Her kisses were all-consuming and he felt his heart surrendering to her with every gentle nip, losing himself in the feeling of her. Her soft body pressing tightly against him, her breathy moans, the soft hair at the nape of her neck, her taste.
When Eloise finally pulled away from him, breathing heavily as their foreheads pressed together and their eyes locked, Sebastian was dazed and content and...happy. Merlin, he was so happy. Her cheeks were bright pink, and her lips were swollen and red and smiling up at him. His breath caught in his throat - he didn't think he had ever seen anything so beautiful as Eloise in that moment. Sebastian knew that he was grinning like a fool but he didn't care.
Happiness was bubbling up in his body and he was leaning down to kiss her again because it would never be enough and -
She started coughing.
Eloise abruptly pulled away from him, covering her mouth with her sleeve as she doubled over. A terrible, horrible, familiar wracking cough that Sebastian never thought he would hear again.
When she pulled her sleeve away from her mouth, there were little flecks of blood.
They both looked at each other in horror.
"Eloise..." he started, his voice cracking. The balloon of happiness that had filled him burst and he felt himself crashing back to the grim reality that had been his life for too long. Arms hanging limply at his sides. When his voice came out again, it was a whisper. He could barely choke the words out.
"...what did you do?"
their first kiss😇😇😇
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things we learn about scully in s1
she has a godson (and she told his mother that she thinks mulder is cute)
she did her residency in forensic medicine
she's good with dogs and is naturally drawn to all kinds of animals (even evil-looking monkeys)
she wants to keep her christmas tree up all year because her father always made her take it down as soon as the holiday was over
(and she was never positive that her father, who was in the navy and involved in the cuban blockade, was truly proud of her, because she joined the FBI instead of becoming a full-time doctor like he had wanted)
((and he didn't say "i love you" the last time he spoke to her. ouch))
when she was 14, she stole one of her mother's cigarettes, which she thought was disgusting, but she wanted to do something Forbidden for once
she once forgot her own birthday (which is february 23rd) when she was studying for her exams
she has a little cat sign on her apartment door <3
when challenged by the preacher's kid, she refused to deny the power of God; she was raised catholic, and remembers that "God never lets the devil steal the show"
(she's almost always wearing a cross necklace, even while declaring that she considers science sacred)
((and yes, her favorite movie is the exorcist))
she took some biology courses on bugs and is now going to tell you some bug facts
she has two brothers, one younger and one older
her dad- with whom she did not have the greatest of relationships- nicknamed her "starbuck"
(he called her this after the steady and rational first mate character from moby dick; all the more cruel when you consider he pushed her aside for joining the FBI rather than doing the "logical" thing, becoming a doctor. to cast her in a role of the dutiful daughter without her permission and then create a conditional sense of love is just. so mean. it's a miracle she didn't turn out as emotionally repressed as he did)
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imagining the story from pei ming's perspective is rlly funny i think. this god from all that time ago ascends again (you were there for the first two times) and immediately waltzes into a situation that fucks something up for your descendant (putting both of your reputations on the line, messing up how hard your descendant worked to become a god and how hard you worked to ensure that he would have that chance) and then refuses to let you smooth the situation out and on TOP of that your friend's little sister (who hates you and who you are trying to look out for by request of your friend) is on your case about it too. so you've gotta work all that out and then like. you chill for a little bit (still kind of upset about your descendant) until your friend undergoes a heavenly calamity. and then in the space of like A Day the god from earlier shows up again with a fucking ghost king, your friend dies, the little sister you're supposed to be looking out for disappears, and everything just kinda goes to shit. so you're like. grieving. trying to process everything. until your OTHER close friend goes off the fucking rails with the spirit of that guy she murdered, and then you get called out to the spooky ghost mountain where you're confronted with the girl whose death YOU were essentially responsible for and have never really come to terms with, and then like. you just kind of hang out with these gay people until everything resolves itself. fight some ghosts. fight the heavenly emperor. get your friend to stop being evil for a little while so she can fix the filing systems. and then you just have to keep being the god of love i guess
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Now having watched Frankenstein (1931) I find this really interesting. I didn't really expect the writers themselves to have watched the film; I assumed they saw it was a horror film released in Pete's time and included it with the bonus that the audience would know the story because its Frankenstein. It really aligns with the themes of spider noir though, so I'm second guessing myself.
I read Frankenstein a while back so I'm not as familiar with it as I once was, but I'd say its generous to say the movie is based off of the original novel. It hits some of the points but it really is different. I mean, in the film its Henry Frankenstein, not even Victor.
In the film, the monster is played almost-infantile. He reaches out towards light as if he could grab it. He plays with a little girl by a lake, throwing in flowers to watch them float like boats. When he kills her, it's an accident. How could he have known that she wouldn't float along with the flowers? Its Frankenstein and his assistant who are portrayed as monstrous. They lock him in the dark for three days. The intimidate him with fire and whips and fists.
Despite this, its Frankenstein who gets the 'good end,' while the monster is left to burn alive, pinned inside a wooden mill set alight by the townspeople.
Pete could have gotten nightmares from a number of scenes. Although I wouldn't personally say this is a scary film, there are definitely unnerving parts. There was also a different standard in 1931 for what was scary in film, plus Pete was already living a hard life at such a young age when he saw it.
Based on the panels themselves it is clear that Pete was scared of the monster itself (which is fair, the make up and costuming wanted him to be frightening). "I expected him to tell me there's no such thing as monsters," because no one in real life is a resurrected, looming... once-man-now-creature. (Just you wait, Peter). It's a more juvenile read of the film but Pete is a kid. Ben though, is a veteran, a socialist, has been around the block. He has the sense to analyze the film and interpret it differently. It is the men who find themselves with a capacity for senseless cruelty that are the monsters. That is exactly what the noir comics are about.
I really like that it's clear that Uncle Ben knows what Peter is about to learn. It also shows how much Pete has changed, just within the 1-2 years since he'd seen Frankenstein.
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