#larian is garbage

[galedekarios]

ngl but describing the character who is just now coming out of depression & a self-imposed isolation because he was afraid to put people in danger and is now, despite the terrible circumstances, just happy to reconnect meaningfully with other people again and would quite literally die for them if it meant they got a chance to live their lives because he feels he made the worst mistake out of all them & thinks he's been careless in the past as the "guy who annoys everyone" and his death as the "right" ending, as "giving back" "to the world" for giving him a fucking amulet of dancing lights and having to make up for being perceived by you as "annoying" when he's autistic-coded for a lot of people, is... Disheartening to say the least.

[johnny-depplyloveyou]

I know there are many bad takes about Gale on this site, but the worst takes I’ve seen on another social media site in another language are much more abhorrent than anything here tbh, the recent one I’ve seen even gets some popularity among his “fans”... They were basically saying it’s Mystra who made him the humble man he is now, without her influence on him he would be as egotistical as in his god ending, and more than a hundred of reblogs are all thanking Mystra for “training her lapdog so well” for them🤢

Did we even play the same game? Isn’t his god ending a direct result of Mystra making him think he will never be enough as he is, and he can only find his self-worth through gaining more power? Didn’t Tara say he’s not himself anymore and she would no longer be his companion in his god ending, she knew him long before Mystra made him her chosen, he was powerful enough before his relationship with Mystra, if he’s anything like god!Gale at the time wouldn’t Tara just leave him? I’d imagine he would have been more confident and had a more stable self-image if Mystra had never contacted him, therefore he didn’t even need the Gale of Waterdeep persona. He would always have been Gale Dekarios in that timeline. And people glorifying Mystra’s grooming and abuse towards him and unironically calling him “her lapdog” is just... I have no words. But what do you expect from an online space that’s infested with terfs and radfems? They just won’t recognize or acknowledge any abuse from women towards men...

[enchantrum]

I thought I read somewhere there's a way to ally with both Orpheus and the Emperor but now I'm googling and I can't find it?

[vreemd]

feel so bad for everyone who played bg3 as their first rpg and wants to play more of them now only to conclude that bg3 is head and shoulders above the older rpgs

[eggbagelz]

I really need to make a full critical thingy of bg3 bc i have So Much to say about it

[dalishious]

I'm actually not done comparing the development of Baldur's Gate 3 to Dragon Age: Dreadwolf's yet I guess...

As @purahs mentioned in the replies to this post, Larian has been actively engaged with fans throughout the entire process. They have been transparent as hell about everything they're doing, because it's pretty clear they highly value and respect the people interested in their game. This has earned so much excitement and fan activity even before the game's full release!

You know what happened when I pointed out that it would be a good idea to let the player character call out Astarion's racism towards Gur, to make it crystal clear that he is in the wrong in that dialogue? Larian added that option in the following patch. Just like that, I felt more validated and taken more seriously than I have ever in my life been treated as a veteran Dragon Age fan. My voice mattered.

I guarantee without any shadow of a doubt that if I were to suggest the same to BioWare, I would be met with either complete silence or a total blacklist.

BioWare has put the Dragon Age franchise through development hell more than once now, and it is a testament to the fans that we're still sticking through it. It'll be an actual decade since the last Dragon Age game before we see Dreadwolf come out. Why? Because EA/BioWare were fucking around with that Anthem live service garbage that every game studio's so greedy for nowadays, eager to churn out as much money from people's pockets as possible, in the middle of a capitalist hellscape economic crisis.

It's been almost ten years now, and we know next to nothing about what this game is going to be like. BioWare is relying entirely on just spamming returning character names like Varric and Solas to try and gain excitement, and that only goes so far. Hell, I've gotten more excitement out of the Tevinter Nights novel, comics, and cartoon at this point than I have the actual incoming game.

What I'm saying is, I will always prefer engagement and transparency over secrecy. BioWare could learn a thing or two from Larian.

[animentality]

I'm upset.

Missing???

So I didn't go back to the Morphic Pool and bury him properly?

I'm so upset.

Curse you, BG3 epilogues.

Gortash is like garbage to Larian, garbage that can be thrown out ; - ;

[tadpole-apocalypse]

Whiny under the read more

Feeling sad about the news bg3 won’t have any further dlc or content. On one hand I think it’s the best business decision for Larian, I’m sure working under hasbro was awful. I both support and respect that decision (and find it very telling they’re just completely done with all dnd content going forward) and I look forward to their future games.

But I am not ready to leave faerun and these characters, I really was sure they’d have some kind of dlc or maybe even higher level content. I’m not ready to be done with it! Sigh. It also makes me sad knowing the eventual decline of fandom content. It’s ok, I went thru this with dragon age, I’ll get over it. And I’ll probably be here 5 years later crying over fictional vampires.

But I think it does mean I will try to write fanfiction after all. I have stories I want to tell still, with Morgan and Oxus, her cult, future stories I have with her. Maybe work on actual comics that don’t look like garbage. Idk.

I’ll play other games but I’ll be playing this game for years and making stories about my characters, I hope.

[toskarin]

Toskarin, this was going around a while ago, so do you have any opinions about which Larian houserules in Baldur's Gate 3 are your favorites or unfavorites? particularly in the context of being applied to actual tabletop

controversially, I think karmic dice are a good house rule for combat. swingy true rng just feels like garbage, whether you're benefitting from it or the enemies are. it's kind of like how the more fun way to play STALKER is to crank up the difficulty so that everyone does more damage

of course, it's better to just embrace 3d6 if you want real tabletop combat to feel better, but we don't have a 3d6 mod yet, so karmic dice is the best you can do to make the combat less... like that.

conversely, I don't like karmic dice for non-combat checks. I hate how swingy they are, but the karmic dice toggle just doesn't feel like an adequate bandaid in that specific case. I'd say the reason is that they're not meaningfully increasing the difficulty in exchange for actual stats mattering more w/ non-combat checks

[noctvrnal9999]

Got a private message asking me to comment on the whole Neil stream thing so I guess here goes. Excuse my thoughts, they are never coherent.

What I liked about the stream is not what Neil said, but what he didn't say. I'm not big on watching streams, his or anyone's, but I watched some and I noticed Neil is very very careful when discussing Astarion. If anyone is aware how deranged the fandom can get - it's definitely him. I saw him dance around the topic multiple times either in streams or in clips I've seen all over the internet. I highly respect him for that because unlike someone (cough cough) he's not telling people what to think or what narrative they should take for any reason. A true professional unlike someone (cough cough).

So while he addressed operatic vs theatrical and there's no arguing that he delivered it wonderfully, what we really have is Larian saying "yeah, AA is still same Astarion, just with his most awful traits amplified" and then we have Neil saying "oh yeah, the mask is off". And that's... extremely important. I said this in tags before - what Neil doesn't say, to me, is important as well. He doesn't tell that Spawn is maskless just as AA, he just... skips over it, emphasizing that AA is the complete mask-off version of Astarion. I'm not going to cling to this because this is just something I immediately noticed and might not have been intentional on Neil's part, but... I don't know, I personally think it was done for a reason.

Anyway.

But this is what I've been saying too. Astarion is a bad person from the very beginning. I got people insult me over this take, I got told I'm a horrible garbage person for this take. But I stand by it. And even without personal interpretation you have proof of that within the game. You have a very good-aligned character (Karlach) and Astarion is at the opposite end of that spectrum. Every other companion (sans Minthara) fall somewhere between the two.

What Ascension allows Astarion is not only to live his life fear-free - it allows him to be himself. As Spawn he's constantly acting. To either get protection or simply not to turn into a mind-flayer. And Tav can take the route of trying to convince him to be better and he starts aligning his views to Tav along the road but he's still the same person. Just going to say this - nobody changes this drastically in just couple of months without pretending (which is presumed timeline for entire BG3). And people don't immediately get all better from major mental trauma in 6 months only (just sayin').

Point I'm trying to get at is this - to me Neil confirmed what I have been saying all along - Spawn is coping and still lying. Because he has no choice but to adapt. Maybe he's not lashing out or yelling, but seeing the epilogue he came off to me as grieving for things he will never have.

And then we have Ascended - a fully unleashed Astarion, who's confident and not apologetic for being himself.

That is true Astarion.

Astarion who isn't guilt-tripped or chastised into needing to change, Astarion who does not need to listen to people telling him how he's awful, Astarion who can do as he pleases without needing to explain himself to either his master or houlier-than-thou Tav.

Astarion who he was always meant to be.

Because he's a vampire. There's a reason why vampires in every single media piece are portrayed as evil. As a Spawn he's evil, as a Vampire Lord he's just doing what vampires do best - gain power and exploit that power for his own benefit. He's not just some cute boytoy with fangs, he's a vampire and he will never not be a vampire in BG3 (you can headcanon whatever you want in what happens after but that's not relevant here).

Ascended Astarion is true Astarion not because it's one of the routes we can take and headcanon that way, but because he's a vampire, and as Vampire Lord he's his own man at last, not needing to rely on anyone or to be defended by anyone. He has power now, to be whoever he wants and be true to himself while he does it. Without the fear of judgement, without the fear of being discarded if he's "too much" or not "good enough".

And with Tav at his side - he has everything he ever wanted: vampiric power that has never been witnessed before and a beloved who vowed themselves to be by his side forever, giving him ultimate assurance that there's someone there for him and will be there for eternity.

[eff-plays]

How do you feel about Wyll's views on his father not changing at all? I felt kinda weird listening to Wyll literally tell his dad "there's nothing to forgive" like he was apologizing for casting out his teenaged son and Wyll's like NAh. He feels the same about that whole situation as he did at the start of the game, I think I would've preferred some sort of change or development? not even something big but denying his fathers apology feels weird, even "I understand and respect why he did it but I wish he just listened instead of assuming I had anything but good intentions" ?? Like he was 17 when he made a deal with a devil to save the city, and he did!!!! But maybe that's just cause I'm mad that Ulders first words after being saved are shitting on Tav for his son being a demon lmaoooo

what are your thoughts on it if you have any xoxo

I have thots, but disclaimers upfront because I will be talking out of my ass for most of this:

All the D&D I've played have been in entirely homebrew worlds, because most of my friends are also writers or at least worldbuilders. So I have no previous experience with the Forgotten Realms or its canon, i.e. I had no idea who Ulder Ravengard was and why Wyll being his son was a big deal, though I assumed he was someone very important.

I never actually um. Finished Act 3. Yeah, I uninstalled the game before I finished it lmao. I kept thinking "oh I'll come back to it once Larian have fixed it!" *looks into the camera like I'm on The Office* I finished Karlach, Astarion, and Wyll's quests, though I didn't start the Ansur part of it because it felt kinda random, and obviously I knew we wouldn't be getting a cool epic dragon for an ally, so I decided to leave that bit for later with the other bigger companion quests like Lae'zel's, Shart's, and Gale's. Jokes on me, right?

But I did save Ulder with Wyll, and did pick the one option to show via tadpole that Wyll is a good sweet boy. And I got the underwhelming "nothing to forgive" reunion. So I do know that part.

I played only like. An hour of early access. And then dropped it and uninstalled the game because it didn't grab me. I certainly didn't meet Wyll, and even if I had, I think it would've been post-rewrites.

Okay, now onto my actual thots. It's extremely long lmao I love yapping.

First of all, I think Ulder disowning Wyll could have actually worked quite well if they'd kept old Wyll, who I hear was kind of an obnoxious, arrogant dude. Like, if your teen son is a bit of a knob, and you're the most important nobleman/politician in an important city, then it "makes sense" to disown him as a disciplinary measure. You know he can take care of himself, you know he's capable of greatness, but he's a bit of a dickhead and needs to grow up. So tell him to leave and maybe in a few years he'll sort himself out. It's fucked up, but it's the sort of thing I can see a guy in this situation and in this world do.

BUT. Wyll isn't an arrogant and obnoxious dude. He's very mature, very kind, and always well-meaning. Nothing indicates this was different when he was a teen. So Ulder disowning him feels disproportionately cruel from the start, and it is, but it also feels like it comes out of nowhere and makes Ulder looks less like a strict parent and a politician doing what he thinks is the best out in a bad situation, and more like ... well, like a fucking asshole. Hence why it feels so fucking unfair and unfinished that Wyll just forgives him, or rather says there's nothing to forgive? It feels like Wyll constantly has to take on the role of the adult, of the emotionally mature one, of the one who is too good-hearted and understanding to ever feel anything negative, while his garbage dad gets to just be a douchebag towards his son without much cause or consequence.

Furthermore, we never get the sense that Ulder feels bad or regrets what he did, or that he's at least conflicted, even with his apology. It's just "Yeah I disowned my son. No I don't expect him to come back better in any way." And then he flips on a dime after a single conversation, so his decision to disown Wyll feels like it was easily undone and not of any consequence. Wyll forgiving him immediately feels just very unearned, and like the narrative itself frames Ulder's actions as understandable? (On that note, showing Ulder some tadpole visions to prove Wyll is good, I prommy, feels so cheap? Like y'all really did that, huh? And Ulder, who assumed the worst when his beloved son showed up in a warlock pact, would just take the vague visions of a stranger when his son looks like a saucy incubus? Ok.)

Now, if Larian had wanted to stick with this, I think it could've worked this way if Wyll was afforded any sort of emotional depth. Like, if Wyll said "there's nothing to forgive" initially, because he loves and deeply respects his father and thinks, logically, that what he did was right, so he tries to justify it to himself in order for that cruel act to make sense. But then he realizes that it still hurts, that it was unfair, that it was cruel, and that he can't forgive his dad, not this easily at least. That initial "nothing to forgive" would've worked excellently as a kneejerk reaction, a defense mechanism, and something for him to later retract when he realizes that "nothing to forgive" means "nothing you do would make me forgive you". That would've been juicy as FUCK.

If Larian had instead wanted to afford Ulder more depth and make us understand his actions (which they wanted to do with Wyll saying there's nothing to forgive, signalling to us that Ulder in some ways was justified), then they should've made Wyll a huge brat as a younger teen. If they'd done that, we as modern players would still find it a bit unfair, but a nobleman disowning his rowdy-ass son for taking an escapade a step to far, to teach him a lesson? That makes sense, doesn't it? It would've been a strict parent thing to do, but assuming Ulder knew his son would make it on his own, cutting him off from the privilege that's turning him into a dickhead would be a sensible course of action. If that's what happened, then it would've also made sense for Ulder to immediately get pissed off when he saw Wyll transformed, because he'd assume that his cringefail son didn't learn his lesson at all. AND it would've made sense for Wyll to say there's nothing to forgive: because he knows he used to be a huge fucking brat, and his Mizora thing would've just looked like another prank Youtuber oopsie to Ulder, who had no reason to believe otherwise.

Now, Larian did neither of these things, or rather, tried to do both without actually committing, because then it would make one of the two look "bad" (i.e. like a real flawed human being). That's why it ends up feeling incongruent and, say it with me now, unfinished. There is no logical progression to their actions, because, say it with me now, nobody bothered to give them consistent motivations or depth.

Here's the two plots laid out in order to illustrate what I think would be logical courses of actions for both characters, compared to what Larian actually did:

1

Wyll is a baby boy, baby > Ulder is a ruthless politician who's obsessed with his image > Wyll steps into dogshit (Mizora) and smells funny now, but can't explain where the smell is coming from > All the nobles are like "ew this stinks lmfao" > Ulder decides to disown his son for the sake of his power and image, justifying it to Wyll by saying it's what he owes to the people of Baldur's Gate > Wyll comes back, still baby boy, baby, but with horns now > Ulder is horrified about what this might do to his image again and tells him to fuck off > Tav shows him that Wyll is badass now and was always badass, stopped the cult of Tiamat etc > Ulder's politician brain fires up again and he realizes his son might be GOOD for his image, apologizes for disowning him > Wyll, still trying to tell himself his father did the right thing, says there's nothing to forgive > Realizes later that what Ulder did was fucked up and retracts his forgiveness > Ulder now has to figure out his priorities and relationship with his son while Wyll has asserted his autonomy and personhood.

2

Wyll is a known rich brat > Wyll steps into dogshit (Mizora) and smells funny now, but can't explain where the smell is coming from > Ulder is fucking tired of his son's dogshit shenanigans and disowns him for his own good > Wyll travels the world to become a cool hero dude, but gets turned into a devil so he looks bad > Ulder assumes his cringefail son is still cringefail > Realizes he's not cringefail anymore and apologizes for disowning him in that very vulnerable moment when he needed him most > Wyll says it's ok because he was indeed a massive brat who took it a step too far, and Ulder had no way of knowing his crying wolf was real this time > Flawed but happy family!!

3 (canon)

Wyll is a baby boy, baby > Wyll steps into dogshit (Mizora) and smells funny now, but can't explain where the smell is coming from > Ulder assumes his baby boy son did a prank youtuber oopsie and decides to disown his son for the sake of his power and image?? > Wyll comes back, still baby boy, but with horns now > Ulder assumes his baby boy son is cringefail??? > Tav shows him that Wyll is badass now and was always badass, stopped the cult of Tiamat etc > Ulder realizes only now that Wyll was never cringefail ?? and apologizes for disowning him because he actually loves him > Wyll says it's ok ?? > Everything is fine and back to normal, nobody did an oopsie and nothing changed.

Y'see what I mean???

And the thing is, given that I was able to piece together what they were going for and two entire potential angles that could've worked excellently, it's clear that there are bits of potential, little inklings of what could have been, but the writer just didn't bother exploring deeper at all? Like they had some ideas that they threw at the wall and then didn't rewrite or think about them at all. It feels like a first draft of a character's story, where you have some ideas but haven't figured out the overall structure or progression of events. Instead you just throw in everything you have and pretend that's a finished story and that the inconsistencies are just "depth" and "nuance", when in reality, you're just asking the player to fill in the gaps you couldn't be bothered with, and when they can't do that because it makes no damn sense, you just ignore them lol.

Um. Yeah. Those are my thots, lmao.

It's just unfinished. That's what it is. Straight up!!!

[tantalizingtopi]

Last Solstice I Gave You My Heart

Gortash x Dark Urge (Claret in this one shot)

Word Count: 1658

Disclaimer: characters are not mine, but Larian Studios for Baldur’s Gate 3

A Bhaalist Tradition (I just made up), one gives the person who has impacted them the most in the last year the heart of one who has slighted them or otherwise caused them grief. Claret had done just that last winter solstice, and her business partner had thrown it away, disgusted. She won’t make the same mistake again.

Claret watches the snow fall outside from her position at the Elfsong tavern, having taken the corner table for herself to drown her sorrows. She had nearly forgotten about last solstice and how she had declared her interest in her business partner, only to find her token of adoration in the garbage, and him annoyed at her for bringing him ‘gory tokens’ when she could just tell him who she killed if he needed to know about it.

She takes another long pull of her ale, knowing that trying to drink her sorrows will amount to nothing. She had taken care to carve out the heart of that man who had dared speak ill of the subject of her affection, how carefully she had removed it, cleaned it, and put it in the perfect packaging.

A Bhaalist tradition, one cuts the heart out of someone who has wronged the creature who has most impacted their life since the last solstice. Lovers give them to one another. This year, Claret is going to give her heart to Ghislev, who has agreed to become the undead Farslayer to further protect the temple. Due to the cult's growing influence in the city, more and more people are trying to find the temple, and security needs to be increased. Ghislev has proven himself to be both worthy of Bhaal and worthy of the honor. He only has asked to have one last winter solstice to be with his lover and to slay the one that has caused them the most grief.

If Claret were crueler, she would’ve picked his lover to be the sacrifice for Ghislev, as he is clearly causing Ghislev grief. Instead, she has killed his cousin, who had spoken out against the cult. She has the heart in her satchel, cleaned and fermenting in a jar with a white satin ribbon that had been soaked in the cousin’s blood. Claret finishes her drink, looking out once more to the heavy flakes. She pulls her cloak on and stands, only to feel a small tug at her side.

“Ma’m, this is for you,” the young errand boy says, holding out a folded note. She takes it and slips the child two silvers which he quickly pockets and bows, before rushing away. Claret unfolds the note and see the neat, tight encrypted lettering of the Banite.

‘Will I see you for Solstice? I have something for you.’

She sneers, crumpling the note. She had planned on stopping by his place for a quick romp after giving Ghislev his heart. But now she wonders if she should give him the satisfaction of seeing her. After all, their last meeting had left a bad taste in her mouth. They weren’t exclusive or anything, and they hadn’t ever vowed to be anything more than business partners, but having him cut her off early so he could go whisper sweet nothings in some patriars ear still hurt her. She didn’t like the way he made her feel in those moments, didn’t know how to handle herself. Their non-relationship was the closest she had ever come to anything remotely long term, previous affairs always ended bloody in one way or another and were exceptionally short-lived.

She leaves the tavern, heading to Ghislev’s home, still unsure of what she would do following her visit with the future farslayer. The streets, earlier bustling with people are nearly empty, save for a few souls hurrying through the storm to their destinations and those unlucky enough to have nowhere else to go but the streets. Still, there were fires in alleyways for those undesirables, and perhaps a few would be fortunate enough to breathe their last breath for Bhaal, as was common for those without someone to give a heart to their god instead.

The snow crunches in under her boots as she nears the small home in which Ghislev shared with his lover. Gods, Claret hates his lover, an arrogant sniveling little man who constantly ridicules Ghislev. She reaches the door and knocks, hearing voices inside.

The door swings open and the snooty face of the high elf gazes down at her. “Oh, it’s you.”

“I just need to see Ghislev for a few moments, Daevin,” Claret says, brushing past him. She didn’t make a habit of social calls, but she had visited them many times, taking a special interest in Ghislev, as he was one of her first recruits when she had first arrived in Baldur’s Gate.

Ghislev turns from the fire to look at her, confusion passing on his face. “Is everything okay?”

“No, things aren’t okay,” Daevin scowls, “you’re interrupting our solstice.”

Claret’s eyes flash, and she has to stifle her urge to sacrifice Daevin to her father right now. She grits her teeth and vows to end him once Ghislev is stationed as farslayer. Her voice comes quiet and low, “Care, Daevin.”

Daevin’s face pales and he says nothing more, but still holds his posture. Claret removes the jar from her satchel and presents it to Ghislev, bowing slightly. Ghislev bows as he takes it, “For me!”

“For you on the night of the most shadow. Your cousin shall not cause harm to you again,” Claret says. “I shall leave you to relish yourself in the night, for all too soon the dawn will come.”

“Thank you, my Lady,” Ghislev says, bowing deeply again to her. Claret brings her hood up and steps around Darvin, pausing for just a moment to lock eyes with the elf, watching as he trembles before she whirls out into the night once more.

Claret finds herself in front of Gortash’s workshop, her mind still not made up if she should see him or not. She shifts on her feet, the cold beginning to seep into her boots. She sighs, turning to go when the door swings open to reveal her business partner, “I was beginning to think you weren’t going to come.”

He beckons her inside and she hesitates for a moment before giving in and going inside. The workshop is warm and welcoming, and Enver helps her out of her cloak. He hangs it near the hearth as she takes in the space around her with surprise. The hearth’s fire glows brightly, two glasses and a bottle of wine sit on his cleared off workbench along with some meats and cheeses, there is even a scent of cinnamon and cranberries in the air. She eyes him warily, “are you expecting someone?”

“Only you, my murderous beauty,” Enver purrs. She laughs.

“You cleaned this all for me? How long did that take?”

He grins. “Longer than I’d like to admit, if I’m being honest. I wanted to make the longest night special for you— for us. I know how special it is to you, now.”

“It’s just another night, another silly holiday, Enver.”

The smuggler rolls his eyes. “Don’t be flippant, it’s unbecoming.”

“Much about me is unbecoming, which is why you don’t find me mingling in high society all that often,” Claret replies, a grin on her lips.

“Don’t tell me you still upset about the other night,” Enver replies.

“I came here, didn’t I?”

Enver opens the drawer to his workstation and pulls out two ornately wrapped packages and sets them in front of her. “I was planning on giving these to you later, but perhaps it’s best I do this now.”

Claret eyes the boxes in front of her, hearing a soft metallic sound coming from the smaller one, but makes no move to open them. She occasionally gave small trinkets to her business partner, usually tokens from the people she had eliminated on his behalf as per their agreement, but never had he returned the gesture. His acknowledgment of their dealings have been grander gestures, such as torture racks of her ancestors which were now proudly on display in the temple. “What are these?”

“They’re gifts, Claret. For you,” Gortash’s smile doesn’t meet his anxious gaze. “Just open them.”

Claret’s fingers shake slightly as she pulls at the golden ribbon on the first box, the bow unwinding easily. She lifts off the lid and stares inside. “Enver?”

She pulls the glass case from the box and looks at the organ suspended in the middle. He gives her a small smile. “I wasn’t aware of the custom last year, and didn’t know the significance. This is the heart of the man who hit your little urchin girl last tenday in the park. I only hope it begins to make up for the way I mishandled your gesture.”

Claret’s eyes water as she smiles. She had went to find the man and couldn’t. She often gave coins and baubles to the urchins that hung around the park she frequently busked at for a brief escape from the temple. She was self taught and not particularly good, knowing only a small handful of songs, but the street children would dance and play about when she performed and it made her feel like she was doing something nice for them. “Thank you.”

“Open the other one,” he encourages.

She picks up the smaller box and opens it, pulling out a chain from which hangs a tiny metal heart, the intricate device moving—no, she realizes, beating— as if it were a real heart. Enver steps closer and takes the box from her hand, pulling her palm up to rest on his heart. She feels his heartbeat at the same rhythm of the one on the chain. “What is—“

“Claret,” Enver says quickly, his pulse beginning to race under her touch, “you have my heart. I know that our relationship is unorthodox and far from ideal, and that it may be our downfall in the end, but you are the only person I have ever given my heart to, the only person I will ever give it to.”

She presses her lips to his. “Blessed Solstice, Enver.”

“Blessed Solstice, my love.”

[lilyvalerieorchard]

Just for the record: I never fully played Baldur's Gate III.

After a few hours of rushing and skipping cutscenes. I instantly gave up, uninstalled it and watched clips of it online because: .I wasn't the child of a murder god anymore. .I couldn't romance my own sister anymore. .There was no black woman party member I could fetishize. .Astarion is Kylo Ren. .It wasn't a slice of life romantic comedy. .It wasn't based on the fanfiction sequel I wrote for BG2 as a teen. .I have a rabid parasocial hatred for the people working at Larian Studios for no reason whatsoever. .It wasn't developed by Bioware or Beamdog. And if it isn't developed by either then it's garbage by default.

[the-drow-fucker]

Larian: So yeah dear player see this guy, he's absolute garbage the most evil awful man, made to hate, made to be killed and hated by players. I bet you can't wait to give him satisfying death, right player?

Me: Sir that is the sexiest man I have ever seen in my life

[greyias]

Did... did Larian remove the companions ability to absolutely roast you for picking up an instrument without proficiency? 😭

I know for a fact that Lae'zel threatened Ari 1.0 when she picked up random garbage beach lute and tried to play it in camp, and now I can get right in her face on Ari 2.0, and she just stares off in the distance, disassociating rather than making snarky commentary

My only solace is the pictures I was able to get where it seems that Ari doesn't seem to understand what a lute is at all, and is shrugging at the camera as if it will explain it to her.

Lae'zel, please threaten her life again. I am truly doing this for scientific reasons!

[tearlessrain]

now this is a very "personal interpretation" thing and I have no beef with other perspectives, but to me idk, wanting there to be a way to fix karlach feels to me kind of like when people watched glass onion and were writing up all these analysis posts on why they didn't actually destroy the real mona lisa and the one that burned was a fake. in that it's kind of missing the point by trying to soften the impact.

karlach's whole story felt to me like a very clear allegory for terminal illness, and coping with it/losing someone you love to it. even the avernus option fits into this, because sometimes your options are "die soon" or "maybe live longer and *maybe* find a solution down the road but you'll be struggling and miserable the entire time with no guarantee of a payoff" and it made complete sense to me that karlach would choose not to do that and just go out with her freedom, in the world she loves, surrounded by people she loves. I think my tav argued with her about it exactly once until she explained her side of it, and after that he didn't try to push her to go to avernus. because actually, yeah, her choice not to do that is super fucking understandable.

and like, I do agree that they maybe should have addressed a little more clearly why the gondians and various fiends etc. can't do anything, but at the same time like. I would be okay with that answer being "the engine is just fucking garbage and maybe there's a way to fix the engine itself but you'd have to kill karlach to do it which defeats the point". I don't really want Larian's answer to that being "okay fine you can magic her better." because as sad as it is, it's a really well done story arc.