quo), you may have to change how you describe all bodies in your work, as well the attitudes both fat people and non fat people have about bodies in general.

Now that that's out of the way... let's get specifically to my thoughts on writing fat characters. I'm going to divide this part into tips for DESCRIBING FAT BODIES, FAT BODIES IN SPACE, and THINKING AND FEELING IN A FAT BODY.

TIPS FOR DESCRIBING FAT (OR OTHER) BODIES

I would say that both consistency and diversity across the work is important, by this I mean :

Consistently describe bodies in about the same amount of detail across your work for the same type of character regardless of body type. So protagonists should get about the same depth and breath of body descriptions as each other regardless of body type. Same goes for vilalns, supporting characters etc. Sometimes people are mute about the look and shape of "strait sized" character bodies (because what's to describe - they are just "normal") but then spend a bunch of time on "other sized" bodies or vice versa (in this case, the fat body is erased usually because of some form of internalised fat hate or phobia paired with "if you can't say anything nice" don't say anything at all.) If you're doing either of these things, I'm not saying it's wrong and has to be fixed- I'm just saying it's a flag that you may want to think about why you are writing differently about different body types and what your work is saying about what bodies have value and which don't.

Diversity Bodies in the real world come in a lot of different shapes and sizes (I know I know obvious woman strikes again) but if you are writing stories with fairly large casts and everyone has the same body type - there better be a good reason for it within the narrative. Truthfully there are cases where this does make sense to some degree... if you're writing about a group where there are physical requirements and standards for the folks in that world (ballet dancers, fire fighters, cops, soldiers, fbi agents) there may or may not be less diversity in body type and more homogeneous attitudes to body norms within the group - and certainly those who are outside of the norm may be commented on or feel like they are "other". But if you are in a more free setting - if you write without a diversity of body types - especially in settings where there is diversity - that is probably a clue that you're not thinking enough about what your various characters look like and may be "normalizing" one type of body over others. Similarly, if you are writing about a real time and place where there is evidence that there were fat bodies and you have none...that's another flag to ask yourself why.

The magical tools in your toolkit for describing fat and other bodies: Body neutrality and POV

Body neutrality is about not loving bodies and not hating bodies just accepting bodies as they are....or in this case describing them as they are. No poetic language. No judgement. Just this is what this character looks like. If you're struggling to do this, I suggest doing a body map for at least two characters with different body types - possibly one that you find easy to think of positively (in this case likely someone thin or at least fit) and one that you find more difficult to describe positively (in this case someone fat).

Describe them head to toe, naked and then clothed, in detail - acurately but not poetically. Start with their feet and then work up bit by bit. Pay attention to things like hair, scars, shape of joints, acne, tightness or looseness of skin, colour of skin, nails, fat, lack of fat, muscle tone, where do they hold their stress, what's in the bowels, how well they do or don't work, do they have their appendix, what they ate last, proportions (is their torso long or short compared to their legs), lungs - how much do they hold, are they healthy? - now describe their throat, shoulders, hands, hair, then end with face.

The only rule is no positive or negative connotations to anything. it's neither good nor bad that they have stretch marks - they just do and they have faded to silver. Now that you "see them' clearly - now look at them through the eyes of someone who loves them in a familial way...what do they see most? what words do they use? now through someone who is attracted to them sexually and love them and aren't ashamed...what do they see most? what words do they use? Now through the eyes of someone who hates them or wants to change them? or a child? or a dog? Now... how does your character feel about these descriptions? Now you have a variety of words you can draw on to describe the body and you also should have a fairly good idea of what is a more skewed view of the body and a more realistic view.

Also...it can be helpful to remember there are no consistently good or bad words to describe bodies - it depends on context and who is using the words. It's a lot like how sick can be used to describe something negatively or positively depending on the agreed upon meaning of the word by a group.

DESCRIBING BODIES IN SPACE/MOTION

Ok here's the thing - for every activity you can think of - there is a fat body that does it well and a fat body that can't do it easily or at all and there are a lot of reasons for both. Often it has to do with the fact that a lot of equipment is built for people who are 250lbs or less; and anything for bigger people tends to cost a premium. Also, if it's not an easy new skill to acquire with the body you've got...it may take longer and more bravery to keep pushing through to achieve mastery. People may try to discourage you from pursuing things. Sometimes out of prejudice, sometimes out of impatience, sometimes out of caring.

So deciding what your character's body can do easily and what it can't and why is more important than me giving you a list of words for how to describe fat movements.

My suggestion is: do your research. What sorts of body types have done the activity in the real world? What are the exceptions? What changes? So for example if a fat person is climbing a mountain - do they need more help? Different equipment? A different route?

Things to consider:

- equipment / things that can have weight limits: bunk beds, roller coasters, scooters, waterslides, camping chairs, elevators, trampolines, some bikes, life jackets (finding one that fit was a nightmare), exercise balls, airline seats (learning to ask for the seatbelt extender without second thought or shame was a lifesaver)

- not all fat people have pain, those who do will move taking into account the specifics of the pain - same as a lean person

- when I was pregnant I just got more cylindrical and did not get a classic belly. I moved well and easily all the way through my pregnancy, I had none of the back pain or ankle pain some people get. I stood for a lot of my labour. I gave birth on my hands and knees. Other fat people will have had different experiences of pregnancy...but that was mine.

- clothing can have a huge impact on what bounces or jiggles and what doesn't

- most (but not all) fat people I know are particularly sensitive to appearing sweaty or smelling bad

- how winded someone gets is not directly correlated to body size, neither is heart rate or breathing style; I have theatre training and grew up swimming - I breath very slowly and very deeply normally - so when I talk a slow deep breath...it is very slow and deep indeed. I have always been fat but can swim forever - I have always gotten winded and kind of dizzy running... Other fat people may be opposite.

- people do not "see fat" consistently. People regularly underestimate how fat I am (by 100+ pounds or many clothing sizes) because I am short, well spoken, proportioned in a way that is seen as fairly typical, and very mobile and very light on my feet. Someone who weighs less than me but is slower moving, dull witted, in a sour mood, is illl, or poorly dressed may be perceived as much heavier than than someone the same weight or heavier who is behaving/clothed differently (which can change how much fat hate someone experiences) and definately heavier than they are. Height also changes how people perceive weight.

- many stores still don't carry plus sized clothing, but eventually i sort of got used to it - although some days it makes me angry and other days sad

- chairs with arms or the occasional booth can be uncomfortable or just plain impossible to sit in, it's probably partly my ADHD but I often forget this until it happens; for taller and fatter people than me this can be a much more regular occurrence.

- once (if) a character figures out how to dress/move their body in a way that feels comfortable and meets general standards (or at least theirs) of respectability - they may not think that much about their body...or at least until something external draws attention to it

- I don't like feeling like I'm squishing people, so I will make myself small and still on buses or at the theatre, I also don't like sitting on laps or being lifted or carried.

- I often feel much taller than I actually am - except when I am standing right beside someone taller or am trying to reach something on a high shelf. The same principle applies - I feel larger next to smaller people and smaller next to larger ones.

- clothing and what I'm carrying also changes how I move (just like my lean counterparts)

- I don't lounge, my car seat is set almost straight but I sit further back than my brother in law who has a similar height and weight - he leans the seat back but pulls closer. I don't nap. My leaner husband both lounges and naps.

- some fat folks eat, walk, and move quickly - some slowly; figuring out which your character does, when they behave "out of character", and why these are their preferences will go a long way to creating an authentic feeling fat character

- acne is a thing and learning to accept ones rolls and tummy aprons (and thus take care of them properly) is a common challenge; although many do it naturally without thinking much of it. You lift your breasts and wash underneath - you lift you belly and wash underneath.

- fat bodies have the same reactions as everyone else: they tingle, burn, get numb, get goose bumps, like to be touched in certain places and in certain ways, feel the breeze, get hot, get cold, shiver, stretch, relax, get aroused, feel release, hold tension, feel capable and strong, feel weak...no matter who you are sitting in a chair that's too small for you will put pressure on your body and feel uncomfortable or safe ..you can explore what that is like. Sometimes it is a reassuring sensation. Sometimes it is uncomfortable. This is the same for fat bodies. It just may happen more frequently and depending on your character's context and experience the emotional reaction / thoughts that are generated may be a bit different.

THINKING AND FEELING IN A FAT BODY.

I think I touched on some of this in some of the earlier sections...but here I want to talk a bit about my experience of being fat and my thoughts about it - your fat characters may or may not feel similarly...but my hope is that you at least think about options as opposed to only writing one or two types of fat character.

I mainly "feel" fat in moments when it is pointed out to me or I am limited in what I can do because of it

I quite like my body, it is my home and I feel very connected to it's features. In my experience this is unusual for many people in North American society regardless of actual body shape or weight. Sometimes I feel guilty for not hating my body the way "I am supposed to" and wonder vaguely if my body would be different if I could hate it more (although as I get older I doubt it).

I do feel some pressure to be a cheerful "good" fat person as a way to stay safe and survive.

Nothing makes people more uncomfortable than me calling myself fat without judgement or asking for accomodation matter of factly. It took me a long time to feel comfortable doing so, but I do it now all the time and it makes my life better.

I felt some pressure to be the fun friend who people feel comfortable eating whatever they wanted with and I often felt like I was depended on to order dessert so they could too. This may have been all in my mind though.

Fat bellies can be very intimate places.

Not all fat people have dieted, but many have. I was lucky enough to never be forced into a diet. I did try keto once but it was a bit intense and nuts so I stopped. I learned a bunch doing it though.

Medical people not treating you appropriately when your fat is 100% a thing.

Internalised fat hate and fat phobia is a thing for many fat people and it pops up at weird moments.

I don 't.give a damn about being in a bathing suit. As long as it fits and my boobs and butt.aren't.falling out - I am happy and feel very attractive. In fact I am probably at my most comfortable in a bathing suit or naked. My body is mine in both those instances.

To reach the "healthy weight" for my height - I would have to lose half of my body mass. That is a lot of me to loose. Embarking on something like that would be totally different than loosing 5 or 10 pounds. Trying to navigate the various medical opinions about whether being fat is bad or not is exhausting.

For me, being fat and older is easier than being fat and younger. This could easily be the opposite for someone else.

Some fat people are into sex, some are not . Some folks are into sex with fat people and some are not. Some are nice about it. Some are not. Some want nice. Some do not.

Fat people are all around you living their best life or their worst life or somewhere in between. We know we are fat. We sometimes care and sometimes don't.

Ok that's it. I don't know if it will help anyone or if it's just a collection of rambles - but at the end of the day...fat people are just people. We are not going to go away. We are all sorts. We are the heroes of our own stories. We are people who are loved, depended on, hated, ignored, and/or spotlighted.

Some fat people think about being fat all the time. Some rarely. Just please don't erase us or other us.

Just by taking the step to interrogate your own biases and any feelings / assumptions you have about fatness/thinness is a huge step and will help limit the harm you could unintentionally do to fat people...actually to all people. Like all forms of hate and intelorance - Fat hate hurts EVERYONE. I would argue it privileges a few...but even that can be excruciating for the individuals who strive to retain that priviledge. We need to dismantle it.

[deerspherestudios]

Hi! I played your game and really, really like it, I am a huge fan of slow burn - combined with Yandere too? That's kinda rare nowadays, haha. Thanks for making it and creating Mychael, I love his design. Two questions: How many days are planned to be playable in the full release?

And

Since in just one day Mychael feels very friendly towards us (according to a post you made with where his feelings are based on a meter) does that mean he's very clingy??? Like, in just one day he feels like our friend. What little effort and words will it take for him to go from crush, to love, to whatever yandere thing he might be??? Like, is he okay??? Should I be worried???

This guy? Clingy? Nahhh. Nothing to worry about, anon :-) 🍄❤️

As for the game, long (!!!) answer below cut: might be spoiler-y might be not.

For context, here's the post mentioned above.

I'm still not sure how many days it will be, but it's definitely ranging between 4-5 days. Granted it'll be a while before the game is finished finished but I think progress will pick up as I complete assets that will be reused. I'm writing Days 2, 3 and 4 simultaneously (anyone who writes can probably relate to wanting a specific thing to happen in the story but dread writing up to it, so I skip around in order to keep my motivation and interest up)

As for relationship progression, slow burn usually means a long time passes before anything develops. But this is a VN and I'm a solo part-time dev so the scope still has to be small 😔 That said!

Mychael, as a person, is quite solitary in nature; he likes being alone and you'll find out why. He does however desire company and he's only realized just how pleasant having someone around can be (hence his reaction for the Bad Endings in Day 1 if you wish to leave/run away)

Although I'm not a fan of the 'you do one (1) nice thing any decent person would do and yandere is already head-over-heels for you' trope, I do have to make use of it but, drip-feed style? You grow closer to Mychael as you hang out with him and do little things that he appreciates. (Honestly I just realized I'm describing the typical visual novel experience just without the yandere beginning-- go! figure!!! /lh)

Example: the first thing that boosts you to immediate friend status is your willingness to accept his physical looks, something that's never happened to him before. (I know my artstyle makes him a yassified pretty boy but imagine genuinely meeting a sentient creature in real life with patchy green skin, a dextrous tail and four blinking pitch black eyes, I think I'd freak too haha) Little things like that mean a lot to him and motivates him to prolong your stay.

In a way, the MC is written to be more kinder and open-minded (at least outside of Bad Ends) than the sweet/sour personalities that come in a VN, so (for narrative AND coding purposes) I can't really diversify it much. I hope that's okay ¯\_(; v ; )_/¯ If Mychael met a more grouchy/mean MC on Day 1 he'd probably not be as attached. He'd just save you, feed you and send you home when you ask hahaha. Of course this will change as he gets to know you better, at that stage he'll be willing to overlook your flaws like any upstanding yandere

Phew this was a lot to dump in an ask but I did wanna explain my vision for the game! I enjoy yandere VNs as an escape fantasy, but it's common they start out with the yan already being invested in you or fall for you too fast!!! if that makes sense. I'm interested in yanderes in the aspect of how love (romantic or otherwise) starts from innocent affection and spirals into dark obsession!!! It's also compelling as to why a character is so devoted to someone, in this situation the MC, and I wanna write the kind of person Mychael would fall for. And personally 'love-at-first-sight' as a reason just doesn't do it for me 💔

(Disclaimer!!! I'm not saying my game is any more original or better than the other wonderful yan VNs in the works, but hopefully with Mychael as a character I can deliver that 'slow-burn-and-yearn' storyline I'd like it to be. As my itchio profile says: I make games I thirst for in secret but are sadly lacking around the internet 💔 )

Thank you for the ask!! :-D

[lowkeyrobin]

Hiiii! i love ur writing and was wondering if u could do Tommy, Quackity, Niki, Charlie, and Philza with an s/o (close friend for Phil) who is in a riot grrrl band???

stuff like this:

HAVE A NICE DAY/MORNING/NIGHT:]]]

oooo okay!! I can definitely try! I don't listen to many riot bands so excuse any weird stuff that doesn't totally make sense ; have a nice day/night to you too 🫶🫶🫶 ; made sure to make this as gn as possible for everyone so I apologize if it goes against the more feminine aspect of the genre/kinda ruins it 🙏

MCYT ; riot band

includes ; tommyinnit, quackity, nihachu, slimecicle, & philza

warnings ; language

y/b/n = your band name

y/f/n = your fandom name

masterlist

TOMMYINNIT

he loves your music

you're the heaviest band he listens to 🙏🙏 he does try and get into the genre more because he does actually enjoy your music

you're the lead singer for your band, so every time he hears your vocals, he gets all smiley, even in public, which he tries to hide

will make sure to attend every single one of your gigs and record the whole thing LMAO

if he's like the perfect distance away from the stage, you'll sneakily look at him to help your nerves and make it feel like he's the only one in the room

he helps you write lyrics as well/get inspo for new songs

"and it goes in a rythym like ba-dada-bum-ba-dada-bum, yknow?"

extra points if your band sounds a lot like Hole or Veruca Salt, bc he'd definitely have some of their songs on a playlist

casually your biggest fan, always reposting gig dates and playing your music on stream

leaving comments under picture posts on the band insta like "come back to brighton for my birthday please, I beg" and "its to early to be served perfection, wait a few hours :("

he doesn't always make sense but he's loving and absolutely loves your music dw

NIKI NIHACHU

she is the number one fan

she got your bands top listener and has over 15k minutes of listening time by the end of the year

you're lead guitar, so she's always interested in watching you play and how you move your hands and fingers to create such a cool sound

extra bonus points if your band uses that kind of echoey down to your soul feel, kinda like suicideboys or lil peep (best examples I got bc I'm not into this genre very much lmao)

always bringing you up in conversation as well

if anyone's looking for bands to listen to, you're a million percent the first she suggests

you show her new chords you wanna use or expand on and she just watches and listens so intently

always playing your music on chill streams and recommending her viewers to listen to your band, and always points out that its you playing lead guitar

"personally, I think you should be winning a Grammy this year"

"ehhh... MTV awards are better"

"I'm gonna go get you nominated for the MTV awards then, I'll be back"

"I don't think that's how it works!-"

ALEX QUACKITY

he mostly listens to stuff like victoria monet, the weeknd, childish gambino, sza, etc

but being dragged into the rabbit hole of riot bands expanded his music taste a lotttt

you're the lead singer of course (main character hours)

yk the clip of him on the qsmp and metro boomin randomly starts playing? that happens but with your band!

"whoops- I-I have no idea why the hell that started playing, sorry! the last thing I was listening to wasn't even y/b/n, the fuck?"

he gets all his close friends hooked on your music as well

bonus points if you get a more grunge kinda feel in there like foo fighters or nirvana

always posting pics of you from gigs or reposting pics of you/your band

and always leaving comments like "vocal lessons when?" and "gig near you ✅️ gig near me ❌️"

always roasting your music as a joke as well

"the blueprint 3, one album, solos y/b/n. sorry y/n"

"must I bring up-"

"nope!"

CHARLIE SLIMECICLE

he looks like the type of guy to secretly have a 200 song long playlist of punk music idk

you're the bassist, and he loves making you play shit on stream for him lmao

also loves reposting anything relating to you and your band, fanart, random rants about your music, gig dates, new music release dates, photos, etc

don't get him started on the edits

he'll randomly blurt out random noises and rythyms and boom, writers block gone, new song? made.

serious bonus points if you sound the slightest bit like joey valance & brae

you show him how to play bass a bit as well

always recording every gig, he's so proud of you, plus the lights make you look so good

always talking about you as well

"my partner is a bassist in a band, I think they solo all of you losers"

"Charlie what?? when were we talking about significant others?"

"since I said so, bitch!"

cue video game car crash

he has a little thing in the bottom of the stream screen with the album cover w a spinning record next to it, and on top is the song & band name. 80% of the time it's just your band

^he uses that during his stream starting soon segments, bathroom/snack breaks, or chill streams on the qsmp

PHILZA

he and kristen both love your music

he sees you like his kid so he's going the extra mile to support you all the time

from streaming your music in the car to reposting and posting about gig dates, new music and merch drops, etc etc

you even have your own little section in his Discord titled 'y/b/n chat' (and another for announcements about your band/notifs OK social media titled 'y/b/n announcements')

when spotify wrapped comes around, your his third most listened to artist, and kristen's second LMAO

"aweee thank you father, I appreciate your loyalty to y/f/n and the band 🫶"

always bringing up your music as well, especially when streaming with friends

"Tommy, did you listen to y/b/n's new song yet? I think you'd like it"

"wait wait hold on lemme pull it up"

he goes to a few of your gigs with kristen and he's just chilling in the back like a proud parent

you always find him and smile because he's there cheering you on

he's more of a dad than your actual dad bro

[penncilkid]

Been thinking about my experiences as a POC within fandom while also being an artist and how much that sucks sometimes. This is primarily in regards to the Redacted fandom, but could be applied to any other fandom honestly.

Proper "fussing" under the cut (for those who would rather not see):

Sometimes, I really stop and think about what it must be like to be a white person in fandom, especially when you're an artist. To see yourself reflected in the spaces you exist in all the time. There are some exceptions to this, of course. For example, lack of body diversity is just as much of a problem in my opinion (Like fat people exist. Disabled people exist. Fat, disabled people exist. You can draw them, y'know? /rhet) But generally speaking, it's not difficult to find designs that probably look like you. There will be blondes, brunettes, redheads even— It's everywhere you look.

I don't think most people realize how isolating that ends up feeling though.

Because it's not just the fact that most of the art/designs you'll stumble upon won't resemble you. It's the fact that the prevalence dictates how everyone else interacts with fandom too.

Do you know how much it sucks seeing a post saying "So we all agree that Asher's blonde, right?" and knowing that most people are thinking of a white guy and nothing else?

Or noticing how Alexis, a generally "hated" character in the fandom, is the only vampire most people are willing to make visibly brown?

How about the fact that Gavin, the "thrilling" and "sexy" incubus, has so many black and brown designs— But I can count the non-white Lasko designs I've come across on my hand?

People can do whatever they want. I've said it before, and I'll continue to repeat it when I make these rambles. If you want to make every single design you have varying shades of white and never stray from that, that's your prerogative. But for the love of god, I wish I didn't feel like I was fucking crazy for talking about how much that shit sucks to see as a person of color.

On top of that, do you know how frustrating it is to watch white artists get praised for generic diversity when POC artists have been consistently bringing forth such compelling, stunning designs to table? Like I see the kind of shit that gets praised in this fandom and what doesn't. Racial ambiguity or the slightest addition of a curl gets treated like it's revolutionary— And that's only if it's the "correct" character. It has to "make sense", right? The same way Sam has to have sun-kissed, golden skin even after he's been turned, or the way Guy has to be white because there's no way someone with that personality could be anything but.

Do you know what it's like to be filled with such a sense of joy because someone made a design where a character had your skin tone or hair texture or facial feature? Like, I genuinely have a strong reaction whenever I find a black or brown design in this fandom because they're so rare in comparison to everything else. And when I really stop to think about that, I realize how fucked up of a phenomenon that is.

I love the designs that I've made, but I've also noticed which ones "do better" comparably. I don't change much of anything with how I go about posting or promoting them. The only difference is that some of them fit what is considered widely "canon" in fandom. And the others... don't. I go out of my way to make every design POC in some regard, and you can usually tell visually even without the addition of colors. I'm not gonna stop doing that because I know why I started in the first place. But fuck, it does start to hurt seeing white artists with the same general white designs get hyped up endlessly while I internally debate if I should even make another character look like me or not. If it'll even matter to anyone but me.

Some days, I just really wish it didn't feel like shit being black in this fandom. I hate knowing that I'm gonna post this, and I'll probably get responses for other people of color primarily.

But maybe putting this out will help that pill get easier to swallow.

[trashpandacraft]

@mor-and-more, this is for you. tumblr won't let me add video to reblogs and is being highkey uncooperative about this, so it's new post time.

many people who are fairly new to spinning are anxious about dropping their beautiful drop spindles.

first: honestly, you don't have to be. they're called drop spindles for a reason—because you drop them. it's going to drop sometimes; that's just the nature of the craft. it's ok. most of them are pretty sturdy.

second: if this is putting you off starting, try what i only half-jokingly call the no-drop method! it's pretty slow, so you're probably not going to want to do this forever, but you can use it to get to a place where you're comfortable enough that you're willing to try other things.

this is basically park and draft, but not a variation i've seen discussed much, so i made a video, featuring my cat, who really really really wants to help. there's a text version of this method after the video.

this is a no-audio situation (other than random background noise), so quick notes.

first and foremost, i'm holding the spindle between my feet, because that's what's comfortable for me and because i took this video around a tripod. there's no reason that you can't do this sitting on the sofa with the spindle between your knees, or with your legs crossed tailor-style and the spindle tucked into the fold of your knee, or whatever else makes sense for you.

the other thing is that i had to trim the video a little to fit on tumblr, which is why it ends abruptly. there are videos made by much more skilled videographers about how to do things like predraft, find the staple length, and draft while you spin, so i don't show any of that either (except incidentally), but if anyone's like 'no, i feel that having this from you, specifically, will make my life better,' let me know and i'll make another video. maybe without the cat. (maybe with more cat! who can say.)

text version, including some extra notes:

trap the spindle so it can't move, but you have easy access to it. (see list of suggested positions above.)

take your predrafted fibre and hook it onto your spindle. i like to basically fold a staple length in half and use that. once it's hooked, keep your hand there, holding the fibre so it stays folded around the spindle hook.

keeping the spindle trapped, twist it. you're just loosening your feet or knees or whatever enough that you can twist the stick.

twist will move into the fibre around the hook. hooray! your fibre is now attached to the spindle. twist a little more. keep pinching it at the top!

draft out a tiny bit more fibre, move your pinch up to the top of that, and let the twist move into the drafted fibre.

keep twisting, drafting out a little, letting the twist move up, and twisting some more. if the yarn looks like it's getting too loose, let the tension off of the yarn and keep twisting, then reapply the tension. a weird thing about twist is that it doesn't move well unless it's under tension. i really tried to show this in the video, and i failed. i will repeat attempts if anyone desires.

if you're not sure if you have enough twist, just move your fibre hand towards the spindle. if the yarn twists around itself, you're probably good. (i check that a lot in this video, because i never spin in this style recreationally, and i don't have good instincts for it.)

when you have an arm's length of yarn, wrap it onto your spindle. for the first time you do this, you'll want to hold the bottom of the yarn, right where it attaches to the hook, as well as the top of the yarn, right before you get to unspun fibre. just wrap it onto the shaft of the spindle. i sometimes find it useful to lay the first tiny bit of the yarn—again, the bit that was on the hook—parallel to the shaft, and then wrap over that, which helps make sure things are good and tight.

hook back onto the spindle and repeat.

you can do this as long as you want to, up to and including forever. it's sort of a hybrid style of spinning—not quite suspended spinning, not quite supported spinning, and not quite grasped/clasped spinning, but a collection of elements from all of them. you're making yarn! you're spinning!

that said, after you do this a few times, you may feel like it's a little unnecessarily fussy and slow. which is also totally fine. try loosening your grip on the spindle and giving it a little twirl. you don't have to let go entirely if you don't feel ready to, but loosen up enough that it'll spin, then clamp back down. you can see me doing this at the very end of the video. at this point, you're basically doing park and draft, and can go from there.

like i kinda implied at the start of this post, this is very far from the only way to approach learning to spin, but especially if you're anxious about damaging your spindle or (like me) hate unexpected noises, it might be one to consider.

[bookofmirth]

Uhhh what did I miss? Why are big artists leaving the fandom and what did fairyloot do?

Fairyloot didn't do anything - this fandom is just entitled and out of control.

Fairyloot released the designs for their special edition ToG a couple of days ago, and some people disliked it. I say "some" because the post now has 50k likes and plenty of people do actually like the designs, I personally like them and if I had the disposable income I'd buy them.

So people flooded the comments with complaints. I mean it's over 4k comments now. Not all of them are negative, but many of them are incredibly rude and entitled. Like astonishingly so.

But they couldn't leave it at that - they had to go to the page of the book designer and the fan artist and leave rude comments on their pages, too.

Do people have legit things that make sense to want to change? Perhaps. Making the stag white would make sense if that was literally supposed to be the Lord of the North and not just a stag. I guess the wyvern is the wrong color if it's supposed to literally be Abraxos and not just an abstraction of wyverns, of which there are many in the book. In terms of the color and design of the covers, they were going for a vintage look, which the book designer explained, and is something I clocked before she even made that comment.

And the allegations of plagiarism are ridiculous considering the similarities between the two special editions are elements coming from the damn series. I mean, a landscape? In art? Fucking revolutionary /s

The thing is, even if all of these feelings are justified - you can be sad that the colors aren't vibrant, you can be sad that they are relatively monochromatic, you can think that there are other, better special editions out there - that doesn't fucking mean that you need to tell the whole world how you feel, especially when it's going to negatively impact the people who worked really hard to create these books. And what's more, these special editions are a luxury item. No one has to buy them. No one is owed the specific design that they want.

These assholes probably already own and have read the series. If they think someone else has done it better, and for cheaper, then go buy that other version!!!! Go commission someone else for their hard work then, bestie! And you'll quickly find out that people's hard work and time is actually quite valuable and probably regret your decision.

All the comments saying it's a cash grab - I'm sorry, are you not on the page of a store that sells things in order to make money???? Are you fucking stupid???? "This thing that is completely optional to my ability to live and has no impact on my quality of life that I don't need to buy is too expensive and doesn't look how I would want it to" okay, and? Go cry to the group chat.

All the people saying "it's constructive comments/constructive criticism" -

Did they fucking ask??? Fairyloot didn't post asking what people think, they posted saying "here's the design". If you don't like it, don't buy it.

And there is a way to deliver constructive criticism that isn't harmful. A few hundred people commenting the same snarky, passive aggressive shit over and over is NOT constructive criticism. If people were really concerned about that message getting to Fairyloot and the artists, then all they would have to do is find a comment they felt expressed what they agree with - because there are plenty - like that comment, and perhaps respond saying that they agree. Engage with that comment. Don't fucking dogpile with the same. Goddamn. Comment. Over. And. Fucking. Over. And apparently there were a bunch of reels deconstructing how much the book design sucked too, which I didn't even watch or get into.

People are really out here on the internet acting like no one else is human or has feelings.

So yeah, now big artists are leaving the fandom and tbh, if I were a visual artist, I would have left a long time ago. Other well-known authors are commenting on those artists' posts (Sabaa Tahir, Stephanie Garber, Shannon Chakraborty) in support of the artists.

It's beyond embarrassing to be part of this community so I'm just... pretty much done with it.

[weirdmarioenemies]

Name: Walking Shell

Debut: Rayman 2: The Great Escape

Hello! This is not a pencil. I know it looks very much like one. Please try to keep pencil thoughts to yourself until the reception after the post, where we WILL be serving tiny hot dogs. If you didn't think this looked like a pencil before, I'm sorry that now you'll only be able to see a pencil. But this is a missile! Shell, like a bombshell! Get it? Yeah! Ok.

It is a very cute and lovable missile, too! This is what Mario does to us. It makes it normal for missiles and bombs and bullets to be cute. This missile even has a skull-style emblem of the Bad Guy on its back... but it has legs! It is Walking Shell, after all! And that's not even the best and most precious part...

It has a DOGHOUSE!!! What the heck! This missile is literally an animal. Someone makes little houses for these missiles to sleep in. I think they are beloved! Even if they are just sort of like guard dogs, being Enemies stationed at certain points, I love to see such in-universe appreciation for a dawdling deathtrap.

When a Walking Shell senses Rayman (I think it should have the ability to Smell), it becomes a Running Shell, and really books it with those funny little legs it has! And with every footstep a lovely tock-tock-tock sound. They're gonna getcha! Gonna getcha! Until they get tuckered out. They stop running and just stand there, bobbing up and down, like they're panting!

I'm sure you're familiar with the classic All Animals Are Dogs trope, where regardless of species, an animal in a piece of media acts like a dog instead of its actual species (unless it's a cat, I guess). And boy, does that get tiring. I love dogs! But they are the only animals that act like dogs, because they are the animals that are dogs!

Anyway, Walking Shell acts like a dog, but THIS is a missile with two legs and no other features whatsoever! It's such a novel thing to act like a dog! A real innovation in the Thing That Acts Like A Dog department! With its two legs and pointed front, I would think if anything it would act like a chicken, and "peck" the ground as an idle animation, or something. But don't worry, farmheads! Look!

After it gets tired, Rayman can mount the Walking Shell, and it will rear up and neigh like a horse! Real dogs do not become horses. Yes, I do know many animal facts, why do you ask? Walking Shell will then cheese it and run over any terrain at high speeds! Sadly, the goal of these sections is to guide it into a wall so that it will explode on impact and destroy the wall. And that's so sad!!!

Yeah, this is a missile, it's destined to explode, but they also made a point of portraying it as an animal, a creature, one that can even be befriended. It's almost like if the Yoshi Dismount Jump was necessary to end every level where Yoshi was found. I think Rayman should adopt a Walking Shell, and walk it on a leash, and literally just let it be a dog. But be careful it doesn't bump into anything too hard!

Welcome to TOY CORNER. Toys are an important part of Walking Shell's history! Rayman is, obviously, a nightmare to design toys of. You could have strings to represent his floaty hands and feet, but then he doesn't look like Rayman, he looks like Ol' Strings Fer Arms Raym'n, who is not real! So, they had to get creative. And it worked, I think! In toy form, Rayman is always accompanied by some kind of prop that his hands and feet can be directly attached to. It may limit play possibilities, but it's better than the alternative, which is nothing. I hope you are getting excited reading this tangent on a post about Rayman's funny steed...!

Here it is! Walking Shell McDonald's Toy, for you to enjoy! The legs are sort of sticking straight out, but it is still unmistakably our friend. The exhaust pipe can be turned to make it go forward and occasionally turn in circles!

Gee. What a great concept. They get to put Rayman's hands and feet somewhere secure, and we get to know there are Walking Shell toys out there! It would be great if they did this again.

Wow! They did this again! This time in plush form! Walking Shell is truly just a creature so nice you gotta make a toy of it twice. This plush fascinated me for a few reasons. First, it's from Rayman 3, and Walking Shell is only in the GBA version of that game, which is absolutely not the Main version, and yet it gets toy spotlight again (this is a good thing). Second, it is directly modeled after the McDonald's toy, with the legs in the exact same position. I am intrigued by this, like, translating a McDonald's toy into a more "real" toy, if that makes sense.

Would you let Walking Shell sniff your hand? Be careful!

[beanghostprincess]

My take on OPLA's "Zoro vs. Mihawk" fight because I love to criticize the things I like

I'm gonna start by saying that I love the live-action. I'm obsessed. The casting is great and the set is stunning. However, despite enjoying OPLA I do have a lot of complaining to do about it because I absolutely love analyzing media and characters. That being said, I don't want this post to make it look like I am disregarding the directors and writers here. They did a good job with what they had but I personally think I would've done it a lot differently.

So... Let's start!

The thing that bothers me the most about episode 5 (episode that I honestly consider to be the worst in a lot of ways and for a lot of reasons) is that they intend to make it look like Zoro has this intense and personal connection with Luffy. A devotion that makes him so damn worried and self-conscious about losing the fight that he starts crying (or at least they tried to make Mackenyu cry? I'm not sure there. But he cries in the manga so, yeah. 'Frustration' perhaps is a better word). And Zoro does feel that devotion towards Luffy from the very beginning. The guy literally changed his life! But that is obvious and visible in the manga/anime because we can see Luffy making promises and being demanding and direct and literally a damn sunshine to Zoro. They have this conversation about him getting back his swords, about being the king of the pirates... There's this connection between them. One that says:

"You'll be my first mate" and "I'd literally give my life for you"

Damn, if there was a trope for love at first sight only for captains and their first mates? They would be the damn blueprint.

But OPLA wasn't able to make them show that connection because most of the scenes are rushed and/or skipped. And I understand. I truly do. It's just a live-action and the manga is long as hell. But the thing is... Don't expect me to believe Zoro's devotion is real if you haven't even shown me how it started. The root of the problem isn't the fight or his speech in episode 5, but the lack of emotional connection in episode 1 that they could've easily fixed by reordering the scenes.

So, regarding everything pre-ep 5: If they had shown us their relationship better, episode 5 wouldn't have felt so... Rushed? Out of character? And I don't mean out of character in a 'Zoro wouldn't say/do this' way (because of course he would, and did canonically) but in a 'OPLA!Zoro wouldn't say/do this because he hasn't experienced the exact same things that manga!Zoro has' way.

Yes, it's a live-action, but as a stand-alone? Zoro's behavior doesn't make any sense. That also happens with Nami, but this post isn't about our weather queen. Not today, at least.

Before I get into the fight I must also say that, even if I appreciated Zoro/Nami's dynamic and scenes, I find them completely unnecessary and useless. Firstly, because those scenes would've been better if they had used them to build their relationship with Luffy and not only between them. Secondly, because the writers do absolutely nothing with them. The relationship is only used as a plot device to foreshadow Arlong Park. And it bothers me because they could've done that without taking scenes from Luffy/Zoro and Luffy/Nami. This also happened because they decided to put so many scenes with the Marine, by the way, but I guess everyone is aware of that already.

The thing about the straw hat pirates is that they're a family. There are different connections/relationships/dynamics between them. But the main focus and reason why they joined is always Luffy and only Luffy. OPLA wanted to make them all a family in the first episodes and share all the important scenes together when actually that doesn't work like that. Everyone in the crew builds different dynamics with Luffy with personal and private scenes, and I think they took that magic away from them in OPLA wanting them all to share the same experiences for no reason. They don't build private connections (besides Nami/Zoro, but that doesn't even work in the end). This is why I like OPLA!Sanji so so much! His scenes with Luffy are immaculate.

Basically: The writers decided that since it's a live-action and most of the viewers will be already OP fans, it doesn't matter if they make Zoro's devotion exist without actually showing it because we already know he's devoted to his captain. So they take that info, make it happen, and they give no explanation to new watchers as to why the hell this dude who is supposed to not trust people easily, suddenly trusts Luffy so much. Even if it's a live-action, you should never take things for granted as a writer.

Now that I've established how it doesn't make sense for Zoro to act the way he does due to the lack of scenes with Luffy pre-episode 5, I'm gonna talk about my overall opinion about the fight itself and Zoro's pretty iconic speech to Luffy.

I'm no expert with fighting scenes but I've watched enough movies and animes (and you don't even need to, to be honest) to know that it is incredibly rushed. There's no tension. And the choreography is so... Dull. The only fight scenes I enjoyed were the ones in episode 1. This, in my opinion, is mostly the director's fault. The shots are either boring or too exaggerated and the whole fight is just not enjoyable to watch. The setting also makes it really empty. Everyone is just... There... Together... Netflix, don't be so scared of putting space between characters, I'm begging you. A bit of theatre directing is what this scene needs.

Also, Sanji isn't there and it bothers me a lot. Like a whole lot. Like a lot lot. And the fact that Nami is there when she shouldn't be (and also holds Usopp's hand? Like girl, chill, you've only interacted twice? They should've added Usopp to that drinking game scene if they wanted them to grow closer like that before the fight. But of course, Usopp is just the comedy relief for Netflix) also bothers me a lot lot lot.

In general, OPLA's shots aren't my cup of tea, and the overuse of comic-like moments dividing the screen made me cringe more than once (the first time was funny. Referencing the manga. But then it gets tiring. Mostly because the shots are just too close to their faces). Also, what's up with the corners being blurry all the time and the shots being extremely close to their faces? I don't know if it's just me but it's uncomfortable to watch.

Leaving that aside, Mackenyu did a great job with the fighting scenes. Love him to death. Kissing him from a distance. Great work.

Now, the thing that bothers me the most...

Zoro's speech.

Not only do they skip the important part where Zoro calls Luffy "The king of the pirates" but they also make it extremely dull and boring. It's not Mackenyu's fault. He's a good actor. However, I do think that this scene didn't need a close approach between the characters.

What this scene needs is passion. Frustration. Tears. Screaming. Relief when Zoro realizes Luffy isn't disappointed. Determination when he decides to keep fighting and training to become the world's greatest swordsman. And I think Mackenyu's performance would've been way better if they had given him the right indications and space between him and Iñaki.

I always say that physical space is great for scenes like this one because it challenges the actor to express their emotions without physical contact. A close and sweet approach is also good, but I think they should've just used that for the scene in episode 6 where Zoro wakes up. Them being physically close then is good, because there's a bond and they want and crave touching each other. However, after losing a fight and almost disappointing his captain? What Zoro needed was to openly cry to the sky and yell at Luffy that he would become the world's greatest swordsman. For himself. For Kuina. And for Luffy, his captain.

It's a very emotional scene and I get that it's complicated to do the same thing the manga does... But it really isn't that hard to give Mackenyu space so he has to yell and be openly frustrated. It seems like he wanted to cry. Like he was trying to cry. But the tears didn't come out because having Iñaki and the others so damn close didn't give him the space he needed to yell his emotions.

On the other hand, even if I don't like this scene and I prefer Luffy and Zoro to not be so close to each other, this would've kind of worked if they had had some connection and scenes pre-episode 5. But they don't. So, yeah, whatever.

Also (and this is just me being me) I wouldn't have used an aerial shot of them for the final scene. Zoro is satisfied now. He faints but he's happy. He proceeds to wake up happy in the next episode. So why not end it with his smiling face as he faints? That's also a recurring topic in the One Piece world! Make it reference Roger and foreshadow Loguetown and Marineford. These directors aren't being creative, let me tell you.

Overall, you can tell that I didn't like how they portrayed this episode, especially this fight/speech. However, before I end this post I want to say that I am aware of how hard it is to make a live-action and it's completely understandable to make scenes shorter and rushed. It's obvious that everyone working on this live-action loves One Piece, and even if I don't like a lot of the things they're doing, that doesn't mean I can't feel the effort and love they put (mostly the actors. The cast is outstanding and extremely sweet!) making this show.

I have more complaints about episode 5 (mostly about Nami's character) but this was just to talk about Zoro and the fight! Let me know in my inbox if you want more of my opinions on OPLA or just want to tell me something! <3

Editing TikTok account where I'm posting my One Piece edits: seraspring

[fractualized]

Hoo boy. TMWSL #11 dropped a bomb today. Or a potential bomb? There's still one issue to go.

I'll just get into it.

(big ol' spoilers and SO MANY explosions)

We open with Sewer Rat Joker in the middle of kidnapping several Gothamites.

I'm not sure about that guy on the left, but the lil goon on the right is freaking Albert, the dying kid from the hospital, just… tagging along? I love it.

The janitor is loaded into a van with a few others, and "a few blocks away"…

LA Joker's got a bun now!

That is not Mr. Waffles holding an umbrella to protect the bun from the rain. Waffles is elsewhere on his own special task. At first it's like, aw, I'd like Waffles to be attending to the boss like this. But, uh, we'll learn soon it's actually better that Waffles is otherwise occupied.

Anyway, this Joker has been looking and looking and looking for his counterpart, who's managed to elude capture even while while most of his henchmen have been taken out. And this failure is not looking good on LA Joker, who is very frustrated!

It's so funny that the man they're looking for is nearby in an unmarked van. So maybe the goon who Joker threatened actually deserves it when Joker tells the others to throw him off a bridge. 😬

Joker goes back into the warehouse where Killer Moth is watching TV.

Come on, he's just putting on a show!

Before we find out what Sewer Rat Joker is up to, we cut to Manhunter investigating the van he was using. But he, his crew, and his captives are gone. Ravager is there with information from Jason.

Wait wait wait. Is… Is Jason gone because of the Gotham War thing? Are these supposed to be happening at the same time?? I know Knight Terrors indicated that the events in Batman happen around the same time, but this issue has to take place while Bruce is asleep for two months post Knight Terrors. Right? The goings-on in TMWSL couldn't have been paused for that long. It also doesn't make any goddamn sense, because in Gotham War Selina has supposedly enlisted like 95% of the henchmen, and Jason is acting like he has no clue what's going on with Joker, and nobody is talking about all this Joker-related stuff going on. Like obviously this was never going to end with Jason killing Joker, so I was just assuming Gotham War happens after TMWSL with Jason still on the hunt, but... Good lord, Jason better show up in #12, or I'm going to lose my freakin' mind.

We get a panel showing that Mr. Waffles is watching the two women before we cut to midtown.

Now you think, oh, Sewer Rat Joker is still clothed and not naked, so what's his plan? But then he unleashes a hoard of goons and mid-level rogues on the cops, and you realize this is actually LA Joker, suddenly dressed down in a very similar way to Sewer Rat Joker. I assumed this was for some sort of "Shoot him!" // "No, shoot him!" situation later, but… you'll see.

Hee hee, Moth is using his wings to protect himself from the rain and it looks so cute.

Aw, Joker. :( Don't be so mean to the henchmen. At least it wasn't Waffles.

We don't have to wonder what the purpose of the mess is, because back at the warehouse:

Distraction action! This is not a good issue for henchmen, I gotta tell ya.

Uh… sure, Albert. Good guys.

Also, regarding the newcast, is Joker somewhat diminished "in recent years"?? Joker War wasn't that long ago, even less long ago in-universe, I think. Maybe it just means more rogues are stepping up as larger figures, like Bane and Scarecrow, and I guess Failsafe the angsty robot since if that happened before Knight Terrors, then he's a known quantity here.

Meanwhile, the reportedly naked Joker is not so naked.

I'll never not enjoy confused conversations.

Killer Moth gets a report that the warehouse is radio silent, and that someone spotted the imposter in Chinatown at a hardware store. And then…

See, if Mr. Waffles had been hanging with Joker, he might be dead! For real this time!

This shit is why most henchmen must work with Joker because of obsessive reasons, not for money.

Joker and Moth's amazing escape is not very triumphant.

As they hurtle to the ground, we check back in with Manhunter at the warehouse.

Sewer Rat Joker has also done a costume change! Presumably it's part of him retaking his place as the Rightful Joker. So if there's not going to be outfit confusion, I suppose the other Joker just changed for… comfort?

But there is still confusion for Manhunter, who refers to events in Los Angeles, but if course this Joker says he hasn't been there in a long time.

Albert's parents really should have explained to him who the Joker is.

So LA Joker has forced Killer Moth to walk with him to Chinatown to pick up on the imposter's trail, and they meet up with their remaining henchmen. "Remaining" because of all the ones that died at the train wreck, and some other casualties. They also give Joker the bad news that, like Clayface, basically all the villains that were helping him (Zsasz, Firefly, KGBeast, etc) took off because of how badly this search is going. But Joker will press on! He orders the henchmen into the hardware store to get the imposter.

At least we're all having fun heading toward the finale!

Back at the warehouse standoff, Manhunter has a realization.

Joker has definitely murdered pizza boys. Also, aw, he misses Jason. :( Sadly, Jason isn't who shows up to Manhunter's rescue.

Seriously, if Gotham War is the reason Jason isn't here, and he's not present to close this title out, I'm going to be so annoyed. No shade on Ravager and Manhunter, but we started with Jason. This should finish with Jason. Jason helping Selina for nonsensical reasons is a terrible reason for him to not be here hunting the guy he's been obsessed with for 10 issues.

Sigh. Anyway, Joker sics some poor toxin'd doppelgangers on the women before he escapes with Albert.

Buzzing? THAT'S THE SECRET WORD!

Alright, because of the spy adventure, Mr. Waffles cut it a little close this time, but look at the bright side. Now he meets up with the real deal at last!

Ooh, more hints of the real story, as Waffles lore, heck yeah. The henchman was Mr. Waffles' buddy? Was it just like the "flashback" in the last issue, or different?

Wait, what? WHAT? WHAAAAAAAAAAAOkay okay okay okay. That's a big dang reveal, but there's still one issue left. Can't let the instinct to trust our beloved Mr. Waffles toss aside the options for the final issue:

1) This is all true. Sewer Rat Joker has actually been the imposter all the long, despite his elaborate dream with Batman making that seem silly. EXCEPT. John Keyser not knowing that Batman is Bruce Wayne would be an explanation for why he treated them as two separate people in the dream. Even though there was still an obvious link by putting Bruce in the TKJ outfit and having him behave erratically. Regardless, maybe Keyser really is that deep in. (Though if Joker used the brainwashing technology revealed in Task Force X, I think Keyser would know about Bruce Wayne, putting the explanation back at Weird Dream Thing.)

2) Waffles is straight-up lying to save his own life from a pissed off boss. The reason he's so buddy-buddy with LA Joker is because they were buddies before the transformation.

3) Waffles is being truthful, except something happened during the creation of the second Joker that caused John and Joker to switch places, and Waffles just doesn't realize it.

And I'm hoping #2 or #3 is correct. LA Joker had some fun moments (particularly his relationship with Waffles), but I'm definitely more attached to the underdog, the Joker who had that great nightmare and whose inner thoughts we've been privy to. I wasn't at all expecting Joker to have drastic character development or a heel-face turn or the like, but if it turns out that all those vulnerable moments treating Joker as a three-dimensional character instead of a flat, only-evil-and-nothing-but villain are not about him but some delusional henchman… Hrm. HRM. I know it's gonna bug me. It's gonna bug me a lot.

Whatever happens, I'm just hoping Rosenberg sticks the landing.

Oh, and as a side note, unless there was another henchman involved in this mysterious gas experiment, none of this appears to explain who the Joker appearing in Batman Inc was. Theoretically that could've been LA Joker having some fun on the side when he was away, but there's been nothing in the text saying so. I'm getting the strong feeling that, with how unconcerned DC has been with establishing a clear timeline for their intersecting titles, we're never going to get an answer. Or they'll somehow blame the damn omniverse.

[mbti-notes]

Anon wrote: Hi! I’m 22 F, fairly certain that I’m an INFJ. I keep seeking role models to mould myself. I want to have some source of inspiration from external sources, I am not just looking for style, I’m looking to emulate their attitude and beliefs as well.

I think this ‘need’ for me has increased after a fallout with an acquaintance who was a close friend of my friend. She used to be very bossy and controlling of my friend and if I want to interact with my friend then I had to be on the other girl’s good books so I tried to be friends with her as well.

Eventually my friend cut ties with her and I too limited my interaction with her. She thought I somehow manipulated my friend to stop talking to her and lashed out at me, calling me a ‘Chameleon’. I didn’t like it but I can’t stop thinking if it was true. I wanted to become independent and bold to be unaffected of what others think of me

Maybe this is my way of overusing Ni to find purpose/ using Fe-Ti to rationalize my behaviours by using the ‘role models’ to set internal structure and avoid hurting? I don’t want to keep looking for role models because it’s exhausting, whenever I like someone, I feel as though I’m unworthy to choose them. How do I stop doing this/searching for motivation?

--------------------

I'm a little surprised you said 22 because your way of thinking still seems a bit adolescent, in terms of ego development. Lagging development isn't abnormal or something to panic about. It's simply a sign that there needs to be some reflection or inquiry about the factors behind it. Addressing those factors is the pathway to getting personal growth going again.

Generally speaking, it's normal and healthy for kids and teens to seek out role models to emulate; it's one of the many learning methods that human beings utilize in the process of growing up into productive members of society. Observing good qualities and impressive achievements in others is a way of getting to know more about oneself and one's own good qualities and capabilities.

We can label ego development as "lagging" when, into adulthood, a person still doesn't really know themselves well enough to have formed a solid sense of self or personal identity. When you have a strong sense of self and a personal identity to express, role models mostly become obsolete except in rare cases where inspiration is needed for further personal growth. One defining characteristic of adulthood is independence, which means there is no need to rely on others to define oneself.

As such, it is indeed appropriate to be asking why you still rely on role models at 22, a time when you should already be independent. In adulthood, reliance on role models can become pathological when it's no longer about learning but more about trying to overcompensate for an unrecognized deficit in one's self. I don't know your history, so I can't give you an explanation. You'll have to reflect on it, but I can give you starter questions for reflection.

Do you have a strong sense of self? Do you have a personal identity, including your own ideas, ideals, beliefs, values, etc, that you want to express out into the world? If not, why not?

Do you understand what it means to "be yourself"? If so, why don't you (instead of trying to be someone else)? If not, then you need to do more to get to know yourself better.

It's not uncommon for this kind of lag in ego development to manifest as "chameleonism" in INFJs. Through immature Fe, many INFJs learn that it is to their advantage to be whatever others want to see in order to get the social acceptance they crave. Unfortunately, this shortcut to validation comes at a big cost of not developing a proper sense of self within. You use the word "unworthy". Low self-worth is one of the major factors behind chameleonism. You might want to read previous posts about it.

[eclipsemeteor]

Commander Is Subjective

Magic's becoming a monster of a game, franchise, and corporate beast that's growing and changing beyond comprehension. And further within that scope, Commander is always a contentious hot button topic due to its more lofty, somewhat ambiguous, and vibes focused goals.

Opinions both online and offline span across the entirety of the format and game, and while you can find amicable discussions among friends and collaborators, you'll find the sheer difference from an enfranchised player vs a disconnected one to be head-spinning. Thus, people look for some sort of structure that's concrete and easy to follow to make this disconnect less disorienting. But what else can you do beyond the format's mission statements and ban list?

My name's Cole, I'm a host of the Hero's Blade Vibe Check Podcast and the former host of Uncommon Commander. Playing commander since 2012 or so has given me a lot of perspective and opinions on Magic, but mostly (exclusively) on Commander.

(Of course, this means you should take my opinions as a player and consumer with a grain of salt, but also keep an open mind because what I'm gonna talk about is not based on cold hard facts and statistics, it's solely vibes and feels based. It's how I operate.)

(Thanks Mark Rosewater for this lovely meme template. We will now run with it)

Commander/EDH exists everywhere: Gameplay videos, podcasts, written articles, tweets, Tiktoks and actual games you experience. In most situations, you're always gonna hear or have an opinion on an individual card, a commander, a strategy, a color/color combination, or even on a person, while also hearing about someone's opinion on something you enjoy.

Commander at its core is about creative expression via deck building, how you bling out or customize your decks visual appearance and socialization! With 27,349 unique cards as of this posting (and excluding the ban list), there are many different permutations for self-expression.

(for example, I'm a big believer in Odric Blood-Cursed, and this is the deck that I've been tuning for 2 years. I've had a lot of fun with it, and have made heads turn)

With that many different ways to build a deck, you're bound to run into things you don't like, and sometimes they're not quantifiable.

The reason for this article, and no doubt others have discussed this at length and much better than I, is that Commander is first and foremost a social experience. It's meant for multiplayer, it's Singleton, and the only stakes are what you make. You start adding quantifiable or monetary incentives, you take away the spirit of Commander. If you make a narrower or broader ban list, you take away from the spirit of Commander. You try to enforce or advocate for a separate ban list, rules committee, etc?

You're right, you take away from the spirit of Commander.

What you make Commander is up to you, but it can't be what it's been for people since its inception without participating with other players. You can goldfish all day, but Magic doesn't exist without the Gathering. That means compromise, healthy discussion, an open mind and heart, and a line in the sand to say when an experience isn't for you. We can sit and discuss how social bans make no sense, so why doesn't the Rules Committee ban mass land destruction? Why does Sol Ring get a pass while Mana Vault doesn't?

At the end of the day, despite how we may socially desire structure, hard enforcement of rules might make this beloved format lose its luster. Looking at it with a finite perspective will deny you opportunities for growth and expansion. Looking at Universes Beyond as only a cash grab will deny you the ridiculousness of having a table consisting of Optimus Prime, Gandalf, Chun-Li and Cloud Strife, but also the well designed cards made with care by people.

None of this would exist without people making the cards, illustrating these stories, characters and landscapes. People who made the rules, people who made this format, and the people who sit down and play this format.

People, like you or I, who are flawed, and have expectations and choices that are different than what we want as individuals. They may be people you respect, you admire. They might be people you love, hate, or feel indifferent about. But they are still people who make this game work.

To like everyone you encounter would be a ridiculous ask, but I ask that you give people a chance when you can allow yourself, and know it's ok if you don't. But I think most people are a lot cooler than you think, if given the chance.

Whether you're as enfranchised as I am, or more or less so, what you owe yourself and the others you play with is a genuine enthusiasm for playing and engaging the format. Take chances where you can engage with new people, be patient as new cards enter your view, and try to find and foster friendships so that the next time, the games are even better when you learn about this game better through the lens of friendship and the Gathering.

Keep an open mind! Be excellent to each other.

[lilith-little-world]

The Oracle|| The Isekai’d Oracle|| Concept Oneshot 6

Sorry for posting much lately. This week has been extra busy for me and had drained my creative writing energy. It wasn't until a few hours ago, I finally came up with something. A big storm came again and I got inspired. So here is some angst. Also, it's unedited let's hope things are written correctly. Remember you can request or ask questions.

A storm rages outside, trying to tear apart the world. The temple stays resilient, seeing storms way worse through its time. A celestial being watches the rain fall from the sky. The piercing thunder tore through the air shaking the world. 

Wukong wasn't one to reminisce, choosing to forget about it. Especially now knowing how he made so many mistakes. Too late to regret or apologize, the only option is to sadly continue on. Yet here he was, thinking about someone he tried to forget. Deep down, this was only one of many choices he regrets.

Wukong couldn't wrap his head around how you would sacrifice everything. The only thing tying you to this world and abandoning it. All for what? Why sacrifice everything for him? 

He doesn't have a clue, even after all this time. You said it will make sense in the future. Even when he matured and saw how his past actions weren't the best. Wukong still couldn't understand your reasoning.

“Ah, why am I remembering her now? It doesn’t matter, that spirit is long gone.” He said, trying to calm his loud mind. 

A faint memory of you worms its way into his mind. How you would try to secretly visit him when he got trapped under that mountain. During that time, he chalked it to guilt. Yet even in the strongest of storms, you ventured out to visit him. 

Is that the reason why he's out on the porch and waiting? That, maybe, you'll show up and keep him company like the old times. 

His chest feels tight, throat burning. The thought set free an emotion he tried to kill and bury. 

It was useless to cry now. 

Too late for tears.

“Why are you here?”

“Is it a crime to just want to keep someone company?” 

“Maybe if you have caused someone’s current imprisonment.” 

“Call me a weak coward all you want, but I'm not strong or brave like you. I can't face the whole celestial army. When the Jade Emperor asks you a question, you answer truthfully.” You huff. Looking away annoyed, regardless that guilty expression took over. 

The atmosphere was tense. 

“So you can meet the Jade Emperor? Then will you pass on some words for me?”

“I swear, you want me to get exiled.” The spirit sat beside Wukong, getting comfortable.

“Oh please, you're a spirit. Not like being exiled will do anything.”

“No, but it takes a lot to tie me to this world, and I'll be in big trouble if I am cut off from it.”

“I see a win-win situation here.”

“You're such a rude little monkey.”

The spirit crosses her arms, slightly offended by his words. Wukong couldn't help but smile at her reaction. 

‘Perhaps having her company wouldn't be so terrible.’

The thunder roared, mercifully tearing Wukong away from that memory. 

A memory that is best forgotten with the rest.

He was about to head back into the temple. Ready to end this tiring day. When a blast of energy blasted through. 

A familiar blast of pure warm energy.

Wukong faces where the blast originated. A busy city, he doesn't travel to. 

Megapolis.

A part of him wanted to believe that he imagined it. However, the blast had blown away the storm clouds. Leaving a ring of clouds exposing the blue sky. 

Wukong wanted to check to see if you were actually there. However, he didn't move.

How can he face you after everything? 

Could it be possible for you to even accept an apology? Do you even want to see him?

No, it's better if he stayed out of it. Wukong won't be able to live with himself if his actions hurt you again.

“It's for the best.” He said while walking back into the temple. Wanting nothing but to forget the past.

[forgetmynamepleasethanks]

OHOHOH I have a good idea for a request :> possibly could I get either headcanons or a scenario, you can choose, of Kris with a reader who had a simular kind of incident to the one Mae Borowski had in NITW? (if you don't know what that is its p easy to search it up there's a whole wiki page for it) hope that made sense!!!!

This has been sitting in my asks for so many months along with a few other posts. I wont lie to you. I forgot my password. Fixed that issue though so here we are. I'm writing this little preamble thing December 10th 2022 so lets see how long it takes me to write this whole thing. Hope you enjoy.

-----

Wise parents in Hometown warn their kids to stay away from them.

Kids too little to even remember why they're supposed to be scared scurry off and kids old enough to remember keep their heads down and walk past them.

The outburst of the only other human in town and the disappearance of Dess Holiday has got to be one of the worst "coincidences" to grace Hometown newspapers ever.

For a while after the incident, you tried your best to recoup your losses. But no matter how hard you seemed to try, no one was interested in humoring your request to be friends anymore.

For 2 years this continued.

To the rest of Hometown you weren't a human, or a monster, but you were a monster. You were a perfect example of why they didn't let many humans live here. A psycho who brutalizes innocent monsters.

That's all you were to them.

You tried to get over it. Can't keep beating yourself up forever right? Time to move on to better things? Right? Your grades began to drop rapidly, bringing you from 3rd in the class to almost last place.

Despite everything, you kept going.

Kris did not understand you. They are one of the very few people who aren't scared of you. They feel for you, as a fellow outcast they get what it's like to just want to curl up in a ball and never leave your bed.

After everything that happened to them, all the yelling, being treated as an outcast, the weird looks, the loneliness, why wouldn't they want to just disappear?

You don't really talk to anyone, sometimes you'll ask them for a pencil but other than that it's effectively radio silence between you and the rest of Hometown.

You rarely smiled, you were rarely seen outside of school or your house, even seeing you at school became a more and more special encounter. You were almost like a secret boss in a video game or something.

You captured Kris' attention and never let go. Why couldn't they stop thinking about you?

"Well that's easy, you have a crush loser." Susie replied to them, throwing another rock into the lake.

Kris didn't believe a word of it.

A crush?

On you?

No way.

No wayyyyy.

Yes way?

I mean just because they thought your smile was so infectious that whenever you wave at them for a pencil they smile, or how even though they know what you did they can't get your face out of their head, or how no matter what you wear you look perfect doesn't mean they have a crush on you!

You probably wouldn't even like them back...

Only one way to find out right?

The sun was setting, signaling for all the other kids to leave the playground and start heading home. Except you. You decided to stay a little longer. Feet brushing through brown mulch below the swing you gently rocked yourself on, hands wrapped around your journal, you heard the sound of footsteps on grass. You glanced up, focusing on the approaching figure which had sat on the swing next to you.

Kris Dreemurr.

After several minutes of uncomfortable silence, Kris broke it.

"I don't think you're a bad person." Kris stated quietly looking to you for your reaction.

"Gee thanks." You said, a little confused with the whole interaction.

"Why don't you come to school anymore?" Kris asked you.

"Why do you care all of a sudden?" You teased, stretching your arms and yawning.

For you, this was just some chance interaction, but for Kris this was now or never.

"Because I miss you." Kris explained quietly.

You froze for a second. Kris missed you? Town crazy person? Wow.

You grinned that crooked grin that Kris couldn't get enough of, before replying.

"Well if you care so much I guess I can show up some more." You proclaimed through your smile.

"I'd like that." Kris said, so quietly you barely heard them.

You stood up from your swing and yawned again. "It's getting late, let me walk you home." You offered.

Kris only nodded before standing up and dusting their pants off. Before they could react you had grabbed their hand and were pulling them along.

Oh.

Oh.

So you did like them back. Would have

Wise parents in Hometown warn their kids to stay away from them.

Kids too little to even remember why they're supposed to be scared scurry off and kids old enough to remember keep their heads down and walk past them.

The outburst of the only other human in town and the disappearance of Dess Holiday has got to be one of the worst "coincidences" to grace Hometown newspapers ever.

For a while after the incident, you tried your best to recoup your losses. But no matter how hard you seemed to try, no one was interested in humoring your request to be friends anymore.

For 2 years this continued.

To the rest of Hometown you weren't a human or a monster, but you were a monster. You were a perfect example of why they didn't let many humans live here. A psycho who brutalizes innocent monsters.

That's all you were to them.

You tried to get over it. Can't keep beating yourself up forever right? Time to move on to better things? Right? Your grades began to drop rapidly, bringing you from 3rd in the class to almost last place.

Despite everything, you kept going.

Kris did not understand you. They are one of the very few people who aren't scared of you. They feel for you, as a fellow outcast they get what it's like to just want to curl up in a ball and never leave your bed.

After everything that happened to them, all the yelling, being treated as an outcast, the weird looks, the loneliness, why wouldn't they want to just disappear?

You don't talk to anyone, sometimes you'll ask them for a pencil but other than that it's effectively radio silence between you and the rest of Hometown.

You rarely smiled, you were rarely seen outside of school or your house, and even seeing you at school became a more and more special encounter. You were almost like a secret boss in a video game or something.

You captured Kris' attention and never let go. Why couldn't they stop thinking about you?

"Well that's easy, you have a crush loser," Susie replied to them, throwing another rock into the lake.

Kris didn't believe a word of it.

A crush?

On you?

No way.

No wayyyyy.

Yes way?

I mean just because they thought your smile was so infectious that whenever you wave at them for a pencil they smile, or how even though they know what you did they can't get your face out of their head, or how no matter what you wear you look perfect doesn't mean they have a crush on you!

You probably wouldn't even like them back...

Only one way to find out right?

The sun was setting, signaling for all the other kids to leave the playground and start heading home. Except you. You decided to stay a little longer. Feet brushing through brown mulch below the swing you gently rocked yourself on, hands wrapped around your journal, you heard the sound of footsteps on grass. You glanced up, focusing on the approaching figure which had sat on the swing next to you.

Kris Dreemurr.

After several minutes of uncomfortable silence, Kris broke it.

"I don't think you're a bad person," Kris stated quietly looking to you for your reaction.

"Gee thanks." You said, a little confused with the whole interaction.

"Why don't you come to school anymore?" Kris asked you.

"Why do you care all of a sudden?" You teased, stretching your arms and yawning.

For you, this was just some chance interaction, but for Kris, this was now or never.

"Because I miss you," Kris explained quietly.

You froze for a second. Did Kris miss you? Town crazy person? Wow.

You grinned that crooked grin that Kris couldn't get enough of, before replying.

"Well if you care so much I guess I can show up some more." You proclaimed through your smile.

"I'd like that," Kris said, so quietly you barely heard them.

You stood up from your swing and yawned again. "It's getting late, let me walk you home." You offered.

Kris only nodded before standing up and dusting their pants off. Before they could react you had grabbed their hand and were pulling them along.

Oh.

Oh.

So you did like them back. Would have been nice to know that earlier.

-----

I wrote this March 12, 2023. I wrote it all in one day and I'm not super proud of it but you know how it is. Hope you enjoy it. I'm going to try and be more active again.

[blissfulalchemist]

Which Hozier Song is Your OC

Hello I have come back from the abyss to of course do this uquiz. Thank you @corvosattano for tagging me. I tried to do as many ocs as I could manage (it ended up being 12 so my bad) and then included a lyric that I felt related to the oc(s) so apologies for the length. Sending tags out to @belorage @florbelles @unholymilf @adelaidedrubman @heroofpenamstan @confidentandgood @strafethesesinners @deputyash @leviiackrman @jackiesarch @shallow-gravy @shellibisshe and uh anyone else that wants to!

Anthea (ffxiv/bg3)

Wasteland, Baby! it's the end of the world, but the beginning of something that will outlive us all. you might like my tag #growing through solastalgia on tumblr. just because the world is falling apart doesn't mean we can't find peace.

"And the day that we'll watch the death of the sun/That the cloud and the cold and those jeans you have on/Then you'll gaze unafraid as they sob from the city roofs"

Catlina Rojas, Carly (fc5, bloodlines/ffxiv)

NFWMB oh, it is a privilege to be loved by you. you'd break the world for the person you love. we all want a love like that, i think. we all want such utter devotion. save it for someone who deserves it, though, because not everyone does.

"If I was born as a blackthorn tree/I'd wanna be felled by you/Held by you/Fuel the pyre of your enemies"

Siberite Akagane (ffxiv)

Abstract (Psychopomp) i mean, the world is so broken. and yet it's so beautiful it makes you want to cry. what can you even do with a feeling like this?

"Darling, there's a part of me/I'm afraid will always be/Trapped within an abstract from a moment of my life/The weeds up through the concrete/The traffic picking up speed/All my love and terror/Balanced there between those eyes"

Demos Reyes, Conner Enache (ffxiv, bloodlines/ffxiv)

Would That I morning dew, shifting grass, foxglove growing by an old fence post. woods, thick and old. and then: the joyful spark of a flame. i hope you get to lie down in a dewy field sometime soon.

"True that I saw her hair like the branch of a tree/A willow dancing on air before covering me/Under cotton and calicoes/Over canopy dapple long ago"

Sahar Mahin (m*rvel)

Francesca "i would do it again." honestly this song changed my life. i hope the people you love are worth suffering for.

"Darling, I would do it again, ah, ah/If I could hold you for a minute/Darling, I'd go through it again, ah, ah/I would still be surprised I could find you, darling/In any life"

Stasia (bloodlines/ffxiv)

Eat Your Young you have strong feelings about the state of the world. i like your passion. plus, you know how to boogie to songs that would disturb your grandma if she listened to the lyrics too closely, which is always a plus. is cannibalism a red flag?

"Honey, I'm making sure the table's made/We can celebrate the good that we've done/I won't lie, if there's something still to take/There is ground to break, whatever's still to come"

Azatae (dnd/bg3)

It Will Come Back why is it so hard to stay away? you might have a tendency to get addicted. and it makes sense. if you've always been starving, then any scraps look like a feast. but you really do deserve better than this. i hope you treat yourself with kindness.

"I know who I am when I'm alone/I'm something else when I see you/You don't understand, you should never know/How easy you are to need"

HK (dnd/bg3)

Work Song i wrote a poem about this one once! devotion and the way it crushes you. the way it saves you. sometimes the only thing that can save your life is having someone to live for. and sometimes when you've found that person you would do impossible things to stay by their side. i like the way no grave can hold your body down. it's neat.

"I didn't care much how long I lived/But I swear I thought I dreamed her/She never asked me once about the wrong I did"

Chance Ruicknar (fc5)

From Eden you might like the game slither.io. also, you're a bop. have you seen Good Omens? there's this snake demon you might really enjoy.

"Babe/There's something lonesome about you/Something so wholesome about you/Get closer to me/No tired sighs, no rolling eyes, no irony/No 'who cares', no vacant stares, no time for me"

Lizette Rojas (fc5)

In a Week have you ever thought about the fact that you have to kill other things in order to keep yourself alive? whether plant, animal, bacteria, or fungus, you're always killing things in order to eat. and in return, when you die, they'll get to eat you. the feast has begun.

"I have never known peace/Like the damp grass that yields to me/I have never known hunger/Like these insects that feast on me/A thousand teeth/And yours among them, I know"