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#it hits a lot deeper
qintarra · 2 years
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i have so many issues with the new lupin series but i think my main ones would be how the show isn’t a satire comedy anymore and also the flanderization of ishikawa goemon the thirteenth
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vispera-sabbath · 1 year
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daydark4k · 3 months
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thinking about how tied queer and autistic experiences are. queerness by definition is something or someone strange or odd, which is obviously something autistic people are used to being viewed as by allistic people. and so many of my experiences are caused by a connection of my strangeness through being a lesbian, by being transgender and nonbinary, and by being autistic. i think thats why despite my own narrower labels that define me, ill also still always identify as queer because i feel like it perfectly encapsulates who i exist as. like yes i am weird, i am strange and i don't exist in the traditional sense that people expect me to. i am queer, not only because of my gender identity or who i am attracted to, but because of my strange existence in a world that expects and hammers in normalcy that will never fit inside my body. even if i was cishet i would still be considered weird because of my autism and thats a solidarity that is not only there due to a large overlap in queer and autistic identities, but because we are both used to being forced into a box of societal norms that will never work on us
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maraschinotopped · 3 months
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who up ultraing they neo (fanart for @neos-ultra of that cringefail boy. smile)
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bewitching-666 · 5 months
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tinyplanetss · 7 months
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^_^🦔
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aq2003 · 1 year
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you know the nature of star wars to me is that they will drop something so mid or bad or uninteresting and make me go "what the hell this sucks. i don't care about any of this. im so tired of star wars can they stop" and then they will drop something so exquisite and stunning and a masterpiece of art and i'll go "i love star wars with all of my heart and all of my soul it means so much to me and it's the best thing ever in the whole entire world" and this goes around in a violent cycle. i am being thrown around like i'm in a washing machine
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isdalinarhot · 9 days
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I remember there was some awful quiz a billion years ago in like 2021 that was like full of awful mental health questions and one of them was “what’s your maladaptive coping mechanism?” And one of the options was “barcoding [cutting]/drugs/alc” and that still sticks with me like yeah that’s me! I’m always barcoding/drugs/alc!!!!!!!!!!!‼︎ bitch!!!!!!!!!!!!‼︎ dalinar says this. Dalinar is such a barcoding/drugs/alc ass bitch.
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mariocki · 6 months
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Black Moon Rising (1986)
"Mr. Quint and I go back a ways. We used to be... what, in competition?"
"I never considered you competition, Marvin."
"Aw, that's not nice, Quint. We had our moments."
"You must've had yours in private."
#black moon rising#1986#american cinema#harley cokeliss#john carpenter#william gray#desmond nakano#tommy lee jones#linda hamilton#robert vaughn#richard jaeckel#lee ving#bubba smith#dan shor#william sanderson#keenan wynn#nick cassavetes#richard angarola#don keith opper#lalo schifrin#william marquez#decentish techno thriller but never quite hitting the levels it should. TLJ is a good charismatic lead‚ and apparently adlibbed a lot#of his own dialogue (but was also reportedly difficult to work with and particularly clashed with Hamilton; he was struggling with#alcoholism during filming) and there's a lot of heavy hitters in that cast but it perhaps spreads itself too thin: i always enjoy seeing#Keenan Wynn turn up (and this was his final film) but his character is under developed and adds nothing to the plot‚ and should#probably have been cut... and maybe more time given to Robert Vaughn's big villain‚ whose deeper motives (beyond stealing fancy cars)#remain largely unexplored. the super duper future car is pretty cool‚ even if it does test the limits of belief at times. idk i think it's#just taking itself a little too seriously in places‚ forgetting to have fun with what is essentially a pretty silly idea. this was a john#carpenter script‚ but his involvement ended there; can't help but feel that if he'd directed it then it would have been more successful#and matched the campy tone of Christine or They Live. a slightly missed opportunity but not a waste of time by any means
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dogwithglasses · 1 month
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Imo Daniel Johnston’s album 1990 is maybe the most perfectly constructed and sequenced album of all time. It so accurately expresses his fears of death and hell and the shame and guilt Christianity can instill in a person, and then the peace and safety that can be found in hope and community. Plus there’s a Beatles cover in there
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lavenderjewels · 9 months
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Spoilers/Leaks for JJK 247❗️
I read this when I saw the fan translation was out and have been SO busy since, so my thoughts are everywhere. But Yuuji!!
Liked this chapter, although very sad over Higuruma (my favorite new character of the culling games ;-;). I expected many deaths with the Big Boss fight and unfortunately he had a lot of death flags and not much of a future :( Despite the Nanami comparisons both from fans and in the manga, he’s been a huge comparison to Yuuji for me too, with their guilt, “death wish,” and desire to fulfill their role. Not a mentor like Nanami or Todo, but closer to an equal in their attitude and approach. His fate makes me curious to what Yuuji’s will ultimately be.
I actually think Higuruma’s death was fairly well done. It’s clever that Higuruma thought of using curses from dying to his advantage. One of the better (side character) deaths in JJK, although I’m slightly confused on how RCT works since Higuruma got it. Are Sukuna’s slashes too deadly and quick for Higuruma to heal from?? If it wasn’t for his last words being a way to strengthen Yuuji, I’d say there was a chance of survival, but that’s extremely unlikely.
I’ve only quickly looked online and have both seen comments that Yuuji isn’t fast enough to defeat Sukuna and also that the blood technique was Yuuji’s??? I’m not a powerscaler so I’m possibly missing things, but I don’t know what sprung up those???
Expecting Ino (part of that new gen.) and Choso to survive this fight. At least with Choso, he needs to live long enough for Yuki’s sacrifice to not be thrown completely in the garbage.
I’m enjoying this fight SO much more than the Sukuna vs Gojo (although not as much as the recent Takaba vs Kenjaku or Yuki/Choso vs Kenjaku) especially from the protagonist side, but I mostly want Sukuna lore soon. There needs to be something else to make his character more captivating if this fight will continue. Or else it might feel repetitive and uninteresting to have the same routine of characters dying to him. There were a LOT of fans making fun of Sukuna being a cursed or neglected child, but I don’t mind having backstory, especially if we get more into his whole thing with cannibalism. On top of that, the protagonists need a small victory or perhaps even an update on Megumi for the same reason.
I’m not sure if Yuuji has RCT, but I’m inclined to think that him being unaffected by Sukuna’s attacks was a result of either being a cursed object from Sukuna’s CE or (possibly) eating his brothers (also cursed objects). Love seeing Yuuji fight and I hope Higuruma’s death isn’t in vain.
Honestly, the way this chapter ended was very cliffhanger-y and I’m expecting something to go wrong OR a classic shift of perspective. I don’t have much else to say because the direction of this chapter depends more on what I see following it. Sukuna still hasn’t used his fire powers, revealed what the hell allows him to have those powers, etc.
Hoping for some good stuff in later chapters (sooner rather than later), mostly with Sukuna’s character or the fight progressing. At least there’s around a year left in JJK—need that to be enough to conclude this and Kenjaku’s backup plan (along with character conclusions).
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reimeichan · 9 months
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Alright, I guess it's time to start brushing the cobwebs off tumblr. CW/TW talk of (non-substance) addiction ahead.
We've been alright. Not the best, in all honesty. What started off as a benign hyperfocus on critically acclaimed MMORPG Final Fantasy 14 that we were keeping pretty good tabs on kind of all of a sudden spiraled into a really awful addiction. We've been aware that we have a tendency to fall into addictive patterns in the past (we had a gambling/gacha addiction that lasted us for several years and lost us a few thousand dollars during that time), so our partners at least knew about it and have been helping keep tabs to make sure we were doing alright. But.... god. Literally one day of not being careful was enough to drag us back into addictive behavior, and we've been dealing with some pretty severe withdrawal symptoms because of it.
The worst of it seems to have passed now, though, and hopefully that means I can now go back to doing things I enjoy. Spending time with my friends, reconnecting with my community, and, yes, back to scrolling through tumblr aimlessly when I'm bored out of my mind.
I'm very grateful for my partners who have been so patient and understanding and helpful through this whole thing, and my longtime online family who have very much been my emotional rock while I struggled with video game addiction. I love you all so much.
Anyways, it's good to be back.
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mer-se · 1 month
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last night was shit but caught the moon setting while at work, love u 🖤
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feliciadraws · 10 months
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Hot take but instead of CGI, anime should go back to more retro style animation, like we should totally bring back bold, dynamic animation and imitation cel-shading and bold outlines and rich details and unique designs because that’s what the modern anime scene needs more of and I just know that retro style animation would look absolutely amazing with modern technology
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thresholdbb · 1 year
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Let’s talk about some of the problems with Star Trek. There are obviously real-world, behind-the-scenes reasons for many of the things we don’t like about Star Trek, and they’re usually pretty messed up. A very non-comprehensive list includes but certainly is not limited to:
Geordi being bad with women - racism
Geordi and Worf being the people of color on the cast but in heavy make-up - racism/othering
Harry Kim not getting a promotion - racism (see: model minority)
Klingons all being black/dark skinned (pre ~2001 at least cause that’s mostly what I know) but sometimes played by white actors - racism (see: blackface)
Chakotay’s whole deal - racism (see: noble savage)
The Kazon not assimilated by the Borg - anti-black racism
Deanna Troi not wearing a uniform - sexism
Seven of Nine not wearing a uniform - sexism
Jadzia getting killed off - sexism
Ezri’s poor reception - sexism again
Miles/Keiko/Kira’s baby situation - theres a post going around calling it misogynistic and it’s a pretty good take
B’Elanna being reduced to angry Klingon - Racism and sexism double whammy (see: spicy Latina)
Keiko being perceptually reduced to nagging wife even though that’s not what her actions necessarily portray - racism and sexism double whammy again
Beverly Crusher’s trill episode - homophobia
DS9 flirting with different expressions of sexuality (many characters) but barely committing - homophobia
Pike’s fate - ableism
DS9 Augments - ableism
Later iterations of Spock losing the Jewish coding - antisemitism
I’ll stop the list there since we can keep pulling examples out as nauseam and find examples of any of the -isms, any of the -phobias either within the media itself or behind the scenes but especially in some of the fan spaces. There’s plenty of ethnic/religious/gender/sexuality coding, erasure, contradictions, and many other things that can be pulled out and dissected in ~900 hours of a franchise made over 6 decades. (Keep adding examples if you want, since mine do not cover the whole spectrum of the franchise and barely even touch alien species that also have issues.)
Star Trek is undeniably made in a capitalist Hollywood production company, so white supremacy, heteronormativity, and dominant cultural tendencies usually end up dictating what gets put on air. Hollywood has a dominant thread of white supremacy throughout its history, so even intentionally trying to diversify staff and talent is difficult because of the systems feeding into Hollywood or other industries/institutions. There can also be a great deal of privilege working in the favor of successful artists - not always but something to consider.
Additionally, Trek presents itself as a post-scarcity, futuristic utopia, and sometimes things stick out to us if they don’t meld with our personal understanding of what that would look like.
I’m sure we’ve all heard a little about the old production schedules, long days, demanding schedules, rotating writers, rotating directors, etc etc. It has been proven that implicit bias can drive decisions, especially when people are busy. Even if the production isn’t explicitly motivated by these things, they seep into the work. The -isms and -phobias are sometimes reduced to characteristics of a person/piece of media, but it’s sometimes more useful to characterize actions instead of people since it allows better conversation about the topics. Sometimes it is intentional and explicit, sometimes it’s not. The intention does not affect the impact, so how a storyline or message lands on the audience/viewer is important. Science fiction in particular is a genre that makes social commentary, so by design it lends itself to deeper analysis.
We also can’t forget that the shows are products of their respective times, and a lot of what was shown was pushing against cultural boundaries. For the most part, the franchise has tried to explicitly be diverse, but they are bound to make missteps in other areas, intentional or not. No piece of media is perfect or above scrutiny.
Now, all of that said, there are many schools of thought for how to analyze media. I’m not gonna give a whole crash course in literary criticism but we can look at it from a continuum of different perspectives. We can wonder what the production meant when they made it/what happened off camera (author intentionality), we can draw from the piece itself (in universe), we can focus on how the media was received either in its cultural context or outside (reader response), or we can do some combination of the three. No media exists in a vacuum, so they all end up working together to make the work.
My main point is this: it is ok to pick your analytical perspective. You can chose to ignore the real-world contributions and intentionality when analyzing media. If people want to stay strictly in universe to come up with reasons why something did or did not happen, that’s ok. If people want to focus on what happened behind the scenes and how that affected the work, fine. If people are just focused on how it made them feel, also great. Just maybe don’t get all worked up because someone is analyzing media from a different viewpoint or someone has a different take than you do.
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corvigae · 4 months
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Okay I might be tricking myself into getting hype for an evil Durge run just by loving the character ideas I'm getting
And by "character ideas" I of course mean "aesthetics" bc I work backwards for character development and also I'm not sure really how to deepen/develop the character of an evil Durge
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