[ID: a digital comic in two panels featuring bungou stray dogs characters. the first shows atsushi banging open a door and shouting, dazai-san! are you oka- the second shows a shot from the anime where chuuya is holding dazai against a wall by his neck. the text reads, homoerotic atmosphere, and four squares with text point out whats happening. they read, casual hand in pocket, chokehold, knife, and lastly um... followed by two sweat drops pointing at chuuya's knee between dazai's legs. a tiny panel in the corner shows atsushi covering his eyes with his tiger paws and blushing as he says, i'm sorry... end ID]
come here. crack open the canon with me for a minute. consider. what if atsushi hadn't listened to everyone telling him dazai would be fine and left to save him only to witness whatever the fuck was going on in that cellar. consider the bit.
4K notes
·
View notes
trimax panel redraws ft. the most obnoxious colours i could think of
[ID: Colorful digitally illustrated Trigun fanart. The first piece shows Vash and Wolfwood fighting back-to-back as they twist in opposite directions to aim their guns. Wolfwood is colored in a gradient of cool colors while Vash is done in warm colors, and the background is deep yellow. The second piece shows Vash smiling and seeming pleased as he stands in the lush area from "Little Arcade" formed by the Geoplant. End ID]
7K notes
·
View notes
Happy marble-versary or something ‼️
It's only actually around 1 and a half years ago that I found out about Marble Hornets, and a little over 1 since I got into the fandom, but my god has this thing taken a hold of my brain. It's the biggest special interest I've had in ages. Ofc I had to draw my favorite character from anything ever, Jay Merrick, the most horrible guy on earth 🫶
548 notes
·
View notes
I love seeing your art on my feed it genuinely brings them so much life <33!!!
And I do hate to ask,, if it ain't an issue,, could I perchance request a Gregory or Christophe doodle 🙏🙏
Pull up to my inbox n use fuckin perchance? die. jk live long n prosper, fag. Here's these bitches
269 notes
·
View notes
this isn't gonna make a lick of sense if you haven't seen the tiktok of the girl talking about the hunger games fanfiction she read where a tribute gets gifted a machine gun but i'm sorry .... i'm rocking with fanfiction that's "implausible" like, wdym??? wdym a tribute with a machine gun makes you want to quit the story because it took you out of the fanfic???? it's just getting good bro. strap in. things are about to go wild in that arena. "it's not believable :( " if i wanted believable i'd read the actual published book. go ahead and throw renee rapp into the arena while we're at it, i wanna see where this goes.
241 notes
·
View notes
Sorry if this is too unrelated or something, but do you have any tips for comic composition? I absolutely adore how you frame everything, from the backgrounds, to the bubble placement, to the way the colors seem to fit together in each panel, and I've always been curious about how you do it
if this is too vague/overcomplicated I understand, I love your work and hope you're doing well <3
Hm... well. Honestly, most of my composition comes from transcribing the animation of residuum that's happening in my head. Which is why, if any of y'all've noticed, residuum is framed a bit like a movie. So if you're looking to do something similar, I'd recommend either studying camera techniques, or watching movie analysis with a focus on camera work. I'm unfortunately a bad person to ask, as a lot of what I do just comes via practice that's turned to instinct.
This is a really good resource on page compositions in general, though I mostly do panel by panel stuff for my own ease:
The background style is actually directly inspired from @meandtheyeehaws, it's fast, easy, and doesn't require too much thought on my part. You spend a lot of time on comics, so you take shortcuts where you're willing to.
Bubble placement... I've noticed that people tend to laser focus on dialogue. So, the dialogue bubbles are how you lead the reader's eyes. They are the very base of the reader's eye path. All this means is that you should just map the eye path you want and then frame everything else around that. Either to bring notice to stuff or to hide something in plain sight.
Honestly, I have no idea for the color thing. It's one of the things I actually wish the comic was better with. All I do is have set color swatches for characters, and do a transparent color mask to the background color. I love to color, but color itself isn't really my strong suit.
74 notes
·
View notes