#type: meta

[sepublic]

Fascinating to me how in the pilot, Luz found the Boiling Isles because of AMITY... Because she's trying to return this exchange student's passport to her. She chases a bus on foot the entire way just to repay her kindness. And so she follows her through the door.

I think the final version works just as well, considering it emphasizes Luz's connection to Eda and King, as well as her relationship with her mother. But there's also something special about how in the pilot, Luz's pretty obvious crush, and hopes of finding a friend in someone who unwittingly showed her kindness (though she doesn't realize it was unintentional) is what leads her into the Boiling Isles. It's what begins everything, it's what starts her journey and helps her find the place and people where she belongs.

There's just kind of a parallel between Luz trying to return the passport, and Luz wanting to hold onto the book, her father's last gift to her representing their mutual weirdness and kinship with one another. And there would’ve been another Lumity in parallel in them being students of two worlds. The crush vibes are so much more explicit and present from the start, it's like the queer aspect of Luz and the show is intertwined, since the beginning, since the very inciting incident, with the weirdness of our cast and their found family dynamics and everything. Like you can't discuss the weirdness without mentioning the queerness, without acknowledging it as just as much the foundation to the story and Luz.

Plus there's Amity rejecting the drawing from Luz, only for it to be appreciated by Eda unknowingly... Once again, someone, unwittingly, is kind to Luz. But in this case Eda is more explicit about encouraging and welcoming Luz, and it makes me wonder if Amity necessarily dismissed the drawing as much, or only did so because she was around her peers? She's much more of a traditional, popular girl prep in the pilot. But then she DOES throw away the drawing, and her seeing Luz later could represent the shift in attitude, her reconsideration.

It's just. You have the mother figure. You have the love interest. And they bring and affirm Luz's ties to the Boiling Isles respectively. Luz doesn't get the approval she was initially looking for, but her quest for it leads her to find approval from someone else; And obviously, her chances with Amity aren't entirely off of the table! Her girlfriend brought her here. She lit up Luz's life in a way, as the final version had Luz barge into Amity's life and light up hers without meaning to.

Plus Eda not being the friend Luz expected or was looking for -they cross paths by pure coincidence- but being the one she truly starts off with in the end. Like how in the final show Luz doesn't quite get what she's looking for, but she finds something else just as great and beautiful. Luz braces herself to be mocked through her drawing by Eda only to be supported and encouraged! All three of these characters are cut from the same cloth, tied together. I love it.

[probablybadrpgideas]

Stealth worldbuilding.

Put in your backstory that France sunk into the waves in 1892 and wait until the GM mentions a french character to bring it up

[izartn]

Anyways Charles having to drag Edwin away from Niko's corpse in episode 8 so they avoid Death was a perfect acting choice. Holy shit.

The way Edwin is noticeable subdued for the rest of the finale; most clearly just in the aftermath at Jenny's with Crystal and Charles, but even to the end already back in London you can notice the difference to before. He's also been to hell and back and been tortured by Esther so like. What an ending to their visit to USA.

Niko truly was his friend, and died trying to free him from Esther and protecting Crystal when she was only a human without even psychic powers. So I love we both hear him when she's stabbed and that it has such an effect in him he doesn't seem to be able to leave her. Just. Perfect choices.

[decepti-thots]

sorry, still thinking about whirl. imo the most important characteristic whirl has in MTMTE isn't the obvious ones. it's not that he's an asshole, it's not that he's funny, it's not that he's violent, it's not that he's done terrible things, it's not that he hates himself. all of those are important, and they're usually the immediately obvious traits that stick out panel to panel. but they're not what drives the narrative function of the character most across the whole run of the comic.

imo the thing that most defines the engine driving whirl's narrative function is that he is astute and perceptive. it doesn't come up in obviously quotable panels moment to moment, but the way his arc interacts with the overall arc of the comic is that whirl is the one who sees through a lot of the bullshit that's going on and the way he acts and the decisions he makes overwhelmingly rely on that knowledge. unlike most characters, his decisions are rarely defined by the emotional intensity of his own investment in this or that thing (an interpersonal relationship, an insecurity, a need to prove something) but instead by his sharp awareness of the dynamics of the people around him.

whirl knows the score with rodimus and what the whole mess that is their 'mission' is really about- or rather, what it isn't about, not really. he does not take it seriously because he understands in a very real way, it's just not serious, it's an excuse. whirl knows the score with cyclonus and tailgate and when to intervene in that whole mess instead of being kind about it. whirl understands what getaway is doing and where it's leading and that both makes his decision to initially back getaway's plan both an asshole move but also a decision made with total clarity, in contrast to almost everyone else who makes that decision. whirl knows how to get past drift's act and gets a punch in the face for it, because he smells the bullshit there immediately. whirl is not unaware of the social dynamics on the LL at all; he is choosing to be as abrasive and inhospitable as he usually is on purpose with full knowledge of what he's poking at. whirl gets to the supposed afterlife and immediately knows it cannot possibly be real!

unlike basically every other major character, there's really no point whirl makes a decision with his judgement meaningfully clouded by something. he has a strong interiority and motivations, absolutely, but above all else he is making every decision, no matter how bad or self destructive, with a level of genuine awareness and clarity that is pretty much unique, and his assessment of everyone and everything around him is pretty much unmatched if you read between his constant pisstaking. it's fantastically good, and what makes him a completely essential part of the ensemble all the way through the comic's run. nobody else can be so consistently relied on to respond to the situation presented to him as it is. (cyclonus is really the only person in the cast who recognises this, i think, and it explains why they wind up perfectly matched. see again: whirl's interventions with him and tailgate.)

[microsff]

** A gentle reminder that you are the algorithm - your reblogs help decide what your followers see, and help them discover the cool things you like.

(I mean like like, not press-like like, which, while appreciated, doesn't have the same impact as a reblog.) **

[16woodsequ]

Things People Seem to Forget About Steve Rogers (aka the past is complex)

Things in the future didn't happen in a vacuum, and while Steve missed a lot of stuff while he was in the ice, he would have seen the roots of things like the Civil Rights, Women's Rights and even LGBTQ+ Rights movements in his time.

While I'm sure Steve encountered a lot of people expecting certain right-wing behaviours from him, due to his birth year and the things he missed in the ice, this doesn't mean he would act that way—even right out of the ice.

But first lets take a look at the things Steve missed and see what he did in fact know:

The atom bomb. Steve never saw the atomic fallout, but what did he see? Hydra bombs literally being flown to his home city. There is also a possibility that as a specialty team, he learned about the German Nuclear Program during the war. His unit was tied to the Strategic Science Reserve, so I wouldn't be surprised if between that, and Hydra's bomb initiatives, Steve was well aware of the potential of a bomb threat. I doubt Steve has clearance to know about the Manhattan project, and I think he would be horrified to learn about the impact of the atom bomb on Japan (especially since he essentially thwarted the same thing from happening to New York) but majorly powerful bombs would not surprise him.

• The Cold War. Steve may not have experience the Cold War, but he grew up surrounded by the outcome of the First World War after the Communist take over of Russia. The debates surrounding Communism, Socialism, and Capitalism aren't new. Steve would have grown up with them and would probably be familiar with American pro-capitalist, anti-communist rhetoric. But would he agree?

Here's some things we know about Steve: He's an artist, he grew up during the Depression which was heavily mitigated by socialist measures, he grew up poor, he grew up disabled. As an artist Steve would be well aware of the debates between the political movements, and with his background, and the success of Roosevelt's New Deal reforms, it would not surprise me if Steve leaned more towards the Socialist side of the scale.

All this to say: Steve would not be unfamiliar with the tension between Russia and the USA. Especially since even though they were allies during the war, there were already concerns that the USSR wasn't so much 'liberating' the countries they drove Germany out of, as putting them under new management.

Steve would be familiar with the tensions underlying the Cold War, and his background might lead him to have a critical view of some of the pro-Capitalist propaganda that came out during the Cold War. While I don't think Steve would approve of Russia's methods and the ultimate outcome of Communism there, I don't think he would approve of the Red Scare Witch Hunt that happened in the States either.

• Civil Rights Movement. While Steve missed the major changes that occurred during the 50s and 60s, he would not be unfamiliar with movements for equality. Steve would also not be unaware of the inequality that minorities faced in his country.

For example:

National Association for the Advancement of Colored People (NAACP) was established in 1909 and is still run today. The NAACP fought and fights against discrimination and advocates for equality.

In the 30s President Roosevelt responded to "to charges that many blacks were the "last hired and first fired," [his administration] instituted changes that enabled people of all races to obtain needed job training and employment. These programs brought public works employment opportunities to African Americans, especially in the North" (Link)

"The first precedent-setting local and state level court cases to desegregate Mexican and African American schooling were decided during [the late 1930s]" (Link)

In 1941 thousands of Black Americans threatened to march on Washington for equal employments rights which pushed Roosevelt to issue an executive order that "opened national defense jobs and other government jobs to all Americans regardless of race, creed, color or national origin." (Link)

The Double Victory or Double V Campaign during the war was an explicit campaign to win the war against fascism in Europe and the war against racism as home.

All this to say, Steve would not be unfamiliar with many of the issues tackled during the Civil Rights Movement of the 50s and 60s.

Not only that, but Steve led a multi-racial special unit during the war during a time of active army segregation. Not only does he have a Black man on his team, but also a Japanese man. This would have most definitely led to backlash from higher command as well as discrimination from other units against Jones and Morita. Steve and the entire Howling Commandos would be explicitly aware of prejudice against two of their members and likely had to fight for them many times.

• Anything space travel. It's true Steve wouldn't know anything about attempts to reach the moon. But there were still several space discoveries he could know about, especially since he and Bucky are clearly interested in scientific discoveries, considering how they went to the Stark Exbo before Bucky shipped out.

Some discoveries:

Hubble's Law: In 1929 Hubble published evidence for an ever expanding universe, and thus provided evidence of the Big Bang theory.

1930: Discovery of Pluto (makes me chuckle to think this is a relatively new discovery for Steve and he wakes up to find it is a dwarf-planet now. You think Millennials are protective of Pluto? I think Steve would be too 😆.)

1937: "the first intimation that most matter in the universe is `dark matter'"

Personally I think Steve would be absolutely amazed by the advances in space travel.

• Women's Rights. Like with Civil Rights, while Steve may have missed the large movements during the 50s and 60s, he was around for the early movements. The 60s movement is called Second Wave Feminism for a reason. This is because there was already many pushes for women equality in Steve's time.

For example:

1920: White women win the right to vote. This means Steve's mother first voted in his lifetime. I feel this alone would make Steve heavily aware of inequality faced by women. (As a side note I feel that Sarah always emphasized voting to Steve since it was such a major development in her lifetime.)

Also in the 20s the Flapper trend rose, along with hemlines. Women's skirts were shorter and they smoked and drank with men. Middle-class and working-class women also worked outside of the home. The 1920s-1930s 'modern' woman is very different from the Victorian vision of a woman in petticoats and skirts.

Early Birth Control movement: Was "initiated by a public health nurse, Margaret Sanger, just as the suffrage drive was nearing its victory. The idea of woman’s right to control her own body, and especially to control her own reproduction and sexuality, added a visionary new dimension to the ideas of women’s emancipation. This movement not only endorsed educating women about existing birth control methods. It also spread the conviction that meaningful freedom for modern women meant they must be able to decide for themselves whether they would become mothers, and when."

1936: A Supreme Court decision declassified birth control information as obscene. Legalised doctor-prescribed contraceptives.

WW2 Watershed: Women serve in the army and work factory jobs. The government establishes universal childcare while women work.

Women also wore pants and form fitting clothes to work in factories. We also see Peggy wearing pants during the last assault on Hydra. While Steve may need to get used to modern fashion, he would already be familiar with the 'morale outrage' over women's clothes in his time, and probably try to manage his surprise in private as well as possible.

• LGBTQ+ Rights. Like with the rest of the equality movements, LGBTQ+ rights movements also started before the late 1900s.

1924: "Society for Human Rights is founded by Henry Gerber in Chicago. The society is the first gay rights organization as well as the oldest documented in America." This organisation was broken up soon after founding due to arrests, but it published "the first American publication for homosexuals, Friendship and Freedom."

In the 1920s and 30s "the gay and lesbian movement started taking shape. Social analysts began rejecting prior medical definitions of "inversion" or "homosexuality" as deviant.

Communities of men and women with same-sex affiliations began to grow in urban areas. Their right to gather in public places such as bars was tenuous, and police raids and harassment were common." (Link)

WW2 Watershed: While many LGBTQ people lived in rural areas or outside 'queer neighbourhoods' the war brought people from all backgrounds together. "As with most young soldiers, many had never left their homes before, and the war provided them an opportunity to find community, camaraderie, and, in some cases, first loves. These new friendships gave gay and lesbian GIs refuge from the hostility that surrounded them and allowed for a distinct subculture to develop within the military."

They still had to hide their identities for fear of persecution and a 'blue discharge', however "Gay and lesbian veterans of World War II became some of the first to fight military discrimination and blue discharges in the years following the war."

It's unclear how much Steve would have known about the gay and lesbian rights movement. But in the comics he has a gay friend Arnie Roth, and there are many meta posts (X X X) about how Steve may have lived in a queer neighbourhood.

And, according to my history professor, gay and lesbian soldiers were often protected by their friends in the army instead of outed. This is not to downplay the discrimination and pain outed veterans faced, but there was a comaraderie and understanding that developed between soldiers that protected many gay soldiers.

• Computer and the internet. The seeds of modern computers began during World War Two. Arguably it began earlier with Ada Lovelace. While technology has changed a lot for Steve, there is a long history of it's development.

Colossus Computer: Kept secret until the 70s, it's unclear if Steve's association with the SSR, Peggy (who was a code breaker before SSR) and Howard, would have led him to know anything about the "the world's first programmable, electronic, digital computer", but we see electric screens and machines being used in Captain America: The First Avenger. So he would know something of those mechanisms.

Also the first American TV was broadcasted in the 1939 World Fair, And since Steve and Bucky are already shown going to a science fair, I believe it is reasonable for Steve to know about the concept of television, though it looks much different in modern day.

• Rise of Neo-Nazis. Steve already saw the rise of fascism in his own country before the war, so while I think he would be horrified and saddened to learn of the Neo-Nazi movement, I don't think he would be surprised.

Because:

Eugenics: A large part of the Nazi campaign, this part of the movement originated and was inspired by the United States Eugenics movement. "It is important to appreciate that within the U.S. and European scientific communities these ideas were not fringe but widely held and taught in universities."

Lobotomies and institutionalisations were part of the treatments for disabled and 'weak-minded' individuals during Steve's time. With Sarah being a nurse it is likely Steve knew of these treatments and more. And as a disabled child of immigrants, I have no doubts Steve brushed up with eugenics beliefs many times.

1939: More than 20,000 people attended a Nazi rally in Madison Square while "[a]bout 100,000 anti-Nazi protesters gathered around the arena in protest".

In the comics Steve canonically has a Jewish friend, Arnie Roth. If he wasn't part of the protests against the Nazi rally, he would have heard about it and known about the rise of antisemitic sentiment in the US before the outbreak of the war.

So Where Does That Leave Us?

Steve has a history of anti-racist behaviour. While he would still have a lot to learn from the Civil Rights Movement and no doubt has unconscious biases he grew up with, he also explicitly builds a multi-racial team that would have led to clashes with systemic racism in the army. This would have inevitably led to him and the Howling Commandos taking an anti-racist stance in protection of their members.

Would Steve say the N-word? Likely not. The N-Word already held negative connotations by the 19th and early-20th century. I doubt Jones would be willing to follow a man who would knowing use the insult. 'Coloured' or 'Negro' were seen as the more acceptable terms. So Steve may use those words at first, instead of 'Black' or 'African-American'. 'Negro' is a controversial term for some Black Americans, so this would be something for him to learn, but he would not purposely by insulting or hurtful. And I believe he would adapt as quickly as possible upon learning.

Steve saw the early steps of many social movements. Given what we know about Steve—artist, disabled, immigrant, poor, raised by a single mom, gay and Jewish friend, potentially lived around queer people, worked with Peggy and smiled when she punched a sexiest, and built a multi-racial team—Steve would not only be aware of the social movements of his time, but he would be happy to learn of the developments after he went into the ice.

While it would take some time for him to learn all the changes that happened, Steve's background would led him to be pleased with the changes in society. This is the opposite of being racist, sexist, and homophobic. Some things might take some adjusting for Steve to get used to, but he is already open-minded and has a frame of reference for many of the social changes that happened.

People sometimes bring up Steve's Catholic upbringing to argue about some beliefs he might have. But while I do think this upbringing would lead to some biases, I think Steve's life experience helped counter, or helped him unlearn some of those biases, even before he hit the ice.

Also, as an Irish-Catholic, Steve would have faced some discrimination of his own. It is most certainly not on the same level as other minorities, and things were better in the 20th century. Being very clear, any discrimination Steve faced for being Irish-Catholic would not be systemic or commonplace like racism. But adding his heritage to the rest of Steve's background helps give us a better idea of why he was already open to social movements like the Civil Rights movement before the ice. And it may have made him already more understanding of LGBTQ+ people, who he may have lived around, even if he grew up being taught certain biases.

Other Things We Forget About Steve

He is quite tech-savvy. While Steve would have a lot to learn, we know he is capable. There are a lot of jokes about his technical know-how in Avengers, but I think he's actually managing very well considering it's probably only been a few weeks or months since he came out of the ice.

Examples:

Deleted scene where we see Steve using a laptop in his apartment. He presses the spacebar to pause a video, which is a keyboard shortcut. So not only can he set up a laptop to watch a video, but he already knows key shortcuts.

Deleted scene where waitress mentions 'wireless'. Steve is confused and thinks she means radio. But I think he actually knows about wi-fi at this point, but probably had never heard it referred to as 'wireless' before. By this point he knows radio is not as common, so his real confusion is why the waitress is offering him 'free radio'. If she had said free wi-fi (the more typical phrase in my opinion) I think he would have understood.

Canon scene of Steve helping Tony fix the Helicarrier engines. This is my favourite evidence because Tony asks Steve to look at the relays and Steve makes a quip that they 'seem to run on some sort of electricity' indicating he is out of his depth. But we never see Tony tell Steve what to do. Steve figures out how to fix the relays himself. Tony is busy with the debris in the rotors and the next thing we see is Steve telling Tony the relays are all good.

Steve is much better at adapting and figuring out technology than we give him credit for. This doesn't mean he won't be anxious or uncomfortable with the sheer amount of stuff he has to learn (especially if everyone keeps making jokes about it to him). But by 2014, it's clear he's already mastered all of it, which is amazing when you think about it, because that's only two years of learning.

Steve is very book smart. In the comics Steve goes to art college, implying he finished high school. Even if he did drop out of high school to work, we know Steve is very smart.

We see him unloading a whole suitcase of books in the barracks before he got the serum.

The mental math is must take to throw the shield at the right angles for it to bounce back is insane.

Steve is also known as a master tactician. So it is clear he has the brains and smarts to run his team during the war. Not only that, but he is not just Captain in name. He actually has that rank, which means he passed the Captain's exam. I also have a feeling he would have needed to pass some kind of evaluation to get the serum in the first place.

We see in Steve's 2014 apartment that his bookshelves are full of history books. Steve is a veracious reader and spends a lot of his time catching up on what he missed. Things he didn't learn or were taught differently growing up would definitely exist, but Steve is actively working to counter that.

Steve would swear. Swearing has been a constant throughout all of history. So too, the backlash against profanity. Even if Steve grew up being told not to swear he would have heard it. And, Steve became a soldier. If he didn't swear before the war, he most definitely picked up some of it then.

I think Captain America isn't supposed to swear, and I think Steve would be aware of this perception of the symbol of him. But I think when Steve is comfortable with people, he would swear. We see in Avengers he doesn't swear, but in Avengers: Age of Ultron, he does.

We joke about Steve and the "Language" line, but I think that line has something to do with Steve's history of being perceived as a symbol and as Captain America since he said it 'just slipped out'. So, while Steve may have been encouraged not to swear growing up, and expected not to swear as Captain America, I fully believe that soldier, veteran, and Irish man Steve Rogers does swear.

Wrap up

I hope you liked this deep dive into Steve's history and character.

I think it can be easy to take the past as a lump sum and view everyone in the past through one lens. We know the past was racist, sexist, and homophobic, so we view everyone from the past that way.

And while it's true things were different back then, people were most definitely fighting for change and aware of the issues. There is also a lot of nuance to the past, and a lot that can be gleaned from what we know about Steve.

It's true that Steve would have a lot to learn when it comes to terminology and specific technology, but I believe Steve's background would prepare him for a lot of the social changes that happened after he went into the ice.

[fanficfanattic]

Okay, so I just learned something new. Maybe y’all already knew.

But once a player has been subbed off, they can’t play again in that match. At all.

So when Ted benched Jamie, it wasn’t just that he did so with one minute before the half. Which was clearly to Send a Message. It meant he wasn’t playing any more at all that day. So he got 44/90 minutes.

I mean, Jamie stormed off the pitch. So it wasn’t like I had expected him to play in the second half. But he straight up couldn’t have.

I had to check rules over with @abubblingcandle (thanks!). Cause I had wondered if having a different starter for the second half still counted as a substitution. It does! So Jamie wasn’t playing any more whenever it was that Roberts went on.

It is just more obvious (and harsh) to sub him when there was still play on the pitch. More of a statement.

But that being the last game he played for Richmond before the cancellation of his loan was also a statement. Just one that Ted never meant to actually make. Rebecca understood the ramifications though.

Which is part of what really gets me. Ted’s lack of knowledge about British Football did harm to his players. Several second teamers left between season one and two. And their worth was diminished by no longer being Premier League players. 😬😭

[greghatecrimes]

Okay. Buckle up babes, it's finally Foreteen time and I wrote an essay.

Foreman and Thirteen are so interesting to me in so many ways. You have Foreman, who thrives off of control, and Thirteen, who refuses to be controlled in almost every aspect of her life. In the sense of them as individual people, they both have a lot of their own issues going on. Hot messes, the two of them. But in the sense of them as a couple, I think Foreman specifically is the only one who has issues with the relationship. (Or rather, Thirteen's issues aren't being projected onto the relationship and causing difficulties at the end of s5/beginning of s6, while Foreman's are.)

Foreman's biggest thing, at least in the latter part of their relationship, is control in regards to emotions. After they found Kutner, he coped with everything by isolating himself. A huge part of me thinks that's because this terrible thing just happened, the floor just fell out from both of them in so many ways, and Foreman feels like he doesn't have a grip on anything anymore. The only thing he can control is himself, and how he reacts. So Thirteen? Even though she's his girlfriend and he's worked with her for two years, her emotions and reactions are fundamentally beyond the scope of his control; she's still a wild card. She's not safe. So instead of letting himself lean on Thirteen, letting them grieve together, letting them comfort each other, for his own stability, Foreman chooses to cope (and thus reject Thirteen when she reaches out for support) by retreating into an environment that he's intimately familiar with. He surrounds himself with only variables that he can confidently predict. It's his gut instinct. It's always worked before, so why wouldn't it work this time? Why would it have any reason to cause problems?

In season four and the first half of season five, Thirteen was very much the same way. When things became too overwhelming for her, she repeatedly dealt with them by running, by hiding; by trying to isolate herself from the people who care about her and want to help her. The same base principle drives them both at this point: "what's out of my control is dangerous in some way or another. The only one who's safe to be around is myself, because I am the only person that I can control." But by mid season five, Thirteen has come a long way from that. Slowly she's becoming much more of a "recovering control freak". She's starting to be okay with the fact that she's not always going to have the amount of control that she has right now. She knows that all of it is something she has to come to terms with, and slowly she's getting to a point where she's accepting her diagnosis and working on all the baggage that comes with it.

Thinking about that– the fact that, by mid season five, Thirteen is approaching a point in her life of letting go, of learning to 'go with the flow'; while Foreman is very much still on the side of "I thrive and keep myself safe by controlling every aspect of my life possible"– makes them fundamentally incompatible as a couple from the get-go, even with all of the chemistry they had. Because the moment they get together (the Christmas party in 5x10 "Joy to the World") is right after Thirteen's decided that she doesn't want to die; when she's just starting to process her diagnosis instead of running from it.

Do I think there was/is love there? Yes. They absolutely care about each other, both during and after the relationship.

Do I think they would have worked out long term? The simple answer is "no".

The more complicated answer is that if they had been able to avoid the fiasco of Foreman running the department and then firing Thirteen after House quit, I think they could have made it work. But it would have been rocky, and it would have been especially rough for Foreman. Extremely so if it were to reach a point where they've stayed together for years and years, and Foreman is with Thirteen when she really starts to decline with her Huntington's.

Foreman is Thirteen's friend; he's also seen people slowly wither away from degenerative disease (his mother, with Alzheimer's), and he's a neurologist (and so he knows exactly how she'll decline, down to every last detail). All of those things give him greater emotional stakes in her Huntington's diagnosis beyond what's typical. But specifically in the situation of them facing this as a couple, you have this level of involvement where Foreman– someone who needs a high amount of control to function on a fairly basic level– is in an incredibly intimate relationship with Thirteen, whose entire life is inevitably and actively slipping out of her control. And in that scenario... I think that when the decline does start happening, it would absolutely terrify Foreman. To be the one that's by her side as a partner– seeing all of it firsthand, the pain and grief and sickness? And as her significant other, being the one that would potentially become a medical proxy when she's too sick to advocate for herself, faced with the possibility of making life or death decisions (like whether or not to euthanize the woman he loves)? I think that would have the potential to utterly destroy him.

As a friend, though? ("Ex-partners who have gotten back to a shaky friendship after the breakup, and still care about each other deeply", but "friends" for short.) The entire situation completely changes. I firmly believe that post-canon, if Foreman knows House offered to kill Thirteen before he "died", he would offer to kill her in House's stead in a heartbeat (just like I think Chase does). THAT sort of involvement with Thirteen's decline and care is far less terrifying, because now this is not the decline of someone that he's based his entire future on. This is not someone he's given half of his heart to; this is not someone he's built an entire life with and entwined himself so thoroughly with.

With the way things work out in canon, they're still friends, and they still care about each other; but at the end of the day, they're two separate people with two separate lives, two separate futures. And so Foreman doesn't lose a single ounce of his control as Thirteen's is slowly taken from her, bit by bit. Witnessing that is still a pain that is unimaginable. But for him, it's survivable. And that's the key difference (and why I ship Foreteen during season five and season six, but not post canon).

[kingsandbastardz]

MLC's prop department has been having fun

Tinfoil hat time. I've been tracking the movement of Li Lianhua's pillows at the Lotus Tower (yes I know, crazy)

Anyway, here are my findings that I think will be interesting to know:

(Episode 1) We are given 1 shot of a pillow. It's rust colored with a white center - he uses it in his own bed.

(Episode 8) We now see 2 pillows. One white one on the bed (llh's) and a grey-bluish colored one on the side dresser. Being that Fang Duobing has been staying there, I have assigned this color to him.

(Episode 13) We still see the grey-blue pillow that I assume is FDB's. He was using the white one here because LLH's put him in his own bed after he was injected with gangchi

(Episode 19) This looks similar to the grey-blue pillow, but I've dubbed it blue-grey because it's more blue and it's darker. Which means this is not FDB's bedding, but who is it for?

(Episode 20, images A and B) Ah here we go. It's Di Feisheng's. In the second image, you can see that he is a messy blanket folder.

(Episode 27) Post A-Fei getting taken away, and post-fdb breakup, LLH passes out and wakes up several days later. Su Xiaoyong has found him and has apparently been nursing him. I assume she helped herself to his prettiest pillowcase while she made herself at home. At first I thoguht she gave him his own white pillowcase, but on closer inspection, it looks grey. So I can't tell if it's a lighting/color-filter situation or if Su Xiaoyong actually grabbed fdb's pillow when dragging LLH to bed.

(Episode 28) The upstairs room - This is while they're traveling to the city and Su Xiaoyong is still with him. As she's a young unmarried woman, I assume for propriety's sake, he moved himself temporarily to the upstairs bedroom while he's still feeling ok, so you see his white pillow, fdb's grey-blue, and dfs' blue-grey. Yes, they look like the same shade under different lighting - but they're actually under the same strength shadow. So one is a full shade darker than the other.

(thanks @difeisheng I completely missed this one)

(Episode 40) No spare bedding on the side counter. FDB was sleeping in the chair against the table. LLH has been alone.

Conclusion:

LLH color codes his pillows for people who stay over

So in the previous episode 19 DFS had told LLH that he would come find him later. Apparently, that was enough for LLH to get out some extra bedding. Just in case. And then DFS shows up with amnesia immediately in the next episode.

Clearing out his loose bits and bobs wasn't just about people or situations, but included packing away all the extra bedding

FDB and DFS (With and without amnesia) totally shared the upstairs bed without murdering each other at night. Somehow. despite the bed being tight enough they would probably end up cuddling at some point. And then never spoke about it during the day. LMAO.

[creature-phases]

I’ll go into this in more detail later when I collect some photos, but I think Kabru’s biggest miscalculation is his assumption that Laios doesn’t care about people at all. That he is purely a fan of monsters.

Which simply isn’t the case. I think this is because of what happened to Kabru that he thinks liking humans or monsters are mutually exclusive.

But Laios cares a lot about people. He has a huge heart. He just doesn’t get people.

To his own detriment Laios gives everyone the benefit of the doubt. He’s an optimist who looks for the best in people. He never wants to assume bad intentions.

This is something that Kabru never seems to acknowledge or consider for the most part.

I have specific examples but like I said I want to grab photos first.

[sepublic]

It feels right that after a year of no Owl House, TOH would give us one final, perfect gift in the form of another universe that captures everything we loved about the original, the beginning of a different yet similar story, one that will never be finished... But the potential, the endless horizons that come from any direction this other story could take, provides the basis for everlasting speculation and discussion and creation. And I think that's beautiful, a final gift encouraging us to take out our pencils and other tools and fill out the blanks and make our own stories with, just as Dana and the crew were inspired to make their own stories by watching other shows and often wanting to fill in the blanks themselves!

[lafiametta]

What's so fascinating about Toranaga's plan to employ Mariko as Crimson Sky is that it was all there right from the beginning.

When Toranaga first arrives in Osaka the regents demand that he release Ochiba, the mother of the Heir, from where she is being held in Edo. Nothing scares Toranaga quite like Ochiba (no doubt why he held her in the first place), and he knows that once she is able to return to Osaka, she's going to do everything she can to destroy him.

Enter Mariko.

Mariko is perfectly placed: she shares a history with Ochiba, a girlhood bond that grew distant due to time and circumstance, but she is completely loyal to Toranaga, willing, in fact, to die for him and his cause. If the time comes for him to have to negotiate with Ochiba — or he has some need to soften her desire for vengeance — Mariko will serve as the crucial middle ground.

Once he realizes Ochiba will soon be free to move against him, Toranaga summons Mariko, requesting that she serve as a translator to the foreign barbarian. But even more important than her role as a translator, Toranaga wants to bring her closer and cement her place in his inner circle of followers. (As a woman, she is easily overlooked, not being a general or a vassal with an army of retainers, but her importance might be even more vital.) He reminds her of his great admiration for her father and acknowledges that for many years she has been robbed of her purpose. What if he could give it back to her? Like Mariko, we assume that her purpose is to serve as a translator, but Toranaga knows it is far larger: to play her part against the regents and serve as a bridge to Ochiba, when the time comes.

Toranaga is a falconer. He knows the value of caring for a bird, feeding it by hand, having it learn to trust you until it sees you as its only master. And as Toranaga describes his falcon, Lady of Steel, he could also be describing his plan for Mariko: “Conceals herself against the sun. Conserving energy, waiting for her moment.”

[thecarnivorousmuffinmeta]

i get that the blitz basically shapes your characterisation of tom, but the way jkr has dumbledore treat tom in canon makes it seem like... did she just not realise he was growing up during ww2? i just FEEL like she intended to make it seem like oh, he only wants to stay at hogwarts because he has no family at home, not because hes literally getting BOMBED 😭

The absence of the cultural impact of WWII in Harry Potter is weird and a constant mystery to me. It's not just Tom's backstory (being set in a period and from a place where this is very relevant) but the entire story for that matter.

Could be she just didn't want to include any of it/didn't want to get into it at all. Which is fair because this is a children's fantasy series that's deliberately set in the 1990's and not about the war (vs. Chronicles of Narnia where Lion, Witch, and the Wardrobe is deliberately set on the premise of "children are sent out of London to mysterious countryside house they've never been to and are exploring" or Bed knobs and Broomsticks which has pretty much the same premise of "children sent away to mysterious household where woman turns out to be a witch")

Except that she then goes on to make very strong parallels between the Death Eaters/Muggle-born Registration act and the Nazis, Dumbledore and Churchill, etc.

So... it feels like she kind of forgot the whole part where Britain was under severe threat of invasion (army across the channel, submarines in the channel) as well as the bombing campaigns particularly against London and how much of the city was destroyed and many people died.

I haven't read any interviews, but this woman is awful with dates and history to begin with so... I'm left wondering if JKR either didn't know. Somehow. Or forgot. Somehow. Or got her dates wrong. Somehow.

The treatment of Tom Riddle definitely seems to be she intended just "oh he's a poor orphan who feels Hogwarts is his home and wants to stay because of that" to parallel with Harry who also wants to stay over the summer and is told no and not, well, de bombs. (Added to this that Dumbledore/JKR never tells us where Tom is sent during the war. Dumbledore implies Tom was just chilling at Wool's the whole time.)

[izartn]

The way in Charles death scene, Edwin is talking about how ghosts don't really experience the world with their senses, they can't really touch things, etc. (bc charles is about to die and he wants him to be prepared, Edwin oh boy)

And Charles immediatly answers. I'd miss kissing. Do you? And Edwin can't answer because he died without one, because he was gay and unable to even admit it to himself due to the time and place he was born into.

(how charles mind goes there so quickly, to an act of love, pleasure, warmth so different from what he has to be feeling right now)

The way Charles has that makeout session with Crystal and then tells all giddy to Edwin that he didn't really felt it physically but mentally it was good. He hasn't lost kissing after all even if it's different than if he were still alive. My god.

Charles is so very emotional and I bet when he was alive, also very much in touch with his body, for good or bad. It breaks my heart; he misses being alive, he wants to kiss and date. He's never going to last with Crystal because she's alive, but he's enjoying while it lasts. He's going to spent all his death and beyond with Edwin and one of the first conversations they had while he was dying was that he was going to miss kissing. He answers with wht is basically a not yet the love confession.

How does desire works for ghosts that don't have a physical body? It seems like the mind and the romantic attraction take the lead. (It's like the software for physical attraction is there even if the hardware is missing. Ghosts willing their bodies to act as the living do).

It's the way kisses are important to both of them in season 1, both as something never had before (Edwin) and something to miss and long for (Charles). When they kiss if we have a season 2 (or even 3 though I hope hey take pity and have them kissing in season 2 if it's greenlighted on light of Netflix sudden cancelations) I'm going to scream to my TV.

They're already together for what matters but the romantic/kissing aspect is clearly important for both of the so I'm just. Gripping my hands on the sofa thinking about them having that with each other.

[decepti-thots]

something that is very interesting rereading early MTMTE is that the comic is actually very much written with the assumption a ton of its readership are specifically pre-existing IDW comics readers, which can sometimes be difficult to remember because of the fact that a lot of people wound up coming onboard to MTMTE from outside the fandom in the end and now it has a reputation as an entry point as a result. this manifests in a couple ways throughout the first couple major arcs. one obvious one is that the Overlord stuff functionally makes it a sequel of sorts to Last Stand of the Wreckers, at a time no direct sequel was planned. but my favourite is that there's a kind of narrative trick the comic pulls with the leadup to the payoff Remain in Light gives us for Magnus.

the Magnus we get in early MTMTE is not the Magnus we get in earlier IDW comics. he's very exaggerated; where phase one Magnus is a by-the-books stickler for not so much as bending rules and someone we see struggling to maintain that sense of moral uprightness in the face of the war and the people around him being far less dedicated to staying on the straight and narrow like him, it's completely turned up to eleven in early MTMTE. phase one Magnus would not be doing endless doorframe audits, or throwing people in the literal brig for crooked badges. but this doesn't necessarily register as a change in character so much as a change in genre. MTMTE is also a dramedy with heavy emphasis on the comedy side of that in a way no other IDW comic is, and the shift in Magnus' characterisation therefore feels like 'well in THIS genre, that's what that archetype is like', rather than a diagetic shift in character. even if you come to MTMTE straight off those prior comics, it is very much a 'roll with the genre shift' thing rather than a 'hm. Magnus is acting… weird' thing. you let it go.

there are a couple indications this might not be the case early on. Rodimus especially seems to be under the impression that Magnus is acting uptight even for him, with his insistence on waving it off like 'he needs to relax, Swerve can you get him to chill on Hedonia because my guy is REAL stressed' and the like. (this makes sense- Rodimus is the person on the ship who has actually been directly interacting with Magnus regularly pre-MTMTE.) but it's not super obvious and not heavily emphasised.

which makes the eventual post-Overlord and RiL reveal, which is that Magnus has in fact been acting weird because he's having a breakdown that has largely gone unremarked upon by his shipmates, really really good. Magnus has not been doing doorframe audits because he's the comically uptight second in command acting as straight man for genre purposes; Magnus has been sending Rodimus a million memos a day and losing his shit over nothing because as someone whose entire identity as 'Magnus' is rooted in a wartime role he escaped into, he's been having an existential crisis now the war is over and he has no purpose and doesn't know what to do because he never expected to have to play that part in peacetime. the entire time the genre shift was somewhat obfuscating the fact this characterisation was a thing that is in-universe relevant, which also then reflects back on the fact Rodimus is like. hm. probably should have noticed that, now I feel like an asshole for not realising. (the scene where he and Rung discuss those unread memos, post-Overlord.)

it's a small thing, but it's a really effective misdirect for the payoff Magnus gets in RiL that reads a hell of a lot more clearly on reread and rewards that chance to revisit the early issues with that knowledge. of course that wasn't just a gag, of course he's actually slowly losing his shit slightly, he cannot go five seconds without making it clear he is Stressed As Hell. but until you get to that actual reveal, there's just enough room for the comic to let a reader assume it's, you know, we're in a comedy now, we need a hilarious straight man, and Magnus is it. it's great! all the stuff MTMTE pulls to simultaneously obfuscate the Magnus/Minimus reveal while also making it feel completely reasonable on reread is great. really good use of reader bias there.

[runabout-river]

Thoughts on JJK Chapter 258 (spoilers)

We get an explanation about what happened to Gojo after his two BF and what should've happened to Sukuna but didn't because Yuji's BF disrupted his cohesion to Megumi's soul and body.

Sukuna of course, in complete bitch mode, expanded his domain as an answer to Yuji's attacks. His domain construct looks significantly different to his previous ones though and there is an explanation for that as well.

Sukuna is still suffering the effects of Gojo's Unlimited Void but he compensated for that by using other areas of his brain. He also had to use Binding Vows and a different hand sign (the fuck) and he expanded MS with a shell.

When I first saw that new construct I thought that Sukuna had somehow incorporated the 10Shadows into his domain but no, he changed his domain so much that the construct changed with it.

The shape isn't out of the blue though: it has hands symbolizing how Sukuna uses his slashes and the eyes and spine are like the mouth in his normal construct. The antlers on top are from his inner domain where there are deer skulls everywhere.

The many eyes could also symbolize Gojo because, as we see in a few panels clearly but can guess in this panel as well, Sukuna used Gojo's hand sign. The eyes have Sukuna's double/triple iris though.

Another explanation, this time on healing others. This is huge for Shoko's part because we've had trouble understanding the full extant of her healing ability. She can't e.g. regenerate an arm but now her healing has the potential to shoot up when her patient is someone she's compatible with (like Gojo?)

The gang is at the beginning of the time skip (no Gojo here again) and they discuss Yuji eating his brothers to gain a CT and RCT. We also find out what the soul switching is (Ui Ui's CT) and how they utilized it for their (cheater) training.

Yuji and some others have also learned Simple Domain like this. Ui Ui's CT has some limits on how often it can be used so I'm curious who did which switching with whom. We're also talking about souls again so could Ui Ui switch Megumi's soul too?

We also learn that Sukuna DE is incomplete and can't be maintained for long. Because his domain has a shell, it's range is smaller (only about his Megumi-induced range of Shibuya.) But the Sure-hit still activates everywhere making sure that Maki is also targeted.

It's only 99 seconds though that Malevolent Shrine lasts and the four panels showing the gang enduring it with their SDs is pretty cool.

(I have no idea what is going with Maki though. Who's with her? Larue???)

The next panels were awesome but I did take 3 seconds to understand it so here:

Yuji re-attached his cut off foot with blood manipulation and RCT!

But of course, Sukuna is still in bitch mode and activates his secret technique that we've been waiting for all this time: It's FURNACE

Yes, his CT really is a kitchen. Don't be surprised when he opens his faucet next and don't forget, Sukuna one-shotted Jogo and Makora with his fire arrow.