changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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I'm trying to start a movement here
[ID: The first 3 images are edited versions of the "Let's take ibuprofen together" meme. The captions now say "Let's read shoujo together". They each show a person holding their hand out to the viewer; a character from the series Benigyokuzui, Mob from Mob Psycho 100, and Jerma. / end ID]
ID provided by @siroofington thank you so much
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「The Pale Bat」- Part 2
❗️Minor BG3 Spoilers Ahead❗️
Lots of dialogue, recommend clicking into the pictures to read clearly!
Summary: The bat is in good care, and Halsin tells Astarion some...interesting things about bats, while Karlach goes into protect mode.
Original post that inspired this is linked in part 1!
Part 1
{Edited the sizes of images, they were so blurry!!!}
Finally, here is the continuation of The Pale Bat! There will be more updates, but I think once I’m done with this current emotion-heavy beginning(sorry not sorry) it will soon become more of a slice of life type of comic, just little stories of the party and the bat. Got a little carried away at the end there, but I just thought I had to give Astarion’s story some justice, so I did.
Also please forgive me if the bat informations are incorrect, I just pulled them out of thin air, and feel free to throw correct bat-facts at me in the ask-box or just ask about the comic! Hope you enjoy this update, and stay tuned for more ;)
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Based on all the dramas I've seen, the most dangerous place to be in the jianghu, perhaps in the whole three realms and four continents, is at a wedding.
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Me, to my new date: doctor who thinks it's a sci-fi story because the Doctor thinks it's a sci-fi story and because the companions think it's a sci-fi story, but it's really just a story about ghosts. a story about an ancient creature carrying the ghosts of everyone they have ever loved, meeting new people, and seeing them only as future ghosts. they are haunted by the future and the past and the present because they are the only constant in a world constantly in flux, and they are running as fast as they can to things before they burn and fade to dust but everything will always end, you understand, because this is the only thing the Doctor understands and yet they keep going. they love too much to stop. doctor who is not science-fiction, it's horror and optimism and spiritual more than anything else, it's religious unto itself, the TARDIS is a haunted house and a church and a graveyard and a hospital and the Doctor is the most haunted being in the universe but more than anything, this is a love story, because how can you love something without being haunted by it- hey, what are you doing?
My date, shoving breadsticks in their purse: I have to go-
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