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a03bkdk · 3 years

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no quirks bkdk fic rec list (p 2)

thirsty gay wingman fic by lalazee

((smut-14130-1/1))

Oct 11, 2019 "Thinkin abt besties-since-birth BkDk goin to college together, Dk begrudgingly bein Bkg's wingman w/chicks & lamenting his big gay crush. One nite, Bkg cant get laid, hes drunk in a shitty mood, so Dk propositions him, which turns into the best night ever & the WORST consequences."

My tweet got 366 likes & 66 reblogs, so that was more than enough reason to write about it.

romeo and romeo by supercrunch

((10473-1/1))

There’s a nasally howl from the neighbour’s place. Izuku looks up – it’s the very loud, very blond guy living in the unit opposite. They’re technically in separate blocks but their balconies are close enough they can see into each other’s living rooms. He’s dancing around in his pyjamas. Yodelling at the top of his lungs off-key, swinging his Pomeranian around by the armpits like a furry ragdoll. “You’re a dog! You’re a fluffy little yellow dog and you’re a pain in the ass but you’re still my favourite shit-stain, yeah!”

Izuku bursts out laughing. The neighbour’s head whips around. He yelps when he sees him, tossing the dog on the couch and scrambling out of view to hide in the hall.

Izuku drops the watering can and runs back inside to find his phone.Small Might: Guys. I've decided i have a crush on my neighbour.

(quarantine baking: a balcony romance)

mechanical bull by warschach

((smut-27573-1/1))

Katsuki has a track record of bad choices, it's a condition, but Izuku might be the one choice that's right.

battle of the bands by roadtripwithlucifer

((smut-168158-26/26))

'The rules are simple. Battle of the Bands. Local bands send in a single track to the radio station, and ten tracks are selected. Over the coming month, the songs play on the station and listeners vote on the top five. The top 5 play a live concert as part of a music festival, then the top 3 at a larger, indoor venue. The top two have the honor of opening on the first stop of All Might’s retirement tour – here. In Izuku’s home town. And finally, the winner gets the ultimate prize. Getting to spend the rest of the tour, forty cities, across the country as All Might’s opener. Three months. Same tour bus. Shoulder to shoulder with the greatest musicians the world has ever known.'Izuku Midoriya is a broke college student presented with the opportunity of a lifetime. But winning isn't gonna be easy, especially when one band's aggressive blonde frontman seems to be dead-set on making Izuku's life a living hell.

oh my god! they were roomates! by phatye

((smut-79108-57/57))

“Don’t go through my shit, and if there’s a tie on the door, then fuck off!” Katsuki growled. “...what?” he asked. Katsuki glared at him. “This is fucking college, and I plan on getting laid a lot! I don’t need some nerd cockblocking me! And what is with all the fucking toys here!” Katsuki had moved over to his shelves. “Are you a fucking child or something?!” This was not what he was expecting.

shades of blue by young_crone

((smut-22525-1/1))

Echoes filtered down the white hall as he descended the stairs toward the locker rooms, reverberating from the pool. A whistle, the sound of breaking water. He swiped the towel over his face, paused. The sliver of cerulean catching the sinking sun pouring through the skylights, the red and white lane buoys, the burn of chlorine.Izuku ran a hand through his curls, snagging on a knot. The clock on the wall reminded him how late it was. A minute wouldn't hurt. He worried his lip. Just a glimpse.

k-9 by warschach

((smut- 18304-1/1))

Izuku takes in a stray on one rainy night, except it's not a dog, it's a dog shifter who goes by the name, Katsuki. After the initial wave of panic and embarrassment, Izuku thinks his new pet/roommate is pretty cute.

sucker punch by warschach

((smut-41551-1/1))

But, whatever, Disney Boy over there was—

Prettying up real damn good that Katsuki got kind of distracted—totally understandable, like god those CGI pine eyes—and didn’t see the straight path he made for the metal trash bin in the center of the area until he was tipping forward and waist deep in discarded bottles, plates, balled up tissues sticky with he prayed was chocolate ice cream and nacho cheese.

Mina howled behind the gate. “Look, Katsuki returned to his home.”

(or Katsuki works security at Six Flags and moonlights as a derby dude and continuously looks uncool around Izuku)

may I take your order, dipshit? by supercrunch

((6373-1/1))

So, like, maybe Bakugou wasn’t really the best choice for this whole pizza delivery shindig.

(Midoriya in love, Bakugou in denial, and way, way too much cheese.

A BakuDeku romance in thirty minutes or less. )

raise me so high (your sins become my pedestal) by stardust_painter

((smut-10804-2/2))

After his boyfriend cheats on him, Izuku wants to do something stupid. The question is how stupid does he want to be.

The answer is very stupid apparently.

eye for an eye or whatever by tobiyos

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“I’ll make it up to you!” Izuku says brightly, lifting his head from Katsuki’s lap.

Katsuki’s eyes narrow but he isn’t still pushing Izuku away so. Progress. “Fuck are you gonna do to make it up to me?”

“Hmm…” Izuku says quietly, tapping at his chin. “Oh! You’re still a virgin, right?”

Katsuki chokes on his own spit and promptly renews his efforts of pushing Izuku away by the forehead. “Fuck off,” he wheezes, “get out of my room.”

leap of faith by ladyofsnails

((28771-4/4))

Midoriya Izuku is just a random kid who loves art, analyzes everything, and is obsessed with the (in)famous hero Mighty Spider. He's got a loving mother, a great uncle, and maybe not too many friends that aren't those two but he's working on it.

And then a random cute boy shows up at his school, a spider bites him, he meets his hero under the worst possible conditions, and it all goes to hell. Now he's got villains on his tail, a promise to keep to a dead guy, and a washed-up hobo as his mentor.

Here goes nothing.

green is the warmest color by gloriousporpoise

((smut-12287-2/2))

“Woah, someone call the fire department,” Eijirou says, elbowing Katsuki squarely in the ribs. “That guy is smokin.’”

“I literally hate you.”

Here’s the thing, though. Eijirou’s a certified dumbass, but his current observation isn’t even a little bit wrong, much to Katsuki’s displeasure.

“Think you can get his number?”

Or, Bakugou is a painter without a muse.

you and i collide by ethereals

((smut-20442-9/9))

And not that Bakugou’s the type to sexualize a potentially dead body; especially one that he just accidentally murdered, but the man has some pretty solid DSL’s. He would hit it, with more than just his car.

in which rich fratboy! bakugou is a badass who accidentally hits poor med student!izuku with his car and chaos ensues therefore.

97.6 FM by jamjars

((smut-32249-3/3))

Izuku can’t stop listening to the radio host with the deep voice who sounds like he’s stuck in 2010. It’s a harmless crush. That is until he starts calling into the show under the pseudonym Deku.

Or Radio Host! Baugou x Listener! Midoriya

give me that sweet love by xsxuxgxax

((smut-32768-9/9))

Things Katsuki needs to excel at: be hot, be clever and pretend to be nice, let Izuku kiss him publicly, let Izuku fuck him privately…

(sugar baby katsuki and sugar daddy izuku pretty much)

dance with me by astralchaos

((30161-10/10))

Mina pulled up a video of a young man, seemingly teen, dancing to a popular new hit, and Izuku felt his heart drop to his stomach. His skin prickled and felt clammy as he started sweating nervously, not daring to move or make a noise. His eyes were glued to the screen but he didn’t see anything – his brain was too busy going into overdrive and freaking out.

Because Mina was showing him a video of himself. The one he uploaded last night.

How on Earth did she find this? He had barely a few thousand views, he wasn’t popular, and it’s not like he was even any good, especially compared to her or Kacchan–

“That move was sexy as hell,” Kacchan said, and that was when Izuku realized that his childhood friend – his longtime crush – also leaned in to watch the video Mina was showing him.

puppies puppies by Esselle

((15491-2/2))

"So after doing all that," Katsuki says, "you're just going to settle here? Tatting up wannabe bad boys?"

"You think all guys who have a lot of tattoos are wannabes?" Midoriya asks, so smoothly that it throws Katsuki.

"Wh—no, I mean—maybe!" Katsuki says. "You'd know best, wouldn't you? Are you a bad boy?"

The words are out of his mouth before he even realizes it, and he regrets them immediately. There's a figurative list of things that one should never do, and probably high up on it is asking dark-haired sailors with ocean green eyes and black swirls of ink all across their barely concealed muscles if they are bad boys.

Katsuki thinks he has everything he needs in life: a successful pet shop, an occasionally reliable assistant, and the unconditional love of the twenty puppies he’s raising for adoption. But when the tattoo parlor next door hires Midoriya Izuku, a hot sailor with an affinity for dogs, it makes Katsuki wonder if he might need something more.

Like… a piece of that ass. Maybe. He’s figuring it the hell out as he goes.

im gonna make a part 3 later ergaegrggjnjuvuh

#in case you missed it #i adore warchach #bakudeku #bakudeku fics #bakudeku fic recs #bkdk #bkdk fics #bkdk fic recs #izuku mydoria #bakugou katsuki #yeahhhh

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heyitsyn · 4 years

Text

Manager!Seijoh

a/n: im a seijoh stan and theyre my little plant babies

for more seijoh content, check this masterlist out!

this is so long oml i hate myself

theyre an actual boy band istg

lets be honest, they probably thought you were just another oikawa fangirl

they thought you just wanted to be closer to their captain bc you were another delusional girl who wanted to live out her fantasies

lmao im not trying to be salty

but when you just stared blankly at oikawa tooru after he called you a beautiful flower,

stageplay hinata calling you a mugwort

the team just about threw themselves on your feet

tbh you werent really there to get a boyfriend or for oikawa

you just needed an after school club and the other teams already had managers

the only sport that didnt was the boys volleyball team

imagine why

you were actually a little wary, since you knew of oikawa, being a first year yourself, and you were aware of his psycho fangirls who could probably kill you

but you needed a club that would last you for the next 3 years to graduate

it was kunimi who actually recommended being a manager

you were in his class and you noticed him sleeping in the morning so you gave him your energy bar

‘thanks’

you shrugged and smiled

thats why he tolerated you more than others

you were nice and you were the only one who noticed his tiredness, even the teacher left him alone, and did something about it

sometimes, you even gave him an energy drink

‘can you tell me why youve been so tired lately? i dont think ive seen you wake up until lunch’

he opened the snack and started munching while replying

‘early morning practice for volleyball is still a big adjustment. our captain demands us to be there 6 in the morning sharp and if we’re even a minute late, we’d have to run laps. like for every minute youre late, you have to run those amount’

oh my why is kunimi talking so much

but i love kunimi and first year seijoh boys rights in this household is valid

you furrowed your eyebrows

‘but yall are still growing and you need all your sleep. if i were there, id yell at your captain’

he grinned slightly, imagining your short height beating up their captain

‘meh. you want to be our manager? i saw you looking at the clubs board yesterday and we dont have one so you could take the opportunity and beat him up then’

ofc you agreed bc kunimi was best boi and you just wanted him to have enough sleep for once

after class, he waited for you to finish packing up and when you finished, yall left the classroom

until another guy with a spiky hairstyle joined you and you noticed him as the guy who sometimes came over to eat lunch with kunimi

‘oh, hello l/n-san’

you smiled gently

‘drop the formalities, kindaichi-kun. its only fair.’

he nodded before walking beside kunimi

‘kindaichi, l/n might be our new manager’

the onion head excitedly looked at you

‘really?! yes! so we dont have to fill our bottles ourselves anymore!’

kunimi glared at him and slapped his stomach

‘shes our manager, not our maid’

you laughed but placed an arm on him

‘its okay. i was a manager for my middle school volleyball team so i know a little bit about being one’

the two shared a look

god, they really hit the jackpot

as yall walked closer to the gym, you noticed the big pile of girls huddling at the corner

kunimi sighed

‘l/n, ill warn you ahead of time of our captain. hes kinda,,,, too much’

but you flashed him a smile

‘hes not the first one ive handled’

oml player-chan!!!

so when you opened the door and entered the gym and oikawa hit you with his normal antics, you just stared at him

‘okay and?’

hanamaki and mattsun howled before rushing to you and grabbing you in a hug

‘girls like her really exist!!’

you gave kunimi and kindaichi a signal of help and they nodded before gently prying the senpais off of you

‘senpai, please’

you gave kunimi a grateful nod

coach irihata went up to you bc wow, kunimi has a friend with of another gender?

‘how can we help you, miss?’

‘im l/n y/n, first year, and id like to apply as the manager’

internally, the coach sighed bc you werent the first one to apply

the reason they havent had a manager for years was bc of oikawa’s fangirls hiding themselves under that false facade

but he saw you brush off that comment oikawa make with no hint of fluster or blush on your face so he decides to give you a trial run, in guise of seeing if you could handle these chaotic boys

‘do you have any experience as manager? or do we need to teach you the ropes?’

‘i was a manager for 3 years in my middle school volleyball’

he nodded

‘ill give you one month. a trial run of a month to test the waters’

you agreed and your trial run began

kunimi mentioned that morning practice starts at 6 am sharp so you set your alarm for 5 to get ready and get to school on time before the boys

you remembered how to set up the nets so you quickly put them out (using a step stool bc we short) and ran to get the basket of balls

their water bottles were filled and you were in the middle of lugging the big basket of towels when the third years entered

the 4 of them usually came earlier than the rest so they saw you dragging the basket of fresh towels and wipe your sweat before smiling at the work youve done

iwa was so happy bc it was usually him who did this stuff and now that he had someone do it for him, it was like a god-send

oikawa’s eyes shone and he waved at you

‘yohoo, y/n-chan!’

you cringed at the loud voice of the famous oikawa tooru

‘hello, oikawa-san’

he chuckled at your politeness before hugging you

‘you did all this for us? youre so cute, y/n-chan!’

instead of the normal blush and love-struck eyes, you were actually very uncomfortable of the sudden skinship and you quickly ran to the side when iwa hit him at the head

‘shittykawa! leave her alone!’

‘iwa-chan!’

makki and mattsun stood next to you as the boys did their usual fight

‘is this all an act or are you really not attracted to oikawa?’

mattsun shot him a surprised look bc why was he so straightforward

but you just shrugged

‘hes cute, i admit. but ive seen much cuter and the boys in my middle school team was basically full of him so,,, and i hate guys who think theyre all that just bc theyre blessed w a pretty face. if anything, ill probably go for iwaizumi-san’

pop off S I S T E R!!!

you just won the heart of these two

slowly but surely, they all came to accept you and iwa straight out loves you bc you maintained this routine for the whole month of your trial run

and you still remained indifferent of oikawa’s advances and he was even impressed and slightly agitated that you werent paying attention to him

‘y/n-chan, one date! just one!’

you huffed before looking up from your clipboard

‘i like men, oikawa-san. not boys’

that comment made the guys shriek

‘y/n-chan! youre just a first year! you dont need a man!’

‘youre not a man, oikawa!’

you left oikawa to be tormented by his teammates and went to go and hand over the report to the coach

he was impressed by the notes you made bc they were ones he even missed

like the split-second of hesitation that kindaichi usually has that goes unnoticed but you immediately saw

or the wince oikawa has whenever he so much as jumps an inch

you could even tell the difference between iwa’s spike and if he was being easy or he was going full-out

this added on to the fact that the boys loved you and irihata actually saw kunimi try more

but he thinks its only to earn your praises

‘y/n, youre officially the team manager’

yall celebrated at the normal hang-out spot which was the ramen shop and it truly shocked you at how much these boys ate

granted, this was the first time you ate together but you didnt expect them to eat nearly 5 bowls each

you could only finish 2 and you already feel like throwing up

‘honestly, how do you guys not gain weight after this?’

the table you sat at, iwa, kindaichi, mattsun, and kunimi, looked at you and shrugged

‘i work out’

‘i run’

‘i fast’

‘i poop it out’

lmao im sorry i cackled too hard at this

you stared blankly at mattsun’s answer who said it so seriously that you snorted a laugh

they watched you and your laughter bc you havent really expressed yourself as much

so they made it their goal to see you laugh more

‘y/n-chan! you need to eat more!’

oikawa shouted, clearly food drunk, but you shook your head aggressively

‘i only planned to eat one bowl but he just had to shove another down my throat’

‘but you need to grow, y/n-chan!’

‘i want to grow taller! not wider!!’

As a manager:

oh boy

you basically grew into kinda their mom

‘oikawa-san! you need to rest your knee or youre going to hurt yourself! i will drag you home myself!’

‘kunimi, if you try to get this one more spike, i’ll buy you a bag of those caramel bites you like’

‘iwa-san! if you hit oikawa-san too much, youll destroy the little braincells he has!’

‘yahaba-san, nice dump!’

‘is your knee okay, watari-san?’

yall really forget that watari and yahaba exist sometimes smh

it was part of the work

keeping up with seijoh

so to keep them encouraged, you gave them praises that they always demand for and they always turn to you whenever they did something good

mattsun gives you a look whenever he blocks iwa’s spikes and you give kindaichi a head pat whenever he blocks some too

bc of how you are with them, sometimes, they forget that you are actually just a first year

they get shocked whenever you walk in with kunimi and kindaichi and talk about the current homework bc it slips their mind that their hard-working manager was actually just a 15-year-old girl

so, they try to ease the burden whenever they can

like iwa offering to help you whenever you have to take their jerseys to the laundrymat

or offering to help you with your assignments since theyve only been through it once

more like watari, yahaba, and iwa bc the matsuhana are clueless and acts like they completely skipped that grade

also

!!!!

oikawa’s fangirls ltr dont leave you alone!!!

now, its known that youre the manager of the volleyball team bc oikawa has boasted about your efforts and such

this obvs ticked off a bunch of girls bc they were jealous that you got to spend more time in a single practice with their precious oikawa-senpai than they have their entire lives

more than once theyve cornered you to threaten you to stay away from their senpai or youll have something coming for you

you never take them seriously bc you can fight too and you just give them a look and push them away

but this one time

TRIGGER WARNING-START

okay tea

the self-proclaimed president of the oikawa tooru fanclub, kenta miyo, cornered you at the bathroom with her other minions

you were just washing your hands and drying them off when she marched up to you and grabbed your hair before tugging it back

obviously you were surprised and shouted

‘oi! what the hell?!’

‘you slut! you need to stay away from my tooru, got it?!’

ehm what

you hissed and wrenched her arm from your hair and pushed her away

your hair was now a mess and you were fuming, already sick and tired of the torture these girls put you through

‘he belongs to himself, not you! so stop being delusional and leave me alone already!’

she signalled for the girls to hold on to you which you slapped away but they forcefully grabbed your arm while you kicked at them and struggle to get out of their hold

jesus what do these girls eat

miyo watches you struggle with a smile and cackles

‘oh? no fight anymore, little kouhai?’

you glared at her

‘i dont want to beat yall up bc id get yelled at by tooru so you need to let me go or regret it’

at the mention of his first name, her eyes widened and her face twisted and she slapped you

‘oi! respect your senpai, you brat! dont you ever say oikawa’s first name!’

your lips curled

‘oh? thats funny, because he actually told me to call him that since he wants his cute little manager to be very comfortable with him’

you achieved a feat that she has been working to get her entire high school life and miyo was not happy

‘ive been with him for 3 years and you just suddenly show up out of nowhere and call him that?! i dont think so!’

she had her hands around your neck and you gripped her arms, making her wince

but you laughed at that comment

‘heh, thats pathetic, isn’t it? here you are, my senpai, who has been vying for his attention for 3 years only to be ignored yet a mere first year, who shows up out of nowhere, has been asked to a date nearly a million times every day. that must be tough’

she shrieked at that comment and threw you on the floor, making you accidentally hit your head at the edge of the sink

yall im actually so bothered by this scene and im wincing as im typing

you bit your lip to prevent any sound of pain to escape bc you knew thats what she wanted to hear from you

but you werent going to give her the satisfaction

instead, you looked up at her, hatred swirling in your eyes

‘youre freaking psycho, you know that? once tooru and hajime knows about this, theyre going to give you hell. they wont ever let this go bc im the manager of their prized team and their little baby sister. so go ahead, do what you want with me. bc i paid too much for these nails to be tainted by dirt like you’

saiyo, a girl you noticed to be watari’s classmate when you went and visited him, nervously tugged on miyo’s jacket

‘miyo, we should go-’

‘SHES BLUFFING. AND HERE, SINCE YOUR SOCCERFIELD FOREHEAD IS BLEEDING, LET ME HELP WASH IT OUT’

and she poured over a carton of banana milk over you, making you wince at the sticky and cold liquid

the tough facade was crumbling and you were now screaming for help in your head, hoping that stupid theory from yahaba about team telepathy to work

but it didnt

TRIGGER WARNING-END

when miyo and her girls left, you sat on the floor, soaked and sticky and bleeding

then you begin to cry angry tears

you were angry that you were being treated like this just bc you were a manager

you were angry that you let them do that to you

you were angry that you prized your nails more than punching her square in the nose

you were just angry

periodt

staggering on your own feet, you stood up and leaned on the sink, eyes widening at the dripping red liquid from the gash on your forehead, staining the porcelain sink

you were stupid and unconsciously touched it making you wince

‘shit, that hurts’

you whined quietly

there was little you can do with toilet paper and water to clean yourself up but you managed to at least stop the bleeding

you knew you had to be put on concussion protocol just in case bc you that hit was quite hard but at the moment, that wasnt your concern

practice has already started and this was the first time you werent present for daily practice

this was confirmed at the constant buzzing of your phone in your skirt pocket which you didnt listen to and instead, started thinking of ways to go to your locker and get your stuff and fake being sick but at the same time, not be seen and relayed to the team

time was ticking and you had to come up with a plan fast before oikawa will send the team to come looking around the building for you

once you looked at your reflection and smiled big, you decided it was enough to not show the pain you were in right now

girl im hurting for you

you peeked out of the bathroom door and saw the coast was clear so you quickly ran to your classroom, which was thankfully empty, and quickly grabbed your things

but as you were packing up, the tears just kept falling

it didnt stop as you bolted down the stairs, using your cardigan to hide your face from the public

once you were safely out of school grounds, you finally took out your phone and reviewed through all the worried and concerned texts from the team group chat

but you just replied, ‘im fine but i just feel really sick right now. girl stuff’

you smirked, knowing that would keep the boys away

but oikawa had to go and ask you to call him

‘y/n-chan! do you want oikawa-senpai to come over with chocolates and ice cream?! wings or no wings?!’

your jaw dropped at the question and clearly scandalized by the question

the team was too as shouting began and you could faintly hear iwa scream, ‘oh my god, shittykawa!’

‘im seriously okay, oikawa-san. i just need to be alone right now and ill try and get some sleep. good bye’

then you hung up

there was no way you could tell them

they were in their last year anyways so doing something about it wouldnt matter

and you were strong

but apparently not strong enough to fight them off though

you would cover the wound with concealer and continue on with practice tomorrow as if everything was normal

but there was only so much you could take

just yesterday, they trashed your locker and a week ago, they took your bento and threw it away

you even got into a fight with this one girl but she scampered away, too scared to do anything alone

so you were actually just tired and want everyone to leave you alone

believe me, youve thought of quitting sometimes

but youve actually created a bond with these boys

like when you take hanamaki to get cream puffs whenever he loses against iwa in arm wrestling

or when yahaba calls you at ungodly hours to express his worries for next year and to fill oikawa’s shoes

it was simple moments that you shared with each player that kept you from not leaving

soon, you found yourself crying again and the looks pedestrians were giving you was starting to make you uncomfortable

a girl, with her gross hair in a bun, puffy eyes with a bleeding wound and walking down the street

that was a sight

so you cut a corner to an alley by your house to escape from the judging eyes and you were too busy wiping your eyes to see a boy who was crouched down on the floor and ended up walking over him

omg my baby kyoken hello luv!!!!

you gasped and you were surprised and quickly apologized

kyotani was originally about to yell at you, no matter what, but he saw the state you were in and concluded you were either from a fight or was beaten up

he recognized that and decided to just glare at you and go back to feeding the stray dogs and cats

you breathed a sigh in relief when he didnt yell at you bc that wouldve been the last thing you needed today

‘sir, im sorry for hitting you. if there is something i could do for you, dont hesitate’

he ignored you and you focused on him paying attention to the strays

going into your backpack, you had a milk carton and a sausage stick from earlier

you used your thermos lid to serve as the milk bowl for the cats while you peeled open the meat and used your scissors to cut chunks of it for the dogs to have some

kyotani watched as you went into action to feeding the animals that people usually ignored

he knew you

well, he recognized you

when he watched from the top of the gym, he saw you as their manager who ran around and helped everyone

sure, he still didnt trust you

but he watched you grin and smile as the animals started to eat

‘im in a hurry right now so i have to go but ill feed you again tomorrow, okay? you too, stranger-san. ill bring food for you too’

then you stood up and ran away, probably in a hurry to fix that wound

he wouldve offered to treat it for you but he remained silent, watching the cats mewl at the now empty lid

the next day, oikawa was worried for you and when he saw you at early morning practice, he practically glomped to your side

‘y/n-chan! you okay?! oikawa-senpai was so worried for you!’

you cringed but nodded

‘im okay, oikawa-san’

‘senpai, y/n-chan! call me senpai!’

‘im not going to feed into your kink, oikawa-san’

*cue everyone busting a lung*

to this day, no one still knew what happened to you

you kept it quiet and you were sure you got everything handled

except for one person

kyotani was smart and for some reason he knew you got beat up by the fangirls and the perpetrators were easily found bc he saw them huddled around your locker, probably trashing it again, and lets just say,

no one is def going to mess w you now

back to manager moments!!

during practice matches, the boys rally around you to prevent other teams from sweet-talking you

they make sure no one gets past them and always have excuses to get your attention

you knew what they were doing but you pretended not to, heart warming at their protectiveness and hunger for your attention

even though you have your own jacket, the team gives you theirs all the time like oikawa has his special team jacket w his name at the back and when he feels threatened by schools like johzenji, he makes you wear it

‘youre mine, y/n-chan and i want that blondie to know’

‘ehm, no, oikawa-san. im iwaizumi-san’s’

oikawa screamed

lmao training camps w them is CHAOTIC

YOU WANT TO CRYYYYYY

OIKAWA IS CRYING BC IWAIZUMI IS BEATING HIM UP, MATSUHANA ARE FREAKING OUT THE FIRST YEARS ABOUT THE GHOSTS IN THE WOODS AND NOW KINDAICHI REFUSES TO LET GO OF YOU, WATARI GOT LOST GOING TO THE BATHROOM AND YAHABA IS SCREAMING ABOUT THE WEATHER MESSING UP HIS HAIR AND MAKING IT FRIZZY

reminder: threaten to quit everytime they get too much

your hugs are the best!!!!

you have a special hug for every player

oikawa gets his favorite which was the normal arm around the waist with your arms around his neck while he snuggles in your neck

iwa gets flustered easily so you hug him from behind so you cant see his flustered look

mattsun actually likes the jumping in the air so he catches you type of hug

makki is more tame and has his arms around your shoulder with his chin on your head

yahaba is the twirly kind where he just picks you up and swings you around

watari also gets flustered easily so he likes the one-arm hugs

kindaichi gets blushy at the slightest touch from you but he gives you a hug from behind you himself where he can bury his face in your hair while you caress his arms

kunimi, now he likes it when you squeeze him extremely tight bc it makes him feel loved and feel alive

kyo doesnt even talk to you what makes you think you can give him a hug

their lost for shiratorizawa really broke them though

you made them their own bentos for nearly a week to keep them encouraged and gave oikawa extra attention to keep him from sulking or practicing late

‘oikawa-senpai, lets go watch that new movie later’

‘S-S-SENPAI?!’

then the arrival of our baby kyoken

yahaba was moody the whole practice and you were currently trying to keep him from spiking a ball to someone

‘even just today, he’s late’

‘who?’

‘that stupid dog’

he just keeps mumbling and grunting

and then the said dog arrived

you peaked out from behind iwaizumi, who protectively went in front of you

shock ran through you and you pointed at him

‘puppy-kun!’

lmao puppy what

youve called him that since he refused to tell you his name, but you call him that bc he paid special attention to this one baby beagle

he raised a hand in greeting and you gave him a smile

‘youre a player here, too?!’

he ‘glared’ at you but nodded stiffly

the team really thought that he would lash out at you but he is surprisingly tolerant

the power of the manager

he still hasnt talked to you but he does respond to you and even helps you with chores, still not talking ofc

hes so tsun tsun and he deserves my heart yall

however, youve heard him talk to iwaizumi, and iwaizumi only, so youve heard his voice before

ngl, you were flustered by how gruff and deep it was

then their loss to karasuno

bruh, it was KARASUNO

the entire team fell apart and after the match, each of them ran away from you to stop lashing out

you were also on the verge of crying, seeing the broken look on your third years

your precious third years

you decided to give them their own space but you heard a loud banging sound from the bathroom

yahaba and watari were outside, clearly trying to talk to someone in there on coming out but it got louder

okay you were lowkey like, ‘hm, i should not be here’

but you recognized that voice

you knocked at the boys door to be respectful

‘kyo-san? its me, y/n’

he was silent but he did unlock it

you took this as a sign to enter and you gave yahaba and watari a smile

‘i’ll be fine. go to kindaichi and kunimi. they need your comfort right now’

tbh, you were surprised the bathroom was still intact but you saw the stall door at the very end being rattled and shaken

you remained by the door but you wanted to go to him

‘kyo-san, please come out so i can treat your injuries’

he expected you to say those words like ‘its okay’ or ‘theres always next year’ but you didnt

instead, you knew he was hurt and wanted to help him

he continued to give a few punches to the wall and the door before emerging

you wordlessly treated the wounds and offered your hand

‘im here, kyo-san. dont worry, im right here’

at the ramen shop, you told them to eat as much as they want and wordlessly gave them your card, slightly crying inside bc you know this was going to be like over a hundred dollars

but you were treating the boys bc they deserved it

you sat beside kindaichi, who was just sobbing and apologizing, so you were wiping his tears and holding his hand under the table

this precious babie

bruh i was sobbing when i watched this part like uuggghhhh

after dinner, you walked with the other third years, knowing they would go to the gym, so you gave everyone else your special hugs before sending them home

‘text me when you arrive safely, okay?’

‘yes, mom’

‘KINDAICHI WHAT’

oikawa’s speech made you cry bc despite only knowing them for not even a year, you already feel like a family

you didnt want your family to be broken but you knew they would all go their separate ways eventually

there was a big hug pile of third years on the side where you took a picture and sent it to the group chat

you had to eventually go home after helping them clean up and when you checked your phone, a fresh batch of tears rolled down

each from every person on the team but with the same sentence and same words

‘we love you, l/n y/n. thanks for everything.’

ngl i dont think this was that good and its like 8 in the morning and im extremely tired

i want to do karasuno, nekoma, and fukurodani but im so exhausted i cannot right now

2K notes · View notes

burnedbyshoto · 4 years

Text

spiral

— Honestly, what could go wrong when you’re lusting over your close friend and you’re locked in a box with only one way to get out? Well, not a lot, honestly.

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pairing: kaibara sen x fem!reader

warnings: smut, 18+, gloryhole, dirty talk, praise, fingering, sexual tension, reader is a pervert, quirk use during sex (spinning cock lol)

word count: 2,695

a/n: this is the second gloryhole fic ive written, but its completely different from the last time because its like not a cult fic LMAO!!! anyways, I think yall basic shouto and bakugou stans could do well to stan this class 1-b man because when I tell you he is another deviation of the two of them personality wise.... I mean it!

day 5 main kink: gloryhole

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If you had known precisely what you had just gotten yourself into right now three hours ago, you would have laughed at yourself. Without a doubt, there was no questioning that the predicament you had concealed yourself in was one that would bring you great shame once this wall was gone, but for now, you would deal with it.

At the bitter age of twenty, having graduated from the hero department over in Shiketsu High, you had been almost shocked when you were reached out upon by the graduating class over at Yuuei, to come and join their agency. You had accepted it with caution, unsure if you could live a life paycheck to paycheck that was as new as they come. But, it was a decision you would come to never regret.

Or at least, not until right now.

You had been on patrol with your coworker turned friend, Kaibara Sen, hero name: Spiral.

His quirk was an interesting one. A quirk that allowed him to gyrate -- spin -- every limb and ligament on his body. It caused some pretty asshole moves in close combat that not only stung with the piercing metal on his gloves but also sent you flying away. Countless amounts of times, you had pinned him only to spun around like a spinning top and slammed back into the practice mats.

You hated it.

Or well, you hated his quirk in a sensical way (note: do not attempt to beat him through a crowd, he always wins). In the nonsensical, coming of age brain of yours that had been for the most part silenced due to Shiketsu’s no-dating-policy, but as you grew fond of your coworker, frequent workout buddy and sparring partner, you couldn’t help but wonder just if… well… if he could spin his cock.

You would be lying if you said you had never imagined what it could feel like. You wondered if his cock was curved, or if it was straight. Would the veins be prominent? Too many times, when watching quirk-plot porn videos, you found your mind lingering onto his ability, which leads you to scream into a pillow, your hormones both skyrocketing and plummeting in your horror.

You weren’t a perv, you like to remind yourself as you changed into your hero costume. It was merely a rational, human thought! Humans were curious beings, after all! Sure, Kaibara was attractive, and his voice was… so low, deep, and raspy that sometimes you would try to – NOPE NOT A PERV!

Blazing hot cheeks drummed in time with your hammering heart as you finished dressing, hoping to get out and clear your mind with helping out the community as a hero! You were a hero!

Not a perv!

Nodding to yourself in the mirror located in your designated locker, you slammed it close and left.

Unfortunately for you, or fortunately, Kaibara was already dressed in his costume and waved at you in greeting as you approached him.

“Afternoon.”

“Yeah, yeah, shut up!” you flustered, your back stiffening as you continued to stomp ahead, readying to leave the stupid agency and get your afternoon rounds done.

You weren’t a pervert!

With three years since graduating from high school, three years of this agency having been founded, and three years of becoming friends with the esteemed and infamous class 1-A and 1-B from Yuuei, you had learned one thing for sure. This group of Yuuei students seemed to attract the worse kind of trouble like a moth to a lamp.

Without a doubt, you knew that was the reason why you had Kaibara somehow ended up in this horrible, ridiculous quirk from a child that just so happened to manifest their quirk out in the open. And of course, it would be the most humiliating shit to ever happen in the entire world of quirk apparitions.

“Uh, the mother said it’s probably the father’s quirk!” came the apologetic, nearing frantic voice of Deku from outside the steel box both you and Kaibara were trapped in.

You couldn’t even see Kaibara’s face, and the perv in you screamed over the lack of even having his body pressed against yours! No! Nothing! As a matter of fact, there was a divider between you and Kaibara, a giant wall with a hole near your crotch area.

“I can’t believe you idiots got yourselves trapped in this!” came the amused, annoyed, and somehow antagonizing voice of Ground Zero.

“Shut up!” you screamed back. “They looked at us, and it happened! It’s not like we touched the kid!”

“Y/h/n,” Kaibara’s voice sighed, and you felt your face ignite at the sighful tone on his raspy, deep voice. You pouted at the slight scold in his manner and felt yourself looking down in shame as he continued. “Don’t argue with Ground Zero. Hey, Deku, how we get out of this?”

The both of you were silent for some time, the outside world quiet as you waited for an answer.

“Oh, um, I don’t think you’re going to like it…” Deku’s voice laughed awkwardly from outside the box, and you frowned.

“Just tell us.”

“I-It’s uh… it’s a quirk called Gloryhole!” Deku squeaked, and just as you knew the successful and well-recognized pro hero outside of this box was undoubtedly red in the face, you felt your already warm face turn into an inferno. “I-I-It’s exactly… ohmygod!”

“The shitnerd is apparently a fucking perv and can’t finish his stupid sentence. Anyways, this quirk only works on shits like you with unresolved sexual tension and only removes after you use it,” Ground Zero’s voice barked from outside the walls.

“KACCHAN!”

“Shut up, Deku!” Ground Zero fired right back, and you could feel your body trembling at the news. Oh no, your perverted mind finally caught up to you in the worst of ways?! Although he did say unresolved sexual tension, that could totally be onesided, right? “We’ll be back in an hour, get it done, or fucking else.”

They left you, and you realized that despite your panicking pitched breathes, there was no noise coming from Kaibara’s side.

Oh no, this was all your fault!

Oh no, oh no, oh no!

“You, uh,” Kaibara spoke softly, and you felt your hands clutch onto the fabric above your breasts. “You have unresolved sexual tension with me?”

“No,” you denied immediately, your forehead crashing against the barrier between you and Kaibara at the blatant, stupid lie. “Yes. Ugh, I do, but that wasn’t something I was planning on telling you!”

“Why not?”

“Because it’s embarrassing? What was I supposed to say when you pin me against mats during sparring sessions? ‘Hey, Kaibara, does your cock also spin? If so, can you fuck me with it?’”

You slap your hand across your mouth, eyes going wide in your panicked embarrassment. That mouth of yours was genuinely going to get your tongue cut off or lips sewn together one day.

It’s silent for a bit, but there’s a sound of clothes ruffling. The rate of your heartbeat seemed to increase exponentially as you saw something shift from the view you had of the Gloryhole. “Well, if you want to find out, I’ll be more than willing to give you a demonstration.”

The pervert you may or not be did not hesitate to respond back.

“Please?”

And you watched as his shadowed figure approached the hole, and a pink-headed cock pushed through the hole into your side. You watched with a gaping jaw at the still-growing cock before you. Without a doubt, it was more than seven inches and was glorious, gravity defyingly curved upwards. It was proud as it was thick, and you watched as the underneath of his cock scraped across the bottom.

A soft grunt strangled in his throat at the cold, rough sensation, and you watched a small, glistening bead of pre-cum appear from the slit on his head. You’re not sure how quickly you dropped to your knees, but you did know that your mouth took him on completely. Within the first drop of your mouth on his cock, you enveloped at least half of his cock in your mouth. A loud bang hit the wall, and you felt a warmth in your chest, knowing that you had already affected him.

Your lips and mouth glided against his length, your tongue pressing and lapping at the underneath of the head of his cock, trying to cock to become as hard as it could be, because it was still growing. A particular needy, near sloppy suck of yours, sent a loud, dizzying guttural noise from Kaibara’s side. A noise that sent liquid heat spilling into your cunt as your hand gripped the base of his cock, bobbing your head slowly, as leisurely as you would allow yourself.

His taste was indescribable, faint yet had you licking his length for more, trying to cover your tongue in his pre-cum.

But the issue with a proud curving upwards cock, was that you found it awkward to choke yourself down his impossibly stubborn curve as he began to thrust his hips to meet your mouth and travel into your throat. Grunt, gasps, and growls seemed to be growing in volume and repetition on his side of the wall as you relaxed your throat, chokes, and gags sounding wet and sloppy on your side.

“Fuck, just like that, wait up,” Kaibara moaned, a thud coming straight above your own head, letting you know that he had pressed his head against the wall. The thumping of his hips on the wall was slowly becoming musical, white noise as you bobbed your head further along his length, throat vibrating with your need to make him feel good. And the weirdest, most surprised splutter came from your throat as his cock spun in direction.

Once curved upwards, making it nearly impossible in the space to take his cock all the way down your throat, was now downcurved. It stretched your jaw out entirely as he didn’t bother to pull away to do it, and your throat stretched out in a way you had never experienced before as you coughed and staggered against his length. But, it was a pain that made your clit throb and allowed his cock to go even further down your throat.

You did what you could only do once your throat stopped hurting, and the sheer pleasure of having your throat stretched out in a more desirably wait set in: you moaned.

It was a long, pitchy noise that you swore you could feel against the steel wall that your free hand supported you against. Your toes curled at the way his intensely thrusting hips faltered for a moment, undoubtedly turned on by your noise if the twitch in his cock said anything about it. You moaned again, and again, and again. You continued to do so against his snapping hips until Kaibara was practically snarling your name with the intention and muttered promises of what he would do to you once the barrier was gone.

Your mind was gone at the point, the promises of fucking you against the window of his apartment that overlooked the Tokyo skyline had you shoving the pants off your hero costume down. Your hand on his cock tightening in its grip, but the one manipulating your pants off, sunk into your cunt, thumb on your clit.

A mewl left your lips as you began to play with your wet heat, and you drove your mouth and head closer to the hole, enthusiastically taking him in further and further.

“Imma fuck you so good when we get fucking out of here,” Kaibara promised, teeth undoubtedly pulled into a snarl, his thrusting in bizarre speeds as you tried to keep some piece of sanity as you continued to finger fuck yourself, all too pleased with him absolutely using your mouth. But, you registered his words just well enough to respond back, choking an agreeing noise as you bobbed your head enthusiastically. “Had I known you just wanted that slutty pussy of yours to be fucked, I would’ve done this with you ages ago. Would’ve pinned you down on that mat, and claimed your cunt as my prize.” Your eyes rolling back in your hormone-induced euphoria, your own dirty fantasies having played that scene in your mind countless times. “I want to hear you choke on my cock more, I want to hear the saliva and drool leaving your mouth. I know you’re fucking your cunt, so do it well enough you’re moaning like a paid prostitute. I promise you, I’ll make sure you never want to see another cock again that isn’t mine!”

A choking, hiccuped, and wet breath expelled from your mouth, and you hadn’t even realized you were crying at the moment. But, you agreed, head bobbing in your agreement.

And so, it continued.

You pushed forward, his length reaching new depths of your throat until you had your nose smashed against the metal, cold wall. Your throat manipulatively squeezing and milking his throbbing cock, tongue, and teeth rubbing against his protruding veins until Kaibara was stuttering out your broken first name.

The wet noises of his saliva drenched cock meeting your drooling throat and mouth grew louder with every slap, and you wanted more. You needed more.

“Fuck, y/n, you take me s-so fucking good. I think you have me entirely in your mouth like the fucking little pervert you are,” Kaibara hotly laughed, a soft thudding from near your chin sending your mind in a feral daze of how it was probably his balls. “Doing so well with my directions, you really do deserve to be fucked properly after this.”

A low, lewd whine strangled from your throat, your hot, swollen lips sucking harshly against the base of his cock as he continues drilling, and the melodic moans from his mouth made it all worth the fact your lips and nose are starting to tingle from the sufficient lack of oxygen. But it’s also your curling, pumping fingers in your cunt that add onto the headrush you get, the slick and essence coating and dripping from your pounding fingers send you into a series of keen and mewls against his cock. And you can perfectly find each sweet little pleasure spot.

You were close, and by the consistent twitching and throbbing of his cock and the thick coating of precum on your tongue, Kaibara was too.

With your impending orgasm, you felt your body begin to tense up, shaking, and moaning with the tipping sensation you loved. And Kaibara, entirely lost in his own passionate, horny endeavors, shook as he slammed into you again, again, and again.

With a fiery determination, your cheeks hollowed out on his length as he pulled out, a resonating “fuck!” screamed from his lips as your tongue swiped at the salty silt on his cock, and it was all over.

You came on your fingers with a loud, pitchy scream, and thick, hot ropes of cum spurted from his cock onto your awaiting mouth, dirtying your face slightly in his heavy ejaculation. Swallowing the cum, a shiver ran down your spine as you quickly cleaned the remaining cum on his cock. Slowly, you removed the fingers in your cunt, and you shuddered at the pulsating heat form your core as you dropped to the floor as his soft cock disappeared from the hole.

Laughing softly, you looked up at the ceiling of the box that was slowly disappearing, allowing fresh air to enter the sex smelling box.

“So, how about dinner?” Kaibara asked, and you chuckled, running a hand through your abused face.

“I don’t think I’m hungry.”

“No?”

“You might’ve proved you can spiral your cock,” you began, turning your head to look at Kaibara, who was collapsed on the floor, barely put together as the two of you locked eyes. “But I still would like to try it out for real while you properly fuck me. After that, if I’m hungry for food, I’d love to go for dinner.”

He laughed, his hand running through his sweaty locks.

“Sounds like a deal to me.”

#kaibara sen x reader #kaibara x reader #kaibara smut #bnha #bnha x reader #mha #bbs kinktober 2020

735 notes · View notes

sun-stormz · 4 years

Text

Genshin Impact Visions & Gods

This has been bugging me since i started playing in mid november, but what makes a certain Archon give a Character their Vision. Considering i couldnt find any official info, I decided to do some research on each Archon and then on the player Characters we have of each element as of beginning of December 2020.

This will contain spoilers on characters & story!

Note: The travelers will not be included due to them not having Visions and having more then one Element.

I am basing this on overlaping themes and not on anything related to the actual Archon. I did add some info on the archons tho, due to this being about Visions and archons

“It is unclear whether Visions are directly granted by its element's corresponding Archon or by the nation's Archon. There is also the possibility that granting a Vision requires approval from both Archons. Yet another possibility is that they are granted by neither, and are instead given by the gods on Celestia.”

-Genshin Wiki on reciving Visions

Starting with my Favourite Element, Electro.

Electro wise, We have five Characters as of right now: Kequin, Razor, Beidou, Fishl and Lisa. The Electro Archon, God of Eternity, Baal, is the ruling Archon of the Area, Inazuma, whitch is the area we are getting in the 1.4 update in 2021.

To start off i read into any info i could find on Baal and i gotta say, she is a interesting Fellow. As of right now we know that Baal has locked Inazuma down and has initiated a Vision Hunt Decree, due to her thinking Visions should be under the sole domain of divinity. She also hasnt handed out any Visions since this decree which means all Electro characters we know have gotten theirs before this drastic change.

Now, why did these 5 characters get their Visions? Well each character has a different reason, from Razor wanting to protect those he calls friends to Lisa simpley saying it would be of use to her and just getting it. From what I've found there isnt really a big overlap in the reciving of the characters, but what is overlaping is their fixation on something.

Razor recived his vision due to him being fixated on getting stronger to protect his friends after he failed to while being dragged away by an abyss mage

Kequin was fixated on sharing her beliefs, that the people of Lyiue shouldnt rely on Rex Lapis and have their Pride and that their views are of Equal importance

Fishl was so fixated on a book series she changed herself to be like the main character, fishl and her Vision manifested in the form of Oz, one of the characters from said book

Beidou was fixated on killing Haishan, a sea monster, from a young age and recived her vision when she did so

Lisa is pretty much fixated on understanding magecraft and the cost of reciveing a Vision.

Now onto a easier Element, Geo

The Archon of Geo and Contracts, Morax, Archon of Lyiue.

Morax or Rex Lapis, was one of the oldest gods, defended Lyiue in the Archon war, the Currency in Teyvat, Mora, is named after him and as of Chp.1 Act 3 we know that he has taken the form of Zhongli and has retired as the Geo Archon.

Morax, Along with Barbatos, are the only two Archons of the Original Seven that havent been replaced.

Now, who are our Geo Characters? Noelle and Ningguang, two dedicated powerhouses! This one is fairly simple, thanks to voicelines we have of Zhongli since he came out as a player character (Bless the pity pull for giving me this man)

In his “About Ningguang” Voiceline he says: ”Despite the multitude of affairs she deals with in a day, Ningguang always continues to press on. A rare gem indeed. I'm reminded of the time that she used to walk barefoot from Yaoguang Shoal to the south wharf, trying to sell her wares as she went. Time is cruel to humans.”

Noelle recived her vision when Jean Acknowledged her hard work when she tried to get into the knights of favonius. in her “Vision” story it states: This was a lucky day that she would always remember, for she would receive recognition from two all-important sources this day: once from Jean, and the other from the gods. Her hard work has been remembered after all.

So for short: Hard working and dedicated = Geo Vision

Next up we have Anemo

Our wonderful Tone deaf bard, Venti or otherwise known as the Archon of Anemo and freedom, Barbatos, the not really ruling Archon of Mondstadt.

Barbatos is a freedom loving guy and refuses to rule over Mondstadt, the city of freedom and is by far the weakest of the Archons, despite this the people of Modstadt still love and adore their windy God.

I went into this one thinking “Oh this is easy, itll be love for freedom or something!” Nope, it surprisingly wasnt. Jean and sucerose recived their visions through their Determination it seems. Sucerose from doing her 159th Dandilion seed Simmering experiment and Jean seemed to be determened to be a good grandmaster and to protect Mondstadt.

That aside, i couldnt find many overlaps with the two, they are both free spirited and love what they do.

Now on to Pyro

Pyro, the Element of the Archon Murata who is also the god of War, is wielded by the fan fav Diluc, as well as Klee, Xiangling, Amber, Bennett and Xinyan.

Not much is known about Murata, Venti describes her as a “ wayward, warmongering wretch” and thats about all we know. She presides over Natlan.

Now to the characters, this was acually the easiest of them all: Passion.

Every Pyro user has a huge amount of passion that a rolemodel or Loved one ignited within them.

This one definitly surprised me the least and i am really excited for when we meet Murata and Natlan.

Diluc has the same passion his father had

Klee has a passion for Explosives that her mother ignited

Xiangling has a passion for food and cooking she got from her father

Amber got her Passion for Mondstadt and the outriders from her grandfather

Bennett got the Passion for adventure from all the old adventurers he calls dads, yes Dads as in plural, that raised him

Xinyan has a passion for Rock, tho i havent found out more of her story due to her being so new.

Now heading onto Hydro

Hydro, along with Dendro, is the only element where we do not know the name of the Archon. All we do know is that they are the Archon of Hydro and Justice and rule over Fontaine.

So straight to the Hydro characters: Barbara, Mona and Xingqiu.

I dont really count Childe due to the only thing talked about is his dilusion and i am rather confused on if he even has a real vision but i still love him lots

Im going to be honest this one really had me running the brain gears for a while.

All three recived their Vision as an extension of the self.

Barbara got hers after helping a sick boy by singing to him to help him sleep through a fever, Mona rekindeled a learning aid to her vision, to aid her with her search for the truth of the rules of the world and Xingqiu got his after he explained the principles of his clans martial arts anew, litterally saying that martial artists should see Visions as a extension of the self.

Last but definitly not least, Cryo

Cryo, the Element of the Archon know as the Tsaritsa. We acually dont know her corrisponding ideal nor her acual name and this one was just as geargrinding as Hydro.

The Tsaritsa, Ruler of the fatui and the one that gives them their Dilusions, is one interresting lady. We get a description of her from Childe: “Her Royal Highness the Tsaritsa is actually a gentle soul. Too gentle, in fact, and that's why she had to harden herself. Likewise, she declared war against the whole world only because she dreams of peace. Her gaze was cold but pure, arrogant yet sharp. She was not only the sacrosanct Cryo Archon but a true warrior also.”

Kaeya, Chongyun, Diona and Qiqi, our current four Cyro userer, all have rather interesting storys when it comes to how they got their Vision.

All dont accept something

Kaeya felt guilty about hiding who he was from the family that adopted him after his father abandoned him to be a spy in Mondstadt, and told Diluc, someone he used to be very close with, the truth, since then he sees his vision as a stern reminder that he must live his life under a heavy burden of Lies. He pretty much doesnt accept the truth of his situatin and would rather live with that heavy burden

Chonyun is surpressing a part of himself, the condition he has, and as Xiangling says in Chongyuns stories, is denying a part of him. He trys to work around his condition and wont accept it as the way to go about how he practices exocrism.

Diona wont accept the truth about her father being a Alcoholic, and places the blame on the Alcohol industy instead of accepting that he isnt as high and mighty as she thought. She wont accept that her fathers bad control over his drinking habits is the reason he acts as he does and instead blames the alcohol industry.

Qiqi didnt want to accept her death nor does she really accept her Zombie like traits and only uses them when she needs to defend herself.

My theory is the Cyro Visions are recevied when you wont accept the grim reality as it is, if this is positive or negative variates

When it comes to the last element, Dendro, we sadly know nothing nor have we seen any dendro character in action. So that might be a addition later on.

I’m really interrested if we find out the actual criteria for reciving each Vision one day

#genshin impact #genshin diluc #genshin theory #kaeya #diluc ragnvindr #zhongli #childe #genshin venti #genshin chongyun #this game is taking over my life

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the-broken-truth · 3 years

Text

The Queen’s Claim Part 1 - Kamilah Sayeed x Roxanne Wolf (Bloodbound MC)

Summary: Roxanne is - just as her surname - a lone wolf; she keeps her friend circle small and doesn’t trust anyone but that doesn’t mean she won’t have a little fun every now and then to relief stress from her job at Raines Corporation. But what happens when she finds out that her latest one night stand was with Kamilah Sayeed - CEO of Ahmanet Financial & her boss’s closest friend? And not just that - What happens when Roxanne learns of Kamilah’s Claim to her? After all - The Queen Doesn’t Share.

Warning: Futa MC - Don't Like Then Please Don't Read.

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Roxanne groaned as she reached from under her blankets and reached for the ringing touchscreen phone that rested on her nightstand to the left of her bed. Once it was in her grasp, she lifted her aching head before opening one eye to look at the contact of the person who was calling her on her day off; while she was having a massive fucking hangover.

Calling: Adrian Raines

'Why is Mr. Raines calling me on my day off?' Roxanne growled in her mind before she accepted the call on the 4th ring, placing the phone to ear but making sure her cheek didn't touch the screen.

"Hello?" Roxanne asked in a very tired and slurred voice.

"Good morning, Roxanne. I apologize for waking you up on your day off but I am in dire need of your help at the moment." Mr. Raines greeted her.

"What can I help you with, Mr. Raines?" Roxanne asked after she cleared her throat to speak clearly to her boss.

"The Assistant that was supposed to work today had a sudden emergency and called in at the last minute and I need help with the meeting I have with the CEO of Ahmanet Financial & a few others today. Can you please come in for the duration of the meeting? I'll pay you for your time." Mr. Raines explained. As much as she wanted to remain in bed and sleep away from her hangover, she knew she could use the extra money.

"Of course, Mr. Raines. I can be there in 30 minutes. There just one problem, I don't have any professional attire to wear for the time I'm there." Roxanne explained.

"That's quite alright, Roxanne. You won't be working the entire day so you can come in classic attire if that's better. I will see you in 30 minutes." With that, Adrian hung up on his end.

Roxanne sat up in her bed, causing her long back hair to fall in front of her face. She moves her black locks from her eyes - letting them adjust to the sunlight - before she got out of bed and started getting ready: she took a quick shower, got dressed in her black jeans, white t-shirt with a tribal wolf howling over her heart, her black boots, and her black leather jacket with metal spikes on her shoulders. She watched herself in the mirror as she tied her hair in a bun on the top of her head. Opening the cabinet, she took two hangover relief pills before she walked back to her nightstand to get her phone and her car keys, leaving her bedroom; only to run into her roommate and best friend - Lily Spencer - in the living room.

"Hey, Roxy Wolf! Where you off to in such a hurry?" Lily asked as she looked up from her game.

"My boss called and asked me to come in to help with a meeting with some big-time CEOs or council members since the assistant that was supposed to help today didn't come in." Roxanne said as she looked at her purple-haired friend.

"Anyway, what happened last night? I thought you went out drinking." Lily asked with a raised eyebrow.

"I did. Had a little fun and came back home." Roxanne said.

"Damn - Roxy Wolf Strikes Again! Breaking hearts and minds with her incredible dick game!" Lily announced.

"Damn it, Lily. You didn't have to say that." Roxanne said through locked teeth.

"It's not my fault you have more one-night stands than you do leather jackets. Honestly, you should be careful; not every girl is going to accept you hitting and quitting them." Lily warned.

"You tell me that every time, I'm always careful. I don't do love - I just need stress relief from time to time." Roxanne said as she made her way to the door. She bid Lily goodbye before she left her apartment.

[About 25 Minutes Later]

Roxanne made it through the doors of Raines Corporation with five minutes to spares; that was a small victory in her mind. She smiled to herself as she stepped into the elevator and pressed the button to the meeting floor. After the ride up, Roxanne plopped a mint in her mouth in hopes to remove any trace of alcohol from her breath; once she was certain that there was none, she stepped over to the large white double doors and knocked firmly but respectively upon the wooden surface.

"Who is it?" The voice of Adrian Raines called out from the other side.

"It's Roxanne, Mr. Raines." Roxanne answered in a clear voice. She waited for a while until the door open and the smiling face of Adrian Raines appeared in the threshold.

"Roxanne, thanks again for this. Please, come in a meet the other Council Members." Adrian said as he moved aside and allowed Roxanne to come into the room behind him where 5 other people were waiting.

"Roxanne - I would like you to meet the Council." He began as he gestured to the closest person to him. "This is Adam Vega - He is the U.S. Senate." Adrian explained as he gestured at a tall tan man with black hair gelled back with a matching goatee in a tan suit with a white undershirt.

"Pleased to meet you, Sir." Roxanne said with a respectful bow of her head.

"Pleasure is mine, Ms. Wolf. Adrian speaks highly of you and I can see why seeing as you arrived here earlier than you were expected." Adam said with a small smile upon his face. Adrian continued with the introductions.

"This is Cecil Romano IV - also known as the Baron. He's the Owner of the Shrike and has much influence in the community." Adrian said as he pointed at a rather fat man in a purple suit with vertical white lines, a grey vest with a white undershirt, and a blue tie. He had grey hair with a mustache - for some reason, the more Roxanne looked at him, all she saw was a fat mafia boss that ate too much pasta for dinner...and breakfast.

"Pleased to meet you, Mr. Romano." Roxanne said, biting her tongue in hopes to not laugh at this fat man.

"Hmph." That was all he said - maybe his throat was too clogged with pasta sauce to give a proper introduction. Adrian moved on.

"This is Lester Castellanos - The CEO of Castellanos Meats." Adrian introduced the man - He has brown skin and brown eyes. He has black curly hair and a beard that is graying. He wears a beige business suit with a white shirt underneath. Something about him made Roxanne's blood curl.

"Hello, Mr. Castellanos." Roxanne began, only to be cut off by the laughter of this weird man.

"Please, call me Lester. Or Daddy. Whichever you prefer." Lester gave his best 'gentleman' smile but all he looked like was a pedo.

"I...don't think I will be calling you either." Roxanne said as she narrowed her eyes at him.

"And why not, sweetie?" Lester asked with a raised eyebrow.

"Because I'm pretty sure I have more girls calling me 'Daddy' than you do." Roxanne said with a smirk; making everyone else in the room chuckle at what she said but Lester just looked confused.

"What's that supposed to mean?" He asked but before Roxanne could answer, a slim light brown hand got in Lester's face and pushed him away from Roxanne as a rather alluring female voice called out.

"It means she has a bigger dick than yours, Lester. I know I can see it." A woman with light brown skin, long, wavy, dark brown hair, and brown eyes said as she looked into Roxanne's silver eyes - this woman...she was dangerous, in both a good and bad way.

"Nice to meet you, Sexy. I'm Priya Lacroix - I'm a world-class fashion designer. I'm sure you've heard of me." Priya asked with a voice a smooth as honey but as sharp as a dagger's edge but Roxanne just looked into her eyes with a smirk as she took Priya's hand into hers and brought it to her lips.

"That I have, Ms. Lacroix. Only a fool would not know you." Roxanne smirked as she placed a kiss on the back of Priya's hand, making the woman smile even wider.

"I like you and I'd like to get to know you better, once this meeting is over and done with." Priya purred as her hand turned upright in Roxanne's hand, her nails grazing under to black-haired woman's chin with the most dangerous of touches. Before Roxanne could speak, another voice rang out into the air.

"Get your hands off her, Priya." This voice was angry...offended...and...

'Familiar? Where have I heard that voice before?' Roxanne asked herself as she looked in the direction of the voice - her eyes widened as they met familiar brown eyes.

The woman that stood before them was around 5'3'' - She had light brown skin, straight brown hair, and brown eyes. She wore a purple jacket over a white shirt, dark purple pants, and a necklace - That necklace was one that Roxanne had seen before.

"Geez, Kamilah. What's wrong with you?" Adrian asked. Before turning back to Roxanne. "Oh, Roxanne. This is Kamilah Sayeed - She's the CEO of Ahmanet Financial & my closest friend." Adrian smiled but the horrified look on Roxanne's face made him look worried. "Roxanne, is something wrong?" He asked.

"She knows who I am, Adrian." Kamilah said as she began walking closer to Roxanne while Priya moved away to get a better look.

"She does?" Adrian asked. "How?"

"Because..." The intimidating Egyptian CEO looked down the into wide silver eyes of Roxanne, who could have sworn the eyes of the woman before her were turning red. " She shared my bed last night...and I claimed her body." Kamilah said with a dangerous smirk on her face. Everyone looked shocked at this information - except Priya, she looked pissed. While all this was going on, all Roxanne could think was...

'MY LAST ONE-NIGHT STAND WAS MY BOSS'S FRIEND?!! WAIT...WHAT DID SHE MEAN WHEN SHE SAID SHE CLAIMED ME?!!'

"So..." Kamilah began as she leaned in closer to Roxanne's ear. " Did you really think that I would let you get away from me?" She purred as the tip of her tongue grazed the shell of Roxanne's ear, making her shutter.

'Ah, shit. Lily was right...I'm in trouble.'

[End of Part One - To Be Continued]

#kamilah sayeed #kamilah x mc #bloodbound

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365days365movies · 3 years

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May 6, 2021: The Martian (2015) (Recap: Part One)

We’re leaving lo-fi sci-fi, people. Kind of.

I mentioned before that films like Her are what I define as “lo-fi sci-fi”, which is a category that I’ve kind of made up. Basically, it’s the science fiction version of low fantasy, meaning it contains science fiction themes contained within an otherwise contemporary setting. In the case of Her, Joaquin Phoenix’s character, along with many others, live in a world and setting basically like ours, but with technology advanced enough to generate AIs (like Siri) that are intelligent enough to actually ascend our reality. Because we live in a society.

You give me Joaquin Phoenix, I’m gonna make a Joker reference; it’s in the contract of my existence. Anyway, that is admittedly kind of broad, right? I mean, that has the capability of crossing over with a BUNCH of sci-fi genres and themes. And, considering that we’ve already seen magic, speculative technology, time travel, monsters, and artificial intelligence, we’ve already touched on quite a bit.

And with science fiction, the sky’s the limit. Literally. So, I think it behooves us to re-examine lo-fi sci-fi a little bit. Specifically, we should note that it can also be defined as an extension of currently existing technologies and possibilities. Writers would call this “speculative sci-fi”, assuming in this case that it’s set within the present or a near and attainable future. Her definitely fits in this category, as does Westworld. But, let’s crossover to another genre by speculating upon another possibility. And it begins with this man. Probably.

Hey, Elon, what’s up? Now, Mr. Musk here is a...controversial figure, for COMPLETELY understandable reasons. Instead of touch upon the man himself, I feel like touching upon one of his recent focuses: space travel. With SpaceX and the various upcoming space trips and journeys that they’re planning, Musk has made it clear that he plans to shoot to the Moon. Again, literally.

In fact, this full plan is to go even further than that, and to fuel potential commercial space flights in the future, which is admittedly very cool. And of course, if you’re going to shoot for the Moon...

Guys...guys, that’s Mars. THAT’S FUCKING MARS

Is that not amazing? We have sound and pictures from FUCKING MARS! THAT’S A DIFFERENT PLANET, GODDAMN IT! It’s cooler than I have the ability to properly express, but it IS goddamn cool. And this means that, easily within my lifetime, we could (and likely will) land on Mars. Which is amazing. God, I really want to see that happen.

And so, landing on Mars is BARELY science fiction, but since we haven’t yet done so...yeah, it’s fictional at the moment. And so, any film about landing on Mars falls within this category. Well...to an extent.

2000′s Mission to Mars, for example, was a Disney-funded film (to my IMMENSE surprise; and it’s based off of an old Disney World ride, WHAT), and a movie that I saw a LOT when I was a kid. I also barely remember it, to be honest. But that film is straight-up science fiction because of, well...aliens. The idea of Martians is, as far as we know it, fictional. And most fiction involving Mars includes these aliens somehow. Whether it’s DC Comics’ entire civilization of Martians, as seen in Justice League, Supergirl, or Young Justice...

...Sir Arthur Conan Doyle’s heavily mythologized civilization, as seen in the Barsoom series of novels (and another Disney film)...

...Or one of the best Looney Tunes characters.

Mmm. Yes. Isn’t that lovely?

But, yeah, Mars and aliens go hand-in-hand in our media. So, to properly look at lo-fi science and speculative science fiction in relation to the Red Planet, we’ll need a movie that goes to the planet, and doesn’t touch upon the concept of aliens AT ALL.

Enter...Ridley Scott?

Yeah, the director of Legend, Alien, Thelma and Louise, Blade Runner, Gladiator. Also the director of Kingdom of Heaven, Prometheus, Exodus: Gods and Kings, and...ugh, 1492: Conquest of Paradise. I’ve talked about his mixed record before, in my Recap of Legend right here.

In 2014, he was brought on to adapt a book by Andy Weir called The Martian, which is a great book! I’ve listened to the audio book, and I whole-heartedly recommend doing that. And because of that, I am VERY MUCH looking forward to watching this film, especially seeing as it’s often called one of the best science fiction films made during that year, and was critically acclaimed then and now. It got seven Oscar nominations (although it won none of them), amongst other awards. So, enough navel-gazing, huh? The Martian!

SPOILERS AHEAD!!!

Recap (1/2)

On Acidalia Plantitia, at the landing site of the Ares III mission, a group of scientists are gathering samples. These scientists are commander and geologist Melissa Lewis (Jessica Chastain), pilot Rick Martinez (Michael Pena), systems operator Beth Johanssen (Kate Mara), surgeon Chris Beck (Sebastian Stan), German chemist Alex Vogel (Aksel Hennie), and overly talkative botanist Mark Watney (Matt Damon).

The group seems to have a good dynamic, but that dynamic is interrupted by a massive dust storm, which is large enough to cause the entire crew to evacuate. However, in the chaos of the dust storm, Mark is hit by debris and lost in the shuffle. Although Lewis goes back to find him, she can’t get to him before they need to leave, and Mark is believed dead. This is reported (pretty callously) by NASA Director Teddy Sanders (Jeff Daniels) to the press soon afterwards.

But of course, that wouldn’t be much of a movie, now would it? Mark’s alive! And Mark’s alone. With his suit damaged, and low on oxygen, he trudges back to headquarters, which is intact and still contains breathable oxygen. He gets inside, and realizes that he’s been stabbed in the abdomen by some debris. He removes it, and stitches up his own wound. Which is...god, it’s fucking BRUTAL just to think about, nevertheless watch.

Once he’s finished, he records a log for the future, if he doesn’t make it. It’s day 19 of the 31-day mission at this point, and Mark’s basically screwed. He needs lasting oxygen, water, and food, and he might need that for 4 years, when the next manned mission can come to the red planet. Additionally, he has absolutely no way to contact NASA, leaving him completely stranded. Another dust storm rolls in that night, and Mark looks over the belongings of his colleagues, packing them up for their eventual return. It’s somber, to say the least. However, Mark affirms that he’s determined not to die on the planet.

After doing the math, Mark should have enough food to last him for about 300 days, especially if he rations it. Until then, he’ll need to figure out how to grow his own food, on a planet where nothing grows. Which is, of course, going to be a difficult feat to accomplish. But Mark Watney’s a botanist with botany powers, and he’s gonna do it.

It’s day 31, and Mark’s brought in dirt from the outside, and uses the bio-waste from the crew’s stay there for a form of compost. After 5 days, mostly full of him watching Happy Days on TV and trying to farm, he realizes that he needs water, both for himself and for the soil. To do that, he goes chemical and decides to use hydrogen-laden rocket fuel, wood from Martinez’s belongings, and good old-fashioned fire to make water! And since hydrogen + oxygen = water, it should work. With a minor side-effect.

So, yeah, he blew himself up. As as he records a video log, the sound mixing makes itself impressively known by subtly and realistically generating a tinnitus sound. It’s VERY well-done, holy shit. Anyway, he makes a stable fire, and the place is soon covered in condensation, moistening the room and the soil successfully.

We get to day 54, and Mark’s planted leftover potatoes from the crew in order to grow them. And while he’s being mourned at a funeral on Earth, and in NASA, he’s seeing the fruits (or shoots) of his efforts.

Back on Earth, Mars Mission Director Vincent Kapoor (Chiwetel Ejiofor) is trying to convince Director Teddy to let him lobby for another Ares mission, despite the risk of bad press for the callousness of the proximity to Watney’s death. Meanwhile, satellite technician Mindy Park (Mackenzie Davis) looks down at the Ares III site, and realizes that the site has changed visually, meaning that Mark may actually be alive.

Shocked by this, she tells Kapoor, Teddy, and media director Annie Montrose (Kristen Wiig) about this, and they realize the absolute clusterfuck that this whole thing is. They can’t tell the other members of the Ares III crew about it, because it’d devastate them for the 10 months they have to get back to Earth, at the VERY least. They can’t tell the WORLD about this, because they just had a funeral for the guy, and they’d reveal that they left him stranded on Mars accidentally, destroying faith in the Mars Missions Program. And they can’t save Mark, who they’re sure will starve eventually. It’s a mess. And Kapoor also wonders what’s happening to Mark psychologically through all of this.

And yet, they reveal this to the world regardless, causing the clusterfuck reaction that they think it’s going to cause. But Mark’s busy on Mars, figuring out how to get to the site of the next Ares IV mission in 4 years, at the Schiaparelli crater about 50 days travel away. This is a struggle, as his Rover has only so much power and fuel, and he can only get more power by cutting out the heater is risking death by freezing. So, problems. However, he figures out a potential solution: radioactive isotopes! In a move that is, let’s face it, COMPLETELY INSANE, he digs up a radioactive generator from the ship in order to heat the ship.

On Earth, they try to figure out Mark’s moves, as well as how to resupply Ares IV sooner for Mark’s benefit. This is with the director of JPL, Bruce Ng (Benedict Wong), and the flight director of the ship Hermes, Mitch Henderson (Sean Bean), who insists that they tell the Ares II crew. They continue to monitor Mark, and note that he’s been travelling for 17 days in his Rover towards something. Kapoor figures it out, and flies to California.

See, Mark needs a way to contact NASA, and he believes that the way to do so is through Pathfinder, the first probe ever sent to Mars in 1997, lasting for 9 months since landing until they lost contact. Mark digs it up, and the people at JPL in California start their own efforts for contact. And despite communication being extremely rudimentary, initially limited to yes/no questions that use a still-frame camera, it fucking WORKS! WHOO!

To boost this communication hurdle, the two camps figure out a hexadecimal system for communication, allowing them to communicate using a circular table of numbers that represent an alphabet. That allows them to teach Mark to hack into the Rover, allowing it to piggyback off of its broadcast signal and send them messages via keyboard. Nice! Now that communication is reasonably possible, Mark’s able to ask how the crew is handling his death. But upon learning that they haven’t told him. He’s understandably a little goddamn enraged. And so, they FINALLY tell the Ares III crew about this.

The news breaks the crew, even though Mark continues to stress that he’s all right, and that it wasn’t their fault. Meanwhile, Mark’s able to survive for 912 days with his potato plants, and things improve with the help of technicians on Earth. They plan to launch a supply rocket to him in the next year, and things are looking fine! Unless, of course...something goes horribly HORRIBLY wrong.

Well...fuck. Good place to pause for Part Two, then?

#the martian #ridley scott #matt damon #jessica chastain #kristen wiig #jeff daniels #sean bean #michael pena #chiwetel ejiofor #benedict wong #science fiction may #sci-fi may #user365 #365 movie challenge #365 movies 365 days #365 Days 365 Movies #365 movies a year #bookstofilm #whatelsecanwedonow

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aprito · 4 years

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hello <3 since i got these asks at the same time i decided to combine my thoughts on them in this post. yet another annoying sjw essay from yours truly on this blog

before i get into these i think i need to preface why im like. i guess overly hyperfocused on a certain unproblematic base (same age au / platonic canon) for them and avoid the ped0philic content like the plague lol

tw for pedophilia ment, rape ment if that makes you squicky. ALSO THIS IS LONG AND RAMBLY

as i’ve mentioned a couple times already, ive been into the ship since i was 12, back when it was very very common to not only post untagged (nsfw) canonverse content of the two in writing and in drawing but also non con and the like, so you can imagine how bad my first impression online was. thinking back on it ...as a child i found it disturbing but didnt really register how problematic it really was?? (i know, but i also lived in the middle of nowhere and had no one explain this to me)

skip to 2014 aka me coming back to naruto at 17ish and i had kinda become hyper aware of the fact that there was an increasing amount of people online who had come forward with explaining how fictional problematic content, mostly pedophilia, had been used to groom them into starting relationships with adullts. it was also a time where a lot of people didnt believe these victims, not registering how common it was for minors to be online friends with adults who had no boundaries and no qualms exposing them such content. not gonna get into my personal life here but i was lucky to not having gone through this myself. like... it kinda was my first time truly realising how fiction can EASILY be used to manipulate others irl (and yes i will not argue this, if you dont think fictional media can form and manipulate people’s opinions on attitudes, countries, cultures and virtues, pick up a book about the effects of propaganda media at least once please)

i, being young, still liking the dynamic but not really the romance, would point this out here and there in the fandom and get into fights with grown adults in their mid 20s who assumed i automatically hated the ship(s) and tried to restrict their freedom of speech or whatever, heard everything from the “age of consent doesnt exist in naruto” to the “sasori looks like a child what does it matter” despite people clearly playing on him being older and experienced. it made me so upset that people were just consuming all this content uncritically and exposing children to it tbh?? not really just sos but a lot of minor/adult ships in naruto in general. and thats where i sat down and thought, i do not want to be a grown adult talking down to children that point out how unsafe the fandom is. theyre absolutely right in drawing these boundaries and calling out adults who defend the uncritical consumption and creation of this content. i do not want to consume or create content that predators could use to groom minors, and i absolutely do want to let younger people in fandom know that i am respecting their comfort zones and want them to have a safe and fun experience. after all, naruto is not an adult show and i think a lot of people forget that!!!! i am not perfect in that regard but its something that i, at the age of 23, am very passionate about and strive towards to.

and i guess thats where same age au was born for me and i have been sticking to it ever since.

so finally we can move to the first question

aside from the fact that we both dont like canon sos, i dont think it would work out even if i wasnt prejudiced to it anyways. in all honesty, 35 year old canon sasori is not a redeemable character to me, given the fact that he’s easily amongst the cruelest villains in naruto (torturing and killing and taxiderming people for his own fun personal gain, never for a goal that served anyone but himself. how do you redeem having over 300 corpses in your backpack that you felt absolutely no remorse for killing). sasori was legit one of the only cruel villains that didnt had someone else pull the strings, which sends a clear message on kishi’s part, who absolutely loves to redeem villains LOL.

being that old, he obviously had already been very manifested in what he believed in, even if it was shakey, to the point where the first crack in that world view (sakura and chiyo protecting each other) immediately had him give up on his life all together. that, in my opinion, is not a man who’s going to know what healthy relationships would look like, regardless of it being romantic or not. 35 year old sasori to me has the same appeal as an expired can of tuna and he’s probably very happy 6 feet under. he’s supposed to be a failed gaara in that sense that he had no one to look out for him and therefore was never going to experience anything but a bad ending in life. its fine that hes dead honestly, it wraps up his short character development the best IMO.

adding to that, seriously, sakura was obviously interested in knowing why he was that way, and called him out for being seriously fucked in the head, but it’s weird to me that people assume she had any interest in actively rehabilitating him, let alone starting a serious romantic relationship with him. sakura who’s not only very, uhm, immature and straight forward when it comes to her romantic viewpoints also, as a big bootlicker, wouldnt soil her standing in the village by starting anything with a disgraced and far too gone criminal like sasori. shipping that version of sasori with sakura intimately is still going to set her up for a huge power imbalance that would be difficult to handle imo, even if she was the one in the fight ultimately exerting her power over him. i would still look at it and think damn she deserves better than having to play therapist for man like that lol.

additionally, even if you ignored all of this, you cant really ignore that sasori had already known her as a child, and that had been his first and most impactful impression of her. i dont think that sasori would look at 35 year old sakura and see her as a grown woman and not the little green girl she was in the fight. plus, you easily fall into predatory comparison territory between the “childish” and “womanly” and i have seen way too often in fic just being boiled down to her now being fuckable. a lot of of ships do this and i would just like to remind yall thats it not normal for adults to want to start relationships with children they have seen grown up or known as a child when they themselves were fully grown adults. therefore, maybe if sakura hadnt met sasori before it would be less of a problem? but that also obviously defeats the point of the dynamic and the reason he died in the first place. so yeah, it sounds kind of doomed especially if you were to make it romantic.

WHICH BRINGS ME TO THE SECOND QUESTION

let me preface this that im not fundamentally against age gaps, even if im not super interested in it. after all, colorblind had a 5 yr age gap (with sakura being 21), even if, say, i wrote similar fics today i probably would make it smaller lol. i think it can be handled well if both parties have enough life experience to deal with it, and the author is cautious of where the age gap starts, i think a 10+ year age gap would be fine in a scenario where the younger party (i guess sakura) was at least 25-27ish, meaning she has completed most of her most formative life stages and probably had been in relationships before, meaning she would be able to handle it without having to fear a huge power imbalance. the older the younger party is the less the age gap is going to matter tbh .TsukiHoshino and AngelOfDeath10 both handle age gaps in their fics really well imo, so i do not mind reading about them.

unfortunately, a lot of people in this fandom think making sakura barely "”””legal””””” (18, not even 20 which is hilarious to me because the source material is obviously japanese) because they both cannot stand her being past her “prime years” of being young fertile and fuckable to much older men as well as thinking a 20 year old is automatically old enough to handle that type of relationship. ive seen a lot of unironic takes that believe it will absolve them of callout posts if they throw around age of consent and “shes 18 now suckers!!!” enough lmfao. absolutely hilarious. aging a minor up without aging the adult down seriously reeks of predatory “cant wait until youre 18″ narratives and thats why i find it similarly disturbing as straight up pedo shipping.

ultimately, sasosaku is and will always be a inherently problematic ship in canon, which is why i think it should always be handled a little more responsibly in fandom spaces, ignoring or outright excusing the main problem factor, which is sasori, isnt going to convince anyone that the dynamic in itself is well written and interesting enough to explore in aus, like giving sasori the redemption most of us wanted him to have by aging him down to a point in time where he was still realistically going to allow being positively influenced, similar to gaara.

so really, what i think is well handled age gap and how most people handle age gap in the naruto fandom are two different worlds at times lol

tl;dr

canon shippers have never been anything but gross when i was younger and i didnt wanna be like that, even if youre “smart”enough to differenate, actual creeps dont really care and might use your content to blur the lines, sasori isnt rly redeemable so romantic canonverse realistically wouldnt make much sense and is still iffy, age gaps are fine if they are handled well, but given that the dynamic doesnt really need the age gap to still work im not that invested on making that an essential part of my shipping experience.

thank you for reading and hope this makes sense!

#nonitxt #meta #another hot take from me #but seriously if you're offended over these #unfollow me lol idc #defending predatory content is not a hill im gonna die on in this life

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imagine-loki · 4 years

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Once Upon an Unrequited Love

TITLE: Once Upon an Unrequited Love

CHAPTER NO./ONE SHOT:5/?

AUTHOR: Tragically-Sarcastic

ORIGINAL IMAGINE: Imagine 1 2 3 4

RATING:

NOTES/WARNINGS: I wrote this in one sitting, I have no earthly idea how.

FYI: I made up the Circle, I tried to search for a mythical place that you could find in a forest, but none of them felt right. I used an Icelandic translator, so please don’t come for me if the translations are incorrect lol (research said that Icelandic is the closest modern language to old norse)

The entrance of the circle was inspired by a picture prompt, when I saw it I was smacked by the idea of my Circle myth. I wrote down all the details I thought of and started writing this chapter. I had already written the last half, so I have a pretty decent sized chapter.

Hope everyone is staying safe and healthy!

Happy Reading, my back hurts from sitting at my desk to write this!

_________

“So where exactly are we going in this endless forest, and how do you know where we are going?” Loki asks, looking around at the trees that all seem identical to him.

“I come here everyday, so its a memorized path.” She says with a smile and a shake of her head.

“Are you going to tell me what you are showing me? Or shall I walk for another hour in suspense.” He says, trying to look annoyed but failing.

“What?” She turns to him with a smirk. “ The God of Mischief can’t take some mischief right back?”

“Teasing minx.” He mutters under his breath.

He turns around to walk backward, looking at her.

“At least tell me how much long-“ she cuts him off.

“Turn around and look your Royal Impatientness.” She points behind him.

He turns around to look at what she’s pointing at…and sees nothing.

He looks back at her tilting his head and searching her face for any sign that she was joking.

“Has being alone this long driven you mad?” he asks, only half joking.

She rolls his eyes at his confused look.

“Come stand where I am standing you daft man.” she grabs both of his shoulders, pointing him toward the doorway seeming to be made of vines and branches.

“I don’t see it.”

“What do you mean you don’t see it? Its right there!” she says in frustration. She walks in front of him, just missing the mischievous look in his eyes. She looks back at the doorway and turns to him.

“Stand behind me.” she demands.

She feels his body behind her, as his hands settle on her hips. She raises an eyebrow in surprise.

“Uh…what are you doing Loki?” She asks, trying to hide how flustered his touch has made her.

She feels his breath brush her neck as he speaks in a whisper.

“I’m standing behind you.”

“Well…you don’t have to stand so close Loki.”

“I know, now show me what you were looking at.”

“O-Ok, just kinda lower your head to be even with mine and look straight ahead of us.” She says, stuttering alittle. “Do you see it now?” When he doesn’t reply she turns her head to look at him, only to discover his face to be directly even with hers, and he was looking at her.

“What are you doing Loki?” She whispers as her eyes jump from his brilliantly colored eyes to his mouth and back again. This is the closest they’ve ever been.

He has an odd look on his face, before she can determine what it is he looks away, back in front of them.

“I see it now,” he pulls away, almost seeming reluctant to part from her. He puts his hand on her waist, slightly pushing her forward.

“Shall we?”

They head toward the natural doorway, one confused and one silently determined.

She stops for a moment to turn to him.

“So this is ‘Þögn hring’, Circle of Silence.” She says. “Once we walk though that door it will be completely silent. You won’t be able to hear anything at all, your breathing, speaking, or even our footsteps.” She tells him seriously. “Sometimes its a shock to the brain for sudden complete silence. Most can’t take being in the circle for more than ten minutes.” She smiles a small smile. “Ive been coming here for years so I can stay for much longer.”

Loki looks genuinely interested, a quizzical look on his face as he studies the doorway that looks like nothing more than a creative twist of nature.

“How did you find out about this place?” He asks looking back down at her for answers.

“Well,” she says hesitantly. “When I first came to this forest I wondered around a lot. Just thinking about life I guess, and what I would do with mine going forward.” She looks away, lost in the memory. “I was having a particularly hard day, missing my parents, my friends, and y-“ she looks at him, embarrassed that she had let that slip.

“I was missing you as well.” She looks back into the distance, thinking back on that day. “I had wondered farther than usual and was, admittedly, lost. When I came upon this doorway I thought it was just a twist of branches so I walked through. I stumbled back out and I very nearly passed out from the shock of it.” She looks back up at him.

“Thats why I wanted to tell you before hand, I wasn’t prepared for it so it was very startling. But since you’ll be prepared you should be fine.”

She takes a step forward, looking back at him with a hand outstretched.

“You ready?”

He takes her hand as they step over the threshold. Ironically, the silence is deafening, an odd silence that has no chance of disturbance. He looks at her, astonished and extremely curious about this magical place. He lets go of her hand and walks a few steps away, and sure enough, not a single sound is made from his shoes making contact with the ground.

Their laughter goes unheard.

————

“So why did you come back after your first experience with the circle?” Loki asks as they are making their way back to the house.

“Well, I was extremely confused about what had happened. So when I got home I got out some books from our library about magical phenomena in forests.” Her hand waves around as she explains.

“When I discovered the myth of the circle I knew that it was what I was looking for. Its origin is a very interesting story that resonated with me at the time.” She says as Loki helped her over a fallen tree.

“A long time ago an ancestor of mine had a great heartbreak, it doesn’t say exactly what happened, whether it was a death of a loved one or a betrayal. But it says that she would search for a silent corner for some peace and quiet but no matter where she went or how quiet it was she was never happy with the near silence. So, she started looking for a solution. She came across a way to make an area silent for a small amount of time, and it worked fine at first, but she eventually got tired of casting it every time she wanted some peace. So she experimented with it until she eventually created the Circle. It was her favorite place to go and sit, and it just happened to be the place that she finally got it right.” She has a small sad sort of smile on her face.

“Im sure you connected with the heartbreak part of the story.” He says, obviously still angry with himself for his part in her sadness.

She stays silent because he’s right, and she sees no sense in denying his part in it.

She thinks back to that fateful day, the day her heart was broken by the one person that she thought would always be there for her. He had said that not only was she a ‘Royal hungry harlot’, but he also told her that she was a clingy thorn on his side, that he could never get rid of. His words that day were the reason she had to leave.

She loved him with her whole being, and the thought of being a nuisance to him ripped her apart.

So she left.

~Past~

A knock sounds on the door to the Queens private rooms, she already knows who it is. She turns to the door as it slowly opens, the girl entering being so familiar with her that she knows she can walk right in. Sadness is plain on her face, broken hearted would describe the youth.

“Hello dear,” Frigga walks over to her, taking her hands in her own. “I feel like I haven’t seen you in ages, how are you?” she asks sweetly.

“Frigga I must ask a very large favor of you.” She states plainly. “I need to…leave town. Immediately…Quietly.” she takes a deep breath, preparing for the second half of her request.

“I also…need you to not tell Loki where Ive gone, or that you know of me leaving at all.”

Her words are a shock.

“Are you alright? Has something threatened you?” Frigga asks worried. “Leaving town seems rather extreme, and on top of that, why can’t Loki know?” Her eyebrows goes up in concern. “Is …Is he the reason?”

“Something has happened between us, and I must leave. Make no mistake, he has done me no physical harm and the situation is entirely my fault. However, I fear he will eventually try to find me and I-… I don’t want him to.” She shakes her head, tears welling in her eyes.

“I can’t take seeing him when Ive come to know what I know.” She looks up at the woman that she has always viewed as a mother.

“Please Frigga, please help me slip away and please don’t tell him where I’ve gone.” A lone tear makes its way down her cheek.

Frigga wipes the tear away, her heart aching for the heartbroken look of the girl in front of her.

“I won’t, I promise.” She takes her face in her hands and kisses her forehead comfortingly before wrapping her up in a hug.

“Frigga, you must know how I appreciate you and all you’ve done for me over the time I’ve known you. I just-“ She takes a deep breath and lets it out shakily.

“You have no need to thank me dear, I view you as my own and would do anything you requested.” Frigga assures her with a small, if not sad, smile on her face.

The girl reluctantly pulls away, wiping the tears away and taking a deep fortifying breath.

“Im going to my families forest, Verndaskógur, It is very secure so there is no need to worry after my safety…once I’m gone.”

“Please don’t try and change my mind, my heart is already broken leaving all of you. Please don’t be angry with me for leaving, you are the closest thing I have to a mother left, I don’t want to leave on a bad note.” She pleads.

“I must ask, are you sure you can’t workout whatever happened between you? You and Loki have had disagreements over the years and you’ve always made up, how is this time any different? Won’t you discuss it with him first?” She makes one last attempt at getting her to stay.

“Im sure. This time is different. I have to leave, I can’t be around him anymore I-…” she looks up at Frigga. “Im sure you know that I love him, but… I have to leave him, for my own good and his. I need to get out of his life, out of his way…for good.” She says, a determined look on her face.

#Loki #Angst #Submitted fic #submission #tragically-sarcastic #chapter 5 #Once Upon an Unrequited Love

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clumsyclifford · 3 years

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hi my love i’m hope not too late but i would like you to tell me about my loves jewish cake, anything you want to but specifically baker calum 🥰 thank you i love you

of course you aren’t too late!!! ESPECIALLY to talk about jewish cake oh my goodness meg i shall die for you i love you. alright let’s see what i can dig up

ha’ahava hazot shelanu + it’s so simple

a cut, per usual

so let’s start WITH:

ha’ahava hazot shelanu

jewish cake was a labor of love for myself. little known fact about me is that i am in fact jewish! :) and around christmas time i always get a little prickly about the surplus of christmas spirit and in this case the amount of fic for it. and i’d sort of had this hesitant idea to write a jewish fic in the back of my mind for a long time, but it felt like a really big divergence from the Cast of Characters that was for some reason a lot more dramatic than any other circumstances into which i could place them, so i’d basically been hesitating for several months. in november we had a brief conversation about it in the club which looked like this

but the idea still made me a little nervous and so i kind of talked myself out of writing it, as always. and THEN, middle of december, iba sent me this 1d fic out of nowhere with this accompanying message:

and i kinda lowkey almost cried!! it was such a jewish fic. i read the word kvetch and i almost lost it. the fic was just so unabashedly jewish. and i was like...well. that’s what ive been wanting to do. so now i have no reason not to do it.

in the ao3 notes i talked a little bit about my internal debate over How Jewish To Go with the fic because on the one hand i really do understand that it can feel alienating going into a fic with zero understanding of the culture but on the other hand since it was MY fic i wanted to make it jewish the way i’m jewish. which is like...............very. i don’t think i ended up striking a balance so much as just deciding to say fuck it and write it the way i would want to read it, but i definitely think that was the right decision for me.

there was actually one more motivator for writing this fic, especially the WAY i wrote it, in eight chapters, and that motivator was that i wanted to break 400k on ao3 before the year ended. i just wanted to have an even number and 400k was a good goal. which i did achieve thanks to jewish cake fic being the 13.6k beast that she is! so that was also part of it

NOW! as for the PROCESS. i created the doc on december 22 and i originally kind of thought it was a little bitchy to write a hanukkah fic after hanukkah had already ended but was reminded that most christmas fic is neither written nor posted on actual christmas which reassured me well enough. i had already had the idea to divide it into eight chapters for the eight nights of hanukkah and i thought that would be a nice way to showcase different aspects of the holiday (seeing family, playing dreidel, opening presents etc) and also in certain cases (like the third chapter where they do some baking) some days that weren’t necessarily hanukkah-driven but just a nice natural consequence of being on break for hanukkah. i wanted it to feel like hanukkah feels to me!! normally i don’t like people seeing the way my outlines look but this one i don’t mind sharing so here’s what i had at the top of the doc for reference while i was writing. not everything in that first list got included but most of it did !!!

i’m not really sure how this fic ended up being cake. i never used to default to cake but for some reason as i was diving into this one it just felt right. that’s all i can say about that. meg you have genuinely shifted my approach to fic i DO default to cake sometimes now and that’s on YOU.

the very first thing i ever wrote down for this fic was this part that ended up going in the summary:

“Happy Hanukkah,” Calum says, smiling at Luke as their fingers intertwine.

Luke murmurs, “Chag sameach, ahovi,” and Calum’s face is aglow in the candlelight.

that was The Moment for me. i didn’t even write the rest of that scene until later but i had those two lines written down straight out the gate and i knew they were gonna close out the first scene because it just Felt Right. and i was right! very cool and fun for me

now the nice convenient thing about having this fic separated into eight discrete scenes/nights/chapters was that i didn’t have to write it in order, and i didn’t. i DID write the first night/chapter first, but then over the course of maybe a week, i wrote (deep breath get ready): the first half of chapter 2 (hemmings family) > the beginning of chapter 5 (the dreidel game) > most of the scene in chapter 7 > the beginning of chapter 3 (where they bake) > finished writing chapters 2 & 3 > started chapter 4 and finished chapter 5 > finished chapter 4 and wrote the rest of chapter 7 > all of chapter 6 > all of chapter 8 aka the proposal. i deliberately saved the proposal for last because i don’t think i could have written it exactly right without knowing the events that came before it but everything else was all over the place as you can see.

a problem i ran into a lot, and i talked to my sounding board and fellow jew sam about this among many other things, was that i had a lot of trouble characterizing very obviously Not Jewish people in a way that made them Very Jewish. not even like, Jewish But You Can Ignore It. i wanted them to be front-and-center jewish like i am and that was hard for me to navigate because obviously my speech patterns and vocabulary as an american jew are extremely different from 5sos’s as australian goyim (non-jews) like i do use hebrew words in my day-to-day communication all the time and i somehow had to keep their mannerisms but also insert mine BUT not insert so many of mine that the fic became incomprehensible and it was just. a Challenge. here’s some insight into THAT crisis

and then again writing the other characters in other chapters

i sent sam the doc when i was mostly done writing it, mainly just to be reminded that at least one person was going to appreciate this fic, which worked out nicely because she very very much did. genuinely i cannot stress enough how insecure i was to write and share this fic. like i’m gonna be really straight up with you meg, i think part of the reason i had calum and luke baking sufganiyot was because to me that felt like a sort of bribe? i basically wrote what felt to me like the least appealing fic ever and then my mission from there was to add stuff in that would convince people to give it a shot anyway. i was trying to make it worth everyone’s while. the baking was my trade-off, i was like “well yeah it’s a jewish fic but maybe she’ll be happy enough that it’s cake and they’re baking that she’ll forgive it for being a jewish fic” yes i realize how kind of hilariously tragic this sounds but !!! you never get jewish fics!!! and you especially don’t get them in fanfiction for obviously non-jewish bands!!! anyway. we’re not gonna get into this whole thing but like. even though objectively i knew that i had been told again and again people would appreciate the fic i still had doubts and knowing something and feeling secure in it are very different things.

also, i didn’t remember this, but apparently i had a lot of problems with writing the proposal! here’s a sneak peek into that mental breakdown

don’t actually think the fic specifies (making life easier for myself) but they have already had dinner in that scene. so now you know.

i could choose to not get this elbows-deep in the details of Crises I Had While Writing This Fic but instead i am choosing to go all out. here’s another thing i had trouble with:

(i did end up using transliteration obviously but i DO think actual hebrew would have been a cool flex)

and as for the title, ha’ahava hazot shelanu is the name of an ivri lider song that i love, and it translates to “this love of ours” and i realize titling the fic in hebrew was a Choice but i did talk to sam about this as well and that went roughly like this

by the way here is the song, i absolutely love it and i cannot recommend it enough. also i’m not sure how glaringly obvious this is but the chapter titles on ao3 are just hebrew numbers. like the first chapter is echad which literally means one. and so on. are they the correct genders? i don’t know ! fuck gendered language.

one more thing and then ill move on but an unfortunate natural consequence of writing a hanukkah fic (at least the way i wrote this one) is that it necessitates presents. so i had to come up with presents for these dumb boys to give each other. and to be completely honest with you i don’t remember how i did!!! the ones calum got for luke were trickier because they were actual things. for some reason this luke was always a version of luke that just kinda like, wore makeup, so that was just a question of figuring out an eyeshadow palette that would be Nice but not obscenely schmancy (i did ask the club for help since i know nothing about makeup but as usual i ignored their replies). but that by itself didn’t feel like enough of a gift, and so i tried to think of something that would be more than just the gift of an object. like, something that would maybe enable luke to spend more time on something he loves. piano music made sense to me because it wasn’t just a thing by itself it was a thing that encouraged luke to play piano and even to improve at it and to learn songs that he could be excited about. so! that was that

the trip to israel gift was a little bit of a retcon situation i really liked the idea that luke had been planning to give that “gift” to calum for a hot sec that he’d have had it ready, but i’d already written the scene where he and mali talk about israel, so i went back to it and edited it a little to hint at the idea (luke plays it off very casually because he is a clever boy) but i thought there was something very romantic in the idea of the israel trip, of luke planning a future with calum and a trip to a place that means so much to him (to me yes maybe luke and i are the same blah blah) and getting to drag calum around to falafel places and teach him words in hebrew and it just seemed like the appropriate trip for these two cute jewish boys to plan so i rolled with it.

okay moving on slightly!! to baker calum <3 baker calum was more of a cameo in the hanukkah fic, in the chapter i wrote with you in mind, but i can talk about it’s so simple here as well because i fucking adore that fic.

it’s so simple

so the inspiration behind the fic came from the “kitchens are for lovers” rhetoric and the realization that that would be the perfect...sort of thesis to build on for a fic for you in specific, because you are, in my mind, a very kitchen-based person, given your baking habit. it actually just worked out pretty nicely for me honestly because i’ve been wanting to write a big Kitchen Romance type fic for a while and you just gave me the perfect opportunity. here’s what i had at the top of the doc for the fic for you

and then once i sort of landed on the idea for the fic, it just made a lot of sense to make it jewish cake because, well, im gonna be real w you, because i identify very strongly with jewish cake and the kitchen-romance aspect felt like a very bella thing in the same way that jewish cake felt like a bella thing. and so i wanted to be able to romanticize these kitchens to share the way that i, bella, feel about them, and that was easy to do when the characters were so similar to me. not to mention this cake already existed in my head as a very settled, domestic duo, and they had their own home and had already had a kitchen-romance scene in the hanukkah fic and the whole thing just fell together perfectly. i had this sentence in my head and it was: “Shabbat in Luke and Calum’s kitchen looks something like this.” the kind of thing you would read in a fic summary right? and especially having it take place on shabbat felt like an extra layer of domestic easy romance to me so that was kind of my guide

here was my "outline” for this:

Romance :)))

obviously calum was going to be the one doing most of the cooking/baking because he had been established as the Kitchen Boy between the two of them and maybe i realized in the course of writing it that while i was luke, you were very much calum. so the goal was then basically to romanticize (1) the kitchen and (2) luke as much as humanly possible for you (see: message sent to helen and ainslee)

unfortunately i was unable to do baker calum justice as much as i would have liked because i could not have him baking anything complex because i can’t bake anything complex and if i had tried to describe him baking something complex and then described it wrong i would have died of shame so that is why he is only baking brownies BUT they have chocolate chips which hopefully makes up for it. also i just stumbled across this which i think pretty well represents the crisis i had regarding baker calum

:)))

re: the soundtrack (so to speak), i wanted to include some songs that i associate with you meg but you see the situation is that some of those songs are 5sos/mali/atl songs and so i couldn’t include those, for obvious reasons, which did narrow down my choices somewhat. fortunately i think the mcfly worked pretty nicely i mean yeah it’s a little obvious that i was forcing mcfly into the story but they deserved to be there. i think i’ve mentioned this but i genuinely have a memory of listening to star girl on a loop in my kitchen at home and in my head the hood-hemmings kitchen looks like my kitchen because i have zero imagination so it felt to me like these songs just belonged in kitchens. and that they’d be inherently romantic. woah i think my brain is short-circuiting i’m not sure i’m making sense anymore. point being i hoped that you would appreciate it nonetheless.

a note about the short introduction, because it’s very unlike anything i’ve put in any other fic to my knowledge. i kind of wanted it to feel like the prologue to a fairytale, almost. i wanted it to feel like the beginning of a movie, when the camera is slowly, slowly zooming in from a Big Picture down to one house on one street and then through the window into the kitchen while the voiceover is very serenely describing the scene. i wanted it to feel like we were in the kitchen before even calum was and that we were standing against the fourth wall watching the fic unfold. and also, i wanted to make the fic romantic as fuck, from the get-go. there was to be no confusion: this fic was going to romanticize the living daylights out of the hood-hemmings kitchen.

(also you may have noticed that despite having “london” in the list of Meg Things at the top of the doc, the fic never actually specifies that they’re in london. that’s because this fic was really an exercise in “how much can i hint that they’re in london without outright saying it so i don’t establish a canon that i may later regret” which went as far as me asking helen what her kitchen floors and counters are made of. like. if you want it to be in london then hell yeah it’s in london but i didn’t wanna lock myself into that decision just in case so i never actually said it but i hope it kinda felt london-y anyway lmao)

so...............i THINK that’s all i have to say. “all” as if i havent just written an entire dissertation but at least it’s done now. i sure did say a lot! that was a lot!!! but also a very very fun and interesting dive into the ~process~ of writing these jewish cake fics. also, for what it’s worth, the way hanukkah fic was received basically calmed all my fears about writing jewish fic, which was a relief for me. so thank you for loving it, i don’t think you know how much that means to me!!!! i love YOU so very much

#kaleidoscopeminds #ask #answered #christ go off i guess????????#i honestly have Nothing to say in the tags because i said so fucking much in this answer #fgldkhgsdflj #here are some other questions i asked helen the resident london expert:#'you guys don't have saturday morning cartoons do you'#'what do you call french toast' to which i was informed that you (brits) don't HAVE french toast #and then i decided to ignore that information and include it anyway because jewish tradition trumps british absence of food #and french toast is jewish CULTURE #'do you guys say suck-up or is there a different thing you say'#i did NOT like the answer to that one #also 'do you guys have dishwashers'#'do you guys do april fools'#helen litearlly went and took a photograph of her counters so that i could see what they looked like. THATS love baby #the fact that i said i had nothign to say and then i continued to say things anyway #thats pretty on brand for me #meg #director's cut #okay im posting this now. FOR REAL #dunno what happened before that was very unsexy but this time for real

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writingstruggles · 4 years

Text

Ben Solo/Kylo Ren: a character analysis

OK, first things first: THIS ISN’T A STAN OR ANTI POST. This is a character study, and if you can’t handle this character getting impartial concrit, just don’t read. If, however, you don’t agree with some of the points I’m going to make and want to have a healthy discussion about it, then I’m all ears. I don’t think my opinion is the only valid one, so feel free to try and change my mind.

And second things second: I tried so hard to love the sequel trilogy, but when it became clear after TROS that the studio had no plan other than making money, it became very difficult. I’m aware that the main problem for all the characters is the lack of general planing in this whole mess of trilogy, so keep this always in mind while reading this post: the first problem of this character was that the studio didn’t even know what to do with him.

1. Does Ben Solo becoming Kylo Ren make sense?

I checked the comics to get his background better. He had a happy childhood traveling a lot with Han and Leia, but when she discovered about the First Order, she sent him to train with Luke while Han and Chewie ran undercover missions for her. This is important: up to this point, he had a good relationship with his family, even if he was already being pulled by the dark side of the Force. It was during his adolescence that he started to be really seduced by Snoke, hearing the voice he thought belonged to Darth Vader. After the Luke incident, he did explode the cabin and thought he had killed his uncle, but he was not the one who killed all the other students and destroyed the temple: that was Snoke’s thing. He did kill some of his fellow Jedi apprentices later on, though. So, his turning points were Luke’s treason and Snoke’s coordinated abduction. And I would like to point out: the Sith training involves torture and brainwashing, so the first wrong impression I would like to correct about this character is that he was not simply a dick and revolted teen who ran away to join a cult.

BUT, there are some huge problems here. The first one is that when you watch the movies, you don’t learn anything about that aside from Luke’s part. In the way he’s presented in TFA, he’s Leia and Han’s son who betrayed his family, destroyed his uncles’ dream and joined the dark side for no reason. OF COURSE half of the audience wouldn’t like him. That wouldn’t be a problem if they just wanted him to be a villain like Darth Vader was, but it’s very clear that there was a plan (at least for one director) to make him a supposedly redeemable character. And how can we sympathize with his character like that? Even after we get to know what Luke almost did, the next question is simple: ok, so why he didn’t go back to Han and Leia?

And here is the second huge problem: we learned that after Ben leaves Yavin IV, Luke vanished, and Han and Leia broke up and went back to smuggling/leading a rebellion. And I can’t stress this enough, this doesn’t make any sense. The sequel trilogy killed Luke, Han, and Leia’s characters. These three characters that we have known for years would never, ever, had abandoned Ben Solo. Leia F*cking Organa and Han shot-first Solo would have brought their son back or die trying. Luke Skywalker is not a coward, he wouldn’t go into hiding and abandoned his only sister to clean up his mess during another war, let alone close himself to the Force, knowing full well he wouldn’t be able to feel if she was in danger. Just remember Han risking his life to save Luke in Hoth; or Leia leaving the rebellion to rescue Han from Jabba; or Luke straight-up disobeying ghost Obi-Wan and ghost Yoda to save Han and Leia, even if that costed the war. They were older and different, for sure, but we are talking about the quintessential things, the things that make these beloved characters themselves.

(THIS ^^. This right here is the spirit of Star Wars)

So no, in the way it was done in the movies, Ben Solo becoming Kylo Ren doesn’t make sense to the audience, and that’s a huge problem. A friend of mine suggested once that instead of being a rip-off of ANH, TFA should have been a movie about the beginning of the First Order (because after we defeat the Empire on episode VI, episode VII starting with ANOTHER all-powerful evil government already dominating the galaxy and exploding planets just throws away all the previous movies’ efforts) and about how Ben Solo becomes Kylo Ren. Just imagine if Rey, Finn and Poe had interacted with Ben Solo before he becomes evil: the stakes would have been so much higher, and it could have been well done. It would have made this character more human and likable.

2. Kylo Ren’s motivations: what does he want?

If the OT was about hope, I think we can agree that the ST’s themes are legacy and belonging. Having their protagonists, Rey and Ben/Kylo representing two apposite sides of those things was one of the best ideas for the new saga. Rey looks for belonging in the past she doesn’t know, while Kylo wants to abandon Ben Solo’s past and find his place in his future as Kylo Ren.

In that sense, his character arc was somehow solid. In TFA, it’s clear he’s still struggling with the dark side and feels the temptation of the light: he loses control easily, and he’s not doing anything unless Snoke orders him to. Ok, but why? Why is he clinging to Darth Vader’s ideals and staying in the sith path? Basically because he thinks it’s too late, and he has no other options. Which brings us back to the problem with Han and Leia: his parents didn’t go after him, they chose to go back to their old lives – of course he would think there’s no going back for him now. “But he is an adult man and could make his own decisions.” It’s a fair point, but again: sith training corrupts you and even if he had escaped, the only thing that would happen would be Snoke finding him again. It’s kinda like leaving an addiction: you supposedly can do it by yourself, but it is so much easier if you have help. Not a simple promise or offer, but actual, constant, and present help. I can not stress this enough, but I insist that one of the main problems with the sequel trilogy was not explaining in a satisfactory way HOW and WHY he turned to the dark side and stayed there.

3. Han Solo

Okay, I will admit: maybe my opinion on this specific topic is biased, because Han Solo is my favorite SW character. You may call me out as a fangirl if you don’t agree, but my point is: making Kylo Ren kill Han Solo was a bad idea. They basically killed the character for half of the audience, with zero chance of redemption.

It’s because it’s fratricide. Unless your father is Satan, the Emperor, or someone as equally villainous, fratricide is just that bad. It’s not easy to redeem a character who commits murder, but one that kills his own father? Who happens to be one of the good guys? And one of the most iconic and beloved characters in the franchise? There were other options to give Kylo Ren a tipping point, a conflicted moment that didn’t involve killing Han Solo. But they did, and he killed him. And now he’s no longer a villain we can sympathize with: now we think he’s a monster.

4. His interactions with Rey in TLJ

(I’m not wearing shipper goggles for this. I don’t even own shipper goggles when we are talking about Star Wars.)

Kylo Ren is conflicted after killing Han Solo, (and I will make a small pause here to reinforce how good Adam Driver’s acting was. He’s the only responsible for all the likable parts of Kylo Ren, especially in this movie). Kylo is once again unstable and Snoke is displeased with him, and for a moment we think he finally turned completely to the dark side, until he pauses before shooting Leia’s ship.

The force bond was the most interesting part of the movie. I don’t agree that he used it to manipulate Rey: if anything, he was completely harsh and blunt and kind of a dick to her, but he didn’t lie. He told her things how he saw it, with so much conviction that she started to see his side of the story. And since she was probably the first person in years that actually listened to him, his decision of murdering Snoke and inviting her to join the dark side makes very much sense.

We are talking about motivations and his are simple: let the past die, forge a new path. When he kills Snoke and no longer has a master, he only has one option: to become the master. That’s why he takes over the FO, and wants Rey to be his apprentice. Does the character suffer from sith-tunnel-vision? Definitely. But it makes sense. His decision-making is not overly complicated: he feels alone, and he wants a purpose: he decides that the solution for both is Rey joining him in the dark side. When she refuses, he still has one purpose: the FO.

This is, however, the point where he turns his back to the light completely: on Crait, he orders the FO to explode the Rebel Base and kill everyone, knowing full well his mother was in there. He orders them to exploded the Falcon out of the sky, once again knowing that Chewie and Rey are on board. When facing Luke, he repeats that he will kill Rey and the rebels. His transition from conflicted sith apprentice to the new villain of the franchise was actually well done.

And exactly because of that, the next topic pisses me off so much.

5. The continuity problem between episodes VIII and IX

Introducing Palpatine here was bad for so many reasons: backtracking Rey’s arc, making us think about Palps’ sex life, insisting on beating a literal dead horse when there were new things to explore, etc etc. And it was also bad for Kylo Ren’ arc. As I said before, the way they finished episode VIII, everything pointed to Kylo becoming the final evil Rey would have to face, and that would have been awesome. We didn’t need Palps, or ANOTHER all-powerful evil army ready to conquer the galaxy with exploding-planets-tech (seriously, is Alderaan a joke to you, Disn*y?).

But, in the third movie, they went back and decided they didn’t want Kylo Ren to be the ultimate villain anymore. They wanted him to be redeemed. And that’s not bad per se, but an actual redemption arc needs to be planned, and I think we can all agree, there was no planning in the sequels. And again, FRATRICIDE. So they introduced an old, more powerful evil to make Kylo Ren less evil and less of a threat in comparison. And evil so definitive, and with such a bullshit connection to Rey, that it makes Kylo reconsider his previous promises of killing the last jedi and going back to the plan of making her turn.

And so, his character spends the movie going after Rey, to tell her the bullshit truth about her parents, to convince her to join him. At least his arc is still somehow solid, because once he’s decided on his path, he doesn’t lose control like in the previous movies, and his body language is more firm and lethal. Which, honestly, thanks Adam Driver, he knew the character way better than the director at this point.

He finally comes back to the light when Leia dies. Although it was rushed, I agree that, at that point, it was literally the only thing that could have made him turn. Rey reminding him that he wouldn’t be alone if he hadn’t chosen the dark side helped, too. It was clear that the moment with Han Solo was supposed to be with Leia, but I’m really glad Harrison Ford agreed to come back to fill in the role for his old friend.

6. Ben Solo

Okay, there’s so much to unpack here. When Ben Solo finally comes out to play, it’s very good. We can finally see some things that explain Kylo Ren better – it’s so obvious how awkward he was in his own body trying to be an evil sith lord when he is clearly a natural disaster. He still suffers from tunnel vision, but at least now it’s Skywalker-do-or-die tunnel vision. It’s like a weight was lifted from his shoulders, and the way his actions scream Han Solo makes me, once again, wish the first movie had been about him, and not the whole “find a map/ Star Killer base was ANOTHER ridiculous idea / I know R2’s alignment is chaotic bastard but COME ON”.

Star Wars has a notorious story with pulling Force powers out of nowhere, and I’m not going to pretend to be an expert in SW lore, so I won’t complain about the dyad thing (and the weird stuff with the light sabers). I honestly liked the concept. There’s a lot I have to say about the final battle against Palpatine, but I think it would fit better in a future character study about Rey (God, that’s going to be another long ass post). I just want to add that after Luke insisted on her taking both light sabers to Exegol, and after all the crazy stuff Ben did to get to her, they should have, you know, actually fought side by side against 85% dead Palpatine? Aren’t these two idiots supposed to be stronger than that?? I’m not complaining about Rey bringing him down “alone” since she is the protagonist yada yada, I just wished that Ben had done something, instead of being thrown into a hole.

(Palps did that out of spite because of his grandfather? I bet he did.)

I won’t say I didn’t cry hearing the voices of the past jedi talking to Rey, because I definitely did. If anything, it was great to see so many beloved actors getting a chance to honor such iconic characters. But are you freaking shitting on us? Where were ANY of those assholes when Luke, Leia and Ben needed them, like, ten years ago?? “Well, force ghosts should not be used as ex machinas, and they don’t see the future” Tell that to episodes IV, V and VI. Anakin, Obi Wan and Yoda can show up for Vader weird funeral/party with ewoks but they can’t send a jedi signal for the Skywalkers to warn them about Sith bullshit about to happen? “They were probably ahead in the world the comes next and they didn’t have a way to come back, they just talked to Rey because Exegol is a Force nexus and-” And so is Ach-To. And so is Yavin IV. And so is Dagoba (Yes, Snoke sent Ben there for training). Look, I have no problems with Force Ghosts, I love them bastards. I’m just so freaking mad with the lack of coherence in this trilogy. If they did not talk to the Skywalkers – and I’m sure at least Luke and Ben asked Obi Wan/Anakin to show themselves A LOT – they should not have talked to Rey. It was a crowd please moment, for sure, but it was another gigantic middle finger to Ben Solo (before he becomes Kylo Ren).

And then Rey died, and Ben brings her back. I know how many funny jokes are going around in the fandom about how resurrecting Qui-Gon or Padme would have saved the galaxy so much trouble, but again, I’m okay with that. It was previously established that since they were a dyad, they had this living Force between them (although it was rushed in the final like everything else). And it does make sense Ben doing that: he had just come back to the light, and his parents were both dead. Han and Leia were gone because of him, the last time he saw Chewie was as his captor, and before that, he got shot by him, etc, you get the idea. He had nothing else, only this: the chance to make it right by a person that genuinely cared for him. Exchanging his life for Rey’s was nothing: he knew that his family would be waiting for him in the world that comes after.

So, did I like the Bendemption? It. Was. Not. A. Redemption. It was the right choice, and it made things right between him and Rey, because she forgave him for everything. But that’s it. He did not face the consequence of any of his previous actions. “But he died for her!” And we just established that it was not a difficult choice, considering that he had literally no reasons to stay alive if Rey was dead. If you want to see an actual redemption arc, go watch Avatar the Legend of Aang.

And finally, the kiss and the death. Okay, I know I’m digging my own grave by addressing that, but my mama raised no coward. Here it goes: it was fan service, pure and simple. It’s there to make part of the fanbase happy. Good for you, reylos, but to us, not shippers, it came out of nowhere. And I’m not questioning if they had feelings for each other or not: I’m talking about pacing and characterization. I’m not 100% convinced that Rey, as a character, as she was presented to us so far, would have done that. It felt out of place, and it broke the immersion of the scene. I was emotionally invested on what was going on, I was happy to see Ben smiling at her and everything, but then suddenly they were sucking faces and the “FAN SERVICE” alarm was so loud in my mind that I immediately lost interest. If they wanted that in the movie so much, there was probably a better way to do that.

It makes sense that Ben had to die to bring Rey back: one life for another and everything. I still think that, story-wise, it would have been better if none of them had died a ridiculous death, and Ben had faced the consequences of his actions as Kylo Ren, but okay, moving on. The main problem here is what happens after he dies: nothing. Absolute-effing-nothing. He dies, he disappears – which, again, I won’t question because Leia was involved and Skywalkers do whatever they want with the Force and I’m no expert – but that’s it. Rey, the same Rey that had just jumped his bones fifteen seconds earlier, doesn’t even mourn him. She doesn’t cry, she doesn’t do anything for him in the end, she just goes to Tattooine because it makes sense to the Skywalker saga to end where it started. She sees more of those Force Ghosts who never appear when they freaking should and that’s it.

Why is it bad? Well, first, like it or not, Ben Solo/Kylo Ren was one of the main characters and he deserved an actual final. Finn and Poe too, but those are long posts for another day. And second, it makes the fan-service in that kiss scene more evident. You can’t have the girl kiss him and in the next scene act like it didn’t matter at all. “Ok, then it was a thank-you kiss and there were no real feelings of loved involved”. But that makes it worse, it would be even more completely out of character for Rey – who avoids physical contact with people on the regular – to just kiss someone as a thank-you. Do you see how the math does not compute? If she had feelings for him, and therefore kissed him, she should have mourned him. If anything, she should at least miss her other part of the dyad thing. And if she didn’t mourn him because she didn’t have actual feelings, then she should not have kissed him. A little consistency, it’s all I’m asking.

7. Conclusions (aka tl;dr)

He was a somehow consistent character, but the lack of plot for the sequels was a huge problem. If the trilogy had been about Ben Solo becomes Kylo Ren – Kylo Ren kills Snoke and becomes the real villain – Rey faces Kylo Ren and she either saves him or kills him, it would have been so much better than the mess the studio did.

His story in the comics is so much more complex than what it is shown in the movies, but what they did to Han, Leia and Luke was a crime.

It was clear that one director had a vision to give him a redemption, and the other to make him the ultimate villain.

Adam Driver did what he could to make this character solid and somehow likable, let’s thank him for that.

There was no reason to bring Palps back,

Rey’s actions in the final are contradictory,

He should have stayed alive to face the consequences of his actions,

and the studio is charged guilt for getting our hopes up just to crush them with their lack of interest in doing something descent for the fans.

But again, that’s just my analysis of this character. Feel free to disagree with me, I would love to see what other people think about Ben Solo/Kylo Ren.

#character study #ben solo #kylo ren #star wars the sequel trilogy #adam driver #bendemption #star wars #long post #I got mad halfway and you can tell #rey #han solo #I blame the studio #mostly

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tsarisfanfiction · 4 years

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Melt IV

Fandom: Thunderbirds Rating: Teen Genre: Hurt/Comfort/Angst Characters: John Tracy, Scott Tracy, Virgil Tracy, Gordon Tracy, EOS

Part 4 of my entry for @gumnut-logic‘s SensorySunday: Smell. Part 1 | Part 2 | Part 3

I’d say I’ve got this fic back on track - despite John going off on me at the start of this part - but that would be a lie. I know where I think it’s going to go from here, but we’ll see if it listens to me. I’m doubtful.

“Talk to me, Scott. What happened?”

Virgil wasn’t the only one worried. All John had had was heat readings way past Scott’s suit’s parameters to deal with to tell him what was happening to his older brother as the avalanche had borne down on him and Gordon – who, aside from an increased heartrate and rising temperature in his gloves, had no maladies reaching Thunderbird Five’s sensors. Scott would no doubt be devastated when he found out that John had sacrificed Thunderbird One to the avalanche to shield them; ideally he’d have opened the cargo bay doors and swallowed both brothers up, away from the snow, but there were limitations to remote controlling Thunderbirds from space. He’d done what he could, and no matter what Scott had to say about it later, John would never regret it.

Lives before machines. Relegated to listening and watching rescues and his brothers’ recklessness (all four of them, no matter what Virgil might claim about being the responsible one), John had learnt to prioritise. A Thunderbird could be repaired, or replaced. A brother could not.

He had no desire to ever be the eldest brother, and if he had to destroy his sole big brother’s Thunderbird to keep that title away from him, then he’d do it as many times as it took. Similarly, he had no desire to end up an only child, nor indeed to have anything less than one older brother and three younger. John had always had a gift for gaining unauthorised access, but it was with his own Thunderbird that he’d honed that to the art it was now. His siblings thought he did it to help them with their missions, to take part as best he could.

They weren’t wrong; John was a member of International Rescue just as much as the rest of them. It just wasn’t the entire reason – or even the main reason, if he was honest to himself. Gaining control of the most innocent of things – a plane door, a train signal – was always to keep his brothers as safe as they could possibly be in this dangerous job their father had left in their hands.

Sometimes, John resented their father for that, in his darkest moods, when there’d been yet another too close moment, when he’d been the sole witness to a brother’s breakdown because the pressure was just too much. He resented him for leaving them, even if there was really no other way Jeff Tracy could have left the world – with a bang, saving lives.

That end awaited them, one day. One day, all together or one by one, they wouldn’t come home from a rescue and the world would mourn a hero, forgetting that heroes had families, too. Up in space, in a constant state of danger as opposed to the ever-fluctuating levels his brothers threw themselves into, John didn’t know if he’d be the first or last to follow their parents. He suspected the latter, because that was all he could ever do, wasn’t it? Watch, and be useless when he most wanted to be able to do something.

He hadn’t been useless today. He’d had Thunderbird One at his disposal, and both his brothers were alive. It was just another day of too close, bringing back to the fore the ever-lurking fear that one day too close would become too late.

EOS was taking Thunderbird Two to the nearest hospital with a burn specialist unit. Not New Zealand – for all that was their usual hospital, the local one they liked to use whenever they had a choice, there were other, better hospitals closer, and John was worried.

“The HeliPod exploded,” Scott rasped at him. He looked awful, and John didn’t bother trying to convince himself that it was just the hologram’s blue tinge making him seem pale. Enough of his big brother was being projected into his Thunderbird that he could see where his mangled uniform had been cut off, stuck to burns that should never had happened. “Some of it landed on me. Gordon tried- Gordon! John, how is Gordon?”

Typical Scott.

“Gordon is fine.” He knew for a fact that Scott had already been told that. Several times.

“Has he woken up?”

“We’re talking about what happened,” John reminded him. Gordon had woken up. In fact, he’d been awake since Virgil had put him in the cargo pod, but all three brothers had unanimously decided that Scott was a higher priority. If Scott was thinking properly, he’d have known that Virgil would not leave an unconscious patient alone for that long (as much as John hated it, as long as he was only there via hologram he didn’t count), but he wasn’t and all three of them had unashamedly preyed on his concern about Gordon to get him to co-operate.

Cruel? Probably, but Scott had long since proven that the only way to get him to even vaguely co-operate with medical care was manipulation. They’d deal with Storm Scott later when he figured it out.

“Give me an update on Gordon, Thunderbird Five.”

Of course, the downside was that Scott had a single-track mind regarding their younger brother and getting him to focus on anything else would be an absolute nightmare. Right now, John was rather concerned about an ‘exploding’ HeliPod, considering nothing Brains ever built and approved for use would explode unintentionally, and would appreciate more details.

Besides, Scott had suffered through the first stage of treatment.

“He has a broken leg and a broken wrist, but both breaks are clean,” John assured him. “His suit protected him from the cold so there’s minimal concern regarding hypothermia. His fingers have some first degree burns, but nothing of concern. And yes, he has regained consciousness.” Scott visibly relaxed, and John kept a close eye on him for an escape attempt even as a hurriedly typed message to Virgil informed him of the update to Scott’s knowledge. A moment later a text reply arrived.

Almost done w G.

“Now, what was that about the HeliPod exploding?” he asked Scott. “That shouldn’t happen.”

“I don’t know,” his brother groaned. “Gordon took us around the peak, and then it fireballed.” No, John did not like the sound of that.

He immediately pulled up all the scans of the area, looking for anything that could have possibly caused a malfunction of that level. Nothing immediately showed itself, but John was nothing if not persistent.

Especially when his brothers were involved.

“Thunderbird Two will be arriving shortly,” EOS chipped in, just as Virgil left the pod and headed back to Scott’s side.

“Thank you, EOS,” his brother said. “Scott, this is your stop.”

“What?” Scott sounded horrified at the idea, and John watched Virgil jump forwards to lightly hold him down, securing the straps enough to stop any successful escape attempts from their injured brother. “What do you mean, my stop?”

“Exactly what I said,” Virgil said matter-of-factly. “You might be conscious, but you’re still seriously injured beyond anything we can handle at base.”

“This hospital has a specialist burn unit,” John interjected, before Scott could start arguing back. It didn’t pacify their older brother at all, but there was nothing he could do about it as Thunderbird Two landed and Scott found himself being pushed out to the waiting paramedics. Virgil ushered the climbers out as well, to thanks and more apologies.

“We’re not leaving Scott there alone, are we?” Gordon asked him and he turned to his younger brother’s hologram. Of all of them, Gordon knew best what it was like to be alone in a hospital, and always made a point of ensuring none of the rest of them were alone for long. The only thing stopping him this time was his own injuries, none of which were severe enough to justify taking up hospital space when they could treat them just fine at home.

“Kayo’s on her way with Grandma,” he informed him. Their sister was furious at what little information he’d already streamed her way, and it had taken some stern words from Grandma to get her to agree to go to the hospital instead of heading for the crash site to investigate. “Scott won’t be alone.” Gordon sighed but seemed pacified enough for the moment.

There was no cameras John could legally use in the hospital, but when it came to his brothers, John wasn’t overly concerned about legality. It took barely a minute to get into the security system, tracking Scott’s journey and watching as he was taken straight to the burn ward. There was no sound, but he could see Virgil debriefing one of the physicians before heading back to Thunderbird Two.

There was nothing more John could do for his brothers; EOS kept the feed from the hospital up in the corner, always showing whichever camera was currently focused on his brother, but John had better things to do than sit and watch helplessly as they began work on Scott’s injuries, although he couldn’t help glancing over periodically to see high-grade anaesthetic being administered before treatment began.

Thunderbird Shadow was quick to appear, landing next to Thunderbird Two. John watched as hugs were exchanged, Grandma briefly entering the module to hug Gordon, and then the two women were heading inside. He directed them to the relevant ward personally, rather than letting the well-meaning staff waylay them, then watched Thunderbird Two take off for home.

Satisfied for now that his brothers were in good hands, and allowing Gordon to patch himself through to a by now agitated Alan – who had been largely kept out of the loop and therefore getting more and more frustrated ever since Thunderbird Shadow had taken off – he turned his attention to the biggest concern of the day.

He needed to talk to Brains.

Part 5

#sensorysunday #sensorysunday2020 #thunderbirds are go #thunderbirds are go fanfiction #tsari writes fanfiction #john tracy #scott tracy #virgil tracy #gordon tracy #alan tracy #eos #kayo kyrano #grandma tracy #melt

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skottydawgblog · 3 years

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Top 25 Albums of All Time

Scott Welsch

Criteria:

Every song on the album must be attractive for listening. No “skippers” on the album. No, “Eh, that song kinda sucks” on the album. *Greatest Hits albums ARE NOT acceptable for this list. (This rule devastates me, as it disqualifies Foo Fighters)

2. The album/music/lyrics should still be relevant (and listenable) today.

3. The artist can’t just be for a specific crowd or followers (e.g. Jimmy Buffet, Grateful Dead, Moody Blues, etc.).

4. There is no need for the album to have won any awards or previous recognition.

5. I could have easily made this a “Top 100”, but I have a life.

TOP TWENTY FIVE ALBUMS OF ALL TIME:

#25 Billy Joel — Glass Houses

I played this album at bedtime growing up. I listened to side one, flipped the album, then listened to side two until the needle lulled me to sleep by making the “click click” noise at the end of the record. The album features Billy Joel’s first song to reach #1 status on Billboard (Still Rock and Roll To Me).

#24 Guns n Roses — Appetite For Destruction

My best friend in the 80s said to me, “Have you heard of this new band?” and handed me a cassette tape (in 1987). I listened to the entire cassette from start to finish the first time, and thought to myself, “Oh, man. These guys are gonna be huge.” Sure enough, Guns n Roses became one of the best-known names in modern rock. Their debut album (Appetite) has a buffet of glorious songs to listen to. Repeatedly.

#23 Elton John — Goodbye Yellow Brick Road

Elton John released this album as a two-disc set because he ended up writing and recording more songs than required by his recording company for the release. His creativity had kicked in full force (and then some). He recorded it in Jamaica (the country, not the neighborhood in Queens, NY).

#22 Red Hot Chili Peppers — Blood Sugar Sex Magik

The Chili Peppers’ fifth studio album, BSSM pushed them into mainstream. Prior to this album, the closest they had gotten was with a Stevie Wonder cover of Higher Ground on the Mother’s Milk album. No one has ever duplicated the variety of melodic undertones created by the combination of acid-rock, soul-funk, early alt-rock, and blues style on BSSM.

#21 Billy Idol — Billy Idol

Billy Idol’s debut album, released in 1982, was an absolute success after his breakup with the band Generation X. The song Dancing With Myself (track 11 on the 1983 reissue of the album) was actually a song originally recorded BY Generation X (with Billy Idol on lead vocals). It was a retail failure when released with Generation X, but when Billy Idol re-recorded and re-released it as a solo artist, it went mainstream.

#20 The Police — Zenyatta Mondotta

This was the last album The Police recorded by combining their reggae and punk music style before they switched to a more “popular” music style. Songs like Canary In A Coal Mine and Bombs Away had innuendos of political undertones, while Don’t Stand So Close To Me and De Do Do Do De Da Da Da were more lackadaisical and humorous.

#19 Van Halen — Van Halen

This album is an anomaly. Van Halen is a very well known band. They produced twelve albums. Yet, this is their debut album and has their legacy songs. The album has reached Diamond status by selling over ten million copies. It has one of the best-known guitar instrumental songs in history (eruption).

#18 Nirvana — Nevermind

This is my nod to the Foo Fighters, since they are not eligible for the list. Nevermind was the cork that popped and brought alternative rock (as a whole) into the mainstream. It basically created a whole new genre of both musicians and fans.

#17 Lynyrd Skynyrd — (Pronounced Lĕh-’nérd ‘Skin-’nérd)

Well…Free Bird, of course. I don’t need to write any about this album more than that.

#16 Pink Floyd — The Wall

I used to just listen to this album and watch the movie because it was the cool thing to do. Then, once I picked apart the meaning behind both (the music and the screenplay), it was totally eye opening. Pink Floyd was successful at concept before concept was cool.

#15 The Doors — The Doors

The Doors recorded this album in less than a month, yet it will inspire musicians for centuries. Critics often rate it the best album of all time.

#14 Rainmakers — Rainmakers

The Rainmakers self-titled album epitomizes my “100%” criterion. Every well written song tells a story, either historically or humorously. Also, The Rainmakers made rockabilly cool when no one knew what rockabilly was.

#13 Rush — Moving Pictures

With so many amazing Rush albums to choose from, it was difficult to pick just one. However, the rules of my list narrowed it down to Moving Pictures. I have spent countless nights in my life listening to this album from start to finish. Although Side B has no songs that ever received radio play, they are still AMAZING songs.

#12 Linkin Park — Hybrid Theory

This debut album launched Linkin Park into their river of greatness. Linkin Park was initially rejected by 42 recording agents before recording Hybrid Theory and becoming one of the all-time greatest alt rock bands.

#11 Beastie Boys — Licensed To Ill

Licensed To Ill is one of the fastest selling debut albums in history. It gained Diamond status (over 10 million copies). Some claim that Licensed To Ill is the best punk rap album ever released.

#10 Van Halen–5150

5150 was Van Halen’s debut album with Sammy Hagar as lead singer. Each song has crisp, clear instrumentals and incredibly well written music. Although the album received negative reviews from critics, each song creates different feelings and scenarios with the tempos and feelings. I know, I know. Van Halen is already on this list. However, as stated: this album is with Sammy Hagar as lead singer. The previous one was David Lee Roth.

#9 Violent Femmes — Violent Femmes

This was Violent Femmes debut album. It was the party album of the eighties. Every partygoer knew every lyric to every song. The Femmes had one of the most distinctive sounds of the times and remains an enduring classic. The minimalism and simplicity of their music created the attractiveness, and their lyrics are a drug.

#8 New Order — Substance

This is a compilation (2 disc) album. NOT a greatest hits album. It contains a ton of great New Order music. The only reason I made the exception (of “Greatest Hits”) is because it has a “B” sides disc included with many unreleased, 12-inch, and dub versions of the original songs. For New Order fans, this is a gold mine.

#7 The Who — Who’s Next

There are so many great tracks on here. The primary reason this one made the list is Baba O’Riley. This song (often mislabeled as Teenage Wasteland) was originally 30 minutes long. I would have had no problem with the song being that long.

#6 Prince — Purple Rain

Purple Rain had innovation that was unheard of in the early ’80s. For example, When Doves Cry does not have a bass line. The consolidation of R&B with rock was a new concept. Lastly, Prince’s guitar playing on this album was out of this world.

#5 U2 — Joshua Tree

Bono’s “great romance” and fascination with the United States served as the inspirations for The Joshua Tree. I wonder if Bono would have found today’s United States as inspirational? One of the BEST songs on this album- Running To Stand Still.

#4 AC/DC — Back In Black

This is one of the best-selling albums in history. It is AC/DC’s leanest, meanest album of all-time. It will always sound timeless and simple, yet savagely crafted.

#3 Led Zeppelin — IV

This album defined not only Led Zeppelin but the sound and style of 70s hard rock. It encompassed heavy metal, folk, pure rock-and-roll, and blues. This album not only served as a cornerstone but also a turning point for the future of music. Just don’t ask a guitar player to play Stairway (or Freebird).

#2 Nine Inch Nails — Downward Spiral

It’s no surprise that Trent Reznor collaborated with Jane’s Addiction drummer Stephen Perkins on this album. The instrumentation throughout the album is amazing. Every song leads into the next (it should, as it’s a concept album). Just don’t listen to the lyrics too closely. It could prove very, very depressing!

#1 Pearl Jam — Ten

Ten was the debut album from Pearl Jam in August 1991. Although most consider Pearl Jam a “Grunge” band, the album is more classic rock music. Most of the songs on the album began as simple instrumental band jam sessions that Eddie Vedder then wrote lyrics to go along with. The songs on Ten, despite their deep, dark lyrics, will remain on playlists for generations to come. Ten is powerful, insightful, deep, dark, thought provoking, and brilliant. “Why is the album named ‘Ten’?” you ask, when there are eleven tracks on it? Jeff Ament’s (the band’s bass player) love for NBA point guard Mookie Blaylock provided the inspiration. Blaylock’s involvement in a tragic car accident hit Pearl Jam like an injury to a family member. Blaylock’s jersey number was — you guessed it — Ten.

HONORABLE MENTION:

Steve Miller Band — Book of Dreams

This album has a few legendary songs on it: Jet Airliner, Swingtown, Jungle Love, and True Fine Love. The only reason it did not meet the cut is because it has some “eh” songs on it. However, a host can play this album straight through at a party or a get together, and no one will complain.

The Cars — The Cars

This is an amazing album. Clean, crisp guitar. Ric Ocasek’s vocals and lyrics are powerful. However, two songs (I’m In Touch With Your World and Dontcha Stop) prevent this album from meeting the “100%” criterion.

#rock music #music

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cpp93227 · 3 years

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18th Floor, Henley Building,5 Queen's Road Central, Hong Kong Tel: +852 2810 0863 Email: [email protected]/

Dated: 23 March 2021

BY POST & BY EMAIL

The Honourable Ms. Michelle Bachelet Jeria

Office of the United Nations High Commissioner for Human Rights (OHCHR) Palais des Nations CH-1211 Geneva 10, Switzerland

Email: [email protected]

Dear High Commissioner,

Responses of the International ProBono Legal Services Association concerning Allegations against China in the “2021 World Human Rights Report” issued by Human Rights Watch

INTRODUCTION

The International ProBono Legal Services Association (IPLSA)

1. The IPLSA was founded in June 2018, as a non-profit organization registered in the Hong Kong Special Administrative Region (Hong Kong) of the People's Republic of China (PRC). 2. The core objectives of the IPLSA are: –

i. To provide for or assist in the relief of the poor or necessitous persons for the benefit of the Hong Kong community;

ii. For the advancement of legal education, to provide for or assist in the advancement of education, learning or legal concepts;

iii. For the advancement of legal education, to promote international legal exchanges;

iv. For the advancement of legal education and relief of poverty, to promote and motivate youngsters, including young lawyers, to have a greater vision of the global legal framework, and to provide for or assist in the relief of poverty; and

v. For the advancement of legal education, and to patronize all works and matters in respect of legal education for the young lawyers and students.

Human Rights Watch (HRW)

3. Human Rights Watch is an international, non-governmental organisation that focuses on human rights worldwide, with its headquarters in New York, USA.

4. On 13 January 2021, HRW released a report entitled: “2021 World Human Rights Report” (the Report). The Report covers more than 100 countries, and HRW asserts that its aim is to examine human rights conditions around the world. However, as with their other reports of recent years, the Report has largely targeted China, claiming a human rights deterioration.

5. In its China section, the Report insinuates at the outset that China’s anti-epidemic actions were mere attempts to conceal the outbreak. This is in spite of the fact that China promptly alerted the World Health Organization, and other countries, to the outbreak. The Report even describes the

imposition of lockdowns on Wuhan and several other regions as “acts of authoritarianism”. However, China’s vigorous epidemic prevention and control efforts have been hailed by experts as far-sighted and crucial, with other countries subsequently emulating its example. This slur, however, was simply a foretaste of what follows.

6. The IPLSA finds it extraordinary that what is basically an anti-China rant has been presented to the world as objective reporting. The Report contains extravagant allegations of human rights violations in China, which are defamatory, tendentious and unsubstantiated. It even concludes that “there has been a growing deterioration in China’s human rights situation”, which is far removed from reality, and could have been lifted out of the songbook of any of its geopolitical rivals.

7. As the IPSLA is, in particular, deeply aggrieved at the Report’s misleading picture of the situation in Hong Kong, which will have given observers a wholly false impression, it is left with no choice but to try to put the record straight. As a first step, a media briefing is being scheduled for 23 March 2021 in Room 502 of the Legislative Council Complex, Hong Kong, China.

Xinjiang

8. In recent years, issues related to Xinjiang have been politicized by the HRW, and others. The impression that this is being done in order to discredit China is unavoidable. The report is, frankly, a mishmash of half-baked theories and twisted analyses culled from hostile reports in the Western media. Rumours are treated as facts, slurs are presented as truths, and mountains are made out of molehills. Although catchphrases like “large-scale surveillance”, “forced labour”, “genocide”, and the like are waved around, what is wholly lacking is any attempt at objective reporting.

9. The IPLSA will itself be conducting a fact-finding mission of its own in Xinjiang (and Tibet) in the third quarter of 2021 and will thereafter make its conclusions known to a wider audience, including the HRW, which appears to have relied wholly upon unauthenticated reports and hearsay.

Hong Kong SAR

10.In relation to Hong Kong, the IPLSA is able to confirm from its experiences on the ground that the Report is primarily fiction. In 2019, an insurrection was launched, which injured many people, including police officers, who were routinely attacked with Molotov cocktails and other weapons, caused huge damage to public and private property, caused many people to lose their jobs as businesses closed, turned universities into bomb factories, blocked highways, preventing people from getting to work and children from attending school, and targeted people from other parts of China or with different opinions, including one man whom the protesters killed with a brick and another they set on fire after he argued with them.

11.Although the Hong Kong Police Force, with bravery and professionalism, saved the city from destruction, without, amazingly, any of the fatalities which have arisen recently in police anti-riot operations in, for example, Chile, France, and the United States, this has been consistently disregarded by the HRW, which is wedded to an anti-China agenda. Although the protest movement and its armed wing sought to destroy Hong Kong and provoke an armed confrontation with Beijing, knowing that this would spell the end of one country, two systems, they did not succeed, and the city has largely returned to normal. Instead of congratulating the city upon its survival and the central government for its restraint, HRW has continued to whitewash the protest movement and its political backers, even though they almost destroyed one country, two systems.

12.It is mind-boggling that, in its Hong Kong reportage, the Report completely disregards the Independent Police Complaints Council, which, in May 2020, issued a 999-page report on the recently concluded protests. It largely exonerated the police force of misconduct in relation to the protest-related violence which began on 9 June 2019, and placed responsibility for the horrors which wracked the city squarely at the feet of its perpetrators, the protest movement and its armed wing. That HRW has disregarded the IPCC report, is, the IPLSA considers, proof positive of its determination to suppress the truth and mislead the world.

13.The Report, moreover, misdescribes the National Security Law for Hong Kong, which was promulgated on 30 June 2020, as “the most aggressive assault on Hong Kong people’s freedom since the transfer of sovereignty in 1997”. In fact, this new law has restored peace and stability to the city, ended the widespread violence and the bombings, been welcomed by businesses and the law-abiding public, and enabled our educational institutions to function again. It has, in short, saved one country, two systems from those who wished to destroy it, knowing full well that, if it failed, this would harm China as a whole, which is precisely what they, and their foreign backers wanted.

14. Once again, however, the Report, in its eagerness to demonize the National Security Law, conceals the important truth that the new law is actually human rights heavy. It even stipulates that, in its application, the International Covenant on Civil and Political Rights applies (Art.4). It also states that the presumption of innocence must be respected, together with other fair trial guarantees (Art.5), although the Report reveals none of this to its readers. It is, in fact, from start to finish, an exercise in deception.

15.Whereas the Report, moreover, mentions that a “pro-democracy” legislator had to be removed from the acting chairmanship of the Legislative Council’s House Committee, it fails to disclose that this was simply because, for seven months, he abused his position by not only preventing a new chair from being elected, but also blocking the passage of any legislation, thereby frustrating the work of government. In many places, this is tantamount to misconduct in public office, yet the Report seeks to place a favourable gloss upon this systemic abuse of parliamentary procedures. Although it highlights the arrest of various prominent people for their alleged involvement in offences against public order, the Report does not mention that they are all entitled to a fair trial according to law and will only be convicted if prosecutors have proved their guilt beyond a reasonable doubt.

16.Indeed, although the Report mentions that the media tycoon Jimmy Lai is being prosecuted for participation in an allegedly unauthorized march, it ignores his acquittal last year, after a fair trial, of a charge of criminal intimidation, which speaks volumes for HRW’s real agenda. While the Report plays up the disqualification of particular members of the Legislative Council, it fails to explain that this was because they had violated their oaths of office, with some of them even having urged foreign powers to harm Hong Kong and its officials, something that would be viewed as intolerable throughout the world.

17.As the IPLSA is based in Hong Kong, it is able to provide first-hand accounts of recent events. This is reflected in its report in support of these responses and entitled: The Fallacies about Human Rights Watch’s Report and Facts about Human Rights in China.

RESPONESES

18.In light of these matters, the IPLSA concludes that the Report is unprofessional, biased, and politically tainted. In relation to Hong Kong, key incidents are either ignored, or else distorted and misrepresented. Particular events are taken out of context, and no attempt is made to explain the basis of governmental initiatives. Although basic facts could easily have been ascertained, this has not been done, and this raises real concerns over the motivations of its authors. The Report has been compiled in a way designed to place the PRC in the worst possible light, and to portray a false picture of events in Hong Kong, and this must be called out and condemned unreservedly.

19.Whenever situations like this arise, it not only embarrasses its victims, but also brings human rights reporting in general into disrepute. When such reporting is devalued, it leaves the public uncertain as to what can and cannot be believed, and this affects adversely even genuine areas of concern. The IPLSA, therefore, invites the United Nations to have no truck with the Report, to urge HRW to aspire to objective reporting in future, and to use its good offices to ensure that NGO’s operating in the area of human rights do not debase their operations by mis-reporting of this type. DS

20.If the IPLSA can be of any further assistance, please do not hesitate to contact us at [email protected].

Yours sincerely,

INTERNATIONAL PROBONO LEGAL SERVICES ASSOCIATION LIMITED

#The International ProBono Legal Services Associatio

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mamthew · 4 years

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A Final Fantasy Ranking

Over the course of the quarantine, and because I had such a good time with the Final Fantasy VII Remake, I've ended up blazing through a ton of Final Fantasy games. Since April, I've played IV, V, VI, VII, VIII, IX, X, XII, and XIII. 6, 7, 9, and 10 I'd beaten before. 4, 12, and 13 I'd played to some capacity before. 5 and 8 were completely new experiences. I had no interest in going further back than IV, since it was the first one to really put any effort into character work, and I didn't play either MMO because MMOs don't really appeal to me (I'm planning to try XIV whenever this new update drops that makes the story mode more accessible, but it keeps getting pushed back so oh well). I also didn't replay XV because I've played XV three times and watched other people play it in its entirety twice, so I have a much better handle on it than any other game in the series.

Anyway, I didn't really have any plans for what I'd do with this, besides get a better understanding of the series as a whole, but I was kinda inspired to do my own Final Fantasy ranking. I'll probably be a bit more detailed than I should be because I tend to overanalyze my media and end up having too much to say. I’m actually not placing VII Remake in this ranking half because I regard it as a spinoff and half because it’s not yet a complete story, even though Part 1 is unquestionably a complete game. If I were to put it somewhere, it would probably be close to the top, possibly even in second place. Also worth noting that this is gonna have SPOILERS for every game I discuss here. I really just wanna use this as a place to nail down some of my thoughts on these games, so they’re pretty stream of consciousness and I didn’t bother avoiding any details from the plots.

10: Final Fantasy VIII.

I don’t think there’s another game in the series with a more obvious corporate hand in it than VIII. It’s kinda the Fant4stic of FF games; there are the bones of a substantive game in there somewhere, but every aspect of the game is such a bald attempt at checking off a 1999 list of “things gamers want” that the whole affair feels hollow and sickening. A major trend I’ve noticed throughout this series is the extent to which FFVII’s success pushed the architects of almost every subsequent game to try to recapture whatever it was that worked about VII, and VIII got the worst of it. It’s got the sullen guy with a special sword. It’s got the sci-fi. It’s got the terrorists with hearts of gold fighting against an oppressive state. It’s got the train scenes. It’s got the case(s) of amnesia that hides the true premise of the story. It’s got the ability to give any character any loadout.

Besides that, they kinda crammed in just a bunch of stuff popular with kids at the time. Jurassic Park? It’s in there. Beauty and the Beast? Here’s the ballroom scene. Hunchback of Notre Dame? Here’s that carnival. Alien? Now you’re alone on a spaceship running away from a horror monster. Saving Private Ryan? The party shares brains with war veterans and dreams of their experiences at war I guess. Half of anime? It’s all about a high school for mercenaries and the party is trying to get back in time for the school festival. Fandom culture? Zines are a collectible item, and each one you find adds an update to Selphie's Geocities page. It also has astronauts, and transformers, and a haunted castle, and a prison break, and Rome, and Alpine Wakanda, and war crimes, and lion cubs that have attained enlightenment, and there’s almost no connective tissue from one idea to the next.

Also the junction system is convoluted and terrible, using magic makes your stats worse, all enemies level up every time you do, and I couldn’t tell you which character excelled in what stats. The characters were all very flat, and the first time I felt like I was seeing the characters interact in ways that helped me to understand them was in the cutscene that plays during the end credits.

Also the female lead’s role in the story changes entirely with no warning every five hours or so. She’s a terrorist, oh no she’s aristocracy in the country she’s terroristing against, oh no she’s jealous of the others because they grew up together and she didn’t, oh no she’s Sandra Bullock in Gravity, oh no she’s the villain and it’s too dangerous to let her out, oh no it’s actually fine and they were bad for locking her up.

It’s an absolute disaster of a game. However, the music and background art is absolutely beautiful. Maybe they never gave me a good enough reason to be in an evil time traveling haunted castle, but damn is it a gorgeous rendering of an evil time traveling haunted castle.

9: Final Fantasy XII.

I’ve known for years that FFXII had issues in development. The writers came up with a story for it, and execs got scared because there were no young characters and they’d convinced themselves that young protagonists are what makes games sell. So two more characters - Vaan and Penelo - were added, one was framed as the protagonist of the story, and the entire story was rewritten so it could feasibly be from his perspective.

While the two characters they added are egregiously tangential to the plot, XII honestly has no protagonist. The writers originally wanted Basch to be the protagonist, but his entire arc is really just following Ashe around and being sad about his evil twin. Ashe is probably the most important to the story, but doesn’t have much presence for a good chunk of the story, and makes her most character-defining choice offscreen before having it stolen from her by a side character. Balthier has the largest presence in the story, and is most closely related to most of the events of the story, but has pretty much no role in the ending.

Honestly, if I were writing FFXII and told it needed a young protagonist, I would have aged up and expanded the role of Larsa, the brother of the main villain, who shows up as a temporary party member from time to time. The entire game is about family ties, and a journey spotlighting Larsa could have involved his learning about Ashe, Basch, Balthier and Fran’s family situations and using their experiences to grapple with his own. Damn, now I’m sitting here thinking about how good that could have been.

As it is, the game feels disjointed and aimless, and the ending is so bad it’s farcical. When I reached the ending, I watched Basch and Ashe forgive Basch’s evil twin for his villainy rampage, harking back to the moment earlier in the game when Ashe turned down the chance to gain powers that would have allowed her to avenge her country because she realized that those powers could also drive her to hurt innocents in the crossfire. In this moment, I realized how Vaan fit in as the protagonist of the game. “Oh, he’s going to realize that violence begets violence, and that he must break the cycle by forgiving Vayne for the death of his brother. He’s going to let go of that hatred he’s been trying to push onto someone for so long, and it’ll finally allow him to heal.” I realized that even though the road to this point was rocky, the writers had managed to craft a satisfying ending from the seemingly disparate pieces of this uneven plot.

And then Vaan picked up a sword and screamed AAAAAAAAAAA and charged Vayne down and stabbed him, and Vayne turned into a shrapnel robot dragon and exploded all the star wars ships and I threw my controller aside and laughed uncontrollably while my characters beat him up and completed the game on their own without any further input from me.

Oh yeah, the battle system is also incredibly boring. Instead of battling, the player writes up an AI script for each character, then lets them act based on those scripts. I would straight up put the controller down and watch youtube videos whenever a group of enemies showed up. I was pretty excited about the job system, but then there didn’t really feel like much of a difference between jobs, and my characters all behaved pretty much the same as each other.

The hands-off battle system, unfocused story, lethargic voice acting, and tuneless music all left me pretty uninvested in the whole affair. The art style and locations are beautiful, though, and it did make me want to eventually check out some of the Tactics games, which take place in the same universe but are supposed to have excellent stories and gameplay.

8: Final Fantasy XIII.

I’m not sure I’ve ever had two such opposing opinions of a game’s story vs. its gameplay. This game is the only one that plays with a bunch of story elements from FFIX, which did a lot to endear it to me. It’s sort of a game in which the protagonists are Kuja, the villain of IX. Like Kuja, they are created as tools by an uncaring god for the purpose of fighting against one world on behalf of another world, and are subsequently forced to grapple with the horrors of having an artificially shortened lifespan.

The story actually has a lot of Leftist themes, too. The gods of that universe spread ideology among the populace, and the people unquestioningly believe these false stories, as the gods have provided for them for as long as there has been written history. Much of the character arcs center on the characters being forcibly removed from their places within those ideological frameworks and having to unlearn what they’d always believed to be objectively true about the world.

So the story actually is pretty good, but it’s held back by some really clumsy storytelling; it constantly uses undefined jargon, has almost no side characters with which it might flesh out the world, actively fights against players trying to glean information from environmental details, and maintains (at least for me) a weird disconnect between the characters in the gameplay and the characters in the cutscenes. I think this partly stems from Square’s original failed plan for FFXIII to be the first game in a much larger series of games sharing themes and major story details. Despite these issues, however, the characters are all likeable and (mostly) believable, and their interactions are grounded in real emotional weight even while their universe feels intangible.

This all got dragged down by the gameplay, which is total dogshit. It’s got the worst battle system I think I’ve seen in an RPG. The game only stops being doggedly, unflinchingly linear about thirty hours in, the whole game took me about fifty hours, and I spent the last fifteen hours beating my head against each individual battle, waiting until the system hiccuped long enough to accidentally slide me a win. That meant I had about a five hour window of euphoric play, convinced that I actually loved this game, thrilled with every new experience it gave me, and excited to see what would happen next. I guess those five hours are what pushed this game over XII in my ranking.

7: Final Fantasy V.

Until FFXV, this game was the last of the “Warriors of Light” games, in which the game follows a party of four set characters for its entirety. To this day, it’s the last of the “Warriors of Light” games to let the player customize which character holds which roles through the job system.

FFV’s job system is the reason to play the game. Its story is mediocre, and its characters are all fairly flat, but there’s something viscerally satisfying about building party members up in jobs that might enhance the role they ultimately will fill. For my mage character, I maxed out Black Mage, Blue Mage, Mystic Knight, Summoner, and Geomancer. Then at the end, I switched her to a Freelancer with Black Magic and Summoning, and she kept all the passive skills for those jobs and also the highest stats across those jobs.

It was super fun and kind of a shift of focus for me, since I tend to place story above anything else in games. Despite the story not being special, though, the game’s writing is actually a ton of fun. It’s definitely got the most comic relief in the series, and I came away loving Gilgamesh as much as everyone else does.

And while it’s nothing special graphically, it does have some really cool enemy designs, and the final boss design is one of the most memorable ones they’ve ever done. Which is impressive because I keep having to look up Exdeath’s name because the character himself is super forgettable.

6: Final Fantasy IV.

This wasn’t the first game in the series to feature actual characters with names and depth, but I have no interest in playing FFII, so it might as well be. I actually played the DS Remake for this game, so it definitely had some quality of life improvements, like full 3d characters and maps, voice acting, an updated script, the ability to actually see the ATB gauge, and the ability to switch to other characters whose turns are ready without using a turn.

Apparently one thing the remake didn’t do was rebalance the difficulty for more modern sensibilities. Instead, this remake is...harder? It requires more grinding than the original? Why??

Either way, though, the story is actually solid! The game opens on its protagonist, Cecil, committing a war crime on the orders of his king, who raised him as a child. The first ten hours of so of the game follows Cecil as he tries to understand why he was ordered to kill so many innocents, turns his back on his country, and works to redeem himself.

This arc is reinforced by the game mechanics, too, which is super clever. His redemption is marked by a change in job from a Dark Knight to a Paladin, which also resets his level. For a time, his life is considerably harder because he’s finding his footing as a new person, which is marked by battles which had been easy becoming much harder for the player for a time.

This game places storytelling over gameplay more than I think any other game in the series. Each character is locked into a job, which I much prefer in my RPGs to games where characters function pretty much interchangeably. I dunno if it’s because I cut my RPG teeth on Tales, but it really bugs me when I can give Tifa the exact same loadout as Barret. I want the lives of the characters to bleed into their functions as gameplay devices.

However, the developers clearly had a ton of different jobs they wanted to add to their game, but hadn’t figured out how to allow for the player to switch in and out party members in standby. To fix this, they increased the in-battle party to five characters rather than or four (or the later constantly frustrating three), rotated the roster a ton, and had a ton of characters who straight up leave permanently. One character dies and never comes back. Two characters die and only are revived after it’s too late to rejoin the party. Four characters end up too injured to continue traveling.

This let the developers make a ton of jobs, but it doesn’t let the player exploit these jobs to their fullest. Characters’ stats reflect their role in the story, as well. One character is quickly aging out of adventuring, so his magic stats increase on levels, but his attack and defense stats actually decrease, signifying his failing body. Another character has already achieved some form of enlightenment, so he gains no stats when he levels up at all. The purpose of IV is the story, over any other aspect of the game, which makes it even more mindboggling that the remake would have increased the difficulty.

Besides that, the biggest issue I had with this game was the overbearing constant drama of it. While there were a few more lighthearted parts, they were mostly relegated to NPC dialogue and sidequests. The characters in this game don’t become friends so much as they become companions who bonded over shared tragedies, and this makes for quite a few scenes of every character separately wallowing in their own immeasurable sadness. I played FFV directly after this game and the light story and jokey dialogue was a much-needed palette cleanser.

5: Final Fantasy VI.

Before the unexpected success of FFVII irreparably changed the franchise, Square constantly mixed up the story formula for the series. IV, V and VI all handled their stories really differently from each other, and what I remember of III also felt fairly different from the games that came after.

Every game from VII on had a very clear protagonist (except XII, whose botched protagonist was still clearly marketed as the protagonist). The concept of the Dissidia crossover series is built on the idea that every FF has a protagonist at the center of its story. FFVI’s Dissidia character is Terra, but Terra is not the protagonist of FFVI.

Apparently while developing FFVI, the directors decided they didn’t want the game to have a clear protagonist, so they asked the staff to staff to submit concepts for characters, and they’d use as many as they could. This game has fourteen characters, each with their own fun gameplay gimmick in battles. Three of the characters are secret, and one can permanently die halfway through if the player takes the wrong actions. Of these fourteen characters, the main story heavily revolves around 3-6 of them, while five more have substantial character arcs.

There’s kind of a schism in the fandom over whether this game or VII is the best one in the series, and I can see why; this game is absolutely fascinating. No other game in the series has done what this game did, which means it’s one of the two FF games I really want to see remade after they complete this VII remake.

The first half is very linear. It breaks the beginning party into three pieces, then sends each character to a different continent, where they meet more characters and build their own parties before everyone reunites. Once the story has taken the player everywhere in the world, the apocalypse hits. The villain’s evil plan succeeds and tears the entire world apart.

The second half of the game picks up a year later with one character finally getting a raft and escaping the island on which she’s been marooned. In this half, the player navigates the world, which has all the same locations, but in completely different parts of the map. The driving factor for much of the second half is to learn from incidental dialogue where each party member has gone in this new world, to track them down, and to try to fix some of the bad that’s been done to the world before finally stopping the villain who destroyed it.

It’s unique and clever and occasionally legitimately tugs at the heartstrings some, which is impressive for a poorly translated SNES game. The final dungeon is a masterpiece all on its own. It requires the player to make three parties of up to four characters, then send them in and switch between them as new roads open. This way, the game manages to feel like an ensemble piece up to the very end.

4: Final Fantasy VII.

As I previously mentioned, there’s kind of a schism in the fandom over whether FFVI or FFVII is the best game in the series. Neither is the best game in the series. FFVII is better than FFVI. Oops.

When I was first drafting up this list, it was before I’d reached my replays of VI or VII, and I tentatively placed them next to each other, with the strong assumption that I’d end up placing VI a bit higher than VII, since it has so many strongly differentiated characters with solid story arcs, beautiful artwork, great music, etc. etc. Then I reached FFVII and not even four hours in, I realized it would have to be higher on my list than VI.

VI has a better battle system, its characters are much more differentiated by their gameplay, its character sprites have aged much better than VII’s character models, and it has four party members in battles instead of three. But I couldn’t overlook VII’s gorgeous artwork, sharp character work, and character-driven story. In the end, I had to give it the edge.

VII is a strange beast. It simultaneously really holds up and has aged horribly. The story is excellent and I love the characters, but the actual line-to-line writing is pretty bad, making the whole experience of the game a bit like swimming upstream; you’re getting somewhere good, but the age of the game is still pushing you back the best it can. Similarly, the background artwork is fantastic and gives the game locations a sense of place incomparable to anything that had come before it, but the character models are so low-poly that the two are constantly at odds with each other.

Still, the game is more a good game than it is an old one. I think it’s managed to duck the absurd level of hype around it by actually being very different from what the most popular images of it make it out to be, if that makes sense. The super futuristic techno-dystopia city only makes up a very small portion of the larger game, and most newcomers to the game won’t have seen Junon, or Corel, or Cosmo Canyon. Heck, I didn’t know Cait Sith or Red XIII were characters before I played the game for the first time. One of the many reasons I’m excited for the rest of this remake is to see newcomers to the story learning just how much variety there is to the world, events, and characters of this game.

FFVII also began (and pulled off really well) a number of storytelling trends that continued in subsequent games in the series. Obviously, almost every game since this one has a clear protagonist with a cool sword for cosplayers to recreate, and an androgynous villain whose story is closely linked to the protagonist (or one villain who is linked to the protagonist and a second one whose purpose is to look like Sephiroth), but it’s started broader, more quality shifts, too.

FFVII is the first game in the series to try to give all its characters arcs based on a similar theme, for example, a trend that has helped give it and future games a sense of thematic unity, especially in IX, X, and XV. Heck, that trend was why I almost came around on XII before they nuked it. It was also the first game in the series to have a real ending, rather than closing out with essentially a curtain call featuring all the party members, like they did in IV through VI (and I assume earlier).

Another common feature of FF games that it didn’t start with VII but certainly was canonized with it was the mid-game plot twist tying the protagonist to both the villain and the larger story. FFIV had this as well, of course, but I feel like the orphanage twist in VIII, the Zanarkand dream twist in X, and the time skip twist in XV were all meant to recall VII’s twist of Cloud’s…very complex existence (IX’s two worlds twist actually is a clear homage to IV, but it’d be hard to argue that Zidane’s connection to Kuja - and the character of Kuja generally - weren’t more influenced by VII).

2: Final Fantasy X and Final Fantasy XV.

Sorry, this one is a two-fer. I’m not gonna spend too much time on why I placed these two together in the #2 spot (I wrote a long thing on it here, if you’re interested). In summary, the games kinda mirror each other, in story and design. Each game can be seen in the negative space of what the other game leaves out, and at the end, the characters react to similar situations in completely opposite ways. For this reason, and that they’re of comparable quality, I think they’re best viewed as companion pieces.

FFX was the first mainline Final Fantasy game I ever completed, six years late. It was the first FF game with voice acting and many fully modeled locations. It also kinda marks the beginning of the series’ constant changes to the battle system.

That’s not to say the previous games’ battle systems didn’t also differ from each other, but they all had the same setup, with levels and an ATB gauge. This was the first game since III not to have any real-time element to its battle system, nor numbered levels gained through experience points. Since X, no two FF battle systems have been remotely comparable, which is cool and innovative and keeps things fresh, but also means I’ve been starved for just a regular ATB FF game for too long.

In many ways, FFX feels like a bridge between the PS1 games and the later games. It feels much more streamlined than VII, VIII, or IX, in terms of both storytelling and design. The game is very linear, pushing the player from one area to the next and not allowing much backtracking until the very end. It also loses the aging look of the PS1 games’ menus and UI, finally updating the classic font and the blue menus with white borders to fully modernized and sleek graphics.

However, movement still feels very similar to movement in VIII and IX, the music definitely evokes the PS1 games more than the later games, and most locations are portrayed with beautifully painted backgrounds, rather than modeled in (which I actually prefer, and I was glad to see that VII Remake has gone back to that in some places).

Voice acting in this game is phenomenal for 2001, and honestly on par with many contemporary games. I can’t think of a voice actor for the main cast who didn’t do a great job. Tidus’s narration, especially, is emotional and evocative in all the right ways. Grounding the plot in a very personal story about Tidus’s difficulty coming to terms with and proving himself to his abusive father keeps the story relatable and real.

Something interesting about my experience with X is that because it was my first Final Fantasy game, I thought for a very long time that the series was about organized religion, and the ways it is used to justify evil acts. This might be the only game of the ones I’ve played that is about organized religion, or even prominently features a religious doctrine, which really sets it apart from the rest of the series.

The game’s thematic unity is on point, even if there is a scene where they state the central themes a bit too plainly. Every character, and even the entire universe of the story, is held back by the past, and every subplot and the main plot revolves around finding ways to move forward and leave the past behind.

I love FFXV. It feels like a return to form after XII and XIII. It’s also probably the furthest any game in the series has strayed from the original formula. Battles are entirely real-time, and the game is a straightforward action game. There is very little time spent with menus, and even the leveling system has been stripped down to a few skill trees. It’s immediately obvious that the game was originally created to be a spinoff, not a main title.

FFXV is also probably too much a product of the current era of microtransactions and payment plans. The full story is spread out across *deep breath* a feature film, an anime series, an anime OVA, a standalone demo, two console games, four DLC story chapters, a multiplayer side game, a VR fishing game, four phone games (though really three phone games because A New Empire straight up isn't in that universe and also is terrible), an expansion including several entirely new dungeons, and finally a novel set to release sometime this year. That’s a whole lot of story. I’ve not played the phone games or the VR fishing game, or read the novel yet, but I’ve experienced all the rest.

But I also played FFXV when it first released, before any patches, before I knew there was a film, just the game all on its own. So you can believe me when I say that without any supplementary material, the game is still great.

It goes back to the FFI, II, III, V “Warriors of Light” system, where the party has four characters who do not change at all throughout the game. While this bugged me at first, I soon came to appreciate having a story where almost all character interactions involved these four characters. It meant I came to understand them well enough to feel like they were my friends, too. Most characterization in this game is understated, presented through small shared moments, dialogue, and body language as they travel the world together. Much like X, the overarching story might be expansive and far-reaching, but the real show is in the personal journeys the friends have.

Much of the first half of the game is spent exploring an open world, driving along the road and getting out of the car for pit stops or to explore the forests nearby. This is one of the very few games where I don’t mind just exploring an area without the promise of an upgrade or a new scene, just to see what’s around the corner, or to hear whatever banter the characters might engage in next.

The entire world of this game is gorgeous, and the orchestrated music is some of the best they’ve ever done. The main plot is beautiful, too. It’s bittersweet and emotional, with a charismatic villain and a twist that blew me away the first time I reached it.

The supplementary material is also mostly really quality. I’d recommend the Royal Edition over the original edition for sure, and to watch Kingsglaive as well. The anime series is quick and fairly fun, and Comrades expands on the universe in some great ways, but neither has as much bearing on the overall plot as the DLC chapters and Kingsglaive. I’m so in love with the DLC chapters, actually, that two years ago I wrote a piece just on how much Episode Ignis affected me (here if you care).

This is definitely getting long, so I guess I’ll move on after saying I’m upset that they patched Chapter 13 to make it easier, and I’m angry at everyone who complained that Chapter 13 was too hard. It was a brilliant piece of storytelling through game mechanics, and it’s mostly been stripped of all that, now.

1: Final Fantasy IX.

It’s IX. It was always IX. I actually did come into this with an open mind, wondering if one of the new games I’d experience (IV, V, VIII, XII, XIII) might end up hitting me harder than Final Fantasy IX, but as I replayed my favorite game in the series I quickly realized that wouldn’t be happening.

There are only a handful of games that make me cry. IX is one of two without voice acting. There are several songs from IX that make me tear up just when I hear them.

The story of the black mages gaining sentience, learning that they can die, and trying to force themselves back into being puppets just to lose that knowledge really moves me. The same goes for the story of Dagger no longer recognizing her mother, setting out to find a place to belong, learning that her birth family is long dead, then watching her mother return to her old self a moment before losing her forever. And Zidane’s story, where he has nowhere to call home, finally discovers the circumstances of his birth, and realizes that had he stayed in his birthplace, he would have become a much worse person than he ultimately did.

More than any other, though, Vivi’s story will always stick with me. He was found as a soulless husk by Quan, a creature with the intention of fattening him up and eating him, but each of them awoke something in the other, and Quan ended up raising Vivi as his grandson. When Quan passed, a rudderless Vivi went to the city to find a new home, and eventually learned he was created as a weapon. Other weapons had also gained sentience, but none had the worldliness that Vivi had gained from his loving relationship with Quan. When Vivi discovers that most weapons like him die after only a few months, he grapples with the possibility that he may die at any time, and eventually decides that he can only take control of what life he has by living each moment to the fullest. He ends up becoming an example for the other weapons to follow.

FFIX is a game about belonging: both yearning to have somewhere to belong and learning that the place where you think you belong is actually toxic and harmful to you. Even the menu theme is a tune called “A Place to Call Home.”

IX ran counter to the trends of the series in a number of ways. It was a return to high fantasy after the more sci-fi VII and VIII, and was also much more lighthearted than those games, while still being heartfelt and occasionally bittersweet. Gameplay-wise, it locked each of its characters into a single job, gave them designs based on their jobs, brought back four-character parties, and introduced a skill system in which characters learn skills from equipment. It also had a much softer, less realistic art style, and mostly avoided the attempts to recapture VII that have plagued most other subsequent titles (besides Kuja’s design, I guess).

The story is also structured so well. It regularly shifts perspective for the first thirty hours, allowing the player to spend ample time with each of the party members, and shaking up character combinations for fun new interactions. It introduced a system similar to the skits from Tales games, showing the player often humorous vignettes of what’s happening to other characters at the time. Once the characters have all come together in one party, the game has earned the sense that all of them (except for the criminally underexplored Amarant) have become a family.

The supporting cast are a blast as well. Zidane’s thief troupe (who double as a theater troupe) are likeable and fun. Kuja’s villain arc allows him to be sympathetic without losing his edge. The black mages are tragic without being overdone.

The development team for this game put so much more work into this game than they had to. The background artwork was all made in such high-definition resolutions that the act of downscaling them to fit in the game removed details. Uematsu traveled to Europe to make sure he’d get the feel of the soundtrack right, and has said it’s his favorite score he’s ever done. Sakaguchi, the creator of Final Fantasy, says IX is his favorite game in the series.

FFIX is one of the two games I would like them to remake after they finish the VII Remake, but I’m terrified they’ll mess it up in some way. Honestly, the game’s only flaws (which I do desperately want them to fix) are a lack of voice acting, the underdeveloped party member Amarant (and to a lesser extent Freya), the dissonance of Beatrix never getting punished in any way for her hand in a genocide, and the fact that very few of the sidequests are story-related because so many of the smaller story details that would normally be relegated to sidequests are covered in the main plot.

Despite the danger, though, I think revisiting IX is absolutely essential moving forward. It represents so much of what made older games like IV and VI great, and its story is much more grounded in real emotion than many current Square stories tend to be. Remaking VII will be good for getting VII out of Square’s system. Remaking IX would be good for putting IX back into Square’s system.

Here’s a IX song as a reward for getting this far. I’m gonna go listen to it and tear up again.

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