#it's good to see what's going on with izzy fans

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A Summary of The OFMD Meta (Part II)

This is part two of an incomplete summary of A Meta-Discussion Of The Subtext by meratrishoslee (Mera) on AO3 (linked to, as the author requests). I’m trying to stay impartial and keep all of the important bits in.

This chunk includes chapters nine through fourteen, which is mostly an analysis of the entire show (stopping at the end of S2E7 because the chapters on the finale are massive, lol). The overarching thesis of this bit is this: “Ed’s the face, head/mind and body of Blackbeard, Izzy is Blackbeard’s heart/soul -- as well as the heart of the show itself.”

Other posts Part I

Chapter 9: Either Madness or Brilliance

This chapter is a screenshot-heavy analysis of OFMD season one “as seen through the lens of ‘Pirates of the Caribbean: Curse of the Black Pearl,’ with specific emphasis on what this means for Izzy Hands and his character arc.”

Izzy is compared most directly to Captain Jack Sparrow. “He often tells the truth but no one listens or believes him, because at first he seems more than a bit ridiculous. [...] But he still saves people anyway, even people he doesn’t know; that’s part of how we know he’s a good guy deep down even when he seems like a bad guy at times.” He is “the Betrayed Pirate, because, as we find out later, his crew betrayed him because they wanted something gold and shiny more than they wanted him.”

Ed is primarily compared to both Will Turner “the Tragic Young Man”)  and Captain Barbossa (“the Bearded Pirate”). Stede is, of course, Elizabeth Swan (“the fancy protagonist”). 

“...While our Tragic Young Man does have some (considers, then shrugs) chemistry with our fancy protagonist… the drift compatibility he has with the Betrayed Pirate is just off the charts. Sometimes they act like two parts of the same body... and the Tragic Young Man does have a habit on several occasions of throwing himself between a physical threat and a person he cares about.” 

Chapter 10: The Hidden Heart

“Ed’s the face, head/mind and body of Blackbeard, Izzy is Blackbeard’s heart/soul. How do we know? Because when Izzy moves, the plot moves. When Izzy leaves, the plot stagnates or outright stalls dead. And Edward makes a fair amount of effort to keep track of Izzy, both to keep him safe and under Edward’s control.”

The chapter is an episode-by-episode walkthrough of season one with proof of Izzy-as-the-heart. Basically: everything is horny, Izzy is emotion-driven (although he hides it well, as one must when living a life filled with so much violence and abuse), and OFMD is Izzy (the heart) becoming more emotionally intelligent. 

At the end of S1E4: “Ed’s just proven he doesn’t need Izzy – either to participate in his plans, or to love him. He could have let him go, right? He had Stede now. The mind has lied to its heart, convinced it to stay and keep loving and giving all this while – because it’s required to pump the blood of the myth called Blackbeard, and move the plot of the show called Our Flag Means Death.”

Ed opens his jacket for Stede (in a way he never does around Izzy) and tells him to stab him. Izzy thinks that Ed is betraying him by having sex with Stede (or by having subtextual sex with Stede). He’s wounded and angry, and that kickstarts the rest of the season. 

“Why can’t/don’t Izzy and Edward fuck, textually or subtextually? Why is all the tension and longing so one sided – and if Edward’s so bothered/disgusted by Izzy’s longing for him (as some other meta writers out there on the internet have attempted to suggest with varying degrees of success), why does he permit the relationship to continue at all -- and even work to keep Izzy near him despite his attempts to leave? Well, that’s coming up in a later meta. (Hint: it's HIV/AIDS related bed death.) But it’s certainly part of the unnatural, forceful separation between the head and the heart.”

In S1E6: As Blackbeard’s heart, Izzy can’t actually kill Stede in the duel. “But he’s not admitting that defeat to himself yet so he has to go through the entire pantomime of the fight.”

“On one level, the textual level, Izzy’s trying to drive Stede from the ship and out of Edward’s life. On another subtextual level, however: the heart’s moving through the return advances of the mutual seduction way faster than the head is ready to do.”

Izzy is banished from the boat. “...If Edward had just had the capability to be honest with Izzy from the very start, they might have avoided most of the tragedy. Because really? An overwhelming amount of the things Izzy says aloud to Edward can be subtextually read as: I am trying to get you dicked down how you need to be, even if I’m not the one who can do it for or to you.” 

We don’t move the plot along much in S1E7. Izzy’s gone, and the story can’t progress without him.

In S1E8, Calico Jack “is the thrown dagger that strikes the most true, and goes the farthest toward separating Ed and Stede. Forward momentum, healing, and growth all come to a dead stop here as Calico Jack does emotional manipulation on a level that Izzy could only aspire to at this stage in his evolution.” Izzy sends Jack as “a poisoned love letter” doing what it can to keep Ed safe.

On Ed and Stede’s kiss: “It’s an adolescent kiss, chaste and closed-mouthed and awkward – it’s not an erotic kiss in the slightest. Whereas everything (yearning glances, poses, swordplay, etc) with Izzy is frankly erotic as fuck and I don’t think we can blame that just on Con being Con…”

After his return to the ship, Ed doesn’t want to be Blackbeard anymore. Izzy is terrified, and he “[channels] all the fear into anger to use as a weapon to bring the mind back into compliance for the sake of their shared survival.” Getting Ed back to Blackbeard is a matter of keeping both of them AND the crew alive.

Ed doesn’t have his bare hands on Izzy when he’s choking him, but “Izzy does place his bare left hand onto Edward’s bare right as he’s being choked which, if I’m correct about the HIV/AIDS coding for him (and I’m confident in the evidence I’ll bring in the eventual extended meta conversation about it) is its own understated threat in return: what’s in me could kill you, too.”

“I’ll conclude for the moment with this: after so many rewatchings of the show, Edward flinging himself backward like a scalded cat feels excessive. It’s disgust at the mingled lust and joy and affection on Izzy’s face in the moment – and it’s so much more than that.”

More meta on Ed’s attitude towards Izzy in this scene:

Ed shifts back and forth on his feet, stepping in the tiniest little amount again. [...] why would Edward do that if he's actually afraid of Izzy?  Taika's a good enough actor to have chosen to flinch away instead, to reinforce the dialogue and textual energy of the scene. When the body language doesn't match the dialogue, it's a sign that the subtext is increasingly relevant. But Taika doesn't flinch away at all during the rest of this scene.  None of his body language serves up ‘terror’ to me -- all of it, when viewed with the knowledge of S2 and the lens of Izzy as HIV/AIDS-coded, serves up grief and loss.

Look at Edward's face. Look at the tears rising up in his own eyes. It’s not because precious little meow meow princess sweet as a peach Ed Teach is actually scared of Izzy, his own first mate for who knows how many years. We've seen Izzy angry at Ed in scenes before and if anything, Ed's been perplexed or even amused by it. 

(Total sidenote: there’s a difference between letting Edward get to be soft and gentle and vulnerable and display a range of emotions and enjoy fine things and feel tenderness and love… and completely woobifying/infantilizing a fully adult character capable of making his own choices, who happens to also be a man of color. Because frankly that second option comes across as more than a little gross to me. I hope that my writing always knows the difference and stays on the correct side, because I work to try to make sure that doesn’t happen.)

Continuing on: “We see Izzy as his “gaze travels all over Edward's face in a last caress of longing, back and forth between his lips and eyes at that close distance. Then Izzy leaves the scene immediately, before anything else can happen. Even the things he might want – especially the things he wants. Because he can’t ever let them happen, in order to keep Edward safe.”

The crew begins to chant (“it sounds almost like a heartbeat”). Ed reverting to the Kraken persona “is due to not one but two open romantic griefs and losses in close proximity,” and “the mind of Blackbeard moves on to protect itself, as it always has. Not from some fear of the crew now as I’ve seen in various lukewarm takes online… but from the possibility of ever being vulnerable again.”

Ed throws Lucius overboard. “Next he goes to hobble the dark heart, to maim and lame it, to keep it obedient and subservient again through terror and pain. He can’t kill or discard it entirely, because its emotions and bloodflow powers both Blackbeard himself and the plot of OFMD… but he can make it pay for its transgressions against him. And he certainly does… gloved in leather to protect himself from Izzy’s blood and flesh, in a scene that is overflowing with brutality couched in sexual framing.”

Jim (the killer) and Frenchie (the mender) are both mirrors of Izzy in some way.

Chapter 11: The Sacred Heart (Part 1)

“...In OFMD Season 2, Blackbeard’s heart is undergoing incredible growth and maturity through the application of terror and agonizing adversity – and by the end of it is bared and shining as the Sacred Heart of the show.”

When Izzy is the “hidden heart” in season one, he hides his pain (and a lot of people miss that said pain exists at all). “Only Izzy’s rage and jealousy is in the text; some emotional intelligence and/or sufficient media literacy to permit one to parse the show’s subtext on some level is required to understand the rest of his motivations. The lion’s share of this heart’s love that we can understand is on laser-beam narrow focus: Edward Teach, and the two-part entity of Blackbeard that this pair creates between them.”

In season two, “the Sacred Heart’s pain and fear are centered from nearly the first moment we see him in private; they overflow his previously immaculate control and are expressed almost entirely against his will. But because he’s expressing his emotions and more and more overtly protecting/shielding the crew from Blackbeard’s increasingly unhinged mind as well as all other lesser threats, his love for the crew is more obvious moment by moment also.”

Additionally, “Izzy’s rampant lust from the first season is dampened as well due to his wounds (loss of a foot/leg is often intended as symbolic loss of the genitals) so his expressions of affection to the crew are almost entirely platonic/agape love [...]. The final result is an opening of Blackbeard’s heart to the entire crew, where it accepts them all and is accepted by them in return.”

In Stede’s dream, Stede gives Izzy “a non-consensual stabbing.” He and Ed are reunited, but nothing too amorous can happen because “if the heart of the story is dead, there can be no blood pumping, no erections, and the head/mind itself will eventually die also. The bottom line is there’ll be no sexy stuff happening without it.”

In the wedding party fight, Izzy is shown placing himself between Jim and Frenchie and Ed -- protecting them from Ed. Izzy’s entire purpose without Blackbeard is protecting the crew.

Izzy is upset when Ed threatens to fire Izzy: “Izzy knows that his current position to Edward is one of scapegoat and punching bag. He’s blamed for anything that goes wrong, whether or not it’s truly in his power to prevent or fix it – and the price for every failure is another body part removed and most likely force-fed to him. If he’s not there to take that abuse… someone else will just have to take it instead.” Again, he’s protecting the crew.

Jim tells Izzy that his relationship with Ed is toxic, “and they’re right on a textual level (he’s abusing you) as well as a subtextual level: it’s often not healthy for two people to remain bound so closely into one entity (a two-part creature known as Blackbeard) but especially when one side of it has become entirely toxic and is regularly maiming the other.”

When the crew comfort Izzy, no one touches his bare skin.

Izzy returns to Ed, delivers the crew’s response, and asks Ed what Izzy is to him. “Almost every single line Izzy has in Season 2 is overflowing with subtext and this one is no different.The surface meaning is: what are we? What is our relationship? What do you truly want from me? The subtextual meaning is: have you forgotten I'm Blackbeard's heart? Have you forgotten that to kill me is to kill yourself? Don’t you understand that you do to me what you don’t have the courage to do to yourself: you kill me one inch at a time? You’re trying to make me stop loving you [...] and I can’t, because it’s a heart’s purpose to love.”

Izzy is afflicted with love. He is “quiet and sincere and utterly chaste,” until accidentally invoking Stede. Ed storms above deck and Izzy tries to rein him in.

Before he mentions Stede, Izzy is certain he’s going to die for speaking the truth, “because Blackbeard’s heart has always been the first to admit out loud what Blackbeard is feeling, long before his head will actually be brave enough to speak it.”

With Izzy out of commission, Frenchie is Ed’s next “victim.”

Jim gives Izzy one of his few skin-to-skin touches, and it’s to silence him when he’s screaming at them to kill him. Very tragic. It’s also Jim who tells Archie that Izzy is “their dick” (or their heart, since a functional heart is required for a functional dick). 

Importantly, “Jim’s also an Izzy mirror, may I remind you: Jim initially didn’t want to truly join the crew either, and had something of a minor battle to be accepted for who they were.”

Ed discovers Izzy: “He strolls in slowly, standing over an unconscious and completely vulnerable Izzy Hands – and gazes down at him for a moment before the scene ends. OOooh that had my heart pounding in terror and fury on first watch!” 

When Ed talks to Izzy, he’s looking directly at him (as he so rarely does). He tells Izzy that he dreamed he killed him “(When we talk about death, it’s sex. When we talk about sex, it’s death)”. Ed gives Izzy the gun.

“Parse Izzy’s expression here: that’s longing. That’s a man on his death bed looking at the most beautiful sight he’d ever seen in his life, that he thought he’d never get see again. So much so that, just before the shot cuts away, his eyes light up and he begins to smile sweetly. What is Izzy seeing? [...] Full on direct eye-contact with a fuck-me stare and the muzzle of the pistol hovering at lip level.”

In short, it’s a very horny scene.

“If Izzy’s not willing to let him die by giving a subtextual blowjob… Ed’s going to offer something else. He’s gonna let Izzy take him from behind.” But Izzy ultimately refuses after struggling with the power he has been granted over Ed.

Izzy tells Ed that he’s tired of cleaning up after him. “Side-note: I’ve seen some lukewarm takes in various spots on the internet that mean old Izzy was overstating his labor on Ed’s behalf, and I just want to remind everyone that at this point we have seen precious doe-eyed meow meow princess Edward only make even the most token of efforts to clean up his own mess exactly twice…”

Ed leaves Izzy with the pistol and the understanding that Izzy (the heart) will kill himself. Ed hears the gun fire and, thinking his heart is dead, he can admit the truth: that he loved Izzy the best he could. “Body language on the second half of that statement [best I could] suggests to me he knows he’s lying or minimizing, although I can’t pinpoint enough of the ‘why’ consciously to screencap it. He tosses it off as if it doesn’t matter, and that I can understand – in this moment, he’s only lying to himself.”

On to Ed’s final suicide attempt. Why does he tell Jim and Archie to fight to the death if he plans on killing them all anyway? “I think he is impelled to, by his current personal fixation. I think right now the mind of Blackbeard can’t see love without obsessing about destroying it. He carved off bits of his own loving heart one chunk at a time, because of it. Now that he’s been shown Jim and Archie have developing feelings for each other on his ship of death, he has to take the moment to destroy them first… Even when it gives his heart the chance to drag itself out of the pit of the grave and finish its sacrifice to stop him.”

Izzy returns during the reprise of Run From Me, “specifically the soaring siren vocals and bolero heartbeat pulse of its bridge and outro: the loyal heart is still pounding, still pumping blood to the rest of Blackbeard and the plot.”

The crew take Ed down “and Izzy, knowing what must be done to save the crew, making this final personal sacrifice on their behalf, stands by and lets them kill Blackbeard’s brain.”

Stede finds and boards the Revenge to find the crew eating a dead bird and “better than they had been under Ed’s reign of terror, but not anything close to their best.”

And then soup. “Now on the deck of the Red Flag, Izzy’s crew gets to have their soup. Notably, neither Izzy nor Lucius have any soup – yet everyone else did, even eventually Ed while down in the gravy basket, served up to him by his own former captain. So, subtextually, the bright heart and the dark heart of the show have not allowed themselves to be fed and warmed and comforted.”

When Stede starts to ask questions, Izzy responds with hostility in a bid to get Stede to focus his ire on him, once again protecting the crew. 

Stede asks who stabbed up his portrait and Izzy lies. Why? Because “the tender heart protects the head too, even though it’s currently beyond being hurt. Izzy’s protecting Edward’s legacy and the memories he leaves behind in Stede: this is Izzy as Ed’s scapegoat/Sin Eater, taking Edward’s sins on his own back to leave Ed utterly blameless in Stede’s mind as much as possible.”

Izzy continues to antagonize Stede to keep Stede focused on him. He’s eventually reduced to honesty and tells Stede that Ed tortured the crew (“the pain and suffering of the crew is the highest crime in Izzy’s mind”).

With the “doggy heaven” line, Stede reveals how close he was to Ed, and “that Stede heard every bit of this betrayal and forgave it, and continued on with love for Edward – to the point of dueling Izzy, to the point of fighting to stay with him despite Calico Jack’s manipulations, and everything that arrived afterward.” He realizes Stede might love Ed as much as Izzy does.

Izzy said he could never do that. “Con chooses to shut his eyes during this terribly tender, utterly vulnerable admission. Izzy can’t bring himself look at Stede, even merely the side of Stede’s face that is currently presented most toward him, while he bares so much of his soul.”

Why does he lie? Izzy won’t betray the crew by confessing, and he wants to buy them time to get away from Zheng Yi Sao. “There’s a third possible purpose: that it’s soothing to Stede. It’s a sweet little lie, and it lets him have a little hope for a while. In fact, if Izzy can be clever and discreet while dealing with Edward’s burial, Stede might get to spend the rest of his life chasing the fantasy that Ed’s still out there somewhere… and it’s possible to live your whole life loving a dream you will never touch again.”

When the crew is imprisoned after Ed’s body is discovered, Frenchie sits on Izzy’s left (the side of the hand with no glove). “In a more general way, Izzy’s positioned himself to block the cell door. Anything that tries to come through it will have to come through him first. Additionally, he’s switched the side his crutch is on; it’s not at his left hand to be used to support himself but at his right hand to be a bludgeoning weapon.”

Stede comes down and Izzy immediately speaks, “establishing himself as the target of blame.” Izzy insists that he is the one who’s responsible for Ed’s death, and he’s willing to be Stede’s scapegoat as well.

“And last… on some intrinsic level, Izzy Hands feels like all of this horror and pain is exactly what he deserves, from start to finish – the lack of love and affectionate touch, the physical and pseudosexual abuse, the agony on all levels of existence, even a final ignominious death itself as a traitor: give me your worst.”

Stede leaves. “We get a shot of Izzy shaking his head just the tiniest amount, and tears standing unshed in his eyes. He still doesn’t have Bonnet engaging how Izzy thinks he’s should – or rather, has been primed by months of enduring abuse to expect. Without a focus to Stede’s grief and anger firmly on himself, how can Izzy ensure he can adequately protect the rest of his family?”

“To stare deeply into Izzy’s gloriously beautiful pyrrhic self-sacrifice is to be able to look fully and directly at my own, reflected.”

After the escape attempt, Stede denies Izzy any gratitude for his apology. 

Chapter 12: The Sacred Heart (Part 2)

Izzy as heart continues and the analysis moves on S2E4. He is isolated and drinking, undoubtedly trying to numb the agonizing pain from his recently-amputated leg, ill-fitting prosthetic, and all of the additional bodily pain that would create. Mera suggests that, “if [they’re] right about Izzy being HIV/AIDS coded, [...] there’s every possibility that the extensive stress on his body from everything he’s endured lately (culminating in an amputated limb and a suicide attempt that at least rattled his cranium) has him experiencing an overall nerve pain called neuropathy.”

We can also infer that Izzy has “a lot of complex emotions about Edward’s return, no matter how necessary it is to the shared being of Blackbeard. If love could bring him back from the dead… why didn’t Izzy’s love manage it? Now that he’s returned from the dead… will the horrors resume? Stede and Edward have each other again… and Izzy’s on the outside once more, but now permanently damaged. Who would want him now?”

Stede comes by and does his best to be kind to Izzy, and “Izzy – suffering, isolated, terrified for a number of reasons once more, and drunk as a skunk… is asked to provide the deadlock-breaking vote on whether or not Ed should be banished.”

Izzy remains physically closed off to Stede. He’s vulnerable, and he associates captains with pain. When Stede says, “You’ve already murdered him once, seems like a pretty good payback,” Izzy visibly flinches. He’s glad that the blame is still entirely on him, but he’s still hurt. Izzy says that the rotten leg must come off, because:

Everything for Izzy right now is related to his maiming… and Edward’s toxicity was the rot that was eating the crew before Stede returned. 

If Ed can be removed from the ship, a few of the worst fears in Izzy’s life will be remedied: Stede most likely won’t hurt the crew the way Edward did; Stede most likely won’t hurt Izzy the way Edward did; Edward won’t be there to hurt the crew or Izzy; and, last but not least, Izzy won’t have to watch Stede and Edward fall in love all over again – this time as a changed, maimed, damaged, and (in his own mind, at least) defective man who is now unable to leave under his own power…

Izzy is offscreen for a bit, but it’s important to note that Lucius gets hit in the head with a sandwich, much like Izzy did in season one.

“The very first time we see Izzy after Edward’s banishment… and now it’s HIS vest that’s fully undone, his collar that’s unbuttoned, and his cravat and ring loosened from its usual high, tight position on his throat. Both of these men have been armoring against each other.”

Izzy saws the legs off of the headless unicorn. “Hurting people often hurt other people… and yet, our Sacred Heart has only taken out his pain on the unfeeling, inanimate object of the figurehead.” Truly a selfless hero. “Again, everything right now is reflecting back in Izzy’s mind to his own maiming: a figurehead is supposed to protect the crew. It failed to protect the crew, therefore it didn’t do its job. The price of not doing one’s job is the loss of limbs.”

Izzy’s prosthetic fails and the rest of the crew watch him with “horror and concern,” and “they move as one unit at last, immediately to try to surround Izzy and help him back up,” but he resists and crawls away. “This is disturbing, and it’s meant to be. This is heart-wrenching, and it’s meant to be. It’s the lowest point of the Sacred Heart – to be alone in all it suffers – and the blatant evidence of that pain and sacrifice is what draws the crew together in union again.”

In the next Izzy scene, he’s drinking alone in his bed. “Now that the unicorn figurehead shares his maiming and has been ‘punished’ for not doing its job, there’s only one entity left on board that he can still permit himself to harm, to vent the poison and rot festering inside his soul.” That person? Izzy’s reflection. 

“While Edward took his own pain out on anything that’d hold still long enough (mostly Izzy)… the karmic buck stops with Izzy Hands. He knows he’s wounded and toxic; he’s isolating to keep that toxicity from harming his family. [...] Izzy has seen the process of other people distributing their own damage to innocent new victims, just passing it on down the line; he has experienced it directly. He has decided he will have none of it himself. Izzy is resolved that it ends with him.”

The crew leave their gift at Izzy’s door and the attached note makes him weep. “His sobs are powerful enough that they continue to shake his whole body even as he draws himself upright again.” He calls them “cocksuckers, but “this response is intended to be subtextually read as a positive thing, indicating how touched Izzy truly is by the gesture.”

In Izzy’s next scene, he’s at the foredeck alone with his new leg. He pulls out the note and “the soundtrack sings: this world isn’t big enough to keep me away from you… from you… The song is right on two levels; even now, Blackbeard’s mind is returning to Blackbeard’s heart, courtesy of Stede… and Izzy will not ever be parted from the love of the crew.” Izzy allows himself a smile and a seagull (Buttons) goes by.

Buttons is a mirror to both Ed and Izzy. He’s weird, he has long hair, Ed wears his birdshit-covered jacket, the full moon is important to him, he’s a skilled first mate, “his mouth can be pretty poisonous, and his bites will leave permanent wounds,” and he changes a lot during the show. “Bottom line: if Ed and Izzy are two bodies that comprise one entity (Blackbeard)… Then Buttons is two entities (the Moon and the Sea)... that are united to some extent in one body.”

The Moon and the Sea change in regular and predictable ways; the Moon affects the Sea (tides), but the Sea doesn’t have the same power over the Moon. “The Sea is also the original source of all life here on Earth. The Moon is bright and remote and beautiful and sterile. It has a light side that’s always turned toward Earth due to its rotation and revolution matching up, and a dark side that we don’t often get to see (without some serious effort).” The Sea is barely explored (subtext) and the Moon is known (text). 

Before Buttons turns into a bird, he tells Ed, To love the sea as she must be loved… requires change. “To love Izzy in the way that Izzy must be loved… Edward will also have to change. He’s been given his directive. We don’t see it completed during Season 2, nor will I speculate how this will manifest in Season 3. What I will say is that this show has been and remains fantastic about showing the many different and equally valid forms that love can take, and I am excited for anything that results in Izzy Hands being truly loved.”

The next episode opens on Ed’s apology. His victims are there, and Izzy? “He is off to the side and not having to deal with Edward face-on. His bare and deadly left hand is toward the captains, with its threat that continues subtextually but has never yet textually been explained.” He’s ready to defend the crew from Ed if needed. 

Ed delivers his “weasel-word non-apology.” It’s no good, but “the queer writers room as well as Taika himself with his specific cultural heritage are absolutely aware of how this comes off – superficial, insincere, and absolutely infuriating – and it’s intended to come off that way. It’s fucky on purpose, and not ‘bAd wRiTiNg.’”

Izzy seems calm, but he’s clearly not buying Ed’s apology. The blocking puts Olu in a protective position in front of Izzy, and “Frenchie and Lucius [are] getting to carry a lot of Izzy’s emotions here: Frenchie [by] being entirely unconvinced/checked out and Lucius [by] being overtly acrimonious by giving the finger.”

Lucius asks Izzy if he’s fine with it (the apology); this is the first time anyone has ever asked Izzy how he feels about something. There’s some ridiculous sexual tension and Izzy, “relaxed, open and almost entirely at ease,” graces Lucius with a nickname. “In the universe of OFMD this [the cigarette thing] is definitely an oral exchange. It’s at the very least a kiss by proxy but an argument could even be made that it's even something subtextually as significant as a blowjob…”

In the next Izzy scene, he’s shirtless and training with Stede’s good candles. His breathing is labored. Why? “Previous exertion, dealing with residual pain from his new and improved prosthetic, psyching himself up and/or oxygenating his blood for the strike he’s about to make, possibly a level of arousal from the pseudosexual nature of ‘swordplay’ in this universe – subtextually, he’s half-undressed and dancing with his own ‘saber’ in the dark with some candles around for some nice ambiance…”

A behind-the-scenes still shows Izzy’s back covered in scars. (“A few people elsewhere on the internets have mentioned how Izzy’s back looks like that… and yet Edward’s back is clean enough for a full back-tat and… I’ve got feelings about that also. Gotta wonder how that happened. Gotta wonder why.”) Mera says it’s a subtextual allusion to Jesus -- Jesus who was flogged, as opposed to Judas, who was hanged.

Stede enters and cleverly addresses Ed as “Blackbeard,” in keeping with Izzy’s preferences. Stede tells Izzy that Ed claims Izzy taught him everything he knows, which Mera is “about 75-80% sure” is a lie. Stede is trying to be encouraging and provide positive feedback. 

We move on to the training montage. “Izzy’s sardonic and still a bit brutal while attempting to teach fighting, rope-swinging, and target shooting… but never is he directly insulting or says anything like ‘you’ll never get it.’ He’s letting pain be a teacher to Stede also: don’t stop and ask questions, just hit. When you try to swing on a rope the wrong way, it’ll burn your hands. And when Stede’s missed shot brings a sail down, there’s no screaming insults, no degradation. Izzy’s being remarkably patient here.”

The training turns into discussion, with “Blackbeard’s Sacred Heart really starting to open up to Stede, both textually and subtextually: it’s quite a romantic heart, underneath all the leather and scars. The will to be contrary about this whole weird tangled emotional mess is starting to subside.” 

The crew lines up at the rail to inspect the ship they’ve sighted. The blocking is, as ever, important; Izzy stays “as close as possible to the least experienced member of the raid: Stede Bonnet.” He “also put himself between Frenchie and whatever might be aboard waiting to meet them.”

Lucius approaches Izzy while he’s whittling on the deck. Throughout the conversation, “Izzy’s so gentle in tone and expression, as calm as a bodhisattva; he never looks away from Lucius during any difficult moment. There's no flinch to tell us that he's still in any emotional pain.” 

Izzy claims that a shark took his leg; Ed has a shark tattoo on one arm. He smiles and says, “Served me right, too.” “This is Izzy again as Edward’s Sin Eater: he can put that pain and blame somewhere else, somewhere that it won’t weigh on Ed’s soul, and he does. It’s in the carving. (Its also a silent expression of his pain to match the prophecy referenced during the same relative timing beat/scene in The Last Temptation: ‘He has borne our faults; he was wounded for our transgressions -- yet he opened not his mouth.’)”

Izzy gives Lucius the shark he has been carving. “Izzy put his pain and trauma into the chunk of wood and worked at it for the entire duration of the episode when, for comparison, we don’t see Black Pete in S1 spend any time carving Lucius’s new finger. We’re given the visual textual signs that Izzy’s putting a lot of care and effort into this creation.”

During the red suit fiasco, Izzy is seen hanging out in Stede’s quarters. He’s relaxed and casual; he’s at ease with Stede. 

Stede gathers the crew to put an end to the red suit situation. Izzy is behind, watching; “he feels absolutely no need whatsoever to be close to the front to interpose his body between the captain and the crew protectively. He knows that Stede won’t be violent with them at all.” Izzy is also in Stede’s eyeline so he can offer guidance.

Chapter 13: The Sacred Heart (Part 3)

The next episode is Calypso’s Birthday. “This episode has been called Izzy's swan song, and respectfully I'd like to disagree.  This is when we see the Sacred Heart of OFMD most triumphant, most open, most freed, and most overtly/directly loving and loved in return.”

Ed is seen scanning the horizon and thinking about all of the awful things he’s done, beginning with his father’s death. (“Wow. Izzy shows up in there a lot. Like, disproportionately much.”) Izzy approaches, bottle in hand, immaculately dressed and styled but clearly a little drunk. Ed keeps his back to Izzy. “I think he’s staying turned away partially out of shame but also in an attempt to help Izzy feel safer during this interaction.”

Izzy absolutely didn’t mistake Ed for Roach; he’s not that drunk. He’s holding the bottle in his gloved right hand with his left closer to Ed. This is important because “as much as possible Izzy will keep his right side toward whoever he’s speaking with: it’s safer for them and also lets him access his sword easiest. So [...] right now Izzy’s walked up and chosen where to stand for this interaction: with his death-marked left hand toward Edward, empty of the bottle he’s carrying and still dangerous.” Ed trusts Izzy not to kill him; Izzy is still uneasy.

A new angle. Ed and Izzy, “the estranged partners,” are closer than they’ve been in five episodes. When Izzy calls Ed a “mopey twat,” his tone holds “mild animosity.” This is the closest he’s gotten to provoking Ed since season one.

Ed takes the bottle from Izzy (with his ungloved right hand) and drinks. Izzy is out of frame. “...For me, subtextually, it feels as if that removal of the conversational partner is intended to entirely visually replace Izzy Hands with his proxy. He’s no longer a person, for the duration of these frames: he’s the bottle itself, held in Edward’s bare grip.” It’s significant that Ed’s lips touch a place Izzy’s just were without disgust or hesitation. It’s sensual: “Ed’s taken a kiss for himself from Izzy’s bottle – and Izzy, his eyes shining with tears, fully knows it.”

Ed is yearning. Izzy is yearning, but “then does what he does with all big emotions: covers them up and vents them safely with an expletive. [...] But he carries Edward’s return kiss to his own mouth nonetheless: love you, too.” “Why is Edward willing to do something (trade saliva, even by proxy) with Izzy that Lucius reacted so strongly and negatively about, less than a full episode ago?” There was a point where we didn’t really know how HIV/AIDS spread. “Edward knows the rules about Izzy’s disease/curse. Edward knows how to stay safe; they’ve gone however long this separation has lasted without Ed ever catching it or dying from it.”

We next see Izzy when he approaches Wee John, applying makeup for his Calypso look. Izzy gives the makeup setup a “hungry,” longing look. 

Izzy sings at the party. When it starts he’s not entirely at ease, as evidenced by “the stiff body language and uncomfortable rigor of Izzy’s arms out from his sides, the shy and downcast gaze trying not to look at anyone just in case someone’s laughing at him.” His look included red, gold, and wavy lines, all evoking Sacred Heart imagery. 

“When he finally looks up, Izzy glances over at Edward, who does not look at all surprised to hear Izzy’s marvelous voice – and, if you want to hurt yourself today as some of us sometimes do, you can wonder how many years it's been since Edward heard it last.”

Izzy snuggles up to Wee John at the party. “Izzy’s got his right gloved hand under his left palm; he’s pressing both hands into John’s wrist but the glove’s between the naked left hand and John’s skin, keeping them separate. I think the depth of shadow under his fingers indicates they’re not making contact either.”

At the song’s climax, Izzy is off-centered in frame. Why, Mera asks, “would you put one of your three main characters so fucking off-center?” Look for the subtext. “We see Izzy’s deadly, death-marked ungloved left hand leave the shot early on… and stays out as he holds the rest of the note, as if it doesn’t belong in the same visual realm as the rest of Izzy's entire body and the concept of ‘love’. As of these last few paragraphs, I’m no longer questioning myself on the concept that Izzy's HIV-coding was completely intentional. I know for sure I’m crazy… but now I'm also 100% certain I’m not wrong.”

A cannon goes off. There’s been meta written about how “Ed always jumps in front of Stede during physical threats and Stede always destroys people who hurt Edward emotionally, which reminded me that Izzy has always been the third and quieter option: ‘figure out where the threat's going to be, put my body between it and the people I love, and always be ready to kill it -- no matter who or what the threat is.’”

After Lowe is dealt with, we see the whole crew, with “the Sacred Heart front and center, right hand toward his captains, death-marked left hand toward the threat [Ed], Frenchie and (further back) Lucius tucked safely behind him.” This pose is also very Last Supper. 

Izzy sings a reprise in French. “He’s singing to the people he loves in French, which for cinema’s purposes is the language of love. I know that we have the Doylist reason for two versions of this song because Con was originally concerned he wouldn’t be able to learn the French version well enough to do it justice… but I also think it added something from the Watsonian side: this is a deeper expression of the love he displayed before.”

Elsewhere, “with his heart returned, emotionally reunited with him, and vigorously expressing the love inside it at last… Blackbeard’s head finally finds the rest of its two-part body willing and able to accommodate his new lover.” Stede and Ed kiss directly -- a mirror of Ed’s indirect kiss with Izzy earlier in the episode.

“...It’s Izzy and his singing that takes us through the credits and claims the episode almost entirely for the Sacred Heart – and at the end his family joins in with him, raucous but affectionate and wholly good-natured. Then after they’ve cheered and applauded, midway through the credits [...] the crew chants “One more song! One more song!” Izzy cheerfully answers “I’ve got one more song!” to general acclaim. … But we haven’t yet heard it during Season 2. Food for thought.”

Chapter 14: The Sacred Heart (Part 4)

“In this episode [S2E7], we will get to see Izzy as the show's Sacred Heart evince a personal yet non-sexual love to both of the show's other main characters, answering each of their needs.  We also do get to see one of Izzy's flaws repeatedly reinforced: that he tends to project his emotions, self-expectations, and personal traits on other people, for better or for ill. This serves to try to prepare us for his deepest example of projection in the final episode... that is also his last act of love to Edward.”

Ed sends his Blackbeard getup to the bottom of the sea, weighed down by a cannonball (the second time a cannonball has been used to kill Blackbeard). 

Back in the captain’s cabin, Izzy throws back the curtain to expose Stede and Ed. (Once again, someone says “Jesus” in response to Izzy doing something.) Izzy isn’t bitter, he’s merely reporting to his captain. He acknowledges Ed for the first time with his “well and truly docked” line. Izzy leaves.

“Couple of notes here. While yes, Izzy’s just needled both these men with his observation of their intimacy – it’s also some of the most good-natured jealousy I’ve seen him display [...]. There was no rage in his presentation as we’ve watched him evince before, not even repressed down so tightly that he would otherwise vibrate with it. But also… I think this is another of Edward’s fuckboi moments, being a bit shitty about his ex/estranged partner in an attempt to ingratiate himself more with his new one. (And it puts my hackles up that Ed treats Izzy's inability to have safe intimacy so cavalierly, but what else is new?)”

In his next scene, Izzy approaches Ed as he’s observing the fishermen. “Izzy’s returned to standing with his gloved right hand toward Edward; his bare left hand is angled to be on his sword hilt just below frame. The blocking and his posture says he’s feeling safe once more, and has forgiven Edward as much as he could be expected to.”

Izzy’s expression is somber when Ed says he feels “fucking great” about putting Blackbeard to rest. Ed fully meets Izzy’s eyes, and Izzy smiles. “This is the Sacred Heart giving such an intimate, incredible gift: loving in a way that can also let go. [...] Izzy at this time, his emotional development completed at last, can truly love Edward no matter what they are or become to each other – without requirements or demands.”

Ed pulls away and Izzy’s expression settles into grief. “The union of ‘Blackbeard’ will, Izzy thinks, dissolve and fade away. And they’ll have to find a new, healthier way to relate to each other – or maybe even leave each other completely behind, once and for all.”

Ed and Stede reunite and it quickly turn to fighting. “Astoundingly quickly, for someone who got such good dicking down just last night and was feeling strongly enough about it this morning to throw away his old life in favor of it. Or at least… he appeared to throw it away. Textually, he threw it away. And Blackbeard’s Sacred Heart, in an act of loving sacrifice, told him to listen to his feelings – no matter where they might lead.” But with Ed “disconnected from Blackbeard’s (now) more emotionally intelligent heart [...], he has only his own internal immature heart and its adolescent feelings to guide him – and he’s terrified about it.”

Stede doesn’t listen. “I’ll be 100% that bitch right here: Izzy would be fully listening, fully focused and engaged. Both of these men spin up too far in their own heads; they’ve never had to ignore their first adrenaline-soaked knee-jerk reflexive thoughts in order to coherently receive and respond to what someone else is saying/doing in an emotionally challenging moment.” Ed and Stede unconsciously use all kinds of “underhanded psychological tricks” on each other during the argument. 

Izzy and Stede talk (mirroring Izzy’s talk with Ed earlier), but only after Izzy uses his own formidable (not related to Blackbeard at all) power to order Stede’s companions away. Izzy is compassionate. He tells Stede that he balances Ed out, which may be some projection on Izzy’s part. 

“The sincerity here is killing me in the best possible way. Where Izzy’s previous conversation with Ed was almost sparse – they know each other so well and they’ve thrown so many words at each other across the years, they’re now down to the only ones that still matter – this one is verbose and more actively encouraging. And even here in this noisy bar that he doesn’t particularly like, he’s leaning forward to be sure he’s heard. His expression is open and caring, without a trace of sarcasm or insincerity. He remains kind on every single textual and subtextual level.” A feat, considering how tired and in pain Izzy must be by now.

Izzy tells Stede he was shot for saying he loves Ed, which is, of course, not true. “On one level it reads to me as a conflation of the idea of Stede Bonnet and love, in the mind of Blackbeard's heart. On another level it was a statement of love for Edward in the moment that was even weightier (and therefore unfortunately had more consequences) than his own love confession: you love him and I know it, so let's talk about it; let's find a healthy way to deal with it together and move forward. That's what got him shot -- the fact that Blackbeard's heart was willing (as it always has been) to admit to love far, far sooner than Blackbeard's mind was.”

Izzy puts his bare hand on Stede’s thigh (it’s fine, Stede is protected by leather pants). Izzy is seated between Stede at the direction from which any possible threat might come, right hand free to draw his sword. It’s not a perfectly defensible position.

Izzy tells Stede to get back to the ship. This is one of “many times Izzy’s been right and just… no one fucking bothered to listen to him or take him seriously.”

Stede confronts Zheng Yi Sao before Izzy can position himself to stop him. Izzy must decide to trust Stede in this; he’s smiling by the time he takes his spot at Stede’s back. Izzy realizes that Zheng Yi Sao is winding Stede up, and he’s not convinced that Stede, even with his remarkable luck, can win against her in a fight.

When Yi Sao drops Steak Knife, Izzy knows it’s best to make a run for it, “and if he wasn’t exhausted and in a fair amount of pain, he perhaps could have interceded in time and tried to broker peace. But Stede’s healthy, non-disabled, and full of vigorous venom; on this occasion he beats Izzy to the punch.” 

They’re all kicked outside to brawl. Izzy is positioned between Jim and Lucius, with Frenchie on Lucius’ other side. He’s clearly exhausted and in pain. This is interesting because, “after the end of S1, Con says [Izzy[ is ‘a little bit frightened’ of Jim, and ‘confused as fuck’ about Lucius – and here, in the penultimate episode of S2, he’s being supported and upheld by both of them in an affectionate fashion.”

Zheng Yi Sao’s ships explode. “Then a cannon ball comes arching out of the night, filling the frame headed toward the left -- therefore toward Stede, Zheng, or (less likely) Roach.”

On to the next!

[darkfire359]

You know who I love? Edward Teach.

He's capable of such great selflessness and bravery: saving Stede's crew from the Spanish, taking the blame from Stede for Nigel's death, stepping in front of the firing squad, and taking the Act of Grace.

Yet he's also capable of such terrible cruelty: ordering a man flayed alive for a single insult, making a crewman kill his own dog, drowning someone who'd just tried to help him, burning a ship full of people alive, and of course the toe thing.

He's innocent and naive: curling into a ball and crying repeatedly from having done something bad, not understanding passive aggression and getting easily hurt by the French partygoers, and getting easily manipulated by Jack.

He's a charismatic manipulator: wowing and making friends with Stede's crew while keeping his hands on his weapons the whole time, flipping on the “insane eye-gouger” persona like a lightswitch to effortlessly intimidate the French captain, and even inventing the very concept of fuckeries (using fear to rule people).

He wears his emotions on his sleeve and is terrified of abandonment, getting easily heartbroken by Stede (and arguably reacting in e10 in large part due to fear of Izzy leaving him as well). He's stoic enough that he barely reacts at the mention of good crewmen dying for him.

He's a masochist who flirts by pointing a gun at his crush and asking them to stab him, and who asks his ex to whip him in the balls. He's a sadist who loves maiming people and who fed people their own body parts for a laugh. He's a goth who got his entire crew to wear black leather. He's a lover of pretty, bright colors who rocks a pink gown and made his first mate put purple bows in his beard.

He concocts brilliant plans but forgets the day's date. He's a master of the sea who thinks nature is annoying and stupid. He's a proud cannibal who loves sugar and sweet desserts. Sometimes he de-stresses by building a blanket fort, and sometimes he gets a pistol and tries to shoot up an entire party. He's a cute princess who can just as easily be a terrifying villain.

Ed is the most EVERYTHING of anyone on the show. It's no wonder so many people are in love with him.

[rowenablade]

Okay. I’m going to wait to do a second watch before I articulate most of my other feelings here, but I want to address one thing.

I’m seeing a lot of posts like, “I related to Izzy because I am also queer and older/disabled/depressed. By killing him off, the writers are saying that I deserve to die.”

Guys.

I’m not saying your feelings aren’t valid. I totally understand grieving a character that you relate to. But speaking as a writer, I just want to point out that trying to write with the shadow of “what is the absolute worst and most harmful way a reader can interpret this” will smother your ability to create. Twisting yourself in knots, trying to think up the worst-faith takes possible and scotch-guarding all your writing decisions against them is exhausting to the point of making you just not want to write anymore.

And we’ve seen the writers deliberately choose not to do this in Season 1. Remember all those terrible “Izzy is racist” takes that the writers and cast seemed completely blindsided by? That happened because the writers and directors and actors weren’t going over every scene with a fine tooth comb, ferreting out every shot or line of dialogue or micro expression that could possibly be interpreted as racist, and scrubbing it off. Because there comes a point where your story is what it needs to be, and you have to accept that some people will interpret it in ways you didn’t intend them to. And if you can’t accept that, you’ll never find the courage to put your work out there.

The point of diverse casts and writing teams isn’t to achieve a state of, “Nothing bad ever happens to a character from a marginalized demographic ever again.” It’s to achieve a status quo of these types of characters just being people in the world of the story. Not symbols, not representation boxes to tick, not tokens that you can point to so that you can say, “Here, we acknowledged this type of person exists, now where’s our woke points?”

OFMD is full of characters of color, queer characters, older characters, characters of differing body types. And in stories, things happen to characters. Some fall in love. Some make the same mistakes over and over. Some turn into birds. Some die.

Izzy’s character represents a lot of things, but he does not represent every older, disabled fan or fan who has struggled with suicide, any more than Jim represents all genderqueer fans, or Olu represents all black fans. That’s not how the writers were handling him. They were handling him like a character, because that’s what you have to do.

Again, I understand being sad. I am so, so fucking sad. But this idea of, “Any time something bad happens to a character I relate to means that the writer thinks I deserve these bad things to happen to me,” will poison everything you engage with eventually. Because stories are full of things happening to characters, and they won’t all be good things. And the more representation we get, the more often bad things will happen to characters we relate to.

But good things will happen too.

Queer couples get married. Disabled women run off with their favorite husbands. Middle-aged characters change careers. A multiracial polycule finds a home at sea. A fat man covered in tattoos stars in a drag show and all his friends cheer. All these things happened in the same show as Izzy’s death. This is what this world is.

Anyway. I know emotions are running high and I’ll probably get blocked or unfollowed by a few people for this. But I’m just trying to find my peace where I can, and if anyone else finds this useful, cheers.

[jakedustry]

𝐇𝐈𝐒 𝐋𝐔𝐂𝐊𝐘 𝐂𝐇𝐀𝐑𝐌 - 𝐋𝐄𝐄 𝐇𝐄𝐄𝐒𝐄𝐔𝐍𝐆

bsf!Heeseung x fem!reader

in which your best friend invites you to his basketball match because he wants his closest friend present, but things take a turn different way when he wins and you're the first person he runs to

wc 2.2k

warnings reader is implied to be shorter than Jake

↪ izzy adds... I love love writing Heeseung as a basketball player. I really believe after being an idol it's what fits him the most

You stood outside your apartment, gazing out across the street while patiently waiting for your best friend to pick you up. He was late. Again. But you could hardly nag him about it because he was also late to his match, and you knew that alone was enough punishment for him. 

A sigh escaped your lips as you took out your phone to glance at the clock, taking the opportunity to fix your hair in the reflection on your phone. 9:40. You stared at the numbers, thinking about just turning around and returning to your apartment. You didn’t even know if he was coming anymore. After all, it would be wise if he went to the match instead of picking you up so he could still warm up. 

But he wasn’t smart about it. It wouldn’t be at all like him to not come running for you, even though he should be somewhere completely different at the moment. 

You chuckled, watching your best friend park his car right before you, telling you to get in quickly. “The guys are going to kill me,” he whined, starting the vehicle again. “You can’t blame me for that, though. I wasn’t late, Hee,” you reminded him. “I know, I know,” Heeseung sighed. “I’m sorry. Were you waiting for long?” 

You sat in silence during the ride. Heeseung was panicking. It was clear to anyone who as much as glanced at him, and you knew better than to stress him out even more by talking. You can update him on your life after his match.

“I am so sorry. I’ll catch you again later,” your best friend blurted out quickly, too busy to even look your way before he took his bag and ran off to what you assumed was his team’s dressing room. “Don’t worry about it!” You assured him, chuckling when he almost tripped over nothing. You shook your head at him, leaving to find yourself a place in the crowd of fans. 

You expected to see more people in the audience since it was one of the last - and most important - matches of the season, but what no one could prepare you for were fans with banners and team flags. You tilted your head, trying to wrap your head around why they were taking it so seriously. 

You scanned the audience, searching for an open slot, but everything by the front seemed full. You sighed. This is what you get for coming late. 

Actually, no. This is what you get when you arrive on time. The match hasn’t even started yet and won’t for another ten minutes. You weren’t late. Everyone was just too early. 

Though deep down, you knew that wasn’t right. Still, you would rather blame others for not having a good spot. 

“Shorty!” You turned around upon hearing the familiar voice, rolling your eyes when you noticed Heeseung’s other best friend, Jake Sim. He caught a place at the front. You smiled before joining him after exchanging a small wave. 

“How many times do I need to tell you not to call me that?” You muttered, taking a seat next to him. “I don’t know what annoys you so much. If you’re short, I’m going to call you short,” he stated, holding back his laugh as you rolled your eyes at him. “I am not even that short,” you huffed. In fact, he wasn’t much taller than you. Yet, he always found a way to tease you. 

“Hey there now, I saved you a place. You can’t be mad at me,” Jake protested. “You’re lucky I like you,” you warned him, scoffing when you saw him give in and laugh at you. “Is Riki not here too? I can’t stand being here alone with you.” 

“Come on, you know you love me,” he teased you, the grin on his face only making you more annoyed. Jake chuckled at your behavior, shaking his head. “He went to the toilet. He should be here any minute,” he explained, straightening his back so you could see the younger boy’s hoodie thrown over the seat on his other side. “Right. I saw it from behind but didn’t realize it was Riki’s,” you commented, redirecting your attention towards the court as you heard fans screaming, realizing that was your cue the match was about to start. 

♡⸝⸝ 

“I can’t believe they started when I wasn’t here,” Riki complained, trying to figure out how both teams managed to score already. Honestly, he didn’t miss out on much, in your opinion. The first basket was simple luck, and the second wasn’t any different. Both teams had good defense, not letting their opponent through. They were just lucky the other teams made a mistake at the best time possible, allowing them to score. 

“At least Heeseung waited for you,” Jake joked, glancing at his best friend on the team bench, waiting for the coach to let him in with the rest of his team. The other team was also lucky he wasn’t playing, you thought. 

Heeseung was on the court at all times. It didn’t matter if he was sick the night before or out of energy after a tiring day. He always played in the starting five, pushing his limits so that he could play. But he wasn’t in the starting five this match, and you could feel his frustration all the way to your seat. 

You knew he was more mad at himself than his teammates or his coach though. Had he been here on time, he would be playing now. The coach made sure he got that clear when he told him he wouldn’t be starting this time. A part of you felt sorry for him. You knew how much playing meant to him, and hadn’t he come to pick you up, maybe he wouldn’t be as late. 

You snapped out of your thoughts upon hearing the cheers. They were so loud you were sure even the people outside the stadium would hear them. It didn’t take you long to figure out what - or more, who - the screams were about. All that echoed through the closed space was the name of your best friend. Lee Heeseung. 

“Heeseung, go kick their asses!” This wasn’t a fight. 

“Heeseung, show them how to score! Let’s get a goal!” They weren’t at a football match. There weren’t any goals. 

“Heeseung, you can do it on your own!” Basketball is a team sport. 

You weren’t sure why, but you felt annoyed. Everyone around you except for your two friends seemed to know nothing about basketball, and you hated the fact they were present just because they found your best friend hot. 

“You know, your face has no filter,” Jake nudged your shoulder, making you blink a few times before you turned towards him. “What?” He chuckled, shaking his head at you. “The frown on your face. You’re making it look as if you were jealous,” he teased you, catching Riki’s attention. Great. All you needed was his tall ass making fun of you for feeling jealous when that wasn’t even the case. 

“I am not jealous,” you protested for the third time already. “Right, and I am–” Before Jake could finish his sentence, the buzzer interrupted him, letting you know a team requested a time-out. You glanced at the scoreboard, your eyes widening when you noticed you almost missed the whole first quarter. Heeseung’s team was now winning 18:13, and you missed all that just because of a stupid argument. You sighed, looking at Heeseung on his team’s bench. He was gulping on his water, carefully listening to what the coach had to say about the play so far, wiping the sweat off his forehead. 

Somehow, a part of you found it attractive. 

“Yeah, definitely not head over heels for him,” Riki laughed when he noticed who you’ve been staring at. “Guys, I am not–” you started, swallowing the rest of what you wanted to say when you saw Heeseung look your way, giving you a quick, excited wave before he set his water bottle aside. “You were saying?” Jake scoffed, but you didn’t care enough to argue with him. You didn’t need to prove anything to him. 

♡⸝⸝ 

As the buzzer announced the start of the fourth quarter, you had decided to come down to the court so you could be there once the match was over. The score was neck to neck now, and you knew Heeseung needed a bit more support to do well. 

That was how you found yourself standing on the side of the court, just a few feet away from the door leading to the dressing rooms. Jake and Riki stayed in their seats, claiming they didn't want to give up such good seats just to stand near the smelly dressing rooms, but you didn’t mind. You had a good view from your place, and your cheers could reach your best friend easier. The smell was something you could bear for him. 

“Just two more points! You’re almost there, Hee!” You cheered, catching Heeseung’s attention immediately as his eyes shifted from the ball to your figure for a second. He smiled, quickly coming back to his senses as he sped up, catching up on his opponent and blocking him from making the shot. Heeseung’s teammate quickly caught the ball, and the game was theirs again. 

The game was moving too fast to your liking. When your team managed to score, their opponents followed up shortly after, making the last few minutes extremely tiring. You could see it on all of them. The way they were sweating and panting as they tried to stop the other team from scoring and failed miserably each time was a clear sign of exhaustion. You glanced up at the scoreboard, watching the 82:83 written right under the time they had left. 2 minutes. 

A lot could happen in 2 minutes. Within the blink of your eye, each team gained another 6 points in under a minute, and it stressed you out. They were running too much. You knew Heeseung would collapse in your arms as soon as the match ended. You could see that he was pushing his limits once again. 

You almost yelled at him to sit down and let someone else finish it, but you knew you couldn’t do that to him. This was important to him, and you were there to support him, not scold him. 

As the buzzer filled the stadium one last time, your eyes shot up to the basket in front of you, watching the ball fall to the ground as the score changed one last time. Your eyes lit up, an uncontrollable smile spreading across your face when you saw your team win. They did it. They won the finals. And it was all thanks to Heeseung’s buzzer beater. 

You could see the joy in his eyes as he looked around the court, searching for something, someone. He didn’t care about his teammates running to him to embrace him in a hug. All he could think about was you and the fact he needed to be in your arms. 

When his eyes finally met yours, he quickly apologized to his team, not wasting any more time before he ran to you. He didn’t care that everyone was watching him, cheering for him, or calling his name so he would take a picture with his team. 

Heeseung wrapped his arms around your shoulders, almost knocking you to the ground as he hugged you, squeezing you tightly. You laughed, patting his back to assure him you were there with him. “I did it! I did it!” He cheered, backing up so he could look you in the eyes. But soon after, you had him close again. Expect this time, it wasn’t just a hug you found yourself in. 

His lips pressed against yours, one of his hands finding its way to the back of your head, pulling you closer, while his other hand rested on your waist. Your eyes widened. Unable to do anything, you watched his sweaty forehead. His eyes were closed, and his lips were soft against yours. Still, you knew the kiss must have felt bad when you didn’t kiss him back. You couldn’t. Your heart was beating too fast, and your mind was an even bigger mess. 

A huffed “Sorry” escaped his lips as he pulled away from you, his forehead pressing against yours as he breathed heavily, still trying to catch his breath after the match. You closed your eyes, rethinking everything before you cupped his cheek, making him look you in the eyes. 

It was your hand that rested at the back of his head now, pulling him closer just like he did seconds ago with you as you kissed him. “You did it,” you nodded slightly, whispering against his lips. “I fucking did it,” he smiled, his hand wrapping around your hips to keep you close. “I finally gathered up the courage to kiss you,” he proclaimed, chuckling as if he didn’t believe what was happening. 

Your cheeks heated up, becoming redder the more you looked at him. He was unbelievable. “You wanted to kiss me?” You asked, your question coming out a lot quieter than you intended. “For so long,” he nodded. “Ever since you became my lucky charm.” 

✧˖°. izzy's tags @beomiracles @adel222

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[piratecaptainscaptainpirates]

Alright, so there's been a lot of chatter about some of the most common racist takes in the fandom lately, and I know most people aren't engaging in good faith but I'm gonna spell some things out anyway. Here's a handy-dandy White Fan's Intro to Racist Fanon 101

Why is it racist to depict Ed as uncontrollably violent?

Because he's not actually depicted that way in the show. OFMD goes out of its way to depict Ed's relationship with violence as complex and intensely traumatic for him. Because he has so many hangups around violence, Ed is one of the least violent characters in a show full of violent characters. He is always shown giving people many chances before they're able to push him into reacting with violence.

Even if you think you're just doing a character study on a guy who is really very complex and nuanced, please take the time to consider if you're assigning more weight to Ed's violent actions than those of other characters or assuming he's worse than he actually is (for example, Ed never physically hurt the crew during his kraken spiral, just Izzy. His crime was being a shitty boss, not going on mindlessly violent rampages).

What do other common fanon depictions of Ed that are racist look like?

The biggest ones are depicting Ed as untidy/messy, as illiterate, and as needing a white man (most often Izzy) to clean up after him. I hope I shouldn't have to spell out why these are racist, but please keep an eye out for them in the fanon you consume so you can be critical of how you respond when they pop up.

Are you saying that all Izzy fans are racist?

Liking a character is morally neutral. Insisting that the viewpoint of an antagonistic character is the lens through which the show should be understood, though, especially when that antagonistic character's whole deal in the first season of the show was trying to control the behavior of the brown lead so he could gain power for himself, however...

Just please consider - why do you find Izzy's tears more deserving of sympathy and compassion than Ed's?

But my hot take/fic/meta doesn't say anything about Ed's skin color!

It doesn't have to. Most of the racist takes/fic/meta out there don't mention Ed's skin color explicitly. Racism doesn't just look like saying "this character is a brown man so he's bad." Everyone who grows up in a racist society (that's everyone on the planet, btw, you included) has biases to unlearn, and those biases impact how you interact with the world around you, including with the media you consume.

The thing is, OFMD isn't a subtle show. It's very consistent with telling us who Ed is, how he responds to situations, and why he behaves the way he does. If you find it easier to throw all that aside in favor of believing what a white antagonistic character tells you about him, then you should really take a bit to examine that.

And here's the most important thing to keep in mind:

This is not about you.

Trust me, it has to be pretty damn bad for fans of color to call out racism in fandom. Every time we do, we know we're gonna harrassment and just some truly awful shit in our inboxes. But you, random white fan who Did A Racism? No one is out to get you. No one thinks you're an awful person for including a racist trope in your stuff, we just wish you'd examine it so we can make this fandom a better place for everyone.

I have had amazing discussions with white fans who saw my posts on fandom racism and wanted a sensitivity read or a check so they could fix an instance where they uncritically included a racist trope. But most people who make similar mistakes will just double down and insist they didn't do anything wrong, and that makes fandom a worse place for all of us.

Fans of color deserve to feel safe and included in this fandom, and we're just tired of feeling like we have to beg to get some circles to see poc as people. You can do your part by being critical of these tropes and your reactions to them when they pop up.

[dragonlands]

There's so much negativity around Izzy's death so I wanted to address some of the points I keep seeing thrown around.

"Izzy's death was pointless"

No, he just had his big speech about how basically they can kill him but they cannot kill the movement. That is a clear paraller to a lot of real life protestors of unjustice. He died protecting the community, he died so the community could go on.

"Izzy's death made his healing pointless"

No it didn't. Healing is always good, feeling happiness and belonging are ALWAYS worth it. We never know how long we've got, doesn't mean we gotta stop trying to be better or happier. His healing was still real. It still mattered.

"Izzy's character arc was left unfinished, it's bad writing"

Oh my god. If you open any writing guide about how to write impactful deaths, and the first thing that comes up is to leave some part of their arc unfinished. And his arc did go through quite a beautiful line, sure there could've been more but his story didn't end like, mid arc. As a writer, of course you want to make the audience sad when a character dies. It's good storytelling. Good stories are supposed to make us feel.

"Izzy died on the arms of his abuser"

Where the hell did this idea come from? Ed and Izzy have been in a toxic codependent relationship way before this show started. You could argue that Izzy was Ed's abuser, but that is not the argument I want to make here. Yes, we saw Ed driven to madness shoot Izzy on screen, but we know Izzy's the one that forced him to be Blackbeart when he didn't want it anymore. There's turmoil all around them. But the final moment is them finally meeting as people, not as components of Blackbeard.

"Izzy's death was unnecessarily awful"

His death was sad, yes, but it was quite beautiful as far as deaths go. He was surrounded by family who cared for him. He was loved, and accepted as he is. He knew his legacy will be carried on.

"They killed off the only character that showed us healing is never too late"

Did we watch the same show? That begins with then unhappy 40+ year old Stede deciding it's finally time to reach for his dreams? Where we see Blackbeard slowly gaining back his humanity? Where Black Pete starts off as toxically masculine dude but ends up in a soft gay marriage? Where most of the crew wanted to mutiny but then they realized being soft is good, actually. Jim's whole purpose in life being revenge but them learning to let that go and instead concentrate on love and fun and family. And so on. Izzy's arc is beautiful, but he's not the only person healing who thought it was too late already.

"Izzy's death was bury your gays trope"

No, what, no. In a pirate show where everyobody is queer some queer people will die. Bury your gays is about only having one or few queer characters and killing them off while the straights get their happily ever afters. This is so far from that.

Also, I want people to be aware of the phenomenon, where creators of diverse shows are subjected to more critism than those of non diverse shows. If this intrests you, Sarah Z on Youtube made a great video on it called Double standards and diverse media. Our flag means death has given us so much, queer love story with a happily ever after, finding community, nonbinary character. And the creators have always been so kind to fans, so let's show them tht kindness back. Because critizicing this one aspect can easily turn to seeming like the whole story is just unwanted. That stories like Ed and Stede's aren't worth telling. And I'm so aftraid that will happen, when just now for the first time in years we are finally getting queer stories.

Also, I understand people are sad. I am sad too - Izzy was an amazing character and his death was sad but that's just. Good writing. You can grieve, but trying to turn it into a moral or dramaturgy issue is just not a good look. And attacking the creators of this wonderful show is just horrible.

Remember - this fandom is a safe space ship 🏴‍☠️🏳️‍🌈

[sky-fire-forever]

To the people who say that Ed never harmed the Kraken Crew:

I am genuinely so confused by this take. First of all: Ed is shown to be violent even if that's not directed at the Kraken Crew specifically. He threw Lucius overboard and thinks he killed him in cold blood and he tortures Izzy by mutilating him. Even IF he never physically harms Jim, Frenchie, Fang, or Ivan directly, he is still behaving violently. He is killing people and taking out his depression on both Izzy and the innocent people (ish, they're still naval officers) that they are raiding.

Even if Izzy (and Lucius, remember) are the only direct victims of his physical abuse... they are still victims of that abuse? No matter what Izzy has done, be it threaten him, verbally lashing out at him, or even abuse of his own if you interpret it that way justifies how Ed physically takes him apart and makes him EAT parts of himself. That is beyond abuse. That is both physical and mental literal torture

And remember, Lucius was entirely innocent. He was actively trying to HELP Ed and that did not stop Ed from behaving violently towards him.

If you say since we see no signs of Ed abusing the Kraken Crew, I will remind you that the way Ed led the Kraken Crew got Ivan killed. Ivan DIED due to decisions made during Ed's time as captain of The Revenge, likely due to the constant raids making them exhausted and weakening their ability to fight.

We don't know enough about Ivan's death for me to really say that for certain, so it's speculation. But if Ivan died during a raid, the responsibility still falls on Ed's shoulders. He is their captain, it is his job to protect and defend his crew and we are explicitly told that he did not bat an eye when Ivan went down. We even see Ed kill a member of his own crew during his suicide attempt. A crew member falls overboard and we see Fang reach for them. This is directly caused by Ed sailing into that storm.

He points a gun at his crewmates and they have NO IDEA if he's going to shoot him. They're clearly afraid that he might. Fang starts crying and they all tense up. Frenchie expects Ed to kill him when he finds out that he's been hiding Izzy. They are afraid of their captain, they believe he does not care about their lives and that he could kill them at any moment.

This is abuse. I genuinely do not care if it is physical towards anyone but Izzy or not, it is abuse plain and simple. Ed behaves in an abusive manner towards his crew. That abuse actively puts their lives in danger. Constantly forcing them to go on raid after raid after raid for no reward (because he makes them dump the treasure that they believe they are earning for themselves, as Frenchie flat out asks Izzy if they're receiving "their cut") and exhausting them in the process makes them more likely to be killed on the field. Fighting while exhausted and demoralized is fucking difficult!

And before anyone says that's just life aboard a pirate ship, isn't Ed supposed to be better? Isn't he supposed to be better than Hornigold? Even Ed remembers having good times on Hornigold's ship with Jack. And the Kraken Crew appear constantly exhausted and terrified, carving out their own moments of joy just like Ed had to while under Hornigold

I have seen posts claiming that Izzy fans have a disconnect between interpretation of a character and their actual actions, but the lengths I have seen (certain, not all) Ed fans go to to completely absolve Ed of his cruelest actions absolutely baffles me. Like... Ed made Fang kill his dog and that's BEFORE he became the Kraken.

Ed is a dark character. He does twisted shit. Is that not INTERESTING to you? Does it not fascinate you that a man perfectly capable of torturing his crew and driving them harder and harder and harder until some of them die fueled by his own desire to make himself irredeemable STILL at his core is a man who wants nothing more than to be loved? Do you not find it somewhat beautiful and that this man with so much blood on his hands is still told "someone will love you. You are not a monster, but a person despite your cruelty"? Do you not think the story of a man so completely consumed by all he has done realizing that he can not erase the damage of what he did isn't a good tale to tell? Do you think there is a fundamental difference between the man who tells Stede not to kill and the man who has killed for himself?

I feel like stripping him of his horror takes away so much of who he is. So much of what makes him interesting. He CHOOSES to leave Stede's crew on an island to die of exposure or starvation. He CHOOSES to basically kidnap Frenchie and Jim. He CHOOSES to hurt those closest to him in horrible ways

And he chooses to come back from that. Chooses to try to do better. To learn. To grow. To love.

I have issues with season two, but if we had more time to watch Ed come back from this, to see him make amends with the crew he so horribly damaged, I would have thought this was the best arc ever. Redemption stories are my favorite because it shows that everyone is capable of both good and evil. Ed is capable of both too. I really wish people would see his growth for what it is: a man so entrenched in violence with a nonlinear recovery that hurts people and still keeps trying anyway. Rather than someone who never hurts anyone at all

[seikilos-stele]

There are many different ways to define the “main character” of a story, but the one I found most useful growing up is this: “the main character is the one who grows the most.” Sometimes, that means your POV character isn’t the main character. By nature, whoever grows the most will be the one audiences are drawn to; this is why audiences frequently gravitate toward side characters in ongoing tv shows; because we sense the capacity for more growth in Sidekick #3 than in Hero #1. To cope with this, the writer’s room will typically push Sidekick #3 out of the story entirely or will coax him into the spotlight and develop storylines just for him, thereby making him into a main character.

This is what we saw in OFMD. Ed and Stede were the main characters of S1. They had plenty of growth ahead of them and audiences were excited to see that teased out. Stede — selfish, out of touch, gentlemanly — longed to remake himself into a fearsome pirate. Ed — jaded, bored, infamously badass — longed to leave piracy behind and find something more meaningful. He didn’t yet know what would be most meaningful for him, and we were excited to watch Ed and Stede meet and figure it out together.

However, at the same time, the writers gave us Sidekick #3 — Izzy. Humorless, snarling, rage-filled, Izzy was your stereotypical henchman. This put him at immense odds with the rest of the cast. While everyone else, including Blackbeard, Fang, and Ivan, took to Stede’s management style, Izzy chafed under it and lashed out. Already, we can see that he has a lot of growing to do before he can get on the same level as the rest of the crew. That alone makes Izzy interesting, from an audience perspective. But what really enhances it is Con O’Neill’s performance — he brings an interiority to Izzy that’s lacking from the other characters; from his expressions to the intonation of dialogue, Con is always hinting that there’s something more to Izzy than what meets the eye.

Fans noticed. What exactly is going on inside this weird angry little rat? Why is he so furious all the time, and why is he so loyal to Ed? What will it take for him to let go of that anger and be part of the crew? By setting Izzy apart from the cast, the writers automatically set him up for an arc of growth. In S2, we watched that growth arc come into full swing. From E1-6, Izzy is on a constant climb up that hill to be part of the crew. We watch him take a bullet for the crew in E1, then attempt suicide in E2; we watch him try and fail to save the crew from execution in E3; in E4 Izzy is given a new leg and embraces his role as the ship’s figurehead. In E5 he works to train Stede and gives advice to Lucius on letting go of trauma. In E6 he embraces drag and performs in front of the crew. We see him, throughout S2, physically leaning on his crewmates and even crying in their arms — acts that S1 Izzy would never do. And we see him grappling with his relationship with Ed, admitting his love for him, mutinying against him, finding who he is without him.

By contrast, in S2, Ed’s and Stede’s growth hit a roadblock. As an Ed fan in particular, it was tough to watch him stagnate and backslide in this season. He makes no effort toward growth or change, and his efforts to leave Blackbeard behind are displayed not as growth but as a form of cowardice — running away from his problems rather than facing them head-on. Stede, at first, seems to be making progress. He makes strides as a pirate and even attains fame. But this progress toward his goals does nothing for his personal growth. Instead, it seems to catapult Stede back into his least-savory self from S1: selfish, out of touch, and vain. He and Ed enable each other in their determination NOT to grow, while Izzy fights for growth in every episode leading up to the finale.

This, essentially, is why so many fans believed Izzy was a main character. And it’s a good part of why so many fans were shocked when Izzy was killed off to service Ed’s growth, and his relationship with Stede. We spent a whole season watching him be the main character, only to be told at the end that he was really just Sidekick #3 all along. This strikes me as dishonest and unskilled, like the writers were working off intuition — good intuition, granted, for most of the season — without any real understanding or intentionality behind their decisions. They were working off what “felt” right without interrogating why it felt right, and when they hit the season finale, all those instinctive, thoughtless decisions came crashing down. The rubble left behind is difficult to sort through and honestly doesn’t make much sense. And, as an audience, we’re left with a season-long growth arc that was bafflingly cut off before it could culminate — and a prospective S3 where one of the main characters is dead and buried, after only a single season to shine.

[juniperjellyfish]

ALRIGHT NOBODY PANIC

BUT IT CAME OUT IN ENGLISH

I absolutely loved it. Here are my thoughts:

They should’ve renamed it “Fan Service” instead of Dream Team

I DID NOT REALIZE HOW MUCH I MISSED SEEING THE NINJA BACK TOGETHER

Izzy going on a tangent about Ninjago WilFilm and the other one that I forgot is amazing

That random girl talking about the ninja and their powers, and how Lloyd, “Despite being a fan favorite, the writers haven’t really-“ was so funny to me

OMG THEY MENTIONED THE HANDS OF TIME I was about out of hope for my boys Krux and Acronix

Seeing Nya’s new samurai suit was so good. It didn’t get enough love in Crystallized

Cole’s right! They don’t say Ninjaaaa Gooooo enough.

Zane being a little pissed about the cavalry was amazing

ELEMENTAL MASTERS OF SAND AHAHAH YES!!! I want more elemental masters

Speaking of which, the ninjas’ first reaction to time power stuff being those two is just so cool to me

Same with the little nightmare gremlin things. Lloyd thought they were Oni which is just- so cool.

Jay having a crisis is so on point

Kai and Logan bickering is everything to me. Especially Logan telling Kai he has a dumb voice

Jay making fun of Kai for losing is power is so funny. So plasmacoded

Poor Kai can’t catch a break. He just wants his powers, but NOPE!

Cole hanging out with the emo chick? Gays and lesbians unite!

PIXAL I MISS YOU! I LOVE YOU!! COME BACK!!!

As soon as Pixal showed up, my little sister started freaking out. I’m so proud

A little disappointed that she didn’t have any voice lines, but at least we saw her.

“But the Bounty always crashes!” CACKLING! YOU THINK THE NINJA WOULD THINK OF SOMETHING DIFFERENT BY NOW

Izzie freaking out over the fact that the ninja are there, and going up to Nya first just made me so happy. Because Nya, both in universe and out, gets the short end of the stick, so seeing Izzie go to her first was really sweet.

Seeing Kai and Cole on screen together reignited my passion for Lava Shipping

And seeing Jay and Nya together just made me so happy

Lloyd had a dragon!!!!! Hehehehehe

Omg I was so happy to see the og golden weapons again

I miss the bounty… the one Lloyd made just isn’t the same, it needs a dragon head and the tendency to die.

Kai taking to the kid at the end and fixing his crown was adorable

Now THIS is how you do a crossover!

So are the ninja just stuck there forever now? Are they like copies of their real selves? What’s the deal? Will Kai get his fire back?

[londonspirit]

Our Flag Means Death’s season-two finale has it all. There’s a declaration of true love between our favorite criminals, Stede Bonnet (Rhys Darby) and Ed, a.k.a. Blackbeard (Taika Waititi). There’s also a heartbreaking death (RIP, Con O’Neill’s Izzy Hands), a pirate wedding that ends with the words “You are now officially mateys,” and some big-time fight scenes. “Mermen” packs a tight punch in only 30 minutes. The episode is both thrilling and satisfying, so even if Max makes the grave mistake of not renewing the series, fans will feel closure in a way that they didn’t with season one’s sendoff. And Our Flag Means Death creator David Jenkins already has some fun ideas brewing for a third season (and beyond!). The A.V. Club spoke to Jenkins about his plans to evolve Ed and Stede’s relationship, potential spin-offs, and how everyone on the show is handling its passionate fanbase.

The A.V. Club: First of all, how dare you kill Izzy Hands? Was that always the plan when you mapped out season two? 

David Jenkins: [Laughs] Yes. I felt that Izzy had reached a point where he broke through a lot of his major patterns. It was fun to give him a season where he got to do everything and where Con O’Neill got to do everything. Well, I won’t say everything, because Con can do light years beyond what I think he can do, and I do think he can do anything. We wanted to show the depth of that character. Izzy is one of my favorites. He’s like middle management who is in a sort of love triangle [in season one]. He got his wish at the end of the first season by breaking up his boss and his boss’ lover. He got punished as a result, and he had to come out on the other side, which felt like a good journey.

AVC: Despite everything that happens in season two, including Izzy’s death, the finale ends on a happy note with Ed and Stede living together. Why was it important for you to show that?

DJ: Season one ends on such a tough note for them. As you said, after what they’ve been through, they should get a moment of happiness. I won’t say however fleeting. They are going to have challenges ahead. They’re both not the most mature yet. I think that’s the fun of it, to leave them in a place where it’s a good kind of stasis. They’ve sent the kids off in the car, so to speak, and now they’re going to have to really grow if they’re going to start an inn. It won’t be easy, but I like that they’re going to try.

AVC: “Mermen” has all the elements necessary for a season finale. Did you partly add all that as a way to provide closure in case this is the end for OFMD?

JD: What’s important to understand is that you never even know if you’re going to get a second season. Maybe if you get picked up for two right away, and even then, but especially right now, who knows? I think with season one’s end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn’t want us to make more, I just didn’t want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished.

AVC: I actually love that about Our Flag Means Death. It reminds me of Schitt’s Creek in a way because the love story just exists and is perfect; there’s no questioning it as right or wrong.

JD: That’s such a nice compliment because I also think Schitt’s Creekdoes that really well.

AVC: You’ve previously said you want Our Flag to have only three seasons. Is that still true or do you feel like the show has scope to continue beyond that?

JD: I feel like Stede and Blackbeard’s story is a three-season story, but the world of the show could go beyond that. It’s a really rich world with so many stories to tell and really good performers to tell it. I do want to see how Ed and Stede become a mature couple in the next season. They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one.

AVC: So if OFMD continues in some other form, are there characters you’d like to focus more on or other historical references you’d like to include?

JD: Yeah, a lot, because it’s such a rich ensemble. How do you not want to see more of Joel Fry, Samson Kayo, Ewen Bremner, Nathan Foad, or Vico Ortiz? Any one of them could carry their own show. It’s fun to think about that and the storylines we can do with them, mixing and matching all our characters. Vico is incredible, for example, and I especially love watching them in an action sequence. This is a weird comparison, but there’s a Harrison Ford and Sigourney Weaver vibe they put out. I’m such a fan of what they do.

AVC: You also really like parallels and coming full circle as a storyteller.

JD: Yeah, I do.I knew I wanted to start season two in the Republic of Pirates and end by coming back there. Stede goes on an amazing journey between the episodes. He’s thrown out of there initially, but then he comes back as a hero. I like the symmetry of that. And then the Republic of Pirates gets destroyed; it dies. It’s not just Izzy; it’s the place too. It was important to have a home, this stronghold for everyone, be destroyed. But the characters are not crushed. They’re going to try to move on.

AVC: One of season two’s new characters is Zheng Yi Sao, played by Ruibo Qian, who quickly becomes an integral part of the crew. What was the casting process like for her?

JD: Ruibo is an amazing find. One of our incredible casting directors, Cindy Tolan, she had Ruibo in mind immediately for that part by the time it got to her. And we had looked and looked before talking to Cindy. Ruibo has her own fascinating story because apparently, she had a couple of strong premonitions that she’s going to play Zheng Yi Sao. She had a modern take on the part without it being strained. She’s incredible. She’s a trained theater actor with a lot of chops. She has to go toe-to-toe with Taika and Rhys. She did it with such grace.

AVC: Season two takes Blackbeard on an interesting turn of denouncing being a pirate. But in the finale, it’s almost like he’s reborn as one, especially with that gorgeous shot of him coming out of the water. What was the thought process behind this arc?

JD: Thank you. Blackbeard is a guy in recovery when he comes back to the ship when he’s wearing the jumpsuit. He’s trying to hang on and find some kind of footing. Who is he if he’s not a pirate? Meanwhile, Stede is on his way up and wants to experience the rockstar life of a pirate, while Ed as Blackbeard is over it. It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What’s wonderful about a mature romance, and what I’d want to see more of in season three, is Ed and Stede making these tough decisions.

AVC: Stede and Ed’s relationship has led to a passionate, vocal fandom, which you didn’t have as you were writing season one. While working on season two, how did you avoid doing fan service and focus on meaningful storytelling?

JD: I never anticipated the strong reaction to season one. It’s incredible it happened. Everybody is buoyed by it in the cast, crew, and the writers’ room. To be perceived on that level with such enthusiasm makes us want to make more of it. A lot of the things the fans love are not different from things the writers love. We are fans of the show. We’re writing fanfic, but it’s called fic when we write it. The big thing for us is to make sure we’re writing beats for the characters that feel true and have moments where all of us go, “Ooooh, we have to do this.” If the beats stay true, it won’t feel like we’re simply pandering.

AVC: How do you break down those beats for Ed and Stede’s relationship as they go from wanting to take it slow to sleeping with each other this season? And where do they go next?

JD: It’s challenging with them because most rom-coms end with couples getting together. They don’t then stay with them and say, “We’re together now, but it’s turbulent; how is that going to work out?” We thought, “Okay, let’s look at our relationships in the room. What have we encountered? Who’s been dumped? Who has had to forgive somebody?” These questions were fun for the second season. I think for the third, it would [be], “Okay, who’s had a relationship for over 10 years? What things do you have to work on?” It’s fun to watch two people like Ed and Stede go through this experience.

[zombee]

I feel like the luckiest Our Flag Means Death fan in the world after the season 2 finale. By a series of incredible circumstances - including a significant metatextual realization that came in at the 11th hour - it was close to perfect for me.

This essay has everything. Completely normal behavior over a television series. Steven Universe references. The David Jenkins School of Whatever is Best for the Bit. Humbling catharsis.

First: this piece does not exist with the central thesis of “it’s okay to not like something but that’s not the same thing as it being bad.” I feel like thousands of words have already been written on this since Thursday, so I’m going to try to not get too in depth on that.

Second, cards on the table, because it’s relevant and I don’t want to waste your time if this is going to sour your ability to hear me out: I’m an Izzy Canyon hater. For MANY reasons, but from way before the concept of the Canyon existed, (some) Izzy fans pinged me in the same way as Snape/Kylo Ren fans did, and before May 2022 was over I went from genuinely enjoying Izzy’s character and place in the narrative to hating him because his fans made it impossible for me to enjoy him anymore.

(SOME! of his fans. Please don’t keep making me say this, although I’m not going to talk about the Canyon directly anymore after this. I know there are a ton of normal Izzy Enjoyers and even Canyonites, I am literally friends with many of them, please take this all in the good faith it’s intended and if you’re not One Of The Bad Ones then you’re fine! I very carefully don’t go anti-Izzy on main, and when I stopped enjoying his character, I stopped writing him into fics. I’m not trying to be a dick, I just want to be honest. Anyway.)

The season 2 finale made me weep over Izzy Goddamn hands.

ALL season long, I was disgruntled. All season long. I really, truly, DEEPLY appreciated what they were doing with his character and arc, I thought it was wildly on brand for the themes of community/queerness in the show, I saw the vision, I liked it!!! But. I wanted a fucking apology, yall. I needed three seconds of “sorry I called you a slur, Ed :/” and that would have been enough. But I had to let it go. It was poisoning my enjoyment of the whole season, which I loved with very little exception (not none!) and I just had to let it go. I wasn’t getting an apology. That didn’t negate what they were doing with his character.

Yall. They withheld the apology on purpose.

THIS FUCKING SHOW!!!

Let’s go back a bit. I was at the episode 6 + 7 screening, and the breakup shook me. Probably a LOT more than if I had watched it alone in bed at 3am on my laptop - five days of no sleep after NYCC, lots of emotions, seeing it on a big screen with a hundred other intense fans, etc etc - but I did see other folks reacting in parallel ways to me when the episodes aired to the regular public, so maybe I would have felt the same way. Regardless, I was mad at Stede and to a lesser extent Ed. I NEEDED AN APOLOGY FOR THAT FISH LINE. I needed it! “Whativah” autocorrects to “WHATIVAH” in my phone. I was going through it.

(When I rewatched the episode when it aired it was not nearly as bad as I remember, lol)

So now the episode 8 screeners go out and the reviews drop and I think I catch one half-glimpse of a “What a heartbreaking ending!” kind of snippet, and some of my friends who are spoiler fiends unintentionally drop little hints about similar ideas (devastating/heartbreaking/split the fandom) type shit.

And I was a fucking WRECK! about it.

I do love this whole show with my whole chest. I do!!! But I’m not rotted because this is an excellent television show, I’m rotted because two old men kiss each other! On the MOUTH!!! in an excellent television show. You get it, right? I’ve written 700,000 words across almost 100 fics and 98% of them are dedicated to those two men falling in love in different universes. 

So it just did not even occur to me the “heartbreak/devastation/fandom split” would be about anything but Gentlebeard.

Another piece of this that was fucking me up - David Jenkins and his “satisfactory” ending biz. My brain was reacting like this show was ENDING ending, even if I knew logically! that this is just season 2!!! And I wasn’t ready for that, because what if it wasn’t personally satisfying, and I’m a mess about it? Why was I so worried about not liking it? I’d liked the whole season! Even if they didn’t nail the landing I wasn’t going to stop writing fic or hanging out with my pirate community & friends. 

…is what I kept trying to tell myself, but the way anxiety disorders work is funny like that lol. What if I did stop writing fic and hanging out in pirate spaces? That would hurt much more than a show I like disappointing me. And for anyone who’s having that experience with ofmd s2, I’m so very, very sorry. It sucks and that’s where my epiphany came from on Wednesday before the finale.

Because it has happened to me before.

I flit from hyperfocus to hyperfocus, as ya do when you’re spicy, but the last thing to get its hooks in me PROPERLY like pirates was Steven Universe. And I did NOT like the way the regular season ended!!! (I actually really did like most of Future; that’s not what I mean. I mean season 5). I don’t like how they handled the Diamonds, tldr; I think the scope of their villainy got too out of hand, and I was left grieving the thing that had meant enough to me I ran a fan convention for four years based around it. 

Side note: imagine if I had channeled the hyperfocus of almost a million words of fanfiction into an American OFMD con instead. We could have made magic :( I did consult with Our Con Means Death though so I am at least a teeny tiny bit of that one!

I did not like the way Steven ended… but I do respect the story they were telling and think they told it well.

I’m still sad about it. Steven is still one of my most beloved, it will always be beautiful and great to me, but that experience did and does sully my memories. There is so, so, so, SO much more good than bad from being in that fandom, and I cherish it. And I hope, if you’re having this experience with OFMD right now, that you’ll find similar comfort.

But, like I said at the top, “it’s okay to not like something but that’s not the same thing as it being bad” has been belabored already by people better at writing about it than me. I just had the incredible privilege to remember my brush with lower case T trauma and having that experience in my last REALLY big deal fandom. That’s why I had been so extra anxious about being disappointed. Because it happened to me before. It helped so much to connect those two.

So the finale happens, and it’s actually about twelve hours of me going from “eh, rushed but fun, whole season was great” to “THIS MAYBE IS THE BEST SHOW OF ALL TIME, ACTUALLY!”

BECAUSE THIS SHOW MADE ME CRY OVER IZZY FUCKING HANDS!!!!

They literally told me this was the story they were telling this season. “Men can change” “The end  of piracy” “Ed leaving Blackbeard behind (ish).”

As for me? I didn’t get an apology for the fish. Instead, I got “Sorry I was a dick.” “You weren’t a dick. Life’s a dick.”

Just… fuckity BAM. THREE FUCKING SENTENCES resolving that fight. Saying so much in so little.

In real life, should these two men have an actual conversation about this shit? Sure!!! But that’s not how OFMD tells its stories!

It works in symbolism. It works in vibes. It works in an hour’s worth of content into each half-hour episode, and for how much lamenting I have done about the pacing, I would prefer that 100x to having to stretch it out too much.

I have said since March 24, 2022 that OFMD wields anachronism as a weapon. First and foremost, it’s fucking funny, but in addition to that, it’s stating clearly: “This is a fantasy world. This is not real history. This show is about romance (and so much more than that), and the rest is just VIBES!!!”

Sometimes vibes can be historical accuracy. Sometimes vibes can be true emotional poignancy. Sometimes vibes can be Ed finding his sunken leathers in the sea, changing underwater somehow, and coming out of the ocean like the Birth of Fucking Venus, because water and rebirth and mermaids and shit is all very prominent this season. And ALSO, and this is very important! BECAUSE IT LOOKS FUCKING COOL!

I don’t want to do much real Izzy meta here. It’s been said by others, and better than me. But it was telegraphed and it was symbolic – he was the paragon of Traditional Piracy in season 1, for goodness’ sake, and Traditional Piracy is Toxic Masculinity, and he was a part of Blackbeard and Ed had to leave Blackbeard behind (yknow, ish), and he got this ABSOLUTLEY FUCKING LOVELY! storyline about appreciating what a (queer) community can do, and god fucking shit fucking dammit… most of all, best of all (for me), was Buttons landing on Izzy’s grave at the end. Men can change. And Izzy DID!!! He did it for Ed. For love. For community. I am puzzled by “it’s fucked up to use Izzy to further Ed’s storyline” because… this was Ed’s season, in the way that season 1 was Stede’s. And Ed cannot be removed from piracy as a whole (neither can Stede!) so to have this old, set in his ways, coded-queerphobic character blossom to the point he can give this gift to Ed and to piracy… idk man. I just find it so fucking beautiful.

It is okay not to like what they did. It’s okay!!! It’s okay, and it’s okay to mourn, and while it’s not okay to do [insert vile behavior here], it’s okay to carefully examine what you think is “bad writing” vs “what you would have preferred to happen” and give good-faith, textually-based criticism on that.

But I want to remind you over and over and over again, this show works on vibes. It tells its stories leaving many, many, many gaps. There are many things I would have liked to see, and y’know what? I would have told the Izzy story differently. I would have personally done it differently. But it’s not my show! It’s not my show, and I am humbled and delighted to remember that, and to appreciate Our Flag Means Death for what it is and not what it isn’t.

Other words have been written better than I could about the 18 months between seasons 1 and 2 and what that does to us as rabid fans with expectations of how things will go. Millions and millions and millions of words have been written about OFMD, fictional and non, and that is going to color our expectations and experience. We had built it up SO MUCH in our minds and along the way I think some of us forgot (INCLUDING ME!!!) that it is first and foremost about Vibes.

The vibes of Izzy’s death are about rebirth and forgiveness and leaving traditional piracy behind. And he got to die in Ed’s arms, knowing (HAPPILY!) that he had been wrong, and giving Ed the gift of letting him know he is loved, and being a part of something. We had a funeral but we also had a wedding. The only constant is change. Men, piracy, Blackbeard; it all changes. And Izzy found peace in that.

Before my last point, I want to @ myself on things I felt versus realizing in the end it is (I will say it until I’m blue in the face) about vibes.

· I was convinced they left Buttons’ transformation ambiguous because they wanted to leave room for it not having been real. NO!!! It is real, until they decided it isn’t. Magic in the OFMD universe? Fucking why not!!! IT’S SYMBOLIC!!! IT’S IMPORTANT TO ED’S STORYLINE AND THE CENTRAL THESES OF THE SHOW!

· I was unhappy, and still am a little, about the Polycule Situation, but now that I realize Oluwande is Zheng’s Stede… I am less so. The Zheng : Auntie :: Ed : Izzy vibes, btw? Fuckin immaculate.

·        Obviously they touched on Stede/Ed’s “killing people trauma” but I’d reallyyyy like Stede to address it, and even though I think Ed’s is left on a very satisfying note, I’d like him to dip a bit more into it as well. But if they don’t, oh well! It’s not like they ignored it, they just didn’t have a Deep Dive like I Wanted Them To!

· They didn’t deal with Ed throwing Stede’s shit away. They just ignored it! Stede started to collect new trinkets, and I believe that was as much about giving the audience back the old feeling of the Revenge as it was anything important (not to say it wasn’t also important thematically!!!). Just like Ed going back to his leathers is both Extremely Important thematically and about putting Taika back in the leathers because that’s what Blackbeard should be wearing for the epic final scenes for the sake of visually keeping the show consistent. That’s Blackbeard’s uniform.

· Stede’s frilly little outfits my beloved. God I hope they give him back some of his frippery in season 3. I think they will re: cursed suit BUT his journey this season was about something else, so!

· Ed’s stupid little non-profit non-apology, oh my god. It was so funny. And there is a transition from eps 5 to 6 where Ed is back in his leathers and the crew is more comfortable around him. They didn’t have to have him do a Real Apology, it’s implied it was all settled. What was the timeline? A day? DOESN’T MATTER, BABY, VIBES!!!

· Lots more, I’m sure, but now that I’ve tried to let it all go, I’m remembering less of what I wanted and appreciating what I got!

And, last point here, I think it is also very very very important to remember that a lot of people are normal about this show. In fact, WAY more people are normal about this show than aren’t. And that is EXTREMELY! IMPORTANT!!! because otherwise it wouldn’t be profitable and we all know what would happen then. We are the core of it, to be sure. Without word of mouth that stems from our intensity, this show would not be NEARLY as successful as it is. I truly, truly believe that.

But.

Do normies need deeply emotional discussions dissecting the central relationships? No. What normies need is Ed and Stede running dramatically toward each other on the beach and kissing. And I am happy, so fucking happy, to realize that’s what I need too. I’ve got fanworks for the rest.

I love this fucking show and this fucking fandom and its fucking creators so much. Fuck.

[the-fandom-finder]

It think my main problem with some Izzy fans is they straight up lie or have extreme cognitive dissonance for stuff. “Izzy is more popular than ed/stede” no you were just around people who like is he more than them? I promise you the average person fandom or not does not like him more than the main characters. Also, just because he’s popular in the fandom doesn’t mean he’s a better character. You how many fandom I’ve been where they sent her around the white male character more than any other character? So often it’s a dime a dozen. He talks about how crazy Ed is before we even meet the character and when we meet him, he’s just a little suicidal at very least at that point. honestly even if he did survive, it would not make sense for him to be the captain of the ship. It’s canon that he’s not good at running anything and only really good at violence. he’s an interesting character meant to represent toxic masculinity at least in season one and how breakable and fragile it is. Honestly, him and Zuko have a lot in common when it comes to fandoms. These characters are both flawed and I’ve done bad things, but for some reason, some fans wanna make them look perfect like they’ve done nothing wrong and excuse everything that comes with the cost of completely miss characterizing everyone else around them. Man called the British, which are basically the cop because he didn’t get what he wants and view himself as knowing Ed more than himself which is messed up, bro. and the story portrays this as bad like it should be. Also, why are all the tags that were created to criticize Izzy taking over by Izzy fans like you asked for a specific tag and then take it over and then get upset when people use it. I also have seen fans on Twitter called themselves Ofmd hater and then spend all their time talking about the show. It’s OK to move on. It is not the Izzy show and never was. I have to rewash the show to remember Izzy‘s and actually interesting character because his fans have changed him so much that I can’t stand him if I don’t watch the show. There is a reason why people were being rude against the phantom for some stupid reason reasons or only a small group of people they named them and that weird little list they had. Now I don’t think any of the Izzy fan should be attacked or doxxed because that’s just weird and wrong. That doesn’t mean you can’t criticize them and how weird they are about this white man. I think it’s time for some of you who just have so much hatred of everything else in the TV show. Make an OC That’s like 2 inches away from that character and leave you’ll be much happier. Another problem I have is how some people treat David he’s not a perfect man nor perfect writer, but to go out of your way to say you understand the story infinitely more than him is crazy. He is shown multiple times he loves the character. This is just how he wanted to take him in the story not out of malice,, not out of homophobia not of hatred for disabled people, but because that’s how his story was always going to end he just got to die slightly less full of hate and may be a little happy. Izzy and ed had no chance of ending up together. The story basically states that pretty early that it was one-sided and not entirely healthy on either side. Also celebrating the show knocking a third season and people losing their jobs even though you were probably going to see Izzy again in some form is crazy.  I promise you your hate did nothing or brothers was just being a cheap ass and canceled other diverse shows so it definitely wasn’t because of you. Either way, I guess I win in the end. I still love the show and not full of anger at least about this. I got a lot of other problems lol. This post is probably way too long about something that doesn’t really matter too much but it feels good to get it out especially with finals coming around. If you read this entire thing and hate me well thanks for reading. I guess. Hope you have a nice day and I mean that genuinely life‘s kind of sucks right now for everyone lol.

[bethagain]

I wanna talk about Ed’s apology to Izzy.

I’ve seen some consternation about it, but I thought that scene was absolute perfection. 

I love how Izzy’s opening lines show us his state of mind. He wants to be on speaking terms with Ed again, but he doesn't especially want to admit it.

He didn’t mistake Ed for Roach. That’s not even remotely believable. And although we’re clearly meant to think Izzy’s a bit drunk, if you look at the rate he’s been drinking he’s probably got a huge tolerance for alcohol. Otherwise he wouldn’t be upright. 

The script could have given Izzy some other way to insist he wasn’t trying to talk to Ed. “I didn’t see you there.” “I’m looking for sharks.” What he did say is even better, because it’s got an insult built in: “I thought you were someone I actually wanted to see.”

And Ed, who should be mortified, who should be on his knees begging forgiveness, slips right into talking to Izzy like they’re friends again. “Something’s wrong. Feels like a storm’s coming but I can’t see it.” 

It’s something you’d say to someone you’re comfortable with, someone you trust to weigh in. I think some fans wanted to see Ed open with an apology, but Blackbeard doesn’t apologize for things and Ed’s still figuring out how. Instead, the script gives us Ed avoiding the subject: If they don’t talk about it, maybe what he did can be swept under the rug. 

And Izzy’s going to let him do it. He tells Ed he thinks he’s being stupid about the storm, sure. A good first mate calls his captain on his bullshit. But he also passes over the bottle, and Ed takes it. Two comrades drinking together, drinking because life as a pirate is hard, drinking that much because they are tough men. They don’t have to talk, talking isn’t what they do. 

We’ve seen in both seasons that Izzy is used to taking Ed’s abuse. It’s been baked into the story. We’ve been told about Ed the brilliant pirate leader and Izzy the loyal first mate but what we’ve seen is twisted: Ed still brilliant but unstable, Izzy keeping him in line. Izzy trying to break away and failing, Ed taking him back every time. They are best friends and they are terrible for each other, and that is their frame.

But then! Taika and Con are both so good with the facial expressions. We can see the discomfort flickering across Ed’s face. Everything about this interaction has been set up so he could get away without apologizing. And I think that’s how the hurried “Sorry about your leg” hits as hard as it does for me, leaves me feeling something here has changed.  

And the scene confirms it: Even that small phrase is so huge that Ed’s got to run away as soon as he says it. 

And then, look at that tiny smile on Izzy’s face. That “fuck off” is almost happy. As the audience we know that wasn’t the apology Izzy deserved, not by a long shot. But in the frame of the story? It might be enough to set the two of them right again. 

[jackklinemybeloved]

burrow’s end dump because I have thoughts and don’t want to put it in a bunch of posts:

- something is so sweet about the moment between brennan and izzy where she’s calling out numbers and he’s giving her the sums, so focused, and reminding her about her bonuses, and just softly going “insane”. he’s so impressed by her and they love each other SO much. they’re so Married this season it’s incredible to watch. this is such a small moment but I love it for no reason.

- brennan and rashawn make great comedic/general improv partners. he always calls out and appreciates her jokes and tried to amplify them, and their sibling relationship in-show is so great to watch

- I’m choosing to believe aabria’s joking “why do we tell stories?” was an intentional exu calamity reference. at the very least brennan took it as one because of that big reaction.

- the first stoats are highly evolved stoats, that have all developed wolf-like fangs, extended life spans, super-intelligence, and they/them pronouns. wait what was that last bit. (fr I do love that becoming more human just made them like. have a deeper understanding of gender. go off aabria.)

- thorn is so cool. both in terms of jasper’s performance and gameplay. I know he didn’t get a lot of great rolls this ep, but getting to see him use an incredibly specific mechanic that worked so well AND seeing the “I am determined to ensure my family’s survival” moment in context was SO good

- the wolf!!! a.) cool mini b.) cool mechanics c.) I love love LOVE characters showing great empathy and acts of pacifism and being rewarded by the narrative for it!!! they just had a wolf for the rest of that fight! badass!

- that Tula reveal!!!! I feel second hand vindication for all the fan theories that got close (y’all are way smarter than me I didn’t even want to TRY to figure out that secret she was hiding)

[bemusedlybespectacled]

Thoughts on Steddyhands because I’m at full Pepe Silvia levels of conspiracy thinking right now:

I’m more willing to believe in Steddyhands becoming canon than I think I ever have been before because of the comments both Rhys and Con made at various cons PLUS the teaser

HEAR ME OUT

This is a cast with IMO an unusually high awareness of fan theories/shipping (that goes double for Con “my instagram is just fanart” O’Neill), so Stizzy/Steddyhands has to be something they’re aware of.

Moreover, while cons are less edited/monitored than a magazine article or something, there is still usually a certain amount of prep that goes into them. And while Con is willing to spread shipping chaos, I don’t get the sense that Rhys is.

So for both Con AND Rhys to make Stizzy-bait comments (“he looked good at the end of my sword”/“hunky”) HAS to have had, obviously not scripting, but forethought attached to it. Like, Rhys could have very easily said “Stede only has eyes for Ed” or similar and it would be perfectly fine. That he DIDN’T makes me SUSPICIOUS, especially in light of the teaser.

Then comes the Vanity Fair first look, which IS going to be edited in a way that a con isn’t. And let’s look at what it says:

Izzy “goes on a remarkable journey” this season, says O’Neill. “He understands what love is and whom he’s in love with.’’

By the end of season one many fans speculated that Izzy was driven by something at the intersection of love and obsession. This season, according to O’Neill, Izzy gets even deeper into that dynamic. “Physically it’s been quite demanding, and also emotionally it’s been quite demanding to be playing a man enraged by unrequited love, who’s basically a hopeless romantic, and to be able to play all that and also remember that this is fundamentally a comedy.’’

“What I love about this show is it does allow itself to swing between the two,” O’Neill says. “We’re almost operatic in our darkness at times, and then we swing back to the sweetness of the simplicity of the love of our two guys. It’s been challenging just to get the tone right.”

“We’ve gone further this season than we did last season with those tones,” he continues. “So sometimes it’s quite interesting to remind yourself that you have to take your foot out of the tragedy—literally, your foot—and put it back into the comedy.”

on set there’s been “a lot more spontaneity and script revisions based on what’s happening day-to-day,” says Douaihy. “The cast are so comfortable with one another and their characters, that they move through it naturally.’’

In the trailer, we see:

Stede getting in a fight with someone not Izzy, then getting excited and telling Izzy he threw a punch (which to me only makes sense if Izzy taught him to do it)

Stede just hanging out while Izzy practices swordplay shirtless COME ON

Now, let’s play some matchup.

Both Rhys and Con have an awareness of their characters that lets them just get spontaneous while still in character

Both Rhys and Con have, while speaking from what their characters would say/think, said they both thought the other was hot

Con does not specify “whom [Izzy’s] in love with” even though Vanity Fair literally makes a comment about Izzy’s love for Ed, so it’s not like he’s hiding anything important by not specifying Ed if he means Ed

Izzy’s a “hopeless romantic” “enraged by unrequited love” this season

SO, connecting the dots (I’M CONNECTING THEM), here’s my prediction:

Izzy is going to find Stede and try to get him to Ed. This is the “journey” Con is referencing.

During this time he’s going to be training Stede in stuff like throwing a punch. I think this is actually the emotional journey, not simply him hanging out on Ed’s ship and realizing he loves Ed: he leaves Ed and finds Stede and emotionally grows while spending time with him. (I think this also means Izzy is going to spend more time with Stede, plot-wise, than with Ed, because he’s not going to grow there)

“I just need to find the love of his life and it’ll fix him” is a very hopeless romantic thing to think JSYK

Izzy is standing on one foot in the candles scene, which to me means that “taking your literal foot out of the tragedy and into the comedy” is referencing his toe and sword fighting while disabled… which Stede is present for. So Stede has to know what Ed did to Izzy and almost certainly is going to have feelings about it.

All of that is great fodder for improv while in character.

I can think of nothing more emotionally swinging, more romantic, more enraging, and more funny than Izzy training his rival to be a pirate in pursuit of Ed’s love and then falling for Stede himself in the process, knowing that if they get together he has neither of them.

I will note that this doesn’t mean Steddyhands has to be endgame in a canonical sense (even though I want it with all my soul). I do think that Steddyhands will be referenced/built on in an emotional sense, even if it’s only through Stede and Izzy’s bitch4bitch interactions. I WANT TO BELIEVE.

[mysteriouslybluepirate]

So overall I don't like the OFMD Reddit. I've tried to create a post about why narratively I felt S2 didn't work ignoring the Izzy stuff, one only about the Izzy stuff(since there are very few Izzy-focused fans on there), then another talking about Olu/Jim/(Archie/Zheng) talking about why I was disappointed in it. If it's a negative post, moderators won't approve the post to go live. Which I don't love. But okay, if you want a positive echo chamber to offset Tumblr and Twitter about this season, sure.

I still check it out of curiosity when I stumble across this GEM.

We've had quite a bit of time to debate this. Almost two years, and this was posted 11/15/23. Yes, the OP was very kind (I agree that Ed thought that Stede was cool cause he beat Izzy, and was a new pirate on the scene. Then once he realizes how dumb the crew is the plan springs up into place), and I'm not hating on them specifically. Just that some social media places are just still at this point.

I blame a large section of the fanbase for not EVER reading any Izzy POV meta. Who are now scrambling to go back to rewatch S1 knowing what we know about Izzy now.

If you want to see all the responses, ranging from those I agree with to those that are just wild, let me know, I might put the link in the comments my favorites range from. 'Blackbeard wanted to but Ed didn't' to the usual Izzy is a superhuman being. To 'ALL THIS WAS JUST TO KEEP IZZY ON THE SHIP'?

Do they not see how INTERESTING the dynamic between Ed and Izzy is? That their relationship is giving and pulling at just the right times? Izzy trying to maintain their shield and Ed desperately trying to find a life where he doesn't hate himself? Both of them DON'T REALLY WANT THIS-Ed being openly suicidal to Izzy keeping his head down and working- living day by day- each NOT talking about their issues.

That hiding behind the Blackbeard name is the only way they'll survive? That killing Stede Bonnet could genuinely give Ed the out he craves. Izzy could then Captain a ship full of a crew that (theoretically) already fears and respects him?

[Not that Izzy would be good at it, or even want to be away from Ed, but you get my point. This was a *change in their lives* that is VERY tempting to two men who have been in survival mode for YEARS-

Also, it's very obvious Jenkins didn't plan Izzy's character out, so Izzy wanting to captain to me can just be written off as Jenkins not knowing the character yet, since he NEVER PAYS THE SCENE -WHERE IZZY IS FLATTERED AT POTENTIALLY BEING GIVEN TITLE CAPTIN-OFF (cough cough Izzy could have been the captain/first mate S2ep8)...moving on]

If Lucius didn't stumble in, Ed would have killed Stede here. He was aiming for a fatal spot in his neck and actively swinging down, I couldn't find a gif and had to take a photo on my phone, but you get my point.

Ed then realizes that not only was he willing to kill a guy who, overall, had been very kind to him, but then gets the Kraken as a reminder that he HAS killed. That he's spent his entire life killing to put himself into a better spot. Slowly rising up the ranks, and it's never been enough to keep him happy. Be it his dad, or fuck, even killing this rich dude and stealing his identity.

~BUT NO~

Izzy is SO EVIL guys, Ed doesn't want to kill Stede! He just has to pretend to be violent in front of Izzy so Izzy doesn't mutiny or leave him!! Doesn't that TOTALLY make sense? Ed's struggling since he never wanted to kill Stede, and he's struggling with the 'order' Izzy gave him!!

[Ignoring how Ed wanted to help him retire in the first place, how Izzy nudges Ed to follow the fisherman thing, and how Ed wanted Izzy to *stay* in the first place.]

The reddit is FILLED with takes like this, btw. Sorry if it seems like straw-manning, but I can find the posts if you need them.