#it sets everything up really well

[bestworstcase]

hi, found your post about Yang and Salem. Didn't know that she, out of all people in team rwby, is the one who foils Salem the most. Like she's the most normal member in team rwby.

Which led me thinking, Yang has a lot of parallels with the villains, notably, Adam, Cinder, and Salem. What do you think is the ideal route of Yang during volume 4?

well that’s the thing about salem, isn’t it? she wasn’t anyone special. her father was a lord in a world ruled by kings and queens, and he abused and isolated her so viciously that whatever notional privilege she might have had by virtue of noble birth was stripped away from her; after she and ozma murdered her father and escaped, she was a commoner. the raw magical power that sets her apart on remnant was commonplace then. there was nothing extraordinary about her at all.

but she was brave. passionate. determined. angry. she walked into the domain of gods and refused to flinch.

who does that sound like?

anyway, yang’s core allusion is goldilocks. too hot, too cold, too hard, too soft, just right. balance. compromise. scathing eyes ask that we be symmetrical, one-sided and easily processed. rwby is a story about complexity and nuance. every dichotomy is false. yang is a good person—good to the bone—but she’s also strong-willed and not inclined to be forgiving. who would she have become if, say, ruby died on one of those occasions they were left home alone as children? what would it have done to her if she watched adam kill blake during the battle for beacon?

it took millions and millions of years for salem to break. she tried so hard not to become a monster. cinder bowed her head and endured years of torture because rhodes told her it was the right thing to do. before adam lost his way, he fought to protect others; the first time he killed, it was in defense of his leader.

the difference isn’t as simple as a choice to be good or bad. yang has always had ruby and now she has blake and weiss, too, and—bluntly, her trauma is of a lesser order of magnitude than her villainous foils. yang has endured a lot of suffering—parental abandonment, childhood neglect, the vytal tournament and the battle that followed, losing her arm, being left behind by her sister and friends—but she wasn’t enslaved and tortured as a child. she isn’t the sole survivor of a genocide. she did not spend millions of years alone.

if you put yang in salem’s or cinder’s or adam’s shoes, would she have turned out different than they did? would she make better choices? would she still be a good person?

would she even know how?

and if you put salem or cinder or adam in her shoes, would it make a difference? if salem wasn’t alone, if cinder had even the smallest taste of genuine love, if sienna had seen adam’s increasing anger for what it was years earlier—would they still have become what they are now?

yang’s gone through her own personal hell and back, but she wasn’t alone. she had role models and a loving sister and a father who provided for them and at least made some effort to be involved—he read bedtime stories and trained yang, tai is far from the worst parent in the story. it was bad. it could have been so much worse. how much of a difference did it make for yang that she had these crumbs of support?

as the blacksmith says, even the smallest act kindness can change a life. no one is an island. everyone is responsible for their own choices, but sometimes our choices are limited by forces beyond our control. sometimes there is no right thing to do.

everyone has breaking points.

everyone has a limit.

yang… in addition to having all these villainous character foils, is also the heroic character most inclined to ask why. why did raven leave her? why did ozpin lie? why did he make the branwen twins into birds? why did raven sell them out to salem? why is she the spring maiden? why did blake run away? why did ozpin think it was okay to hide so much from everyone? why shouldn’t she and blake think critically and follow their consciences instead of blindly obeying orders? why is salem waging this war? why why why

yang isn’t the most empathetic character—she can get too tangled up in her own feelings to see clearly where other people are coming from. she isn’t the most compassionate, either—she can, in fact, be rather ruthless. but yang does care, a lot, about why people make the choices they do.

and i think that is because yang knows her own darkness. she sees herself clearly; she knows she’s capable of cruelty, of being vindictive, of hurting people in anger. the reason yang isn’t an angry person is she works fucking hard not to be. i think yang is self-aware of these similarities between herself and adam, or raven, and maybe even cinder and salem too, and the question of why she didn’t end up like them bothers her. what made her different? what saved her? if she could have been like them, then doesn’t that mean they could have been like her? why aren’t they? what made the difference?

so she keeps asking. why. why.

weiss helped her understand why blake ran, but yang has never gotten a satisfying explanation from anyone else. the resolution of ruby’s arc in v9 leaves her asking why summer chose to leave; the natural trajectory is toward answers. why did summer leave, and why didn’t she come back? why did raven keep her secrets? why has salem gone to war? why did ozpin hide so much? it’s all tangled together. it all needs to be answered together. i think, if the olive branch comes from the heroes, it’ll be yang who plants the seed—what if we just ask salem what she wants? it’s not like we have any better ideas. and if salem’s the one to make the first move, it wouldn’t surprise me for yang to be the most open to hearing her side of the story.

after all, yang’s the one who asked.

[cherryfennec]

Summer Times

Hi! I'm finally back from my two week abroad trip!

[puppyeared]

learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way

[azaracyy]

a lesson on good karma digimon survive week 2024 day 4: supporting characters

[deoidesign]

Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.

Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!

Hi there!

Glad you found me and are enjoying my comic!

It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!

I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha

I took a month off I took 2 months to get the books printed I took a month to prepare my next comic and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!) I've been working on actual episodes since then

I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...

The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.

It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.

Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.

I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.

I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.

[thegreatkarma]

i truly believe characters from book adaptations (specially the main ones) should be played only by actors who are already fans of the source material

cause they truly know the character and their journey

walker and leah know where their characters are supposed to end. so they can give us the 12 year old percabeth crumbles on the way they look at each other to set the path for the future seasons

[nostalgicsneeze]

this is the only website i post art nowadays and i’ll keep doin it but DAMN…

[sysig]

Some Betty highlights from her way-too-long comic roughs (Patreon)

[fictionadventurer]

My desire to support a Biblical sitcom done in a respectful way vs. my hatred of the mockumentary style, FIGHT!

[thyandrawrites]

man. what was even the point of all the parallels the villains (esp. shigaraki, dabi and toga) to the heroes just to have them all die. what's the point. I'm glad i dropped bnha when i did, that's so damn frustrating. they should have been saved. the set up could have resulted in such a good pay off, just for them to throw that all away.

Hi! Sorry for the late reply. I spent most of last night working on my fix-it todofam fic, haha

Anyway, I've been wondering about the same thing. Despite everything, I don't think this is the ending Horikoshi originally had in mind. He has many flaws as a writer, but I do believe him to be a strongly compassionate person. The main problem with bnha imo is that he always seems to struggle to put his foot down and see through his choices all the way. Enji's arc in particular is full of this type of problem. One moment he's depicted as an unredeemable, unchanging monster, and two chapters later he's someone whose journey to self-betterment we're supposed to cheer for—a misguided guy who is trying his best and still failing. You get what I mean?

If it's true that the theme of DV is dear to Horikoshi (and I think it is, from how intimately he writes its intricacies), then I can understand that duality, at least. The fact that he can't quite make up his mind on who he wants to humanize more. But it's still disappointing. It feels insincere, the way he's wrapping up this story by pretending this is where he was always meant to go. For all of his indecision, at the very least he's never denied the Leagues' humanity, not until this very abrupt, tonal-shift ridden ending. And a part of me wonders if it's just Horikoshi's way to cater to the part of the fandom that's always loudest, the one that's been arguing for bloody 'justice' all along. If he's unable to handle that criticism on a work he holds so dear. And yet, by responding to it, by changing tracks on his own set up, he still managed to invalidate everything the story ever said about compassion, and that's the worst part.

[birdricks]

honestly beth and jerry have maybe my second favourite relationship in the entire show just for how interesting and tragic it is. like its brushed aside a lot in favour of other stuff but they were really both just kids... and the saddest part about them is that they maybe do love each other but its always in some way artificial

[lazzarella]

Some thoughts on EPS 1-3 of Monster Next Door

I was thinking recently how I wish there were more movies or shows where an introverted/withdrawn/shy/whatever* character meets an extroverted/outgoing/confident/whatever** character and their disposition isn't seen as inherently flawed and that the extroverted character learns from them for a change. And then Monster Next Door comes along!

*&** I know these aren’t the same things, but they often get lumped together

I mean, I'm assuming they'll learn a little from each other, but I love that God (or Got?) adjusts his behaviour first and that it doesn't feel performative. He's not doing this solely to impress Diew and then embracing it sincerely later—he's enjoying himself from the outset (with the reading) and learning things about himself too (everything he says about wearing the mask because what Diew said made him realise he doesn't have to be who people assume he is when they see him). Diew might feel pressure from his mother, and has clearly had bad experiences in the past (as we see with his ex's friends making fun of him), but he has someone who's truly trying to understand him in God/Got, which is really lovely

And! I also like that Beer was like no I don't think it's weird that Diew's quiet, and that, while he extends the invitation to Diew to eat sushi with them, it's clearly a no pressure kind of invitation.

It's just so refreshing! (@byemambo has a much better and more detailed analysis here)

On the flipside, I like that, while Diew was annoyed by the noise etc. initially, there doesn't seem to be a lot of judgement on his side either? At least, not once God starts talking to him. Like, I find the introvert/extrovert (or similar) thing is often played as a rivals type of thing, but here it feels more like a neutral display of personality differences. Diew fears being judged because of past experiences, but he doesn't seem to have an inherentdistaste for more outgoing people. And he's doing things that are outside his comfort zone or wheelhouse, too! Like when he looks up hangover cures when he overhears God throwing up from being drunk! Or going to the concert, which I'm guessing is not his usual scene. 

There's already a give and take and mutual understanding and, while I do like other dynamics, it's nice to see a love story start this way sometimes too

(Remind me to maybe talk a little about costuming/set design and the use of masks at some point)

[circleofbirds]

Columbo theory: Columbo actually watches the intro to each episode via the Columbo Dimension™, but since "your honor, I saw them do it via a portal to my magical Columbo Dimension™" is not admissible in a court of law the rest of the episode is spent trying to catch the murderer without admitting that he is an eldritch being outside the mortal limitations of time and space

[legless-fish-on-rollerskates]

Another banger of a percy jackson episode, my hopes for this series continue to be high

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[imabiscuitinthousandworlds]

i got so caught up in the euphoria of creating a detailed and super cool world that i completely forgot the story has a horrid fucking ending. (i just wrote the end and i'm sad)