lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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Cardassian conlang (part 1?)
Finally started making my Cardassian conlang and I'm having so much fun already. Get this:
There's a distinction between alienable and inalienable possession, something that occurs in many natural languages. An example is, like, "my nose" vs "my hat". My nose is inalienable because it will always be mine, while my hat is alienable because it can stop being mine. So in languages with this distinction, you'd use different words for "my" in those two situations.
In my Cardassian language, possession is indicated with suffixes attached to nouns and people's names. People are "possessed" in the sense that, y'know, they're your mom or your friend or your orthodontist or whatever. Generally, you'd use the alienable form for people. Your orthodontist might not always be your orthodontist, your friend might not always be your friend. The exception is that you always use the inalienable form(s) for family. Your mom will always be your mom.
So, to use the inalienable possessive for a friend would be to say that they are as close to you as family, that you trust that they will always be your friend. This is often, like, a milestone in dating. To start saying "my girlfriend (inalienable)" marks that your relationship is serious. (Traditionalists will say that you shouldn't use the inalienable form until you're properly betrothed, but kids these days have their own ideas.) In this way, it becomes a pretty straightforward term of endearment (or, rather, grammatical particle of endearment).
Since there's no equivalent in Federation Standard, the translator often renders it as "my dear."
Here's a table of the 10 different words for "my"
So, presuming that the speaker is a man, and the person they're referring to is also a man who they don't have to use the honorific form with...
/alʊk/ - "friend"
/alʊkɬei/ - "my friend"
/alʊkxa/ - "my dear friend"
/ilɨm̥xa/ - "my dear Elim"
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Fawk Zoro would be into puppy play. Like, look at him. Fuck
Omg Bestie ✨Even with the stuff I've been writing the past week it has somehow never crossed my mind ?? So thank you very much for passing down your wisdom to me.
Now that I'm thinking about it though, I wonder how he and Sanji navigate that. Because yeah, Zoro makes a good dog, but Sanji is also just as much of a pup as him. When they play do you think they have to argue over who gets to be the puppy for the night? Or do you think it's more spontaneous; like is Zoro just walking into the kitchen at night in his collar, ready to go? It makes me think of that one yuri meme that's like 'And so, they were both bottoms.' like sometimes they both want to be on the floor like a good boy.
While Zoro definitely enjoys his praise, he really likes getting 'trained', it makes him feel like he's actually earned it. Sometimes he'll act like a little shit to goad Sanji into disciplining him. They have a muzzle because he tends to bite too much when he gets really into it. Meanwhile Sanji, for the most part, prefers being doted on, he is here to be told what a good boy he is and how cute he looks. So the night's vibe is totally different depending on who gets to be the pup. They used to seriously fight over it and the winner would get to be the pup, but Nami has started making them draw straws (unfortunately the crew is fully aware of what goes on in their relationship) because they took that shit way too seriously and would wreck shit.
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I have a few doubts about how Phoenix could've forged that bloody fifth ace in AA4. I'm not outright denying he did it, but if so it's probably different from how Turnabout Trump framed it.
Let's start with what we know logically about Phoenix and Zak's last poker game.
There were two decks of cards; one red, and one blue.
Each deck had four of each card. This means each deck started with four aces.
The last game used the red deck.
The above point means the fifth ace Orla snuck into Phoenix's hand was a red card, making five red aces in total that game.
Kristoph took the real (fifth) bloody ace with him out of the crime scene.
Based on this and other information we have from this trial, I have two questions:
When did Phoenix forge the bloody ace?
Where did Phoenix get the red ace he used for forgery?
Phoenix said that he picked it up while he was at the crime scene, but this contradicts the evidence!
There were five red aces in play at the time of the murder. Kristoph already took one, and using a blue ace was out of the question. If Phoenix really took a red ace before the police arrived, he would've only had four to choose from.
Yet, all four were still at the crime scene after Phoenix was arrested. They were even submitted into evidence by the prosecution at the trial.
Unless there was somehow an unspoken sixth ace in the red deck for no reason, this tells us Phoenix lied about taking a red ace with him that night. Plus, having forged evidence on his person during arrest and detainment could've ended terribly for him.
He couldn't have forged it before the match since he wouldn't have known he needed an ace card at the time. And his pockets were clean when Zak searched him.
This leads us to believe the forged bloody ace was created sometime after Phoenix was arrested. But how can he do that when he's stuck under surveillance in the detention center?
The secret is Trucy.
(this is where it progressively dips further into headcanon territory)
With Phoenix locked up, Trucy would be the most likely candidate to pull off a stunt like this. As a magician, Trucy is all about illusions, and she's not above using them to get loved ones out of legal trouble.
Trucy's magic profession also means poker cards are a natural tool to have in her arsenal. Cards are her "stock and trade" after all.
As Phoenix put it, it's a naughty magician's trick. One she felt was necessary to save the only family she had left.
Now, here's why I still think Phoenix could've been telling the truth about forging the bloody ace himself. Even if Trucy was the mastermind of this plan, I don't think Phoenix would let her be the one to actually forge it for an important reason.
Apollo.
Him unlocking his latent perceiving ability was crucial for the trial, but it could've also become a double edged sword.
Phoenix only had his prodigy daughter for reference as to how strong a perceiver's senses are. If Phoenix ever had to lie about being the forger to protect Trucy, the risk of Apollo seeing through it would've been too much to stomach.
Even after the trial's over, it's better for Apollo to hold a grudge against Phoenix instead of Trucy. He couldn't let their secret sibling bond die before it could start.
So what better way to hide a lie than to make it true? All Phoenix would have to do is put a blot of red ink on a card Trucy snuck in during visiting hours and let her work her magic.
It's a technicality, but at least Phoenix can distract Apollo with a custom-made truth.
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