Hey, so do you ever stop to think about how the premise of Lord of the Rings being an in-universe book written by some of the characters who lived through that story means that they decided what parts and perspectives to use to tell that story...?
And when our authors weren't there to experience the events themselves, they have to rely on what they're told about them by the characters who were there, right...?
Okay so stop and think about the Glittering Caves.
We never actually go to the caves in the narrative. Tolkien LOVES describing nature and natural beauty, but we don't actually see the caves described "by him" the way we do other places. Obviously Gimli's words are Tolkien's, yes; but we only see the caves filtered through his words about them, after the fact.
When Gimli and Éomer and the other Rohirrim take refuge there, the narrative doesn't follow them. Obviously from a narrative standpoint this is to keep the focus narrow, and not to interrupt the battle-sequence with a long ode to the beauty of the caves, and to create tension in the reader who doesn't know if these characters are okay or not. Which all makes sense!
But think about it in terms of the book that was written in Middle-earth by the folk living there. Why DON'T we get to have a direct experience of those caves? Gimli obviously related several other parts of the story that none of the Hobbits were there to witness to them, and which were written into the books as Direct Events Happening In The Narrative (think of the Paths of the Dead scene, for one of the more visceral moments!). So why not the Glittering Caves?
Was it because they wanted to keep that narrative focus and tension, and so they didn't include his perspective on that part of the battle? Perhaps, that's certainly a possibility to consider.
But also consider: when we do hear about the Glittering Caves, what we hear is Gimli telling Legolas about the Glittering Caves. THAT is the part of that event that is considered of importance to include in the book: not Gimli's actual experience when he was in them, but rather the part where he relates that experience TO Legolas.
And I kind of just THOUGHT about that today.
And went HUH.
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Once i had a fic idea (that I still wanna get back to writing one day) that was the REVERSE* of the "Girl falls into middle Earth" trope, so instead it was "Prince Eldarion of Gondor falls into modern day Earth", and lives for a very confused time in modern day America, where he falls in love with a modern-day woman who he ends up taking back with him to Middle Earth when he Does manage to return, and so the fic would cover two timelines so to speak, or more...
take dual place in both like,,, modern day Earth where he's grappling with the craziness that is technology and modern day... everything, and then also in Middle Earth where she is grappling with "holy shit he was telling the TRUTH about where he came from????????" etc and it was... yeah sure, ridiculous, cliche, and probably something no one would be interested in reading, LOL, but it would satisfy that itch of mine to write a SUPER Self-Indulgent lotr fic 🤣🤔
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i just saw in your tags that you have a fave medieval blorbo? not to be nosy but like if you ever feel like talking about him i'd definitely love to read it! (yes i could look him up myself, but where's the fun in that?)
i haven't talked about my boy ortnit in far too long so i absolutely love that you asked and am more than happy to use this opportunity, thank you!!
setting the scene: it's the mystical time that all medieval middle and northern european heroes live in (sometimes at the same time, sometimes a generation or maybe five apart, but like, quite a while ago even for the 1200s onward). here in lampart - italy for us modern peasants - near lake garda there's the coolest, toughest, strongest, richest ...hero... to be. his name is ortnit. [or otnit, medieval authors don't really care about spelling.]
you see, he's the young king of lampart but he's not fully there yet to having the perfect kingdom, because obviously he needs to have a queen to rule said kingdom with. after much consideration, his uncle is like "well, there's this utterly beautiful, virtous (for a savage heathen) princess* somewhere in the middle east but you must not - and i repeat - not go after her because her heathen father machorel will kill you if you take away his daughter. as in, literally chop off your head. because he wants to marry her himself when his wife is dead." [i'd say this is a setup on the uncle's part but medieval characters Just Are Like That.]
obviously, because he's the coolest and strongest king and a complete dumbass, ortnit has to go and get said daughter to marry him. his mother, of course, is anything but thrilled. and you see, ortnit is quite the mama's boy, but no matter how much she pleads with him not to go he is dead set on it, and if he's already on the way anyway he might as well turn that into some kind of crusade. so his mother gives him A Ring and sends him off on a little adventure (=aventiure) first, saying that The Ring will guide him - and it does. The Ring takes him to the dwarf alberich who promises to give him the best armor, the very best sword and also be his Helper. this is kind of a Whole Job in medieval epic poems. oh, also, the dwarf is actually ortnit's biological dad who raped his mother - but that's cool; and gracious as he is, ortnit forgives his mother for her "infidelity" to who he always thought was his actual father. #menwritingwomen or something.
ortnit gets his cool armor and even cooler sword and sails off with his knights towards what is later labeled syria. on the journey his knights think he's insane because dwarf-daddy alberich is invisible to anyone but the wearer of The Ring and ortnit is talking to thin air him. anyway, they reach syria and dwarf-daddy plays invisible matchmaker by insulting and threatening machorel. [this could actually be a setup. jury's still out on that ~800 years later.]
long(ish) aventiure short: there's a siege on the castle, then a big battle, meanwhile invisible dwarf-daddy convinces the princess to come with him and marry ortnit to save her father. blackmailing with a beloved family member's death, such a strong basis for a healthy marriage. she also gets christianed on the run because duh. can't marry some random fucking heathen.
right after that dwarf-daddy has to save the day again and fight machorel because ortnit basically faints on his horse. they make it back to the ship unharmed and sail back to italy. machorel is Not Happy. and he has A Plan: as a ""conciliation gift"" he sends a hunter with two huge eggs to lampart; they'll into a magical "toad" and "elephant".
as we all know, elephants do not hatch from eggs. unfortunately for ortnit, our italian king does not know that. he WILL find out, though. eventually. when the eggs have hatched and two huge dragons are terrorising lampart and eating everything and everyone in their way. and since he's the coolest, toughest, strongest, richest king and responsible for this disaster he is the one who has to slay those dragons. so he dons his armor and heads straight for - you guessed it - dwarf-daddy. alberich, however, is Not Happy either, refuses to help ortnit once more [again, this might be a setup]. he advises him to Not, Under Any And All Circumstances, Fall Asleep. ortnit pouts, throws The Ring at alberich's feet and rides off to find the dragon(s).
the dragon** is rather good at hide-and-seek, though, so ortnit rides and rides and rides. and gets tired. and decides to just have a small rest. and promptly falls asleep.
apparently, dragons also have a sixth sense for sleeping kings. the dragon creeps close, sees that delicious meal-in-a-can and - without even waking ortnit up - carries him to his offspring who SLURP HIM RIGHT OUT OF HIS ARMOR. [-> "sougen in durch daz werc" - "saugen ihn aus der rüstung" - the armor actually stays fully intact which is important since ortnit's tale is later followed by wolfdietrich who slays the dragons, gets the armor and marries ortnit's widow]
the end.
no, really. that's how ortnit dies. slurped out of his armor by dragons the SECOND his mother and biological father can't/refuse to help him. so there he is, this young, strong, pretty, heroic dumbass fratboy of a king who can't get shit done on his own. he has like half a braincell. he is literally Doomed By The Narrative. and i'm utterly obsessed with his ineptitude and death.
*please note that the syrian princess doesn't even have a name in the first versions of this epic poem so i'm not using one, sorry girl. she's later called sidrat tho.
**suddenly it's only one dragon who has two baby dragons, there are a few theories about how the offspring being conceived by those first two dragons is a parallel to the incestuous obsession machorel has with his daughter
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Headcanon time!
We don’t know too much about Maedhros’ extended stay in Angband other than it was a bad time, but like. I like to think that Mairon was an increasingly frequent visitor to Thangorodrim, and outside of his capacity as torturer, because:
One, this is a Top Quality™ prisoner. Someone of Mairon’s sharp intellect wouldn’t be able to resist the promise of potential worthwhile conversation. I interpret the silmarils as a kind of addictive substance, with Melkor becoming progressively more obsessive, reclusive and distant after acquiring them and his relationship with Mairon thus gradually changing, leading to Mairon becoming more independent and effectively in charge, yet lonely.
And two, they would have so much to talk about and like... not bond over, obviously, mostly because one of them is chained to a cliff face, but just have a certain unspoken understanding pass between them, as Feanor’s son and Melkor’s heir; two people who are, essentially, at the head of their respective forces at this point and have had their lives and relationships with others irrevocably changed by these jewels. I can imagine Maedhros picking up on this, even through all the blood and pain, and being like “haha, you think it’s bad now? Brace yourself, it’s only gonna get worse, source: personal experience.” And kind of flipping their relationship on its head, making Mairon the one who is tortured and a prisoner, despite being physically free and in a position of power.
ANYWAY the gist of it is that I love them both dearly and so I think it’d be neat if they interacted more
(edit: full video is here!)
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Day 2: Maglor of @feanorianweek
Kingship
Poppy = Sloth | Manipulation
I do think Maglor mourned when Maedhros got himself captured, I just also read Maglor as a manipulative power hungry character.
He probably convinced himself that Maedhros had died and ignored everything that proved otherwise, both as a poor coping mechanism and, subconsciously, seizing the power of being a king, although he never named himself one as that would give him trouble. He differently enjoyed the power and mourned, when Maedhros came back, for the power loss. He was happy to have his brother back of course. I don´t think he spoke against Maedhros choice to give the kingship to Fingolfin, even if he wanted it himself, as he did except Fingolfin to do something stupid and get himself killed eventually, and by agreeing he seemed more "civil" and the friendliest of his brothers, which would end up giving him political power, giving people the illusion that he´s the innocent and harmless of his family.
Maedhros | Celegorm | Caranthir | Curufin | Ambarussa | Nerdanel and Feanor
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📽 action!: rank all six of the films (or three if you're a hater)
Answers for this LotR ask-game.
Ahh okay so at this point I have to confess something terrible: I still have not seen the third Hobbit movie. I'm sorry! I just couldn't do it. The fuckery of it all, especially in the second movie with Mirkwood and Thranduil and Legolas ("a lowly Silvan elf" what the FUCK what the fuck PJ WHAT THE FUCK), was just too much for me. Character-assassination is one thing, and I thought after Denethor I knew what I was going to be getting with Thranduil but NOPE! It was literal world building assassination and I just CANNOT.
Don't get me wrong, Lee Pace did an amazing job and actually seeing Mirkwood was amazing and it was genuinely delightful to see Orlando put those ears on again; but the OuTrAgE that filled my heart at the yeet-ing of what minimal canon we even have for the Mirkwood elves was just intolerable, and while I did mean to go see it, really I did, I just...couldn't actually get the motivation to go before it was out of theatres. I've heard the EE are better (less studio fuckery) so I'll watch them someday! Honest! I just...haven't. yet.
And as to the Lord of the Rings trilogy...man, I don't even know how to do this. In terms of which is the best film, or in terms of which one I enjoy watching most, or in terms of which on hits me in the heart hardest or...? I don't know if I can objectively rank my feelings about these movies even in my own brain because RotK ends with Into the West and I have FeelingsTM about the Undying Lands and Sea Longing okay. So the last scene of RotK at the Grey Havens is a fucking spear through the heart every time and I can't even describe the knot of feelings it engenders, and I think overall TTT may be my favorite but also it has Plot Issues that piss me off even more than the Plot Issues in RotK I think,...yeah, we're going to do this in terms of Film Crafting rather than personal favorites because I'm having too many feelings lmao. So! In order of most-well-done-movie to least:
Fellowship of the Ring
The Two Towers
Return Of The King
The Desolation of Smaug
An Unexpected Journey
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