Repostober Day 29 | 29 Years
Detective Conan began its serialization in Shonen Sunday 29 years ago, and it's still going strong!
I think this is the first Cone I ever drew, in December 2012. At the time, I had no idea that several years in the future, this series would become so dear to me—and would introduce me to so many wonderful people!
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I am once again begging Ed stans to understand that it's possible to love Ed and believe he deserves love AND also admit that he mistreated and tormented the crew during the Kraken era. Not only is this possible, this is the position the show wants you to have. You think Izzy deserved everything he got? Fine, whatever, forget about him for a minute. There's a whole crew in there you're supposed to empathise with and feel sympathy for, too. The six of them that Ed actively tried to kill or left for dead, for starters. Pay attention to the crew's experiences and reactions. They're shown to be traumatised, grieving, clinging to disassociation (Frenchie) and nihilism (Archie) as coping mechanisms and suffering from PTSD flashbacks. And, since this type of fans constantly go on about how it's racist to think Ed did anything wrong... what about the fact that a lot of the crew are PoC too? What then?
If you've watched the first 3 episodes of S2 and there was only one person on that ship you felt sorry for, then you're not a fan of OFMD, you're just a fan of Ed in isolation. And if the only way you can love Ed is by denying that he ever did anything wrong, then you're completely missing the point of the show. OFMD never said that people only deserve to be loved if they're morally perfect and flawless. The show doesn't subscribe to the dichotomy of Good vs Bad. Good people can do bad things. They can hurt the ones they love. Even if they didn't mean to, even if they themselves were suffering at the time, it doesn't mean they don't need to take responsibility for their actions or avoid the consequences. Stede didn't mean to hurt Mary and his kids when he left, but he still did. He had legitimate reasons for leaving, he didn't just do it for the lolz, but it was still wrong and Mary was right to be angry at him. And Stede needed to face up to this - not just for their sake but his too. Even though it turned out their lives were better off without him, reconciling with Mary was still crucial for his character development.
It was the same for Ed, it just didn't get handled quite as well due to lack of screentime, but the idea was the same. When Ed realises he'd been cruel to Fang and apologises, he isn't sinking into self-hatred and despair. Quite the contrary, this is a moment of growth for him. Because the fact is, just because you as a human being are inherently worthy of love doesn't mean you can go around hurting everyone and expecting them to put up with you. That's just not how it works. You don't need to be perfect, but you do need to listen to people when they tell you that you hurt them and apologise genuinely and try to be better. The show is very sympathetic to Ed but it does NOT excuse his actions. The crew aren't portrayed as villains or antagonists for being scared and angry at Ed for what he did to them. Even Stede was on their side with this one. If even Stede is able to see things from the crew's POV and have sympathy for them, then you should too. Stede doesn't love Ed because he sees Ed as a pure uwu angel. He loves Ed... because he just does. He loves being around him. They really click together. They have so much in common. That doesn't mean he approves of literally everything Ed has ever done. It just means he loves Ed despite that.
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not for anything but friendly reminder that ~fandom discourse~ about where women belong (or people you perceive as women) is misogynistic as fuck. or what they're allowed to say, or what they're allowed to write about, or what they're allowed to enjoy.
next time you see someone having a tantrum and vaguing, especially if their posts from week to week completely contradict each other, perhaps analyze if the common denominator is "a gross woman said something and now i'm mad" without otherwise adhering to any actual principles.
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Every time I see Feemor being an actual character in a Star Wars fic, like, with dialogue and contributions to move the plot along and shit, instead of being backdrop garnish, I am overcome with an inexplicable, but unstoppable urge to sing out Audrey II's line from Little Shop of Horrors "Feed me, Feemor!" and I snicker.
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trying to make some tweek designs just to like practice or somethin idk ell oh ell im not feeling very confident in my art anymore lowkey
big yap fest for each design under the cut !!
Barbarian Tweek
"ive never really thought of tweek as afab outside of TSOT, but i feel more comfortable drawing top surgery scars [than i do like.. nipples.] ive always seen tweek as trans, usually non conforming/non binary/androgynous in general, but ive never considered transmasculine. but i like the idea!
this is probably my least canon compliant design of this bunch. i feel like the fantasy of TSOT is just so ripe for headcanons. i NEVER draw sp characters with canon in mind really, probably the autism taking over or somethin, but i always at least age them up [more in the main tweek design]. for this design, i was thinking more of what tweek thought they looked like, if not the more au version of TSOT. like, The Thief by Wintergrew on ao3 kinds of non canon compliant. thats also most of the inspiration for basically every TSOT thing i do ever. i love that series (i did cry) (a lot)"
Tweek Tweak
"its the original guy lets have a round of applause
honestly..., not my favorite time ive drawn bro. he looks so boring when hes just standing there.
i always see tweek as non binary, just because i project on them a LOT.. like. i know that hes a guy and probably doesnt care [in canon], but i just headcanon like that i guess. i also age him up, along with every other sp character, to be around my age so like 14-17. i know thats controversial [and by "i know" i mean i saw someone on sp whisper pinterest say they hated it] but i just dont know how to write kids. theyre kinda boring. i can project more onto teens i guess.
thats kinda all there is to say. sometimes i draw tweek with brown pants, but thats because i just like the earthy aesthetic [on them]"
Wonder Tweek
"this is the most canon compliant one. im just not that much of a TFBW guy honestly (which is sad because its the only source of not really canon twenny sigh)
but i guess its also the source of some of the best creek. i am not a creek hater but sometimes its hard to fight the allegations when i start crying over them having a cute scene in a video game [not because im mad its because i miss being in a relationship] [frowney tumblr loser behavior]
when i say this is the most canon compliant one, i mean it. this is SHORT HAIR TWEEK. [i usually draw tweek with like longer hair like 2021 wolfmullet hair and with the little twin sideburn things idk what theyre called, mostly because i didnt know how to draw short boy hair before getting into sp and thats just how i drew them instead but a year later i finally decided to just do it and thought it was okay for startin out] code red. sound the alarms.
theres not a lot to say besides that. (can you tell i hit my peak with barbarian tweek.) [i ordered this by order of how i finished them and yes you can tell sigh]"
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ok i have to make my own longwinded post about this song because it makes me so incredibly sad and i NEED to get my thoughts out somewhere
just. just the intro alone is crazy. the fact that he is either sobbing or on the verge of tears the whole time. the fact that he's so emotional that he can't even finish some of the lines. the fact that right after saying the last "it's time" he is so overwhelmed that you can literally hear him get out of his chair and leave the room
the sob turning into a laugh that starts verse 1 makes me feel like my heart is being torn to shreds. jesus fucking christ. i personally think "being human" in the context of this song means being emotionally vulnerable with a partner/friend/etc, like letting your "ugly" side show a little bit. with that interpretation, this first lyric of verse 1 is one of the saddest things i've ever heard:
like. man. yeah i've been there. this lyric coupled with the laugh right before REALLY hurts, it feels like he's saying "god, i'm so stupid for getting myself hurt like this, it's actually funny"
that's not the saddest part of the song to me though. i think what's even sadder to me is the bridge:
this bridge really reminds me of verse 3 of fantasyworld, in that it's a point in the song where the singer (the ghost pov character in imdthy/actual quad in scrapyard) makes the objectively wrong decision (suicide in fantasyworld and not "being human" in this song)... and it's also the part of the song where they sound the happiest. i think what makes both of these songs hurt so much (at least for me) is that they know they're making the wrong choice, but they've been hurt so bad that it feels like they've run out of options, and the idea of not having to try anymore becomes a comfort. fantasyworld's "i won't have to suffer anymore if i'm dead" and utttwuh's "no one can hurt me based on my true self if they never see it". for utttwuh in particular, it's heartbreaking hearing him basically say "it was nice while it lasted :-)" over something that doesn't have to end. i need to go lie face down on the floor
i also think it's interesting where quad put this in the mixtape. despite being his "scrapyard" for songs that didn't fit on anything else, it's obviously deliberately sequenced- if it wasn't, then he would've just put them in the order the packs were released in. him putting a song that is (in my interpretation) about deciding to hide your true self right after a song called "being yourself" is not a fucking accident. when i hear them back-to-back i imagine this song as a response to being yourself's chorus, like "i can't be myself, this is why". but obviously there's a whole litany of reasons as to why he could've put them next to each other. also this is admittedly a stretch but the sort of "ramping up" that you hear in the instrumentals of both songs (starting at 2:27 in being yourself and 3:30 in utttwuh) feel really similar and makes them seem connected to me
tl;dr every time i listen to this song i feel like this
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sometimes i see that a post i liked right after it was made is making the rounds on community tumblr and i think “ooo look at me being all unique and ahead of the curve” and then i remember that i have no life and am scrolling through the tags 24/7 interacting with nearly every post that mentions abed by name and im like ohhhh yeah
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