#like I don't think that that's the obviously best course for him in the way that it seems many fans do

[canonizzyhours]

i don't think i'm the first person to say this but the big takeaway i'm taking from the canyon breakdown is that you should never try to make all your fans happy.

like it's pretty clear at this point what the deal with izzy was: in s1 he existed primarily to be the same kind of antagonist for ed the badmintons were for stede - a figure in ed's life who could externalize and reinforce his self-destructive beliefs. to the extent the writers had any plans for him after that, they involved the planned reveal we now know about that he was in the siete gallos, and i doubt they had nailed down anything very firm about how they meant to handle that. and, crucially, it's pretty clear at this point that izzy's sexual attraction to ed was never meant to be his central motivation. it's THERE, for sure, but it's there to be sort of an ironic twist on his explicit textual motivations of ambition and homophobia and toxic masculinity, a little spice added into the mix, not a climactic reveal of what he's really all about.

now this doesn't mean the writers had a firm plan that izzy COULDN'T become more important, or have a redemption, or what have you. the siete gallos reveal likely would have meant at least a season where izzy was a full villain, but even if they went that way, after that a redemption could have been on the table (although so would an unrepentant villain's death). they were open to taking him in lots of different potential directions in s2.

so say you're one of the writers. after s1 you find that not only did the show overall get a stronger response than you ever dreamed, this antagonist you wrote as a basically unsympathetic villain in s1 is an unexpected fan favorite and people are clamoring for a redemption arc for him. that's great! as a writer you love to hear that. you always want your characters to get strong reactions from the fanbase. and it's not like you specifically planned NOT to redeem izzy, it was always on the list of options. so you agree to throw out anything you'd still be considering about the siete gallos plot, since that would entail more villainy, and instead focus on redeeming izzy into a good guy over the course of s2.

now there's a small problem with that: if you do it, you're obviously going to have to kill him once the redemption arc is complete. that's clear, because in s1 he was written to have zero sympathetic character traits - even his "loyalty" isn't a positive kind - so in order to redeem him you're going to have to basically get rid of every personality trait that makes him interesting. at the end of the redemption arc he'll be a character who makes no sense to keep around. but, hey, that makes sense - you already meant for ed and stede to be comfortably in a relationship by the end of the season, so killing the character who exists to symbolize the internal issues that hold ed back from committing to the relationship completely works!

you know the fans are invested in the sexual aspect of izzy's feelings for ed, and that some of them ship them together. unfortunately, this is pretty incompatible with a redemption arc, since izzy's stalkery obsession pretty much exists to motivate him to do evil things and treat ed like his property, so you'll have to get him over those feelings. but you're careful with this: you make sure to write some dialogue into the first few episodes that alludes to that relationship and is ambiguous enough to interpret in multiple ways - "i have...love for you," "loved you best i could" - to throw a bone to the blackhands shippers before firmly closing the door on that arc and writing izzy as having gotten over those feelings.

it's going to be hard to redeem izzy in one season. you know his actions near the end of s1 were damn near unforgivable, because you wrote them that way. so you carefully break down what he needs to do to be truly redeemed. you make sure he suffers a lot near the beginning of the season, enough that it's indisputable he's been punished for what he did (and it takes a LOT of suffering to be sure it's an adequate punishment, considering). you arrange for him to be touched by the undeserved mercy he receives from stede and stede's crew. you devote a full episode of izzy time to showing he's over his homophobia and willing to openly do some gay shit now. you have him symbolically reverse every horrible thing he did in s1. all so it can culminate in a true redemption where this character who originally existed to force ed to stay blackbeard dies giving him permission to just be ed.

basically what i'm saying is at every turn the writers were trying to give the canyon as much slack as they possibly could while preserving the core of izzy's actual narrative role. they were never going to portray izzy as having been a good guy in season 1, or portray izzy's love for ed as being in any way redemptive instead of being a creepy selfish obsession, or treat him as a character who did not exist ultimately to symbolize ed's issues. they couldn't do any of that without it being a profound narrative betrayal of the izzy they set up in season 1. but within those bounds, they worked so, so hard to give the canyon as much as they could.

and the result is that the canyon's now much angrier than they would have been if the writers had just stuck with siete gallos izzy. at least then they'd have known early in the season they weren't getting what they wanted, instead of spending the whole month thinking they were being proven right only to have the rug yanked out from under them right at the end.

#393.

[cinnamon-bunni]

💙💛🧡123 Headcanons🧡💛💙

bc I love them so much........they are everything to me your honor dhushadhhsjajdhsjai am so normal about these three

These three have the best dynamic to ever your honor

we have the Tired Mom, the (not) Cool Older Brother, and the Loser Older Brother (that you forget is technically an older brother). what else would you ever want?

like??? Lucifer needs to put the two on a leash whenever they go out shopping. i mean he has to do that for all of his brothers but its upsetting that he needs to do it for these two as they should be the most well-behaved

but Levi is on the verge of summoning lotan because he didnt get a limited time figurine of a sanrio x ruri-chan crossover and mammon is currently trying to start up what appeared to be a pyramid scheme, so no these two were not to be trusted alone

But most days are good days though! Mammon behaves sometimes because Lucifer says if he's good then he can get a special treat; and Levi behaves majority of the time outside, but that's often because Lucifer handed him a tablet before leaving the car and he's been on it and not paying attention for the whole trip, just trailing behind Lucifer

In a similar vein, I think while Lucifer is trying to catch Levi up on the details of an important student council meeting he missed, the second he sees Levi's eyes start to wander he's quick to pull out with a subway surfers video or smth to keep his attention to the matter at hand (he also keeps a small bag with grimm in it to jingle in front of Mammon; it has the same affect)

Lucifer often looks at his brothers and is like "i expect more out of you two," and Mammon is like "¯\_(ツ)_/¯" and Levi responds by insulting Lucifer with so many internet slang words that Lucifer only knows half of at most but he knows he should be offended

You know how most people know a trend/meme is dead when the older generations get their hands on it? yeah that's Lucifer. Mammon cringes so hard whenever any internet term leaves his older brother's mouth. Levi cried once when Lucifer used the word "poggers"

(Lucifer, of course, is very much aware of this, and uses this to his advantage. He does his best to pay attention to the types of terms Levi uses, but they change like everyday and Lucifer is still always somehow a few years behind

Speaking of embarrassing older brothers: Mammon is such a col older brother and brags and boasts about this fact all the time and Levi is soooooo embarrassed by him its unreal. Like how the hell is this scumbag, who isn't even a tenth as cool as Lucifer is, his older brother. how did this happen

Obviously the label of "older brother" is used less the younger they get--Lucifer is The big brother; Mammon is an older brother but often isn't viewed as one (despite desperately wanting to be seen as one bc he loves his brothers soooo much he wants to protect them so badly I could go on for forever about it tbh); and Levi is more of "oh right i'm older" sort of older brother. he's like a babysitter than anything else

These three definitely get together in Lucifer's study to get drunk and talk tho you know they do. They all have to deal with so much shit from the younger four (most don't respect them as older brothers, don't listen to them, don't heed warnings about cursed objects (that necklace is cursed Asmo don't put it on stop putting it on-)), and so the three just get together and complain <33

They also coo a lot abt their younger brothers! Either when they get together and drink, or in their group chat. i mean, this is a bit canon already as the three talk about their brothers in their groupchat, but thinking about how they talk abt their brothers behind their backs (in a positive way) is sooo cute <3

also thinking abt how the three work very well together when needed! need to work on a larger chore together (grocery run, errands that need to get done either for their own reasons, for Diavolo, or for RAD)? usually lucifer and levi get the most work done when paired together! lucifer is often good at making sure levi stays on task, and is able to deal with his possible whining without making it worse

if mammon and levi usually leave with an 80% of either getting off track, or not getting anything done to begin with. on a good day they'll take an hour longer than needed

lucifer and mammon can get a lot of work done as well together! lucifer just has to keep a tight leash on mammon <3 but mammon, despite how much he gets on lucifer's nerves, steps up a lot when it's just him and lucifer

like, lucifer can trust mammon with just about anything...like yeah, hes annoying to all hell and back, but he's loyal and trustworthy. he's his brother, who lucifer can trust to keep him in check and go along with his plans when things go awry. they trust each other so much even when everything has gone to shit <33

and you know that even tho levi is big brother himself, lucifer and mammon still tease him bc he's still a little brother in their eyes <3 and the both are always just so incredibly proud of him when he learns and grows and gets out of his shell after they all fell

lucifer cares so much for all of them, and hes so proud of mammon and levi of what they've become. theyre responsible and caring and so full of love for the rest of their brothers and the people in their lives?? like. even after everything he's put them through, the pain he cause, the two still held up their heads and helped their younger brothers when they needed it. lucifer couldnt ask for better brothers

and levi and mammon?? following lucifer to the ends of the earth. hes done so much for this family and yeah, hes such a pain in the ass sometimes that it gets on their nerves, but they know how much he cares. how his heart bleeds for his family. he would do just about everything for this family, and mammon and levi would be right behind him with it

the three clash and get on each others' nerves often but like. those three? their bond is stronger than anything in the Three Realms. they all have each other's backs and would all just do everything in their power to protect their family and have them all safe <3 and really thats all the three of them could ask for

[bluebugjay]

I could write essays on Charles' character. He's so tragic. That trope of 'you've become the very thing you wish to destroy' isn't in act here but it is his exact fear. He was brutally murdered by his friends, friends who we are shown beating up another kid as well, so assumably this isn't a rare thing for them, plus his abusive father. In life he was surrounded by violence.

And now in death he chooses to label himself 'the brawn' , Edwin relys on him to be the fighter as he can't even throw a punch, he's the only one of the main characters who has a signature weapon (his cricket bat) , when he gets angry or defensive or scared he gets violent. Because of course he does, look at his life.

He gets so scared of being like his father or even his literal killers that he puts on a positive mask all of the time (30+ years) to hide the anger and the sadness because he's a 'good guy' and he's only seen bad guys handle their emotions the way he does. He gets defensive over Brad and Hunter to the point of fault because he's desperately grasping for a man who isn't the worst. He's looking for hope that he isn't just like the others. He says "We've tried it your way, and it did nothing. Let's try mine." referring to his 'way' as fighting, which immediately seems weird considering Edwin and Crystal argue more than any other characters in the show but that's just the thing, they argue. They're quick with their words and sharp and harsh with them but they don't get aggressive and that's what Charles picks up on. Their anger doesn't become aggression but his does and he villainises himself for that.

Truth is, he could never be like his father or his friends turned bullies because he's their victim and he died their victim, (Night nurse: You never made it better and then you died) His aggression only occurs in defense of others, in the Devlin House he swings at the Dad whilst saying "Think you're tough, killing a bunch of women" he fights in defence of them. Then when he attacks the Night Nurse its in defence of Edwin being sent to hell, them being split up and also probably for how she tricked Crystal into having hope she'd found her family. (though spurred on by the Night Nurse forcing him to relive his traumatic memories too) It's always in defence of someone, to protect them. Which is the exact opposite of why his father and bullies were violent.

This is what's so good about dbda because obviously aggression is a flaw even with the best morals backing it up. Crystal calls him out on his anger issues, saying her and Edwin are on eggshells around him and later on Charles breaks down crying to Edwin who insists he is a good person because he cares about being one. Charles is allowed to have this journey that is most likely still ongoing, dealing with anger and grief and fear and masculinity and violence. We never doubt he's a good guy despite his flaws because he simply is, and all of the other characters know that as well.

[fluff-n-cookies]

I saw your post for more platonic Dabi and I was wondering how you think Dabi would comfort a reader who had a panic attack and or is extremely socially anxious and always seeks him out for comfort. Whenever reader is anxious in public they hold onto the corner of his shirt or sleeve and tend to follow him or stick close to his side. If reader didn’t have the best home life then they’re probably constantly afraid Dabi is going to hate them or leave them. Reader is the kind of person who will let people talk down to them, mistreat them but heaven forbid anyone so much as looks at Dabi in distain/disgust. Reader will defend him with their life and is constantly defending him from other people’s opinions. Basically just reader and Dabi being each other’s found family

Okay, for starters I would like to apologize from the deepest depths of my heart. I am not right the head (obviously.) and I would like to give you the right to owning my soul, for I have been putting off your kind request for so long, and I genuinely am so sorry for the delay.

Now I actually think that this is very interesting especially form an analytical stand point.

Because Dabi does not like weak people. both physically and mentally. It's primarily rooted form his turbulent relationship with his father where he constantly tried to get stronger and better through training and pushing himself to be a strong as possible to please his father. his idol.

from that I think he would despise those weaker than him, not because he actually hates them, but more so because he needs to put other people down to rise himself up. it's more so "it's not that I should succeed, others should fail." it makes him feel better about himself, gives him that feeling of accomplishment that he would normally get from his father saying "good job." but eh rather gets it from bullying.

You'd have to do something truly spectacular to catch his eye for him to not put you down like he does everyone else.

I don't think it could be kindness, since when Rei persuades him to stop training an pushing himself so hard, he instead takes it as her trying to stop him. I'm not saying that that exact senario would play out as in

reader : Dabi! I got you flowers.

Dabi : YOU WANT TO STOP ME FROM BEING A HERO??!?!?!?!?

I'm saying he has a hard time accepting kindness, I'm saying he might not know what is someone trying to help him and what is someone trying to hurt him. like Rei does. this might actually draw him away.

I think what might actually work is the relationship he had with Fuyumi and Natsuo. because all three were heavily affected by their father's neglect and violence and I think that this may be evidence of sympathy or a ledge to protect them one day as a hero.

(of course, he doesn't become a hero, rather going partially insane as I would say and focusing on getting revenge on Enji, most likely to avenge himself and his brother and sister.)

what may lead him to you is the shared sympathy the both of you have when it comes to bad origins. it's the same sympathy he had with this siblings (minus Shoto) I'm thinking he walks in at the wrong time while you're in the middle of crying your heart out I do that way to often and while he doesn't interfere right at that moment, he will talk to you as best as his unsocial ass can. things like "sorry that happened to you." "you're not alone, that happened to me too." undercover of sarcastic remarks like "you're such a crybaby."

or something easier where the both of you reveal more and about your pasts forming a close relationship. details like "my dad would be pissed about that." or "ugh! that's something mom would say!" after a cruel insult. it would be an unspoken bond but a bond nonetheless.

this gives him an undying sympathy for you that he can't properly express. trust me he has so many things to say.

"I love you."

"thank you for being there for me."

"I would give you the world if asked."

"you're the reason I get up in the morning."

but for a child of an abusive and unloving relationship, the words are just not there. no seriously. there's only this feeling of warmth with you and nothing else. no words, only a flurry of pinkish love.

He'll let you come to him like the little ball of fear and sadness you are at times, he'll let you cuddle up you him as much as you want. he'll push you off when calm down a bit though, he'll leave with a grumble about how needy you can be.

note though, that he would probably never push you off immediately. it's not that he hates you, he thinks you're disgusting and the worst thing to ever exist.

it's just that he doesn't know how to respond. and I don't blame him.

it takes a while to get used to, get used to being loved and having something to love. but once he does you are SO in for it.

I'm talking flowers from the grocery store, free stolen popsicles, the right to murder anybody and have him help you clean it all up.

because he genuinely loves you, he really does, and when he understands after a couple years of knowing each other how to receiprocate your love, it suddenly all become to easy to be human, to be alive, to be happy.

he also does doesn't like you being talked down to. it comes from the depths of his childhood dream of being a hero and protecting people. especially loved ones like he does for Fuyumi and Natsuo. this also transforms into a need to provide for his loved ones, this can take form in helping you put together furniture, helping you with groceries, and talking to you when you're lonely. things you would do with your dad, which he basically is at this point.

on the same boat, he doesn't like you to fight for him. in his mind, it's HIS job to protect you not vice versa. he's seen you cry, talked you through your panic attacks, been there through those nights. you've already fought so much with yourself, you should not be fighting for him.

it's beautiful really. how much this one thing can change Dabi. it's just that you'll have to stick with him through the sarcasm and the insults and the roasts. but in the end.

he loves you. he'll protect you. maybe not Japan as a hero, but this one little thing. this one little perfect thing, he'll die for.

[hopelesslyromanticshark]

COVEY MY LOVE YOUR REQUESTS ARE BACK OPEN AND I JUST SAW?? Omg anyway I am so predictable y’know I gotta just request something for my main boy, my fav boy, my cutie pie, my babygirl, Connor 🤭🤭

HOWEVER been having a wee identity crisis and I’m gonna ask for Hephaestus reader because I’m second guessing everything I know as an Athena kid simply because of graphic design 😔

So if it wasn’t clear cause I rambled can I have a FLUFFY Hephaestus reader x Connor Stoll (I saw that Connor x Apollo reader.) pretty pretty please

(+ I just realised I call you my love and babe so much and I say love you so if your uncomfortable w that I’ll stop it’s just second nature to me so please say if you want me to stop!!!)

✮⋆˙ the fixer and the thief - connor stoll x daughter of hephaestus! reader blurb

𝜗𝜚 content…connor stoll x daughter of hephaestus! reader blurb 𝜗𝜚 warning…language 𝜗𝜚 letters from the author…of course!! also, i don't have a problem with the nicknames, but some days i struggle to respond to them in a similar manner due to personal stuff. so, feel free to use them, but just know that sometimes i might not use them back. and it's nothing against you, brains are just funky sometimes!!

────────── ౨ৎ ──────────

"and where'd this one come from?" you asked, tilting your head at the boy and inspecting yet another sword the hermes boy passed off to you with a mischievous smile.

"nowhere special. can you fix it?" connor pushed, like he did nearly every week. he'd come in with a new weapon, broken and bent in strange ways, requesting that your fixing abilities were required.

"hmm. does nowhere special happen to be the nike cabin?" you asked, raising a brow at the boy with a teasing smirk. his face fell for a moment, clearly getting caught in his own lie, before he pulled his face back up, rubbing at the back of his neck and glancing away from you.

"whattttttttt? me, a thief? never in a million years!" he mused back, throwing in a wink that had you turning your back on the boy, hoping to the nervous jitters that ran through your hands.

"now you're a liar, too?" you called to him, squinting at the metal in your hands, knowing work would draw your attention away from him and his flirty habits.

"whatever. can you fix it or not?"

"you already know i can fix it."

"obviously. there are two reason i come to you and you alone," replied connor, ducking his head as your attention returned to him.

"oh yeah? pray tell, sly boy."

"one, you're the best fixer at camp. and two...you're, like, really pretty."

"you kiss ass! plus, she's not even the best-" leo called from somewhere deep in the forges but his argument was cut off by a wrench being thrown in his direction, his cries a clear sign that you had hit your mark.

"you think im the best fixer?" you questioned and connor gave you a strange look.

"and pretty."

"yeah, but i already knew that! let's go back to the whole 'best fixer' thing."

"whatever you want, my best girl."

"EWWWWWW."

"LEO, SHUT UP!"

[marveloustimestwo]

Hii :))) please can I request some general headcanons for platonic tony stark? Sorry I don't have anything specific

Hello :) I'm always happy to do general headcanons for characters, so thanks for sending this in!

Warnings: Yandere themes, talk of Tony's daddy issues

I can see Tony getting attached in a few ways.

The easiest way this could happen is if you were his biological child, especially if you came from his Playboy days and he only found out a few years after you were born.

Tony can admit that he never had a good relationship with his father. The man had always been away for work, and even when he was home, he was cold and affectionless.

So in a case where he suddenly figures out that he has a kid whom he didn't have the chance to meet for several years, he will heavily overcompensate.

He never wants to be like his own dad and the fact that he wasn't around for the first few years will have him scrambling to make up for that.

Of course, the easiest way for Tony to do that initially is with his money. Depending on how old you are, he'll get you gifts that range from toys to books to super fancy computers.

And when he finds out what some of your interests are, you'll have far more than you would need to entertain those interests.

If you're an artist, you'll have all that you could need for your medium, such as incredibly expensive paint sets or the most expensive drawing tablet he could find.

If you enjoy reading, you'll have the most extensive library you could ever need, all right at your fingertips.

And Tony would be especially ecstatic if you were interested in science.

He wouldn't be like his father. Whatever interest you have, he'll be more than happy to learn about it just so he can spend time with you.

All those years without him won't mean much now that he's around all the time.

But if you take after him and are especially smart in science/robotics, you will not have a moment of peace.

He already spends hours in his lab, battling insomnia and nightmares, but you make it better. Now, working isn't just something to distract him, it's also something to bond with you over.

Even if the specific branch of science you're interested in is something he doesn't know yet, he would have no problem learning it.

Tony would happily spend hours in the lab with you, either building things with you or doing his own thing while you worked on your own interests.

The only things that would pull him out of it would be Pepper or Jarvis, who would have to remind him to take care of his own and your physical needs.

In that sort of situation, Tony would not take being separated from you again lightly. If your mother has issues with the way he interacts with you, he would have no problem trying to get full custody.

It would be rather easy considering he's filthy rich, but he'd still rather you have your mother in your life.

Another way I could see him becoming like this is obviously with Pepper.

It'd be like a dampened-down version of the last scenario. He'd want to be better than his father now that he has you, except unlike the previous scenario, he has all the time in the world to do it.

Especially since Pepper can and will keep him in check, so he won't overdo it completely. Tony just sees it as him screwing over his father and showing him that it can be done right.

Thirdly, while I think this is a little more unlikely, you could also be someone younger Tony ends up taking under his wing.

Especially if you're a young hero. If you work around or closely with the Avengers in some way, and he finds out that you're in your teens or early twenties, he will do his best to make sure you don't end up like him.

Tony has a lot of guilt, trauma, and PTSD from being a hero. He can recognize he was extremely arrogant when he was younger, and he didn't take things as seriously as he should have.

If he could save you from all of that, he would in a heartbeat.

Plotonically, Tony will try to do everything he can to make you feel loved. He refuses to be like his father. No matter what, you will know exactly how much he would do for you.

[anastacialy]

actually, fuck it, i AM writing the essay, even if no one will read it.

my thoughts on penelope, how she sees herself, and why the carriage scene's ending is the most important thing in the whole wide world under the cut. and bridgerton season three part one spoilers, obviously.

penelope featherington hates herself. bit of a strong start here but, there we go. that's what you get when i'm going feral about her again at three in the morning. (it was eleven a.m. when i finished writing this post. i rewatched all four episodes of season three...)

i'll start from the beginning — she isn't a confident person. i think that's what a lot of penelope hate really comes down to, not relating to her in that way at all. not understanding what being treated the way she has can do to you. so let's start here:

imagine for a moment, no one fucking listens to you.

this includes her favorite people in the world. her family, for one thing, that's obvious, but her best friend, too. many times we hear eloise discover and re-discover what penelope's interests are in the series because, as she says, "i didn't really hear it." she was so frequently not really listening to her. they've been friends for years, but huge aspects of her friend's personality were completely unknown to her. this isn't anti-eloise by the way, i love her too, but we're adults who can admit our favs are all flawed people. the show wouldn't be nearly as fun if they weren't. eloise continues to belittle others for their interests when they don't match up to hers (like that poor girl who was just really passionate about embroidery) and she's done so to pen, however unknowingly, for ages.

penelope tried to beg marina to not fool colin into marriage. she had so, so many other suitors, so many other choices she could have made. all pen wanted was to not have her other best friend slash crush make that life altering of a mistake. but for this, she was called a child. immature. talked down to as if she knows nothing about the world. (she had been mostly right, by the way, in her insisting that george must still love marina, would still want to marry her, discovering that the letter had been forged. if he'd not died on the battlefield, penelope would have been the one to secure a happy ending for marina.) when she wasn't listened to then, she got more desperate, telling colin that marina was in love with someone else to deter him from the marriage while still careful to not ruin marina's reputation and expose her pregnancy in the process. she tried. but no one would listen.

so only when the situation became dire, she did the only thing that she could, and took matters into her own hands.

which brings us to lady whistledown.

it's interesting, really, that she chose that name. to specify lady so she might be taken seriously, yet not hide under a pseudonym completely removed from herself (i.e. using a masculine pen name or implying she's not a part of the ton at all) it's clear that lady whistledown is, for the most part, what penelope wants to and yet fails to be: someone who commands attention, who people admire and trust for an opinion, someone who gets listened to.

by the time we find her in season three, she's fresh off hearing her crush saying he'd never, ever court her, and her best friend finding out that she was lady whistledown all along and had exposed a secret of hers — only after penelope had, of course, also begged eloise to stop seeing theo, to stop raising the queen's suspicions, and was once again ignored. her only friendships have been destroyed, and she has resigned herself to a loveless marriage of convenience because she can't stand to be ignored, controlled, and belittled by her family any longer. she's ready to take the devil she doesn't know over the devil she does.

so, when i say her self confidence is on the floor, i mean it.

yes, a sliver of hope remains in her, and we can see that in her decisions (wearing parisian fashions, for instance) but her plan remains, she is simply going to marry someone, anyone, because she has to.

but even still, her confidence has not taken it's last hit.

let's imagine some more: no matter what you do, people are going to laugh at you.

penelope finally, finally gets her big moment. people stare at her as she enters the room. she still immediately hides herself in a corner because that's who she's always been, but still. she has a moment. not quite what she'd imagined, i'm sure, as she bought all new gowns, but attention and awe nonetheless. but it cracks almost instantly when her social awkwardness comes out, failing to get anyone to ask her to dance, and shatters completely when cressida destroys her dress before she can ever take to the floor.

colin tells her she looks nice, and her immediate reaction is "do not mock me, please."

it's only after this that she confronts colin about what he said, only after this that she speaks ill of him as lady whisteldown — not saying any more than what his sister had already pointed out earlier in the episode, mind you, that his change in personality seemed disingenuous — only after she has been publicly humiliated that she lashes out in her anger.

and, this anger, she also immediately regrets after colin has proven himself to be kind. it's a bit like making a snide comment online without the ability to delete it after.

but when penelope has hope, she is kind. she writes of the promising ladies of the ton and wishes them well with their matches, when she has hope she speaks positively of would-be spinsters and their successful marriages. many of her earlier musings in previous seasons were to call the women of the ton beautiful, to speak to their skills.

but hope for penelope does not last long. she manages to successfully speak to one suitor at the next ball (which, though this is another argument entirely, is backed by a string quartet version of "jealous" as colin re-approaches her at the drinks table — any arguments that his feelings start at their kiss isn't paying near enough attention) but the entirely true rumor about her having help from him spreads through the vine and penelope is hopeless once more.

and a hopeless penelope is a cruel penelope, as we've seen, and this time, she turns that cruelty inward, publicly. while she later says it would have been suspicious if lady whistledown hadn't commented, in truth, she has proven time and time again that her emotions rule lady whistledown's writings. in that moment, eyes tearful, she was embarrassed and ashamed of herself, she decided to say so. she repeats the same sentiment to colin when he comes to visit her:

"in truth i brought this on myself. a sad, stupid girl who believed she might actually have a chance at love."

and here is where lady whistledown continues to be someone penelope sees as different to herself, because penelope doesn't see herself as a lady. not just for lack of title — she does not see herself as worthy of or requiring protection. to call back to antony's season one romance: "every woman is not afforded such gallant protection." "every woman is not a lady."

she says nothing of him bribing her maid to give them time alone. like most of the ton she doesn't think the time they spend alone together could be anything other than platonic, at least on his end. they spent extended time unchaperoned at the bridgerton house and not once did she speak on impropriety. he'd been alone with her in the previous season and even when they were caught no one had a thing to say about it. no one questions it because penelope is not recognized as desirable, not seen as needing this protection, not seen as a lady. she is seen, even by herself, as a spinster already.

when she asks colin for a kiss, she reassures him that she would ask nothing of him for it, she would not entrap him in a marriage citing impropriety, she doesn't even think about whether someone might see. she does not care in this moment if she is to be "ruined," she only wants to feel some illusion of intimacy, some imitation of being wanted. even her running back inside immediately after, and the subsequent conversation under the willow tree, are further proof that she doesn't believe he could have kissed her for any reason other than pity.

and, even after all she goes through with lord debling, she is still not the only object of his affections. the entire time she pursues him, cressida is there, hot on the trail, ready to sweep him away on a moment's notice. penelope writes of their dance that his choice of her is surprising. though her feelings for colin have not simply fluttered away once debling's shown interest, her possible engagement to debling is on a wavering tightrope. not once in this can she feel wholly at ease with lord debling, only afforded a bit of security once he asks her mother for her blessing. and amongst this, her mother still belittles her, saying she should not become greedy for wanting to marry someone who actually cares for her.

she asks lord debling if he might ever love her, in all the years of marriage they may have ahead, and he says probably not.

and when colin breaks up her proposal, insisting debling isn't right for her, still penelope does not even consider, can not even conceptualize that it might be done out of jealousy. colin having feelings for her is laughable, she says as much, and it is the same thing she has been told over and over since the start. he chases after her carriage out of breath asks to be let in, gets on his knees and tells her he can't stop dreaming of her and she tells him "please. do not say things you do not mean." she cannot imagine that any of this is real. it is confusion that prompts her to repeat the agreement they had in episode one, "but, colin, we are friends."

and while an entirely separate essay could be written about the rest of the carriage scene, it is what happens the moment the carriage arrives at bridgerton house that stands out to me. they have this moment, colin asks "could the carriage driver not keep on driving?" and they both laugh, the way they always do with one another, and he fixes her dress (carefully, avoiding using a select few fingers as he does so) and they kiss again, and he gets out of the carriage.

and for a single, heartbreaking second, penelope's face falls, and she calls after him: "colin?"

it is so clear in her demeanor that she thought that was it; that's all she gets. the fantasy is over and it is back to reality. for a split second, she believes he is no longer hers.

for a single second, it's as though she thinks he is going to shut the carriage door on her, and walk away.

but he turns around, hand outstretched, asking if she'd like to come in. and she's once again confused, "what?"

do not say things you do not mean. do not mock me please.

and when he says: "for god's sake, penelope featherington, are you going to marry me or not?"

she looks so relived she could cry.

[chatonnoir]

Adrienette stans wanna gaslight Ladynoir stans who don’t like this plot point and act like Ladynoir was always meant to be platonic from the start and Adrienette was obviously always meant to be the side that would start dating .... No.

My dudes there is a reason Ladynoir has always been more popular than Adrienette among the online fandom. There is a reason the bulk of the fancontent when the show first came out focused on romantic Ladynoir. Hell there is a reason Zag chose for their expensive piece of ship merch to be a $300+ Ladynoir statue. They’re even using romantic Ladynoir scenes to advertise their movie now. Stormy Weather, the pilot episode, the episode meant to introduce us to and sell the show to us and networks, was 99% Ladynoir. Every “Valentine’s” episode (Dark Cupid/Glaciator) has been heavily Ladynoir-centric. Chat Blanc, despite starting with Ladrien followed by an Adrienette dating montage, was heavily Ladynoir centric. “Our love did this to the world" came through Ladynoir. We were shown Ladybug getting upset any time Chat Noir seemed to show interest in another girl. We were given “maybe if Adrien didn’t exist, I’d feel differently about Chat Noir...” in s1. We were given Ladybug explicitly dodging Chat Noir’s question of if things would be different between them if her “other boy” wasn’t a factor. We were given “maybe if I show Ladybug my true self, she’ll fall in love with me,” followed by that very thing happening. We were given a second coup de foudre in Strike Back. The first kiss in this show happened through Ladynoir. The first kiss they were both conscious of happened through Ladynoir in Jubilation. We were shown Ladybug blushing after Chat Noir kissed her cheek in Glaciator. We were shown Ladybug progressively learning that Chat Noir is more sensitive than she thought and not the kind of guy she thought he was and growing closer to and more fond of him over the course of the series -- the plot of like every good romance worth reading (Pride and Prejudice anyone??).

Everyone picked up on the romantic vibes and the depth of their relationship over the past 7 years and now y’all wanna pretend we were hallucinating all along just because your fav side is canon and y’all don’t want to acknowledge the fact that cutting out Ladybug’s feelings for Chat Noir after 4 seasons of development and literally /3 episodes/ of actual visible feelings is an insane choice because it gets in the way of said side being canon. We all picked up on the fact that Chat Blanc and Ephemeral both told us explicitly that Adrienette can’t safely be together as civilians because Gabriel can and will use it to his advantage even without knowing their identities and now y’all want to pretend we’re the ones who weren’t paying attention when even the show was telling us that Adrienette is the side that can’t happen. Apparently the payoff of the 7-year-buildup of Ladybug realizing her romantic feelings for Chat Noir was ... three whole episodes. Followed by her ditching him entirely. Y’all are okay with completely ignoring the insane choice of having Marinette and Adrien not at all worried about abandoning their partners and spitting on “I’ll never abandon you” and every time they’ve ever said “you and me against the entire world” because all you see is weee cute Adrienette scenes <3333.

Like I said I and many others did not watch this show for a generic school romance we watched this show for a Love Square with identity shenanigans because that’s what was being sold to us yet apparently it was never about the "falling in love twice” and the parallels between the two relationships and two loves even though that’s what the past 4 seasons told us it was because it was actually just “adrienette with some obstacles” all along and oBvIoUsLy it was always just meant to be about romantic Adrienette!!!1!!1 I did not watch 7 years worth of romantic development on the Ladynoir side just for Adrienette stans to decide to tell me that I was actually hallucinating that whole time and that Ladynoir was always meant to be platonic

[cementcornfield]

Ja’Marr changed his profile picture on Instagram… our boy is going through it rn 🥺🥲 Also could be because he misses his son

Also Joe Mixon commented “We got you brother” 🥹

i did notice that 😔 and i'm trying not to read too much into it! i can definitely imagine he's taking comfort in loved ones like his son right now to get through it (it is a super cute picture)

loved all the supportive comments on joe's post yesterday, from mixon, to cj stroud, to patrick queen - a bunch of the receivers etc etc. that man is so loved by his teammates and it shows!

[astrxealis]

fuuta is so interesting tbh

[daydreamerdrew]

From Doc Shaner’s podcast interview with The Comics Cube:

Duy Tano: We've been talking about characters like the Golden Age Captain Marvel, Space Ghost, so we're going really old here, Flash [Gordon] is even older than the Golden Age Captain Marvel- what is the appeal of the retro stuff to you?

Doc Shaner: It's hard to say. Obviously I'm not old enough to have known those characters when they were most popular, or when they first came about, so it's not like I have legit nostalgia for them, per se. But, I think, certainly, it's got to be at least partially an aesthetic that I'm fond of, a lot of the art deco stylings and the simple bold choices made by Beck and Alex Raymond and a lot of those creators is certainly very appealing to me. I like the simplicity of the characters. And they're so big and broad that I think there's a lot of fun to be had and kind of boring down and getting specific with those characters.

Duy Tano: What do you feel about the fact that the Golden Age Captain Marvel was the biggest superhero of the 1940s? And Flash Gordon might have been the biggest "superhero," though the word didn't exist back then, before Superman? And what do you think about the fact that those are like kind of just lost to history, you know, people don't know that? They see a Shazam movie coming out and they're like 'oh, who's Shazam?'

Doc Shaner: It's tough because I think Flash Gordon, certainly, even with a movie in the 80s, that was set in the 80s, it's unambiguously supposed to be of its time, and then the cartoon and what have you, so much of Flash Gordon is caught in his original time period, just the whole notion of him being just a guy who's really capable, that's a very old-school notion. Even with like modern action stars and movies and TV and stuff, there's still something about Flash that feels of it's time. And I think, unfortunately, a lot of that's still stuck on Captain Marvel, too. My theory has always been that Cap got essentially taken off the stands during the Silver Age of Comics, he wasn't able to grow in a lot of the ways Superman did, and Batman and a lot of those characters did. A lot of those DC characters grew and thrived in the Silver Age. And he missed, you know, the advent of Marvel Comics, too. So when DC tried to bring Cap and the family back, he was still very much a 40s character. And I don't want to deny the charm of that because there certainly is. It's what drew me to him in the first place, was that charm. But I think it also stagnated him in a big way, that I think that time period let the greater audience, the greater reader, think of Superman and Batman as being a little more malleable than Captain Marvel. And because of that, creators and readers alike, I think we struggle to let Cap grow naturally, because we want him to be the way he was, cause that's what we like about him. I think after I did Convergence: Shazam! with Jeff, that was why I, for a long time, I think I'd kind of closed the book for me and Shazam. Because I'd gotten my feelings of retro Golden Age nostalgia out of my system with those two issues. Jeff and I knew that it was not an opportunity that was going to come along very often, so we did everything we could to pack as much of our Captain Marvel fanboyism into those two issues. So we put as many villains as we could in there, and the whole family, and Tawky, and even Mr. Morris, and Uncle Dudley. We did everything we could because we knew we weren't going to get another chance like that to work with that version of the character. But yeah, I think for a long time it made me kind of think 'no, I think I'm done with Shazam' because I don't know what we can do with that character and that world, first what DC'll let us do, and what the readers will let us do, because I think a lot of times those are at odds.

[kindacreepy-kindaugly]

So. Turns out he hates me (in part) cause I'm the reason he's here

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[tizeline]

Some snippets into Donnie's relationship to his brothers in the Separated AU

So after having figured out that Donnie is in fact their Long Lost Brother, the Drax Trio obviously want him back, and while Donnie is initially excited to find out that he has a bunch of siblings, he's less excited to find out that they're a bit, uh, evil. And they keep insulting April!! How dare they!!! Not to mention, he already has a dad, he doesn't need a new one! So no, Donnie isn't planning on just leaving his current family behind for this new one, and his brothers react to this in various different ways.

As much as Mikey wants Donnie back, Dr. Feelings understands that this is quite the adjustment for Donnie and that he may need some time to come to terms with the fact that he actually belongs with them and not with the humans. Mikey doesn't wanna force his brother to reunite with them, so instead he tries to convince Donnie to come home willingly through various ways. I mentioned this in an earlier post, but AU Mikey is essentially trying to give Donnie a redemption arc like Canon Mikey did with Draxum

Raph, however, sees Donnie and immedietly goes full Protective Big Brother Mode. He thinks the best course of action is to "forcefully rescue" (kidnap) him and and then convince him to stay and be apart of their family. He's can't help catastrophizing about all the way his baby brother is definitely being mistreated by Lou Jitsu and April and all the other evil humans oh NO they have to SAVE HIM!! The only reason he doesn't is because no one else in the Draxum family thinks it's a good idea

And then Leo. I'll go more into detail about Leo's character in this AU at a later dat cuz hhhhhhh but basically, he's still dealing with pretty intense Middle Child Syndrome and the LAST thing he need is another middle child joining the family! Why are all his family members so obsessed with getting Donnie back anyway? He's already clearly chosen the human side so why waste their time on him! .....Now that's not entirely the whole truth, he's kinda ecstatic when he first meets Donnie, except Donnie doesn't seem to care about them any, which... ouch.

Another way to describe their dynamic would be similar to their canon dynamic, a lot of friendly bickering.... except they don't really know each other and are also enemies here so like.... UNfriendly bickering.... which is just bickering lol. They fight a lot, is what I'm getting at.

Anyway you know the family dinner scene with Draxum in season 2 of the show? Yeah, Mikey tries that tactic here too. Like I said, Mikey wants to be patient with Donnie, but he does eventually get a bit tired of Donnie acting so hostile all the time so he starts organizing hangouts for the four of them (attendence is mandatory!)

And poor Donnie, this whole situation is a bit of an emotional rollercoaster for him, as you might imagine. Reuniting with your secret lost family is fun for all of five seconds before you find out that they're actually kinda messed up uh oh. A big reason why Donnie acts so hostile towards his brothers is because it's easier for him to just dismiss them as mere enemies that he feels no attatchment to. He's basically being made to pick between this new family and his old one is Not Fun.

[sugarlywhispers]

Katsuki is trying—FUCK, he really is fucking trying not to make a sound, but it's way more difficult than what people think.

And when he hears the door to the hallway open, he immediately reacts covering his bed and himself, bringing the covers almost to his naked chest. He grabs a book that is in his nightstand and he pretends to the best of his ability to be immerse in reading that stupid book.

Two knocks to the door of his room can be heard and he fakingly sighs in annoyance as he says, "come in".

The distinctive red hair of his roommate appears first before his face, "Everything alright, man?" Kirishima smiles.

Katsuki rolls his eyes in real annoyance this time before replying a simple yes. He feels a thick drop of nervous sweat rolling down behind his neck that he is very skilled to hide by simply scratching the back of his neck, but it seems Eijirou hasn't noticed yet. The blond is very proud to admit that he is good at hiding. Stuff. And emotions.

The red head nods before saying, "Hey, Y/N is coming over for dinner. I don't want to bother you, but do me a favor? Be sweet to her. She kinda has a crush on you."

Katsuki pulls up an eyebrow, looking as oblivious as he can, "Oh, really? I had no idea..."

Eijirou rolls his eyes at his best friend, "Of course you didn't. You of all people wouldn't know even if she confessed right at your face."

Katsuki doesn't answer back.

"Anyway, I'm going out to buy some groceries. Need something?"

"Nope," he answers, his attention back to the book he is actually not reading. Eijirou nods as he closes the door again and walks out.

Katsuki doesn't dare to move until he actually hears the front door of the apartment open and close. And that's when he can't avoid the snort that it's stuck at his throat, waiting for desperate release. Next to him, the covers finally move as you peak from under them, frowning in annoyance at him.

"Shut the fuck up," you protest, your hair tangled all around, cheeks cutely rosy and sweat obviously thanks to the thick covers. He can't help but laugh out loud. "It's not funny!"

You try hard not to laugh with him as you climb up, straddling his hips, your glorious naked body making him distracted from his previous amusement. He sits up too, big and strong arms surrounding your waist as you interlace your fingers with his hair at the back of head.

You both smile at each other, your nose caressing his cutely, and he feels like eating you up.

"So you have a crush on me, hmm?"

"Shut up," you say, hips beginning to move to create friction between your naked bodies as your lips find his again. Tongues fitting to gain control as his hands travel down to your ass to guide you in your movements.

A crush? Oh dear... if Eijirou only knew...

a.n; y/n and kirishima are best friends too. only katsuki and y/n are kinda(?) dating (?) fucking (?) fwb (?) lol idk 🙃

[barbiewritesstuff]

I can't stop thinking of knitting Astarion a blanket.

Maybe it's because I'm elbow deep into crocheting baby clothes but who knows

Like, imagine knitting or crocheting Astarion a blanket. Because everyone else managed to bring something along for the journey when the mindflayers kidnapped you, you had a backpack and some coin, same for Laz'el, and Shadowheart and Gale and probably everyone else, but not Astareon.

He has nothing, not a coin to his name. Just a dagger, a bow, and a few arrows. He steals what he needs to make his tent but he's all too aware that none of it is really his.

And then he sees you working on your project by the fire, sipping on a mug of steaming tea or coffee. He sees you wandering around villages and random groups of people, bartering your way to some yarn.

Of course he's curious. But he'd never ask, because, obviously, it would never be any of his business. It could never be for him. And then, after working on it at any moment you could, you come to him one night with the blanket neatly folded in your hands.

"I don't know if you get cold," you say, "But I thought you might want a blanket if you do."

You're so awkward, you know Astarion likes the finer things in life. He likes luxury, and this is hardly luxury. It's a dark blue, but only because you died it. The yarn you bartered never came in the same colour and sometimes it wasn't even the same thickness. You tried to match it as best you could, but it wasn't perfect.

Astarion notices it and for the first time in his very long, miserable life. He doesn't give a shit. Because it's his. Completely, 100%, his own thing. Cazador has never touched this, he has never seen this, he will never lay a finger on his blanket. And the fact that it's his is only overshadowed by the fact that you made it for him. Not because he likes you, he's not even realised that yet, or not properly anyway, but because you looked at him, fangs, sarcasm, blood thirst and all, and decided you were going to take a tenday and make a blanket to gift to him. You decided he was worthy of yarn, time and effort. All so he could be a little warmer at night.

That blanket might not be worth much, if anything, but when you're as used as Asterion is to being worth less than shite, it's like happening upon a vault of precious diamonds.

He doesn't say thank you, he just grabs it from you and tries to act nonchalant. Because if he opens his mouth, he might actually just start crying.