Eurovision 2024: #32
32. THE NETHERLANDS
Joost Klein - "Europapa"
26th place (Disqualified)
Decade ranking: 120/153
[Above Ochman, below Andrew Lambrou]
Yeah, #NotForMe. Don't like the blue chicken, don't like the awful murine clickbait faces, don't like how he tried appropriating Käärijä's legacy for his own benefit. In fact, there's a lot I don't like about Joost Klein. Get used to it. Feelings are mixed but they are trending towards the NEGATIVE.
The face of a man I want to trap inside a garbage truck.
What is funny to me though, is that I certainly could have liked "Europapa" if the Dutch hadn't made certain decisions. I have to remain honest. My ranking, my rules, my lack of taste. It didn't work for me.
The song's not without merit though. It's a fun eurodance number at a glance. "Europapa" works best when you hear it live after a few drinks and blurt along with its lyrics. It's an EXCELLENT concert and streaming entry, whipping up a good time out of thin air with few pretences.
As a Eurovision entry though... eh. It tried to be a lot of other things: A tribute to his dead parents, an introspective unspooling of his mental health, a spoof, a meme, a middle finger to society, like all at once? It has that Subwoolfer-like quality of straight men in a mancave brainstorming on how what a Eurovision entry looks like: stupid nonsense. How does that work? The answer to that is "barely", and only if you take it at face value.
The song is not really about Joost dead's father and his world view. That ... I think... is deliberate false advertisement. It's not untrue, but presenting it as the sole truth is a deception. If you delve into the song, you'll find that it's a little bit more complex (and less wholesome) than that.
Verse 1 is about desperately running away from your problems (Joost naming all of the destinations, clawing at people for money, having lost everything but time) and verse 2 tackles validation, desperately craving it and yet not feeling sated. "Europapa" is a coping mechanism first and a song second. It's a deep dive into Joost's inner workings and his soul, but one that exposes him as insecure and vulnerable and putting up a front of irreverence as a mask to the outer world. As per the second verse:
"I'm running from myself, I'm crying out for help - I even give people loads of money and there's nobody who gives me aid [...] turn the radio on, I hear Stromae's "Papaoutai" I won't stop [feel satisfied] until they say "yeah, he [Joost] is doing well, eh?"
Now, this is actually... not a bad thing. It proves that "Europapa" is authentic and has surprising complexity and layers. That's what distinguishes it positively from Finland, which is hollow and cringe.
The problem with the emotions is that they clash with the rest of the song?
Fewer sentiments kill the party mood quite AS hard as one of "Are you feeling alright? 😨 Is everything OKAY?😨 should I call a therapist?" 😨". For me it defo kills the vibe. I don't want to END a fun party song with concern for the singer's wellbeing. The fact that Joost is cishet and therefore incapable of talking about his feelings and yet PUT THESE VERBALIZED EMOTIONS IN PLAIN VIEW IN HIS EUROVISION SONG is enough to set the alarm bells ringing.
Of course it could have worked if the live got it right, but um lol. Let's be honest here: The live was BAD. It was INTENDED to be So-Bad-It's-Good, sure, because that's the only way cishets know to do camp. I don't mind a spoof of a 2008 joke act. It just was... performed and staged so poorly it became the thing it intended to parody.
You sir, are NOT Käärijä.
The best parts of the entry (the emotional complexity and the hak break) are completely washed away by a combination of the awful clickbaity faces, TERRIBLE vocals (the post-chorus "EUROs" in literal Cookie Monster Voice are amongst the ugliest sounds anyone created for Eurovision), nightmare fuel visuals and that ghastly, ghastly outro.
Actually, about that outro. That is what made me turn against Joost. It's the WORST section of ANY song this year. It's the combination of whiplashing from extreme rapture into literal mourning at the drop of a pin (which is kind of... really icky human behaviour when you think about it) with pushing it down our throats by including it in the recap. Make The Guillible Cry With Cheap Emotional Manip, it's not a tool exclusive to Israelis.
And you CAN actually blame this intrusive display of emotional expoitation squarely on Joost because he's a known perfectionist and therefore must have planned the execution of the outro the moment he and his cronies decided to include it in the song.
It did tie the ending together alright. But because it wasn't a showing of personal growth, or strength or accomplishment, which it could have been, it did not align with the rest of the song. Instead it underlined that Joost hasn't moved on and is hopelessly stuck in the past, desperate for validation.
Instead of underlining the cheerful, fun aspect of Europapa it instead brought my attention the dark, emotionally disturbing bits as the last thought, and that ultimately is what killed it for me. The song is a cry for help, which is nothing to be cheerful about.
Aaaaand that's the opinion on the song and the live performance. But we're not done yet because I must address what came after that. 🙄
So, let's tackle the press conference first. Zero complaints about that. I was annoyed with Joost before due to how desperately he tried to push himself as "Käärijä's" successor and fabricated his own PR campaign on TikTok (DIE TikTok), but his behaviour at the PC made me do a complete 180 on him. Him shooting pure unfiltered truth pellets at the EBU and Eden with no regard for the consequences was fucking GLORIOUS. All the things he said needed to be said and were said without a filter. It was pure oxygen and precisely what we all needed to hear, spoken because of its TRUTH and not for clout.
Then, the disqualification. It was 'a valid DQ' purely from a rules perspective but come on now. This was not a DQ worthy incident. He didn't touch the woman and she deliberately, repeatedly refused to respect his privacy despite multiple warnings AND an agreement he made with the EBU. How has this even been reported as a 'crime'? He APOLOGIZED profusely to the lady in question and she refused to hear him and called the police on him. Sometimes you just have the misfortune of running into a Karen on a bad day. And given how riddled with tension this year's backstage was, every day of rehearsals was a bad day for everyone involved.
The DQ went through because the EBU can't fucking clear up the slightest inconvenience. By the time the police became involved, there was no turning back, and they were forced to DQ as per their bureaucracy. The rest is backpedaling.
Both of these things made me feel more sympathetic towards Joost as a person. At the end of the day he's a deeply troubled, complex, tragic figure who (barely) functions on copium and is really terrible at expressing his true feelings and the events surrounding his DQ check out with that. He needs support from those who love him (and enter therapy.) The other delegations taking his side (other than ofc KUN(ts)), is a wholesome signal and proves that Europe can be United By Music even when it is Divided By Politics first. If this disqualification is what leads to some much-needed overhauls for next year (ideally the sacking of Österdahl, the cancellation of the MorroccanOil sponsorship and KAN's expulsion, in any order), I will gladly accept Joost's role in that as the proverbial sacrifce that needed to be made.
Ironically, it was the disqualification that made me realize I shouldn't bump Joost higher out of sympathy for his personality. I didn't miss Europapa on Saturday and barely noticed its absence. The results in the Grand Final were great, specifically because Switzerland won and Croatia beat Israel in the televote. If Joost competes, Swizterland and Croatia's TVs go down in western Europe, while Israel is still top five (since she beat Joost in the semi). He also shoves Bambie out of their serendipitous 6/6/6 placements to boot.
That realization is why I need to eliminate him NOW and not later down the road. I don't care for the song as a Eurovision entry, I DISLIKE the live performance and his presence could have made the results worse for me. Easy elimination at this stage.
Those that care about "Europapa" can keep singing its praises and should. Joost will need and shall appreciate the support after this nightmare Eurovision.
Ultimately though, I am not of his fans.
THE RANKING
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