#its important but like. lets talk about the communism

[mihotose]

obviously im glad james somerton didnt make his disco elysium video but i also think its aftermath would have been extremely funny

[paintingformike]

if the monologue was mlevens’ idea of “good communication” they need to actually reflect on how they view relationships and what they consider enough resolution to a conflict...because wdym a situation where only one side of the relationship is actually talking while the other is physically restrained and unable to respond to them and the one talking isn’t even sure if the other can hear them is a demonstration of the two properly communicating with each other 😭

[rest-your-head-in-my-lap]

too scared to post it on my blog so I'll just ask here in case someone relates. I'm hypersexual and sometimes, especially irl (because it's more rare to see someone being open about it there), I just feel safer with ace/aro people because it's like my brain just goes "oh, alright, they don't like this stuff. oh, I don't have to worry about them sexualizing me either"

it's not even like I get sexualized that often (well, if I try hard enough, yes), but there's just something about it. last time I fell in love, it was with a demisexual person, and I felt the safest in the world until she told me she had started feeling attracted to me. then it was a mixture of that "euphoria" when someone is openly sexual with me, happiness because I made her feel safe with me to do that, and fear because I didn't want to think of us differently, sexually, because it was safe before, and things had changed.

sorry for rambling, and please tell me if I said anything wrong, I don't know.

Hey, there's nothing wrong with you feeling like that. It can be very, very difficult to find someone who doesn't sexualize you. Not always, but a lot of times yeah. And it isn't at all strange to want to avoid that possibility entirely by hanging around people who mostly don't feel things like that. But hey, I know it's not much consolation; but if you're looking for someone who will love you and not sexualize you, there will be someone like that out there, promise. I've had a partner who basically just saw me as a way to pass the time and bend to their wishes. My beloved has had partners that started feeling sexual attraction towards it that felt awkward and strained and just- not in the right ways. I was so terrified of engaging in that sort of thing because I was scared it'd get upset and feel like I was doing it for its sake; Or I would have to leave it hanging at times and make it feel bad. But we talked about it, and I feel very secure and confident in what we have now. And I know if anything changed it would still be okay... Point is; people have been there, you aren't alone. And you can find somebody; whether they be a best friend or a partner or someone you think of as family. And I sincerely hope you find something <3.

[omarwolaeth]

It's such a tiny innocuous thing that really doesn't matter, but I feel like calling duel monsters a children's card game (when it's fundamentally baked into everyday life, and your social existence is judged by what you play and how you play it so very intensely, for everyone in-universe) is an absolute injustice to what it is for that universe of people.

[viir-tanadhal]

i was going to post about this but then forgot but anyway i feel like it really is the case that the reason neil and chris have been still going for over 40 years and haven't had a major falling out or break is because of the nature of how much they respect each other both on a personal level and also a working partnership level

[mageofmindfr]

I'm thinking of turning this blog from only classpect analysis to just be the blog where I talk homestuck?

Like, I'd still do analysis (... sometime in the future. I'm working on it.) but also then I could talk (and maybe draw??) stuff for my AU that I've been working on for a while, or talk about my troll OCs beyond when their classpects finally show up in my askbox?

IDK I just want to do more stuff with this blog because writing these analyses takes up a casual 4+ hours to do all the making sure canon supports my theories (or at least doesn't outright disprove anything) part and recently that time of my weekends is being taken up by being Very Busy with homework (but hey, four years from now I'll be able to tell people I know what I'm talking about in regards to media analysis because I'll have a degree in that stuff, so, y'know, worthy sacrifices and all that jazz)

Uhm.

[pinkcadillaccas]

I feel like the younger generation of queers have failed to learn the most important lesson from the AIDS crisis which is that barely 30 years ago major world governments were willing to let us die en masse because of their homophobia and racism and not enough has changed since then to guarantee they wouldn't do it again given the chance

[secondbeatsongs]

as a bi person, the bisexual flag brings me infinite joy and always puts a smile on my face, however as a person who has a Passion for Graphic Design, that undersaturated shade of purple infuriates me when it's used digitally

like, on an actual flag - which was its original purpose - it looks great!

those look fine! lovely, even! with the semi-transparent fabric, the way it catches the sunlight, it looks beautiful!

but now look at how it looks digitally

the pink and blue are so vibrant compared to the sad, lonely lavender!

and let's look at this statement from Michael Page, the creator of the bi flag:

(sidenote: he created this flag in 1998, so if his takes on bisexuality is different from yours, it's okay to notice that! a lot has changed since the 90s when it comes to lived experiences and the way we describe them. but, it's also important to respect his thoughts about this and the way he presented them, even if today, we'd probably not say that bi people "blend unnoticeably into both the gay/lesbian and straight communities.")

so in pantone colors, the pink is 226 C, the blue is 286 C, and the purple of the flag is 258 C.

but...here's the deal

Michael talks here about how the key to understanding the symbolism is to know that the purple blends into both the pink and blue. and on a physical flag, I think you can see that!

but digitally, it absolutely does not blend. it clashes badly, and looks oddly separate from the other two colors.

which got me wondering...what purple do you get if you actually blend 226 C and 286 C?

oh! oh, my god.

look at that! look at how nicely it fits between those colors!

look at it next to the original color scheme! look at how much more vibrant the purple is!

and friends. this is just blending through rgb! you get even more purple variations when you use other color spaces!

let's compare all of them:

(top: original, lab. middle: lrgb, lch. bottom: rgb, hsl)

look at all of the different purple options you can get just by combining these two colors!

if you want almost too-vibrant saturation, you can go hsl, if you want something more relaxed that's closer to the original, you can go lab or lrgb. and if you want to split the difference, lch is bright and violet, while rgb is there with its saturated but darker purple.

anyway, I guess I don't really have a point here? this isn't so much an informational post as it is Me Getting Weird About Colors, but I think it is a useful lesson about how colors look very different on screens compared to how they look on objects in real life.

and sometimes, I think it's okay to compensate for that.

out of all of these, this is my favorite bi flag:

it's the one where the colors were blended in lab color space. for me, the lighter, softer purple is close enough to the original bi flag purple, while also feeling like a smoother blend of the blue and pink

but that's just me! and it might not even look the same to you, since every screen is different, because technology is a nightmare!

anyway, thank you for coming with me on this colorful journey! I will now retreat back to inkscape and make pained sounds about inkstitch gradients until something tangible pulls me back into reality

[catboysalmon]

Birthday...approacheth. strange feelings accompanying

[septemberpdf]

given how productive i need to be this week it is really unfortunate to be having at least 2 different crises of self

[nasa]

Astronomers used three of NASA's Great Observatories to capture this multiwavelength image showing galaxy cluster IDCS J1426.5+3508. It includes X-rays recorded by the Chandra X-ray Observatory in blue, visible light observed by the Hubble Space Telescope in green, and infrared light from the Spitzer Space Telescope in red. This rare galaxy cluster has important implications for understanding how these megastructures formed and evolved early in the universe.

How Astronomers Time Travel

Let’s add another item to your travel bucket list: the early universe! You don’t need the type of time machine you see in sci-fi movies, and you don’t have to worry about getting trapped in the past. You don’t even need to leave the comfort of your home! All you need is a powerful space-based telescope.

But let’s start small and work our way up to the farthest reaches of space. We’ll explain how it all works along the way.

This animation illustrates how fast light travels between Earth and the Moon. The farther light has to travel, the more noticeable its speed limit becomes.

The speed of light is superfast, but it isn’t infinite. It travels at about 186,000 miles (300 million meters) per second. That means that it takes time for the light from any object to reach our eyes. The farther it is, the more time it takes.

You can see nearby things basically in real time because the light travel time isn’t long enough to make a difference. Even if an object is 100 miles (161 kilometers) away, it takes just 0.0005 seconds for light to travel that far. But on astronomical scales, the effects become noticeable.

This infographic shows how long it takes light to travel to different planets in our solar system.

Within our solar system, light’s speed limit means it can take a while to communicate back and forth between spacecraft and ground stations on Earth. We see the Moon, Sun, and planets as they were slightly in the past, but it's not usually far enough back to be scientifically interesting.

As we peer farther out into our galaxy, we use light-years to talk about distances. Smaller units like miles or kilometers would be too overwhelming and we’d lose a sense of their meaning. One light-year – the distance light travels in a year – is nearly 6 trillion miles (9.5 trillion kilometers). And that’s just a tiny baby step into the cosmos.

The Sun’s closest neighboring star, Proxima Centauri, is 4.2 light-years away. That means we see it as it was about four years ago. Betelgeuse, a more distant (and more volatile) stellar neighbor, is around 700 light-years away. Because of light’s lag time, astronomers don’t know for sure whether this supergiant star is still there! It may have already blasted itself apart in a supernova explosion – but it probably has another 10,000 years or more to go.

What looks much like craggy mountains on a moonlit evening is actually the edge of a nearby, young, star-forming region NGC 3324 in the Carina Nebula. Captured in infrared light by the Near-Infrared Camera (NIRCam) on NASA’s James Webb Space Telescope, this image reveals previously obscured areas of star birth.

The Carina Nebula clocks in at 7,500 light-years away, which means the light we receive from it today began its journey about 3,000 years before the pyramids of Giza in Egypt were built! Many new stars there have undoubtedly been born by now, but their light may not reach Earth for thousands of years.

An artist’s concept of our Milky Way galaxy, with rough locations for the Sun and Carina nebula marked.

If we zoom way out, you can see that 7,500 light-years away is still pretty much within our neighborhood. Let’s look further back in time…

This stunning image by the NASA/ESA Hubble Space Telescope features the spiral galaxy NGC 5643. Looking this good isn’t easy; 30 different exposures, for a total of nine hours of observation time, together with Hubble’s high resolution and clarity, were needed to produce an image of such exquisite detail and beauty.

Peering outside our Milky Way galaxy transports us much further into the past. The Andromeda galaxy, our nearest large galactic neighbor, is about 2.5 million light-years away. And that’s still pretty close, as far as the universe goes. The image above shows the spiral galaxy NGC 5643, which is about 60 million light-years away! That means we see it as it was about 60 million years ago.

As telescopes look deeper into the universe, they capture snapshots in time from different cosmic eras. Astronomers can stitch those snapshots together to unravel things like galaxy evolution. The closest ones are more mature; we see them nearly as they truly are in the present day because their light doesn’t have to travel as far to reach us. We can’t rewind those galaxies (or our own), but we can get clues about how they likely developed. Looking at galaxies that are farther and farther away means seeing these star cities in ever earlier stages of development.

The farthest galaxies we can see are both old and young. They’re billions of years old now, and the light we receive from them is ancient since it took so long to traverse the cosmos. But since their light was emitted when the galaxies were young, it gives us a view of their infancy.

This animation is an artist’s concept of the big bang, with representations of the early universe and its expansion.

Comparing how fast objects at different distances are moving away opened up the biggest mystery in modern astronomy: cosmic acceleration. The universe was already expanding as a result of the big bang, but astronomers expected it to slow down over time. Instead, it’s speeding up!

The universe’s expansion makes it tricky to talk about the distances of the farthest objects. We often use lookback time, which is the amount of time it took for an object’s light to reach us. That’s simpler than using a literal distance, because an object that was 10 billion light-years away when it emitted the light we received from it would actually be more than 16 billion light-years away right now, due to the expansion of space. We can even see objects that are presently over 30 billion light-years from Earth, even though the universe is only about 14 billion years old.

This James Webb Space Telescope image shines with the light from galaxies that are more than 13.4 billion years old, dating back to less than 400 million years after the big bang.

Our James Webb Space Telescope has helped us time travel back more than 13.4 billion years, to when the universe was less than 400 million years old. When our Nancy Grace Roman Space Telescope launches in a few years, astronomers will pair its vast view of space with Webb’s zooming capabilities to study the early universe in better ways than ever before. And don’t worry – these telescopes will make plenty of pit stops along the way at other exciting cosmic destinations across space and time.

Learn more about the exciting science Roman will investigate on X and Facebook.

Make sure to follow us on Tumblr for your regular dose of space!

[ariel26c]

🎀Things I’ve learned about Shifting 🎀

1. Background noise doesn’t matter. I come from a Hispanic family household and let me tell you hun it’s freaking loud as hell. It’s like a zoo lol but guess what? I still shifted. At some point you will start to feel your CR kinda “fade away”. I have been in this state where I am in between my CR and DR. I can hear background noise from my CR but I still feel like I’m in a different room or I hear sounds from my DR as well. Has anyone experienced this?? Let me know, I’m curious 🤨

2. Have patience. Allow yourself to relax and naturally connect to your DR. Don’t stress about having random thoughts or having an itch or things like that. Have patience with yourself like seriously you got this babe. Sometimes for me it’s feels like it’s takes 1 or 2 hours until I feel fully connected to my DR. (It’s different for everyone btw) you may take less time than I do. Those things don’t matter if you decide that those things don’t matter.

3. Methods really aren’t needed. If you think about it all methods consist of the same thing usually. It usually consists of affirmations, visualization, subliminal audios, meditation, counting, blah blah blah. If you want to use a method, then do that but don’t force yourself to do a method that doesn’t resonate with you. If you don’t like counting, then don’t count. If you don’t like visualizing, then don’t visualize. Change things up a bit and listen to music that reminds you of your DR or do something that you think is fun.

4. Just because some people like to lie about their shifting experiences doesn’t mean that shifting is fake. Just like in every community there is going to be people that are dishonest or don’t have the best intentions but that doesn’t mean that shifting is a big inside joke. Don’t allow these people to discourage you from shifting to your DR or make you doubt in its existence. Don’t depend on other people's content to feel motivated or believe in shifting. Just KNOW it’s real and motivate yourself to shift. (even though motivation isn’t needed to shift)

5. Shifting is Real. I think we all should know this by now, but I don’t think people really fully understand just how REAL shifting is. I mean you are going to be able to use all of your senses. You will be able to taste food, see your reflection in the mirror, talk to people that may be considered as fictional in this reality, etc. The process of shifting is safe but if you are shifting somewhere that has violence or gore make sure you script your own well-being. High pain tolerance, no trauma, etc.

6. Time isn't important. Just because it's been 4 years or 5 doesn't mean you can't do it. Time doesn't apply to shifting because time is just man-made thing. We created the concept of time not the Universe. Don't blame the Universe for your "Failure". (Spoiler alert: it's not failure) You just need to realize that no matter what, it will happen. It is completely inevitable. Some people have shifted after 5 years so don't give up! It will be worth it.

7. You can't fail at shifting. When you do your method, you will shift to your DR or shift to your CR. You shift all the time. We are constantly shifting consciously or unconsciously. Manifestation and shifting are very much closely related. (But that's another discussion for another time) Just like how we are manifesting on autopilot we are also shifting on autopilot. So, when you do a sleep method, and you wake up in this reality instead of your DR you still shifted. (Just not to your DR) (Get it?)

I hope you found this post helpful! :)

[thewriteadviceforwriters]

The Telling Truth: When 'Show, Don't Tell' Doesn't Apply (You Don't Always Have To Show, Don't Tell.)

Hey there, fellow writers and beloved members of the writeblr community! 📝✨

Today, I want to talk about something that's been on my mind lately, and I have a feeling it might resonate with many of you too. It's about that age-old writing advice we've all heard a million times: "Show, don't tell." Now, don't get me wrong – it's great advice, and it has its place in our writing toolbox. But here's the thing: it's not the be-all and end-all of good writing. In fact, I'd argue that sometimes, it's perfectly okay – even necessary – to tell rather than show.

First things first, let's address the elephant in the room. The "show, don't tell" rule has been drilled into our heads since we first picked up a pen (or opened a Word document) with the intention of writing creatively. It's been repeated in writing workshops, creative writing classes, and countless craft books. And for good reason! Showing can create vivid, immersive experiences for readers, allowing them to feel like they're right there in the story.

But here's where things get a bit tricky: like any rule in writing (or in life, for that matter), it's not absolute. There are times when telling is not just acceptable, but actually preferable. And that's what you all will explore today in this hopefully understandable blog post.

Let's start by breaking down why "show, don't tell" is so popular. When we show instead of tell, we're engaging the reader's senses and emotions. We're painting a picture with words, allowing the reader to draw their own conclusions based on the details we provide. It's a powerful technique that can make our writing more engaging and memorable.

For example, instead of saying "Sarah was angry," we might write, "Sarah's fists clenched at her sides, her jaw tight as she glared at the broken vase." This gives the reader a clearer image and allows them to infer Sarah's emotional state.

But here's the thing: sometimes, we don't need or want that level of detail. Sometimes, efficiency in storytelling is more important than painting an elaborate picture. And that's where telling comes in handy.

Imagine if every single emotion, action, or piece of information in your story was shown rather than told. Your novel would probably be thousands of pages long, and your readers might get lost in the sea of details, losing sight of the main plot or character arcs.

So, when might telling be more appropriate? Let's explore some scenarios:

Summarizing less important events: If you're writing a story that spans a long period, you don't need to show every single day or event. Telling can help you summarize periods of time or less crucial events quickly, allowing you to focus on the more important parts of your story.

For instance: "The next few weeks passed in a blur of exams and late-night study sessions." This sentence tells us what happened without going into unnecessary detail about each day.

Providing necessary background information: Sometimes, you need to give your readers some context or backstory. While you can certainly weave this information into scenes, there are times when a straightforward telling of facts is more efficient.

Example: "The war had been raging for three years before Sarah's village was attacked." This quickly gives us important context without needing to show the entire history of the war.

Establishing pace and rhythm: Alternating between showing and telling can help you control the pace of your story. Showing tends to slow things down, allowing readers to immerse themselves in a moment. Telling can speed things up, moving the story along more quickly when needed.

Clarifying complex ideas or emotions: Some concepts or feelings are abstract or complex enough that showing alone might not suffice. In these cases, a bit of telling can help ensure your readers understand what's happening.

For example: "The quantum entanglement theory had always fascinated John, but explaining it to others often left him feeling frustrated and misunderstood." Here, we're telling the reader about John's relationship with this complex scientific concept, which might be difficult to show effectively.

Maintaining your narrative voice: Sometimes, telling is simply more in line with your narrative voice or the tone of your story. This is especially true if you're writing in a more direct or conversational style.

Now, I can almost hear some of you saying, "But wait! I've always been told that showing is always better!" And I completely get it. I'm a writer myself and prioritize "Show, Don't tell." in my writing all the time. We've been conditioned to believe that showing is superior in all cases. But we can take a moment to challenge that notion.

Think about some of your favorite books. Chances are, they use a mix of showing and telling. Even the most critically acclaimed authors don't adhere strictly to "show, don't tell" all the time. They understand that good writing is about balance and knowing when to use each technique effectively.

Take, for instance, the opening line of George Orwell's "1984": "It was a bright cold day in April, and the clocks were striking thirteen." This is a perfect blend of showing and telling. Orwell shows us it's a bright, cold day (we can imagine the crisp air and clear sky), but he tells us about the clocks striking thirteen. This immediate telling gives us crucial information about the world we're entering – it's not quite like our own.

Or consider this passage from Jane Austen's "Pride and Prejudice": "Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character." Here, Austen is clearly telling us about Mr. Bennet's character rather than showing it through his actions. And yet, it works beautifully, giving us a quick, clear insight into both Mr. Bennet and his wife.

The key is to use both techniques strategically. So, how can you decide when to show and when to tell? Here are some tips:

Consider the importance of the information: Is this a crucial moment in your story, a pivotal emotion, or a key piece of character development? If so, it might be worth showing. If it's more of a transitional moment or background information, telling might be more appropriate.

Think about pacing: If you want to slow down and really immerse your reader in a moment, show it. If you need to move things along more quickly, tell it.

Evaluate the complexity: If you're dealing with a complex emotion or concept, consider whether showing alone will be enough to convey it clearly. Sometimes, a combination of showing and telling works best for complex ideas.

Consider your word count: If you're working with strict word count limitations (like in short stories or flash fiction), telling can help you convey necessary information more concisely.

Trust your instincts (Important): As you write more, you'll develop a feel for when showing or telling works better. Trust your gut, and don't be afraid to experiment.

Now, let's talk about how to tell effectively when you do choose to use it. Because here's the thing: telling doesn't have to be boring or flat. It can be just as engaging and stylish as showing when done well. Here are some tips for effective telling:

Use strong, specific language: Instead of using vague or generic words, opt for more specific, evocative language. For example, instead of "She was sad," you might write, "A profound melancholy settled over her."

Incorporate sensory details: Even when telling, you can include sensory information to make it more vivid. "The room was cold" becomes more engaging as "A bone-chilling cold permeated the room."

Use metaphors and similes: These can help make your telling more colorful and memorable. "His anger was like a volcano ready to erupt" paints a vivid picture without showing the anger in action.

Keep it concise: One of the advantages of telling is its efficiency. Don't negate that by being overly wordy. Get to the point, but do it with style.

Vary your sentence structure: Mix short, punchy sentences with longer, more flowing ones to create rhythm and maintain interest.

Remember, the goal is to create a seamless narrative that engages your reader. Sometimes that means showing, sometimes it means telling, and often it means a artful blend of both.

It's also worth noting that different genres and styles of writing may lean more heavily on one technique or the other. Literary fiction often employs more showing, delving deep into characters' psyches and painting elaborate scenes. Genre fiction, on the other hand, might use more telling to keep the plot moving at a brisker pace. Neither approach is inherently better – it all depends on what works best for your story and your style.

Now, I want to address something that I think many of us struggle with: the guilt or anxiety we might feel when we catch ourselves telling instead of showing. It's easy to fall into the trap of second-guessing every sentence, wondering if we should be showing more. But here's the truth: that kind of constant self-doubt can be paralyzing and ultimately detrimental to your writing process.

So, I want you to understand and think: It's okay to tell sometimes. You're not a bad writer for using telling in your work. In fact, knowing when and how to use telling effectively is a sign of a skilled writer.

Here's some practical ways to incorporate this mindset into your writing process:

First Draft Freedom: When you're writing your first draft, give yourself permission to write however it comes out. If that means more telling than showing, that's absolutely fine. The important thing is to get the story down. You can always revise and add more "showing" elements later if needed.

Revision with Purpose: When you're revising, don't automatically change every instance of telling to showing. Instead, ask yourself: Does this serve the story better as telling or showing? Consider the pacing, the importance of the information, and how it fits into the overall narrative.

Beta Readers and Feedback: When you're getting feedback on your work, pay attention to how readers respond to different sections. If they're engaged and understanding the story, then your balance of showing and telling is probably working well, regardless of which technique you're using more.

Study Your Favorite Authors: Take some time to analyze how your favorite writers use showing and telling. You might be surprised to find more instances of effective telling than you expected.

Practice Both Techniques (Important): Set aside some time to practice both showing and telling. Write the same scene twice, once focusing on showing and once on telling. This can help you develop a feel for when each technique is most effective.

Now, let's address another important point: the evolution of writing styles and reader preferences. The "show, don't tell" rule gained popularity in the early 20th century with the rise of modernist literature. But writing styles and reader tastes have continued to evolve since then.

In our current fast-paced world, where people are often reading on devices and in shorter bursts, there's sometimes a preference for more direct, efficient storytelling. This doesn't mean that showing is out of style, but it does mean that there's often room for more telling than strict adherence to "show, don't tell" would allow.

Moreover, diverse voices in literature are challenging traditional Western writing norms, including the emphasis on showing over telling. Some cultures have strong storytelling traditions that lean more heavily on telling, and as the literary world becomes more inclusive, we're seeing a beautiful variety of styles that blend showing and telling in new and exciting ways.

This brings me to an important point: your voice matters. Your unique way of telling stories is valuable. Don't let rigid adherence to any writing rule, including "show, don't tell," stifle your natural voice or the story you want to tell.

Remember, rules in writing are more like guidelines. They're tools to help us improve our craft, not unbreakable laws. The most important rule is to engage your reader and tell your story effectively. If that means more telling than the conventional wisdom suggests, then so be it.

As I wrap up this discussion, I want to leave you with a challenge: In your next writing session, consciously use both showing and telling. Pay attention to how each technique feels, how it serves your story, and how it affects the rhythm of your writing. You might discover new ways to blend these techniques that work perfectly for your unique style.

Writing is an art, not a science. There's no perfect formula, no one-size-fits-all approach. It's about finding what works for you, your story, and your readers. So embrace both showing and telling. Use them as the powerful tools they are, and don't be afraid to break the "rules" when your instincts tell you to.

Remember, every great writer started where you are now, learning the rules and then figuring out when and how to break them effectively. You're part of a long, proud tradition of storytellers, each finding their own path through the winding forest of words.

Keep writing, keep growing, and keep believing in yourself. You've got this!

Happy writing! 💖✍️ - Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[hazard-symbols-that-fuck-hard]

Okay time for the PBS Kids essay

Read it under the cut!

:readmore:

In 1968, before there was PBS Kids proper, there was Mr. Roger’s Neighborhood. While it came several decades before the children’s block, it laid the foundation for the themes and values present in every facet of the network’s history.

Mr. Roger famously hated children’s programming at the time. To him, it all was droll and useless. But he didn’t dissuade the medium entirely— he saw potential. Potential that led to a few smaller television jobs, and eventually the creation of Mr. Roger’s neighborhood.

Rogers didn’t invent educational TV for children, but he did perfect it. He poured real heart and soul into probably the most sincere, heartfelt program in history.

Honestly, he could have his own essay. The more things you learn about the real man of Mr. Rogers, the more you’ll like him.

Anyway, the biggest thing that makes PBS different is the fact that it earns money through grants, fundraisers, and private donors— not through sponsorships and merchandise sales. This way, PBS Kids can push programming that it feels is important, rather than programming that merely sells well.

This also means PBS is less afraid of pushing social boundaries. Money doesn’t go away when their shows become subjects of debate— and Mr. Rogers took full advantage of this.

For context, this was 1969. The Jim Crow era had just barely, barely ended. Pool segregation was still very much legal.

Mr. Rogers sharing a pool and a towel with the Black Mr. Clemmons was a pretty big deal at the time— especially on a show made for children.

Rogers was far from the untouchable sacred cow of today. When he was alive, he had a large number of detractors. Let’s just say that scene didn’t fly nicely by everyone.

Just one year after the debut of Mr. Roger’s came Sesame Street.

While Mr. Roger’s was made for all children, Sesame Street had the explicit goal of supplementing the education of underserved communities— especially inner-city Black (and later Latino) children.

While it was made to be accessible to children of all races and income levels, they definitely went the extra mile to make it something special for inner-city Black and Brown kids. (Why do you think it it’s “Sesame Street” and not “Sesame Cul-de-Sac”?)

At the time, a wholesome, sweet show set in a brownstone street was practically unheard of.

Jon Stone, the casting director, deliberately sought to make the cast as rich with color as he possibly could, bringing on a huge amount of Black talent such as Loretta Long, Matt Robinson, and Kevin Clash, as well as featuring Black celebrities as guest stars. Later, the show would expand its horizons, bringing on actors from Latino, Asian, Native American, and many more backgrounds.

White actors were and still are a minority on show.

In addition to letters and numbers, the purpose of Sesame Street is clear: make kids of color know that they’re smart, beautiful, and loved.

It doesn’t get more explicit than this.

I want to point out this comment because it’s funny

You’re telling me this bitch isn’t Hispanic???

Anyway, these two were followed up by Reading Rainbow in 1983. And guess what?

That’s right. Non-white focus.

These three shows, (along with other, lesser-known programs like Lamb-Chops Play Along, Newton’s Apple, and Shining Times Station (who featured Ringo Starr himself?? seriously how did that happen and why does no one talk about it) and some other nostalgic favorites like Bill Nye the Science guy, The Magic Schoolbus, Arthur, and Thomas the Tank Engine) aired on the new PTV block, which evolved into PBS Kids in 1999, bringing along Between the Lions, Dragon Tales, and many more.

Arthur is another stand-out that I’d like to talk about— it doesn’t have the same racial focus of Sesame Street, but it does focus on different income levels. The characters have various housing situations, from apartments to mansions to no home at all.

It also takes cues from Sesame Street and Mr. Roger’s in regards to talking about tough topics, though as Arthur has a slightly older target audience, it discusses things through stories rather than talking directly to the audience.

Cancer, religion, workplace discrimination, along with current (at the time) events such as 9/11 and Hurricane Katrina are all discussed on the show.

Another big focus on Arthur is disability. For once, they don’t stick a character in a wheelchair and then pretend he’s not in a wheelchair. A striking number of major characters either develop or get diagnosed with physical disabilities and/or neurodivergences, such as asthma, severe food allergies, and dyslexia, and they deal with them in very realistic ways.

A handful of minor characters have more obvious disabilities, and THANK GOD they go beyond the trite messaging of “disabled people can do everything abled people can do! everyone clap now!”

One episode in particular has the awesome message of “holy shit stop trying to help me all the time— it’s patronizing as fuck. I can get around just fine without you stepping on eggshells and trying to be the hero all the fucking time”

There are sooo many other shows I could talk about, but I can’t write about them all. I’m definitely gonna point out some more standout ones, though.

Sagwa, the Chinese Siamese Cat

Created by Chinese-American woman Amy Tang

Dragonfly TV

Features a multitude of female and non-white scientists to foster an interest in science with kids in those groups

Maya & Miguel

One of the network’s first Hispanic-led shows

SciGirls

I shouldn’t have to explain what the goal of this one was.

Molly of Denali

When was the last time you saw a show that treated Native Americans as people? Much less a children’s show? 90% of the cast is Athabascan, and the show revolves around Athabascan culture, not shying away from topics like boarding schools and modern-day racism. Most of the writers are also Athabascan, and the show even has an official Gwich’in dub!

It’s this commitment to real, authentic social justice that makes PBS Kids so much different from its competitors. Could you imagine the Paw Patrol dog looking at the camera and earnestly discussing what happened to George Floyd? I don’t think so— but Arthur talked specifically about it, Sesame Street did an hour long special about race in general, and the network itself made a 30 minute special.

Disney Jr. could never. (Other than trying to teach colorblindness, of course.)

I’m gonna have to cut this into two parts, since I just hit the image limit

[dcmcboxers]

My shout-out to queer youtubers

Hbombs list was great but obviously not comprehensive. I watch a lot of video essayists and wanted to give a little love to the smaller channels that fall under the radar. Please feel free to add to this list!

let's talk about stuff/Sarah Zedig

If you've seen Jesse Gender's videos on the Matrix movies you may already be familiar with Sarah. She does excellent film and culture analysis with a lot of great conversations on paratext and outside influence in engaging with text. Her video on Tunic is one of my favorites.

Pamphleteer

No one makes videos like hers, which has the side effect making them a bit hard to describe. I will link one of my favorites which describes the disconnected temporality of being older when you discover you're queer.

Turbo Queer

Really really under watched channel. Skylar covers a lot of topics from video games, to anarchist history and modern events, to autistic life, to current politics. For a fun one check out her video on the SpongeBob strike episode.

Kaz Rowe

Kaz does a fantastic job examining modern myths and manufactured history primarily pertaining to western Europe, Victorian & Edwardian England, and 1800-1900s US. And of course, talking about historical queerness in all its ambiguities and evolutions. I highly recommend their video on Weimar Germany.

drapetomania

drapetomania interrogates the politics of low class and high class art and entertainment from a queer and Black perspective. Their art history videos alone cover many angles of white supremacist history I haven't seen anyone else discuss and I'm very excited to see more from them. They are also a very under viewed channel that more people should see!

I am error

Evelynn's channel primarily discusses video games in a presentation style and voice most similar to Action Button reviews. There's something just a bit more personal here though. I hesitate to say cozy since that word has a bit of an infantilizing connotation, maybe comforting is closer. She puts an immense amount of thought and empathy into the experience of playing video games and the personal narratives we build with them.

Swolesome

For more transmasc perspectives there's Swolesome. He has a lot of interesting insights into the more traditionally masculine and "broish" communities like fitness as well as commentary on recent trans issues.

Shonalika

Music, disability, and aggressively non-binary. Their video on gender presentation in heavy metal was really insightful. I would also check out the video "Why I Wear Gloves" for more insight on invisible disabilities.

Vivian Strange

Vivian delights in being a bit of a contrarian- something I really appreciate. She's probably going to challenge you and you're probably going to disagree at times, which is what makes her channel so important. Her video on Marquis De Sade is powerful and a must watch (if you can stomach the subject material, although I would encourage you to try). I haven't seen her most recent video on Saw yet but I am extremely excited to.

[stxrvel]

the one where i said fuck you and you cried (3)

series summary. the holy grail of the seven men who ruled the country's entertainment used to be your friends at school. now, ten years later and between successes and failures, what reason would they have to want to come back into your life? pairing. eventually ot7 x f!reader. content. first of all, english is not my first language so sorry for any mistakes! a lot of curse words, a lot of self-deprecation and low self esteem. no proofread. this is nawt silly writing, we're diving right into the aNgSt. jumpscare? iykyk a/n. hi guys! this was a rollercoaster for me to write, but i hope it doesn't come as harsh as i think it is. pls let me know what you think in the comments!! see you next week!!

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You had gone through a scenario like that in your head several times. A variety of moments, conversations and looks that always ended in the same unpleasant, inevitable and demoralizing way: you were forgotten by the people you loved most in the world. Only when you reached 18 would you realize how heartbreaking the dull thud of the silence of indifference was, how sharp and icy the loneliness was, how it penetrated and paralyzed your bones; but at that time, at 16, you could still convince yourself that all those things were only in your head and would always be there.

“Now that you're the last to go, you guys are much more likely to forget about me.”

“Of course not! In fact, as soon as I start earning money I'll save up to take you with us.”

Jungkook shook his head, his narrowed eyes judging you as if having insecurities was a sin. You believed his words at that moment, because being the last one still with you, 'cause you were going to graduate from school in the same year, it was the only thing you could do. Hold on to the idea that you really weren't going to be forgotten, because the mere conception of a future without your best friends was inconceivable.

“Jimin-hyung said he was going to try to call more often,” your friend went on, his eyes fixed on the bass on his lap and his important task of leaving it neat before returning it to its holy post in the school's music room. “I haven't talked to them in about three days.”

Jimin and Taehyung had left just a couple of months ago, but thanks to the opportunities opened to them with their incredible willingness, discipline and some string twitching on Namjoon's part, they had managed to get into a great academy to train and fulfill their dreams.

That also brought with it, as irreversible side effects, that your communication with them was drastically reduced. You had to constantly remind yourself and Jungkook that it was out of their control. With their future at stake, there was something for which they had to exert extreme effort and for which to sacrifice some other things.

“It's normal that they don't have as much time as they used to, Kookie.” You lowered your head, noticing the way his hands delicately handled the instrument on his legs. Since Jimin and Taehyung had left there was no time of day when you could tear yourself away from Jungkook, which is why you accompanied him to his extracurricular music lessons when you really should have been studying for the college entrance exam. “Life after school gets really hectic.”

“I've heard that college life is quieter.” Jungkook twisted his lips, wiping between the strings and his fingerprints left on the bass every time he moved it back and forth to clean it. It was an almost irresistible cycle.

“The only one at college right now is Seokjin and even about him we haven't heard much.” You leaned back against the piano, noticing Jungkook's movements pause for a moment as he surely reminisced about the few times he had been able to talk to Jin that month.

It had been two years since Seokjin had graduated and traveled all the way to the capital to study medicine. Needless to say, it was more than clear that communication with Jin would be almost nil from then on, but Jungkook always used to pout about it.

“It's just that Jin-hyung also chose a rather demanding career.” Jungkook twisted his lips, as if suppressing Jin in his head, waving the microfiber towel over the edges of the bass.

“And the others are trying too hard to carve their way through. It can be as complicated as going out to look for a job right after graduating.”

Jungkook nodded, admiring his cleaning job with a frown. He looked so focused that it caught you by surprise when he spoke again.

“You already know if you're going to college, noona? We're graduating this year.”

You blinked once, twice, three times. His nonchalant self went back to waving the towel over nonexistent smudges as you breathed in and decided not to go that route. “Will you?”

Jungkook raised his head, pausing his movements for a moment to try to analyze your gaze. With a sigh, he let out your poorly disguised way of shifting the focus of the conversation to get up and hang the instrument, glowing, on the wall of the music room.

“I don't know yet… Namjoon-hyung says he can help me.”

“Isn't it your dream, why do you doubt it?”

“I'm not sure, noona. What if I don't measure up? What if I fail?”

When your friend turned away, the mirror to his soul showed his vulnerability dancing on the edge of his eyelids. His distrust constricted your heart, a hand closing around your throat at the inner conflicts you knew Jungkook used to have and in the face of which you often couldn't do anything about because he didn't usually share such things.

“Then you try again.”

“Noona…” Jungkook wanted to grumble, it was obvious from the way his eyes moved to the ceiling, his head cocking as if he was about to give you a big life lesson on why you can't survive on motivational phrases.

But Jungkook was a softie about such things, even if he tried to hide it.

“Jungkook, you are literally a golden promise. No process is ever easy, especially in the industry you want to get into, but don't think for a second that you're going to outgrow it. You're one of the most capable people I've ever met.”

Your friend stopped his steps, when after hanging up the bass he was returning to your post in front of you, raising his head as if caught committing a prank. But the vulnerability in his eyes remained, and by the way they shone in the dim light of the room, still blinking to try to contain the emotion, you knew your words had tugged at just that thorn in his heart you were trying to pull out.

“Thank you, noona.”

“I'm just telling the truth.” You lifted a shoulder, shaking your head nonchalantly like it was no big deal, and Jungkook just let out an amused chuckle.

“You do know we'd never forget about you, right? How could we?”

-

“How could we?”

Yuna shook her head, frowning at her phone, oblivious to the way you cringed at her choice of words.

“She's bringing celebrities into the store and she want us to leave? Don't we work so well that we always take the top employee of the month spot even though it should only be held by one person? Don't we deserve that gift?”

You watched her, marveling at how after just a few seconds so many emotions could build up into an overwhelming knot in your chest. The old notes of an old piano played in the back of your head, bringing to the surface memories of when life was easier; when you thought you had it all and nothing would ever be better than that; when you thought you were enough.

“So what do you plan to do about it?” you blinked, focusing on the notation of bills in your notebook with an invisible hand squeezing your heart.

There was no use thinking about such things after so long.

Yuna pursed her lips, her expression serious and forceful. “I think we should have a sit-in.”

“We should? That sounds like more than one person.”

“Do you disagree with me?”

“I'm happy with going home early, especially on a Friday, you know?”

“y/n,” Yuna came up to your face over the cash register display case, her forearms resting on the glass and her eyes so bright with determination you were sure her head could light the whole store on fire the way she was scheming and scheming, running around like her life depended on it, “we could be close to meeting the seven gods of Olympus, and you think the best thing to do is go home?”

“Just in case you forgot, I have a business to run now.” You reminded her, moving to poke her with your middle finger all over her forehead and push her away from the cash register now that a new customer had come in.

“What business should a business matter when you could meet the reason for existence itself?”

Yuna dropped onto the display case, her body sliding like jelly until only her head was left on the glass. You and the new customer watched her, her arms limp at her sides and her gaze lost. A lone tear running down the bridge of her nose.

“God, you're so dramatic.”

“Does that mean yes?” Her head snapped up like a spring, a big smile scaring the soul out of the customer who ducked behind your friend to run for their order.

“No and stop acting like that, you're going to scare away customers.”

Yuna whined, her exaggerated tantrum leading you to wiggle your feet all the way to the cellar.

“I'm offering you the holy grail, and this is how you pay me?”

The sound of her feet shuffling behind you kept your head sane. Even though his insinuations were baseless, your heart was pounding so hard you felt your ribs throbbing through your muscles and skin.

Your boss had written to Yuna that you two could leave the store early today because she had a private meeting to attend. She asked them to leave everything to Patrick, including clearing the store of customers and not to worry about paying for the shift, because there would be no discount at the end of the month. Yuna was faithfully and blindly convinced that your boss really wanted you to stay, because she spent almost ten minutes with her eyes glued to the screen almost without blinking, watching the 'typing…' appear and disappear under your boss's contact name. 'I'm sure she's debating how much confidence she has in us…', she said as her red eyes missed no detail of that important chat and that primordial moment, ending in an offended 'none!' when her last message came through.

In the same way, Yuna convinced herself that the meeting that would take place in the same place where your feet were planted was going to be attended by the seven entertainment kings of the country. The unmentionables, for all practical purposes. Where had she come to that conclusion? There was no foundation. Had your boss given any hints? None. Yuna had her head in the clouds believing she could meet her idols if she insisted a little longer.

“Would you really prefer to stand your friend up to meet seven men you don't even know for sure will show up here?”

“Well…if you put it that way it sounds like I'm doing something wrong.”

“Mmm, you just figured that out?”

Yuna dropped her shoulders as you took off your apron. Her tactics weren't going to work and it was time to give up. She half-heartedly opened her locker and stood looking at you with puppy dog eyes. You felt as guilty as if you had stepped on her tail by accident.

“Look, if I'm being honest, I doubt gigantically that Sol will tell you that you can stay if you ask her.”

“Not even for everything we've been through together?”

“She's still our boss, Yuna.”

Your friend mimicked your actions with a slower speed, her emotion draining away little by little. When her head cocked to the side, halfway through taking off her apron, you only sighed.

“The worst that can happen is I get fired, right?”

You weren't surprised that she was nevertheless willing to cross that line.

“That doesn't sound like much to you?”

“I can always write her a 'ha, ha, just joking' afterwards and get out of harm's way.”

You didn't contain the irresistible urge to roll your eyes and Yuna took that as her own signal or green light. Next thing you knew she was pulling out her phone and typing animatedly on the screen.

“I really don't think you should do that.”

“I have to try! Can I call myself a good fan if I don't do even the impossible?”

“You don't even know if they'll come.”

“I have a hunch.”

With her hand over her heart, Yuna sent the message and you feared for her life. While Sol was not at all close to the idea and conceptualization of a crazy and ruthlessly demanding boss, she did draw the line at several specific situations that they had both learned to respect. One of those was, of course, private meetings at her place. You and Yuna had set up the place countless times for Sol to sit quietly and chat with her most famous acquaintances, because her office was too formal to deal with them there, but her own home was extremely informal for the same purpose. The cafeteria served as a middle ground, the perfect place to be comfortable when talking business.

“Patrick is coming.” Yuna spoke again and by the way her eyes didn't leave the screen you could tell Sol hadn't responded yet.

“I wish you the best of luck, Yuna.”

“Thank you! Coming from you it's a blessing, indeed.”

“And why's that?”

You finally stood up, closing your locker with your strap bag over your right shoulder. You were ready to leave while your friend was still biting her index fingernail waiting for an almost impossible and inconceivable message from her boss.

“What else can I expect from the writer who blew up overnight and is soon going to be one of the New York Times bestsellers and famous worldwide?”

“Ah,” you turned your head, unable to contain inwardly the way a warmth settled in your chest; you still had a hard time accepting how things had turned out, but as long as you couldn't control the influx of orders that had to take a back seat, “smooth.”

Yuna smiled and when her eyes met yours you swore she was about to tell you one more time how proud she was of you, but her phone vibrated in her hands and the last thing you saw her eyes widen exaggeratedly before her scream shook the foundations of the store and almost the entire city.

“SHE SAID YES!!!!”

-

Arriving home unleashed immeasurable chaos.

As soon as you opened the front door, a river of books fell like dominoes, with your father's groans and your mother's screams in the background, the sound of your work echoing in your head like lightning as stomping echoed through the house.

“Seojun, I told you to be careful walking…!”The angry expression on your mother's face disappeared the moment she recognized your face, her features softening as she knew it was her daughter. “Honey. What are you doing here so early?”

“Is that y/n?” your dad's exclamation rang out from the kitchen.

“Yes!” your mom yelled back.

The welcome was nice, but things only got more and more tedious from then on. On the one hand, you had your father telling you about accounts, numbers and multiplications of how much you had to take out of your pocket to pay for the prints, how much you would make if you sold all the books you had printed and how much you would get back, and on the other hand you had your mother telling you about the countless publishers who had written to your dm's seeking to sponsor the sale of your books, taking advantage of the boom that had been generated by the phenomenon that was Kim Taehyung.

Seojun, who had decided to move back home for the weekend to help with whatever was needed, was telling you that they had had to hire five different deliverymen -three of them trucks- to be able to deliver as many orders a day as possible, while vehemently hitting your father's forearm to remind him to include that in the accounts.

Your father was in charge of everything related to money, your mother of the direct communication with customers and Seojun of the orders; everything was done by them, with Yuna's help when she was not working, with the excuse that after so many years you just had to sit down and enjoy the fruit of your sowing without any worries.

But at that moment, when they had just let go and thrown all their worries at your feet, they stared at you expectantly.

"We need a loan."

Your mother jumped in her chair. "That's what I said!"

"That's not necessary." Your father shook his head, as he surely would have done when your mother suggested the idea judging by the expression that had planted itself on her face. "Take a loan from my wallet, but don't do business with those bankers. They'll gouge your eyes out with interest."

"Or take a publisher's offer. They'll take care of all this." Seojun pointed out, his long black hair brushing his eyebrows even though he shook it nonchalantly so he could get a good look at the three of them.

"Publishers can be freeloaders too." Your mother counter-argued, crossing her arms over her chest.

"Oh, yeah? How many publishers have you signed on with to assert that?"

"Wow, careful with that tone, Mr. Lawyer." Your father pointed at your brother, while your mother only raised an eyebrow at him in response. Seojun sank into the chair, barely dragging an apology through his teeth.

"It's not a bad idea either, Dad."

His brown eyes returned to meet your gaze and you noticed the hesitation in them.

"Well, ultimately, it's your decision, honey."

Your mother squeezed your shoulder.

"I say we should listen to the lawyer."

"Hey!" Seojun frowned, straightening up on the chair. "Don't put such a big responsibility on me!"

Your father snorted. "But then weren't you comfortable a while ago giving orders and saying that I don't know what thing you had already seen it in class and that's why you knew what we had to do?"

"Dad…" Seojun elongated.

"Are you ready for such a position or not, Seojun? Tell me to start looking for another lawyer."

Your mother barely contained her laughter, only because of the offended sideways glance her own son sent her way. Laughter blossomed in your chest, too, like a big breath of fresh air in a field of flowers. You didn't know you needed that moment so badly until the tension disappeared from your shoulders as you laughed with your parents and your brother grumbled with his arms crossed.

-

A new batch of orders just went out - thank you so much for your purchases!

You looked at the story your mom had uploaded to Instagram in the solitude of your bedroom. The rest of the day was spent strategizing and planning marketing ideas that would likely lead you to ruin. In a defeated silence, you admitted that Yuna was really needed.

You had texted your friend a while ago, as the sunset was beginning to paint the sky with colors, but she still hadn't even checked her phone. Her last connection was a few minutes after you left at noon. You decided not to insist, even though you were a little curious about who had finally shown up at the store.

The best thing about that busy rest of the afternoon was that you'd been able to keep yourself busy enough to completely ignore the way you'd been whipped up by a few memories that morning in Yuna's company. A simple question had caused all that. And of course, with a heart as weak as a chick's and willpower almost non-existent, you let yourself be pulled right in that moment of loneliness into the well of memories.

“Jungkookie?”

Your voice pierced the silence and a shiver ran through your body as the darkness greeted you back. A few minutes passed after you plunged into the completely darkened room, walking tentatively and slowly inside, you heard a movement just outside the door you had just entered.

“Noona…”

You couldn't see him, but you didn't need to. The sobs that filled the room were enough to be able to guide you through that darkness, as indistinguishable as coal, and wrap your arms around his hunched figure on the floor beside the door.

The house was alone and as dark as that room the last night Jungkook would be there. Passing through the empty corridors of his house was a torment, but you could only imagine how your friend would feel in his place, unable to stop time as it slipped through his fingers.

Several times he had already told you that he didn't want to leave. You didn't think he meant it.

“They're waiting for you downstairs.”

“I know. I don't want to go, noona.” Jungkook moved his arms to wrap around your waist in a desperate grip, his erratic breathing against your neck breaking your heart. “I want to stay. It doesn't matter if I never become an idol. That's not important.”

“Jungkook…”

“I don't want to leave you…”

His halting voice was barely understandable, trying to be muffled by the jacket you were wearing that night when you went to see him off and didn't find him in the car with his parents. The heater seemed not to be a worthy opponent for that cold night.

“Jungkook, you're not going to leave me. We'll keep in touch. Why do you worry so much?”

“I don't want to be like them,” his pained voice pierced your chest; the movement of his body from the way the sobs were attacking him was almost uncontainable. “I don't want this distance.”

“Change is always hard, Jungkookie, but I promise you we'll be in touch always. I'll do my best to make it so.”

“Really?”

“Of course. I'll even come visit you as soon as I can.”

“No. I said I was going to pay for your trip.”

“See? You're not going to leave me.”

“Still I'm scared, noona. What if I'm not enough for them? What if I can't raise enough for you to come live with us?”

“You are enough, Jungkook. From the tips of your fingers to the tips of your hair, there's nothing about you that won't allow you to achieve your dreams, understand? You are destined to be a star. I know it's hard to leave behind everything you know in life, but believe me it will all be worth it. You will come out on top and you will succeed.”

“Noona…” Jungkook cried again, burying his face in your neck once more, clinging to you like the anchor that carried him to the surface of the ocean; the ocean shaped by his own tears. “I… don't… want… to… go…”

The hiccups that attacked him from his intense crying made it difficult for him to speak and you hadn't felt such pain even when the other boys left. There were tears shared, promises whispered and hugs that lasted longer than they should have, but no one had clung to your body as if they feared you were going to disappear at any moment and wanted to seize every second before the impending end.

“It's okay, Jungkookie,” you ran your hands up and down his back trying to calm his crying, trying to control your own as treacherous tears rolled down your cheeks with the darkness as your witness. “We'll meet again. You can wait for me. Then we can melt into another embrace and say how much we miss each other.”

Your phone vibrated on the bed, the notification startling you with its aggressiveness. Another vibration followed that one and then another. Turning on the screen, you found that half an hour had passed since you'd last seen the clock, and in passing you came across Yuna's name on the caller ID. You sighed, remembering the effusiveness with which she said goodbye in the afternoon and mentally preparing yourself for what was to come.

"Hey," you greeted, mildly surprised that her exclamations hadn't reached your ear first to interrupt your greeting.

"y/n, how were sales today?" her calm voice filled your hearing and a slight wrinkle implanted itself between your brows.

"Mmm, it was all good. We have several domiciliary and the prints are coming out with the deadlines arranged. With Seojun we considered that maybe taking on a publisher wouldn't be so bad, but I'm not sure yet."

You narrowed your eyes at the ceiling, shallowly biting your nails, waiting for the moment when Yuna would burst out, but it didn't come.

"Oh, yeah. We'll have to consider that. I'll go early tomorrow morning to seize the day." Yuna answered quietly, with the faint sound of things stirring in the background of the call. Surely she had just arrived at her apartment.

"Yuna?"

"Mhm?"

"How was the afternoon?"

"Oh, it was normal, really," she replied, her voice flat, as if the thought had barely crossed her mind since the moment she'd left the coffee shop. "I didn't see anyone memorable."

"Ah, so your knights in shining armor didn't attend?"

"Sadly, no." Yuna sighed, her unchanging attitude finding a little more sense in your head. She sounded more tired than anything.

You talked a bit more with Yuna before she excused herself to go about her evening routine and finally get some rest, specifically stressing to you how boring the whole afternoon had been and how every second she only thought about going home. You also told her a bit more about the ideas you and your father had half-heartedly spun as marketing strategies, but very earnestly your friend asked you not to do anything until she was there.

When her name disappeared from your caller ID, an Instagram notification popped up at the top of your home screen. The vibration felt like the pounding of a sledgehammer against wood, your sentence handed down with no chance of appeal, the blood in your veins freezing and an endless emptiness in the pit of your stomach.

jeonjungkook97 just followed you!

It was followed by the notification of a message from Yuna.

Unnie | 19:01 holy shit. jungkook just followed you on ig, right?

No fucking way. Another fucking account to block.

-

It wasn't like you couldn't deal with them. You had been doing it for about ten years. But now they just seemed to want to throw themselves in front of your face one by one and you weren't strong enough to handle that. Maybe your resolve needed to be more forceful; maybe you should be sure you hated them instead of feeling like your body was shaking and you could melt like jelly in the sun every time you felt they were one step closer to you. For a while, that was all you wanted; to find them; to be found. But now…?

The weekend was spent in a hodgepodge of managing your book sales and the seesaw of emotions you had in the face of the estranged but impactful actions of your old friends. You tried not to think about it too much; you really tried, but it was very difficult. It was easier to let the memories wash over you instead of diligently packing up the books on which you had squandered your blood and tears.

Your books, yes, that was the most important thing.

From the posts and hashtags, even though it had only been a couple of days, you could see that some people -those who had actually read the books- were already posting their opinions and reviews and you knew you had had plenty of time to prepare for that moment, but you really weren't ready to face it. You didn't know what it was; whether it was the pollen, the aligned planets, PMS, mercury retrograde… but all of those things were weighing you down too much recently and you weren't ready to hear the opinions.

And you couldn't help but keep asking yourself why? Having spent so much time, between so many experiences and so many personal changes, why now they decided that they would come back into your life? How dare they after ruining your life by completely abandoning you? Many times you wondered what was missing in you; what was never enough for them… sometimes you believed that this was how it was meant to be; just the seven of them, before you came along. It was always them seven first, then you.

Between lows and highs, between sadness and joy, you still had to keep working.

"Get rid of that face if you're not going to tell me what's wrong with you." Yuna crossed the cafeteria in front of you, picking up some glasses and plates on the table as lunchtime approached.

"I don't have any face."

"You've been in a somber mood since Saturday. You look dead."

You clicked your tongue, taking advantage of the fact that the store was nearly empty to do the math. "Don't be over the top."

"I'm just being honest and genuinely concerned about my friend, can you blame me?" Yuna reached the sink and simply left the dishes there to approach the cash register. Your eyes refused to meet hers, unsheathing a strange annoyance in the pit of your stomach.

"I'm fine," you moved the money automatically, doing the math in the back of your head as second nature, "don't worry so much."

"Ok, if you don't want to tell me about it at least try to distract yourself a little, why don't you take an extra half hour for lunch?"

"You know I can't do that."

"Sol would never know."

"I'm not going to do that."

Yuna pouted, dropping her chin onto the back of her hand. You knew she was about to fly you out of that chair the moment all the bills were safeguarded.

A whiplash of pain shot through your chest at the alternative of having to leave the cafeteria, alone, hovering with your thoughts once again, as you tried to shove the food down your throat. But Yuna happily dragged you out of the cafeteria, leaving you in the middle of the street with your little bag and lunch money, wishing you a happy break as she wandered off once more to deal with the sparse crowd of customers alone.

Maybe you should have told her you'd rather not eat than be alone, but…

That was the story of your life.

So you walked to that restaurant a couple of blocks away, where they sold the cheapest food in the area, and waited patiently while answering Yuna's messages to clear your mind.

Going through your social networks, you once again came across the cover of your books in the pre-viewing of a video and felt the bile in your throat. Let's see, you were happy. Or well, you were trying to convince yourself because you still had that bitter feeling in the pit of your stomach that wouldn't let you enjoy this blast like you should and it had a first and last name of its own. But, generally speaking, it was great that your books were selling, forgetting all the other circumstances that led to that happening.

So, standing in front of those videos, you were tormented by not being able to watch them. A self-published author should be prepared for that kind of thing. No, any author should be. Sharing your art with the world implicitly entailed confronting the world's expression in front of it. It was inevitable, of course, and it was also the energy that could start an engine or the fingers that put out the match. At that precise moment, you still didn't want to know what your destiny was.

You hated that. You hated feeling the weight of the world on your shoulders. Why was life so heavy if you had just begun to live it?

Ah, too much pondering for one lunch.

And to think this all started with an Instagram story.

Having an existential crisis because you couldn't stand dealing with the stress and pressure of the extreme demand you were having and because of mixed feelings for a bunch of idiots resurfacing after so many years was one of the last things you thought you'd have to go through that year. Fuck, or ever in your entire life.

Taehyung might have done you a favor as well as a disservice.

But that's how you spent a while longer, as you walked back to the coffee shop, the noise of the city not being enough to quell the bustle of thoughts crashing against each other in your head.

Being in the eye of the hurricane, however, didn't mean you were safe. You barely had a breath of fresh air before the eyewall hit you hard once again.

"Noona…?"

You froze a few steps away from the cafeteria. You feared not only the way you immediately recognized the voice, but the way your body froze, fear, panic and uncertainty clouding your sense.

You were in the alley behind the coffee shop. You didn't usually go in that way, but you had taken a slightly longer way back, only because you were too busy thinking about whether or not your body was up to a longer walk.

You were so close to the door that you could almost hear Yuna's voice on the other side, barely muffled by the beeping that echoed in your ears as panic took over your body.

You didn't want to turn around. Your body was having every possible negative reaction, as if it was fighting an infection, the lunch you had just shoved down your throat seeking to make its way back into your mouth and the feeling of dizziness momentarily clouded you.

Was this how you planned to react if you ever saw them again? Was this how you acted out the scenarios you imagined in your head at night when your memories went back to the last time you saw them?

The only difference between those imaginings and what was happening at that moment was that before you could prepare yourself; you knew what was coming; you had control. Now? Your legs were about to give out, the weight of your body too much to bear.

And you wanted to mock the pathetic behavior you were engaging in. You should turn around, slap him and scream at him that you never wanted to see him again. But your heart was beating and feeling and… how could you deny it anything after so many years of being neglected?

But maybe you were imagining it. The little sleep you had this weekend and all the memories you dragged from the trunk since you saw that Instagram notification must have made you crazy enough that you heard voices, his voice, anywhere… you were still near a busy street, it could be anyone-

"y/n."

And, yet…

You didn't turn around knowing what it would entail to give his voice a face, even though you could madly and frankly recall every line of its length, and you spoke harshly through your teeth even though your labored breathing made your chest heave.

"What are you doing here?"

"Noona… you're really here."

You cringed as you heard his footsteps and clutched with inhuman speed at the lock on the door in front of you.

"I asked you a fucking question: what the fuck do you think you're doing here?"

The silence didn't give you an answer, but you could glimpse it. With your patience on edge and years of emotional repression it was impossible for you to deduce how you would react in such a case, but it didn't seem too far-fetched, even if Jungkook's surprised inspiration said he didn't expect you to be so harsh and rude.

As if you cared.

—Yes you did care, in fact, that's why your heart was beating wildly against your ribs, the choking sensation increasing, the nerves on edge and the tears all over the corners of your eyes, but you had to stand your ground. After so, so long… why, why, why, why?—

"I… I…" Jungkook seemed to be having trouble finding his voice, even though in his profession the words came melodiously and easily out of his mouth. If you turned to look at him, you might have noticed that his face went from happiness to anguish with the speed a bullet goes through a field, "I wanted to see you…"

He sounded so small. The five-foot-ten-plus man, who you're sure was almost a head and a half taller than you, might as well have been a badly wounded puppy behind you. You knew from the way he spoke that he was holding back tears, but you didn't let that sway you. He didn't deserve it.

"Who gave you the right to come here?"

You didn't let him answer, not knowing if he was even going to, tightening the lock on the door you were about to walk through at any moment, bile in your throat making you fear the fall as if you were at the top of a skyscraper.

"How the fuck did you even find me?"

"Well, I-"

"I don't fucking want to know!"

You cut him off, the dryness and venom in your voice making you tremble. You were so sad, so distraught and so angry at the same time.

"And I don't want to see you. So leave."

"Noona…"

"Fucking leave, Jeon, for fuck's sake!"

You moved, almost as if by inertia, opening the door and slamming it behind you, the noise so deafening that it echoed in your ears for several seconds until you heard Yuna's footsteps approaching you and felt her arms wrap around your body.

You didn't know what she was saying, you just leaned against the door and let yourself fall, your body shaking in cry after uncontrollable cry, truly wondering how everything had gone so far; wondering how, after so many years, you still allowed them to have that power over you; a power they didn't deserve and shouldn't have.

You felt shattered in that moment, every piece of you scattered in the hold, every moment of your life replaying on its glassy, sharp edges. Even with half of you staying afloat, Yuna held you until the tears stopped flowing and with renewed resolve you promised yourself that this was never going to happen again.

Jungkook had taken you by surprise, but from now on none of them would ever catch you off guard.

-

a/n: i dont really know what to think about this chap. sometimes i like it sometimes i dont. i guess thats just how it works. pls letme know what you think! thank u for all the support! <3

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