#kinda meta? I guess?

[nohaijiachi]

I want to see Aziraphale do the apology dance in S3.

But not in modern day. I want to see him do the apology dance in a flashback, mostly because I literally just want to see Aziraphale doing the apology dance. (He'd be so friggin cute!!!!)

He shouldn't do the apology dance in modern day because that implies he was entirely wrong and Crowley was entirely right. He's not. They are both right and wrong at the same time. That's it that's the post.

[longlivechips]

My favorite Merlin head cannon is that Arthur knew Merlin had a secret that they didn't talk about because it would get him in trouble with the law

but he always just assumed the secret was Merlin that preferred men.

feat: this scene

[bloodsbane]

what i love about laios is that he's actually very good at putting puzzle pieces together BUT HERE'S THE THING 1) he needs to HAVE the information, and 2) (this is important) he needs to KNOW it is information he should care about

and i think this could be said of anyone but the thing with laios is that people tend to view his lack of awareness wrt social etiquette and memory problems as pure indifference and/or obliviousness; sometimes they misinterpret his motives based on their inaccurate expectations of him and therefore don't give his thoughts on a subject the credit he deserves

one of the most obvious examples of this happens at least twice in the manga as i remember it, but the most recent incident was when they were trying to resurrect falin. there's a moment where laios mentions reconstructing both of the warg skeletons, as their bones are mixed in with hers. both chilchuck and senshi balk at this, with chilchuck complaining aloud, questioning laios' priorities,

and laios quickly, angrily retorts. his reason for making the suggestion is perfectly logical and practical, but because his friends are used to his interest in monsters influencing his judgement, often in ways they see as frivolous or dangerous, they don't come to the same conclusion. one which i'd argue is kind of obvious considering the situation

we see it again during his fight with toshiro, where toshiro demands to know what laios plans to do to save falin. laios takes a minute to answer, but he DOES answer, following the logic that if falin is a chimera because of (and controlled by) the mad mage, then the logical next step is to confront/defeat/usurp them

then in the following episode, when chilchuck brings it up again, laios explains what he (now) knows about thistle, mentioning that he's the same elf that laios saw in the living paintings, which is why he knows thistle's connection to delgal. the party reacts like this:

i'd say this is an example of them feeling frustration over laios' habit of having 'bad timing', not knowing when or how to speak at appropriate moments. theyre judging him for not saying something earlier, as if he already knew all this but didn't think to mention it when it was relevant, when the reality is that laios only just now had all the pieces he needed to understand the full picture

and i mention this bit specifically because i think it's a great way to explain what i mean by point 2: laios needs to know when information is important and worth considering

which, again, feels fucking obvious. but as someone who ALSO has debilitating issues with remembering important shit, i find this particular element of it pretty relatable and critical to my overall point. it's not laios' fault that he didn't know who thistle was or his significance - why the hell would he assume that a person he met in a living painting, presumably long since dead in reality, should be someone who's face, name, or motives he keeps in mind?

ultimately, i guess what i'm trying to say with all this is that the way others treat laios' intelligence is not congruent to how actually smart he is. one of the things i love most about laios, what is possibly his biggest strength and the reason he is such a great protagonist, is that laios is willing to think things through and find the most logical conclusion to a problem, no matter how outlandish or dangerous or seemingly impossible that conclusion may be. sister got eaten? race back down to go get her. can't afford food? fight, defeat, and eat dangerous monsters. sister's fully digested? use black magic to bring her back. now she's a chimera? defeat the mage controlling her and use that power to fix it.

anyways. what was even my point with this post? i guess it is that laios is smart, at least as smart as anyone else in the cast, arguably smarter than some. he is intelligent and utilizes that intelligence in many ways, not JUST when it comes to monster info (though that is his best and sexiest brand of knowledge)

and also please be nice to your friends with memory problems. it's rough out here for forgetful bitches

[thresholdbb]

what's the threshold theory

There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.

If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.

[thearoacemess]

I just had the time to open my phone properly and WHAT DO I SEE? THE GO CREW IS CAUSING CHAOS AGAIN. This time it's Rob Wilkins with "Do it again".

ANYWAY DO YOU GUYS SEE THAT THIS SCENE IS A THOUSAND TIMES WORSE NOW

HE WAS TRYING TO RECRATE THE FEELING OF CROWLY'S LIPS. His "I forgive you" meant "Do it again I'm trying to understand what is happening". But Crowly didn't know that and stormed away taking it at face value. He wanted to try it again but now he can't! SO HE WAS KISSING HIS HAND AND POSITIONING HIS LIPS THE VERY SAME WAY.

PLEASE LET THE MIDDLE-AGED IDIOTS COMMUNICATE FOR ONCE MY HEART IS ALREADY FINE AS DUST

tagging @fellshish cause I need someone to suffer with me and you're the very first one that comes to mind

[championashley]

you know, the whole thing about belief being the most powerful thing in the universe?

Rogue's final words: "Find me". He believed in The Doctor, he believed that the terrifying, crazy, beautiful, wonderful being he had just met would one day bring him back.

If Ruby can create the most powerful being in the universe above even the god of death himself through belief, surely a man's unrestrained love for the last of the time lords can do something magical too.

(yes, this is me being delusional, I don't care)

[possamble]

Like take for example how she treats healing Laios leg!! We *never* see someone who was healed have lasting symptoms from a heal. It *itches* terribly — Laios looks like he will scratch it raw. The itching implies an incomplete heal — you only itch that bad when something is being regrown or scabbing like when you get tattoos. There’s something that needs to finish healing. This scene always stood out to me— because Falin notices and *heals* it. And that brought up a ton of questions for me (We see her cast magic, was it to soothe the itching? A phantom pain? Why was it itching in the first place? Didn’t Marcille finish the job? Why was he having after effects we never see someone have any before?) and i’m breaking my brain over it because is this an sign of Marcille’s engagement with healing in general? Perfunctory—a means to an end? Morals? I feel like there is something there for us because that scene wasn’t necessary to the plot so why did Ryoko Kui add this interaction? I think how Marcille engages with healing was telling us a lot more than I previously realized because she was in a medical researcher position before coming into the dungeon however when we see how this was practically applied by her was really interesting!! She’s so divorced from feeling empathy for the pain of healing and i think that’s some sort of self-preservation instinct. Idk i just feel like her engagement with healing is so fucking fascinating when juxtaposed with her beliefs on death pls share thots if any

I think what gets hidden in the details about Marcille’s healing is that no, she’s not a talented cleric and healer in the way that Falin is. But Fantasy settings tend to relegate healing towards “holy” and “good” magic that never causes harm—

and Marcille is what you’d get if you put a doctor and a surgeon with a modern, more realistic approach towards medicine in a genre that doesn’t usually allow for that. 

Like, you’ll see surgeons or doctors secretly being incredibly efficient serial killers in TV thrillers everywhere—but a fantasy series with a cleric or healer that’s secretly great at killing is a bit more rare to find(though not nonexistent, admittedly). Healing magic tends to be painted as either a religious discipline that’s not accessible to those who don’t have a tie to a deity or some ineffable force in the universe, or a matter of accessing some natural “life force” that exists in all living beings. 

Dungeon Meshi, of course, loves bending fantasy conventions in the most incredible ways, so that’s not how it works here. The series allows itself to contend with the fact that healing a human body requires extensive and painstakingly detailed knowledge of that body.

The reason that Falin might appear to be a much more talented healer than Marcille is because Kui dresses her up in all the archetypal traits of a Caring Cleric, and that immediately clicks with readers expecting fantasy conventions in ways that Marcille's expertise doesn't.

This isn’t to discredit Falin, obviously. She is a talented healer, as attested to by Marcille herself:

But the interesting thing is that she does it all on instinct, so it’s not an exact knowledge. Furthermore, she uses the gnomish system of healing, which is implied to rely more on the judgment and knowledge of natural spirits (and therefore takes less mana). So it’s not hard to imagine that she would have less exact knowledge of how the human body operates than Marcille does as a medical researcher. 

And that in and of itself raises questions: In a world where magic can immediately re-attach a limb, why would medical research be necessary? But Dungeon Meshi makes it clear that healing magic isn’t perfect, nor “holy” magic—it’s simply magic, like any other, carefully tailored to operate within the confines of what a human body needs in order to keep living. It’s not able to cure everything, and it especially seems to have gaps in terms of being able to treat illnesses that aren’t immediately solvable injuries.

And that all ties into Marcille's attitude towards it: It's a scientific and magical discipline like any other that requires careful study. There's nothing inherently good or bad about it—it was made by people, for people, and what matters is how you use it.

So, Marcille was at the academy, studying the ways that illness happens in a body, and carefully writing new magic to counteract or at least mitigate it.

(How I interpreted this was that she was likely part of research teams dealing with complicated things like autoimmune diseases, cancer, and other things where the body isn’t technically injured by a foreign element, but erroneously harming itself due to internal reasons.)

For me, this kind of explains her approach to pain in healing:

Honestly, what this immediately reminded me of was that a friend of mine had to have surgery on their throat when they were younger, and part of the procedure was waking them up without anaesthesia right after the surgery to make sure that they could still feel everything. They told me it was the worst pain they’d ever felt in their entire life—but from a medical perspective, it was necessary to make sure that none of the critical nerves in the neck had been affected. 

Sometimes in medicine, pain is necessary because it’s not some uncomplicated and bad thing—it’s a response of your nervous system, and sometimes the only indicator that your body is still working the way it should. And I think this is the mindset that Marcille has, which is why she seems so blase about it—she doesn’t think that she’s actually hurting people, it’s just a necessary part of the healing process. 

And in some ways, she just sees it as a realistic downside of the fact that you have to recover quickly in dungeon situations:

Normal recovery would take months. Healing magic shortens that to a few seconds. The pain is a result/tradeoff of forcing something that would naturally take a long time into such a short timespan. This all makes sense and is Right and Correct and Normal in Marcille's mind. It's not that she lacks empathy and doesn't care enough about not harming her patients: she doesn't think that it's "harm" at all.

Not a shred of guilt in that face before causing extreme pain. Contrast this to her constant fussing over Izutsumi on the smallest things—it's hard to believe she wouldn't even be a little apologetic if she actually believed this would be hurtful in a way that matters.

I think this is overall, less indicative of any lack of empathy so much as her incredibly stubborn and sometimes ridiculous way of compartmentalizing things to her own internal rules. I’d even argue that this mindset is preferable in surface situations, where people have the luxury of time. Dungeon healing hurts because it has to be fast and instantaneous—but if you're just treating a broken bone that can be put in a cast with slower healing magic to help, wouldn't you prefer that over an instant heal with the chance to cause brain damage, no matter how minuscule the chance is? Shouldn’t your long-term health matter more than short-term recovery and some pain?

To touch on Laios’s leg injury—we actually do see this kind of reaction to healing magic later on in the manga. When Marcille is teaching Laios how to heal, she ends up bowling him over because her cut gets super itchy:

but then she reacts positively and tells him that it's supposed to happen, before trusting him enough to try it on Senshi.

So while yes, it was an “incomplete” heal, I don’t think it was particularly telling about her approach to healing. And honestly, judging by the fact that it only distracted him when he was relaxed enough to be cleaning his armour before bed, it looks like she connected all the major muscles and nerves enough not to cause pain or risk re-injury by moving, but just left superficial stuff for Laios’s body to naturally heal. 

Her mindset makes sense in context: She also had to heal Chilchuck and Senshi, while conserving enough energy to immediately start digging for Falin’s body and potentially do a very taxing resurrection spell as soon as possible. 

After that, Falin healed the rest of Laios’s leg injury in a situation where it wasn’t needed, but there were no other high stakes to discourage it. Also, she can’t bear to see others in pain. ambrosiagourmet already did an incredible analysis of how this empathy doesn't really signify perfect altruism so much as Falin's deep discomfort with having to witness pain, so I won't go into that too much—but the important part is, Falin isn't inherently a more caring healer than Marcille. They are both making decisions for the patient based on their own approaches to healing—it's just that Falin's approach is preferable for dungeoneering overall.

(In Marcille's defense, it seems that dungeons are an incredibly specific environment that falls way outside the realm of what's actually taught to mages in most schools. Being a combat-oriented mage actually seems pretty frowned upon.)

So, in a lot of ways, Marcille is both realistic about dungeon healing (mana conservation by not doing full heals when not necessary, thinking about pain as the condensation of the time it would have taken to naturally heal, etc.) and very unrealistic about it. What she doesn’t realize is that the pain matters: In a dungeon, people have to be up and ready to continue right away, over and over. If it hurts every time, that makes them very averse to being healed, stressed out about getting injured, and affects their performance as dungeoneers.

All that to say… I personally believe that Marcille is very passionate about healing people. Not healing magic necessarily, but medicine as a whole. It’s not just a means to an end—it’s her main area of study only second to her research into ancient magic. And sure, she might have gotten into it because of her fear of death—but what I think people don’t give enough credit to is that her motivations changed from when she was a child. 

You see it here, when she’s laying her dream outright to the Winged Lion: 

She might be kinda racist herself, hypocritical, and short-sighted (mostly out of ignorance, I’d argue), but at heart, she hates that people hurt each other. She hates that long-lived races look down on everyone else just because of lifespan. She has—arguably very correctly—identified the disparity in lifespans as one of the main causes of interracial strife, and she wants to get rid of it so that everyone can fully understand and relate to each other as equals. 

And in some ways, it’s not even that insane of a dream. 

Knowing that people used to live as long as she’ll have to, and something changed in the eons since, is it really that weird for her to want to change it back somehow? 

But all that aside—the most important part of this to me is that… originally, she wasn’t actually that hung up on completely equalizing lifespans. She got into medicine because she wanted to, at the very least, close the gap as much as she could in her very long life. 

She was realistic about it at first. She thought that, by studying ancient magic’s ability to pull from the infinite, she could harness that infinite energy in tandem with medical knowledge to give more life to the short-lived races. 

But as she says it herself, it changed when she realized that she doesn’t have time to gradually unravel it on her own. 

So, yes. She got desperate. She got crazy. In light of all she did as dungeon lord, it’s easy to assume that she never cared much about healing as a profession, and is just a self-obsessed little girl caged by her trauma and trying to change the entire world to make sure she doesn’t have to be hurt. 

And… she is all that. She's my blorbo supreme but I'll be the first to insist that she is very much a complete hot mess. But my point is that these were very extreme circumstances, and Ryoko Kui has given us all the understated evidence we need to know that she’s actually a very passionate doctor otherwise. This is the girl who freaks out if she’s not useful to other people and not allowed to help:

Did actually get excited about making safe dungeons for helpful purposes beyond just learning more about ancient magic to fulfill her dream: 

And in tandem with her own personal trauma—not in opposition to it or to obscure it—cared about making life more peaceful and equal for everyone in the world. Not to mention, she had to have done some insane work to be acknowledged as the most talented researcher at the academy and be allowed onto teams that were researching new healing magics.

TL:DR, I think she has a lot of empathy for people and passion for helping them, it’s just expressed in a way you wouldn’t expect in a fantasy because Ryoko Kui doesn’t fuck around with her storytelling and genre subversion. She might not be a good archetypal healer, but she's an extremely knowledgeable doctor with a point-blank and intense attitude towards healing and medical treatment (see: her strictness about physical touch when teaching Laios about healing).

For me, all evidence points towards her going back to what she was doing before the story on top of her duties as Court Mage, kind of becoming a sort of Surgeon General for Melini as the head of health and safety for the country and whatnot. 

PS. I will admit that there's explicit evidence she's not good at healing here:

But this was also like... chapter 3. Written years ago. I personally feel that everything Kui has said about Marcille's background since is enough evidence that it was just a one-off joke before she had an airtight idea about who Marcille was and would be, but I'll concede that it's mostly conjecture.

But again, as I said, I believe that while she might not be the best at the heal spell that's used in Dungeons, she's passionate about being a medical researcher and the field of medicine as a whole.

[lilacpaperbird]

About Sam's music taste

Okay so I've always been really intrigued by the kind of music Sam might like, since we seemingly didn't get much information about it in the show. So I did a deep dive, and this is everything I could find/remember in relation to Sam and his taste in music:

Kripke, interview from 2007

From the Supernatural Wiki - There's a small mistake here. I checked the video and Jared said "Jack Johnson", not "Jackson"

Good catch, thanks anon whoever you are! - I checked and yep there it is! I added a pic of the poster so you could see what it looks like

11x04 Baby - Sam knows the lyrics to the song "Night Moves" and sings it enthusiastically, like he did with "Dead or Alive" in 3x16

14x20 Moriah

Bands/singers mentioned:

Green Day

Red Hot Chili Peppers

Fall Out Boy

The Killers

Jack Johnson

Death Cab for Cutie

Jason Manns

Bon Jovi

A Wilhem Scream

Bob Seger

Elvis Presley

Celine Dion

[intuitive-revelations]

I don't know if I'm excited or frustrated at the 'future children' angle for Susan's origin. On one hand... I'm very interested in the possible links to the likes of Miranda, the Other etc.

On the other hand... ok confession time: This may make me a minority in the fandom, but I actually really dislike the 80s-90s retcons of Susan's origin. (Birth of a Renegade, Lungbarrow etc.)

I kinda just like her and the Doctor being some of the last surviving members of what was once a family on Gallifrey. I find the mystery and tragedy of what happened on Gallifrey, with implied student uprisings and political assassinations, far more intriguing than any twists saying "actually she's not really his granddaughter". Fortunately, some things can be canonwelded into that (eg. Susan really could be also related to the president / descended from Rassilon), but stuff that actually gives her an origin elsewhere is always a pain.

Idk. I just see once being a parent (and losing it all tragically) as such a crucial part of the Doctor's background and Susan fits very well into that as far as I'm concerned. Anything disconnecting her from that, or worse erasing it completely, ultimately damages what I find to be one of the most compelling things about the Doctor and Susan. :/

The few posts I've already seen talking about this suggests this is an unpopular opinion, but I'd be interested to know what people think, and if they agree or disagree...

[three--rings]

So for obvious reasons I have been thinking about IWTV a lot recently, and thinking about the books a lot. I was OBSESSED with The Vampire Chronicles when I was in middle school, into early high school.

But something that I think may not really be clear to people reading them now, or to people who only know the show, is that there's a reason the books got away with being so incredibly queer and being Bestsellers in the 70s, 80s and 90s: there was no sex.

If you're unaware, in the books, Anne Rice's vampires cannot have sex. They are impotent, sex in the human way is just not a drive they have anymore. Instead physical connection is all about sharing blood. (For the record I think the show is right to have changed this. It's not worried about censorship on that front and having sex as part of the relationships makes them way easier to communicate to the audience.)

So while the books are very homoerotic, homoromantic, and at times quite suggestive, they never have on page sexual activity, they never label relationships with explicit romantic terms like lover or husband, characters never declare their sexuality. (In early books at least.)

What this meant is that The Vampire Chronicles existed in this Plausible Deniability space where anyone who had read them realized they were gay, but they weren't LABELED AS SUCH and therefore mainstream audiences didn't know that was part of it.

So me and my friends could be 11 or 12 carrying these books around our Catholic school and didn't get anything said about it. One of my English teachers had read the first one, and we talked about it, and her only complaint was that it wasn't philosophical enough for her. But she was cool.

So, I KNEW Louis and Lestat were in love. I knew Lestat had male and female lovers. And it affected me PROFOUNDLY because it was the first depiction of queerness as anything but a joke I ever encountered.

But it wasn't "gay fiction." If it was the target of right wing criticism it was about being satanic, not queer.

I was thinking of the 4th book in the series, which I read when it was first released, in 1992. In it, (spoilers) Lestat becomes human again. And he turns to his human openly gay friend David and says "omg I'm human. Let's HAVE SEX!"

Reading that and the fucking THIRD EYE that opened for me is BURNED into my memory. I remember how scandalous that was, because it was ON THE PAGE. Here was a book with men talking about having sex with each other. And I was reading it! And it was just casual and nonchalant. (Unfortunately they don't actually do it, to my young disappointment.) Despite all the queerness that i'd experienced (and recognized) already in the series, THAT was shocking.

You can't know what that was LIKE to a kid in 1992, before the internet was anything more than bulletin boards, before fanfiction online was really a thing. And these weren't niche novels, things only people in liberal literary circles read. They were massive, massive bestsellers.

IDK, you know. I have given Anne Rice a LOT of shit in my time, and she's deserved a lot of it. But she also performed some miracles of representation that affected a lot of people. IDK if I even have a point. Just. I was remembering what it felt like. To encounter a gay character in fiction for the first time, talk about gay sex for the first time.

I don't think it's an accident that me and my friend who shared this obsession both ended up being bi. We passed the books back and forth and pointed out the really juicy sections and other people were never quite as into these books as we were even when we made them read them.

[siflshonen]

What do you think about deku becoming quirkless

I have faith in whatever Horikoshi chooses to do, but overall, I have positive feelings about it. I'd like for Izuku to keep faith in himself with or without All Might's legacy and I want to see him free of the "obligation" of One for All and the related battle with All for One. I want to see him break that cycle and see himself as something beyond All Might's chosen protege or like a second wannabe All Might.

Also, I think it'd be nice to see Izuku have to revisit struggling with relinquishing his ego and sense of self vis a vis One for All in a way we only got to see toyed with in the aftermath of the Overhaul arc with him offering the quirk to Mirio (who refused and therefore truncated the possible exploration of Izuku living with the consequences of that and the possibility of us seeing what he might do after passing on the quirk.)

I think if it happens, Toshinori and Katsuki in particular will be happy to tell him that he's their hero with or without a quirk. Izuku and Toshinori can smile and bond over the fact that they both had to learn the same lesson, kinda, since they are so similar in many core ways. Katsuki ESPECIALLY will have a chance to shoegaze and tell him that he's always thought he had what it takes to be a hero before he developed his quirk - wasn't Izuku listening when he apologized to him? The class (and Izuku's mom, who may be put in the position to apologize or something, though that seems kinda twisted to me given all the context for the situation) can also have their moments saying their piece about it (all eyes on Shoto Todoroki, Tenya Iida, Uraraka Ochako, and especially Mineta Minoru since they really did bond with him or take a shine to him for reasons that weren't about his quirk one way or the other) or whatever, but Toshinori, Katsuki, and maaaaaybe Shoto and Shigaraki are the only characters with opinions on this that I really care about.

[obitoslover]

Thinking about that obihoe's post, I love how Obito was sadistic as hell

Like, not even Madara would do half of what he did. No one can convince me Madara would take a newborn, put paper bombs and throw it mid air just for funsies and revenge. he didn't even tried to kill Tobirama, but Obito? "Kirigakure made my only friend crush die, so I'm gonna control their new Mizukage and make this village hell on Earth"

Hell, Madara was disappointed Obito created a fucking war for two Bijuus (one of them would've already been in his possession had he, y'know, didn't use the Kyuubi to destroy Konoha), like damn his plan was to avoid pain and suffering... and you decided creating a war as the right decision?, although he tried to understand Obito when he said "I suppose you had your reasons"

Stop being stoic/understanding, Madara! Obito would never XD

anyway that's I love Obito, he was so unhinged istg

@lalalover33-blog

[quidfree]

very understated beat that i liked amongst all the other brilliant choices in iwtv s2e5 (which for me is foremost a loudaniel self-actualisation via mutual recognition plot, and then a loumand failmarriage plot) is that amongst daniel’s general resistance to armand’s gentleman death manipulation (his first “rest” going ignored, “i like my life man”, “i have a thing in the city” etc) and armand’s overall intense frustration and disdain for daniel given that he caught louis’ eye, they have these weird little moments where they themselves do have a bit of a rapport despite circumstances? or like- accidental wavelength sharing?

my favorite example is that when armand is frustratedly mocking daniel by listing his mundane flaws (while daniel argues/nervously babbles back, certified platinum yapper) and starts going in on his other interviews, daniel’s non-self-deprecating line is that “he’s good at getting people to open up” (paraphrased). this is the genuine skill he assigns himself. skip forward some dialogue, and what does armand do? sit them down and ask daniel: “would you like to know my first memory?” two lines later, he stops himself, gives a terse “hm” and stops that conversational pivot dead. there’s a lot to read in the volunteering and cut off, but EYE find it interesting that daniel molloy just Gets The Girls Talking, and i think armand stopping where he does is both a character thing (his relationship to his trauma does not allow him to cathartically spill to random mortals) and i think a frustrated realisation that he’s slipped up and literally let the wannabe journalist kid get him monologuing.

there’s echoes of it in the dubai scene when louis is asleep and armand starts volunteering conversation to daniel, both as a ploy and sort of sincerely? and daniel of course just throws back “i’m listening” at him, but he is, in fact, listening. they’re always kind of operating on a level of lie and honesty lol.

it’s like how armand asking daniel if he finds him boring is part performative and part genuine inner angst bleeding through, and daniel retorting no is obviously because he will say anything for the doe-eyed freak not to murder him but also (as he himself immediately points out), armand can literally read his mind and see for himself that’s true. it’s just a well written show like that!!!

[bizarrelittlemew]

it is so so hard not to vaguepost sometimes. but i mustn't. it is unbecoming

[starflungwaddledee]

is that silhouette at the end of your last post supposed to be a morpho form of meta?

it looks like it has meta's wings and his galaxia

this fandom is incredible...

"what is the unintelligible shape in this shadow?!"

"pfft. starflung this is easy. despite the fact we can see only two of her tines and the hilt is wrong it is CLEARLY the legendary sword Galaxia."

kirby fans really are so powerful at picking up hints and clues from just a shred of information. anyway, here's your... reward?

and uh... and uh...

@phanzon no but it.... it could be.

[jaguarys]

I unironically think Dagan Gera is such a good fucking representation of the pitfalls of Sithdom and what leads to it. Like yeah he's weird and obsessive and doesn't see the bigger picture. Yeah he's bitter and annoying and needs to fucking chill. We've had too many SW projects trying to convince us Sith are cool. No more cool Sith. Only cringefail loser Sith