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wileycap · 7 months

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So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.

So.

It's okay. B, maybe a C+.

That's it.

Now for the spoilers:

The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.

The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.

The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.

Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.

The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.

The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.

Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.

In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.

And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?

Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.

In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"

They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.

It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.

To sum it up: Netflix Avatar is a mile wide, but an inch deep.

#avatar the last airbender #atla #atla spoilers #avatar netflix #netflix avatar #atla live action #netflix atla #zuko #iroh #katara #aang #sokka #zhao #ozai #review

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sanguineterrain · 5 months

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hi sanne!!! my mind has been rotting with assistant!reader x dick, and i literally can’t get it out 😭. i'm in love with your writing and reblog everything! thank you so much, have a great day!!

cute idea! I gave it a little twist ;) hope u enjoy!

dick grayson x gn!assistant!reader. flirting, secret identities, sparring.

****

Bruce Wayne is evasive on a good day and downright invisible on a bad one.

So when you see him down the hallway from his office, attempting to escape without being caught, you nearly trip on your feet trying to catch him.

"Mr. Wayne!"

His shoulders rise with tension. You pity the guy, you really do. Being a gazillionaire is tough.

"Mr. Wayne! Mr. Wayne, Sharon has been hounding me about the charity dinner. Please, if you could just go to this one dinner... you haven't been to an event all month."

And you're getting the brunt of it from all of WE's clients.

Bruce turns, his smile looking more like a grimace. "Hn. Hello. A dinner? I was sure I had a shareholder meeting that day—"

"All month? B, what happened to the two event minimum? That's your rule."

The new voice comes from behind you. Dick Grayson walks down the hallway, wearing jeans that probably cost as much as your monthly rent.

"Mr. Grayson," you say, nodding primly. "How are you?"

You shift the files in your hands as they start to slip. Dick is quick to catch them, balancing the stack.

"We've been through this," he says with a smile. "You know you can call me Dick."

Yes, you've been through this. Every time Dick shows up to Wayne Enterprises, he tells you to call him by his first name. And every time after that, you call him Mr. Grayson.

"Right..." you say, taking back the files. You turn to Bruce. "Mr. Wayne, if you would just consider the dinner..."

Dick gives Bruce a severe look. "B, this is ridiculous. You're such a stickler for rules and yet—"

"Oh, look at the time." Bruce scoots past you and Dick. "I've got that meeting with Lucius. Where does the day go? Please tell Sharon I'll get back to her."

You can't understand how a guy whose biggest exertion is made by playing tennis at the country club can slip through your fingers so fast. He's around the corner before you can blink. You sigh.

"Don't worry," Dick says. "I'll get him to go. And I'll get one of my siblings to tag along to make sure he doesn't duck out early."

You smile briefly. "I'd appreciate that, Mr. Grayson."

"Dick. So!" He trails behind you as you make your way back to your office. "Do you have any plans for tonight?"

"Working."

"O-kay..." Dick jogs ahead to hold the door open for you. You push through, trying not to frown. "What about tomorrow night?"

You toss your scarf on the hook. It ends up on the floor. You ignore it.

"Still working."

"How 'bout I ask B to give you the day off then?"

Now it's your turn to give a severe look. "If you're implying that I'd be obligated to go out with you in return for a day off, you've completely misjudged my character, Mr. Grayson."

"Whoa, okay." He holds up his hands. "You're right, that didn't come out right. How about I get him to give you a day off, no strings attached?"

You dump your files and sit at your desk. "That's at your discretion."

"Hey." Dick leans on your desk, puppy eyes at full power. "Maybe we've gotten off on the wrong foot. Did I do something that put you off? I'd like you to tell me if I have. I hope the fact that I'm Bruce's son isn't stopping you from being honest."

You put down your pen and look at him. "Look. You seem like a nice guy, and you're handsome with a rich dad to boot. But I'm just not available, okay? You're looking for someone to go to Tahiti with. I respect that. But I'm not that person. I'm just not interested in that."

"You think I'm handsome?"

You sigh and open your laptop.

"Right! Sorry. Not the point." Dick sinks into a crouch next to you. He pulls the oddest poses sometimes, like he's made of rubber bands. "Okay. You're not looking for a trip to Tahiti. Got it. I don't take many vacations anyway. So how about having a friend?"

"And why would you want to be my friend? I'm just some assistant."

"Well, I..." Dick scratches his neck. "I like you. Is that so hard to believe?"

Very. But okay. You can throw him a bone.

"I guess not," you say.

Dick frowns. "You don't believe me."

How does he do that?

"Can I please get back to work?" you ask, only a little worried about being rude. "I'm sorry, I'm just very busy."

His face falls briefly before he stands and nods.

"Of course. No problem. I'll see you around? And I'll get B to go to that dinner."

"Thank you."

You don't notice his lingering looks, or the fact that he picks up your scarf and places it on the hook on his way out.

****

3...17...64.

The safe clicks. You smirk. Easy peasy. The hotshots always use their own birthdays for combinations. Predictable. You bet Bruce Wayne does the same.

It's a blessing that you were able to duck out early today. Bruce gave you the rest of the afternoon off. You suspect that was due to some outside meddling.

You take out the files from D.A. Colson's safe. You always say that if crooked district attorneys don't want their documents stolen, they shouldn't put them where anybody can find them.

...Maybe you were too harsh with Dick. He's sweet, no doubt. It was nice of him to get you off early. But you kind of feel like he'd take issue with the fact that you spend your weeknights breaking and entering.

"You know, cracking safes is already Catwoman's shtick," a voice says behind you. "You might wanna find a new gimmick."

A thrill shoots through you. You toss your head as you turn, leaning against the open safe.

"Catwoman steals diamonds." You hold up the documents. "I just steal files. And make a few edits."

"That's extremely illegal. Those files belong to the district attorney," Nightwing says, crossing his arms.

"The dirty district attorney," you correct.

"I'm supposed to let you off on a technicality?" He sounds amused.

Your shrug one shoulder, a little coy. "You could. I hear you're the nice one."

He laughs. Nightwing has a pretty smile. It's the first thing you'd noticed about him.

"Oh, yeah? Anything else you've heard?"

"Plenty. But I'm in a bit of a hurry tonight, Wing. As much as I enjoy our little chats..."

You dart to the window. Nightwing easily blocks your exit.

You're not quite sure what overtakes you when you run into Nightwing. Ignoring the fact that he manages to be the one to chase you almost every time (and what a chase it is), there's a tension between you. Or maybe it's just one-sided on your part. It certainly doesn't help that he's got a nice smile and bouncy hair.

"You know I can't let you go," he says, hands on his hips. "Put it down."

And he's extremely good at what he does.

"Make me," you say.

He never uses his escrima sticks, which you know is a courtesy to you. But that doesn't mean you can't hold your own.

"Alright," Nightwing says, smirking slightly.

He takes three steps, blocks your immediate kick, and takes the documents.

Something swoops in your belly. You kind of get why Catwoman exclusively fights Batman. Once you go bat, you never go back.

"Got them," he says cheerily. "Now what?"

You throw a glass bird tchotchke at him from Colson's desk. He catches it with his free hand, but it's enough of a distraction for you to slide into his legs. Nightwing stumbles less than you would like, but you push him down against the desk.

He grunts as he hits the wood, then rolls you over in the next breath, hands catching your wrists.

"Stealing... makes you no better... than Colson," he says, hair falling over his mask. All of him is pretty, really. It's too bad he's so firmly on the blind side of justice. You're trying to help the little people. Batman and his merry band of do-gooders have always been too focused on the big picture.

"If these documents are buried, Colson will win his case and hide his own crimes in the process. Is that what you want? Another crook in court?" you ask.

Nightwing frowns. "You know that's not fair. We can't falsify evidence for the sake of putting Colson behind bars. IF we pick and choose whose lives to play with, what gives us the right to carry out justice?"

"I dunno, Wing," you say, a little breathless. Nightwing's hips are politely shifted off of yours, chest to yours. "Seeing you go rogue would be kind of exciting."

You can tell he's glaring at you. "Not in your dreams."

"Been in my dreams, have you?"

You gain enough leverage to push Nightwing off of you. He's back on you immediately, trapping you against the wall.

"How is doing something like this not crooked?" he asks.

You scoff. "It's for charity. I'm donating residents to the county jail."

You twist in Nightwing's hold and land a kick. In the three seconds he's distracted, you grab the documents. No sooner do you do that does Nightwing tackle you. The documents slip out of your hand.

"I can do this all night," he says, knee wedged between your legs. "Might as well yield."

"Yield? You're not even playing at your full strength, hotshot."

He smiles. "No, I'm playing nice."

You roll your eyes. "Well, play fair."

And then you jump out of the window.

Your tuck and roll isn't the worst but it's not the best. Especially when Nightwing neatly lands a few feet away without a wince.

"Showoff," you say.

"Give me the documents," he says. "I want to put Colson away, too. But this isn't how to do it. He's still a civilian, and his clients' lives matter."

You get up and wobble on a loose brick on the edge. Stupid historical buildings.

You're desperate. If he keeps this up, you're bound to land yourself a night in the police station and lose the documents.

So you dust yourself off. And you stop. Right at the edge of the roof.

"Okay," you say.

Nightwing takes a careful step forward. "Okay?"

You toss the documents to him. He catches them in surprise.

"You're surrendering?" he asks.

You shrug. "Like you said: you can do this all night. And I guess there are better ways to catch Colson. More permanent ways."

He tilts his head. "You're not gonna kill him, are you?"

"No! Jesus, man. Ye of little faith."

"I'm just trying to understand why you surrendered."

You sigh. "Because you always win anyway. You're a better fighter than me. And I'm cornered. I just feel like cutting my losses early. You're a lot more convincing than Batman."

"Is that so?"

"Oh, yeah. I much prefer you chasing me."

"Uh-huh." He nods towards the building. "Come on, then."

"Okay, sure."

You take a step. And you fall.

The brick is loose under your foot. It doesn't take much for you to keep going.

Panic surges through you, but that only solidifies your acting.

"Wing!" you cry, toppling over the edge.

"Shit!"

Nightwing lunges and grabs you by your waist, then uses momentum to haul you both to safety. His cheek against yours for a moment, body pressed to yours. It really is a damn shame he's such a Boy Scout.

You knock him in the stomach and snatch the documents, then separate from his grip. You watch his face contort in realization as you land and bolt.

"That wasn't playing nice or fair!" he yells, landing on the opposite side.

You're already gone, laughter echoing.

#dick Grayson x reader #dick Grayson x you #Nightwing x reader #Nightwing x you #Nightwing fanfiction #nightwing x y/n #dick Grayson fanfiction #dick Grayson imagine #dc fanfiction #batman fanfiction #inbox #blurb

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hauntingsofhouses · 9 months

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We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:

Taigen and Mikio are foils.

Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.

I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.

First of all, let's look at their similarities.

1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.

2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:

For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.

In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.

From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?

Their backstory:

Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.

2. The first time we meet them on-screen:

Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.

3. Their maturity and growth:

Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.

4. Their overall attitude:

Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.

5. How they talk to and conduct themselves around Mizu:

Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.

Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.

6. Their external vs internal selves:

Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.

9. Their hair, a symbol of their honour:

Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.

10. Their power dynamic with Mizu:

Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.

11. Their perceptions of Mizu:

Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.

12. The way they approach sparring with Mizu:

Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.

Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.

Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.

13. When Mizu pins them down in a friendly spar:

Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.

Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.

14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:

Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.

15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:

Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.

Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.

Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.

So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.

What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.

So for Taigen to have so many parallels with him... Do you see what I'm saying here!

Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").

And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:

Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.

With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.

#blue eye samurai #mizu x taigen #taigen x mizu #taimizu #taigen blue eye samurai #blue eye samurai meta #hope yall enjoy my thesis on virgin mikio vs chad taigen #this was written last night when i shouldve been writing the new chapter for my taimizu fic that i promised i would work on....whoopsies...#i will get to it eventually but i just have to get a firmer grip on characterisation before i can delve further into it yk #on that note. i kiiinda regret posting the fic on a whim!#my last longfic was written better because i had the whole thing complete and could go back and edit/polish/revise before posting #so it came out much more coherent and consistent ykwim?#this fic might suffer a bit for this reason 🤒#but its fine i have to remind myself im just doing it for funsies #anyway here have another long ass meta post from yours truly #meta dissertations.pdf #shut up haydar #fandom.rtf

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fear-is-truth · 2 months

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𝜗ϱ ┆ WHEN YOU CRY .ᐟ

── THE EVANs ‧ h e a d c a n o n s ೃ࿐

ft. tate ‧ kai ‧ kit ‧ jimmy ‧ james

⟣ TAGS ‧ SFW (tw: mentions of murder!) | fluff | not quite proofread because i’m sleepy asf

• a/n: um sorry if i didn’t include your favourite evan. been trying (failing) to remember how to write in english again.

ೃ࿐

⟢ 𝐓𝐀𝐓𝐄 𝐋𝐀𝐍𝐆𝐃𝐎𝐍.

Tate is not the most empathetic person but he’s willing to try for you.

and if it’s about family issues or depression, he can really relate with you.

his method of comforting you is to hold you in his arms and try to remind you know that you are loved, even at you’re at your lowest and when you feel like the world has gone to shit and you hate yourself.

he’d try to wipe away some of your tears with his sleeve but he’d always end up crying with you.

it’s like he becomes more “human” when he’s with you. feels genuine emotions.

you’re curled up on your bed, the soft glow of your bedside lamp barely illuminating your tear-streaked face. sobs shake your body as muffled sounds of your parents’ arguing drift up from downstairs. you feel the weight of the mattress shift beside you, signaling your boyfriend’s arrival. “why are you crying?”, Tate asks softly, reaching out to touch your hand. “i hate my parents,” you choke out. “they’re f-fighting again. it never fucking stops.” without a word, he wraps an arm around you, pulling you close. you feel a shuddering inhale from him, and soon, he’s crying with you, his tears mingling with yours.

⟢ cult leader .ᐟ 𝐊𝐀𝐈 𝐀𝐍𝐃𝐄𝐑𝐒𝐎𝐍.

Kai is pretty much the main reason you cry (because let’s be real. he’s an asshole.)

he’d let you “cry it out” and figure it out on your own because according to him, that’s called “building character”.

and the fact that he has a perverse, almost erotic fascination when you cry.

the sight of your shiny wet eyes, your puffy lips looking extra kissable and the flushed tint on your cheeks makes him hard.

he knows it’s fucked up but damn, you just look so pretty when you cry.

pinkies entwined, you take a deep breath. “Kai, i...i think i’m not good enough. especially not for you.” the words tumble out like a spew of vomit. Kai stared at you as if you’ve grown a second head. “…and what makes you think that?” your eyes sting with hot tears. “i just feel like i can never measure up, i’m always falling short.” no response. dark eyes watching you intently as you fall to pieces. he’s not going to say anything, let you cry it out most likely. after all, he finds a perverse beauty when you’re at your weakest. “c’mere,” Kai finally says, withdrawing his hand and patting his thigh. sniffling, you stood up, legs trembling slightly as you moved towards him. hesitating for only a moment before straddling him. he wraps his arms awkwardly around you as you bury your face in his shoulder, the fabric of his sweater soaking up your tears. “hey.. i see how hard you try,” he mumbles, “you try harder than anyone else in the cult. that doesn’t go unnoticed, know that.”

⟢ 𝐉𝐀𝐌𝐄𝐒 𝐏𝐀𝐓𝐑𝐈𝐂𝐊 𝐌𝐀𝐑𝐂𝐇.

being james’ beloved, there’s honestly nothing much for you to cry about.

the man spoils you with lavish gifts and showers you with affection. he’s genuinely a great partner (if you look past his erm. “special hobby”)

sometimes when you’re alone, you shed a few tears because you miss your family / the outside world.

he lets you grieve in silence because a.) there’s nothing he can do about it & b.) he feels a bit offended that you still hold on to your past. isn’t he enough? & c.) you kind of signed up for this (or not)

the one time you actually, really broke down was the time he convinced you into killing & dismembering a hotel guest. all on your own as he instructed you.

you are sitting on the edge of the grand, opulent bed, your body wracked with silent sobs. you can still see the glassy, lifeless eyes of your victim, haunting you every second you closed your own. you can still smell the metallic scent of freshly spilled blood invading your nostrils. “my dear,” your husband kneels in front of you and takes your trembling hands into his. “don’t burden yourself with remorse. the deed has been done.” you look down at him, vision blurred by tears. “how can i not? i... i killed someone, James. because of you.” he tilts his head, a sad but inherently disingenuous smile playing on his lips. “yes, you did, and beautifully executed for a beginner, as a matter of fact.” fresh tears began to spill over, and you fling your arms around his neck. guilt, horror and disgust poured out of you in the form of sobs. his suit is cool and stiff against your cheek, but his arms encircle around you firmly. “there, there, my dear,” he coos, gently stroking your hair, “let it all out.”

⟢ 𝐊𝐈𝐓 𝐖𝐀𝐋𝐊𝐄𝐑.

Kit. dear, sweet Kit.

when he sees you cry he lowkey wants to cry too but he has great self control.

boy’s just trying to stay strong for the both of you in that god-awful asylum.

he’d squeeze your hand reassuringly and quietly whisper comforting words to you.

imagining out loud what your future together would be like. what color you’d paint your house, how many kids you’d like, whether you’d like to keep pets etc.

and he’d do just about anything to put that pretty smile back on your face.

you can’t break down here, not with the nuns and workers always watching. so, you bite your lip instead, trying to stifle the sobs building in your chest. Kit notices immediately, his eyes softening with concern as he discreetly wrapped an arm around you. you lean into his shoulder, tears soaking into his shirt, appearing from the outside like you were simply leaning against each other. “hey. hey, sugah,” he whispers, voice so low only you can hear. he leans closer, giving you a kiss on the forehead. “we can’t give up hope now, m’kay?” then he reaches into his pocket and produces a small chunk of dark chocolate, breaks off a piece and gently feeds it to you. the bittersweetness melts on the tip of your tongue. he squeezes your hand, twice. “we’re gonna escape this hellhole. i promise.”

⟢ 𝐉𝐈𝐌𝐌𝐘 𝐃𝐀𝐑𝐋𝐈𝐍𝐆.

super protective. ready to defend your honour 24/7 and beat up whoever responsible for making his girl cry.

he’s surprisingly good at comforting people. the way Ethel had raised him was a perfect balance between “tough love” and “reminding how special and cherished you are even when you feel like absolute shit”.

with you, he channels all that softness into comforting you.

you sit hunched on the steps of your caravan, tears streaming down your cheeks. the night air is cool around you, a contrast to the heat of Elsa’s scathing remarks burning in the back of your mind. she had berated you mercilessly for one small mistake during your performance earlier. Jimmy crouches down, concern etched on his face. “hey, dollface,” he murmurs softly, reaching out to touch your hand. you look up at him, eyes red and puffy. “Elsa… she just… she fucking tore into me,” you manage to say, voice trembling with hurt. his gaze softens as he pulls you close, wrapping his arms around you protectively. “y’know, Elsa’s always been jealous of you.” you blink, surprised by his words. “really?” “yeah,” Jimmy confirms, “you’re the one everyone remembers after the performance. she sees that, and it eats her up inside. don’t let her get to you like this. okay?” “okay.” small smile starts to form on your lips as you nodded. he grins and brushes a tear from your cheek. “now that’s the pretty smile I know and love,”

#american horror story #ahs #kai anderson #evan peters #kai anderson x y/n #kai anderson x reader #tate langdon #james patrick march #kit walker #jimmy darling x y/n #jimmy darling x reader #jpm x reader #tate langdon x y/n #tate langdon imagine #ahs murder house #ahs freakshow #Ahs hotel #ahs cult

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theangelssing · 8 months

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Good Evening

prompt: after a hard day with SAMCRO, Chibs could really use a shower, a dinner and your presence. Nothing else but a sweet evening with his s/o.

gender neutral!reader, third pov, Chibs & reader are a couple, reader is friend with Sons of Anarchy, 820 words

warnings: mention of blood, mc’s activites, nudity, smoking, drinking (wine) allusion of sexual activity, age gap, physical touch (romantic way)

a/n: small fluffy imagine with Chibs just bc I love him; don’t hesitate to send request for every character you want (:

masterlist - inbox

“Babe I’m home,” you heard Chibs’ voice across the small apartment you two shared. You got up from your bed you were sitting on and you came to meet a slightly bloody Chibs. “Not mine,” he just whispered as he saw you looking at him.

“You wanna talk ‘bout it?” you simply asked while you both were heading to the bathroom.

“Nope. Right now I want you and me in the shower,” he replied with a grin, which made you laugh.

“You never stop,” you said and he shook his head.

“Never, babe.”

Chibs kissed you, already undressing himself. You did the same, and the both of you went under the hot water. You were used to Chibs’ activities with the Sons of Anarchy. In fact, you were used to the charter’s activities. So when Chibs would returned at home all bloody after a day, you would not freaked out or complained. You would always stayed there for him if he wanted to talk, but you would never pushed him, only doing whatever the two of you wanted to enjoy your evenings.

After your shower Chibs was only wearing a towel around his hips while you were already wearing your pyjamas.

“What d’you want for dinner?” you asked him.

“Ye,” he replied, a crooked grin on his lips.

“Again? You sure you can handle that many rounds?” you were only playing with him, of course.

“Love, I migh’ be more than 15 years older than ya but I still can show ya who’s the boss here.”

He gave you a kiss and a small slap on one of your butt cheek, making you laugh.

“To be honest I’ll eat whatever’s left in the fridge and the cupboards. I think ya’ll need to run some errands tomorrow if it’s alright for ya.”

“Yeah no prob’ I’ll do it.”

You smiled softly, already busy finding what to cook. You knew Chibs could also cook, but sometimes you just like being the one cooking. While you were busy making dinner, Chibs would usually set the table and poured a glass of wine for the both of you, the smell of his smoke blending with the smell of the food.

After having put some sweat pants on, Filip returned in the kitchen, dinner almost ready. You didn’t do anything fancy, only spaghetti, but that was always great for him after a day working with the club. You put the plate before him as he was turning the tv on. You sat next to him and he gave you your glass of wine.

“What d’ya wanna watch?” Chibs asked.

“Let’s watch Pride and Prejudice!” you immediately replied.

“Again? Isn’t it like the third time in two month we watch it?”

“Yeah but I love it,” you said with big pleading eyes.

“‘kay but next time I’m the one choosin’ the movie.”

You smiled and went to put the dvd in the player.

It was your little habit. Just you two and a movie night, relaxing together. Of course Chibs loved to spend the night at the clubhouse but sometimes he was better alone with you than with the club. And sometimes he also loved having you around at the clubhouse. It all depended on his moods, yours, the day you both had. And right now, spending some time with your loved one, felt like the perfect evening.

“Aye, can’t get enough of that movie, can ye?” Filip put an arm around your shoulders, pulling you closer to him as the movie just finished.

“I’m sure you love it too,” you joked.

“Kinda have too, after havin’ watch it that many times.”

Chibs laughed then kissed you and you went deeper in his embrace. You smelt his cologne mixed with the smoke and you felt at home.

He let a hand running through your hair and you stared at the paused screen in front of you. The black background was letting you see yourself in Chibs’ arms. You also could see his disturbed face and look.

“What’s going through that head of yours?” you asked, brushing his cheek with your nose.

“Too many things, babe. Don’t wanna upset ya with the club’s shit.” He kissed your forehead. “Jax’s a good president, I trust him enough.”

You nodded and kissed his cheeks. He lit a cigarette and you looked at him, only to meet his gaze on you.

“What?” you asked.

“Nothin’. Ye’re cute. What if we go to bed?” Chibs asked, a small and soft smile on his lips. You agreed and you both put an end – in your bedroom – to another crazy day.

You knew a small evening with you in his arms could make Chibs’ day better, so that’s what you did tonight. With him, you never felt the need to ask him about his day or about the club’s activities because he was the one to talk to you when he needed to.

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h00nerz · 11 months

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power up!

pairing: huening kai x fem!reader (+ slight choi soobin x fem!reader)

genre: comedy, fluff, non idol!au, streamer!au

summary: since you started your career as a streamer, you’ve had a massive crush on a bigger creator, choi soobin. in an effort to get close to him, you go to one of his best friends for help winning over his heart. what you don’t know is his best friend has a great big crush on you, and is prepared to foil any attempts you have to get with soobin.

characters: txt, itzy’s ryujin and yuna, skz’s felix, kep1er’s huening bahiyyih and hikaru, lsfm’s eunchae, and more i’m sure.

status: discontinued :(

warnings: profanities, kms/kys jokes, really stupid people, will add more in individual parts

profiles:

the better dream team 😍

eunchae and friends 👺

tubatu 🗣️

table of contents:

preview

01 — the one where y/n finds her victim

02 —the one where beomgyu loves woman

tag list (open send an ask to join!): @jakeshands @ughsoobin @robinsluva @blaaiissee @hyuk4ngel @yeonboy @naveries @tocupid @mjlasagna @lunaavity @dewyboi @vianna99 @exohclipse @ttyunz @i1l0-n4 @mazeinthemoon @luvsoobs @n0-thisispatrick @arizzu @huckleberrykai @222brainrot @heartsforhyunjin @destairea @owotalks @loveliii @haohyo @cowsmicwu @heavenhannie @beomsbeanie @blamemef0rit @soobhns @haechansbbg @mackjestic @wonioml @alyssajavenss @koala-wonderland @n034sy @tr0p1cal @luvtyunn @iad0ru @forevrglow @snawvie @chaerybae @lunavixia

author’s note: yasss hyuka smau!!! my sweet sweet boy this fic is just gonna be silly and everyone in it will probably be stupid but that’s how all of my smau’s are so who’s really surprised?? anyways i’m not sure when i’ll officially start posting this but join the tag list so you don’t miss it when i do!!

#👾.power up!#huening kai x reader #huening kai smau #huening kai imagine #huening kai #txt x reader #txt #txt smau #kpop smau #tomorrow x together #txt imagine #kpop x reader

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ravenclawerised · 2 years

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Rewatching DS9 again and I am just so interested at how an average Bajoran would view Kira by the end of the series. How an average Cardassian would? We know that a lot of what she does is known to the Bajoran people. Shakaar mentions Furel and Lupaza bragging about her whenever they get news of the station. But lets actually take a look at this:

She is the highest ranking Bajoran on DS9 outranked only by the Emissary

Most times Sisko did anything in the capacity as the Emissary, Kira was one step behind and to the right

She was with Kai Opaka, the most widely loved and respected Bajoran, when she made her journey through the Celestial Temple and “answered the call of the prophets”

She was highly respected (and loved) by Vedek Bareil who was hugely popular on Bajor (he could very well have been Kai if he hadn’t taken the blame for Kai Opaka’s actions during the Occupation)

She and Kai Winn had a well known feud and after Kai Winn’s fall from grace at the end of the show, Kira must come out pretty great to everyone else

She is the one who found and saved the great Bajoran hero, Li Nalas, from a Cardassian work camp and then within a week saved Bajor from a civil war that had been encouraged by Cardassians.

Between her saving Li Nalas and his fellow prisoners AND finding the Ravinok and saving the Bajorans (and Cardassians and Ziyal) from the Breen mines, was she the person Bajorans turned to when searching for their lost love ones? Was she a symbol to those who kept looking for their loved ones because Kira Nerys found those thought to be lost?

She prevented ANOTHER Bajoran Civil War and helped elect Shakaar as the First Minister of Bajor. Again being associated with a widely loved and respected member of Bajoran society.

Kira was in charge of DS9 during Dominion Occupation and started up the station’s resistance cell

She was permitted to use the Orb of Time, one of Bajor’s most sacred objects

She was the chosen by a Prophet to be their vessel during the Reckoning with the Pah-Wraith...and the KAI was on the same station. But it was KIRA who was chosen

She plays chicken with a Romulan fleet...and wins!

She was a key figure in the Dominion War. She started as a resistance fighter who was assigned to a falling apart, unimportant old Cardassain station and becomes the Colonel of the single most important port in the Alpha Quadrant. She is the right hand of the Emissary. She is widely respected by many beloved figures in Bajoran society.

And this list is just the most public things that have happened to her. This doesn’t even take into account any of the stories about her that involve her dealing with whatever BS the Star Trek universe decides to throw at the characters that week. Klingons beam in and fight? Gets stabbed and keeps fighting. Emissary is transported to 2024? Kira is on the team that pulls him out.

By the end of season seven, do politicians on Bajor hold their breath or breathe a sigh of relief if Kira gets involved? Do Vedeks seek her out to ask her about being possessed by a prophet? About her experiences with the Orbs? About Kai Opaka’s last words? Do families still grieving those missing from the Occupation petition her to look for the lost?

And how about the Cardassians?

The Cardassian government would probably never publicly admit to any time she foiled their plans, but Tekeny Ghemor tells her that she has her own section in the Cardassian Central Archives and is a public figure on Cardassia

Would the Cardassians in the Breen mine whisper their thanks among their family that Kira Nerys found them?

Tekeny Ghemor, someone who was respected enough to be considered as the face for the Cardassian resistance against the Dominion controlled Cardassian puppet government, publicly considered her his daughter/family by asking her to participate in the Shri-tal ritual and give her all of his secrets prior to his death (something highly valued in Cardassian society)

She was a part of Damar’s resistance. She helped them fight the Dominion and was with Damar when he died for Cardassia. In the story of how Damar was martyred for Cardassia’s freedom from the Dominion, Kira Nerys, a Bajoran, is heavily featured.

In all Bajoran/Cardassian relations, do Cardassians seek to involve Kira as a woman of her word who will treat in good faith or do they cross their fingers and hope she is nowhere near their business?

Can you tell I think about Kira Nerys a lot?

#DS9 #Deep Space Nine #Kira Nerys #I love Kira so very very much #Her character development over all seven seasons is beautiful to watch #And I think everyone should love her #Everyone on DS9 must have a reputation on Bajor just #by proximity to The Plot #And obviously Sisko is probably the most prominent figure between Bajoran Cardassian Federation and Maquis society #But I argue that Kira is the next well known with her own mini following on Bajor and maybe even Cardassia

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alwaysakin · 4 months

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The Vampire Diaries Universe Fic Recs

Once again putting my unhealthy amount of fanfic knowledge to good use. Here's my list (non-exhaustive) of the best vampire diaries & originals fanfics. Includes Klaroline, Bamon, Kolvina, and more.

Bamon Fics

Before I Take My Flesh Away by Orig1n - the fic where Bonnie and Damon are comically bonded, and she hops around in his timeline pre (and during) the series. Tragically unfinished, but completely incredible! Kudos for developing Stefan and Damon as brothers and making me not hate Lily Salvatore. Also love the Arthurian lore.

if you love me (don't let go) by sarcastic_fina - this is a heartbreaking deconstruction of Bonnie and her victim mentality, and shows the strength of not only her romantic relationship with Damon, but her friendships with Caroline, Matt, and Tyler. So sad, but so good!

Bloodstone by cactusfinch - Bonnie time travels to 1864 (with all the problems entailed). Her relationship with Damon is done well here, and her friendship (sort of!) with Katherine is fun as hell.

rest for the wicked (hope for the weary) by castelia - Damon and Bonnie go on a road trip together after the prison word. I am a sucker for mutual pining, and this fic does it so well!

Fifty-Five Years by turningofflights - written from Elena's perspective, after she reads Bonnie's diary entries and learns how Bonnie and Damon fell in love. A bittersweet, believable love story for Bonnie and Damon.

Other Bonnie Bennett Ship Fics

The Edge of Night by Szajnie - a crossover between season 3 of the Originals and season 7 of the Vampire Diaries, where Bonnie goes to New Orleans. She's absolutely in her element here as the most powerful New Orleans witch, takes the supernatural world by storm, and everyone has a happier ending because of it (including her!). Absolutely love her friendships with Davina, Vincent, and Freya, and shout-out for being the only fic to make me care about Cami! Truly, this is great. The NOLA gang is the family Bonnie deserves, and the Bonnie/Klaus is so believable.

Kai Parket Screwed Us (Until Bonnie Bennett Screwed Him) by hysteriaww - exactly what it sounds like. Bonnie shows up to help Josie and Lizzie deal with the prison world and her and Kai's insane relationship weirds everyone out. Deals with the Gemini Coven in a really interesting way. Hilarious, and with mild Damon and Alaric bashing. BonKai.

Season One, Epsidoes One-Three by BorgiaBabe - a rewrite of the first three episodes of TVD with Bonnie as a proper main character. Her love interest is a softer Kai, and it's great! Bonnie really deserves better.

the night light hits off, turning kisses to bites by donutworry - an insane, dark, twisted Bonnie and Kai romance, where they're the only ones in the prison world from the start. I absolutely love the Gemini Coven lore in this fic.

Klaroline Fics

Make them bow by for_darkness_shows_the_stars - Klaus appears in season 1 of the vampire diaries. it's Klaroline, but still super gen, and all the characters get their own compelling arcs in it. Especially love the way Elena and Stefan are written.

One of A Kind, Two of a Kind, or the Three Musketeers by Phandancee74 - Caroline is an ancient nymph who was erased from memory by Malivore. She still helps the Mystic Falls gang out (and her relationship with Bonnie is great)! The Klaus/Caroline is angsty and lovely.

Calling on a Friend by Phandancee74 - 5 year old Josie gets Klaus's number. Shenanigans ensue. Short and cute as hell.

Sanctuary in their Hearts by thatsanotherlovestory - Caroline leaves before the season 8 wedding, and heads to New Orleans with Klaus. A fun story, but still so sad Bonnie didn't get her happy ending in it. The twins are so cute in this.

Let's do the Time Loop again! by kcatdino - on the night of the sacrifice, both Klaus and Caroline get stuck in a time loop. It's so funny to watch them get more and more deranged.

sweet present of the present by VintageLilac - it's Caroline, not Rebekah, who raises Hope while New Orleans is at war. I absolutely love Katherine in this fic, and though Hayley gets the short end of the stick it's written quite well.

The Wolf by Yokan - a witch version of Caroline is the one pregnant with Klaus's baby in the originals. And while season 1 doesn't change a lot because of it, the later one's definitely do! I love the Klaus and Caroline relationship, and Caroline & Elijah friendship.

Elena Gilbert-Centric Fic

The stars were brightly shining by adlyb - a fic where Elena is pregnant with Klaus's baby. It's so hard to describe! A little twisted, a little sweet, and a thorough depiction of Elena's mental state.

The Forgotten by MissNMikaelson - Elena time travels and gets dropped in the middle of Klaus and Kol's war in New Orleans, circa 1914. The flashback scenes in the fic are great! Eventual Kol/Elena.

blame it on the stardust by allwritenow - the fic that looks into if Elena's doppelganger nature affected her more. And a truly beautiful Caroline, Bonnie, and Elena friendship.

Off by a Single Degree by Tarroko - when Elena's phone dies, Damon walks her home and never compels away her memories, and her parents never die. This softer, sweeter Elena is so believable, and I love the way canon immediately shifts. Amazing development of her parents, Anna, and Enzo. Delena.

Katherine Pierce Centric Fic

afflictions eclipsed by glory by passionesque - in 1864, right after the fire in Mystic Falls, Elijah finds Katherine. They team up together against Klaus. This deals with Katherine's trauma and cunning so well! A slow build to Elijah/Katherine, involving him acknowledging his faults.

General Mystic Falls Gang Fics

in another life (i would let you go) by sarcastic_fina - Elena wakes up in a world where she isn't the doppelganger and no one knows her. An interesting deconstruction of the affects she's had on her friends.. Manages to be both Elena-bashing and sympathetic at the same time. Minor Steroline and Bamon.

Originals Family Feels

It All Comes Crumbling Down by AlwaysAkin - can I do a self-rec? I'm doing a self-rec. Hope is born a century earlier, and grows up in New Orleans with the Mikaelsons. I'm particularly proud of my Hope-Marcel bond and young!Hope voice in this one.

A Twist Through Time by fandom_lover_101 - Hope is sent back in time to the Vampire Diaries season 3. She messes everything up. Absolutely love the slow Hope & Klaus relationship built here, and her friendship with Elena is cute too. Minor Klaroline, Delena, and Handon.

Always & Tomorrow by Viretta - another tragically unfinished fic. Set after Hope jumps into Malivore in Legacies, it involves the dead Mikaelsons being resurrected, and the kids from the Salvatore School travelling to New Orleans (with a newly activated tribrid Hope). This is a Mikaelson family story in the bloodiest, best way. Has Handon and Klaroline in addition to the canon originals couples.

if no one in the entire world cared about you (did you really exist at all?) by nevermore_evermore - Elijah is erased from the minds of everyone he loves. Kol is (eventually) there to help him through it. An interesting take on Elijah's place in the family.

A Million Mistakes by mon-amour-eternel - a fic where Caroline is also an original, and her and Klaus are Marcel's parents. Sadly unfinished, especially considering the rarity of Marcel-centric fic!

But Stand Brave, Life-Liver by crownjrose - A Hayley-centric fic! Her foster parents come to New Orleans and see the way her life turned out. Interesting closure for Hayley, and a sweet Klaus/Hayley relationship.

Kolvina Fic

(finally) you and me are the lucky ones by yorkes - a long one-shot where Kol and Davina are soulmates. It's cute as hell! And Kol and Davina really grow into each other in this one.

The Vixen and the Fox by BlueBooThalassophile - be warned, this read is long as hell. But it's also great. Davina time travels to the Vampire Diaries season 4, gets involved in the fight against Silas, and everything goes sideways immediately. Love Davina's friendship with Hayley and bond with Marcel in this one. Every character in both shows appears in this one.

#the vampire diaries #tvd universe #fanfic rec #fic rec #bamon #klaroline #delena #bonkai #kolvina #bonnie bennett #caroline forbes #elena gilbert #klaus mikaelson #hope mikaelson #the originals #damon salvatore

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missinseg · 2 months

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Robby and his second place trauma

Everyone wants to be first in every aspect of their life. Every person also needs to know that they are valuable and feel that they are a priority for someone. This is the same for work, school life and human relations. People are happy to feel valued and loved by someone.Then there are those who are always put in the background. For example, they are not anyone's priority. No one appreciates them for their efforts. Robby is one of the characters that is always put in the background in Cobra Kai series. In fact, it would not be an exaggeration to say that he is the character who experiences this in the worst way.

Let's talk about his family first, for example. Her mother was one of those alcoholics who prioritized herself at the beginning of the series.She could easily leave Robby at home and go out of the country. While Robby wanted to spend time with his mother, Shannon preferred to go out with men.

His father,Johnny, was absent from Robby's life for 16 years due to his own traumas. When Robby met again with Johnny, a strange boy had already taken his place.Johnny said he was trying to change, but in five seasons he never put Robby first. He never thought of his son first. His dojo, his girlfriend , his girlfriend’s son,his rival, his students, and his own problems were always more important than Robby. Every child is unique for his parents, but even though Robby was only child , he could not manage to be unique and take the first place in his parents' eyes.

The situation was no different in his social life. His first friends we saw were with him for their own benefit. Afterwards, he became friends and even lovers with Sam. They were good with Demetri in the beginning, but the situation changed later. For Sam, Miguel was the priority. Demetri ignored him as if he had never had a good time with him.

Daniel was his sensei, one of the first people to care him and teach him good things. They had a great time together. He taught Robby many good things about life as well as karate. He played a big role in his change. But even such a person's first priority was not Robby. Daniel kicked Robby out twice. He was a good person but he was not the person who always there for him. When Robby went to Kreese instead of Johnny and Daniel, Kreese used him for his own purposes. I think Robby already knew this and went to Cobra Kai.

The second place followed him throughout his career. He competed in two championships but finished second in both.

In the 6th season, we see that the "second place" has become a trauma for Robby after everything that has happened to him which is a normal situation. In order to overcome this, he tried to hold on to someone who loved and valued him. He did it the first time.

Now that he has been betrayed by her too, I wonder how he'll get over this trauma and find balance. I hope everyone who has never cared about him until now will help him get over this trauma and put him first in their lives for the first time.

#robby keene #cobra kai #cobra kai season 6 #johnny lawrence #daniel larusso

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thepersonperson · 3 months

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I just want to say that I really love your analysis on Gojo and Sukuna a lot.

Can I ask for analysis of Sukuna and Yuji dynamics? It's okay if you take awhile to answer this.

(Answered as of JJK 262 using TCB Scans.)

Oh boy this one is fun!

I see Sukuna and Yuji as opposite sides of the same coin. They both have the same kind of tools but wind up at completely different conclusions because of their own personal biases.

By the way, thank you for breaking my brain anon. I'm going to consider this yet another part of my attempt to grasp Sukuna's character.

Sukuna's Loneliness Part 3 (Sukuna's hatred of Yuji is jealousy.)

Part 1 Part 2 Part 4

Click images for captions/citations.

Yuji and Sukuna's Shrine

Gege does this really clever thing where kanji used to describe a Cursed Technique (CT) have multiple readings, especially if you look past the initial proposed reading. In a way, this is teaching you how to read the text. The face-value reading, albeit true, hides another reading underneath.

Dismantle comes from the kanji 解 (Kai). This kanji can mean to unravel, to explain, to understand, to solve, to cut. It’s first introduced with chef knives which pushes the reader to interpret the meaning as “to cut”. However, this doesn't mean it's not carrying the other readings at the same time. The cutting is not simply cutting, it's a purposeful unraveling in search of an answer—in other words, dismantling.

Another good translation of 解 (Kai) would be Dissect. Though dismantle gets across a similar feeling, dissect invokes a more intimate and purposeful imagery to the cutting. Both of translations are good in their own ways. It's a matter of preference for which is better.

My point here is that the technique itself indicates the user is trying to understand something closely. The surface reading isn't sufficient for the user, the insides, the guts are what they're after. Both Yuji and Sukuna embody this desire to understand others in completely opposite directions.

Yuji, Human Golden Retriever

Yuji is wholly devoted to understanding others. He unravels the hearts of those around him by being himself. Similar to Sukuna, he also mimics people he admires. Not only in battle, but casually as well, pair bonding with just about anyone who will let him.

The mimicry aspect of Yuji here is very important because it demonstrates he is trying to understand other people on their own terms and not his own. Yuji engages everyone as themselves and accepts them as they are. Him having no braincells is a boon because it means he can absorb others' with ease.

I'm extremely fond of Yuji's pair bonding with Gojo in particular. In great length I've explained how Gojo's inability to deeply connect with others since his breakup with Geto was isolating and dehumanizing. Yuji is the first person since then to match his energy exactly and without question. Usually other characters get irritated with his shenanigans and can't follow him in conversation. Yuji consistently keeps up with him in that regard even if he's confused. In this way, Yuji has done the impossible, he has gotten past some of Gojo's emotional barriers and connected with him.

This type of seemingly impossible connection is not limited to Gojo, my other favorite being Junpei. Up until Yuji meets him, Junpei is effectively groomed by Mahito into hating other people. Mahito teaches him distrust and to see human ugliness first. Junpei starts to believe everyone is rotten and therefore ok to kill. But Yuji meets him by chance and does this:

All that time Mahito spent molding Junpei into someone worse flies right out the window because Yuji wins him over by being genuine. This is the crux of Yuji's character.

Yuji's Unyielding Spirit

Just about everyone is won over by Yuji's persistent unending good boy energy, even the people who try to kill him (Megumi, the Kyoto students, Choso, Hakari, Higurama, etc.). His most interesting converts are Higurama and Hakari in my opinion. This is because Yuji's steadfast devotion to others defies their world views.

After a lifetime's worth of heartbreak as a public defender, Higurama believes that deep down all people are hideous (similar to Junpei). He's ready to kill Yuji until he takes the blame for something he didn't do. It so thoroughly shakes him that he has a meltdown over the chapter and ultimately concludes he was in the wrong.

Yuji doesn't try to make Higurama understand him here. All he does is be himself and it forces Higurama to undergo character growth that ultimately results in him understanding Yuji.

Yuji does the exact same thing to Hakari but in a different way. Hakari believes in the selfish types who are passionate in their own pursuits. He's a lot like Sukuna in that way, he straight up calls Yuji boring for doing things on the behalf of others.

Yuji doesn't care though. He's got a clear goal and he's chasing it. Hakari knocking him down over and over does nothing. Unlike with Higurama, Yuji explains exactly how he sees himself and that if Hakari can't handle it, he'll keep getting back up until he accepts it. And it works. Eventually Hakari can see the "fever" of someone who is nothing like him.

These two converts best illustrate how Yuji is the embodiment of unwavering humanity. He does things for other people and he will keep doing things for other people even it brings him pain or death. If you don't understand that kind of mentality, he'll let you pummel him until you do.

Also notice how he never once tells his converts they are wrong to think the way they do. This acceptance of their differences is very important and will be coming up later.

Yuji's Love

Yuji connects with others through mimicry (and so does Sukuna). This, of course, is an expression of love. But what really sets his love apart from others' is his ability to perceive people and their emotions—he notices things about them no one else would.

I include the bout with Panda in this collage since their entire conversation occurs nonverbally. Yuji infers how Panda is feeling and what his goals are by sparing through a fake duel. All of this shows that despite Yuji's low general intelligence, his emotional intelligence is unparalleled. In a way, this ability of his to read others is him taking after both Kenjaku and Sukuna. But he doesn't use this insight to torment others, he uses it to befriend them.

This understanding of others is not limited to those Yuji is friendly with too. Hated people and things are something he is willing to engage without hostility.

I'm using the anime screencap because Yuji immediately accepting cursed objects, Sukuna's in particular, as something to be cherished instead of scorned really needs to be talked about more. And of course his acceptance of Todo (who is just like Sukuna for reasons we will get into later) is nearly just as important as him understanding Sukuna enough to utilize him against Mahito. These are both people, despised by most of the cast, that Yuji is willing to accept and work with on their own terms.

I often use the lens of analysis in which Umineko gave me: "Without love it cannot be seen." This is referring to how one needs to set aside their negative biases and assumptions to properly see the motives behind an action. It's sort of like giving someone the benefit of the doubt in your attempt to understand them. I think Yuji is the personification of this concept. And that's why Sukuna cannot stand him.

Sukuna, King of Miscommunication

The way in which Sukuna goes about understanding others is the polar opposite of Yuji and deeply perverse. It's like how a shark uses its mouth to explore the world. Instead of using his words, Sukuna uses his cutting to feel others out. And much like a shark, the exploratory bite and attacking bite are extremely different in action despite both resulting in the same level of harm or death when experienced.

Take notice of how happy Sukuna is when cutting his playmates. He doesn't kill them immediately and uses the information from his slashes to gain a better understanding of them. This is how Sukuna interacts with the world.

It's easy to dismiss sharks as evil since their bites do harm to humans no matter the context. But if you try to understand them on shark terms, they're actually pretty adorable. In other words, without love it (shark cuteness) cannot be seen. Please keep this in mind as I attempt to convince you Sukuna is peak gap moe.

Sukuna's Affection

Sukuna is very similar to Gojo in that he displays affection in very bizarre and unpleasant ways. But unlike Gojo who just verbally assaults people, Sukuna straight up assaults them. He's more than happy to give people compliments for their efforts, but it comes at the price of enduring his violence.

As you can see some of these compliments coincide with attempts to teach his opponent how to be a better fighter. And this is where Sukuna's affection shines the most—when he reaches out to his opponent and tries to connect with them and understand them through battle.

However...every single time Sukuna tries to bond with someone this way, they try to kill him. It's kind of hilarious.

He tries to connect with the Finger Bearer, a curse of all things. Rejected.

He tries to connect with Megumi after showing him his heart. Rejected.

He tries to connect with Higurama after cutting his limbs off. Rejected.

He tries to connect with Maki via an unhinged high-praise yapfest. Rejected.

No one here engages Sukuna's dialogue. They ignore his words entirely to focus on killing him. The only time anyone listens to him is if they're Uraume, actively dying, or Kashimo.

As you can see, Sukuna primarily expresses affection through violence. It's always accompanied by a smile and sometimes a backhanded compliment. No one can recognize this as affection because getting bit by a shark hurts regardless of intent. That being said, this affectionate violence differs greatly when compared to the violence inflicted out of aggravation.

Sukuna's Pickiness

Sukuna shows his displeasure through cutting as well. This usually occurs when people reach out to him without his explicit permission. Though Sukuna is eager to form bonds with others to some degree, he absolutely loathes when expectations are thrust onto him by another party.

That kind of relationship is transactional and not between equals. They don't want Sukuna for himself, they want Sukuna for themselves. Yorozu is the epitome of this and Sukuna treats her accordingly.

Notice how in both of these instances Sukuna's expression is the furthest thing from pleased. Yorozu does recognize his loneliness but disregards how he wants to deal with it. Sukuna cuts her to keep her away from him, not to understand her, and she doesn't get it. (Also note how he refuses to use his Shrine on her in their battle. Which we’ve established as Sukuna’s tool for understanding others. He wants so little to do with her it’s funny.)

Mahito also winds up on the receiving end of "get the fudge away from me" slashes despite initially bonding with Sukuna over Yuji's suffering. They inadvertently disrespect Sukuna's boundaries through unwanted contact, much like Yorozu, leading to this reaction. (To be fair, having your soul touched by a stranger sounds pretty upsetting.) Framing Sukuna's dislike of Mahito as an annoyed hostess vs a touchy patron in joke panels is a great way to illustrate how much he values this particular boundary.

Once again, Sukuna's expressions are very clear in their disgust. These cuts are to be read as hostile. When Sukuna cuts others in this manner, he is not trying to understand them.

Sukuna's Missed Connections

Now that we know how to read Sukuna's intent through how he cuts, we can also read his mood during fights and infer how he feels about other characters.

Jogo

In this post I kind of went over why Jogo wound up being favored by Sukuna. But let's break it down some more.

Jogo started in Sukuna's doghouse. His body language, facial expressions, and treatment of Jogo initially indicates Sukuna categorized Jogo amongst the likes of Mahito and Yorozu (he did touch his face without permission). Then Jogo said he wanted nothing of Sukuna, and everything changed.

Sukuna smiles at him and plays with him in the exact same manner he tried to with the Finger Bearer and Megumi earlier. He tries to coax Jogo into going all out while taking the time to figure out why he doesn't.

And perhaps learning from past mistakes, or Yuji (though he'd probably never admit it), Sukuna engages with Jogo on his terms—fire power. This mirroring is a show of respect and an attempt to learn more about Jogo.

This is the first time we see Sukuna do such a thing. And in return he gains a deeper understanding of Jogo for it while seeing him off into the afterlife.

Another first for Sukuna, he makes a meaningful connection through combat with Jogo who listens to him and accepts him as he is. Sukuna gasses him up while simultaneously putting him down, eventually ending on a genuine compliment, believing Jogo could've become an equal to Gojo Satoru. ...And then that blossoming relationship burns to ash by Sukuna's own hands.

This is where Yuji succeeds and Sukuna fails. Yuji's love builds and Sukuna's love kills.

The main takeaways from Sukuna vs Jogo are:

>Sukuna's facial expressions are a strong indicator of how he feels about someone. (Glaring at Jogo initially when he felt disrespected and then smiling at Jogo when he became interested in him.)

>Sukuna will offer aid to those who don't demand it of him. (Promising to kill all the humans in Shibuya on Jogo's behalf and giving permission for Jogo to boss him around if certain conditions are met.)

>Sukuna holds back during fights with those he wants to understand. (Playing with Jogo and trying to coax him into fighting harder.)

>Sukuna mimics others as a form of respect. (Fire vs fire showdown.)

>Sukuna is interested in the internal logic of his opponents. (Asking why Jogo doesn't use his domain and being intrigued by his attempt to become human.)

Keep all of this in mind as I use these points to revisit Sukuna's biggest missed connection.

Gojo Satoru

Jogo and Gojo as names are interesting in that they're inverses of each other if you go by the hiragana in Japanese. I think this was deliberate. It's not a coincidence that Jogo is someone Sukuna learned he was compatible with through fighting. Nor is it a coincidence Sukuna tried to understand him on his own terms in a way that killed him. This fight winds up being a blueprint for how Sukuna attempts to connect with Gojo Satoru.

The culmination of Sukuna's attempts to understand someone other than himself is Gojo Satoru. A whole 6 months in the making, the effort Sukuna puts towards others doesn't compare. He saw the potential in Megumi and found Mahoraga, blowing up half of Shibuya to tame it. He stole Megumi's body and subjugated his soul to obtain it, using his sister/Yorozu as calibration. And he explicitly states all this was for cutting through Gojo's Infinity.

All this prep work to kill one guy, and his loved ones are tormented for it. Gojo's prized student, Megumi (who Gojo treats like a son) is bathed in curses for days and has his sister murdered by his own CT. Sukuna picked through Megumi's memories as a part of this strategy, which means he has access to these two conversations.

A very selfish dream on Gojo's end, the desire for an equal he saw in Megumi more than any other student. In other words, a little piece of Gojo's internal logic that reveals a path for exploitation. And exploit it Sukuna does, deliberately wearing Megumi's face to mess with other sorcerers.

But that's probably not the whole truth here. Though Kenjaku and Yorozu understand Sukuna to an extent, they don't understand him fully. It's definitely true he used Megumi's face to better subjugate his new vessel and throw off Gojo. And it wouldn't be wrong to assume Sukuna did this out of malice. However...

Without love it cannot be seen gives me a framework to view these actions as something beyond hatred towards Gojo. It allows me to entertain a hypothetical where this a twisted display of affection. But it doesn't give me the evidence for this. So for this dissection, I'm using another important tool from Umineko: "Flipping over the chessboard." This refers to how one should try to see things from a different perspective.

For example, many people interpreted "The one who will teach you about love is..." during their fight being about Gojo trying to teach Sukuna love.

I decided to flip over the chessboard and came to the conclusion: The one who will teach you about love is...Sukuna.

I supported this claim with the conversation where Sukuna teaches love to Kashimo while alluding that Gojo needed teaching. And now I flip over the chessboard again. If Sukuna sees himself as a teacher of love, was Sukuna vs Gojo an attempt at education?

I reread the fight again and found this:

It's very clear that the one being satisfied in this instance is Gojo and by Sukuna. This battle is technically everything Gojo hoped for from Megumi. The potential of the 10 Shadows is maximized, Mahoraga is tamed, and the Infinity Gojo has longed for someone to pierce since Toji is obliterated.

The one satisfying him now is...Sukuna.

The one who will teach you about love is...Sukuna.

The parallel syntax and a definitive answer. I'm more confident that this is how the blank is to be filled. And that's why I don't know how to interpret this fight anymore.

This story repeatedly emphasizes how selfish Sukuna is. It beats you over the head with how self-centered and uncaring his conduct is. So why is it that he has seemingly gone out of his way to satisfy Gojo on his own terms?

There's not enough information. Did Sukuna hold back with Gojo because Megumi was still resisting him, or was it an attempt to mimic Yuji and connect with him? Did he use Megumi's body and face after reading his memories to better torment Gojo or was it give him satisfaction?

So I flip over the chessboard and go back to Jogo.

Gojo didn't ask anything of Sukuna just like Jogo. Neither of them asked to have their strength validated. Sukuna is the one who came after them.

Sukuna expressed his gratitude towards Jogo for wanting nothing of him by helping him with his objective. He killed all humans in the area as he promised and gave Jogo a chance to ask for more. Instead of slaughtering Jogo instantly, Sukuna played around with him while trying to understand him, all smiles, both backhandedly and genuinely complimenting him as he died.

...And it appears that Sukuna has done the same thing for Gojo too.

According to this post 龍鱗 (ryuurin) translates to dragon scales and "describes the basic application of Limitless, a strong defensive barrier like the scales of a dragon." This reference is also Buddhist in nature likening these scales/Gojo to a "dangerous divine power/authority", aka someone more than just a fish.

Now take this hidden meaning and Sukuna's 6 month long obsession with cutting through Infinity. Take how he describes the World Slash as something that reaches its target by making them the center of Sukuna's world. And remember that this solution is a modified Dismantle—the tool which Sukuna uses to connect with and understand others.

Sukuna made Gojo Satoru the center of his world in an attempt to understand him. He cut through Infinity in the exact way Gojo has always wanted to satisfy him. This could be read as flirtation since Sukuna has told Kashimo violence is how he loves. Just as he did with Jogo, Sukuna killed Gojo with his love.

The biggest difference between how Jogo and Gojo are treated is the complete lack of Sukuna in Gojo's afterlife. Jogo let Sukuna in and they bonded in death. Gojo seemingly kept Sukuna out, choosing to be surrounded by those he felt close with as a teenager, and waxed on about how it's hard to be understood. The irony is staggering.

It's possible that Sukuna expected Gojo to let him in during death so he could learn the unspoken secrets of his most favorite plaything. There’s also the possibility Sukuna was privy to Gojo’s afterlife scene and became acutely aware Geto still had Gojo’s heart entirely. (I don't think this the case since Sukuna is bright-eyed and smiling after that sequence.) Either way, Gojo failed to realize Sukuna was trying to reach him and inadvertently rejected him.

I flip over the chessboard again, revisiting Sukuna's lecture on love to Kashimo assuming that Sukuna attempted to teach Gojo love and failed. And now I don't know how to interpret his conversation with Kashimo either.

Is he simply saying love is worthless because all he values is strength? Or is he lamenting that each and every time he has tried to love his heart has been trampled? Could it be both?

Sukuna loves eating and humans are amongst his favorite meals. In that way, he does need someone else to be satisfied. Yet he insists on the contrary all while looking for companionship with anything that moves. Sukuna has gone his entire life not caring for others. But his fights with Jogo and Gojo demonstrate the opposite. Post-Gojo death, his expressions are ones of boredom and he is far more depressed. When his opponents most resemble Gojo, his smile returns.

Sukuna is too much like Gojo here, his 2 birds 1 stone approach to obfuscating his true feelings makes him very hard to read. It really doesn't help that instead of saying "I love you" Sukuna cuts people to pieces with a smile on his face. Forget about the gap moe. Sukuna is the most tsundere of sharks.

Umineko no Naku Koro ni (When the Seagulls Cry) is a visual novel about a person who is fundamentally misunderstood by those around them. They desperately want to be loved without being perceived, believing themself to be unworthy due to trauma and immutable characteristics given to them at birth. Instead of telling anyone these feelings directly, they play games akin to torture. They torment the ones they love over and over in hopes they'll see through their actions and understand them.

The Uncle vs Nephew Problem

What does Sukuna's inability to socialize have to do with Yuji? Well...everything. Remember that similar to Yuji, Sukuna rejected Mahito—the manifestation of the hatred between humans. Symbolically, this suggests Sukuna doesn't hate humans as much as he appears to. And from how he interacts with others, this may be the case.

Sukuna tries to be himself to connect with others and fails miserably. But Yuji? He breathes and makes 10 friends instantly. And even worse, he can fight others to understand them without killing them. Either with words or with fists, Yuji can make the connections using the very tools that isolate Sukuna.

So Sukuna falls back on isolation being strength. It's fine that he's all alone because it's what makes him strong. ...And in complete opposition to that philosophy (which is a huge cope), Yuji grows through his connections with other people.

Isolation vs Cooperation

Yuji is the undisputed king of running duos, in part because he can decenter himself at will to sync up with others. It doesn't matter how well he knows them or how long he's been around them, he will find a a way to be the best support they've ever received.

Sukuna doesn't believe in this kind of cooperation or other people. But he still respects Gojo and Megumi who do, so why does Yuji piss him off? I think it's because Yuji rubs his ability to love and grow from others in Sukuna's face, constantly.

Whether he's trapped in his body or on the receiving end of his friendship beatdowns, Sukuna has been present for each and every bonding moment Yuji has through fighting. Sukuna has an involuntary front row seat to Yuji's defiance of everything he stands for.

He's forced to watch Yuji learn how to Black Flash by cooperating with Todo. And since then, Yuji has learned to proc it with anyone he pairs up with.

Near death and with Nobara? No problem.

Things look hopeless and the shiestiest guy around is barely hanging on to his dead mentor's memento? 2 Black Flashes.

Yuji is even able to sync up with a guy he's never met, whose name he doesn't know to pull off this.

And of course we can't leave out Todo Aoi himself who maximizes Yuji's black flash efficiency.

This shakes Sukuna to the soul because holy fudge, Yuji is starting to become just as strong as him without mercilessly abandoning his humanity.

And that might mean Sukuna was wrong to suffer isolation in the pursuit of strength. That would mean Sukuna endured a lifetime of misunderstanding and loneliness for no greater purpose. In fact, he might be stronger if he had someone else to grow with. Which means he could've had love and strength.

That's a painful reality to confront. It's no wonder most of the black flashes Yuji lands on Sukuna are over his broken heart.

Selfishness vs Selflessness

Earlier I claimed that Sukuna and Todo are the same kind of person. This is because they're both extremely egocentric individuals who categorize people worth their time by boring or interesting. They both hate taking orders from the people they deem boring and go about understanding people through combat. And just about everyone hates them for being this way. The difference between them is Yuji and restraint with their opponents. (Todo doesn't outright kill the boring people, he just beats them half to death. And though he beats up the interesting people too, he allows them to grow for the next time.)

Note how Yuji matches Todo's communication style. He chooses to learn about Todo through combat and their relationship grows along with their strength, all without death. Yuji understands Todo and Todo understands Yuji. This is exactly what Sukuna has been trying to do.

Now Todo sees Yuji as his brother, aka someone with the potential to rise to his level and beyond. He doesn't mind at all that Yuji fights for others and Yuji doesn't mind that Todo fights to stave off boredom. Their relationship shows that someone as selfish and isolated as Todo (aka Sukuna) is capable of coexisting and growing with someone.

Sukuna rejects this on principle, going out of his way to destroy Yuji's bonds and ideals. He mocks his cog mentality and lectures him on this weakness. But like the fraud he is, Sukuna copies Yuji and obtains greater power by becoming obsessed with someone other than himself.

His fight with Gojo and the preparation up to it mirrors everything he hates about Yuji. Sukuna learns all about Gojo Satoru to find a way to kill him. He engages the fight on Gojo's terms and reaches out to satisfy him. And worst of all Sukuna grows through this—he upgrades his CT by making someone else the center of his world.

The fact this happened means Yuji was right about everything, so all Sukuna has left is denial. Yuji is boring, he's a brat, he's weak, he'll never reach his level. Because if he does, well, Sukuna's entire world view falls apart.

We saw this with Higurama and Hakari vs Yuji. Both of them eventually accepted that these differing ideas can exist together. Sukuna can't be like them since he keeps borrowing Yuji's tactics instead of sticking to his own ideas. He's defrauded himself and Yuji has to pay for this.

Rejection vs Acceptance

So that's the rub. Yuji is strong and properly loved through his unwavering good boy energy alone and this breaks Sukuna's brain. It's hard to read this as anything other than jealousy since Sukuna is watching Yuji obtain the things he's been denied using the exact same toolkit. And though Sukuna rejects Yuji for this, Yuji accepts Sukuna for what he is, just as he does everyone else.

All Sukuna has do is accept that Yuji's way of thinking is just as valid as his. But he can't since they're too similar. Yuji's existence forces Sukuna to confront a reality he's not emotionally equipped to handle. Instead of facing these emotional problems head on, he buries them and blames everyone else in a combination of envy and denial.

Deep down Sukuna knows he's in the wrong, otherwise Yuji's punches wouldn't shake his soul.

#cactus yaps #In summary: Yuji and Sukuna's dynamic is peak “pathetic adult has beef with a literal child”.#Yuji is more emotionally mature than his uncle and Sukuna is mad his nephew is better than him at something.#Sukuna also sees everything he could've had in Yuji and can't handle it.#Every time I reevaluate Sukuna's relationship with love I find something new and mind breaking.#I’m never going to stop thinking about Sukuna’s canonical negative rizz.#Once again I'm considering tagging this with the ships Sukugo and possibly Sukujo.#Gojo's pussy haunts the narrative but Jogo has insurmountable rizz.#Why are Sukuna and Gojo so Umineko? Also read Umineko there are cannibal lesbians. (Which is very Sukugo if you ask me.)#asks #ryomen sukuna #itadori yuuji #jjk spoilers #jujutsu kaisen

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