#it either was disappointing to me

[colorisbyshe]

June's Monthly Music (PART DEUX!!)(I KNOW ITS TOO LONG IM SORRY)

Click here for part one (highlights being Kaytranada and Charli's albums)(listen to Cactus Water by Channel Tres who was on Kaytranada's album)

RECENT MUSIC:

Goat Girl's motorway is for the girlies into... the indie girlies. Music to reflect on your life to.

JESSIE WARE!!!!!!! & ROMY's LIFT YOU UP! Feel good dance track. Just vibrant and joyful. What a lovely way to end Pride month.

Normani FINALLY released her album. Not mindblowing (and some of the teaser versions of songs are better) but it's enjoyable to listen to all the way through. Highlights are "All Yours" which feels luxurious, "Take my Time" which is sweet and pleasant, "Insomnia" which has a sprinkling of Daft Punk in some of the vocoding, and a more energetic "Little Secrets" which closes the album out. This is a solid debut which promises greater things down the line. Good sensibilities, just needs a bit more oomph.

Spinning off of that, check out "Endless Night" by Maeta.

Tove Lo & SG Lewis are back at it again with a mini EP! Let Me Go OH OH sounds the way Kylie's Love at First Sight MV looks, if that makes sense. Busy Girl is for Cunts on the Runway. Heat is for dancing at the club. Desire is a club mix track that is generic and yet perfectly calculated--like a chocolate chip cookie made up premium ingredients.

Megan Thee Stallion has an album out and narrowing this down to a handful of tracks is hard, even with singles excluded! Rattle is scathing and yet too cool for the haters. Down Stairs DJ combined with Where Them Girls At has convinced me she needs to collab with Cupcakke*. Worthy is summery and poppy. Spin with Victoria Monet will have you doing body rolls without even realizing, Otaku Hot Girl is a fun sample... I forgive her for insulting Sasuke avis I know where she's coming from lol.

Nayeon's album is kinda hit or miss to me but I love ABCD's bigger than life energy and the dance break in the MV. HalliGalli is just like refreshing fruit punch on a hot day

Despite not feeling the title track, Red Velvet did pull through with some music you can just float around to, Last Drop and Night Drive would be nice to wade into the ocean and stare up at the stars to. Bubble has an almost 80s Jpop veneer to it. And Love Arcade gives the album some energy it very much needed, lol. Not my fave RV project but not the bummer I expected!

She, this blog's namesake, has a new mini album! Spectral Touch and With You are expansions of She's Chiptune sound but maybe with some appeal you might find in Kavinsky's music--not the same sound at all but that sort of "driving at night through neon lights" type vibe.

The Used has a new album out, it's more of the same, but I loved the video game trailer bombasticness of Depression Personified and the return to an older whininess (said with fondness) in Before I Leave. Emos, check it out.

Catharsis by 9mm Parabellum Bullet is more rock music. Japanese and surprisingly melodic, this track is haunting. Maybe Buck-Tick enjoyers should check it out.

If you liked the Tove Lo ep, check out Baddy on the Floor by Jamie xx. Honey Dijon absolutely elevates this track into transcendence.

Amaarae said "Fountain Baby Part 2!!!" this! is a swooning afrobeats track, wanted is a song that crawls to you and up your body and grabs your hips, and sweeeet is such a natural evolution of Fountain Baby. This whole project is worth a listen!

TuNGSTeN is by Hiroyuki Sawano (TECHNICALLY a different project than my other shout out) and it's just evocative and makes me clutch at my chest but also wanna run.

Power of Two by Victoria Monet. Idk why she's doing a Star Wars song but... fuck, she hit it out of the fucking park. It's like of Kendrick/Sza's All the Stars had a dark, more cosmic child.

Lynch. has some more Japanese metalcore for anyone interested. Standouts are the frantic Un Deux Trois and A Fierce Blaze while the track Remains might appeal more to the crowd who wants more of the melodic bits that Catharis had. Buck-Tick fans I'm saying try out Remains. Not as good but you'll see the vibe

Getting no Sleep by Tinashe is a surprising follow up to Nasty but suuch a good follow up to her album BB/Angel and its more cerebral elements.

"Know You Did" by bongjeingan is a korean indie rock song not afraid to get WEIRD with it. This is a song that is everything all at once. Goes surprisingly hard at the end.

Somethin Bout You by The Knocks and Holiday87 ft Betsy feels like a dream of the 80s had by someone who passed out at the club after too much fruity drinks.

"Security" by Raleigh Ritchie (AKA LOUIS FROM IWT!V!) is a a more lowkey track than some on this but the lyrics are relatable and I remain charmed by his blunt writing style--he gets to the heart of the matter and carves at it.

OLDER MUSIC I'VE BEEN INTO:

"Shout" SawanoHiroyuki[nZk]. Type of song that worked great for a Trigger adventure anime (but not dunmeshi lol).

Selecta by Chase & Status ft Stefflon Don. Dancehall drum & bass great for playing a first person shooter. Click heads and bop.

9m88 was recced to me and while I haven't explored much, "Love Rain" is crooning and jazzy and a song that exists outside of time.

A throwback older than some of my followers Sonique's Sky is just good eurodance.

*this month was too stacked and i haven't listened her new album but i WILL!!

[tinyfantasminha]

Jack Jack

[iguessthisisanewobsession]

Just once I would like a Peter stuck in Gotham story where Tony gets dragged along with him for the ride.

Like they drop down and Tony is like

“Not an ideal situation, good news is we’re not dead. Bad news that looked like a one way trip for us. We’ll cross that bridge when we get to it. Now we should focus on short-term goals: food, water and a place to stay, everything else can wait.”

I want Tony to be out there working his ass off from helping people with broken items then getting a job at wayne enterprises and starting a technology revolution in this dimension because he just can’t stand how out of date everything is and then running to pick up Peter from the rich kid school and the two of them trying to do reconnaissance and failing miserably.

Peter for his part is having a great time with school and his new vigilante gig.

Peter’s vigilante friends in school are worried about how bruised Peter looks sometimes and think that Tony is abusive before breaking in and just hearing Tony being a mother hen.

Then one breakout things are not looking too good and Spider-man just says

“Karen, activate Papa Protocol.”

And then like ten minutes later in comes Ironman with a bone to pick with the rouges.

Bruce doesn’t know if he loves Tony or hates him but his kids find him hilarious.

[vintagerobin]

Sometimes I feel like a lot of people focus so much on the most dramatically angsty points of Dick and Bruce's relationship that they forget that these guys actually get along and genuinely like each other most of the time.

Like!! It's the fact that they HAVE gotten along like a house on fire for so LONG that makes the angst so incredibly intense when it happens. Dick hasn't spent the majority of his life secretly hating Bruce or whatever.

[ganondoodle]

wont have time to work on anything for a few days probably, so uh, since i love reading comments/tags of people sharing their experiences- as part of the preparation for the totk rant script i got another question to ask :3

if you dont like tears of the kingdom, was there a moment that "broke" you, as in, the moment you knew this game is worse than you thought/hoped, and if so what was it?

personally, while i was suspicious after seeing its last trailer, i told myself its just me again and i kept up my hopes for a long time into my playthrough- its hard to point to a specific point since it was a growing feeling of something being off, things didnt make sense and i ever so more wondered how they would pull this all together (they didnt)- i do think the moment i stopped being in denial about it was when i found the shrine of life, the beginning of botw, and found .. nothing, a dingy cave practically licked clean of any traces of the shiekah tech like it never existed, instead of the medical bed a pathetic puddle of water that healed you, no one caring at all, like it actually never happened- i felt like the game pointed and laughed at me for caring about botw, pretty sure i was struggeling to keep it together on stream bc it forced me to realize this game truly is everything i hoped it wouldnt be, even if that sounds a little weird, at that time zelda and especially botw was so much more important to me, a passion for the franchise this game really did end up killing.

[buried-l0cket]

Gotta do everything myself smh

[mouthstatickinard]

ngl if it turns out that Tommy was coming back all along and that this was all part of the romcom ‘breaking up then making up’ trope i’m gonna be so embarrassed for getting this sad 💀 but that’s what i get for catching up with a series for once ig

[vaguely-concerned]

having seen at least the rough outlines of all the romances now I have to say that I think emmrich's is probably objectively the best in terms of coherence and completeness of story arc (with the understanding that ultimately the 'best' romance is whichever one makes YOUR heart sing anyway so objectivity is a silly thing to claim that way, it just felt like it's the arc with the most well-paced focused content and the least dangling threads)... but lucanis' is my favourite haha. just. the whole kneeling before your beloved full of reverence but without any of the distance that usually implies??? his complete undramatic certainty and calm in every scene with rook after this, having spent the whole game caught between fear and longing???? mr. lives in a pantry but it says nothing about my psyche don't worry about it it's purely for tactical reasons that I keep myself contained in a small dark room not entirely unlike a cell, love among the parsnips -- finally coming to rook in their room and it's so comfortable and comforting???? after all the times rook supports and comforts him through the game he's finally able to return the same to them when they need it while being so calm and steady and it's so fucking sweet and feels so effortless and with no price attached?????? he basically assigns himself the role of your bodyguard and he WILL stab a god over it??????????????? the turn to protector (which was in his heart all along longing to get out and find a place) of it all????? he sounds like he's found himself unexpectedly stumbling into such a soul-lightening state of revelatory existential relief, full on 'you only have to let the soft animal of your body love what it loves' mary oliver style, and he goes and he shares that with rook and protectively envelops them in it when they're hurting??????????????????????????? hello for the maker's sake hello can anyone hear me?????

[maskofnova]

Hi chat, breaking the sonic chain to post a singular homestuck post because ive been thinking about moirail dynamics a lot. Don't follow me for homestuck though probably because this is the only one thats likely to break containment aside from maybe one other WIP in the future. Or do! I'm not your dad :]

[imakemywings]

Varric: Me, take down the Dread Wolf? I'm flattered. Varric: No, I just came to ask you a question. So, you rebelled against the other gods, and it was a disaster. Varric: Then you imprisoned them and created the Veil, and that was a disaster. Varric: So how is this time gonna work out any better? Can you tell me that? Solas: I understand your hesitance, but what I do now must be done, despite it being past your comprehension. Varric: I'm not saying you're evil. But if you really believed in what you were doing, you'd be able to give me a straight answer. Solas: You would rather cast aspersions than admit that this is mine to solve. Varric: No mistake is worth killing innocent people over. Solas: The question is what lives, and how. My ritual will heal the world, and restore what was driven out of balance. Varric: C'mon, Chuckles. Who are you trying to convince here? Me, or yourself? Solas: Varric�� Varric: You're not the first good man I've seen talk himself into a bad decision. The question is whether you can admit it.

This dialogue makes me so crazy and I mean that in a deeply pejorative way. This exchange between Solas and Varric at the start of Veilguard (which you can't actually really hear in-game) goes right to the heart of my biggest problems with the game, which is that it refuses to honestly engage with Solas and his motivations.

Varric, the terminal centrist, seems to suggest that Solas was in the wrong to rebel against the Evanuris for being tyrannical slavers. Which, given Varric's general attitude towards injustice in Kirkwall, isn't totally out of character. Except that Veilguard posits him as the moral heart of the game, so...not sure where we go with that. Is Varric suggesting they'd be better off if the Evanuris had been allowed to continue ruling until the present day?

Then, Solas refuses to give an actual reasons for why he's doing what he's doing. At least in Trespasser, he hinted at why he needed to bring down the Veil. Here, where the writers are given a chance to actually, clearly lay out Solas' motivations, they just...don't. Veilguard won't honestly interrogate either side of the debate, which results in incredibly circular dialogue throughout the game to the effect of:

Solas: I must do this. It's my mistake to fix.

Varric: You're going to drown the world in demons!

Repeat ad nauseum.

No reasons from Solas on why he needs to bring down the Veil--nothing like his Trespasser comments or even his Inquisition dialogue hinting at what the world was before the Veil. Nothing about how spirits suffer being confined exclusively to the Fade. Nothing about how the elves have suffered and been degraded since the Veil went up. Nothing at all about the uthenerai, who may have just been entirely reconned. Just "I made a mistake. I have to fix it." And then later we mix in his grief for Mythal and that's meant to explain it all.

Varric can't argue with Solas because Solas gives Varric nothing to argue against, and therefore nothing for the player to agree or disagree with. We can't have an opinion on what Solas is doing because we're never given concrete reasons why he wants to do this, except that apparently Mythal wanted this (which she never gives any indication of in any of the material we have about her)? (Demonstrably Flemythal disagrees, so this sentiment is at best out of date and at worst completely baseless.) And I've already talked about how making Solas' desire to remove the Veil stem from his personal grief for an individual rather than his desire to do justice for his people weakens his character.

Varric says that if Solas believed in what he was doing he'd give a straight answer, but that would require the game to give us a straight answer, so that can't happen. Veilguard suffers from being a game with a significant moral quandary at the center which determinedly refuses to ever interrogate that quandary.

[hellohellowelcome]

Standard shonen endings have rotted some people's brains. I've seen so many dudebros disappointed that Izuku didn't at the very least "bag his girl" as some sort of reparation for losing his quirk. And so much Ochako slander for "ghosting" Izuku for 8 years for being quirkless (not true btw, leak mistranlastion) because she wasn't explicitly Izuku's endgame love interest in typical shonen fashion. I even saw a tweet doing crazy numbers (70k+ likes) suggesting that Izuku should've gotten with Hatsume because at least she spent 8 years working on his suit....? Ask yourself why you feel like Izuku needed a canon love interest post-time skip to be happy. And then ask yourself why you hate women and view them as the MC's "much-deserved" reward for saving the day.

[meanderingstream]

Thoughts on Leverage OT3 and Canon

I think that if some of the things that the OT3 said to each other were said by a man and a woman in a TV show, the audience would clearly read it as romantic. Like if a hetero ship said:

“For better or worse, we change together,” from the Rundown Job {for better, for worse, in sickness and in health…}

and “til my dying day” from the Long Goodbye Job {to death do us part},

and (you never really need anything.) “Yeah, I did [soft, loving look], but thanks to you I don’t have to search anymore,” from the Long Goodbye Job

and Hardison’s “for tonight, [name] has perfect pitch. You ever wonder how Britney Spears sounds so good on her tracks? Well, this is it, except mine's is in real time, Baby.” From the Studio Job,

and Parker’s [I’ll] “be here for you forever and we’ll always be together” from the Harry Wilson Job,

and Hardison’s “I’m here if you need me. Anytime,” from the Fractured Job

and the Hurricane Job with Parker and Eliot’s “I can’t do this without you.” “Well, that’s never gonna happen, [name].” “The arm around me was a nice touch,”

and “I’m making a four-course meal for them” from the Date Night Job

and “maybe I don’t like watching someone I care about take punches meant for me. You know, maybe I don’t wanna do a job that involves me watching you get hurt all the time.” From the Weekend in Paris Job

and “I mean, I’m in a great relationship, but would I even be in it if it were up to those swiping machines?” “We are in trouble.” “Nah, I mean, [me and you]? That’s fine. That’s working.”

If all those things had been said between one male and one female character, I feel like the audience would pretty clearly read it as romantic. I mean, my mom insists that Joan Watson and Sherlock Holmes got together romantically at the end of Elementary because of the hug and the line, “I’m staying. Of course I’m staying,” even though it did not read it that way to me. General audiences will read a lot of things as confirming a m/f couple because they see that kind of story so often that it’s what they expect.

Now granted, TV shows do like their slow burns because it provides tension without having to create problems in an established relationship, so fans of straight ships often do have a long wait for canonization. However, people didn’t question whether Josh and Donna from The West Wing or Tony and Ziva from NCIS were romantically interested in each other. It was clearly canon that they had those type of feelings or that type of interest for each other, there were just other things getting in the way of them actually starting to date. If a hetero ship said all those quotes listed above to each other, their romantic interest would absolutely be read as canon by the audience, even if they had not yet been shown on a date or kissing in the show. But because this is between 3 people, the OT3 is a somewhat niche ship in the general audience of Leverage outside of tumblr and AO3.

Like many of us here, I also felt let down when the Maria plotline happened in season 1 of L:R, especially after John Roger’s tweet that they’d canonized the OT3 after the Long Goodbye Job and his tweet that “your OT3 is safe” about the reboot. He specifically called it the OT3 in both cases, which pretty clearly refers to polyamory. If he meant that the characters that make up the OT3 (Hardison, Parker, and Eliot) are safe as in alive and healthy, then he should have said that. If he meant their friendship was safe, then he should have said that. If he meant they are in an open relationship or that Eliot is in a queer  emotional relationship with the other two but is not romantically and/or se✖ually involved with them, that should have been made clearer in the show. Instead, by the end of season 1, we got Eliot looking for fulfillment in life by trying to find a girlfriend to settle down with, and Parker qualifying her statement that they'd be together forever with “I know it's not the same [as a romantic relationship].”

Parker and Hardison’s romance is clearly stated and shown in the series (as it should be because they are awesome <3), but Eliot is not included in this unambiguously romantic relationship. While I am loving the partnership between the 3 of them and all of the OT3 nods so far in the 3rd season, I am also a little frustrated that they are just nods.

The burden of proof for a queer and/or poly ship is higher than a m/f pair. There is enough canon evidence to make a compelling argument that Eliot is the life partner of Hardison and Parker. However, the burden of proof for this type of relationship is higher because it is not what audiences are trained to expect. I adore the 3 of them together, and whether the series would show them all kissing or give us open, explicit discussion of their relationship as something like a queer-platonic partnership (probably not using that term, but that kind of relationship), I would love it either way. As it is now though, we get hints and nods that make OT3 shippers freak out, but that can be easily overlooked by general audiences as just good friends. If they are meant to be read as just really good friends, I wish John Rogers would not have used the term OT3, the definition of which includes the word “polyamory.” If they are meant to be polyamorous, I wish the show would make it unambiguous that’s what is going on, meeting that higher burden of proof for queer relationships.

On the other hand, I don’t want to complain about queer-baiting, because I feel like it’s not allowed to confirm your main characters are in a polyamorous relationship in a procedural like this that doesn’t center relationship drama. That seems like it’s just not possible yet. They are allowed to have a canon lesbian main character now- unlike in the original series- but I feel like maybe polyamory is still not an option. So the only other option than what the writers are currently doing is to totally disavow the OT3, which I obviously don’t want to happen. Maybe I’ll be proven wrong by the end of L:R season 3. I would absolutely love that to happen (dear God, please make that happen). But I’m not holding my breath.

I do still really appreciate John Rogers for the way he runs the show (both in the original and for season 3 of L:R) and for openly acknowledging and even supporting polyamorous ships, which is rare to find. I am aware that they fought for more queer representation in the original series but were only allowed that one cop lady from the Experiment Job in a single episode. Maybe this is the most they can get away with now, or maybe they are choosing to walk the line between hinting for the shippers while maintaining plausible deniability for everyone else. An intentional position of strategic ambiguity.

My point is that even if you don't account for the OT3 tweets, the canon status of the relationship between Hardison, Eliot, and Parker is complicated. It has enough textual evidence that if it were about a m/f pairing, then at minimum their interest/intent would be considered obviously canon. However, it does not meet the higher burden of proof that general audiences need in order to clearly realize when a queer relationship is happening. So it's left in this limbo between fully canon supported and totally unnoticed.

[shkika]

thoughts on watcher if you've had time to play it?

im so happy you're here we welcome you!- rough wip

rambling in the tags about the dlc!

[shortcakelils]

Rosie Redesign !!

[f1-stuff]

Miami GP '25 // Radio Woes

A medium tyre mishap in the sprint, plus first lap contact with his teammate, leave Carlos vulnerable over the course of the Miami weekend. Then, radio mismanagement from the Williams team leads to frustration and loss of trust. I'm sure they'll review this together as a team and come back stronger. 💪

[uncanny-tranny]