#kinda hope the show makes a point of that?

[suzukiblu]

WIP excerpt behind the cut for Derpsheep; obligatory sugar baby Kon. (( chrono || non-chrono ))

Kon laughs sheepishly, shakes his head, and then leans down and presses a kiss against the corner of his mouth. Tim boils alive. Like. Just a little. Then Kon straightens back up and gives him another grin before looking back down to the bag and digging into it. He comes up with the chocolates first, since they’re what Tim put on top, and grins wider again at the sight of them. 

“Dude, how much are you paying in shipping?” he asks with a laugh, shaking his head again. 

“Not that much,” Tim lies. It wouldn’t have been that bad if he hadn’t sprung for expedited, so he figures that counts as true. Like, arguably. From a certain point of view or whatever. 

Look, he’s spent more on less important things. 

Kon laughs again, then puts the chocolates in his coat pocket and pulls out the jewelry box, inspecting it curiously before flipping it open. 

“Oh, sick,” he says, looking delighted, which makes Tim feel as good as nailing a landing on the edge of a skyscraper, and then frowns again. “But how much was–” 

“You can’t tell me not to buy you things anymore,” Tim interrupts him as politely as he can. Kon pauses, then flushes again and ducks his head a little, smiling helplessly. 

“Okay,” he says, then bites his lip and stares down at the bag. “Um . . .” 

“Yes?” Tim asks. 

“I can kinda, uh . . .” Kon trails off, then looks embarrassed. “I mean, it feels like . . .” 

Right, Tim thinks. TTK probably does take away some of the element of surprise from unwrapping presents. 

“It’s fine if you don’t like it,” he says. “I just found, well . . . an option that wouldn’t wilt over dinner.” 

Kon looks very embarrassed. 

“You really didn’t have to,” he says, a little stilted. “I mean–you already . . .” 

Tim tilts his head. Patiently puts on what he’s decided to make his “you can’t tell me not to buy you things anymore” face. 

Kon turns red again, then pockets the jewelry box with the chocolates before pulling out the last gift to look at too. He opens the box gingerly, and stares into it for a long moment before taking the actual gift out. 

Tim really hopes he likes it. 

“You really didn’t have to,” Kon repeats as he turns it by the stem, his face still all flushed and his eyes and voice both just barely soft. 

It’s a slender little branch of blue orchids, all shiny and pretty. The company that makes them lacquers real flowers and then accents them in gold. So it’s still obviously an actual flower with the petals all visible under the lacquer, but the stems are gold-plated and the petals are edged in more gold, and the flowers themselves are preserved by the lacquer, so . . . yeah. 

He could’ve waited for the cul-de-sac and just started giving Kon fresh flowers like he’d originally planned, Tim guesses, but he’d stumbled across the site while looking for gift ideas and kinda just . . . gone from there, pretty much. He’d actually seen roses first, but the orchids had felt a little more . . . creative, maybe? And likelier to be to Kon’s tastes, given how obviously fondly he remembers Hawaii–and misses it, maybe, though that might be assuming a little much on Tim’s part. 

Even if it, unfortunately, doesn't miss him. 

It’s just . . . a hypothesis, really, that Kon misses Hawaii. Just going by certain things Kon’s been willing to say and show in front of Tim Drake, and hasn’t been willing to say or show in front of Robin or the team. 

So when Tim had seen the orchids, well . . . 

Blue orchids are a rarer color, apparently, and he’d just thought–well, Kon’s eyes are blue, and so is a significant percentage of his suit. And so is, obviously, the sky he flies in, and the water he might miss. And blue orchids are supposed to be symbols of rarity and uniqueness, so, uh–maybe it’s a bit much, but he’d just thought . . . 

Kon clearly wants to be seen as someone unique and individual, and clearly deserves to be, so . . . yeah. Well. 

It’d just fit, he’d thought. 

They’re supposed to represent sincerity, too, but that’s a whole other thing.

[enree9h]

ECSTACY | psh

PAIRING : loser!hoon x fem!reader

SYNOPSIS : “He watches you like he wants you to wreck him, like he wants you to make him your most remarkable one, the kind you would think about during the nights you’d spend writhing under other men.” He's just down bad for you.

WARNINGS : SMUT, p in v, kissing, grinding, unprotected s.ex, teasing? begging, reader is kinda mean, dry humping, making out, hickey.

wc : 2.3k+

MDNI

a/n : Try to ignore any and all grammatical errors and typos if possible!! This hoon is for the history books because the glasses!??? THE BLACK SHIRT!??? SIR!? I'm on my knees. ALSO OMG TAGLIST FOR FUTURE WORKS ANYONE??

Sunghoon’s gaze falls on you. The gentle overhead lights of the lecture hall bounce off the gloss on your lips. You sit with your legs crossed and perched up on a desk, the skirt riding up your already exposed thighs and Sunghoon feels the air get knocked out of his chest. 

He walks into the room and hopes he gets to walk out without garnering any notice from you. Because any and every interaction with you left him pathetically holed up in his room with his hands down his pants and the image of your gloss staining his twitching cock clouding his head.

“Nerd party’s over?” you ask- your voice an echo. Your eyes fall on Sunghoon, his back to you, the black shirt stretching just right across the span of his shoulders. You pretend it doesn't strike up something inside you. 

Sunghoon turns to look at you, “Facilitation ceremony” 

You let his words run through and out your ears and walk down the stairs towards him. “Same thing” you shrug, disinterest coats your words. 

“Right” he mumbles a quick tight-lipped response and goes back to shuffling around with papers on the lecturer's desk. 

Walking around the desk you come to lean by the edge, your eyes trailing on Sunghoon the entire time. “Ugh, you're literally no fun,”  you say, your head lolling back. 

Oh, Sunghoon could be fun but he didn't want to come off as a creep so he stands back with the response behind his lips. Instead, he leans in, and the distance between the two of you fogs with tension, “What makes you so fun” His tone doesn't hide a whole lot of what he is feeling but it rattles you just fine. 

“A lot of things Hoon” You inch closer, your thighs now on the desk, your legs brushing against his. But Sunghoon’s mind is point-blank, the touch of your skin against his pants leaves him dodging your gaze. But when he finally meets your eyes you find his gaze growing dark. 

“Show me” 

And so you do. 

You push him lightly, his body slumps down into an empty chair, his hands lay on his thighs, gaze on you. He watches you like he wants you to wreck him like he wants you to make him your most remarkable one, the kind you would think about during the nights you’d spend writhing under other men. So when Sunghoon lets you climb him you take it upon yourself to make this the best he’d ever had, the best he could ever have. 

You fall into his lap, your fingers running over his shoulder blades, tracing every curve. “Touch me” Your tone leaves it as a whispered request, it's almost like you're asking him to take you, keep you all for himself. 

You look up at him, feigning innocence and Sunghoon feels the pressure build up. 

“We don't want that” his voice touches an octave that makes you quiver. 

“Why baby” Your fingers move over his nape and slide into the brunette mop of his hair, your nails lightly scratching against his scalp. 

“Not here” he mutters, “not now”, his words echo a warning and you feel yourself grow eager and restless at the rumble of his voice. 

A chuckle sits at the edge of your throat but you bite your lips to keep it in. Sunghoon watches your teeth sink into the flesh of your lower lips and he realizes he's lost all his mind to the pink of your lips and the feel of your body pressing into his. 

His hands move until they find your ass and when they do you feel his fingers dig into your skin. Him squeezing your ass in the slightest earns him a low groan out of you and you hate how easily you gave it away.

The corner of his lips turns up, a smirk sits on the edge of his mouth and you want to wipe it off the second you see it turn into a cocky grin. So you do what you'd been dying to do- even though you would never actually admit to having such emotions, and dive in. 

It catches you in a great deal of surprise when Sunghoon's lips meet yours halfway through, so eager, so ready. His glasses slip over the bridge of his nose and he grabs them the second he realizes it hinders your movements. The glasses lay askew on the nearest desk, long forgotten. 

“But I liked them,” you say, your lips curving into a pout while you try to be as convincing as possible. But Sunghoon could see right through you and as much as he wanted to believe your words he decided against it.

“Whatever” and with a frustrated mumble of words he lifts his hips to reach for the discarded pair of glasses, slipping them back on. You catch his lips in a haste the very next second. 

You smile against his lips but Sunghoon was too busy fighting for entrance to notice. His teeth pull at your lower lip, almost begging for you to open up and let him in. 

So when you do, your tongue meets his in a fiery haste and you let his lustful rage take a hold of you. His hands inch upwards and stop at the dip of your hips and you feel his grip on you, the blunt curves of his nails marking your skin and that drove you right over the edge. 

Your lips leave his and you feel your body vibrate with the low growl of his pants. Your fingers- still tangled in his hair, pull on the strands until his head falls back and leaves the skin of his neck exposed. 

You attach your lips to his jaw and leave sloppy kisses on your way down to his neck. When you hear him groan, you suck harder hoping it wouldl leave marks and bruises too noticeable to hide because at that moment you wanted him all to yourself. 

Your fingers inch lower until your nails bump against his belt and you pull on it the moment you get a hold of it. Sunghoon lightly thrusts his hips into you in response and you moan as his bulge pushes into the wetness of your core. 

He loved feigning innocence and you realize at that moment that he wanted to make you beg for it. So you tug on his belt a little harder whilst digging your tongue into his mouth and you feel him chuckle against your lips the next second. 

“Fuck you” 

Your words are hurried, annoyance drips off your lips and you look at him with your eyebrows furrowed. But Sunghoon is simply dumbstruck by the swell of your wet lips, the red of flushed skin. 

“Yeah?” his voice scratches against his throat, the word a question, almost taunting. 

“Yeah” you respond as your lips dive into him but Sunghoon catches them with ease. When your teeth find his bottom lip, they sink into it and sink until the taste of iron coats both your tongues. 

You feel him play with the hem of your skirt and watch his hands disappear underneath the black cloth. His eager fingers reach you and you gasp into his mouth at the press of his knuckles against your throbbing core. 

“You like that”, the bite in his voice leaves you breathless and you take it upon yourself to conceal every sound that would fall over your trembling lips henceforth. 

Your body leans on his, your weight balanced over his tensed shoulder as your fingers fiddle with the buckle of his belt. They slip and miss every time and your growing frustration simply gets a chuckle out of Sunghoon. 

“Say it” 

“Need you” the rasp in your voice makes Sunghoon take notice of the bulge in his pants, straining against the fabric, coming away slightly wet. 

You move to catch his jaw with your lips while your hands inch lower until your palm presses against him. Sunghoon’s head is thrown back the moment you press down on his bulge a little more, the pressure making his eyes roll. 

When you feel your patience wearing thin you let him hear what he'd been wanting to hear, you let him hear your desperate whimpers, you let him hear the “please Hoon” you whisper into his ear. 

And you know it worked when moments later you find him shuffling and moving under you, unzipping his pants. You feel the tip of his cock push into the cloth of your underwear but you make no attempts to slip out of it anytime soon. So you lower yourself until you feel the wetness stick to your inner thighs. 

“Oh god please” he is a whimpering mess underneath you. Your gaze runs over his squirming self, eyes rolled to the back of his head, skin red, dotted with the purple bruises of your teeth and you love it, love how for the night he's yours to keep. 

You abruptly leave his lap and the loss of your warmth jerks Sunghoom out of the undying splendor of your body pressed against his. You stand still, your chest heaving up and down as your push out labored breaths of air. 

Sunghoon has never had anything drive him THIS wild so when you lift your skirt to rid yourself of your underwear he wonders if all of it was real because he's never been in a trance this intense. He loses all his consciousness to you, to your thighs, to the feel of your nails digging into him as you climb into his lap and slowly lower yourself onto his cock. 

“Fuck”, spots dot Sunghoon’s vision, his nails dig in deeper, leaving half moons engraved on your skin. He feels your wall stretch around him as he slides in with ease. 

The sound of your wetness blanketing his cock was his unwinding. Your body jerks lightly in his hold and it makes him raise his hips in response. You bite into the taut muscles of his neck as he thrusts into you without thought and increases the pace by lifting you up and lowering you on him.

Sunghoon couldn't wrap his head around the press of your chest against his, the sting of your bite on his neck, the marks of your nails over his clothed back. He was ecstatic and in a daze and he wouldn't have wanted it any other way. 

When you move with a slightly desperate and hurried pace Sunghoon watches your tits as they bounce behind your black buttoned top, the fabric stretching around the buttons, waiting to be ripped open. So that is exactly what he does, he rips it open.

Your vision is dotted with the buttons of your top flying around and you feel his lips on the exposed skin of your chest the very next second. 

He sucks on it like he wants the taste to linger and find home on his lips. His hands on your hips speed up and you are lowered on him harder. You let a strangled moan out when you feel the tip of cock hit your cervix, the pleasure makes your back arch leaving Sunghoon with more of your tits exposed. 

He loves how it drives him to insanity, how when he moves to leave blooming marks of purple on your chest, he comes away tasting vanilla and how when you grab his jaw and make him kiss you in an attempt to stifle the sounds that fall out of you, he pulls away with the taste of strawberry on his lips. 

“Oh god just there” your words don't make sense to you anymore but Sunghoon catches every syllable and is always left wanting more. So when he rocks his hips upwards and feels his cock reach new depths, you are groaning into his mouth wanting more too.

You move on his cock with a newfound energy and Sunghoon takes it as a sign to move faster because he'd do anything you would ask of him if it got him the sight of your whimpering self bouncing on him. 

His neck is lined with imprints of your bites, the skin around them red and wet but Sunghoon shows no signs of pain because he'd let you bite into him until you drew blood, until you grew enough of him. 

You feel the muscles in your abdomen contract, your walls clenching around him and your hold on his shoulders tightens. Sunghoon feels the vibrations of your groans seep into his body but he wants more, he wants to hear you scream his name so he lifts you up and drives you down on him until he hears his name whispered into his ears. 

“Oh my- ” you're crying out, “Sunghoon”, his name falls over your lips in between pants and when you move to hide in the crook of his neck you feel his lips against your cheeks, curve upwards. He lets you take the lead, lets you decide the pace and you move until you feel the knot in your stomach unwind. 

The warmth of your release coats the both of you but Sunghoon wasn't done. So he thrusts into you, into your overstimulated hole until he feels his cock twitch inside of you. 

When you feel his cum drip down your inner thighs you move in an attempt to climb out of his lap. But his hands on your hips cage your movement, “Let go” you say staring into his eyes with vague interest but Sunghoon gazes back at you with a glint in his eyes. 

All energy had been drained right out of you so you don't give it a fight and simply drop back into his lap. Your eyes feel heavy and your limbs hang at your sides so you give into the forthcoming sleep and nuzzle into the crook of his neck. When you feel kisses being pressed against your earlobe you let sleep take over you.

Sunghoon watches the subtle rise and fall of your chest as you lay against him and makes it a point to memorize the gentle slope of your nose bridge, the sound of your breathing and the feeling of you pressed against him.

[thecheshirerat]

On TAZ-

Wow that sounds like I’m about to summarize some sort of discourse but I promise I’m not. I guess I’ll say that I really like this show and I will keep listening even if my worst fears come to pass, so keep that in mind!

For reference, I started listening near the end of Amnesty.

I’ve noticed, with the past few arcs- really since Ethersea- the narratives have just… not been fulfilling their promises, so to speak. They’ve been placing a lot of guns that don’t go off. What I mean by that is, the characters are great. Excellent, really. Lady Godwin? HELL YES. Emerich Dreadway? Fuck yeah! And so on! And the settings and premises have been epic- the goofiness and also horrifying nature of Engrave, the mad and thrilling world of Steeplechase- these things are COOL AS FUCK.

and then the actual narratives keep flopping?

And honestly, I notice it most in the endings, because you can really tell when an ending doesn’t land. You feel the sense of disappointment. But with vs. Dracula, for example, I could kinda see leading up to it that the ending couldn’t really BE anything special, because they lowkey didn’t set themselves up for it.

They spent the campaign fucking around in Engrave, finding clues and solving problems and not really experiencing any particularly meaningful character arcs or growth or, idk, forming relationships? So there wasn’t much to pay off, I’m not gonna lie!

Of course it doesn’t feel quite as dissatisfying when you’re in the thick of it, because they’re funny and the stuff is cool and- oh hey! Lady Godwin’s been turned into a werehorse against her will?? that’s got some real potential for a LOT of allegories and exploration of some fun character development! And then it’s kinda played as a joke. And then they do that again and again.

And they actually said that that was a move they made intentionally, in the TTAZZ. I’m not quoting them perfectly here, this is from memory, but I do remember them mentioning that they wanted lighthearted comedy without the burden of real life story stuff. And I get that, honestly, but… it’s not the choice I would’ve made. I do think you can keep a lighthearted tone while also, idk, forming relationships and wholesomely engaging with some amount of emotion. And sometimes going way too deep is funny as a tone shift!

But I digress. One thing that’s also popped out to me is the almost complete lack of any kind of romantic storyline or even references. This becomes obvious if you’re in a fandom because everyone is always dying to ship SOMEONE, and you can tell when people are really getting desperate. I don’t blame them for not wanting to roleplay romance with their family, and I do think stories lacking romance are COOL and SHOULD BE ENCOURAGED!

However if you can’t find ANYBODY to ship together… that may mean you just don’t have character bonds. The growing popularity of the PC polycule is interesting to me; I wonder if it’s partially because

a) none of the pcs have significant relationships outside of their party and

b) even within the party, there doesn’t seem to be much chemistry between any given pair of characters…? I hope I’m making my point well here- the PCs all seem equally close and have more or less the same relationship to all of their compatriots with little distinction, meaning, essentially, no shipping fodder that doesn’t involve just all of ‘em.

Either way, it makes me wonder if I can blame the “Graduation has too many NPCs!” critique. They really stopped giving the parties tag-along main NPCs after graduation, with the exception of maybe.. Urchin? Kodira? Shlabethany? Poppy? and even they get relatively little “screen” time. Steeplechase has great NPCs, I love them to death, but none of the PCs seem to ever have one on one conversations with NPCs or each other that do not explicitly focus on the plot. And I think that’s part of why the characters feel so underdeveloped despite having spent a lot of time with them- because in this character-driven genre, we get very little insight into their feelings or motivations or even their rudimentary backstories.

I started watching Fantasy High recently and it made me realize a couple things about TAZ.

1) Recently, TAZ has sooo few core NPCs, and it’s weird that the characters aren’t doing more one-on-one purely character based scenes. And that makes it really tough to develop them.

2) TAZ is- and I should have realized this before- one of many good dnd podcasts. They’re probably looking for a niche they can master.

And it sounds like they’re trying to get back to that old “Here there be Gerblins!” energy. They’ve referenced it so many times in recent TTAZZes- they wanted to be job-focused, allowing story stuff to happen organically, so they tried a more open world vibe with Ethersea. They wanted to be less afraid to kill stuff, so they tried playing criminals (and were still afraid to kill stuff). They wanted to be silly and light on character, as they tackled with taz vs dracula. Now they’re trying to bring in the silly cartoon vibe with Abnimals. I think they’re trying to make that family-friendly, funny and goofy show their niche. Something other actual plays can’t be better at them at.

And honestly it kinda makes me sad, that they keep trying to go back to Balance while ignoring everything they learned during it. Because I loved Dust. Because I loved Amnesty. Because I loved Ethersea. I loved these past arcs! But they keep doing their brilliant characters dirty for some reason!!! And i don’t know why!!!!

You know that meme about people who ask questions in movies and then the person responds “Have you ever been to a movie before? You watch them and the information is revealed.” There have been so many times in TAZ recently where information has Not been revealed and if they keep doing it the audience will stop bothering to suspend their disbelief, because the trust just isn’t there.

What is Montrose’s deal? What on earth was Carmine Denton’s whole thing? Tell me more about Zoox’s feelings, about Devo’s past, about Amber’s future. Show me how Lady Godwin feels about the body horror that is her life- like, seriously! WHY DID WE HAVE TO COMPLETELY DISMISS THE OPPORTUNITY TO DISCUSS GENERATIONAL TRAUMA IN MUTT’S LIFE FOR A JOKE??

Do you remember in Steeplechase where the boys were getting medical attention or something- i don’t remember, but they were all in one room and only talking about The Plot. And Poppy literally banged on the door (speaking for both Justin and me, tbh) and was like “does anyone want to share any feeeeelings??” and they were like NOPE! and they moved on!!

like. cmon. you can’t just put a character like montrose out there and then leave them severely underdeveloped to the point that what would be interesting in proper context, with audience insight, becomes confusing and chaotic.

I just wish they would take their stories as seriously as we do.

It feels to me like they don’t believe in themselves, and it makes me sad. Maybe they didn’t get the response they wanted from Ethersea and so they’ve been trying to pivot, hoping to recapture whatever it was that earned them a loyal audience.

Again, I love them. They’re so funny and I’ll keep listening until the day they stop making this show, and when it happens I’ll cry.

But i KNOW they have more in them. Remember the “we’ll grow gills” monologue from Justin in the Prologues? Remember Travis’s SOLID acting with Devo? Or his awesome choice to give Lyndon/Beef a clearly delineated work/irl identity? His excellent narration and prose? Remember when Montrose described being lonely?! Remember all those moments where Shit Got Real and you cared??? The nanofather said some dope shit! dracula and victor and sweater dracula had such a wild dynamic! Clint’s acting in Dust 2- I can’t remember the characters name right now- was ASTOUNDING, I genuinely didn’t know he had that in him and it blew me away!

I’m not referencing Balance on purpose, both because the fandom is way to hung up on it and because I want to prove that you don’t even have to look at Balance, or even Post-Balance arcs, to see this kind of good cool stuff!

GAAAAAAAGHHHH!!! I want them to have fun. But also. We’re starving out here.

[ms-cartoon]

Difference between a good father and a bad father

(This is mainly for folks who have at least watched Soul Eater. In case you didn't and you don't know who the red-haired man is below, his name is Spirit Albarn, a character in the series. He, like Stolas, is a divorced father. He cheated on his wife not once, but multiple times and they separated cuz of it. It's because of this that the mother is not in her (ex)husband or daughter's life and the said daughter did not have a good relationship with her father. I guess you can say his situation is a little similar to Stolas. Only difference is Spirit is a good father)

This is Spirit Albarn from the anime Soul Eater

This is Stolas from the webshow, Helluva Boss

What do these two men have in common?

Similarities

They're both fathers

They each have one daughter

Don't have the best relationship with their daughters

They're divorced

Reason(s) for said divorce: Cheating/Affair

Both are horny perverts that like to sleep around (though in Stola's case, he has eyes set for one person)

Both around 30 years old (not really the point of this post, but it's so much of a coincidence I wanted to point that out)

And now here are the differences (the best part of this post)!

Differences

Spirit:

Is actually trying to be a good dad.

Is in his daughter's life and makes it his goal to have a good relationship with her.

Is much happier spending time with his daughter than anyone or even any woman.

Pays attention to his daughter and will be quick to be there for her when he feels she needs help, which is nearly in any case.

Won't hesitate to protect when she's in danger. Only reason why he can't is because . . . plot?

Doesn't make excuses for his actions.

Wouldn't gaslight anyone just to avoid being at fault.

Is regretful of his actions and probably wishes he could fix things, however, there's nothing he can do about it.

Still loves his ex (or so he claims) despite everything and like I said, probably wants to fix things with her, but as far as I'm concerned, she's simply DONE with him (she doesn't even make an appearance in the anime). The best that he can do is move on and focus on his daughter. He still would make passes at women, which was what got him divorced in the first place, but the way I see it, this is his way of trying to move on if they can't work anything out (not to condone that, ust saying). But we're not talking about him being a terrible husband here.

Stolas:

Despite caring about his daughter, he DOES NOT pay attention to her as often as he would think or we would hope. Neglecting her if you will.

Flirts with his sex target in front of his daughter which is very inappropriate. Spirit kinda did that a couple of times too, tho it was unintentional on his part, at least most of the time. In Stolas's case, he did it while fully aware of Octavia's presence and didn't even consider the fact that she didn't want to see it.

Makes excuses for his actions. Regardless if his reasons for it were true, it doesn't justify his them and with the way the show comes off, it makes it seem like they want us to justify the affair.

Not ONCE do we hear him apologize to Octavia for his actions or behavior. If he did apologize, it wasn't a full apology. In fact, Octavia was the one to apologize to him even though she didn't need too.

Between searching for his daughter when she is lost and hanging out with Blitzo, worried about what he's got going on, he goes for the latter, once again, being neglectful.

Not to say Spirit doesn't have his own flaws in being a father, but if Maka (Spirit's daughter) were to look at the dynamic between Octavia and Stolas, I'm sure she'd appreciate Spirit a little more. He may be a horndog, but at least in his case, his daughter ALWAYS comes first. Seriously, no way he would ever choose some woman he barely knows over his daughter.

[r0se1111]

Stan Pines x Reader

This man won't leave my head get OUT!! Ford is a little hm... silly in this I love the guy but he was kinda crazy at this point rip. Loosely based on this. Might continue but I'll prob diverge from the og post a bit for completely selfish hurt/comfort purposes >:)

1982

You hadn't planned on getting your best friend sucked into a portal that leads to who knows where. You'd begged him to stop, trying desperately to convince him that together you'd figure something else out. But once Fiddleford left in a fit of hysteria, there was no one else to make sure Ford didn't end up killing himself over this project.

Maybe he'd be better off that way. Not floating past incomprehensible dimensions, armed with only a pair of out-of-date glasses and a worn coat. The bitter thought crosses your mind for a moment before the crushing guilt of even considering that punches you in the gut.

But no, you had stayed by his side, his ever-faithful research assistant. Every time you saw the dark circles under his eyes, the shake in his hands, and the madness written across his pale face, your heart just broke.

So when he'd told you he had reached out to his brother for help, and when his brother actually showed up, you could have cried tears of raw relief. Stan, as he introduced himself, was a little rough around the edges, broader and a bit taller than Ford, but had the same sort of tired wild hope in his eyes as Ford did when he was convinced the portal "just has to work this time!" And when Ford snapped at you in his exhaustion, Stan was quick to fly his hand out in front of you as if he could physically shield you from your friend's words. You decided then and there that you trusted him.

Things got worse as Ford explained his plan to his brother, all but pushing him out the door in his urgency to hide those damn journals. The two quickly fell into a fist-fight, you frantically hitting at shoulders and tugging at rouge elbows as you attempted to break them apart. Then you watched, horrified, as Ford floated through the air and into the blue glowing veil of the portal, disappearing from this dimension.

You heard the power shut off, and vaguely heard Stan screaming something you couldn't make out over the ringing of your ears and beating of your heart. Your wide eyes started blankly through the circle of the portal, as if you would see Ford simply standing on the other side.

You didn't.

Hands roughly grabbed your shoulders and a figure knelt down to make eye contact with you. Before your eyes focused and you could only process the basic shapes of that face, you had a wild thought that it was Ford, that the events of the past few minutes were just a bad, stress-fueled dream. But when you returned that hard stare, you saw longer hair and a slight raised scar across a lip moving in speech.

"You can get it to work, right? You made this with him?" Stan kneaded the skin of your shoulder, whether to soothe himself or you, you couldn't tell. His voice sounded raw and tired in fear and overuse, and it cracked a little with his desperate questioning. You gulp and stand, methodically walking to the control panel and repeating steps you had practiced hundreds of times before. Except, just like 99 out of 100 times before, there was no flicker of blue, no jolt of energy that brought Ford back. You tried again. No response. Again. Nothing.

You stood there working the knobs and buttons, doing the math in your head for what seemed like hours, until your hands were numb, and you were aware of tears wetting your cheeks. That hand was back, doing that funny little kneading motion which actually did a damn good job of grounding you.

"Hey... Y/N, right?"

You jerk your head around to look at Stan and see that he had those same tell-tale wet marks running down his cheeks. He had been watching you for all that time. His lips looked red and bitten at, and he'd lost that nice warm splash of color in his face. It suddenly hits you that while you'd lost your best friend, this guy had lost his brother. A wave a nausea makes you keel over.

"Oh-oh god," You choke out, pulling away from his comforting touch. You don't deserve it, not now. "I'm so sorry. I'm so sorry. Jesus, he's your brother Stan and I- I took him away, I let him do this-"

Stan is looking at you with a complicated expression, almost like he's in physical pain. He pulls his hand away from where he'd reached out again for you and formed a tight fist against his thigh. "You didn't-" A quick, sharp sigh. "Look." He brings his hands up to fiddle with his fingers in front of his stomach. "This whole situation is fucked, and if anyone is to blame for it it's not you. I want," He cuts off into another hitched breath and you notice his hands are shaking too. "I need to fix this." Stan fixes you with a suddenly determined gaze. "But I don't know shit about..." He gestures vaguely to the mess of buttons and pasted notes before you.

"You want my help." You don't ask, because there's no question about it. Of course you're helping. Even if this Stan guy had kicked you out and told you to get lost, you'd figure something out to get Ford back. Even if Stan turns out to be completely hopeless and obnoxious, you are staying in this sleepy little town and this run-down shack until your friend is home.

Stan nods, and the way he mutters a hoarse "please" makes you think he's not used to how that word feels, tastes. He's tangling his fingers together again, looking like a guilty kid awaiting his punishment. Your heart clenches. This guy is gonna kill me. You decide then and there that you were going to take good care of him.

This time it's you who reaches forward to press the weight of your hand into his shoulder. "I promise you, Stan, I'm not going anywhere until Ford is back."

Stan looks up at you and you realize those dark eyes you can never say no to run in the family. You spend a moment categorizing Stan's features, how his mouth twitches a little further left when he frowns, and how his strong nose looks a little snow-burned, red and raw. You stare at him a bit longer, feeling penitent and dizzy with the weight of the night's events.

Turning back to the control panel, you pick up a notebook haphazardly leaned against the wall the panel was tucked into. You flip it open to a miraculously blank page and rummage through your pocket for your spare pen. You let Stan lean into your space then begin writing. "So, quantum mechanics..."

[waldensblog]

Season 1 Baghra: Going after the stag to increase Alina’s power is GREEDY, Aleksander. To make sure you don’t find it, I will attempt to murder the tracker you hired. 

Season 2 trailer Baghra: I will help you go after the rest of the amplifiers, Alina. It’s totally not greedy when I do this. I am a good person, you see. 

[weaverofink]

My Adventures with Superboy

[turtleblogatlast]

[ cw: violence mention / death mention / ]

Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.

And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.

Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.

[carnivalcarriondiscarded]

im so Normal. totally not shaking and crying rn

[starry-bi-sky]

Childhood Friends Au: Danny's in Gotham Again

when the wool is off your eyes you'll stop counting sheep at night cause you'll eat your fill of them during the daytime

A few weeks after Danny’s visit to Gotham, he buys an apartment in the city. It’s this little thing, a studio apartment on the same street he grew up in. In Crime Alley. When he tells his parents, they protest heavily. They don’t think it's safe. They think he should reconsider. There were plenty of apartments and places to live somewhere else. And what about college? 

Danny doesn’t think he’ll go to college. He isn’t sure what he wants to do, now that being an astronaut is off the table. It’d be a waste of money to go without a goal in mind, he thinks. He says he’ll take a gap year and apply at one of the community colleges funded by the Wayne Corporation, possibly. It just wasn’t in the cards right now. 

“If things get tough,” He says at dinner that night, “then I can talk to the Waynes. I’m friends with the family, remember?” He ended up getting Bruce’s number in his phone again before he left, and in the process got Tim’s as well. They don’t talk much, Danny isn’t sure what to say. But he sends Tim memes whenever he comes across one and thinks he’ll like. Tim sends memes back in return.   

His parents do remember. They remember. They also remember the horrified shriek that echoed through the house when Danny learned of Jason’s passing. They remember running up the stairs and bursting into their son’s room and finding him sobbing into his bed, curled up like a little kid, like he was in pain. He lost his voice that day, stuck between screaming out his grief and sobbing it. 

They’re still not sure if they should let him go. 

In the end, Danny wins them out, and he lets them help him search for an apartment. They take a break from their lab work to help search for cheap furniture to buy. They may have more money than when they were in Gotham, but that frugal part of you never fully goes away. They all agree that they don’t want Danny to be seen carrying in nice-looking furniture when he moves in. 

He ends up with a basic furniture set, all mismatched, and in the warm summer of June, his parents rent out a u-haul and drive him down to Gotham to move in. They meet the landlord when they arrive, a skinny and frail old man with wispy white hair and a wrinkled face. He gives Danny the keys and tells him what apartment number he is, and then he leaves. 

His parents help him move in. They help him carry his heavy furniture up to the second floor, where his apartment is. Danny isn’t sure if he wants them to help. His mom and dad are strong, but they are getting old, closer to their fifties now that their children are grown. His dad’s hair is slowly beginning to thin, and rather than the white eating at the sides of his head, it now streaks through his hair like salt-and-pepper. His mom’s hair is graying out too, and there are more lines in their faces than he remembers there being. 

When he voices his concerns, his mom laughs spiritedly and says that they may be getting old, but they are still as spry as when they were in their twenties. Danny isn’t sure if he believes them or not. He can see his dad struggle a bit when they return to get his bed frame, and they have to take a break before they go back down for the rest of their things. 

Five years ago, his dad could do this without breaking a sweat. It forces a heavy thing in the back of Danny’s throat. (He is less afraid of his own death than he is of his loved ones, and while he has always felt rocky with his parents, he still loves them more than anything else.) 

Danny’s apartment is exactly as he would have expected it to be: shabby and worn through. The entire room smells like stale cigarette smoke and weed, nicotine stains the wall with poorly covered bullet holes, and stains in the carpet that are a color he can’t discern. The fridge has a broken light and when he tries to turn on the gas stove, it click-click-clicks before lighting, fire fwooshing out while the smell of gas fills the air. There’s rat droppings in the cupboards and the closet-like bathroom is just as bad. 

The ghostly part of him can sense the heavy stench of death in the room; people have died in this room. People have died in every room of this building, he thinks. They have died on the streets outside and in the alleys squeezed between them. He can feel it like a heavy fog in the air. 

It is painfully nostalgic, a bittersweet feeling in his chest that he grimaces to. 

When the last box is placed in his apartment, his parents offer to help unpack. They are hesitant to leave and Danny knows it, although he doesn’t know if it’s from empty nest syndrome or because it's Gotham. He thinks it might be both. He is their youngest child finally leaving home to a city known for its danger. 

“Are you sure you don’t want us to stay behind, sweetie?” His mother asks, a frown she tries to hide settled in the creases of her face. She fiddles with her hands, a nervous habit Danny has since noticed when she feels truly unsure and doesn’t need to hide it. Hesitancy looms over her like a heavy cloud. 

His dad jumps in hastily, splaying his hands and smiling painfully wide to hide the glistening in his eyes. “You’re mother’s right! We can help you get everything set up, champ. I could probably do something with that stove of yours to make it faster!” He says, his voice still booming like it always does even if there’s a stumble in his words. 

It makes his heart squeeze, knowing just how much they care. It was hard last summer, telling him that he was the Phantom. Terrifying, actually. They couldn’t comprehend it. He hadn’t felt his heart beat that fast in years when he stood in front of them at the kitchen table and told them he was a halfa, begging them to believe that ghosts weren’t inherently evil. 

His parents were people of science, however, and after much, much shock, they slowly came to terms with it. How could they not? The evidence was right in front of them. Their son was dead-alive, alive-dead. Somewhere stuck in the between. The tears they shed that night could fill a river, moving from the kitchen to the living room as Danny explains how he died. 

(When Danny tells them that he died after a week Jason did, his mom and dad look horrified. His mom covers her mouth when he adds that it was his idea to go inside it, his dad looks ashy pale, gripping his pant legs so tight that his knuckles turn white. There is a conclusion coming to their minds that he can tell they don’t like.) 

(“You’ve always hated our inventions, Danny.” Mom says in a hushed voice, and Danny winces at the wording, sinking into the back of the cushions in shame. He never thought that his parents noticed. Mom quickly grabs his arm, “No, no, there’s nothing to be ashamed of Danny. We were… perhaps too careless with our inventions, too enthusiastic. You had every right to hate the things we made when they had a tendency to… to malfunction.”) 

(Malfunction is a delicate way of putting it, when Danny remembers every time they had to evacuate their old apartment complex because whatever half-baked creation his parents made inevitably blew up into ash and smoke. There were soot marks permanently stained into the ceiling.) 

(Her hand slides down and grabs his, and she cups it in both of her hands, squeezing tightly. He forces himself to look up, and there is a look like her heart breaking when he looks into his mother’s eyes. “You’ve always avoided the lab after we moved, Danny. And you had every right to, so why on Earth did you ever think about going into the portal?”)

(Danny struggles to come up with an adequate answer, a way to verbalize what came over him that day five years ago. The answer is there, hanging in the air like a knot in a noose. He opens his mouth, and then closes it.)

(Finally, with a tongue made of lead, he shrugs lamely and looks away. “I didn’t know there was an on button inside it.” He mumbles, and despite being the truth it feels like a lie. But that is the truth. He didn’t know there was an on button inside it. So he didn’t care what happened.)

(Something dulls in mom’s eyes, like she thought of something else that Danny hadn’t said. Her eyes shimmer, and she squeezes them shut, breathing in so deep that it shakes. And then she pulls him into a hug, a hand burying into his hair and pressing him close. “It must have hurt so much, sweetheart. I’m so sorry.”)

(It is something that Danny doesn’t expect her to say, like missing the last step of the stairs. It startles him so much he laughs this short, bark of a thing. He feels his dad press against his back and wrap his big arms around them, his nose pushed into his hair.) 

(Because yeah. Yeah, it did hurt. It hurt more than anything else he’s ever felt before. It had torn him apart and sewn him back together again, only to rinse and repeat. The pain was nothing he ever spoke to Sam or Tucker about, and it was something they never brought up. No, that’s not true. If they ever brought it up, Tucker would call it a zap. As if Danny only experienced a mild static shock. Like it was painless. It’s a pretty lie that Danny lets him and Sam believe.)

(His eyes sting and water immediately wobbles into his vision, coming up with such a force that he doesn’t even need to blink before it spills over. “Yeah.” He forces out, voice unexpectedly rough and cracking. “Yeah, it- it hurt. A lot.”)

He tells them about fighting the Lunch Lady a month later. He tells them about finding Jason. It comes spilling out like a waterfall. “I found him, mom.” He says, holding onto her tight while she keeps him tucked under his chin like a little kid. The secret of Jason being Robin stays hidden under his tongue, it is not his secret to tell. Not his identity to expose. He grips her tighter. “I found him, mom. Right there in the Ghost Zone, and he was my Jason. He wasn’t an echo or a— an imprint of him.”

Mom is silent; quiet and attentive, and so is dad, who rubs his large hands up and down Danny’s spine in an attempt to soothe him. It only works a little. Danny breathes in like a gasp as the urge to cry overcomes him again. He always avoids talking about Jason, his grief is like a never-healing scab that can be picked off at any time. It is ingrained into his core. 

“And then I lost him.” He forces out, a sob layering under his words that he chokes on and swallows. The hand on his back stills, and he can feel mom and dad breathe in like a question. He turns his head and pushes it into mom’s shoulder. “He disappeared, mom. Just— just gone.”

“And he didn’t move on.” He says, voice snarling like teeth biting before his mom can ask, because he knows that’s what she was going to ask. It’s what Sam and Tucker asked when he came to them in tears hours after he found Jason gone. It’s what Jazz said when he finally told her about it. It’s what every one of his ghosts asked when he told them about it and begged for their help. 

Danny grits his teeth and tries not to dig his nails into mom’s clothes as a fresh wave of tears run down his face. “His haunt is still there. If Jason really moved on it would have disappeared with him. That’s how it works. But it’s still in the zone, so Jason’s out there I just don’t know where.” 

(Sam once asks him why Danny didn’t just move on from it a year after Jason’s disappearance. She asked him why he didn’t give it up. Danny nearly saw red, and nearly bit her head off for it. It was incomprehensible to him to just stop looking for Jason, to give up. Not when he was out in the zone somewhere. Because he had to be in the zone.)

(Danny once tried to take Jason through the portal with him, and much like what happened to Kitty, it didn’t work. Jason was too tied to the ghost zone to leave.) 

(Some bonds are just unbreakable, he thinks. Bonds forged through blood and time and trust, and when you’re on the streets of Gotham, you hoard what little trust you have in someone like a dragon with its gold. It is scarcely given and fiercely kept.) 

“I’ve been looking for him.” Danny whispers when talking becomes too hard for him, when it runs the risk of him crying. “When- when I’m not fighting ghosts or, or in school or with my friends, I’ve been looking for him.” He has explored the Ghost Zone in every reach he can. He has met so many people. He’s met the ghosts of aliens from planets in every corner of the galaxy. He has met gods or god-like beings and their disciples. 

He’s met famous scholars and writers (he’s gotten the autographs of all of Jason’s favorite writers). He has found entire cities that have so much life in it that it's been permanently etched into the ghost zone, like a mirror version of itself. 

He’s visited the ghostly vision of Gotham so many times, and he avoids the imprint of Wayne Manor like the plague. There are ghostly newspapers that he reads. There are the ghosts of Martha and Thomas Wayne in many of them. 

Jason’s haunt connects to Wayne Manor, but it is also the street they grew up in. It is a small brick building with a door that leads to Jason’s room. A ghost knows when someone enters their haunt, it alerts them like a doorbell in the back of their mind. A foreign ecto-signature in a place drenched in your own. 

Danny visits it every time he goes into the Ghost Zone. It’s always his first stop. 

He tells his parents all of it. He tells them of the ghosts he’s met, of the places he’s seen. And when he feels brave, he tells them about Rath and the terror that his future self brings him. He keeps some details hidden, the ones that he can afford to keep without muddling up the story. 

(Rath is a tall, spindly thing, like a funhouse mirror version of Danny himself. He has arms that are much too long and legs that are much too tall, with skinny fingers that extend into claws.He wears his suit the same as Danny does, with it partially undone and the sleeves wrapped around his waist.)

(There is a black hole in his chest that is much bigger than Danny’s own. It takes up his chest cavity and drips the same, viscous black liquid as the tears falling from his eyes. Danny never forgets his voice; a scraping, quiet thing like he’s screamed himself hoarse. Rath has a voice like goosebumps, and it haunts Danny like a bump in the night.) 

Danny speaks and speaks and speaks until he can’t think of anything else to speak of. He is tired and sad, and it feels like his heart has been ripped out and rubbed raw again. And yet, he also feels so much better. Like a long heavy weight has been taken off his chest. 

Yeah, last summer was hard. His parents walked on eggshells around him, and they forced themselves to unlearn their bias of ghosts. It was more than Danny could have ever dreamed of, and when they felt ready for it, they asked him more about the ghost zone.

He smiles sadly at his dad, “I think fixing the stove can be a priority another time, dad.” He says, watching him wilt and his smile fall. Jack Fenton was always so good at making himself look like a kicked puppy. “I can handle unpacking by myself, I promise.” 

His parents still look so unsure, like they want to argue. Danny watches his mom purse her lips tightly, confliction running across her face like a datastream. She takes dad’s hand, squeezing their fingers together despite the droop in her shoulders. 

“Oh, alright then, I suppose.” She relents, her hand placing on Jack’s arm. “I guess we could go, we’re just going to miss you so much, Danny.” 

Tears seem to have won over his dad, and Jack Fenton sniffs back before he can cry properly. “Our little boy, all grown up.” He says, voice wobbling. It makes Danny laugh, and it makes his heart pang. His smile grows impossibly wider and so much fonder. “You’ve become such a kind, wonderful young man, Danno. We’re so proud of you.” 

Danny laughs again, and it cracks. “You’re gonna make me cry, dad.” (He feels a welling of guilt in his gut that he ignores — he doesn’t feel like a kind man. He doesn’t feel like a good one either. Not with what he plans to do.) 

His father holds out his arms in hopefulness, “One last hug for your old man before we head out?” He asks, mustering up a smile on his face. 

Danny barrels into him, nearly knocking his dad over with an oomph. He’s as tall as him now, but he still feels little in his bear hugs. With arms wrapping around his middle, Danny hugs his father tight and breathes him in one last time. 

“Careful there, Danno.” He laughs, patting Danny’s back roughly. “You’ll break my ribs with that ghostly strength of yours!” But he holds on just as tight.

Out of spite, Danny bends back and lifts him off his feet, laughing when Jack tenses up and nearly scrambles out of surprise. His mom laughs with him, stepping back to give them room for the few seconds that dad is in the air. 

When it’s his mom’s turn, Danny has to hunch to hug her. Something bittersweet to him as she plants a kiss on his forehead and says that he’ll always be her baby. “Even if you do have that horrid smoking habit.” She adds on with a disapproving eyebrow raise. 

Danny turns red in embarrassment, and walks them back to the GAV. Gothamites of all kinds slow to stop and boggle at the monstrous, road-illegal thing that is parallel-parked next to the curbside. In the past, Danny would have died with mortification to be seen with it. Now it just makes him laugh. Before he goes back into the apartment building, he buys a newspaper from a nearby convenience store.  

The first thing he does when he gets back up to his room is one: make a mental note to buy a bicycle chain lock for the door. The locks jiggle and there are splinters along the side that show signs of it being broken into in the past. The second thing he does is pull his cigarettes out of his pocket and light one. 

Danny starts to unpack with a cigarette hanging from his mouth, placing the newspaper he bought onto the counter. He has a cheap loveseat that he pushes off to the side, and he moves the boxes into the kitchen. It’s a matter of organization that Danny has to think about before he does anything. 

It’s as he’s pushing the sofa up against the wall facing the windows that his phone rings a familiar tune: Sam. The phone is fished out before he can think about it and when he stares down at the screen, he realizes it's a facetime call. 

He presses answer and walks over to prop his phone up onto the counter. The smiling faces of Sam and Tucker greet him, rather than just Sam. Immediately, Danny grins. “Hey Danny.” Sam greets, smiling a dark-painted lazy thing. From the background it looks like they’re in Tucker’s room. Sam is in Tucker’s desk chair, and Tucker is behind her, leaning against it. “Have you moved in yet?” 

Danny pulls the cigarette from his mouth and huffs, a cloud of smoke following his breath. “Yeah! It’s a shithole.” He grins lopsidedly, and his feet carry him off to the side to allow Sam and Tucker view of his apartment. He lets thirty seconds pass, allowing the both of them to really see the rest of the room. And then he steps back into frame. 

Sam and Tucker both look like they’re trying not to look judgemental, like they’re trying to hide a grimace that Danny sees anyway with the small turns at the corner of their mouths. He grins wider, mirth filling his lungs. “I know, it looks awful doesn’t it?”

“It’s— it’s not so bad.” Sam says with a strain in her voice, a forced smile on her face that tries to be reassuring. Tucker nods along readily, and he looks just as unsure as Sam does. Danny stifles laughter behind his teeth. 

“No, no, it looks bad,” He takes a drag of his cigarette, shaking his head. “You can say it, I won’t get offended. It’s a fucking apartment in crime alley. Of course it looks bad.” 

Sam remains silent, a rearing of her stubbornness showing itself. Tucker takes a different approach, and heaves a dramatic sigh of relief, slumping like a weight. “Okay, you’re right. It looks bad.” He frowns, “Sorry, man.” 

While Danny snorts, Sam sighs. “Yeah, it looks bad. What even are those stains?” She asks, and both she and Tucker lean closer in tandem to the screen, eyes squinting at the floor behind him. Danny glances at the floor, and shrugs. 

“Blood, probably.” He says, and while years in Amity Park have accustomed him to a clean environment, the desensitization of Gotham still remains. Tucker and Sam both make faces and lean away, as if the stain itself was capable of passing through to them. “Yeah, there are bullet holes in the walls.” 

“Are you sure it’s safe to be there?” Tucker asks, a furrow appearing between his brows. He adjusts his glasses and leans against the chair. Sam is frowning heavily, and Danny can already see her thinking up of a new way to fix the problem. 

“Oh, I never said this place was safe.” Danny tells him cheerily, taking a last hit of his cigarette before placing the dead stick onto the counter. He itches for another one. Instead he walks over to the shelf his parents brought in and starts moving it. “It’s Crime Alley, Tuck. Safe isn’t even in its vocabulary.” 

Tucker and Sam look like they’ve both swallowed a lemon.

“But it’s where I want to be right now.” He says, grunting quietly when the shelf is against the wall he wants it to be, near the short hallway leading to the front door. He can push it in front of it if someone tries to break in. “And Crime Alley’s apartments are the only ones I can really afford right now without mooching off my parents, and I’d rather not depend on them.” 

He can hear the disapproving hesitance from where he stands. And he ignores it. 

Danny walks back into frame, lifting up a box onto the counter. He hums lightly, fingers run over the tape keeping it shut. “Why do you even want to be in Gotham, Danny?” Sam asks, and she sounds genuinely perplexed. Danny stills. “I thought this place only had bad memories for you.” 

His blood turns cold, and like a dime being flipped his slow heartbeat fills his ears. “It does.” He replies automatically, before he can think. Shit, shit. He knows that Sam or Tucker would ask that question, and yet he still feels unprepared for it. His heart pulses quickly against his ribcage, knocking, asking him what he’s going to tell them that isn’t the truth. 

Danny stammers, “I mean— I just— I guess I felt nostalgic.” He says, and it sounds like a weak defense. He looks away, finding himself instinctively scratching his jaw. A new tick of his when he’s nervous. From the corner of his eye, he sees Sam and Tucker both narrow their eyes at him. 

He cannot tell them the real reason why he’s moved back to Gotham. He can’t tell them of the little secret and vow he told himself five years ago, the one that’s been left to fester and burn like an open wound close to his core. The one that, if he thinks too much about it, sends a searing hot electricity through him, filling him from crown to toe top-full of direst wrath.  

(Danny was always the angrier one in the duo of Jason and Danny. He was always the one with glass in his mouth, cutting his teeth and tongue so that he could spit blood at the world around them. His knuckles had more blood and bruises on it than skin, once upon a time. All because he couldn’t keep his mouth shut. He has grown from it, that fury has turned to a small simmering candle.) (But sometimes, sometimes it rears its head, and electricity will buzz under Danny’s skin. There is lightning before the thunder, the second before a fist pulled to punch lands, the spark before it becomes a blaze.) 

He stumbles over his words, and then sighs long and low, drooping his head. “I… was thinking that I can’t avoid this place forever.” He says, and the best lies always have the truth in it. Because it’s not a lie, not completely. But it’s not close enough to the truth either. “And that maybe if I came back, I’d be able to do something about those bad memories. Make them better or make it hurt less.” 

Like wool over their eyes, it fools Sam and Tucker. Their narrowed eyes soften, and Danny feels like a snake is in his lungs as they both adopt their own versions of gentleness on their faces. “Oh, Danny.” Sam breathes out, and the snake squeezes, “Of course, we understand.”

Tucker nods, smiling at him. “Yeah, bro, that’s really brave of you. I know it can’t be easy coming back.” He says, “Maybe you can reconnect with the Waynes again, you always thought well of Mister Wayne whenever you came back from visiting.”

Danny smiles weakly, the gesture cutting into his cheeks like a knife. Perhaps he could. He was still upset with Bruce for hiding Jason’s killer from him. But he doesn’t hate him. Maybe five years ago, he did, when the death of Jason was still fresh in his mind and freshly bleeding in his heart. Now he just doesn’t know what to think of him. He was Batman. Jason was Robin, and the Joker killed Robin. 

It would need to be something he’d have to speak to Bruce about in person, he thinks, in order to resolve it. To hear his judgment on it and make an opinion from there. Danny has learned in the last five years, much to Jazz’s smug delight, that talking to people about something he was upset about did make him feel better. 

The conversation slips on from there into something more light, more breathable. And while they talk, Danny unpacks. He sets up his bed in the corner of the room, adjacent to the windows, and unpacks his cheap TV and table stand. It’s directly across from the couch, in front of the windows. He puts up knicks and knacks he’s collected over the years on the shelves.

When he puts up the curtains, he notices that more than one frame jiggles loosely. Sam makes a comment on the musty stains permanently dyed into the glass, and Danny talks about getting something to fix the cracks. Gotham winters can get brutal, and even if he can withstand the cold, doesn’t mean everything else in his apartment can. 

“Oh, watch this.” He says halfway through unpacking, and pulls out a stick of thick white chalk from a box. “This is something I learned from Clockwork a while back; I think he knew I was going to move to Gotham.” He grins sillily, popping into the camera frame to show them. “I wonder how?” 

Sam rolls her eyes, smiling while Tucker huffs. “It’s not like he’s the Master of Time and can see all past, present, and future.” Tucker snarks. 

Danny hums lightly, curt like he isn’t sure he believes Tucker, and walks to a piece of bare wall not yet blocked by furniture. He starts to draw on it. The chalk shimmers with faint ectoplasm on the wall. 

“Uhh…” Tucker’s voice cuts through, “Are you sure you should be doing that? Won’t you get in trouble for that?”

“There are bullet holes in the plaster, Tucker.” Danny retorts dryly, arching his hand to make a big circle. “I don’t think the landlord is gonna care if I get washable chalk on his walls.” Inside the circle, he inscribes the symbols of the Infinite Realms. “I don’t think he’d be able to see it anyways, he was really old.” 

When he is done, Danny steps back to admire his work. It’s not bad, he thinks, for a lack of practice. He tosses the chalk off to the side, it lands on the couch and rolls back into the cushions. Ectoplasm heats under his hand, slowly glowing from his fingertips before stretching down the rest of his palm. 

Danny’s fingers press against the wall, into the center of the circle. The result is immediate, ectoplasm is siphoned off his hand and into the circle. It glows, and then swirls. He steps off to the side for Sam and Tucker to watch its transformation. The circle fills with a swirling pool of ectoplasm, like a smaller version of the basement portal, and then it warps and stretches. 

It fills out a rectangular shape, shifting like taffy being pulled this way and that, before settling into a solid shape. It solidifies, and instead of a wall there is a glowing purple door, warped in nature and seemingly shifting like a trick of the eyes. He can hear the gentle hum of the zone standing next to it, and can see the carving of the circle in the wood. 

He gestures dramatically, grinning from ear to ear. “Ta-da~” He sings, “A door to my haunt! For whenever I feel like visiting it.” He pats the wood, making a strange thunk-thunk sound. “And then watch this.” 

Danny touches the circle again, and the door twists and recedes like water going down a drain. The circle flashes bright green, and then fades into nothing on the wall, invisible to the naked eye. “I can hide it whenever I want! So if I ever invite someone over—” which he doubts, “—I won’t have to worry about them asking, ‘Hey Danny? Why is there a creepy fucking door in your studio apartment?’”

He gets a pair of laughs for his efforts, and Danny grins wider. 

Sam and Tucker have to end the call when Danny is nearly done unpacking, leaving him alone with only his thoughts and the Gotham ambience outside. There were only a few boxes left, and they promise to call him tomorrow. He tells them that they better keep that promise. 

The silence that follows after they leave feels somberly, as if the reality of moving in has finally set in and filled the air with its loneliness. With its change. Finally, Danny lets the strangeness of moving back to Gotham hit him when he reaches the last box, and he stops to take another smoke break to let it settle. 

It feels so strange to be back in Gotham, he thinks. He’s all grown up, or almost grown up. He can vote and pay taxes, but he doesn’t feel much older than he was at fourteen. There’s a disconnect that makes him feel sad. 

There are cars running outside, driving by. He can only catch glimpses of them, his apartment faces an alleyway. There are dogs barking in the distance, strays he bets. It’s already dark out, and he wonders if he looks out the window he would see the bat-signal shining through the night and staining the permanent cloud that hangs over Gotham. 

Bruce would be so disappointed if he learned the reason for Danny’s return to Gotham. But Danny’s not here for him. He’s here for someone far more important. And like that, the simmering anger that has tucked itself into the furthest corners of his heart starts slipping through. His heart has teeth, ready to strike and snarl and bite. 

He crushes the cigarette in his hand and throws it away. When he opens the last box, it is with hands that tremble and with a face of stone. With a delicateness he does not feel, he reaches in and pulls a corkboard from the box. On the corner frame is a small, near inconspicuous carving of another ghost rune. 

Danny hangs it up on an empty space on the wall, out of sight from the window. It’s plain, and he has nothing to pin to it. He presses the small rune on the corner, pushing ectoplasm into it. Unlike the door, it does not twist and warp and shape itself into something new. Instead it bursts into green flame, eating away at the board and revealing the same thing underneath it, just in dark blue-black-purple. 

Now this board, this board Danny has something to pin to it. The newspaper he bought earlier sits abandoned on the counter, and Danny unrolls it with something like viciousness in his chest. On the front page is an image of a damaged street, and above it is titled: “JOKER STRIKES AGAIN, 3 DEAD AND 27 INJURED”

Danny rips out the first page, he rips out every mention of him. His hands shake and threaten to crumple the paper as he turns back to the board, there is hot blood pounding in his ears. There is an impending sense of finally in his chest, like a setting sun giving the stage to a starless night. There is a stern set in his jaw, five years of festering rage rushing forth like a tidal wave, threatening to make his vision swim. 

It would be so easy, he thinks, to go out as Phantom right now and hunt the clown down. It would only take a night. All it would take is a night, and then he could sink his hands into the Joker’s chest and rip out his heart where he stood. It would be so easy. 

The thought alone forces Danny to stop as he is hit with another rush of fury, really making his head and vision swim. Thorny vines wrap around his throat, making it hard to breathe. He stares at a spot on the wall until the shaking passes. 

If he wants to be discreet about this, then he can’t do it now. Even if he wants to. He doesn’t want witnesses. He doesn’t want an audience. He made a mistake, telling Red Hood about his plan. He wasn’t sure what he was thinking. Perhaps he wasn’t thinking at all. But he can only hope that the Hood hasn’t mentioned it to Bruce. He knows it hasn’t been long since they started working together. He hopes that the Hood has already forgotten about it. 

He pins the newspaper clippings onto the black-blue-board, and stands back. It’s bare now, but it won’t be forever. 

He presses the circle again, and the pinboard reverts back to its original blank state. 

-----

Was I expecting to make a third part?? No. No I was not. I was also not expecting to make an entire google doc filled with summaries for short story ideas about this au that all tie into each other so that way if i DO continue this i have a skeleton pathway to follow rather than making everything up from scratch and potentially cornering myself

you can find this on ao3 or on tumblr 1 2 :)

[sillyfudgemonkeys]

Kyoshi: Listen Aang, we have a lot in common. Aang: Kyoshi please, I'm afraid of this comparison. Kyoshi: We're both of Air Nomad descent. Aang: I don't believe you! Kyoshi: Deal with it cuz! Anyway, we're both also estranged from our parents. Aang: Fine, guess we're doing this. Kyoshi: We were both mentored/surrogate-ly raised by a male monk who knew our previous incarnation. Aang: That's kinda cool. Kyoshi: We both had to rush learning the elements in less than a year, and had to just wing it when it came to Avataring. Aang: Go on. Kyoshi: Our firebending master/companion is a descendent of our previous Avatar's firebending companion. Aang: Oh neat! *remembers it's Sozin*....kinda..... Kyoshi: We've both had to deal with our previous Avatar's companion going evil and harming us, the current Avatar. Kuruk: Kyoshi we've talked about this- Kyoshi: How could you not see he was evil, Kuruk?! Kuruk: Kyoshi he hadn't turned evil yet! Kyoshi: HE KILLED MY FATHER! Kuruk: I know and I'm sorry! Kyoshi, back to Aang: We've both had to deal with the world being an absolute fuck fest because of our previous incarnations actions! Kuruk: Hey! That's not my fault, I had to clean up Yangchen's mess. Yangchen: Gimme a break, I had to deal with the same bs because of Szeto! Kyoshi: I fucking hate Szeto. Kuruk: I know Kyoshi, we all do. Yangchen: Glad he's in the ground. Aang: I don't hate Szeto. Kyoshi: Aang, not so fast. Szeto's probs the reason the Fire Nation is like that to begin with. He probs gave Sozin all those crazy ideas. Aang: ..... D: Aang: ....I think I might hate Szeto.

[aruinedthing]

armand in 1945: you can’t turn a teenager into a vampire it’s an abomination their immortal lives can only be miserable and brief

armand in like 2025 probably: this is my maker’s new fledgling benji he has introduced me to an internet activity known as ‘roblox’

[throwawayasoiafaccount]

god tywin lannister deserved worse

just remembering elias death and i wanna puke and the way tywin talks about elia and what happened is so damn gross

but rip tommen and myrcella we all know what’s about to happen in the next book :/

the cycle of violence just keeps spinning and damn you tywin for beginning it

(i got a bit crazy in the tags 💀)

[the-mystical-aquatic-gay]

the magnus archives au, where everything is the same, except the unknowing starts with a fucked up version of the muppet show theme song

[agirlinthegalaxy]

It's been rolling around in my brain the last few days for some reason, but I still hate the family backstory reveals for Sophie and Eliot. I've seen some of the meta for it, but quite frankly, it still makes no sense. If it had been something actually thought of and intentional in the original, I think it could have been so fascinating. I mean, Sophie's willing abandonment of Astrid to contrast with Nate's loss of Sam or Eliot's adoption in contrast with Hardison's and Parker's? Could have been excellent! But they came out of nowhere in Redemption and don't work with these characters.

Sophie was still actively using the fucking alias that she met Astrid under! She met with someone from her past on the show! Like. Quite frankly, that one is unequivocally bullshit that they made up and threw in and pretended could fit with the established canon. (And I'm sorry, but the idea of Sophie abandoning Astrid and never telling Nate about her just... So much of Nate's trauma was rooted in the loss of Sam, and I think that introducing this element after he's gone and unable to respond to it taints Sophie and Nate's relationship in a way bc I'm not exactly sure how Nate would've responded to learning about this but I think that it's something he'd have needed to know. I don't know how to fully express my thoughts on that but yeah.)

As for Eliot, I don't like the adoption aspect literally at all. The way that he would interact with his family and the memory of his family would be different, and I think that it's flat out ridiculous to think that he'd have never mentioned it to the team in the original show, especially when dealing with the kid cases. (I also dislike the biracial adoption as its own element because if Eliot was actually raised by Black parents in the... idk what 80s/90s? That just. doesn't feel congruent with how they write Eliot interacting with PoC, not necessarily in a bad way, but babe, he's written like a white southern man raised in a specific kind of culture that does not jell with that. It also makes Eliot look... really bad that he was apparently raised with the knowledge of how fucked up the military was and his parents' history and made the choices that he did.) Like the show may not have explicitly stated it but the implication of that relationship was vastly fucking different throughout the original show.

Just. These were not backstories that were congruent with their depiction and characters in the original show, and they're also just moves that I don't particularly like or find interesting directions for those characters. There's also something to be said about how it was apparently unacceptable for a woman to not have kids or someone not reconciling with their biological family when that was something that the original show handled a lot better. Out of all the directions to take Sophie and Eliot's stories, that's just not really one that I think was a good idea.

[astrolotte]

augh . this show