You are married to Sam Winchester. You don’t have a name.
You met him in a bar. Or a park. Or a diner where you worked. Or a library you were studying in. Or on the bus route back to your apartment. Or in the frozen aisle of a grocery store. The location doesn’t matter, but you know that you know him. That’s all you need to know.
He smiles at you, and you smile back. He’s nice to look at, in the way that shards of stained glass are nice to look at. In the way that car crashes are captivating, in the way that a tree can be both dead and alive at once, in the way that homes disappear one room at a time.
It doesn’t matter. You open your mouth to introduce yourself but the waitress-librarian-cop-bus driver-clerk talks over you. He never asks again. I’m Sam, he says. It’s a nice name. He’s got a nice face.
Dating him is easy. He never asks any questions about you. You ask questions about him, but he doesn’t like it, so you learn to stop.
I had a brother, he offers once, in the way that someone says, I tried to kill myself. You nod. His name is Dean.
It’s odd, maybe, that he refers to Dean in both past and the present tense. He doesn’t like it when you question things like that, though, so you keep quiet.
Sam says strange things sometimes, when you’re sitting entwined on your couch watching reality TV.
I killed monsters. They killed me, sometimes, too. He says. Your eyes go wide. He reassures you, It doesn’t matter.
You melt back against him.
Oh, okay. As long as it doesn’t matter, that’s alright with you.
You get married. You get married in a courthouse, because Sam doesn’t like churches. I’ve made too many promises in churches, he said. I can’t break any more.
Okay, you say. You never liked churches much anyway. Or maybe you do. Maybe you believe in God. Sam doesn’t. He says he killed God. You believe him, because he’s got a knife carved from bone hidden under your boxspring. He keeps herbs and finger bones in jars and a golden bowl in your china cabinet, and won’t let you touch them.
When the clerk hands you your wedding certificate, you smile as Sam kisses you. You’re excited when you take the paper from him, hoping to see your name. But in the space where it’s supposed to be is blank.
Sam rubs a finger over Marriage Certificate, then over his name scribbled in pen. It’s perfect, he says, looking up at you with distant stars in his eyes. Oh. Okay, it’s perfect. That’s good.
He cries out for Dean in his sleep. Night terrors so severe that they upend you from his bed shake him awake once a week. He screams in a language you’ve never heard before. After those nights, Sam doesn’t look you in the eye. He doesn’t talk after nightmares, and you don’t know how to shake him back to consciousness.
You catch him in the reflex of doing things. Odd things set him off.
A rerun of that medical drama you binged in undergrad shuts Sam down, and he doesn’t come home until after dinner. An Asia song plays in a grocery store and Sam drops the milk in the middle of the aisle. You find him having a panic attack behind your car in the parking lot.
He has an old car in the apartment’s parking garage that you’re not allowed to touch. It’s vintage—a beautiful thing, because you know a lot about cars or maybe you don’t—and it’s got an arsenal in the trunk. He buries salt lines in your yard. If you sneak up behind him, he’s got a knife to your throat before you can explain yourself.
Sam laughs at something on his phone, and goes to show someone, but it’s always only you there. It seems to disappoint him. When he’s upset, he gets more upset when you say the wrong things. It’s a dance that you don’t know the steps to, and Sam’s too tired to teach you.
It’s okay, you’ll learn yourself. You buy him almonds at the grocery store. You always keep the thermostat above seventy two degrees Fahrenheit. You always grab him a second of whatever you get: a beer, a sandwich, a blanket. You sleep on the side of the bed closest to the door.
It’s not perfect.
When you do the laundry, he gets frustrated with you because you fold things “too big.” He always orders two sides of fries. He buys ground beef that he doesn’t eat.
He has a dog. The dog doesn’t like you, but it doesn’t not like you either. Sam hates you for it. Dean loves this dog. He loves Dean, too. Sam told you. You wilt. Another test failed. Dean’s really good at this game, but you’re not. Dean’s good at most games, at least the games that Sam likes to play.
You try to love the dog more after that, giving him treats and actually cooking the ground beef Sam throws away every week to feed him. When Sam sprints into the kitchen as the smell wafts through the house, he collapses when he sees it’s just you. He doesn’t talk the rest of the weekend.
Sam gets a job at the factory. Or the construction site. Or the law firm. Or the local community college. You work as a nurse. Or a doctor. Or a cop. Or a secretary. Or a chef. It doesn’t matter. The details are blurry. Sam invites you to a Christmas party with his coworkers.
This is my wife, Sam says, proud. His coworkers smile, but they never ask your name. You don’t have one. That’s alright with you, as long as it’s alright with Sam. You’d hate to embarrass him at a work party.
You have sex. You get pregnant. You have a kid. Those things happen in some kind of order, but it gets mixed up sometimes.
You’ve always wanted a girl probably, but when you look into the face of your son, you realize that you’ve never wanted anything as much as you want this child. Or maybe you never wanted kids. But you have one now, and he’s your priority. You’re a good mom.
Sam didn’t have a good mom, didn’t have a mom until he was in his thirties, but she didn’t last long. So it’s important to him that you’re a good mom for his son. You’re going to take the job seriously.
We should name him Dean, you suggest, and Sam sobs into your hair. Your chest warms pleasantly. You like it when Sam holds you like this.
When Sam shows you the birth certificate, your eyes catch on the name. Dean Winchester Junior? You ask. That’s for naming a child after a parent. Sam looks at the baby in your arms—wait, now it’s in his arms—and says, Dean is as much of a part of this as either of us.
The space for Mother of Child is blank.
You’ve never seen a picture of Dean Winchester. Or Dean Winchester, Sr. now.
You fall asleep in an apartment and wake up in a house with a porch and a white-picket fence. That’s nice. It’ll give the dog space to run around.
In your child’s sixth month alive, Sam sleeps in the child’s crib with a knife. Just to make sure, he says. Nothing’s going to happen to Dean.
It takes him a long time to say the name without flinching when he’s talking about his son.
When your son turns a year old, you finally remember to ask what Sam’s tattoo means. He looks surprised that you’ve mentioned it.
It’s a tattoo that I got with Dean. He says. Of course it is. You’re angry, but it’s gone again, because these are things you’re supposed to accept about Sam. It keeps demons from possessing me.
Demons? You ask, startled. Sam’s mouth thins into a line.
Yes. You need to get one, he says. And the second that Dean turns sixteen, I’m signing that form and we’re taking him in to get one, too.
You’re alarmed, until Sam tells you that it’s okay. That’s a relief. You get the tattoo, right over your left breast, and Sam fucks you so hard that you can’t walk the next day.
You introduce your family to your boss one day, This is Sam and Dean!, and Sam shoves the baby into your arms and has to leave the room.
We’re calling him Dean Junior from now on, Sam says later, after the hunted look in his eyes melts into exhaustion. Alright.
You clean the house. You wear sundresses. You like your job, but not enough to let it get in the way of being a mother. Sam teaches Dean Junior how to throw a ball. He helps him with math homework. You make meatloaf and take Dean Junior to soccer games.
You realize late—too late, maybe—that all the pictures of you on the mantle are a little blurry. You can’t remember the last time you saw your own reflection. You pull out your driver’s license. It’s blank, just your address. No picture of you. Your hair colour is just “dark.” No height. “Thin” is your weight.
You speed on the way home from work so you can get pulled over. You hand over your empty license and your blank registration, and the cop barely gives either a glance. You’re free to go. He says. Everything’s in order.
You walk in the front door, and Sam kisses you on the cheek. He’s had to get glasses recently, and they make his face look even more handsome. Welcome home, honey, he says, smiling.
Do you remember when you told me you killed God? You ask, because that sounds vaguely familiar. Sam blinks at you in confusion for a couple of seconds. The house shudders around you for a second.
Yes, Sam says, voice distant. Yes, I think I did. There’s a new God now though. I helped raise him. He’s a good kid.
The house stills. There is no room for nasty things here. Only good. You nod, relieved. I’m glad he’s a nice boy, you say, picking up your son. If anyone could raise God, you could.
Sam looks haunted by this. He retreats.
Sam doesn’t tell you everything. Sam won’t ever tell you everything.
You look into the face of your son as he swings his legs lightly against your hip. He’s got green eyes, and he’s sucking on his thumb, a nasty habit you’ve tried to break. Sam shows Dean Junior pictures of his brother. He tells him stories, when Dean Junior’s asleep, about the open road, about cicadas and fireworks and greasy diner food and sunscreen and used textbooks and ash.
You sit on the opposite side of the door and cry because this man is a catastrophe and he hunted monsters and he loves everything more than you thought anyone could love anything. He’s half a soul, crammed into one body, edges ragged. He’s over two hundred years old. And he likes cherry slushies and he’s killed angels and he dreams of his brothers hands and he’s seen the face of God.
I love your uncle, you had heard his voice, a low murmur in Junior’s nursery one night. Sometimes I don’t know how to exist and be so unknown. Even when we didn’t speak, he knew me. No one has known me in years. I don’t think anyone will ever know me again.
You kiss him and try to make it like his brother would do it. He’s grateful. Sam’s grateful for a lot of things. He calls your lives together an “apple pie life.” But you don’t like apple pie. Or maybe you do. It doesn’t matter.
It’s okay. You’re just Sam Winchester’s wife. You’ve got a son named Dean.
You’ve spent your whole life sharing them both with a dead man.
crossposted on ao3 here
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I am absolutely loving your Danyal Al Ghul au. While I have a soft spot for the whole plotline of Danny becoming his canon personality almost right after breaking away from the LOA all because of Jazz, I'm just as much for your take in which he goes through the same character development as Damian.
Now I'm curious. You already tackled his relationship with Dani, will you eventually take a stab at when he, Sam, and Tucker meet Gregor? Given that it's one of my hated episodes as I couldn't stand Sam's infuriatingly hypocritical attitude to Danny's suspicions of him, I'd kill to see your spin on it.
Aw, thank you! Danyal Al Ghul aus are what got me into DPDC first, so I have a major soft spot for them. That being said, uh, its exactly that soft spot that causes me to have Many Opinions about the trope you just mentioned. Like the trope is all fine and dandy, i don't blindly hate it, my main issue with it is that most aus i've seen treat his backstory as an ex-assassin more like a pretty cosmetic accessory rather than something that actually should have had an impact on him. Especially if he remembers being in the league.
Like i cannot stress enough the fact that being in an ecofascist assassin cult (regardless of his standing in it) should've left him, in some way or another, screwed up morally and psychologically because that's just how development works. Nature vs. Nurture is like a game of tug-o-war that never ends, where they are constantly fighting against each other and one side usually has the upper hand or greater influence. Children model the behaviors of the adults around them (ex: bobo the clown doll experiment), and what impacts them in childhood can stick with them permanently.
Like how my psychology professor put it: a baby's brain is like wet cement; if you slap your hand on it, it leaves an imprint, and the cement dries that way. The same rings true for small children.
I could go on, but I frankly have so many thoughts on that alone that I would end up completely derailing from the second half of your ask, and I don't want to be more critical than I already have. Especially since you just mentioned you have a soft spot for the trope.
[Okay, hold onto your hats because this is long. Naturally lmao.]
Gregor! Man, I'll admit I last watched the show back in middle school on a dodgy illegal website (it had surprisingly good audio and visual graphics, and full episodes. But really annoying porn ads.) but I only made it to like season 1 before my hyperfixation faded and I lost interest. So I never actually saw the Gregor episode.
But... it is relatively easy to find free websites that stream Danny Phantom :), so finding the episode took me like. Thirty seconds. Plus the Tv.Tropes recap page because my damn earbuds just died and im out in public as of rn.
I'm not sure if I'll write something for the gregor episode like I did with Dani, since Dani's a bit of a special case in that she's a clone and tends to be a reoccurring presence in DPDC, and I thought the new dynamic with Danyal would be interesting.
Plus, I'm not a big amethyst ocean shipper for the pure reason of I'm just not all that interested in it; its kinda bland to me. I'll admit I've entertained the thought in this au due to the whole balcony scene i wrote, but I would've entertained the thought anyways if it was Tucker in that position instead. Big multishipper, me.
But, if I had to make it official? Danyal is not interested romantically in Sam when the Gregor episode happens, regardless of his relationship with Valerie. Who, speaking of I'm trying to think about how that would go, and I'm torn between including him almost-dating Valerie or not.
Because on one hand it helps point out Sam's hypocrisy (and i love her but i am always happy to point out her flaws and address them in au) in this episode in terms of Danny spying on them, but on the other hand I'll want to include a lot of set up in order to make Gray Ghost work in this au and wow will that take a while.
Especially with the Flirting with Disaster episode because it happens due to Technus' meddling, and Danny is, well, the son of the Batman? A trained assassin? An ex-assassin nonetheless, but still an assassin? A prodigy child in this au? He might not have needed to use most of his skills in the last few years, but like... there's just a bunch of 'what if' and 'well technically...' and 'would he? he could, but would he?' things that is getting in the way of my thought process and making my head spin.
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Mmm. Okay. Flirting with Disaster occurs relatively the same as canon with a few exceptions; like Danyal noticing the strange coincidences, and he might take the idea into proper consideration because Sam has a point it is strange, especially out of nowhere.
However,,, he really enjoys Valerie's company, and he does really like her. He's been adjusting to civilian life for the last four years and while he's made a lot of progress, he's still. an ex-assassin child living like a wolf amongst sheep. This is normal, typical teenager stuff, and usually his friends like to encourage him doing normal teenager stuff.
So he's stubbornly holding out on the thought that this is normal, that ghost stuff isn't interfering here. He's a little hurt that his friends are discouraging this, he's not bothered by the fact that Valerie is a ghost hunter and he a ghost -- his mother is an assassin, and his father is Batman, and they still had a relationship. (Granted, he's not gonna tell them that)
If anything, being diametrically opposed to each other but still being in love is part of the family! Granted, usually both parties are aware of said opposition to each other, but he'll make a special exception this time around.
(And man now that i'm thinking about gray ghost, im now thinking about various like. scenes i could write between the two of them. maybe in a reblog.)
Anyways uhhh things relatively go the same as canon. Yeah. I think Sam still has a crush on Danny and still spies out of jealousy with Tucker.
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Now, the Gregor episode! With that out of the way; the TVTropes recap for this episode isn't the best because it doesn't go into detail about the entire episode like it does with Flirting With Disaster and Shades of Gray.
(which i looked at earlier because I made a section of this post talking briefly about what changes I'd make to the Shades of Gray episode to help set up Gray Ghost, but ended up deleting because it was kinda irrelevant for the matter at hand.)
So I'm taking in bits of the episode clips at a time, I'll try not to get too nitpicky about how each scene goes because then it's gonna take me a longer time to write this.
But! First thing's first; since Danny is not romantically interested in Sam, he is also not jealous of Gregor. He is however, a bit eyebrow-raisey at him in their first introduction, but that's because Gregor is coming off as obnoxious.
Danny thinks he's kinda annoying, and it doesn't take a genius to see that Gregor is trying to impress Sam. But since they've only known him for five minutes he takes the good faith assumption and assumes that Gregor is genuinely trying to show interest in Sam's interests too because he likes her, so he keeps mum. The fake hungarian accent is weird, but it's overall harmless, so he doesn't point it out.
He does do the spying thing when he starts suspecting that Gregor might be working for the GIW. The episode only has this happen twice, but for the au this happens a handful of more times over the course of the week, with Danyal's suspicion steadily rising more and more each time.
Hah, when he brings up wanting to spy on Sam and Gregor because of this reason, Tucker still does his "woah! you wanna spy on Sam?" thing.
Danny immediately turns to him, completely unimpressed, and crosses his arms. "Tucker," he says, deadpan, "you and Sam spied on me and Valerie."
He uses a combination of his ghost powers and his regular stealth ability to spy on them. He's hiding in a tree when they're skipping rocks, close enough that he can use his powers to hear them talk but far enough away that he has a good view of their surroundings.
He's invisible in the cinema, but doesn't accidentally get in front of the projector. He checks the inside of the room for the GIW, and then waits outside the actual room itself, keeping an eye on the area and occasionally flying in to watch the movie out of boredom. It reminds him of being back on a recon mission with the League, but it doesn't end with him orchestrating someone's death.
Then when they're at the mall he stays in human form, blending in with the crowd. He runs into the GIW there, but realizes that they're not there because of Gregor; they're just shopping. They didn't show up at either of the last two locations, and he follows them to make sure they're not also trying to blend in. But they're literally just there for shopping.
Danny is rather pleased with this turnout; so far Gregor isn't a spy, he's just annoying. The next day at lunch he asks Sam how her date with Gregor went, and that's how she figures out he spied on them, because well, she didn't tell him that.
"Have you been spying on me?"
Danny messes with his food a little bit, and Tucker is sinking into his seat with embarrassment. He frowns, "Only last night. Those incompetent government dodos--"
His lip curls up; he gets all 'Shakespeare-y' (as Sam and Tucker put it) when he's insulting someone, "--kept appearing whenever Gregor did. I followed you and him last night to make sure he wasn't a spy."
A roundabout way of saying, "I was worried".
Sam is, as canon, furious. Danny understands why, he knows generally speaking that people don't like being spied on. But he's confused on just how angry she is, and is a little irritated by it.
"Why would you do that!" She exclaims, "That's way out of line, Danny."
"How? You spied on me when I was going on dates with Valerie." He narrows his eyes, and points his fork at her, "I'm not blind, I noticed."
"That's different, we told you why we were suspicious. And we don't have ghost powers like you do."
"I don't need ghost powers to sneak around, Sam, you've seen this firsthand. And I just told you why I followed you, I thought he was working with the guys in white--"
"So you think someone can only be interested in me if they're after you?" (this is a paraphrased quote, folks ;D)
"No! If that was the case I would have voiced my concern the moment I thought it. I don't get why you're so angry, you spied too."
Iiits.... a mess. Sam storms off with Gregor, Tucker tags along because okay, yeah, maybe Gregor isn't with the GIW, or maybe last night was a fluke. Either way he ends up tagging along. Danny overhears that conversation between the GIW and Mr. Lancer, and maybe he's right, maybe he's wrong; but something is up.
I've gotten to that scene in the locker room where Gregor tells Danny that he knows he doesn't like him, and I've paused at Danny's reply to say this: Danyal doesn't even bother trying to deny it.
"I know you do not like me."
"You're right; I don't."
"Ah, let me finish. I know you do not like me because you want to protect your friend, Sam, and I respect that."
"...That's correct."
"Good! Because I am going to ask her out."
"I had a feeling you'd say that," he stands up, claps his hand tight on Gregor's shoulder, and leans close to him with a threatening smile, "so you understand me when i say; if you break my best friend's heart, you're as good as dead, right?"
"Ah,, yes. I am so glad we got that cleared out of the way, and now I hope after we can.. how you Americans put it, hang out?"
In the episode he hugs Danny and gives him a la bise (which is that french greeting where you kiss someone on the cheek two or more times) after they end their conversation. But here, when he goes to do that to Danyal, Danny leans away, points an accusatory finger at him, and says; "Absolutely not; we are not close."
The next scene after that is like, end of day. Sam, Tucker, and Gregor walking away. Sam looks over her shoulder to glare at Danny, then gets forlorn. Tucker looks back and just looks forlorn.
(When did I start narrating each scene?? Eh, I'm writing this in brief spurts of time throughout the day. Don't fix what's not broke)
After that there's this whole scene with the two GIW agents that have been chasing Phantom all episode. They're there because they have Tucker's PDA that Skulker took, and it's got the information of their purple backed gorilla assignment on it. They've been going around seeing who Tucker associates with in hopes of catching Phantom.
Uhh ahaha and that is where this gets a little interesting imo, and also allows me to mention that im retconning Danyal's (already) redesigned ghost form. Which I've wanted to retcon even before this moment bc it was just too busy. I'll get to that in a moment.
The GIW suspect Gregor for being the Phantom because of his white hair and green eyes, which is all fine and dandy until you remember: Danyal (and by extension Phantom) has that very noticeable, rather identifiable facial scar that goes across the middle of his fucking face. The GIW could easily suspect that Phantom hides his scar with makeup if he's in disguise, but if they meet a kid with a seemingly identical facial scar and similar disposition? Hoo boy.
Solution? I've got two: Gregor is canonically a kid from Michigan who faked everything to impress Sam. Considering he knows she's gothic and knows that she's ultra-recyclo vegetarian? He probably watched her from afar or got information on her somehow. His hair is dyed, his eyes might just naturally be green, but if he notices that she's got a crush on either Danyal or Phantom? A little sfx makeup could help him recreate a similar looking scar.
My second solution that's gonna happen anyways bc its that suit redesign; Danyal does hide his face as Phantom. Ghosts are emotional creatures and its a popular headcanon that their interests, ambitions, etc, influence the way they look as a ghost, not just their death. A big reoccurring theme of my au is that Danyal did not leave the League unscathed, and that being an assassin is an important part of his identity.
So i'm discarding the hazmat suit look entirely and leaning into the 'assassin' thing. But the general (stylized) feel is like, white ribbon/cloth vambraces that he has used as a garrote at some point, a hood, a gaiter scarf-type thing. I'm keeping the cape. I did a doodle a few days back that's not the official redesign, but a redesign for Phantom. I may reblog this post with that attached because it's got the general feel down. There's very little white involved, but the inside of his cape flares out and looks like the night sky.
Now, the hood and gaiter scarf gets rid of most of the problem, but Danny's hood doesn't stay on all the time, so the GIW have likely seen the upper half of the scar. :] Gregor's own drawn-on scar doesn't have to be 1:1, but it looks close enough, right? A small scar cutting through the edge of his brow and ends right below the corner of his eye. A 'cool, badass' one opposed to Danny's 'garish' scar.
But! Back to the episode scene. Canon Danny gets written off as being 'too prepubescent' to be Phantom, and honestly it'd be hilarious if Danyal was written off for the same reason (he's calling them idiots in his head if they do). But instead -- leaning into the GIW's incompetence here -- he gets written off as being too mature or too talkative. Or something equally as absurd.
Sam breaks up with Gregor for canon reasons, but when Gregor does his "i really like you, but, come on-!" and gestures to tucker, he adds on "and that scary friend of yours too, seriously!"
Things go relatively the same as canon after that. Danny does end up apologizing for spying, however. Sam does it first. Sorrows, prayers, all that.
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Things usually end up changed or different when I actually write it down, so I'd likely add more or adjust different scenes according to the flow of the oneshot. This is just like, a general vibe of how things would go, and where some of the more obvious changes would be if I did write this oneshot.
Hope you enjoyed! Thanks for the ask :]
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