Close enough, welcome back Sunset
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That feeling when he can't stand to see you that way, no matter what you do, no matter what you say😩😭💔
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Loumand's first kiss is basically
Louis: Lestat broke my heart
Armand: Lestat broke my heart too
Louis:
Armand: we should make out about it
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rdj the (whitewashed) electric boogaloo
This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.
I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.
This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.
I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.
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How’s your drawing with hobie going?
Honestly, not very good LMAO, I'll more than likely have to completely redo it, ngl.
Whenever I have time to spare between work, I'll pick out the very best idea I have in mind for a drawing in that moment and draw that, and I literally have so many more ideas for Miguel drawings compared to Hobie, unfortunately, so idk. I literally just wanna draw Miguel so bad lmao. Maybe I'll figure out a cool concept for a drawing in the meantime, but I'm really sorry I teased ya'll with Hobie stuff and then never delivered... hopefully soon 🤞😔
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...Amir Talai... essentially including physically disabled people as an oppressed class by acknowledging abled-bodiedness as a concept when listing different kinds of privileges that can lead to forms of ignorance and oppression ... 🥹🫶❤️
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Now that I'm back in the online discourse of the Red Dead community after half a decade away waiting to have the ability to play and beat the second game, I'm really fairly quickly learning that there's this... weird, romanticized version of Arthur Morgan's character out there that really has no basis in reality.
Today I accidentally stumbled upon an anti-John Marston post and I'm not going to get into that here (even though I have A LOT to say), but the top comment was very strange to me. It talked about how Arthur is this 'giant', this 'greek hero', a perfect person, and as I read it I just... wasn't sure if I played the same game as them.
There's obviously a way of playing the game where he's this high honor hero, and I largely played that. But Arthur is also a deeply violent man, a deeply cynical and sometimes cruel guy. He's not a gentle humored guy, he's deeply sarcastic and at times kind of nasty with his humor, even to people he likes. He really often struggles with his worse nature, and it's not a struggle without reason. His first response to a situation is really often the most extreme, and the only reason I feel like people don't realize that outside of having a hand at deciding his honor is because he's the most outspoken about unnecessary vengeance... but that's not because he's opposed to it on principle, it's because it's important for him to protect his people, and that requires letting things go.
This isn't me bashing Arthur, by the way. The beauty of his character is how he struggles against himself, his own nature. How everyone can see his kindness even when he can't himself, even when his actions say otherwise. He's conflicted between what he wants his life to be and the life he has lead, the most important man in his life, one that's practically a father to him, instilled in him rules for life and he's watching him break every single one. For the first time in his life he has to figure out who he is and how he wants what little time he has to be defined. THAT'S a fantastic character, a hero even... but far, far, FAR from perfect. He's a deeply flawed human being who has done terrible things, and it makes me wonder the level of media literacy it takes to not understand that.
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"[Elizabeth Woodville's] piety as queen seems to have been broadly conventional for a fifteenth-century royal, encompassing pilgrimages, membership of various fraternities, a particular devotion to her name saint, notable generosity to the Carthusians, and the foundation of a chantry at Westminster after her son was born there. ['On other occasions she supported planned religious foundations in London, […] made generous gifts to Eton College, and petitioned the pope to extend the circumstances in which indulgences could be acquired by observing the feast of the Visitation']. One possible indicator of a more personal, and more sophisticated, thread in her piety is a book of Hours of the Guardian Angel which Sutton and Visser-Fuchs have argued was commissioned for her, very possibly at her request."
-J.L. Laynesmith, "Elizabeth Woodville: The Knight's Widow", "Later Plantagenet and Wars of the Roses Consorts: Power, Influence, Dynasty"
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There's something that always bothers me about people saying "Barbara going back to being disabled" doesn't matter if it's positive, negative, or neutral. It's the "going back" part because it's just not true. She wouldn't be going back, she would just be without assistive medical technology.
In the closest real-life example, not everyone who uses similar technology is considered "cured" as the removal of the device would mean they are no longer enabled. In only a few cases have I ever seen "cured" but that's potentially dependent on injury/cause of disability where it was possible the device just made recovery easier and there are many different causes to SCIs/paralysis/similar conditions. Others have no chance of recovery but have a chance of being enabled. But still not fully becoming an able-bodied person. Even some of the ones who recovered their ability to walk were still limited in what they were capable of (and therefore still disabled)
So honestly now, it's just coming to me how bad representation the chip is of similar realistic treatment and disabled people who use that treatment. Before anyone is like "But Barbara's isn't real" I know that, but now I'm literally seeing people say the same shit about REAL PEOPLE who have had nearly THE SAME TREATMENT because they're letting poor representation in a comic book determine how they view this course of medical treatment.
TLDR: No Barbara Gordon wouldn't "go back" to being disabled without the chip. Writers and fans aren't good at writing disability and it shows
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Regarding the Mal book, I do think some attention deserves to be paid to this part (which took place in 1975, a few months before he died):
But there were other occasions when Mal couldn’t wrest himself from his demons so easily, times when he exacerbated his condition with drink and drugs. And, for the first time, Fran found herself afraid of her boyfriend, whose darkness had never been more acute. It all came to a head one night when Mal, drunk to the gills, began threatening her with his Colt Woodsman pistol, at one point placing the gun against her head before discharging it into the washing machine. When he sobered up, Mal couldn’t have been more apologetic, swearing to mend his ways and be the boyfriend she deserved.
He held a loaded gun to his girlfriend's head and threatened to kill her! That is not okay! And he fired the gun at the washing machine while they had a four-year-old in the house with them - imagine how scary that might be for her.
So yeah, Mal was a great big lovable teddy bear to his male friends, and he was a devoted aide to the Beatles, and he was also a terrible husband and an absentee father who coerced young fans into sleeping with him in order to meet their idols, got a young woman pregnant and then abandoned her, threatened to kill his girlfriend, and then when he was feeling suicidal, grabbed a loaded rifle and forced that same girlfriend to call the cops on him (again with a child in the house), making her live with that for the rest of her life. All of that has to be considered as part of his legacy, and I'm glad the book didn't completely shy away from it.
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finally watched challengers today and absolutely loved it, but more than anything I was obsessed with the soundtrack like why did it fuck so hard
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What are some ideas you have floating around that you don't have any plans on writing but like to entertain as a thought?
Many of them, in fact! Though they sort of vanish from my memory if I don't make a record of them, here's a few ones I jotted down when they came to mind.
For a domestic one: Bill thought he'd hate a lot of being married! Even though he loves Dipper, he thought he'd rebel against the chains of domesticity - and in some ways he still does - but one major benefit he's found is not having to be 'on' all the time.
No need to be perfectly performing all the time! No shoving around for social influence, no intimidation, or clever tricks. No commanding attention or taking up the room. Hell, there's surprisingly little upkeep! Bill can undo his tie and pick his nose and bitch about his day to someone who isn't bending over backwards to agree with him on everything. Someone who doesn't give him a weird look and sneer if he, god forbid, actually wants to sit down, read a book, drop the grin for an hour or two.
The concept in question is Bill's very first moment of great surprise. That when he isn't being the most charming, terrifying, and exciting guy in the universe, and just chilling out for like, five minutes, Dipper comes over and snuggles up to him on the couch, or wraps his arms around his shoulders and kisses the top of his head. And when Bill asks 'what was that for?', Dipper shrugs and goes 'eh, just felt like it'. It's both baffling and extremely compelling.
A short where Reincarnated Dip is Definitely Sure he's Not Gay!!! Especially not for this Hot Demon Man who is getting so close and touchy with him with his big smile and horrible wiles. Yep. Just keeping an eye on him to make sure he's not up to something Nefarious ™.
A discussion between Dipper and Bill where Dipper insists that Bill should understand this, or not do that, because, like. Y'know, Bill's a guy! There are guy things! Making Bill stare at Dipper like he's an idiot. He proceeds to informs Dipper how that's stupid for multiple reasons! First, that Bill's Not Human to begin with, his gender can't be put into a little box! And frankly, he never filled out the paperwork for his original one, come to think of it. Sure, he/him's fine, but c'mon, sapling, thinking of the whole shebang like a binary is dumb as hell. Now Dipper has to do some mental readjustment re: his own issues with masculinity/gender.
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decided (was really bored) to rank all the ships i care about... and it is not what i thought it would be........
regulus x james
regulus x james x evan x barty
lily x dorcas
james x remus
lily x dorcas x pandora
regulus x james x lily
lily x dorcas x marlene
marlene x mary
regulus x james x lily x mary
sirius x remus
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Javier: alright, get ready, I'll draw them out with a distraction
Arthur: what kind of distraction
Javier:
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just came out if loustat ao3 tag... maaaaan it does look bleak for bottom lestat enjoyers. my feed is literally just "bottom louis bottom louis feminization mpreg abo bottom louis"... and so on ad nauseam
sophie you are my only hope :')
It's certainly a fandom with preferences, haha
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