Permission to be a nerdy expert and deeply thirsty for two minutes.
I am begging - begging - fashion writers et al to realise that “Victorian” is a specific time period and place, not an entire century. And if you must insist on the Darcy comparison (about which more anon), then recognise that Pride and Prejudice was published in 1813, aka the Georgian/Regency period. (Victoria wouldn’t become queen for almost two decades.)
And that being said: I stand by my read of the whole look being far more 1830s European Romantic.
Now that I’ve got my nerdy twitching out of the way: I would like to hear more about the whole “making a shirt that’s nicely oversized and designed to be opened like that” design process please and thank you. 😘
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creating a lolita dress with "baby, the stars shine bright" designer—kumiko uehara
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Enodia for @persychan ☆*:.。.
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love this photo from the selkie ss23 show it looks like a fairy gathering 🧚♀️
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Introducing! ELESA, the new kid on the block! She's a tiny bedraggled child from Sinnoh and not all that familiar with Galarian, the spoken language in Unova. (One day she'll be amazing. Right now though, she just wants to go play in the mud. And maybe get a better set of hearing aids.)
When not bitterly lonely, she’s scheming to run back to her old home. Or chasing the local patrat. Or watching nervously from the sidelines as other children play on the swings. Oh elesa.
(loosely inspired by @/noxstrages' incredible comics about elesa's origins! Ty for the food.)
Masterpost to my submas comics!
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The production studio at "Baby, the Stars Shine Bright" featured in an episode of Tokyo Fashion Express. Their designs typically require up to 50 sewing patterns, which is about 5 times as many as the average dress. Detailed notes on measurements and specifications are written for the sewing factory.
The sewing factory is in Ibaraki prefecture. For more than 20 years they've been sewing clothes exclusively for BTSSB. 17 people work there, most of them being veterans age 60 or over. Due to the complexity they work in teams for ironing, sewing lace and ribbons, as well as completing gathers and frills.
The manager of the factory, Sumiko Watahiki, says in an interview:
"There's tons of gather, lace, and layering, which requires a lot of sewing. At first, I doubted I could do it! It was that hard. (But) I'm always impressed with the adorable designs when I see the finished products or while I work."
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