#krodh

[amitshridhar]

Anger is so intelligent, it always comes against the weak!

गुस्सा भी कितना समझदार है, हमेशा कमजोर के ही खिलाफ आता है!

Gussa bhee kitana samajhadaar hai, hamesha kamajor ke hee khilaaph aata hai!

How sensible is anger, it always comes against the weak!

गुस्सा भी कितना समझदार है, हमेशा कमजोर के ही खिलाफ आता है!

Gussa bhi kitna samajhdaar hai, hamesha kamjor ke hee khilaf aata hai!

Anger vs weak!

गुस्सा बनाम कमजोर!

Gussa banam kamjor!

क्रोध बनाम कमज़ोर!

Krodh banaam kamazor!

04/01/2025, saturday 04 january 2025, 01:15 p.m, indore, madhya pradesh, india.

[bhoomikakalam]

क्षमा करना शक्तिशाली होने की पहचान है: भूमिका कलम- BHOOMIKA KALAM

[reikisthan]

ANGER | HOW TO GET RELIEF FROM ANGER | #shortvideo | #youtubeshorts | #shorts | #short | # viral

ANGER | HOW TO GET RELIEF FROM ANGER | #shortvideo | #youtubeshorts | #shorts | #short | #viral More details to send Reiki for Anger : How to control Anger | How to control Anger by Reiki Healing | Anger Managemen We teach to heal anger using Reiki. Where to send the Reiki. How much time to send the Reiki. Reiki is the Universal Life Force Energy. It is very positive energy. We teach to cure anger using Reiki technique. We give remedial measure for anger using Reiki. If you feel annoyed, irritated, infuriate, exasperated, then use this video. Our email is jayshreemjay@gmail.com. Your Queries : Anger How to control anger How to avoid anger how to control your anger Aapne gussa to shant kaise kare Anger management Temper management How to control temper Anger management tips Top ways to deal with anger issues Do this when angry and see the difference in yourself What to do when angry what is simple practice to deal with anger A simple practice to deal with Anger How to calm mind instantly Calm your mind instantly Gussa bohot badi problem hai Gusse Waale How to manage your anger Manage your anger How to never get angry How to handle anger for students How to deal with anger How are anger issues caused How to control your anger before it controls you Tips to control your anger Anger management tips Golden tips to control anger Ways to overcome anger Easy steps to control anger Gusse se bachane ka saral upay Control your anger The science of anger You will never get anger by practising this method A mindful approach to anger Anger - free life style Control your anger before it makes you regret in life Krodh ko kaise control kare How to control krodh A simple practice to deal with anger Keys to controlling anger What are the keys to control the anger Gusse ko kaise shant kare Krodh ko kaise shant kare Gussa Krodh Gusse ka simple solution Krodh ka simple solution Anger mngt Anger management techniques Gussa shant karne ka tarika Gusse shant karne ka tarika How to control my anger issues How to manage anger Gusse ko control kaise karein How to control anger in hindi Control gusse What are the ways to control childs anger Ways to manage your childs anger Ways to control anger so you don''t explode Easy steps to control anger Easy steps to control gusse Easy steps to control krodh How to release anger How to deal with an angry spouse Does anger harms me Anger harms me not them How to handle a bad temper How to handle an angry partner How can we control our anger Anger management for kids Anger during pregnancy How to always be in control of your anger Control anger control Krodh anger issues How to control anger issues How to control anger as a teenager How to control anger instantly Remove anger permanently Do you want to remove anger permanently Anger is weakness How can i reduce my anger Anger mangement strategies to help you calm down Controlling anger Angry Aapne gusse ko kaise control kare Gussa kam karne ke upay Gussa sant karne ke upay Gussa kam karne ke upay Krodh gussa per vijay #reiki #reikihealing #reikimaster #chakrahealing #distancehealing #energyhealing #reikimusic #reikitherapy #reikidistancehealing #reikitraining #reiki_music #reikivideo #healing #healingmusic #healingmeditation #healingjourney #health #health #healthy #healthylifestyle #homeremedies #homeremedy #homeremediesforanger #homeremedytreatment #homeremedieslife #homeremedys #homeredemies #anger #angermanagement #angry #gussa #gussepecontrol #gusse #gusset #gussaparcontrol #krodhkeupay #krodh #gharelu #gharelu_nuskhe #ghareluupchar #gharelunushkhe #upay #upaya #upayaurtotke #nanikeupay #mummykeupay source Read the full article

[apnaran]

Mind Calm: मन शांत रखने के लिए क्रोध और लालच से रहें दूर

Mind Calm: यदि आप चाहते हैं कि आपको मन शांत रहे आप किसी विकट परिस्थिति से निकलने में कामयाब हो सकें तो ऐसे में आपको क्रोध और लालच से बच कर रहना होगा। नहीं तो आपको कभी भी शांति नहीं मिल पाएगी। आइए इसे पोस्ट के माध्यम से समझते हैं। Mind Calm तो सब आसान एक प्रचलित लोक कथा के अनुसार पुराने समय एक धनवान सेठ हुआ करता था। उसके पास सुख-सुविधा की सभी चीजें थीं, घर-परिवार में भी कोई परेशानी नहीं थी,…

[jeahreading]

-Brahmacharini

Second day of the nine days belong to Goddess Brahmacharini. The Goddess who did severe penance. The word ‘Brahmcharini’ is derivative of the word Brahma, which stands for Tapa (Penance). This form of Mata Shakti is close to Uma or Parvati. The goddess Brahmacharini wears white clothes, holds a japa mala (rosary) in her right hand and Kamandal, a water utensil in her left hand. Goddess Brahmchaarini is the “tapaswani ” roop of the goddess,who gives freedom from Kaama and krodh.” According to different versions of her myths, she desired to get married to lord Shiva and did tap for about 5000 years. She begins to live in mountains like Shiva, engage in the same activities as Shiva, one of asceticism, yogin and tapas – it is this aspect of Parvati that is deemed to be that of goddess Brahmacharini. Ascetic pursuit of Brahmacharini Maa draws the attention of Shiva and awakens his interest. He meets her in disguised form, tries to discourage her, telling her Shiva’s weaknesses and personality problems. Parvati refuses to listen and insists in her resolve. Shiva finally accepts her and they get married.

Credit

@zeherili-ankhein @no-idea-where-i-am-lost HERE HERE

[ahamasmiyodhah]

Krishna

These lines written by Manu Vaishali (a Poetess) are so POWERFUL!

"Sadhikaar prem se likhegi patra Rukmini to jaanti hai rukmini ki Krishna swayam aayege.

Aayege jo Krishna Saath Parth ke to Parth ko hai gyaat ki sath Krishna ke ve yuddh jeet jaayege.

Jayenge yadi Krishna krodh me bhari sabha se to sabha ko hai pata ki ab Dev kya bachayege,

Bachayenge! Ye jaanti hai Draupadi pukaarti hai ki koi aaye ya na aaye, parantu Krishna aayenge..!"

(translation: If Rukmini writes letter with pure Love and Authority (Saadhikar), she knows that Krishna himself will come.

Parth knows that if Krishna will come with Krishna they WILL win the whole War.

When Krishna walks out of the Sabha (Court) in anger, even the Courtiers know that Gods won't be able to Save them.

They will, knows Draupadi, and this calls him again and again knowing that even if none comes to her aide, Krishna will.)

Damn, Manu Vaishali is my FAV ✨

Tagging only few because I am not familiar with KrishnaBLR @harinishivaa @chaanv @ramayantika @mainsamayhoon @hinsaa-paramo-dharma @chemicalmindedlotus @thegleamingmoon @vibishalakshman @thereader-radhika @willkatfanfromasia @deadloverscity

[collectivelibrary-archived]

Heya! Can we maybe get rage/anger inspired pronouns and possibly names? I [anger holder] have been trying to find some but haven't yet :<

-🔪🫀🔪

Of course! Some of these are actually used by our angerholders, I hope that's okay! Since you didn't name a preference I'll do all alignments for names and only neutral pronouns!

NAMES ;;

Masc ; Rabioso, Koler, Zornig, Uttej, Khalaas, Rageh,

Neu ; Zorn, Irato, Kasari, Krodh, Ghadab, Gneiw, Iratze, Ireeti (can also mean excitement), Wuthering

Femme ; Ira, Colère, Aira, Rabia, Furia, Zoraidia, Wratha, Zornia, Kvashna, Zorayda

PRONOUNS ;;

Neu ; met/metal, ang/angry, ang/anger, ra/rage, fie/fiery, neg/negativity, dar/dark, sha/shade, shad/shadow, ruth/ruthless, bru/brutal, cru/cruel, cut/throat, merc/merciless, dang/danger, boo/boom, explo/explosion, dan/danger, warn/warning, ars/arsonist, fury/furious, wra/wrath, sin/sins, arro/arrogant, tau/taunt

Hope these help! If not, feel free to send in another ask!

[gitaacharan]

76. Beware of Lust

Arjun enquires, “How can a man perform evil even against his will as if he is compelled” (3.36). This is the most common question that arises when the first ray of awareness sets in.

Krishna says kaam and krodh (anger) are born out of Rajo guna and are great evils full of insatiable craving (3.37). Beware of them to be the foulest enemies here on Earth. Krishna uses the word kaam which is an extreme form of desire like lust.

Attachment to action is the hallmark of Rajo guna (quality), which happens because of desire. As in the case of a car, the movement or speeding up is a quality born out of Rajo guna and the accelerator is an instrument to achieve this. Similarly, slowing down or inertia is the nature of Tamas and the brake is an instrument. The driver represents Satva guna which is the balancing of acceleration and braking for a smooth and safe ride. The speedometer is an instrument for awareness. If the balance is lost, an accident is inevitable.

Lust is also nothing but a loss of balance in our lives where we invest so much energy to attain pleasure; to possess something or someone; or to acquire power and fame. While giving energy to these desires, we are completely unaware of their consequences. Once it attains criticality we don’t have any control. Anger is the natural consequence of unfulfilled desire or pain that followed pleasure.

The verse says that desire is insatiable, indicating that the more we try to satisfy it the more it grows. Rich seeks more riches and power seeks absolute power. The trick is to neither suppress nor satisfy them. Krishna says beware of them which is being aware when we are gripped with lust or fear and this awareness itself will free us from their grip.

[33-108]

Theory of Rasa:

"The Realisation of the Rasa and the Concept of Sahrdaya-

Abhinavagupta points out that all minds, especially those that are trained to be poets and critics are endowed with certain subtle and latent impressions that are implanted in their mind since birth. They are called sthayibhavas.

In a work of poetry or a play the vibhavas and the anubhavas first indicate to the readers or spectators the mental conditions of the characters which are then understood by the readers and spectators in a general way.

These vibhavas and anubhavas then call the sthayibhavas in the minds of the readers to play. The minds that are already concentrating on the work of art because of the skill of the poet gets more concentrated on the awakened sthayibhavas and derive extreme pleasure.

It is then that the reader becomes the sahrdaya of the poet. Abhinavagupta explains this in a much uncomplicated way. He suggests that in every human mind there are some sthayibhavas or dormant emotions, namely rati (love for good things), hasya (laughter), shoka (grief), krodh (anger), bhay (fear), utsaha (energetic enthusiasm), jugupsa (disgust), sham (renunciation). Some of these are dominant in some people, while in others they are less powerful.

It is when men and women in actual life find themselves in situations capable of rousing these latent instincts in them, the instincts are roused and then developed and manifested by the proper circumstances.

When such circumstances are withdrawn the instincts get back to their dormant conditions, fit, of course, to be rekindled again. These latent instincts are impressions that aesthetic pleasure or rasa-realisation takes its origin.

But all individuals do not enjoy a piece of poetry or a dramatic piece equally although each one of them has the latent instinctive capacity of enjoying it. According to Abhinavagupta, all instincts are not of similar strength in an individual.

Moreover every reader or spectator requires some special qualifications to bring into play her/his latent capacity to enjoy aesthetic pleasure. It is then that s/he becomes a regular Adhikari, i. e., “accustomed in the world to observing phenomena evoking love, or anger, or valour that is, having an appreciative experience of life he is able to appreciate life ideally represented in literature and on the boards.

He is called by Abhinavagupta a Sahrdaya.” This sahrdaya must have a poetic heart which is attuned to appreciate work of art and this attunement is the result of certain kind of discipline involving constant study and appreciation of literature.

Because of his intellectual power and because of the excellence of the actors and the work of art, the sahrdaya comes to see the persons before him not as any particular invidividual or their relation not as relationship between two individuals but as men and women capable of giving rise to particular emotion in the abstract with which they can now relate.

To enjoy the exclusive aesthetic pleasure, the sahrdaya will also have to exclude his own individuality otherwise his personal relations and predicament can become obstacles thus preventing him from deriving ultimate pleasure.

Abhinavagupta calls the function of the vibhavas “Vibhavna”, anubhavas “anubhavna” and vyabhicaribhavas “samuparanjana”.

Vibhavana’s role is to bring the germ to the status of a sprout, anubhavana initiates the process of making a thing fit to be experienced and enjoy and Samuparanjana is said to mean the process of making a thing fully visible.

It is through this gradual process that the dormant mental conditions are roused and made fully visible and finally are enjoyed as Rasas. But the sahrdaya does not realize this evoked mental condition as his own mental condition.

This perception of things in abstract is extremely necessary for Abhinavagupta otherwise the dormant mental conditions will never be evoked.

The emotions depicted in the piece of art becomes generalised to the extent that it becomes an universal aspect free from all the barriers of time, space and individuality and realise the highest stage of emotion which is always pleasurable.

In case the Sahrdaya understands them to be someone else’s emotions then he will immediately become indifferent towards it and will not enjoy it at all.

The significant features of Abhinavagupta’s theory of Rasa-realisation -

Every sahrdaya possess some latent impressions in his mind fit to be roused and realised as Rasas under proper conditions.

The suggestion of the bhavas of the characters in a poem or drama is provided by the vibhavas and anubhavas.

Understanding things in poetry and drama in a universal or generalized way.

Thereby the corresponding dormant sthayibhavas of the sahrdaya are awakened.

The abhinaya and such other devices are useful in weaning the sahrdaya’s mind from distractions and of the vibhavas and the rest are useful in the awakening of the sahrdaya’s sthayibhavas.

The sahrdaya relishes the awakened sthayibhavas as Rasas.

The relish or enjoyment is a peculiar mental perception.

VI. Obstacles to the realisation of Rasa

The first obstacle recognised by Abhinavagupta is the absence of propriety or lack of reasonableness of things presented, or what can be called the want of realism.

If a spectator or a reader question the probability of the occurrence of events in the work of art then his concentration is disturbed and the awakening of sthayibhavas are interfered and realisation of Rasa is hindered.

Abhinavagupta suggests that a would-be poet should take theme from the established epics so that even when he depicts the extraordinary, the scenes are not doubted on the grounds of probability.

The second obstacle consists in understanding what goes on before the spectator and whether the bhavas suggested and revealed by the abhinaya or poetry is relating either to himself or to another or both.

In this case the realisation of the Rasa is interfered with. If the spectator refers what he sees to himself he becomes a party to transactions, but if he refers to others then he becomes indifferent.

This obstacle can be removed by use of devices which idealise things like costumes, music, or devices that Bharata calls Natyadharmi.

Another obstacle that Abhinavagupta talks about is that of the presence of private grief or joy which he calls Hridaysgranthi. These private emotions will not allow the spectator or reader to concentrate on the work of art, thereby hindering the realisation of Rasa.

The mind needs to be cleared and that can be affected by music and other theatrical arrangements.

The fourth obstacle is the absence of adequate means for a clear and immediate realisation of the bhavas by the spectator.

The fifth obstacle is the lack of clearness of perception. The only way in which the fourth and the fifth obstacles can be dealt with is immediate realisation of bhava through visualising things like actions, gesticulations.

Abhinavagupta then lays stress on the proper adjustment of emphasis by poets and dramatists. Let the poet or the dramatist not mistake the means for the end.

He should realise that the awakening of the spectator’s native mental impressions is the end of his endeavours and that his causes (vaibhavas) and circumstances (anubhavas and vyabhicaribhavas) are the means he employs to that end.

Their function begins and ends with suggesting of the sthayibhavas; by themselves they are nothing. Realising that let him not bring what are mere means into prominence and keep the end the sthayibhavas in the background.

If he did, his work would suffer from the defect of Apradhanta and his spectators will not be able to enjoy Rasa.

Lastly, the poet or the dramatist should not mislead the reader or the spectator. He should let his readers know what is the emotion that a (suggested) anubhava, (presented) vibhava or a (suggested) vyabhicaribhava is supposed to evoke in his mind."

- saswati saha

https://ebooks.inflibnet.ac.in/engp11/chapter/abhinavagupta-abhinavabharati/

[devimayi]

Here's Kanha saying all will be well 🌸💫💖

thank you sakhi 🥺🥰❤️

i hope ki yeh situation khatam hogaye 😭

krodh ko vash mein rakhna itna khatin hai, hum kya bole 🙃

[hindikala]

Krodh Atyant Kathin Hota Hai ~ #Premchand 🧡

quotestoliveby #quoteoftheday #quotesaboutlife #quotesdaily

[adityamovies]

Mera Krodh Hindi Dubbed Full Movie | Naveenraj Sankarapu | Shashi Kanth | Sravya | Aditya Movies

Follow and Enjoy The Latest Hind Dubbed Movie "Mera Krodh", Starring Naveenraj Sankarapu, Shashi Kanth, Sravya, Sruthi Exclusively on Aditya Movies.

 #merakrodh #naveenrajsankarapu #shashikanth #sravya #hindimovie #southmovie #newhindidubbedmovies #newhindimovies #hindimovies #hindimovies #hindidubbedmovies #hindilatestmovies #adityamovies 

Credits :-

Movie Name : Mera Krodh

Banner : M/S. Sri Sri Sri Bhavani Shankara Production

Producer : Bondili Sanjay Kumar

Director : Bharath Kumar. P Narendra

Music : MM KumarLyrics : Kaatuka Laxman

Singer : Swarag

Starring : Naveenraj Sankarapu, Shashi Kanth, Sravya, Sruthi & Others

Music Label : Aditya Music

[akash1618]

10 jun. tuesday

morning. i feel i would be out of my social battery and feel empty just in the mid.

a 312. slept. idk when the airport came, and when came vakola. but just at vakola, i woke up. there was some commotion caused by people because the bus driver didn't halt the bus for enough time to let people in. yea sure. well deserved actually. drivers are always in a hurry to complete their rounds.

the bus though, the conductor asked everyone to get down because the bus had stopped working. this would have been some fifth or sixth time for myself. i was already planning on how to find an auto to reach office, but people were furious and asked the driver to continue. well, he did. and i did reach office without a hassle.

coworker asked me if i would like to have coffee at around 10:20. yo? i have at around 11, but i agreed anyway because he rarely asks these days.

lunch. i saw miss a lot later. almost a little before i was leaving. i really thought she was absent today. i asked sunny if he would play foosball. i wanted to because miss was there. but then, he was stuck with work. i left as well.

do i see less of miss? like, hey, only at lunch? idk. i haven't been able to go much at the common area. miss feels now... lost? more busy with work? take care miss.

evening. sunny was ordering smth online and asked me if I'd like to eat as well. i didn't want to, but he convinced me a lot to try pesto paneer. well. here i was having a pesto paneer in canteen.

got a lassi from the vending machine. i think the machine has been fixed finally.

haha. gpt was down and wouldn't respond. people looked a fair bit troubled. glad i wasn't doing any copy-related work.

looped lovely summer chan's "anata ha tabaco watashi ha syabon." i like the tune.

saw a 181 scheduled in 8 minutes, so packed and hurried to the bus stop. got it just at the nick of time.

there's a mahakali mandir at vakola. i get to see it from the bus. it's actually a trust, but gives off the vibes of a temple. it doesn't have a kalash on top proly. makes me wonder if it's alright to pray to a big murti situated in a "mandir" without kalash. i have seen pooja being performed. also they do perform aarti. ofc god's everywhere. but then, this thought. it seems more like a cult sometimes.

surprisingly, i didn't feel empty in the day. i was worried in the morning.

the moon looks beautiful tonight. i wonder if miss sees it as well. i hope she sees it. it's that beautiful.

left two 333. got a third empty one. home just at around 9.

krodh was being played at home. another film with miss's name.

good night.

[kaur-13]

" Sikh by birth, Proud by Choice "

Being born into a Sikh family is a privilege..

Deciding to stay on the path of Sikhi is a choice !

Being a Sikh we are Proud of the fact that what Our Guru Sahiban have given to World is unparalleled through ages - past, present and future.

And we are a part of the World for which they preached, practiced, sacrificed and saved.

We acknowledge them, love them, post about them, try to preach and also practice the message they gave ..

We are proud of them !

But at the same time we are too proud of ourselves..

Like we have won a lottery being born into Sikhi !

Well we have won a lottery, no doubt...

A lottery that is explicit, not extinguishable and infinite .. the Gurbani, our Guru .. Kind, compassionate, for all humanity to save humanity 💗

But are we able to utilise this lottery for our benefit, are we able to live by Guru's word, are we making our surroundings better by the Gift we have ?

Or are we just reading our path, just showing off our legacy, just demeaning each other ?

Just reading is important but understanding and implementing, as you go on is also needed..

The five evils - Kaam, Krodh, Lobh, Moh, Ahankar .. are evil because they take you away from the real essence of love, bhagti and spiritual courage, bravery of a Saint.

Love for the Waheguru and Guru first, the family next, World later.. ( For Guru everyone is equal, entire humanity belongs to him... But we as humans can save someone else only when we ourselves are safe, by Guru's Grace )

Sikhs have gone through alot .. and we survived .. we will continue to ..

Any internal or external force cannot break us because the shakti and bhagti is in our legacy !

We'll survive ..

But to thrive we need each other .. we need Sikhi by choice ..

We need understanding, we need support, we need love from the Guru and the Sangat he gave us...

Being a Sikh by birth gives the child instant Sangat... But it's up to the Sangat to guide the child on the right path, the path of Sikhi, Seva, Simran and connect him to Gurbani and Guru Da Bana ..

Let's not just be, Sikh by Birth and Proud by Choice ..

Let's be Sikhs by Choice and make our Guru Proud of Us 🙏

Ultimately the fate of the child, panth and world is in the hands of Akaal Purakh...

We can just try to be true to our faith and pray 🙏❤️

[boy9588]

Krishan Ka Krodh

Lord Krishna is often seen as the god of love, wisdom, and peace. But there are rare, powerful moments when his calm turns into righteous fury — and that is Krishan ka Krodh.

Unlike human anger, Krishna’s anger isn’t emotional — it’s divine. It rises only when injustice crosses all limits. In the Mahabharata, we see this when Krishna lifts a chariot wheel to protect Arjuna, breaking his own vow. His eyes burn with fury, not for revenge, but for dharma — to protect righteousness.

Another example is the killing of Shishupala. Krishna forgave him 100 times. But when he went too far, Krishna used his Sudarshan Chakra to end him — a lesson that patience should not be mistaken for weakness.

[sikhizm]

ਗੁਣ ਗਾਵਹੁ ਪੂਰਨ ਅਬਿਨਾਸੀ ਕਾਮ ਕ੍ਰੋਧ ਬਿਖੁ ਜਾਰੇ

Gun Gavoh Puran Abinasi, Kaam Krodh Bikh Jaare; English Translation Sorath Mahala- 5th ( Gun Gavoh Puran Abinasi ) I have cast away (burnt) all the poisonous vices like sexual desires and anger by singing the praises of the perfect and ever-existent Lord. We have been enabled to cross this arduous ocean of life successfully in the company of the holy saints. (1) The perfect Guru has cast away all our doubts and dual-mindedness, including the darkness of ignorance. Now we have perceived the Lord (within us) very close by, reciting the Lord's True Name with love and devotion. (Pause) We have satiated in body and mind by partaking in the wealth of True Name. Now we are perceiving the Lord pervading everywhere so there is no need to wander around here and there (in His search). (2) The person, who is imbued with the love of the Lord (in his heart engages himself in worship, penance, and disciplined life of meditation due to the light of the knowledge gained. The Guru-minded person who has attained the jewel of the nectar of True Name, has been rewarded with success for all efforts. (3) Such a person gets rid of all his ills, sufferings, and sins including the bondage of Yama (god of death), with the help of True Name. O, Nanak! With the Grace of the Lord, I am thrilled in my body and spirit, enjoying eternal bliss. (4-12-23) Download Hukamnama PDF Download PDF Hindi Translation सोरठि महला ५ ॥ गुण गावहु ���ूरन अबिनासी काम क्रोध बिख जारे ॥ महा बिखम अगन को सागर साधू संग उधारे ॥१॥ पूरै गुर मेटिओ भरम अंधेरा ॥ भज प्रेम भगत प्रभ नेरा ॥ रहाउ ॥ हरि हरि नाम निधान रस पीआ मन तन रहे अघाई ॥ जत कत पूर रहिओ परमेसर कत आवै कत जाई ॥२॥ जप तप संजम ज्ञान तत बेता जिस मन वसै गोपाला ॥ नाम रतन जिन गुरमुख पाया ता की पूरन घाला ॥३॥ कल कलेस मिटे दुख सगले काटी जम की फासा ॥ कहु नानक प्रभ किरपा धारी मन तन भए बिगासा ॥४॥१२॥२३॥ ( Gun Gavoh Puran Abinasi ) सोरठि महला ५ ॥ पूर्ण अविनाशी परमात्मा का गुणगान करो जिसके फलस्वरूप कामवासना एवं क्रोध का विष जल जाता है। यह सृष्टिं महाभयंकर अग्नि का सागर है और साधुओं की संगति करने से ही इससे उद्धार होता है।॥ १॥ पूर्ण गुरु ने भ्रम का अन्धकार नष्ट कर दिया है। प्रेमपूर्वक भक्ति करते हुए प्रभु का भजन करो चूंकि वह हमेशा ही निकट रहता है॥ रहाउ॥ हरि-नाम-भण्डार में से नामामृत का पान करने से मनं एवं तन तृप्त रहते हैं। परमेश्वर सर्वत्र ही परिपूर्ण हो रहा है। वह न किधर जाता है और न ही कहीं से ��ता है॥ २॥ जिसके मन में भगवान का निवास है, उसे ही पूजा, तपस्या, संयम का ज्ञान है और वही तत्वव��ता है। जिसे गुरु के सान्निध्य में नाम-रत्न की उपलब्धि हो गई है, उसकी साधना सफल है॥ ३॥ उसके समस्त कलह-क्लेश एवं दुख-दर्द नाश हो गए हैं और उसकी मृत्यु की फाँसी भी कट गई है। हे नानक ! प्रभु ने उस पर अपनी कृपा की है, जिससे उसका मन-तन विकसित हो गया है॥ ४॥ १२ ॥ २३ ॥ Punjabi Translation ਅਰਥ: ( Gun Gavahu Pooran Abinasi ) (ਹੇ ਭਾਈ! ਪੂਰੇ ਗੁਰੂ ਦੀ ਸਰਨ ਪਉ। ਜੇਹੜਾ ਮਨੁੱਖ ਪੂਰੇ ਗੁਰੂ ਦੀ ਸਰਨ ਪਿਆ) ਪੂਰੇ ਗੁਰੂ ਨੇ (ਉਸ ਦਾ) ਭਰਮ ਮਿਟਾ ਦਿੱਤਾ. (ਉਸ ਦਾ ਮਾਇਆ ਦੇ ਮੋਹ ਦਾ) ਹਨੇਰਾ ਦੂਰ ਕਰ ਦਿੱਤਾ। (ਹੇ ਭਾਈ! ਤੂੰ ਭੀ ਗੁਰੂ ਦੀ ਸਰਨ ਪੈ ਕੇ) ਪ੍ਰੇਮ-ਭਰੀ ਭਗਤੀ ਨਾਲ ਪ੍ਰਭੂ ਦਾ ਭਜਨ ਕਰਿਆ ਕਰ, (ਤੈਨੂੰ) ਪ੍ਰਭੂ ਅੰਗ-ਸੰਗ (ਦਿੱਸ ਪਏਗਾ) ।ਰਹਾਉ। (ਹੇ ਭਾਈ! ਪੂਰੇ ਗੁਰੂ ਦੀ ਸਰਨ ਪੈ ਕੇ) ਸਰਬ-ਵਿਆਪਕ ਨਾਸ-ਰਹਿਤ ਪ੍ਰਭੂ ਦੇ ਗੁਣ ਗਾਇਆ ਕਰ। (ਜੇਹੜਾ ਮਨੁੱਖ ਇਹ ਉੱਦਮ ਕਰਦਾ ਹੈ ਗੁਰੂ ਉਸ ਦੇ ਅੰਦਰੋਂ ਆਤਮਕ ਮੌਤ ਲਿਆਉਣ ਵਾਲੇ) ਕਾਮ ਕ੍ਰੋਧ (ਆਦਿਕ ਦੀ) ਜ਼ਹਰ ਸਾੜ ਦੇਂਦਾ ਹੈ। (ਇਹ ਜਗਤ ਵਿਕਾਰਾਂ ਦੀ) ਅੱਗ ਦਾ ਸਮੁੰਦਰ (ਹੈ, ਇਸ ਵਿਚੋਂ ਪਾਰ ਲੰਘਣਾ) ਬਹੁਤ ਕਠਨ ਹੈ (ਸਿਫ਼ਤਿ-ਸਾਲਾਹ ਦੇ ਗੀਤ ਗਾਣ ਵਾਲੇ ਮਨੁੱਖ ਨੂੰ ਗੁਰੂ) ਸਾਧ ਸੰਗਤਿ ਵਿਚ (ਰੱਖ ਕੇ, ਇਸ ਸਮੁੰਦਰ ਵਿਚੋਂ) ਪਾਰ ਲੰਘਾ ਦੇਂਦਾ ਹੈ।੧। ਹੇ ਭਾਈ! ਪਰਮਾਤਮਾ ਦਾ ਨਾਮ (ਸਾਰੇ ਰਸਾਂ ਦਾ ਖ਼ਜ਼ਾਨਾ ਹੈ, ਜੇਹੜਾ ਮਨੁੱਖ ਗੁਰੂ ਦੀ ਸਰਨ ਪੈ ਕੇ ਇਸ) ਖ਼ਜ਼ਾਨੇ ਦਾ ਰਸ ਪੀਂਦਾ ਹੈ, ਉਸ ਦਾ ਮਨ ਉਸ ਦਾ ਤਨ (ਮਾਇਆ ਦੇ ਰਸਾਂ ਵਲੋਂ) ਰੱਜ ਜਾਂਦੇ ਹਨ। ਉਸ ਨੂੰ ਹਰ ਥਾਂ ਪਰਮਾਤਮਾ ਵਿਆਪਕ ਦਿੱਸ ਪੈਂਦਾ ਹੈ। ਉਹ ਮਨੁੱਖ ਫਿਰ ਨਾਹ ਜੰਮਦਾ ਹੈ ਨਾਹ ਮਰਦਾ ਹੈ।੨। ਨਾਮ ਰਤਨ ਹੇ ਭਾਈ! ਜਿਸ ਮਨੁੱਖ ਨੇ ਗੁਰੂ ਦੀ ਸਰਨ ਪੈ ਕੇ ਨਾਮ ਰਤਨ ਲੱਭ ਲਿਆ, ਉਸ ਦੀ (ਆਤਮਕ ਜੀਵਨ ਵਾਲੀ) ਮੇਹਨਤ ਕਾਮਯਾਬ ਹੋ ਗਈ। (ਗੁਰੂ ਦੀ ਰਾਹੀਂ) ਜਿਸ ਮਨੁੱਖ ਦੇ ਮਨ ਵਿਚ ਸ੍ਰਿਸ਼ਟੀ ਦਾ ਪਾਲਣ-ਹਾਰ ਆ ਵੱਸਦਾ ਹੈ, ਉਹ ਮਨੁੱਖ ਅਸਲੀ ਜਪ ਤਪ ਸੰਜਮ ਦਾ ਭੇਤ ਸਮਝਣ ਵਾਲਾ ਹੋ ਜਾਂਦਾ ਹੈ ਉਹ ਮਨੁੱਖ ਆਤਮਕ ਜੀਵਨ ਦੀ ਸੂਝ ਦਾ ਗਿਆਤਾ ਹੋ ਜਾਂਦਾ ਹੈ।੩। ਹੇ ਨਾਨਕ! ਆਖ-ਜਿਸ ਮਨੁੱਖ ਉਤੇ ਪ੍ਰਭੂ ਨੇ ਮੇਹਰ ਕੀਤੀ (ਉਸ ਨੂੰ ਪ੍ਰਭੂ ਨੇ ਗੁਰੂ ਮਿਲਾ ਦਿੱਤਾ, ਤੇ) ਉਸ ਦਾ ਮਨ ਉਸ ਦਾ ਤਨ ਆਤਮਕ ਆਨੰਦ ਨਾਲ ਪ੍ਰਫੁਲਤ ਹੋ ਗਿਆ। ਉਸ ਮਨੁੱਖ ਦੀ ਜਮਾਂ ਵਾਲੀ ਫਾਹੀ ਕੱਟੀ ਗਈ (ਉਸ ਦੇ ਗਲੋਂ ਮਾਇਆ ਦੇ ਮੋਹ ਦੀ ਫਾਹੀ ਕੱਟੀ ਗਈ ਜੋ ਆਤਮਕ ਮੌਤ ਲਿਆ ਕੇ ਜਮਾਂ ਦੇ ਵੱਸ ਪਾਂਦੀ ਹੈ) , ਉਸ ਦੇ ਸਾਰੇ ਦੁੱਖ ਕਲੇਸ਼ ਕਸ਼ਟ ਦੂਰ ਹੋ ਗਏ।੪।੧੨।੨੩। Read the full article