S.A.B. S2: Episode 1 (what teared me apart like a volcra)
Not Pekka leaving them without a house (which I had already been spoiled for…) he HAS INEJ’s indenture!!!! My heart dropped to the floor.
And Kaz’s reaction 😭😭😭
Ugh. I’m reading crooked kingdom. I’m becoming a Kaz stan and this is not alright. Ok? I hated this man.
And then tv show Kaz and crooked kingdom are hitting me all at once.
His face when Inej told him the news about her indenture. God.
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rip qui-gon ginn, you would’ve loved hot to go by chappell roan
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guys I'm turning into a feral animal here. We are living in the era of redscape l o o k at this
Mumbo's title screen:
"mi amore" = my love
not three seconds later:
there he is. the good times have arrived. what in the gay. "my love" and it is just Scar having a jolly and goofy little boat ride. what the. guys wtf. Mumbo could be in a pride parade holding a rainbow flag and that would be less gay than whatever is happening here. what the gay
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911 really is such a good reminder of the particularly kind of joy that is weekly, seasons-long shows with many episodes per season. every character gets a moment to shine even in a truncated season. the satisfaction of seeing characters grapple with stuff that happened YEARS ago. having multi-episode arcs and one-off arcs that are equally enjoyable. beach episodes (metaphorical). I know we're all saying this all the time but why can't more tv be like this
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i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
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One of the things I've realized is most of the reviewers of The Acolyte are...incredibly childish.
I've seen people complain about not understanding why Qimir's armor was shorting out the lightsabers.
They tell you about it in the next episode.
People complained about Sol not realizing it's Mae...and they explain why...in the next episode.
Take a minute...breathe...and maybe shut the hell up before you start tearing into an unfinished story.
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a good animated show must have at least 4 of the following:
- gay
- existentialism/nihilism
- morally grey lead characters
- horrendously depressing themes/messages
- psychedelic weird shit that highlights the absurdity of life
i don’t make the rules (i do make the rules pls recommend me shows—i’ll put the ones i’ve watched in the tags, feel free to add any you think of)
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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