#labours of heracles

[greekmythcomix]

Today’s a Heracles teaching day, so of course it’s when I don my very own Nemean Lion Skin and club to teach*

*run into the class wearing it and shouting ‘RAHHH!’

[thegrimmlibrarian]

Thank you Netgalley and DAW Books for the ARC!

[arianwen44]

Day 27 - Hydra - the more you kill, the more come back. 🐍 🗡️

[gingermintpepper]

In light of my recent Asclepius and Apollo musings, I feel like it's the perfect time to post this, actually.

How do you build a human being? 

Bold question. Foolish question. But a question it is all the same. 

The memory of his father’s consternated expression is still bright behind his eyes, that unusually furrowed brow, the tension in his gentle jaw. He didn’t falter in his setting of Asclepius’ broken shin, hands perpetually steady and sure, but he hesitated for a conspicuously long moment as though reluctant to give an answer. In this body, he resembled Orpheus something fierce. The same flaxen curls of his hair, the same delicate eyelashes that stand stark against the dark brown of his skin. Often Asclepius wondered if his elder brother was nothing but a body built to suit their father’s preferences. The subtle wrinkle of skin around their eyes when they smiled was the same, and the steadiness of their hands, the soothing power of their presence. 

And Orpheus did not bleed like Asclepius did. The blood in Asclepius’ veins were as red as any human’s, any mortal’s, but Orpheus seemed not to bleed at all. Even when he’d suffered the same fall down the crumbling cliff as Asclepius had. Even when his skirts had ripped and jagged stone sliced into his shanks. 

Even so, Orpheus was unmistakably alive. His eyes were rich with grief fresher than any blood spilt from the worst of Asclepius’ wounds, his counsel too, was tempered with the wisdom of a life well lived. So even at the apex of his most perfect, inhuman beauty, Asclepius never once doubted that his brother was a human being. Just that he was more divine construct than flesh and blood. Just that their father had built for himself a son that would not break as easily as all the others. 

His father stayed silent for so long that Asclepius assumed it would be one of the million questions that would go unanswered. Then, just when the last of his bandages had been wrapped - 

“A human body is easy to build,” he’d had that faraway look on his face as he spoke, like he was speaking to the horizon. Or a version of Asclepius that was not quite here. Such things happened from time to time. “Any flesh would do. From men, or animals, or even monsters. Any flesh would do.” Their gazes had locked then, and Asclepius would never forget the flecks of gold which swirled in his father’s blue eyes, the weight of divine words rattling at the boundaries of their mortal apparatus, “But the breath of life, a living soul? That is beyond your means as a mortal man. You ought never seek it.” 

(Asclepius would remember these words when he revives a man for the first time at the age of nineteen. He’s surprised to find that his father is wrong for once. Souls are easy to source when they’re already eager to return to their mound of flesh.) 

[illustratus]

Diomedes King of Thrace Killed by Hercules and Devoured by his own Horses

by Jean-Baptiste Marie Pierre

[itsnotsafetofallasleep]

Meet at my new FELT BOOK!

"Creatures of Ancient Greece"

[dreamconsumer]

Heracles bringing Cerberus to King Eurystheus. Unknown artist.

[cringengl]

Me watching Disney's Hercules not so subtly refraining from telling you EVERYTHING that's historically inaccurate with the film

[greekmythcomix]

The Twelve Labours of Heracles 💪

I made these for class, to revise the Labours along with the metopes of Heracles from the Temple of Zeus at Olympia! https://www.carc.ox.ac.uk/carc/resources/Sculpture/context/OlympiaMetopes

All my GCSE classes for Heracles and Hercules are here (from UK Lockdown 1): https://www.youtube.com/playlist?list=PLN36Hwtm4-c0bqo8hPCLeIMBmkUC5Jb4l

[rgraves1]

Hercules Fighting The Nemean Lion by Peter Paul Rubens (c1770)

The First Labour: The Nemean Lion

THE first Labour which Eurystheus imposed on Heracles, when he came to reside in Tiryns, was to kill and flay the Nemean, or Cleonaean lion, an enormous beast with a pelt proof against iron, bronze or stone. (The First Labour: The Nemean Lion, The Greek Myths by Robert Graves, pp 465-469).

The lion terrorised the territory of Nemea and when Heracles arrived to track the creature down, no one was left alive to help him find it. He eventually located the lion himself, splattered with blood from the day’s slaughter, heading for its lair in Mount Tretus. Heracles immediately shot several arrows at the beast with his mighty bow, only for the shafts to bounce harmlessly off the creature’s hide. Heracles then attacked the lion with his sword, which bent uselessly as he tried to stab it. Heracles then struck the animal a colossal blow on the head with his ferocious club. The lion looked nonplussed and retreated to its cave with ringing ears but was otherwise unharmed. Realising the lion was invulnerable to all his weapons, Heracles followed the beast into its cave and wrestled with it until, using his extraordinary strength, he was able to throttle the lion to death. Heracles delivered the carcass to the astounded Eurystheus and got round the problem of how to skin the beast by flaying it with its own claws. He then fashioned its pelt into a tunic and wore its head and jaws as a terrifying head dress. Thus Heracles’ warrior appearance was born.

Graves suggests Heracles’ combat with the Nemean Lion was a mythological memory of when Sacred Kings would undertake ritual battles with animals representing each of the seasons of the year.

[marvel-and-dc-geek]

The Labours of Alcides

The Nemean Lion

Gods could, of course, hear the prayers of mortals, and knew which beasts and ailments tormented them.That made it quite easy to choose the tasks.

After Alcides left his home, the chief hindu god, Shiva, left him as task that he didn’t expect the boy to complete: he was to murder a monstrous lion, grandchild of Typhon himself, and bring its skin back. The lion lives in Nemea, a region close to the Argolide.

The creature was so evil that it wouldn’t kill humans and cattle just for food: as if it has learned from humans themselves, the beats seemed to do so just for fun.

Many villagers tried to beg him not to go, even showing Alcides the shield of the last man who tried to slay it, which had been cut in half by a single blow with its paws. He didn’t even need to ask what had happened to the poor man, but he still wouldn’t back down.

He asked them to give him thirty days to come back, and if he didn’t, they could assume he was dead. None of the villagers expected to see him alive again, so, in desperation, they made plans to sacrifice a child to the gods to get rid of the beast.

It took weeks to find the creature’s track, until one day…

“Hurry up kid! We don’t have all day!” A white crow complained

“Shh, solo debemos vigilar !” The black crow complained

“I’m sorry if this has taken too long, but I need to see where the lion is. “ the redhead youth apologized.

Many gods didn’t believe that his strength was at such level. Sure, he had drank the ambrosia, but did that guarantee he could live through all the tasks? So, a one-eyed god had send the duo to observe the tasks, and send the word in case the boy ended up being the cat’s latest meal.

As to be fair, some gods of the pantheon he was supposed to join had given him some weapons that, while powerful, would be useless if he didn’t have the ability or the strength to use them properly. The one he expected to be most useful for that particular task had been a gift from Apollo himself: a beautiful golden bow, which carried equally beautiful arrows.

Tracking a creature was never easy, but there was a method that never failed; searching for a source of water. Every animal, from the smallest mouse to the biggest bear, needed to drink in order to live.

“Shh…” he told the crows as they got closer. It would be better not to startle it and kill the animal with the least amount of pain as possible.

He drew back the bow to set his target and shoot him straight to the heart, which should have given it a quick and painless death. Should’ve have, as the creature kept drinking as if nothing had happened.

“Ha, you missed !” The white crow laughed

“The human is going to fail!” The black crow laughed.

He observed, quite perplexed, that the arrow was simply on the ground. Maybe if he aimed for a leg, he would just need to get close and give it the killing blow.

So he targeted a leg, and he was sure he hit it, but instead of sticking, the arrow simply bounced. The lion stopped drinking and decided to take a nap. The young man took the chance to sneak close to it.

The god Hermes had given him a fine sword. Maybe he didn’t use the right amount of strength for the arrows, as, being a gift from Apollo himself, there was no way they could’ve just failed like that.

The beast didn’t wake up, so young Alcides tried to cut its head off, but all that came off was his blade. The lion woke up, not because of the hit, but because of the noise the metal made as it hit the ground it roared angrily and tried to scratch the hero with his claws, but the redhead stomped another one of his paws. The lion felt something new: pain.

“How did that hurt him?” Asked the white crow

“Not even the gods’ gifts harmed him!” The black crow commented.

The beast managed to get free and run back to his hideout, but that allowed the young man to think of a way to slay it.

Luckily, this time it was easier to track it down, as it had been close to the water and so his paws were covered in mud. So, he found the lion’s cave.

He couldn’t let it get away again: that would only make it be more fearful and careful, which would make him harder to find. Not to mention that the creature would keep killing innocents. Alcides checked the place as well as he could on the outside and found it had two entrances: he covered the one in the back with a huge rock to make sure the beast couldn’t get out. Going up front against an animal that couldn’t escape was usually a terrible idea, but in that case, it would be for the best.

Now, his strength could harm the lion, but his weapons couldn’t: he wouldn’t need a new one. After breaking a tree in half, Alcides used the remains of the sword to carve himself a clover. It was simple, yet effective.

“Not even the weapons the gods gave you worked, why would that thing work?” One of the crows laughed at him

“Oh it also won’t be an exact fit for the job, but it’s all part of the plan” answered young Alcides as he went into the cave. The crows decided to stay in a nearby tree to observe.

The lion was still scared about the fate of his poor little paw, so when he saw the hero peaking into his cave, he tried to run away, but the exit was blocked. Seeing that wasn’t possible, the lion roared and tried to leap against him, which gave the hero the chance to hit him as hard as possible on the head with the club.

That wasn’t enough to break his school and much less for killing him, but it left the lion stunned. It was so confused that the beast couldn’t even react when Alcides used the lion’s own strategy against him and jumped to grab the cat, putting his arms around his throat.

That was a rather cruel form to go, and much slower than the hero would’ve liked to used in order to slay the creature, but it was the only option he had. The lion squirmed and tried to free itself, making the hero squeeze his neck more and more until the lion breathed for one last time.

Hearing no more noise, the crows went to investigate and the saw dead lion on the Greek youth’s arms.

“You made it?” The white and black crow asked.

“Yes…” now he just had to take the body and leave, but the crows didn’t let him go through.

“Only the skin!” Said the white crow

“You will have to peel it off!” Said the black one, but that was pretty much impossible, seeing nothing could pierce jt.

So, wanting to test a theory he thought about, Alcides grabbed the cat’s paws: if his paws could pierce through a shield, maybe it would pierce its skin.

It worked: the skin bleed, and after a while, he had the lion’s intact skin. He grabbed it and started his journey to present the god’s his first accomplished mission.

It was just the thirty day after he had left the village: the people were about to sacrifice a young boy to the gods, so they would send help, but they saw the youth who they believed death return, and, even more astonishingly, with the lion’s skin. They immediately let the boy go and killed some cows instead.

“For our hero, Alcides!” They threw a feast in his honor, which he couldn’t refuse and so stayed with them for the rest of the night.

The crows stayed far away, as they shouldn’t draw any attention. The feast lasted until the next morning, and the hero came back with a piece of meat for both birds.

“What is that?” Asked the white crow

“Are you taking provisions?” Asked the black crow.

“They are for you: you kept me company during the whole hunting and it would be unfair if you went hungry “ Alcides had even made sure to ask for two raw pieces, as that type of bird preferred.

The people of Nemea wrote and told the story of the hero, just as it had happened. Of course they changed a detail, which was a lie that everyone, even a certain kid, accepted: the boy had offered to sacrifice himself of the hero didn’t return, in order to save his people.

[gingermintpepper]

I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)

SO do you have any favorites among the paintings that represent this story??

OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS

I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).

Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀

Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.

(Photo. Marie-Lan Ngyuen)

(Photo. Museo Claudio Faina)

Also the one in the Theoi.com archives is a real classic - perfect energy.

[matt-murdockk]

Atonement

pairing: spencer reid x fem!reader words: 4.2k summary: Spencer battles his addiction and self-loathing, only to find the possibility of redemption in the unwavering care of someone who refuses to leave. warnings: oh boy, ok so we've got a LOT OF ANGST!!!, Spencer's addiction (!!!), suicidal thoughts, a lot of self-loathing, Spencer is spiralling (rip), mildly descriptive withdrawal process, possibly incorrect etymology facts, a dead fish, the self-loathing really is heavy on this one, I'm serious. a/n: i am holding your hand, i scared myself with this one, BUT the ending is pretty optimistic so it's not all pain :')

Heracles atoned. His crimes were a result of madness— divine madness, not his own. It can be argued that they weren’t even his actions at all. And still, he atoned.

The Oracle of Delphi instructed him to give twelve years of service to the king of Mycenae, and even though Heracles believed Eurystheus to be beneath him in stature, he accepted the 12 labours. Heracles completed the 12 momentous tasks as atonement for the crime of killing Megara and their children, even though it was Hera's vengeance that drove him mad and tricked him into committing the crime in the first place.

If Heracles sought redemption for something that wasn’t truly his fault in the first place, what about the rest of us? What about atonement for crimes not born of divine madness, but of choice? What about the consequences that stem not from insanity inflicted by gods, but from choices made— cold, human, and deliberate? Is that something one can atone for?

Apophenia. A common human tendency to see patterns where there are none. It makes you believe in coincidences. It’s why people find meaning in lottery numbers, in shuffled tarot cards, in the sequence of a roulette wheel. It's what makes Spencer draw parallels between himself and perhaps the mightiest of Greek heroes, only he doesn't see them as equals, but one as a sorry excuse, an imitation, a failed attempt at living up to the other. He sees one as a myth, and the other as a mockery. A hollow echo. A failure.

I feel like a kid again. That's a nice thing, right? Feeling like a kid? Innocent. Loved. Nurtured. Pure. Scared. Wait, scared? Scared. Alone. Vulnerable. Guilty. Crying to sleep every night. Curled up into a ball on the playground, busted eyebrow and broken glasses with stains of blood and dried-up tears. I gotta tell Mom I need new glasses. Again.

Oh. He feels like a kid again.

Do they know? They might know. They must know. They know. He pretends they don't. They pretend they don't. Everybody knows. Was it kindness that kept them quiet? Decency? Look the other way so he wouldn't be ashamed? Not exactly helping, then. Or was it so they could have deniability? We had no idea. Spencer Reid? Our Spencer? They gasp. He wouldn't.

They've definitely noticed. That much he knows. All eyes are on him when he's in a room. Not in the usual Spencer is being his brilliant self again way. In a Spencer is a disgrace to himself, look at his pathetic face way, except no one would look him in the face anymore. Like if they looked at him, it would be painfully obvious in their faces what they really thought of him. Like there was no way to look at him the way you would look at a normal person.

Every day, he comes in to work screaming: Look at me. Do you see me? Do you see what I'm doing to myself? Do you see it? Do you see me? Look at me. Don't look at me. Stop looking at me. Stop. Don't look at me. Please. Stop. Stop. No. Stop. STOP. "Morning," is all they hear.

You look at him. Oh no. Not you. Please. You're... not disgusted? You're not looking at him as if one would an insect. Huh.

Great. You are so pathetic, you're pretending people like you. Do you realize how pathetic that is? Do you realize how pathetic you are, Spencer? You're so deep in delusion that you think someone cares. No one cares. Nobody cares.

His thoughts are loud today. Louder than usual. Not ideal. You're still looking. You're crying. You're crying?

Amazing job! You've made the one person who probably cares about you cry just by existing. Hey, do you know what you should do? Do you know what you should do, Spencer? Kill y—

"Hey, are you okay?" It's his own voice. An act of rebellion against himself. A lifeline.

"Spencer, are you?" you ask, sniffling. That's the first time someone has stopped to ask him that question. He didn't know what to say.

At the depth of my delirium, I think of you. I think we're in love. I think of being in your arms. I think of you holding my hand and telling me you love me. I think of you telling me I'll be fine. I think of you telling me I'll be okay. I'm not fine. I'm not okay. I need you. I'm sorry. Tell me you love me. I'm sorry.

He just stares. You look at him just a second longer than he wants you to, give his hand a little squeeze, and then you're gone.

See? She's gone. You know why she's gone? You know why she didn't stay, Spencer? Wait, actually, think of a reason why someone would stay. Go on, try. That'll be much harder, yeah. Pathetic.

Mirrors don't work anymore. Whenever he looked in one, he used to see himself. He just sees a silhouette now. A hollow void that only moves seconds after he does. Somebody he knows but cannot quite recognize.

You see that? Even your fucking reflection thinks you're pathetic.

They're mocking him. They are taunting him. They don't even have the decency to look back at him. Pretty shitty for a mirror, he thinks.

Hey. Idiot. Yeah, you. What are you looking at? You're feeling sorry for yourself? You're sorry, buddy? You're guilty? You wanna go back? Back to mommy? Back to before all this? Back to how it used to be? Back to... what, exactly? Back to being brilliant and broken and hiding it better? Back to when you still had the energy to fake being whole? Weak.

Spencer doesn't remember what home feels like. It used to be Vegas until he had to leave. It used to his job until he had to hide. It used to be his apartment until he couldn't trust himself to be alone anymore. Sometimes when you look at him, talk to him, touch him, he thinks this could be home. But it's never enough. The more of you he had, the more of you he wanted.

Boy, you never stood a chance, did you?

The first time, he promised himself it would be just this once. It's wrong, yes, but it's for recovery. It's just this once. He can stop whenever he wants to.

Second time, the last time. It's not like he can't stop if he wants to. He's in control. It's fine.

Third, the final time, for sure. It's only for a while. It's not permanent.

He can stop whenever he wants to. He can stop whenever he wants. He doesn't want to stop. He can't stop. The more he had, the more he wanted.

The pull, the calling, the addiction, it's far too evil. It's a siren. It's a mimic. It fools you into thinking it's taking you somewhere beautiful. Some place you need to get to. And every time, it promises you that you're getting closer. That you'll get there soon enough. Just a few more steps. Just a couple more times. Just another leap. But all it does is lie to you and make you feel like you're close. Like you're getting there. Like you will be home in no time. When in reality, you've regressed. You're worse off than you were when you started. Only then do you notice you're all alone.

What a wonderous, massive, cosmic joke. Doctor Spencer Reid. Child Prodigy. Genius. Criminal Profiler. Special Agent with the FBI. Drug Addict. Liar. A threat to himself and the people around him.

The walls are too close tonight.

Everything is itchy. His clothes. His skin. The thoughts under his skin. The thrum in his veins that won’t quiet down.

You don't know who you are when you're not in pain. That's why you keep coming back, Spencer. Not for the high. For the silence. The certainty. God, what a burden it must be. Having to pretend they're not afraid of you. Like they don't flinch whenever you open your mouth.

"Shut up. Just shut up," he yells to his empty apartment.

He rubs his face hard enough to leave marks. Paces the length of the living room five times. Seven. Twelve. He forgets what number he’s on.

He wonders, not for the first time, if this is the moment he finally fractures beyond repair. If this is where the brilliant, broken, bullet-dodging Spencer Reid finally snaps and nobody notices. Maybe they already did notice. Maybe they’re just waiting to see if he self-destructs before they have to say something.

This is pathetic. You are pathetic.

He sits. Then stands. Then sits again. The couch is too soft. The floor is too cold. The apartment smells like nothing and everything. Bleach. Dust. Failure.

You don’t even get to be tragic. You’re just exhausting.

His hands are shaking again. Not just the twitchy, ignorable kind— full tremors, rattling like change in his pockets. He tries to hold them still. Fails.

You’re not going to get better.

He closes his eyes.

You're alone, Spencer.

He opens them.

Nobody's coming for you.

No one cares.

You are all alo—

Three knocks. Someone's here. You're here. You're here? What are you doing here?

"What are you doing here?"

"Hello to you, too, Spencer. Care to let me in?"

~

You're leaning against his counter. He's stood on the other side, facing you, but not quite meeting your eyes.

Can't even look her in the face. Loser.

"Spencer?" He responds with a hum that sounds like it is meant for him as much as it is meant for you.

"I've been here for fifteen minutes and you haven't said a word."

"Right. Ah, there you go. That's a word. That good enough for you?"

That's right. Push her away. Antagonize her. Make her hate you. That'll show her for caring about you.

"Spencer, don't be like that, come on."

"Don't be like what? Like a junkie? Like an addict? Is that what you mean? Jesus, you can't even say it." I am not trying to push you away. I cannot help it. I am so sorry. Please still like me.

"I meant, don't be distant with me. I meant, don't be a jerk, you jerk," you say, your voice more reprimanding than angry. That shuts him up.

"Spencer, I am not going to walk around eggshells with you. I don't want to. You have a problem. You need help. You know that. I cannot sit still at work, pretend everything's fine, nod my head and hope you'll be okay and forget everything when I go home. I cannot be like that."

Spencer looks at you like you're hanging stars in his sky. You continue.

"I am so sorry that it took me this long to figure it out and come help you. I had to be sure we're doing it right."

"Doing what right? What are you talking about?"

"Getting you sobered up. I don't really know much about it, and I didn't want to go somewhere that would leave a paper trail. You could lose your job. I did some research, pulled some strings, and well, I was able to get some supplies and over-the-counter meds and worst case scenario, if something does go wrong, which I'm really not counting on, I know some people who would be willing to help off the record."

He stares at you like you're some kind of hallucination. Some fever dream conjured by withdrawal and regret and too many sleepless nights. For him? Why would you do this?

“Why would you do this?” he says aloud, voice flat. Hollow. “What is wrong with you? You could get fired for this. Do you understand that?”

Please don’t stop. Please don’t take it back. Please don't leave me alone. Please don’t say this was a mistake.

You cross your arms, unfazed. “Yeah, I know. Thanks for the concern, by the way.” You look at him and see his face contort in confusion.

"Honey, no offence, I say this with lots of love in my heart," you put your hand over his and continue, "but you're a self sabotaging moron who thinks he doesn't deserve good things. You are very wrong, for the record, and I deeply care about you in spite of that."

Exactly. Why?

“Exactly. Why?” he says. The words are louder this time. Angrier. Desperate. “You don’t owe me anything. I’ve treated you like crap. I’ve lied to you. Pushed you away. I'm a mess. A tragic self-fulfilling prophecy. I’m not— I’m not someone you should still give a damn about.”

And there it is. That trembling, cracked little part of him. The kid who got beat up on playgrounds and cried about it alone. The man who thought he had to earn affection with perfection.

You take a breath. You move your hand, which was on top of his, to hold it now.

“I don’t need reasons or incentive to care about you, Spencer. You don't have to deserve or earn anything from me. Or anyone, for that matter. You are a good person. You deserve to have joy in life. You were not this self-loathing, withdrawn, quiet person, not when we first met. I love listening to you. I love when you get excited about something. I know you're still in there. You’re still my friend. A huge part of my life, whether you like it or not. I love you.”

I love you too. Oh god, I love you too.

"I miss you when you’re not around,” you continue. “And I’m done missing you even when you are. So pony up. We’re getting you sober.”

"Did you know that the word sober originates from Latin? Yeah, se meaning without, and ebrius meaning drunk. The word sobrius which is where sobriety is believed to have come from, literally means without wine."

"There he is."

~

"Alright, so it's nothing you don't already know, but I'm telling you anyway so you know the drill. It's going to be painful. You'll have cold fevers, nausea, you'll sweat a lot, your body will hurt, you may have episodes, and you will feel awful. And that's all before it gets to the hard part."

"You know, you don't have to do this. You don't need to— I don't—"

"Spencer, Spence, hey," you hold both his hands in yours and continue, "Look at me. It's okay. I know what I'm getting into. We can do this. I'm not going anywhere, okay?"

I hope I hold on long enough for you to see me when I'm not like this. When I'm okay. Like I used to be. Like I was when I first saw you. But God forbid, if I let go, I hope it's in your arms.

"Okay."

It comes in waves. The chills start first— sharp, stabbing needles running down his spine, crawling beneath his skin like he’s being flayed alive from the inside out. Then the nausea, rising like a tide, acidic and angry. His body betrays him over and over again. Sweat clings to him, drenching the sheets, pooling under his neck. Every movement feels like a punishment. Every breath feels borrowed.

And she’s still here. Still here. God.

He can’t look at her when it’s bad. When he’s shaking so hard his teeth chatter. When his limbs lock up and his sobs catch in his throat like barbed wire. He hates that she sees him like this. Hates that he can’t hide the worst parts of himself.

Why are you still here? Leave.

Every time he opens his eyes and finds her still at his side— cool rag in hand, whispering his name, smoothing the hair back from his forehead, holding his head up when he vomits— it shatters something in him. A tenderness he’s not strong enough to hold.

You shouldn’t have to see this. You don’t deserve to.

He tries to apologize. For the sweating. For the smell. For the vomiting. For the crying. For the memories he’ll never let himself say aloud. For existing like this in front of her.

“I’m sorry,” he murmurs, voice hoarse and cracking.

“You don’t have to be, you have nothing to be sorry for,” she says every time.

But he is. So, so sorry.

You could’ve loved a hundred better men. Men who would’ve taken care of you, who wouldn’t need saving, who would know how to say thank you instead of I’m sorry.

And still, she stays.

Maybe I’m being made new. Maybe this is what it means to be reborn, to be stripped down to nothing, to be known in every terrible inch, and still not be sent away.

He doesn't believe in God. Never really has. But if he did, if he ever were to believe in something divine, it would be this. Her. Here. Now. In all her human mess and radiant grace, holding the pieces of him steady like they're sacred.

If I make it out of this… If I make it to the other side… it’ll be because she walked with me through the fire and didn't once let go.

And if he doesn’t—

Let it be here. Let it be now. Let it be in her arms.

He shakes his head, eyes glassy and wild, muscles locking in protest. “I don’t think I can do this. I don’t— I can’t—”

His voice is barely human anymore. It's all pain and fear and shame twisted into syllables that sound like defeat.

You kneel beside him, one hand on his shoulder, the other brushing damp curls from his forehead. “Yes, you can. You’re doing great. You’re doing so good, Spencer. We’re almost there. You’re so close. You’re doing great.”

He wants to believe you. God, he wants to. But everything hurts. Everything burns. His bones feel like they’re breaking and reforming all at once. His mind is louder than ever, telling him he’s weak, that he’s wasting your time, that you’ll hate him after this.

But your voice cuts through the noise like light through smoke.

You’re still here.

You’re still here.

You’re still here.

When the worst of it passes, you're both tired. Him, more so than you, of course, but you're exhausted regardless. His world is still spinning, but not violently anymore. Just slow, dizzy loops. You're sitting beside him on the floor, hair messily tied back, sleeves rolled up, skin warm where it brushes his.

“Hey,” you say gently, pushing a water bottle toward him. “When was the last time you ate?”

He blinks. “I… don’t remember.”

You nod like that’s what you expected. “Okay. No worries. I’ll look around your kitchen, see what I can make work.”

God, you’re so… gentle. It’s devastating.

You're holding a knife in your hand, looking at his fridge, hoping to find some vegetables, fruits, anything. You don't. You absentmindedly hold the knife as you ransack his kitchen as politely as possible.

He watches you shuffle toward the cabinets. He should offer to help. He should stand. He should do something. But all he can do is sit there on the counter, hunched, wrapped in the too-big hoodie you made him change into, staring at the way you move around his space like it’s your own. Like you're allowed to be here.

And if you could just twist that knife into my heart, stab me lightly, yeah, that would be great.

You start opening drawers and cabinets and make a little sound of horror. “Spencer, honey. You live like a caveman. Where’s all the food? Have you been eating at all?”

He shrugs. Tries to play it off. “I’ve… had protein bars. Mostly.”

“Mmm.” The noncommittal hum you make isn’t exactly believing. But you don’t push. “That’s okay. We’ll do takeout tonight. Figure out the rest tomorrow.”

He nods, too tired to argue. Too in awe of you to try.

“Go relax, okay?” you say as you pick up your phone. “I’ll order something. Just rest until it gets here.”

You wait until he’s curled under a blanket on the couch— he didn’t want the bed— and that’s when you really look around.

It’s chaos. The kind that builds slowly, quietly, until it drowns a person.

Books are scattered everywhere. His meticulously labeled files are out of order. His fish tank light is flickering and dim. The automatic feeder has maybe a day’s worth of food left. And worst of all, one of the tiny fish is floating belly-up, pale and still.

You cover your mouth and breathe through your nose. He hadn’t noticed. He didn’t even see it. That’s what breaks your heart. You step into the hallway and call Garcia.

“Penelope. I need you to do me a favor. No questions asked. I’ll owe you forever.”

You hear the shift in her tone instantly. “Tell me what you need.”

“I’m sending you a picture. I need a fish. Exactly like the one in the photo. Same kind, same size. I need it tonight. As soon as you can.”

There’s a beat. “On it.”

By the time the takeout arrives, you’ve got the new fish hidden in a thermos packed with water, and you’re swapping it into the tank just as Spencer wanders into the kitchen, rubbing his eyes and asking if he should grab plates.

“Yeah,” you say, forcing a smile. “Grab whatever you’ve got.”

He disappears into a cabinet, and you finish the switch in record time, flushing the old one without blinking. He doesn’t notice.

He just sits down beside you a minute later and says, “Thanks for staying.”

You hand him his plate.

“Always.”

He smiles at that— tired, but genuine. You both eat in silence for a few minutes, the clinking of forks against ceramic the only sound between you. You keep glancing over, watching for signs of nausea, ready to intervene. But he seems okay. Exhausted, but okay.

After a while, he leans back, running a hand through his hair.

“I think I need to lie down.”

“You shouldn’t lie down just yet,” you say gently as he settles onto the couch.

Spencer looks up at you, eyebrows furrowed. “Why not?”

“If you end up throwing up again while you’re asleep, you could choke on it. Just for tonight— until it’s fully out of your system— it’s safer to stay upright. By morning, it should pass.”

“Oh,” he says quietly, like he hadn’t thought of that. Of course, he hadn’t. He’s not used to someone else worrying about the aftermath. He's not so used to someone else worrying about him, period.

I love you.

You sit down beside him, not too close, but close enough that he could lean if he wanted to. “You can rest here. Sit with me. Like you do on the jet.”

He turns to you slowly. “You’re… not going home?”

You shake your head once. “I’m not going anywhere until I know you’re okay.”

There’s a sharp sting in his throat, and for once it has nothing to do with withdrawal. Have I mentioned that I love you? In case I haven't, I love you. I'm sorry. I love you.

You open your arms a little, wordlessly offering, and after a moment’s hesitation, he lowers his head to your shoulder. He doesn’t even realize how tightly he’s holding onto you until your fingers slide through his hair.

"You're fine. You're going to be okay."

The next morning, he wakes up before you do.

The light’s different today. The early sun filters through the blinds in soft, dappled gold. For the first time in what feels like ages, it doesn’t feel too harsh or blinding. For the first time in longer than he can remember, the sun doesn’t scream. It just… glows. Gentle. Warm. Alive.

You’re still asleep, head tilted, mouth barely parted. Your brow’s furrowed even now— worried in your dreams, probably about him. Always about him.

He watches you in silence. Not like a man haunted. Not like someone waiting for the sky to fall. Just grateful. Reverent.

You saved my life.

If there's anything the BA in Philosophy has helped him understand, it's this. Existentialists argue that life has no inherent meaning, and individuals must create their own meaning through their choices and actions. By that logic, his choices and actions, having subconsciously led him to you, must mean that you are the true meaning of life. Not an existentialist? Not a problem.

Plato believed that the meaning of life lies in attaining the highest form of knowledge, which is the Idea of the Good, from which all good and just things derive utility and value. Considering how Spencer's pursuit of this exact idea is what led him to you in the first place, this must prove beyond a reasonable doubt that you were the true meaning of life. At least to him.

Nihilism suggests that life is ultimately meaningless and that there is no objective value or purpose. Nihilists must have never encountered you, he concludes.

This could be home. You could be home. It could be enough.

a/n: it could count as fluff towards the end but like only if you're mildly fucked in the head like I am

[localfandomenjoyer]

Consider: in the Kronide AU, Gaia would’ve given the golden apple branch to Perseleia on her wedding. This means the Hesperides (Zoe included) work for her and she can decide who gets the apples.

Just imagine Heracles showing up for his next labour and the Queen of the Gods meets him at the gate with a golden apple like

[cloverpikmin]

my favs and their arcana cards!!!

HERACLESSSSEDD

PAT AND ACHILLESDHEJD

all of the cards are gorgeousssss

heracles having so many references to his myth/labours,,,, patrochilles matching each others and the horses oh my godssdeh