#it's like yes.. I love you very much.. :]

[demaparbat-hp]

She will (and he'll let her)

[nonasbirthday]

i still can't believe there are folks who say "well GTN is annoying but you just have to get through it and then the other books aren't like that so you'll be fine."

personally i have been chasing the high of GTN ever since i first closed the book

[eir-trixa]

Okay, this was probably already said before and I might be slow in this uptake but don't you think that Annabeth's fear of Percy controlling poison in HoH is less because she fears him using that against Akhlys or against her or anyone, but more on that she was getting flashbacks of Luke as Kronos and how the same kind of anger and unlimited power lead him to betray his family and leave her behind?

I think to see that same thing that happened to Luke happen to someone she loved as much as Percy was what triggered her. Cause she's already seen Percy harness so much power before, probably had the front seat to most of his feats. But seeing the same anger as Luke's - which Percy already admitted to having understood in MoA - and having been presented power great enough to allow him to get revenge was probably the combination that threw her off like... that's not Percy. If he continues to that same path she's gonna lose him, like she did her older brother.

[kerryweaverlesbian]

Whenever fanfiction has Dean say he hates Cas’s coat or thinks it's stupid or ugly and he wants to see Cas out of it as soon as possible I simply must disagree. He kept that thing for a whole year full of rank water. He saw Cas back in his usual getup and gotar bonar. Dean loves cartoons. He loves costumes. He loves Cas’s coat.

[ylissebian]

HAPPILY PHOREVERAFTER 💗

[macdenlover]

we don’t acknowledge enough how dee used to be a pageant winner when she was a kid and how much damage it did to her. she worked her ass off and got recognition for being pretty and talented at a young age and it was the only source of self esteem she could garner in a family that constantly berated and talked down to her. she sought after that external approval because it was the only way she could prove everyone around her wrong. her dream of being a performer didn’t come from a self-aggrandizing delusion— she genuinely showed a lot of potential when she was younger. but she went through an unflattering puberty and her spinal condition got worse and that natural talent she had as a kid plateaued way too early. the “former gifted kid” dilemma. she slowly lost the thing that promised her that she was good, but she was so desperate to keep holding onto it that she tried anyway. again and again and again no matter how much people made fun of her because it was always about proving them wrong. but after a while she couldn’t jump anymore without anticipating the way it feels when she hits the ground face first. self-sabotage became her way out, choosing to rather live in the fantasy of her own unrealized potential and blaming those around her for her lack of success, than having tried and crashed again. she’d rather buy lottery tickets over and over and never scratch off the numbers than to see that she lost. that self-sabotaging behavior bled into other aspects of her life too, from friendships to relationships to therapy. her own short lived success is what made her grow into embodying the cycle of failure.

[linktoo-doodles]

dig me up, let me go

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[moeblob]

A lil guy !

[unnonexistence]

hermann thoughts: if i discredit newton and his approach enough, the martial won't give him the equipment for his kaiju drift, and i can protect him from himself. if he despises me for it, so be it. there is little i wouldn't sacrifice to see him safe.

newt thoughts: this is a Best Science competition and i have to Win

[antigonesghosts]

What I loved about Cinderella's Castle is it is so entirely about Ella. We know starkid can handle a show with tons and tons of characters but I found it quite refreshing for it to be so wholly her story? I think it was a lovely choice for this show and man Bryce did such a perfect job of it, she is truly such a star

[kaeyachi]

There's something alarming about the continuing trope of an Alberich father putting their hopes and dreams on their sons, but their sons are dreaming of something else like, oh, I don't know, living a normal life? Not finding the world unfair? Have no burden concerning their lineage?

[turtleblogatlast]

Shockingly underrated thing about Leo is that he’s legitimately charming when he wants to be?

He’s the Faceman! He’s persuasive! That’s not just some random title he gave himself with no backing to it. People will listen to him. Even if they think he’s being annoying or if they’re upset at him, people listen to him anyway! There’s a reason his bros push him out front to talk to people, and when this happens, that talking nearly always works.

Moreover, Leo knows people. He looks at them and takes into account how they act and what they’re like as he makes his way through the conversations. It’s easy to forget this aspect of Leo’s character because he only brings it out when he really needs (read: wants) to, but it really is a notable part of him that always love to see.

And I say charm in particular because he has a knack for not only getting people to pay attention, but for getting people to stay and listen to what he has to say.

[msfcatlover]

Commissioned the amazing @magua-vida to draw my original Princesses, The Dancer & The Dream! I'm absolutely delighted with how they came out, they both look so pretty and bursting with personality!

For anyone who doesn't want to click through, you get the Dancer if you unlock the Princess's cuff & die of a heart attack, making her flighty but concerned, fussing over your health & safety. The Dream is Dancer's unique Chapter 3, who you get if you fall asleep in the cabin with Dancer fussing over you, and is smotheringly protective to the point of aggression & possessiveness while acting manipulatively sweet & fragile.

She just wants to take care of you... even (or especially) if it means chaining you up to keep you safe.

[twentyfivemiceinatrenchcoat]

one thing i really wish people wouldn’t forget when it comes to suguru’s character is that his core desire is just to have a family. not in a nuclear family way, but in a “i want a place where i belong / i want to protect the ones i love” way…… literally everything else is just an extension of that desire. a means to meet that end. he broke down after being forced to realize that staying with his family meant having to watch them die, so he left and made a new one. and he got stronger. and his core wish was always, always always to create a world where he’d finally be able to protect them :(((((((((

[vaguely-concerned]

the way garak looks at bashir as he puts all the clues together at the end of cardassians. the sheer 'look at that little twink go (affectionate, sexual overtones)' energy he manages to convey in the background there as bashir passionately does the presentation of their group project that garak did 80% of the actual work on. immaculate