Ship and Let Ship
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Do you get the impression the live action is treating us like utter morons?? Like I thought that making it aimed at an older audience would open the doors for more subtle story telling, but no, they're just using monologues to tell us eveything! Like in the second episode Katara's like 'oh his power isn't that he's the avatar, it's that he ~connects~ to people'. Girl we're not idiots we can see that!! And the first episode with Aang's goddawful 'I don't want this responsibility' monologue
THIS, YES. The word that keeps coming to mind is definitely "subtlety". The show for literal children? Had it. The remake for adults? Not so much.
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The fact that all Gwen knows about her variants in other universes is that they're dead is so sad. Like imagine you want to know what happens to you in other dimensions and it turns out that wherever you look you mean nothing, you're so unimportant that there's no bigger role for you other than dying.
And I've seen you guys pointing this out, where she's looking at what looks like her own death and even if it's not this is not just a "love interest" Gwen, this is a superhero who is supposed to mean something, but she doesn't. She's only here to die. And so far this (our) Gwen doesn't have any reason to believe that she won't die very soon just like other Gwens.
I think that one of the main reasons why she's rejecting Miles is not just her trauma and all shit she's been through and the fear of dying like other Gwens when they're involved with Spider-Man, but also because if they start something and she dies this will hurt him too.
It's easy to say "canon events aren't true she shouldn't believe in that" but this isn't just a regular risk, this is her life we're talking about.
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Cinch had three charges in her care once, Celestia entrusted her with the day-to-day care of Prince Blueblood, the new Princess Cadence and her student Sunset Shimmer - running a kingdom is difficult enough alone without three young ponies to look after - so when Celestia is absent (often) that means Cinch was in charge of these three ponies. And while the matron of the castle was always rigid about rules and wanted her three charges to uphold her reputation and to build their own budding reputations high, she cared about them very much. You'd have to, spending your time with the same three young ponies for so long, guiding and teaching them to be their best...
By the time Ditzy came into the picture, Cinch was down to two charges. She refused to fail them the way she failed...
Well, with one down, there were two left and she cared so much she wouldn't let anyone ruin them, especially not themselves. Surely they would come to realize Cinch was only helping.
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see the THING about goodsir and stanley is that goodsir may be way less inclined to act cruelly but he has a far greater capacity for it.
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how are you gonna let yourself get used like that, suguru?
JUJUTSU KAISEN / 呪術廻戦 (2020-)
2.09 | “昏乱” • pandemonium
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Thinking about the symbolic weight of smoking in the TLT universe that comes to the fore in The Unwanted Guest -- the way it moves through from person to person: Pyrrha smoked, and Augustine wanted to impress her in all her stone cold fox MILF James Bond glory (and tbf who wouldn't) so he started too. and even though as far as he knows she's been gone for a myriad and is never coming back, he keeps the habit. Ianthe sees something in the hollowed-out Faberge eggshell of Augustine that resonates with her, all that gilded eloquent emptiness and disdain through the ages, so she picked it up from him to try to emulate it. She picked it up so hard that Palamedes -- the exact spiritual antithesis of the 'smoking! on a space station! what a powermove' ennui Ianthe so admired -- spontaneously unnerded enough to even known how to, simply from a sort of contact contamination of the soul.
G1deon and Augustine sharing a jittery smoke after their near-Harrow experience during soup night, and it's the closest thing to any real sense of brotherhood that remains between them. Pyrrha going ten thousand years dying both literally and for a smoke (and then Camilla sold her fucking cigarettes (for a third of what they were worth, probably Pyrrha's own good, and also more importantly grocery money). what an entirely haunted time to be alive etc.). Augustine and Mercy trading a cigarette back and forth in the middle of their collusion over the love and murder of god.
An act of small and measured self-destruction in the name of something a little bit like connection when you're stuck somewhere in yourself where love itself dares not or cannot tread (ritualized, transmissible)..........
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Nothing makes me hit the block button faster than seeing an "DNI proshipper" in a tumblr bio. Thank you for telling me up front that you're a child who cannot separate fiction from reality and that you can't handle when things don't fit into your little box of what is considered "acceptable".
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rue is, i think, in love with the idea of love.
they set a wager. the lords of the wing will find true love in this romantic, ephemeral bloom, if they only seek it. they can win it, as though it’s a game.
they long to abolish the courts. their own court has never held any love for them - why would any other court be different? a court stifles, a court smothers, a court suffocates love. the courts must be abolished, so that love can bloom. true love, love that is unfettered by politics, or station, or duty.
they are the architect of the bloom. the hunt, the heart. the dance. the potions. they will pour love into a cup and the guests will drink their fill. fae from across the realms will fall in beautiful, perfect love at rue’s hand.
they have become the arbiter of love. when an engagement between a cruel prince and a wild goblin is set, what else can they do but judge it unfit? it was not love, it was not true.
they share a moment in a forest with a venerated captain. he is tall, as they are. he is clawed, as they are. he is a beast, as they are, and so beautiful for it. they fall fast, and hard, and heavy. and perhaps it is only the nature of queerness, of a life lived behind a mask, yearning for the faintest spark, that causes them to love so fast.
or perhaps they did not truly fall in love with hob at all. for they did not see him.
they fell in love with a reflection of themself.
except, of course, that hob is not a reflection of rue. hob is his own person, and like any real person, he cannot live up to an idea. and while rue is on a wonderful journey of revelation and self acceptance, it is baffling to them that someone else’s love does not always mirror their own.
rue, in an act of bravery and vulnerability and hope, removed their mask. and they long so very much to remove hob’s - but he has never worn a mask. he has always been exactly as he is - a soldier, devoted and dutiful. an outsider, used and abused by his court. rue’s true form was hidden by their court, while hob’s otherness has always been mercilessly exposed.
rue loves hob for the idea of who he could be, if he could simply unmask as they did. but hob needs, just as rue does, to be loved for who he is.
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"All that pain, that misery, that loneliness, and it just made him kind." - Amy Pond, Doctor Who, season 5, episode 2, "The Beast Below" written by Steven Moffat
Pain sits on a chest too frail to lift it, its mouth split by teeth. it digs curved claws into sinew and bone and untwists nerves where they lie blank in its hands. Misery, hollow cheeked and hollowed bare, keeps its stomach concave, starving for company. A rattle in your lungs. Weeping sores on your skin.
What are you thinking? What are you feeling?
It hurts.
What are you thinking? What are you learning?
Make for me a map of the starving thing shredding your muscles. Hold open the puncture wounds, and pull out the claws.
Or else leave them in and let them fester. Watch your skin go blue and yellow, watch the flesh swell where they lay buried somewhere deep inside of you. Feel your tongue grow heavy and drop down your esophagus. Won't you lift your head?
Pain pulls from your head every thought before it's formed. Pain threads a needle from the spool of your words and stitches closed your lips. Tiny, and neat, a surgeon's touch. Pain takes your hands and holds them, fast and steady. Let me teach you, it says, and presses its splintering bones into the skin of your back.
What are you feeling? What are you learning?
It hurts.
-oh, my darling. pain doesn't have anything to teach. it just hurts.
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exalt
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where's bruce wayne giving his kids hugs that are a little too tight and a second too long after they let go because who knows when or if you'll be able to ever hug them again
where's bruce wayne who goes to his kid's recitals and school events when he can because he wants them to be able to see their father's face in the crowd
where's bruce wayne who hangs up and says i love you or that he's proud of them or to be safe because it can be the last thing he's ever said to them. the last thing they ever hear from him.
where's bruce wayne who is a nervous, over involved wreck because he knows how cruel the world can be
where's bruce wayne sucking in a breath and shaking anytime the phone calls because it can be the one to deliver fatal news
where's bruce wayne who's eyes water up when he realizes how much his children grown
where's bruce wayne who makes sure all his kids know they can always return back to the manor. for a day, for a lifetime, there's always a room. that they'll always have a place to stay and it'll always be their home too
where's bruce wayne who checks on his kids before going to bed, who visits the empty rooms too just in case and out of habit
where's bruce wayne who bandages his children's scrapes and bruises when theyre 20 because they'll always be his babies
where's bruce wayne who supports his children and let's them know they never have to be alone
where's bruce wayne who had his parents and childhood so violently ripped away from him that now he gets to be what he always wanted - a father.
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Something I find exceptionally funny is that the birds in my barn pen speak a different language than the birds in my first pen.
I let Eris (pen 1) into the barn pen today, and of course she's an asshole that started a battle royale immediately upon entering. just as she had three birds closing in on her on a perch and three birds circling beneath her like sharks, I trilled the "HAWK!!!" warning the barn pen birds use, and immediately every single barn pen bird BOLTED for the inside of the barn. But Eris, who does not speak Barn Pen, was left standing on the perch alone and confused. I was able to simply close the barn coop door, escort Eris out of the flight pen, and release all the barn pen birds back into their flight area without her.
Eris is also the only bird who learned "go around" means she has to walk to the back of the pen 2 to go through the door to get to pen 1's front door, if she wants out. Everyone else tries to teleport themselves through the wire at the front of pen 2. To be fair, so does Eris, until I tell her to go around and then she turns and goes the right way. Which might lead me to assume that Eris doesn't recognize "hawk" in peafowl because she was originally trained in buttons and human speech.
However, when I escorted her back to her pen, despite very much being able to hear me warn for a hawk, all of her pen-mates in pen 1 were still out and about like nothing was wrong. They hadn't been bothered by the barn pen hawk call, either.
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If you feel like you need "permission" to do something in fandom, this post is for you!
Something I've noticed a lot of in this fandom is that people hesitate so much to do so many wonderful things they want to do because they feel like they need someone else's "permission" in order to do it.
Understandably, there was a HUGE history of people dog-piling, harassing, and bullying people for doing things that were not explicitly approved by either the creators or the fandom at large. I am so happy that the tumblr fandom in particular has moved away from that horrible time, but the effects it had on people still linger, even beyond things that "weren't allowed."
So if you need permission to do something you've been thinking of doing, I'm giving you permission. 💕
Do you have an idea for a fan event but you need someone to tell you that you can? I'm telling you right now that not only can you start that fan event, but you will do a great job AND people will love it.
Do you have an idea for a fanfiction but you're worried that people won't like it? I'm holding your face gently and promising you that there is an audience for everything and if absolutely nothing else, you deserve to make that fic.
Do you have a headcanon that directly conflicts with common headcanons in the fandom? I support you having that headcanon. YES, even if other people dislike or even hate that headcanon. YES, even if some people are upset about that headcanon. It's their job to avoid that headcanon then-- it's not your job not to have it.
You deserve a space to be heard, to make your creations, to hold you headcanons. Anything that brings you joy, amusement, euphoria, validation, healing, catharsis, anything that you find interesting or enjoyable, you deserve to engage with it.
I promise you are capable. I promise you are not doing anything wrong. I promise you are not hurting anything.
Whatever you thought about while reading this post? I am giving you permission to do it.
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