#it is really realistic

[kuzocho]

i honestly cried after reading this chapter bc i was so afraid that they would all forgive endeavour and as someone who has been abused by their parents and went no contact last year with their dad, it made me so emotional that natsu doesn't want to see his father anymore. while i didn't like the climax, i think horikoshi did a good job with the todoroki fam

[sparrowlucero]

drawing a dragon is a high stakes operation that nets you the exact same pedantic comments as dinosaur art but for a totally made up animal

[crumb-crumblet-s-crumbington]

sorry starscream

[bixels]

The final TF2 issue really got to me. Spoilers, but it’s the reveal that all of this suffering and murder and war over gravel and shitty land was for nothing but senseless, bottomless hatred. That the administrator can’t even remember where this revenge plot started as she flashes through different false memories of her parents’ deaths. There was never a tragic backstory or justification, only terrible people doing despicable things. And despite how crass and stupid and unserious TF2 is, the story subverts every expectation by showing the survivors and inheritors willingly breaking the cycle. Ms. Pauling lies to the administrator and chooses not to save her, and finally lets her die. (Hurts even more if you read into the subtext that Ms. Pauling is in love with the administrator.) She lets the final cache of Australium go and walks away from the burden and legacy of a century-old bloodfeud. Hale lets Gray’s daughter go and live her life freely. Spy is the first to arrive at Scout’s house and meet his big family, finally takes off his mask, and helps with the kids. Even Merasmus exhaustedly makes peace with himself and Soldier and chooses not to curse him or something. There’s nothing to finish, no promises to keep, and no one to avenge. The only thing to do is break the cycle and walk away.

It feels odd how happy and warm everything is, but it feels so right and earned. These bloodthirsty, awful, violent men were expendable cogs in a machine of endless violence, and they found a way out. It’s a genuinely great message about letting go the past that burdens you and finding the will and a way to hit the bricks, change, and be happy. Maybe they don’t technically deserve happiness, but they’ve got it nonetheless, and they’re not gonna let it go to waste. They’re still all crazy and violent, but on their own terms now and with people who love them! Smiles.

[ato-dato]

*genders your bent*

[morganbritton132]

AU where Tim, age nine, walked three miles to his neighbor’s house, held up his bleeding hand to Alfred, and asked if he could please have a bandaid. He got stitches instead, and a hug from Dick, who squeezed him tight and asked, “Can we keep him?”

And then Tim never went home again.

He learns gymnastics with Dick and reads in the library with Jason. He shows Alfred how to reset the wifi and rambles on to Bruce about his latest obsession (shipwrecks), and he never sees his parents again.

Behind the scenes, there was a kid left alone in a mansion while a whole international incident played out. It included a kidnapping, a ransom, a failed hostage negotiation, and two dead parents never coming home.

It pokes at a wound in Bruce when he is told about the Drakes and he has always been productive in tragedy. He knows how to shove the hurt away and build something strong on top of it.

The adoption was seamless. The sell of the Drake Estate was effortless. The trust for Tim. The memorial. The scholarships in Jack and Janet’s names. Bruce does it all methodical and singleminded.

And somewhere. Somehow. They forget to tell Tim.

Sometimes he misses his mom and dad. He misses his old room and being alone in a big house, but months turn to years and he likes it here. He really does. He has brothers here and Alfred, and they say they’re his family. He likes that.

They said they wanted to keep him, so they kept him. Kept him forever.

Then Damian is there.

Tim comes home and there’s a new boy, about the age he was when they got him. Tim asks in a whisper, “Did they take you too?”

[thericene]

My favourite divorced guys who were never married

[tchaikovskyed]

"Realistic take on arthurian legend" uhhhh no thank you. I would like my arthurian legend to be full of whimsy and unserious gags. Stop giving us that zero lighting game of thrones-esque gritty nonsense and give us more arthurian legend in all their extravagant colours and silly quests!!!

[prince--esque]

"Oh you like [x character] a lot!! What's their lore/your favorite thing about them/other questions to ramble about your fav? :)"

[webvein]

I can’t believe I forgot to show you guys my ‘what if I made koraidon a straight up lizard’ drawing.

You can take one home today, if you so choose.

[noodles-and-tea]

☀️🌻✨

[wombywoo]

ye olde yaoi strikes again...🏰⚔️📯

[airoarts]

I know several other people have redrawn that one official cloudtail & brightheart art but i wanted to take a crack at it. Hire me harpercollins.

[ID: a digital painting of Cloudtail and Brightheart from Warriors in a semi-realistic style. Cloudtail is a fluffy white cat with blue eyes, and Brightheart is a ginger-and-white cat with one blue eye and heavy scarring on the other side of her face, including an empty eyesocket, shredded ear, and part of her lip torn away to reveal her teeth. The cats are facing towards the viewer, looking happy, with Brightheart leaning her head into Cloudtail's muzzle. They are in a field of tall grass with mountains visible in the background and a tree with a few leaves looming over them. End ID]

Original below the cut for comparison

[ID: a painting similar to the first one, but Brightheart and Cloudtail are drawn in a more realistic style, lacking expression, and not leaning into each other. Brightheart has much less ginger on her pelt and her scarring is reduced to a few scratches on her eye. End ID]

[thereweredragonshere]

Idiot moron dumbass forgets to eat and sleep for like three days. Passes out like a stupid fuck

[chabric]

Moomin stuff again

[willyhoos]

alfred livestreaming his breakdown to the entire us public (as his pr team devolves into chaos)