#even though the Pre-Crisis version is my favorite version

[daydreamerdrew]

From Doc Shaner’s podcast interview with The Comics Cube:

Duy Tano: We've been talking about characters like the Golden Age Captain Marvel, Space Ghost, so we're going really old here, Flash [Gordon] is even older than the Golden Age Captain Marvel- what is the appeal of the retro stuff to you?

Doc Shaner: It's hard to say. Obviously I'm not old enough to have known those characters when they were most popular, or when they first came about, so it's not like I have legit nostalgia for them, per se. But, I think, certainly, it's got to be at least partially an aesthetic that I'm fond of, a lot of the art deco stylings and the simple bold choices made by Beck and Alex Raymond and a lot of those creators is certainly very appealing to me. I like the simplicity of the characters. And they're so big and broad that I think there's a lot of fun to be had and kind of boring down and getting specific with those characters.

Duy Tano: What do you feel about the fact that the Golden Age Captain Marvel was the biggest superhero of the 1940s? And Flash Gordon might have been the biggest "superhero," though the word didn't exist back then, before Superman? And what do you think about the fact that those are like kind of just lost to history, you know, people don't know that? They see a Shazam movie coming out and they're like 'oh, who's Shazam?'

Doc Shaner: It's tough because I think Flash Gordon, certainly, even with a movie in the 80s, that was set in the 80s, it's unambiguously supposed to be of its time, and then the cartoon and what have you, so much of Flash Gordon is caught in his original time period, just the whole notion of him being just a guy who's really capable, that's a very old-school notion. Even with like modern action stars and movies and TV and stuff, there's still something about Flash that feels of it's time. And I think, unfortunately, a lot of that's still stuck on Captain Marvel, too. My theory has always been that Cap got essentially taken off the stands during the Silver Age of Comics, he wasn't able to grow in a lot of the ways Superman did, and Batman and a lot of those characters did. A lot of those DC characters grew and thrived in the Silver Age. And he missed, you know, the advent of Marvel Comics, too. So when DC tried to bring Cap and the family back, he was still very much a 40s character. And I don't want to deny the charm of that because there certainly is. It's what drew me to him in the first place, was that charm. But I think it also stagnated him in a big way, that I think that time period let the greater audience, the greater reader, think of Superman and Batman as being a little more malleable than Captain Marvel. And because of that, creators and readers alike, I think we struggle to let Cap grow naturally, because we want him to be the way he was, cause that's what we like about him. I think after I did Convergence: Shazam! with Jeff, that was why I, for a long time, I think I'd kind of closed the book for me and Shazam. Because I'd gotten my feelings of retro Golden Age nostalgia out of my system with those two issues. Jeff and I knew that it was not an opportunity that was going to come along very often, so we did everything we could to pack as much of our Captain Marvel fanboyism into those two issues. So we put as many villains as we could in there, and the whole family, and Tawky, and even Mr. Morris, and Uncle Dudley. We did everything we could because we knew we weren't going to get another chance like that to work with that version of the character. But yeah, I think for a long time it made me kind of think 'no, I think I'm done with Shazam' because I don't know what we can do with that character and that world, first what DC'll let us do, and what the readers will let us do, because I think a lot of times those are at odds.

[luthwhore]

I want to preface this by saying that I haven't read every comic in which Lex has ever appeared, and most of what I've read has been from the last two decades or from the Bronze Age; I am still working my way through most of his post-crisis/pre-flashpoint content.

These are also recommended based on how much I personally enjoyed them, so there is a bit of subjectivity here. However, if I think a comic is particularly important to Lex’s canon and/or objectively well-written, I will try to make note of it, even if it doesn’t suit my own tastes.

Stuff listed as “further reading” is content I have more mixed feelings about or that features Lex less prominently, but still think is worth a read if you want to dig a little deeper.

There are a few things I recommend avoiding unless you really, really want to read it for historical reasons (often because the comics include triggering content), and I've tried to make note of these as well.

⭐️ = most important for current continuity 💜 = personal favorites

Superman: Birthright by Mark Waid ⭐️

Generally considered the definitive retelling of the Superman origin story, and the comic that reintroduced the idea of Clark Kent and Lex Luthor growing up together in Smallville to the mainline canon after it was written out during Crisis on Infinite Earths.

Further Reading

↳ Superman: Secret Origin (alternate telling from Birthright) ↳ Action Comics Special #1 - "The Last Will & Testament of Lex Luthor" ↳ Superman: American Alien (Superman origin story that actively contradicts Superman: Birthright, but has some fun Lex moments)

Lex Luthor: A Celebration of 75 Years 💜

Not a single comic, but rather a historical account of Lex through the ages. Rather than featuring entire arcs, it tends to feature a single issue that showcases the Lex of each era, so it's a good read to figure out what versions of Lex you personally enjoy. Some of the stories in this collection are included elsewhere on this list.

JLA: Rock of Ages by Grant Morrison (JLA 1998 #10-#15)

Lex and the Injustice Gang take on the Justice League! I really like Lex's characterization here because it really shows how Lex thinks, and it does a great job showing that despite being a villain, Lex does have standards and tries to avoid unnecessary bloodshed.

Salvation Run by Bill Willingham & Lilah Sturges 💜

A villain vs villain story, featuring most of the DCU's villains being stranded off-world together and comparing Lex's style of leadership with the Joker's. Probably one of the best examples I've ever read of exactly how competent Lex is, and seeing him go head-to-head with the Joker is a delight.

Superman: The Black Ring by Paul Cornell (Action Comics #890-#900)

Might be a little hard to follow if you're not familiar with Green Lantern lore, but the arc does a great job with balancing Lex being villainous with still feeling fun and flawed and human. Not a lot of interaction with Superman until the very end, but there is a lot of Lois in this one. (Sort of. You'll see.)

Further Reading

↳ President Luthor: Secret Files and Origins ↳ Superman's Nemesis Lex Luthor ↳ Lex Luthor: Man of Steel ↳ Superman: Last Son ↳ Superman: Unchained

Forever Evil by Geoff Johns ⭐️

The start of Lex's "hero" arc, which spans from the end of n52 until 2018. Functions as a bit of a reset for his character and sets the tone for everything from here on in Lex’s continuity. It gives some insight into Lex’s relationship with Lena post-reboot, and has a very sweet take on his relationship with Bizarro.

Justice League (2011) by Geoff Johns ⭐️ (Lex appears in #30-52, though you can start at #24 if you’re interested in the setup for Forever Evil)

Follows up on the events in Forever Evil and kickstarts Lex’s several years’ long time as a formal part of the Justice League. I really enjoy his dynamics with each of the Trinity here, particularly with Diana. I would recommend the Darkseid War arc in particular (especially if you’re a Clex shipper), but the whole thing is enjoyable. Lena also appears here! Read Justice League: The Darkseid War - Lex Luthor between #45 and #46.

Action Comics: Path of Doom & Men of Steel, by Dan Jurgens ⭐️ (#957-962, #967-970)

Continues on with the “Super-Lex” arc teased at the end of the previous Justice League arc. This is also where Jon Kent (Clark & Lois’s son) is introduced. There’s a lot more Clark & Lex interaction here than most of the other comics in Lex’s hero era, and you do get the sense that he is genuinely trying to do the right thing, even if his motivations for doing so are a bit…self-centered.

Superman: Imperius Lex, by Patrick Gleason & Peter Tomasi ⭐️ (#33-36)

The end of the Super-Lex arc, though not technically the end of Lex’s time as a hero. Make sure to read the n52 Justice League: Darkseid War arc first, since it references the events heavily. Great Clark & Lex content, including a scene of them being stranded on a red sun planet together.

Justice League: No Justice, by Scott Snyder, James Tynion IV, & Joshua Williamson

The official end to Lex being a hero and a member of the Justice League, as well as the setup for the Legion of Doom & Year of the Villain arcs. Imo, his reason for becoming a villain again is pretty contrived and frustrating, but it does set up what will end up becoming a very important dynamic between Lex and the Martian Manhunter in the next arc.

Further Reading

↳ Action Comics #23.1 - Bizarro ↳ Action Comics #23.3 - Lex Luthor ↳ Superwoman (2016) #1 - #8

⚠️ Note: Superwoman (2016) issues #1-8 feature both Lex and Lena and follow up on what was set up in Forever Evil and Justice League (2012), but the writing around Lena’s disability is extremely ableist. It does feature a lot of Lena and expands more on the backstory set up in Forever Evil, and there are a few good character moments for Lex, but Lena's treatment is pretty bad, so read with caution. ⚠️

Justice League (2018) by Scott Snyder & James Tynion IV (#1-39)

Lex’s return to classic villainy, along with the Legion of Doom. The arc is a little weird in places and I’m not crazy about some of the choices made, but his dynamic with the other villains is fun, and I enjoy his relationship with the Martian Manhunter. I personally like both Snyder and Tynion as writers enough to power through the general weirdness of this arc, but your mileage may vary. It’s pretty dense and hard to follow at times and I felt like it didn’t really hit its stride until about issue #8, so you might need to power through a bit at the beginning.

Year of the Villain: Hell Arisen by James Tynion IV

Follows up the “Year of the Villain” plot set up in Justice League. It’s weird as hell but it does have some good character moments for him, and more importantly, features the conclusion of the arc.

Further Reading

↳ Justice League Annual #1 ↳ DC’s Year of the Villain Special #1 ↳ Year of the Villain: Lex Luthor 💜 (Features an alternate universe where Lex is married to that universe's Kal-el. No, really.) ↳ Dark Nights: Death Metal ↳ Action Comics #1000 (special anthology issue)

Superman: Son of Kal-El (Annual #1) by Tom Taylor

I don’t have strong enough feelings about Lex in Son of Kal-El for me to recommend the whole series for him alone, but his interactions with both Clark and Jon in the annual are very enjoyable. (If you like the annual and you enjoy Jon, Lex is a recurring character in SoKE, and the series is a pretty quick read.)

Batman: The Abyss, by Joshua Williamson 💜 (Batman (2016) #118-121)

Technically a Batman story, but a very short one. Superman is currently off-world, so naturally Lex needs to find another hero to menace. Williamson is the current writer on the mainline Superman book and imo he is THE best Lex writer at DC. He really captures the way Lex earnestly views himself as a hero while doing the most unhinged bullshit you have ever seen. Worth a read if only to watch Lex take Bruce on the worst date of his life.

Action Comics #1050, by Joshua Williamson, Philip Kennedy Johnson, & Tom Taylor ⭐️

Provides context for the current Superman run. You could technically skip it, but with Williamson as a co-writer, I have no idea why you would want to. Lex is truly a mess in the most enjoyable way here.

Superman (2023), by Joshua Williamson ⭐️

The holy grail, the crown jewel, THE comic to read if you’re a Lex fan. The comic is only a few issues in as of writing this list, but Williamson really hits the perfect balance of making Lex funny and charming while still kind of being an asshole. (Updates monthly, though July-August won’t have new issues while the Knight Terrors arc is coming out.)

Further Reading

↳ Superman: Son of Kal-El ↳ Superman: Kal-El Returns ↳ Superman’s Pal Jimmy Olsen (2019) ↳ Lazarus Planet: Assault on Krypton ↳ Action Comics: The Rise of Metallo

The Last Days of Lex Luthor, by Mark Waid 💜

Written by the same author as Superman: Birthright. This comic is a Black Label comic, which means it’s not part of the mainline continuity and is more “adult oriented” than the mainstream books, so the writer has significantly more freedom and it shouldn’t take a lot of prior knowledge. In this comic, Lex is dying, and Superman is trying to find a way to save him. (The comic will be 3 issues long, released every other month.) I would strongly recommend reading Superman: Birthright first, though it's not mandatory.

Smallville: Season 11, by Bryan Q Miller 💜

The S11 comic is a little bloated with random cameos from other DC characters and the art is pretty inconsistent at times, but there are some really nice moments in it if you want more Smallville Lex. You can skip the Titans & Lantern arcs if you’re not interested in the extended Smallville universe, but the rest of the comic features Lex pretty heavily. Prepare yourself to cry over Otis. If you read nothing else, read Smallville: Alien, particularly if you're a Clex shipper.

Batman: Last Knight on Earth, by Scott Snyder 💜

A post-apocalyptic/dystopian future story, following Batman as he attempts to make his way back to Gotham. Lex only appears in issue #2, but Scott Snyder really loves his villains unhinged and psychosexually obsessed with their heroes. Lex’s fate in this might make you tear up. ⚠️ Character death warning. ⚠️

Clark & Lex: A Young Superman Graphic Novel, by Brendan Reichs

Young Clark Kent enters a competition to win an internship at Luthorcorp, where he meets and befriends a young Lex Luthor. Heavy Smallville influence is present here! This novel is marketed as the first in a series, so we'll hopefully see more in the future.

Further Reading

↳ All-Star Superman (widely considered one of the best Superman stories ever written, but I would not recommend if you’re new to Superman) ↳ DC Bombshells ↳ Injustice: Gods Among Us / Injustice 2 / Adventures of Superman: Jon Kent (would not recommend these if you’re new to DC)

Prior to the changes made to Lex's lore in the wake of "Crisis on Infinite Earths", Lex had been a mad scientist first and foremost, and had generally been portrayed as fairly human and flawed. This version of Lex grew up in Smallville alongside Clark Kent, though in the 80s and beyond this would be written in and out of his continuity several times.

These can be a little campy and goofy at times, since the comics were still being marketed toward children and were largely episodic, but there are some truly excellent bits of characterization for Lex within the pre-crisis canon, and it really is a treasure trove of Clex content if you're into that.

How Luthor Met Superboy, by Jerry Siegel (Adventure Comics #271)

The original story of Lex and Superboy (Clark) meeting for the first time. Eventually retooled slightly for Elliot Maggin's "The Luthor Nobody Knows" and then massively overhauled for Superman: Birthright, but this is the original, and while a bit corny and dated, some parts of it still hold up!

The Showdown Between Luthor and Superman, by Edmund Hamilton (Superman #164)

Lex and Superman face off on a red sun planet in an attempt to prove once and for all which of the two of them is stronger. The start of the short "Lexor" arc wherein becomes a hero on another planet.

Luthor Unleashed!, by Cary Bates 💜 (Action Comics #544)

The conclusion of the Lexor arc (mentioned above). Lex has a wife and child on Lexor, and considers that he might even be able to let himself be truly happy there. Unfortunately for him, his obsession with Superman wins out.

The Luthor Nobody Knows, by Elliot S! Maggin 💜 (Superman #292)

This story is somewhat of a retelling of "How Luthor Met Superboy", but told via flashback from the perspective of Superman. It's a bit more introspective than the original Silver Age story, with Clark reminiscing on his relationship with Lex.

The Einstein Connection, by Elliot S! Maggin 💜 (Superman #416)

Long before Smallville decided to make Lex an Alexander the Great fanboy, pre-crisis Lex uphold Albert Einstein as one of his heroes. A great character study on pre-crisis Lex, and in general a great example of the more "frenemy"-esque dynamic that Maggin wrote Clark and Lex with.

The Ghost of Superman Future, by Elliot S! Maggin (Superman #416)

A story set in the far future, with an elderly Superman recounting his life, including his friendship with Lex Luthor and all of its many ups and downs and complications. Contains the first-ever reference to the idea of Lexcorp, though it would not be fully incorporated into the mainline canon until post-crisis when Byrne revamped the character. ** If you like this story, I would strongly recommend reading Elliot S! Maggin's short story "Luthor's Gift", as it delves further into the dynamic between Clark, Lex, and Lois and presents a very bittersweet story of the end of Lex and Lois's lives. **

Further Reading

↳ Luthor -- Super-Hero! (Superman #168) ↳ Lex Luthor -- Super Scalp-hunter! (Superman #282) ↳ The Parasite's Power Play (Superman #286) ↳ Seven-foot-two... and Still Growing! (Superman #302) ↳ Welcome to Luthorcon III! (DC Comics Presents: Annual #4)

There are some I would personally recommend only reading for historical purposes, as they do not have a lot of connection to Lex's current characterization and have largely been retconned. These contain some pretty triggering content and I will try to warn for it where appropriate.

Superman (1986) and The Man of Steel (1986) by John Byrne

John Byrne was tasked with rebooting the Superman franchise after Crisis on Infinite Earths and made a lot of sweeping changes to the Superman lore at the time. One of the changes made was to switch Lex from a mad scientist who grew up in Smallville and was friends with Clark Kent as a child to a corrupt billionaire who grew up in Metropolis. A lot of the emotional complexity and depth of the pre-crisis version of Lex was stripped away into making him more unambiguously villainous. The Lex of the Byrne era is... to put it delicately, very predatory and abusive to the women in his life. John Byrne is also a far-right conservative and his politics in general bleed through a lot into his work, so I don't recommend it on... pretty much any level.

Lex Luthor: An Unauthorized Biography by James D. Hudnall

This comic contains Lex's Metropolis-based origin story, which would be his accepted origin from Crisis on Infinite Earths through the publication of Superman: Birthright. On top of lacking most of the aspects of Lex that most people who like him actually appreciate, this comic continues the Byrne-era trend of Lex being sexually predatory and physically abusive to the women in his life. You've been warned.

[tailsrevane]

[tv review] ds9 4x07 “starship down” (1995)

i always dread straightforward action-heavy episodes, but that’s because i always forget that star trek action is always much dorkier, much more character-motivated, and consequently just objectively better.

this episode is like one part submarine movie, one part a pared-down version of tng’s “disaster,” which is quietly just one of the best episodes of that series. the thing is, this episode is just kind of… better? fuck, it’s just better. “disaster” is extremely good, and ds9 taking a stab at the same concept is better.

… this is a microcosm of my feelings on both shows, actually. i love tng, warts & all, but i’m increasingly coming around to the not-exactly-hot take that ds9 is just the best pre-nutrek star trek series, and it isn’t particularly close. and like, i can love both things, but i have that stupid compulsion to declare one or the other “the best” or “my favorite,” and i think it’s pretty clear to me now that ds9 deserves that nod.

like, fuck. this episode has a like sub-sub-subplot between two tng characters that utilizes one of them in an insightful way he was never utilized on tng, and continues patiently developing the other one in a way that he’s always deserved but never really gotten until he walked across the lot to this show at the beginning of this season.

like, i never would’ve imagined o’brien giving worf advice about leadership? but it really shows the kind of knowledge he’s picked up due to his long experience even though he has no ambition to become a commissioned officer himself? like, there’s a weight to his advice, and worf being willing to listen to his advice & able to integrate it to his command approach on the fly during a desperate situation is crazy awesome, and just, fuck he is so good, i’m not sure he isn’t still my favorite star trek character. (it’s so hard to choose.)

also, as previously alluded to, this continues the story of worf gaining the skills to one day be a captain himself, something that he’s always deserved but never really started making moves towards until ds9. and although sisko is busy being k.o.ed, i also love how involved he gets in helping worf develop in this way later in the series. and while worf is the most consistent example of it, you might actually recall that sisko had a preliminary discussion with edington of all people at the end of last season about this very thing? which is fascinating in its own right considering some future plot lines with edington, but i digress.

speaking of sisko being k.o.ed, though, a small detail that meant a lot to me was that even though worf had to assume command of the defiant in a crisis (and did a great job btw), he also knew exactly how to give first aid to sisko for his concussion/possible brain bleed and made sure kira was on top of that before moving on to his other duties? i just always love when characters in these shows are portrayed as being good at their jobs, good in a crisis, and when writers remember shit like “worf has had to triage injuries before and he’s really fucking good at it.” again, tiny detail, but one that meant a lot to me.

so, uh, yeah. great submarine movie episode, guys!

a-rank

[loopy-atla-fanfic]

Could you ever see Maikka settling down and having a family? (Personally I get the notion that Sokka would slowly lure Mai into domesticity one step at a time. One day she’s like “no I’m not giving birth to any smelly little monsters” and the next she and her husband are driving a minivan to soccer practice with 3-4 kids in the backseat, or the equivalent of that in the ATLA universe.)

Just asking because you write Sokka and Mai as well as anyone in the fandom and your fics with them are superb

Thank you very much! They're my two favorite characters to write, so it's gratifying to hear that I mix them well. I was having fun a lot more efficiently when I was writing them together. XD

Usually, when I pair them up, I cast Sokka as more of a nomad. He's driven to protect the people he loves by going all over the world trying to solve the dirtier and more dangerous problems for them. Of course, that suits Mai just fine, who if she's not lairing in the Fire Nation has no where else she's inclined to call home, and constant travels and dangers definitely keep her life exciting.

But we saw in LoK that the canon version of Sokka does indeed eventually allow himself to take on real leadership positions, and I very much like that even though I haven't given myself many opportunities to write about it. (Hm, perhaps I should finally finish that "Trapped" Maikka trilogy with "Trapped in Republic City"?) I see that as a natural extension of his work as a globe-trotting troubleshooter, only Republic City never runs out of trouble for him to shoot so he ends up staying and helping to run the place. A city that exciting would service Mai as well, and even when she's not helping to solve a crisis, I think Republic City itself offers enough pleasures and vices for her- or at least the version in my head does, as implied by most of the pre-release material.

And something I'd love to explore for Mai in particular is her physical decline. Yeah, it's fun being a teenager and 20-something able to throw knives with pin-point precision and get into massive martial arts brawls and jump off running lizard-horses and all that. But what does an adrenaline junkie like her do when her hands start to shake and her knees protest when she leaps off a building? I think Sokka would take getting older more naturally, because he's never particularly wanted to run around saving the world. As long as his expanded horizons and thirst for knowledge can be accommodated (and I think Republic City could do that), he'd be happy to stay in one place.

And Sokka is definitely someone who values family. It's the center of his world. So once he settles down, I very much think he'd want a family. I'm okay with LoK not showing that, but my headcanon is that he does indeed eventually have both a love-of-his-life and kids that he is very active in raising.

So yes, I think your read is very good. A Sokka who gets together with Mai would slowly acclimate her to the idea of a family, and I think once she's given the opportunity to experience a non-toxic version of that, she would eventually grow to love it. I'm not saying everyone who doesn't want a family should get one and will definitely grow to love it, but I think Mai really does want that type of thing, but her childhood taught her to do like she always does- try not to care and maybe put on a show of hostility to convince herself when necessary.

And I can totally see Sokka inventing the minivan for the express purpose of getting all his kids to soccer practice.

"What is that?!"

"I added an extension to a standard-body Cabbage-Mobile. Now we can fit all the kids at once without stacking them!"

"I am not being seen in that thing."

"What?! Why not! It's so efficient!"

"But it looks stupid."

"...all right, what if I remove the wood paneling and paint it a different color?"

[blueempty]

I'm back on the neurodivergent sleep schedule

Todays positive thing is Pokemon Legends Zygard wahoo. I'm actually a gen 6 enjoyer and a Legends Arceus stan so this is big news for me. I'm trying not to go too hard thinking about new mega evolutions or regional variants

I did end up bummed out for a while because Kalos reminded me of my friend Morgan who i was really close to from Pokken, Malamar and Diancie are her favorite Pokémon and she got really good as Aegislash in Pokken. She just kinda vanished one day and didnt say anything before completely expunging her online presence, even her switch profiles went inactive. But I finally asked one of our friends today if she knew what happened and it sounds like its as I assumed, she just couldnt deal with social media and shit anymore and on a whim completely withdrew from the internet. I truly envy her. But she doesnt like when people talk about her so i've said too much already, sorry Morgan. It just finally hit me how much I miss my friend. Shes doing well though I guess so thats good to hear

That also made me aware that my time dilation is a lot worse than I thought cuz my last message to her was in 2022 and I thought it had been like pre-pandemic. She gave me money for Pokemon Legends Arceus when it came out cuz I didnt have any at the time even though she thought it was cringe, but like, my concept of what has occured pre and post covid is completely lost, I do not know where I am in time

Except for how old I am cuz its my birthday todayyyy (the 28th) and I'm 29~~~~~~ and I'm not having a crisis at allllllllll hehee. Me and my partner are gonna go get boba and stuff but I dont have any real plan. I still kinda feel sick from the weekend before last so I've been too sleepy to think about stuff like that. It'll be nice to spend the day together tho. We watched the first two episodes of the Dungeon Meshi anime and its really well done. Marcille's english va is so good. I've been reading it all day too and the cat ninja has appeared. There was a moment when they were fighting the dragon that was so sick I almost stood up out of my chair at work. Liking that a lot

My kanji of the day I decided a few minutes ago is 飯, because well ya know. It means food, thats a good word to know regardless of what I'm reading currently right!! Looking up the stroke order helped me understand the whole kanji a lot better than I did looking at the like, text version of it from my keyboard. The rule of stroke order seems to get bent a lot. It must have to do with where strokes end as well as where they start. I know its top to bottom left to right but the way boxes are written seems to change sometimes if one side is longer or something. Maybe I'm misremembering the stroke order for 願. I probably am

Oh I found a vulture feather today too that was cool. Heres that and my plants shadows

Peace and Long Life

[pitch-pearl-void]

(The borderlands anon from however long ago)

So, I finished watching the show a couple days ago, because there were a couple things that showed up consistently in fics i that I didn’t understand (blood blossoms, some of the baddies, a handful of fenton inventions, etc)

First off, I still very much prefer pitch pearl to amethyst ocean or whatever the hell it’s called

And also, do you know where pitch pearl as a ship came from? I know there’s the episode with fun and super, but is that all there really was? Or were there more early fandom headcannons that supported them as separate beings?

Hello again! Sorry this took so long, I wasn’t sure how to answer 😅

Canon did a poor job with AO. I would even say it did it dirty, but it's popular enough it doesn't need that kind of support lol. If you really want to give it a fair shake I’d recommend reading fanfiction for it, but I understand everyone’s preferences are different. I personally don’t ship it because shipping best friends is something I have real issues with, but it’s not a bad ship if you want something that’s soft and makes you feel all warm inside.

Onto pitch pearl tho!

Tbh, I’m not entirely sure myself how pitch pearl as a ship started. I don’t believe it was because of the Fun and Super episode, largely because those two are rarely used in the ship. 

I asked someone else, and they thought that moment in What You Want when Phantom was first torn from Fenton as this colorless ghost might have been what started the concept they weren’t one whole person. Because, honestly? This ship goes far, FAR back. A lot of the older fics made Phantom into a voice in Danny’s head or a spirit that could separate from him at will without the need of the Ghost Catcher in order to offer Danny comfort. They had no rules because there weren’t any set way yet. The fact that Phantom could move and think independently from Danny was enough to get people thinking. It wasn't all romantic, most of it was borderline at best. They mostly focused on hurt/comfort and self-love, finding a balance between human and ghost with the occasional kiss thrown in.

Then there’s TUE, where Danny meets his evil future self and learns that his ghost half killed his human half after merging with Plasmius. It definitely gave more credence to the idea there might be more to Danny’s ghost half than simply having ghost powers. It aired before Identity Crisis, so it set the stage with a BOOM and had a much bigger impact on the ship. Phantom being seen as his own person is a bit more credible when he’s willing to kill Danny. It helped that TUE was a VERY popular episode. It drew in a huge crowd, and everyone was curious about what made the ghost half snap like that if he’s supposed to be Danny.

Supporting that idea is that a lot of the older art and fics took a darker view of Phantom in general, seeing him as Danny’s darker half or a ghost out for revenge after being imprisoned for so long. Even the name “pitch pearl” was created with that in mind. I always thought of it as “white hair/black hair” in the same vein as AO taking inspiration from Sam’s purple eyes and Danny’s blue, but when I went searching for the origins for the name, the old explanation set Danny Fenton as white pearl and Phantom as pitch black. The reasoning for that was partly their jumpsuits pre- and post- accident, but also because Fenton is human and “pure” while Phantom is a ghost and dangerous--because without Fenton, Phantom became Dan and destroyed everything.

For obvious and somewhat personal reasons, I don’t subscribe to that. But it does make all the art where Phantom looks evil while holding Danny make sense. I don’t like dark romance, and I’m personally thrilled we moved away from such a dark beginning, but it likely had a hand in the early popularity of pitch pearl.

If I were to guess how else it started when the source has them as one person, I would say it was most likely the fanart? Putting Fenton and Phantom side-by-side has a yin-yang appeal, and when they interact in art, you get the sense that these are two characters, not one. This was really popular when the fandom was much bigger than it is now.

For instance

Save Our Soul by nycken isn't a shipping piece by any means, but it could very easily give rise to the idea, especially if someone is new to the fandom.

They did not shy away from it being a self-cest ship back then, though. The idea that Phantom wasn't Danny was there, but I don't think anyone looked for evidence in the show to support it. That seems to be something the ship has evolved into rather than something it started from, and it is honestly my favorite way to see it.

I do have many headcanons about how they aren’t the same person in canon if you're interested! There’s the out of sync transformations, the title sequence and how Super and Fun are shown to separate in the Identity Crisis episode, Vlad’s inability to clone Danny, the way Danny talks to himself, just all kinds of things! If you want to hear more about those I'd be happy to answer 😁 (they'd probably be easier too lol)

But yeah, I think it was TUE and fanart. There may have been other factors (I think this was around the time Yu-Gi-Oh and puzzleshipping was popular too) because fandom doesn't exist in a vacuum, but I really couldn't say for sure. It's a ship that means different things for everyone who ships it. I like the psychological questions when they start off as "one" (the bonded peeps version) and enjoy the aus like soooo much, but others like it only for aus, and others like it as a crack ship, and then there are even others who like it as something dangerous. Some people love it for Fun and Super in Identity Crisis because they're just fun caricatures. It's hard to find the origin point when it has so many branches lol

[bitimdrake]

Since you read Infinite Crisis and I like your comic book takes, I've got a question but I'm gonna need to preface it with a lot of context, cause I feel like my opinions on Superboy-Prime really differ from the pack: Anyway, I saw some Superboy-Prime fan art and it got me to start watching lore vids and reading his comic appearances. But I made a weird decision and only ever read the stuff where he *wasn't* an antagonist. (Death Metal, Crisis on Infinite Earths, and his first appearances in I think Action Comics) My reasoning was cause I was getting some weird vibes about the whole concept of his villainization. I mean DC made him a stand-in for their audience's discontent with the infamously bad 90s grimdark era only to then have to later rename the character (into Superman-Prime) because of legal trouble from not paying the original creators of Superman and Superboy, (the young Superman version, not our favorite clone boy.) So it didn't feel like they were coming from the best place when they made him a whiny misogynist nerd. Especially since DC isn't exactly the most woman-respecting company on the block, y'know?

Anyway, I read his original comics & it turns out og Superboy-Prime isn't even a comic reader! His parents are nerds, and his only connection to the Superman comics was that his dad read them. He was also consistently respectful and kind, and he sacrificed himself for a better world. It's made me even more reluctant to read his villain era, especially since I hear his villain era basically starts off with "90s grimdark is good, wanting a better world is bad, and wanting to save Jason Todd is unforgivable." But I also don't want to jump the gun, because I know that a lot of his more egregious mischaracterizations come a bit later on, like when he decides Billy Batson should die. (Even though he's literally one of the few heroes that fits villain SB-P's criteria for good, wholesome fun.) And I also really like the idea of this good, kind, self-sacrificing boy who loses everything and becomes an evil, destructive mess as he struggles to find the good in a morally complex world that can't hold up to the ideals he once held himself to. Cause that sounds tight as fuck and it really makes me wanna read Infinite Crisis!

So I'm wondering, since you read and really liked Infinite Crisis, how did you feel about Superboy-Prime in it? Was it a good use of good-boy-turned-bad? Or did they just make him suddenly evil in a way that felt uncharacteristic; either for the sake of having an editorial punching bag or for making Superman-but-Evil-and-Stronger? I love a relatable villain, but I don't want to go through, "and then Inertia kills a baby," again.

OKAY so the thing is that I have read Infinite Crisis and most of SB-Prime's appearances after that (considering they tend to coincide with things I was reading anyway) BUT I have read basically nothing with him before that. Like I think they've only thing I've read with him pre-villainification is Crisis on Infinite Earths, and I was a little too occupied figuring out what was going on to focus much on any one character.

So I'm not really suited to say how well done the change was, nor to give the perspective of someone emotionally attached to him before that. tbh, I suspect it is sudden and uncharacteristic--he's not so much a sympathetic villain in Infinite Crisis as a detestable one with comprehensible motives. He sucks, but I also get why "make the universe nice like I remember it instead of dark and deadly" is his cause.

What I can say about his villainy in Infinite Crisis is that it works for me. I am definitely suspicious about creators making evil/mockable stand-ins for their fans, but this one didn't bug me? Maybe part of that is that it avoids the aspects I'm so used to hating--turning fans into "basement dwelling no hygiene ugly" caricatures, making fun of them for caring in a "cringey" way, or for caring about fanony things like relationships, or sometimes for [checks note] being women. And it also helps that I personally don't find the '90s to be legendarily bad; there's some stuff that is overly dark, but in large part that decade makes up a lot of my favorite era of dc comics!

So for me, Superboy-Prime's vilification in Infinite Crisis came off as a story about entitlement. Him as the stand-in for people who are so attached to the way they think things "should" be in their favorite work of fiction that they are convinced everyone and everything else is Wrong, and feel entitled to insist it should be changed to their tastes. Represented very literally by him, you know, actually changing the universe, and killing people who disagree with him.

(The fact that his "how it should be" is specifically colored by nostalgia does absolutely still make this an ironic and hypocritical stance, considering how many classic characters DC brought back from the dead to boot out current legacy characters, e.g. Barry for Wally, but I digress.)

HOWEVER I do think there is also a valid and more cynical reading that SBP in Infinite Crisis is not a comment on fan entitlement but on fans caring about the "wrong" things/daring to question DC's decisions.

That's not how I felt while I was in the process of reading it, buried deep in chronology and thinking more about characters than creators. But I think it's a very easy interpretation, depending on the perspective you come into it with.

[thecaffeinebookwarrior]

Monster of the Week: The Undead!

From spooky scary skeletons to the original zombies, let’s have a look at the undead who have risen around the globe! This will not include vampires (which I have already compiled a post on) or ghosts (which I plan to compile a post on.)

Note that many of these can best be understood -- or only understood -- in their original cultural context, and I encourage you to continue your research if the lore interests you.

Skeletons/Skeletal Creatures

I am, for whatever reason, enthusiastic about skeletons. There’s a drama to them. They look like they’re perpetually grinning, or grimacing, which makes them oddly relatable. As an artist, I’m always thinking about them as the framework for poses. 

More importantly, there’s one in all of us -- sorry if that made you uncomfortable -- which makes them a universally recurring being in global folklore. Let’s take a look at just a few.

Gashadokuro

Literally translating to “rattling skull,” the Gashadokuro is also called Odokoru (giant skull) or simply “the hungry skeleton.” That basically tells you all you need to know. 

These big boys (and I mean REALLY big) wander around the countryside at night. Their name derives from the eerie rattling noise produced by their giant skulls. As chill as this may sound, the Gashadokuro is not actually chill at all, and if you come across them they will not hesitate bite your head off. This may seem like a jerk move, since they don’t even have a stomach, but they need the energy of the living in order to sustain themselves.

Like most undead fellas on this list, the Gashadokuro has its origins in the real world. They are thought to originate from the mass-graves, usually of those who died under violent or inhumane circumstances, the supernatural byproduct of countless skeletons. 

The first Gashadokuro was thought to have originated after a specific bloody rebellion, in which the bereaved, sorceress daughter of a samurai summoned a giant skeleton from the mass grave of the rebelling soldiers and used it to attack the city. Queen behavior, if you ask me.

Santa Muerte

Image Source

Let’s conclude this portion with my favorite skeleton (excluding Baron Samedi, who doesn’t count, as he is often depicted as a man, or a man with a skull-like face), the goddess/folk saint Santa Muerte.  

I still have a lot to learn about the rich folklore surrounding Santa Muerte, but to my understanding, she was born of a combination of pre-Columbian Indigenous religions and Mexican-American folk Catholicism. 

Depicted as a skeleton in beautiful, feminine attire and considered to be embodiment of death, Santa Muerte is a healing and protective figure. She is beloved by legions of worshippers, despite condemnations from the Catholic church, and symbolizes a culturally positive relationship with death. 

Despite appearances, she is a life-affirming figure.

Zombies and Reanimated Corpses:

The Draugr

When we hear “zombie,” we don’t traditionally think of “Norse mythology.” And yet, the Nordics had their very own zombie mythos, boasting some truly terrifying undead.

It is said that they first emerge from their graves as little more than wisps of smoke and a stench of decay, before adopting a humanoid form that boasts superhuman strength, the ability to change size at will, and the ability to shape-shift. 

They aren’t mindless -- far from it. They boast an anthropomorphic intelligence, which makes them all the more dangerous.  

As to what drives them from their graves? Jealousy and bitterness towards the living. Relatable, honestly. 

The Jiangshi

(Note: I wish they were all as adorable as the one in this gif.)

This Chinese hopping corpse may have evolved into more of a vampire by Western influences, but it was originally far more zombie-like. And a unique zombie at that. 

Due to rigor mortis, the Jiangshi hops stiffly from place to place, holding its arms straight out. What’s even more singular is their origin. Try to guess. Go ahead, try. You won’t be able to.

The Jiangshi is what occurs when a bereaved family, lacking the proper funds to send their loved one’s body back to their ancestral land for burial, hires a necromancing corpse driver to reanimate the cadaver and guide it as it hops back to its resting place. They’d travel at night to avoid or minimize decay, either prodded by a stick or to the beat of a drum.

Other ways to create a Jiangshi include improper burial, suicide, or possession.

Looking upon a Jiangshi is said to be bad luck, and presumably very unpleasant. However, the real problem is their insatiable appetite. 

But fear not: if you see an unhealthy looking fellow hopping towards you with pasty, possibly decaying skin, you can protect yourself with mirrors, the hooves of a black donkey, or the wood of a peach tree. They can also be scared off by the sound of a crowing rooster, though that would require a bit of planning, and the cooperation of the rooster in question. Which, knowing roosters, is unlikely. 

Haitian Zombies

All legends of the undead have roots in real tragedies, but this one is particularly upsetting -- and the source of the zombie legend in the Western world today.

The enslaved people of Haiti believed that death would set them free, sending them back to an idyllic version of their homeland unburdened by colonialism. But only if death came naturally. Suicide would turn them into mindless husks, carrying out the drudgery of their captors. A haunting parallel to the practice of slavery itself. 

The concept was introduced to a contemporary audience by the 1932 film White Zombie, which sees a white “voodoo master” (who clearly didn’t know anything about the actual Voodoo religion) using witchcraft to create obedient slaves. He eventually uses this (ahem) “”voodoo”” on a white woman to try and force her to fall in love with him. 

With the term “zombie” in public consciousness, it became an applicable allegory for all of society’s ills, and can now be used to refer to anything from mob mentality to consumerism. But few are as haunting and as disturbing as its origins.

Videos on zombies: 

The Origin of the Zombie, from Haiti to the US

Where Zombies Come From

100 Hundred Years of Zombie Evolution in Pop Culture

Best Contemporary Zombie Movies*

*That I know of. Will update with more.

Night of the Living Dead - Though White Zombie introduced the term, it was arguably this film that popularized zombies as we know them today, particularly as an allegory for herd mentality and consumerism. Its successors, including Day of the Dead and Dawn of the Dead, prove similarly influential. 

The Evil Dead Trilogy - Established that zombies can be fun, while also serving as an allegory for various societal problems. Also features undead that are refreshingly ravenous and evil without necessarily being mindless.

The Re-Animator - These days, the average zombie movie pushes the bounds of creativity is “make ‘em faster!” The Re-Animator’s take on the genre, however, would make Mary Shelley proud. Based loosely on the Lovecraft story, “Herbert West - Reanimator,” the films greatest triumph is its ability to have fun with its grisly premise, and compel the audience to have fun, too. It’s also a cautionary tale about why it’s important to be careful while getting a roommate. 

Shaun of the Dead - I’m not kidding. This film is great, and shows that you don’t need a serious tone to be heartfelt, scary, or provide a thought-provoking social commentary. Way back when I was a sixteen-year-old college freshman, I turned up to class as a zombie cheerleader, and my psychology professor recommended Shaun of the Dead to me. She’s a woman of impeccable taste, and it did not disappoint. 

28 Days Later - Before Cillian Murphy gave us Tommy Shelby, a gangster so pretty he could give Al Capone a sexual identity crisis, he was proving his mettle in the zombie-addled UK. For 2020 reasons, watching him wander the abandoned streets of London with a questionable haircut feels very topical. Add a stellar performance from Naomie Harris, and there’s a reason it sent me into a bisexual panic it’s considered a modern classic of the genre. 

Little Monsters - An egregiously underrated flick, featuring a kindergarten teacher (who happens to be, you know, Lupita Nyong’o) protecting her class during a zombie outbreak. A must watch if you want a zombie movie with a powerhouse lead, a happy ending, and perhaps the most badass kindergarten teacher in cinematic history. 

[thevindicativevordan]

Metallo

I wanted to talk about one of my favorite DC villains, a guy who I’ve always thought was incredibly cool. A guy who I’ve thought makes a really awesome contrast for Superman. A guy who has never been in stories that have utilized his potential in my eyes:

Let’s talk about Metallo.

Metallo’s Background

He’s one of Superman’s oldest Rogues, and also one of the Rogues who has gone through the most revamps. The Golden Age Superman fought a guy called Metalo aka George Grant who created a suit of armor made out of the strongest metal on Earth (something that would resurface in the Grant Morrison revamp during the New 52) and a super strength serum that made him Superman’s physical equal. In an odd way he was an evil proto-Iron Man/Post Crisis Lex Luthor:

The John Corben take wouldn’t show up until the 1950s, created by Robert Bernstein and Al Plastino. This was the foundation for the modern conception of Metallo:

Right off the bat Corben was positioned as an Anti-Superman, predating Bizarro who wouldn’t show up until later. Corben worked as a journalist to cover up his real activities as a murderer and thief. An accident that nearly killed him and crippled his human body, forced him to accept a deal with a scientist to transfer his mind to a new artificial body. The scientist transferred his mind into an android body covered in synthetic bulletproof skin, gifting Corben with super strength. The synthetic skin idea would be used in Byrne’s revamp and the DCAU incarnation. He was initially powered by uranium, but was told he would need Kryptonite to fuel himself permanently. Corben would also act as a romantic rival for Clark via wooing Lois with his pretense of being Superman’s secret identity.

Ultimately John Corben would die in his debut issue, after mistaking a museum prop for the actual Kryptonite he needed to power himself. I often wonder if the character might have been better off if he had not been killed off in his debut, similarly to how the Joker was saved from dying in his debut by editorial. There were many intriguing ideas present in Corben’s creation: He was a romantic rival for Clark Kent, he used his journalism in a similar if villainous way as Superman did, and he was powered by the very thing that could kill Superman while still possessing enough raw strength to stand on equal terms with the Man of Steel. If they had kept him around, fleshed him out more, might Metallo have enjoyed more long term respect?

 Regardless, Corben’s death paved the way for the third Metallo: His brother Roger Corben.

Roger likewise had a lot of interesting ideas that would eventually get folded into the modern Metallo. He was not a petty thief, but had a personal vendetta with Superman over the death of his brother. Superman accidentally caused the very accident that crippled Roger, adding to the man’s feud. Roger was also a leader within the Skull organization, rather than the small time criminal his brother was. This Metallo’s design would form the basis for the Geoff Johns/Gary Frank revamp during Secret Origin, and I suspect the Johns conception of Metallo as a member of a wider organization and whose transformation was caused by Superman has it’s roots here.

Sadly the take on a more fleshed out Metallo would not last. The Roger Corben version of Metallo would meet his end with the rest of the Pre-Crisis Superman Rogues Gallery in the seminal Alan Moore story Whatever Happened to the Man of Tomorrow?

Enter John Byrne:

During his Post-Crisis revamp of the Supermythos, Byrne returned to the John Corben take of a petty thief injured in an accident, who is rebuilt by a mad scientist Professor Vale. Byrne added his own twist though, with the scientist believing Superman to be the first scout in a full blown Kryptonian takeover of Earth, and specifically crafted Metallo to be an Anti-Superman weapon powered by Kryptonite. Metallo was to be humanity’s defense against the threat of Superman, an idea that would be revisited in Johns’ and Morrison’s revamps. Unfortunately petty thieves don’t make for great heroes, and Metallo killed Vale, ultimately coming into conflict with Superman not over any desire to protect humanity, but to simply eliminate a thorn in his side.

This incarnation of Metallo has basically served as the basis for his appearance in outside media, with a design that blatantly draws on the popular Terminator films.

This version of Metallo would also acquire a variety of powers thanks to making a deal with Neron that included the ability to transform parts of his body into weapons, transfer his consciousness into any technological or mechanical device, and manipulate his size:

Personally I’ve always loved that powerset upgrade, and think it’s crucial it sticks. It let him kick the shit out of Superman AND Batman in Loeb Superman/Batman, which basically solidified for me that this dude was a badass you didn’t want to mess with. Shame he’s never come close to matching that initial impression since.

The DCAU mostly used the Byrne revamp’s take, but they did change a few aspects which would end up carrying over to the mainline version. Most important was the replacing of Vale with Lex Luthor as the mind behind Metallo’s creation, something that would be incorporated in both Johns and Morrison’s later revamps.

One aspect that they introduced that didn’t carry over, that was still utilized to great effectiveness in the show, was that Corbyn’s transformation had robbed him of most physical sensation. He couldn’t taste, smell, touch, all the little things that made us human, and that drove him nuts. Ultimately he would learn that Lex was responsible for what happened to him, and he would swear a grudge against both Lex and Superman. Malcom McDowell was a fantastic choice to play Metallo, and is still the guy I “hear” when I read Metallo’s dialogue.

Now we come to the guy who crafted the next big revamp of Metallo: Geoff Johns.

This version of Metallo incorporated a ton of aspects from the multiple revamps that had preceded it, in much the same way Secret Origin did to Superman as a whole, while also adding a few new twists that I consider essential to the character now.

Like the DCAU, Luthor was the one who transformed Corben into Metallo. Like the Roger Corben take, this John Corben was accidentally crippled in a fight with Superman that gave him a personal vendetta against the Man of Steel.  Similar to Byrne, this Metallo was created to be an Anti-Superman weapon. Corben and Lois had had a brief romantic relationship, similar to the original debut of Corben. Johns even incorporated some of the Golden Age Metallo by having Corben suit up in a mech suit made of “Metallo”, the strongest metal on Earth to fight Superman before the accident. Johns also added a key bit of lore that I love, that Corben served as a soldier under General Sam Lane, and became the man’s surrogate son, the child he always wanted as opposed to Lois and Lucy. Here Corben is motivated to fight Kal-El by a mix of xenophobia, need to impress his father figure, desire to impress Lois, and a simple dose of blood lust.

The last major revamp came from Grant Morrison during the New 52:

Morrison kept a lot of the Johns revamp: Corben was a soldier serving under Sam Lane, he had a brief romantic relationship with Lois, he was distrustful of Superman’s heroics, and his transformation into Metallo was connected to Lex. However Corben was a much more sympathetic figure under Morrison than under Johns, genuinely believing Superman to be a threat, he volunteered to be merged with the Metal-0 superweapon (another callback to the original Metalo) to defend humanity, but Brainiac hijacked his cybernetics and turned him into a weapon. 

While Metallo would get another visual revamp for Rebirth, posted in the first image, Corben has more or less stayed within the confines that Byrne/Johns/Morrison established.

How I would use Metallo

I said earlier that Metallo is a guy I loved that I’ve never thought has lived up to his potential. He’s a villain with a lot of cool ideas, he’s a villain who has been continuously used by a lot of my favorite writers, but he’s never lived up to the Anti-Superman characterization that’s baked into him. Too often he’s just been a glorified henchman, or a petty thug, rarely if ever challenging Superman except in the most basic physical sense. I think that’s a great disservice to the ability of the character to be a much more important Rogue. That writers so often refuse to focus on him or any of the Rogues beyond Lex also hasn’t done him any favors. Instead of creating countless new OCs that are tossed aside by the next writer, someone needs to come on board with a passion for revamping the classics.

A lot of Superman’s Rogues suck not because they aren’t cool or don’t bring any interesting ideas, but because the ideas don’t do a good job in contrasting with Superman’s attributes. Metallo is a great example of this, look at all the interesting ideas creators have crafted around him, yet none of them have really been able to push those ideas as a way to explore and contrast Superman, so we get basic “Metallo tries to kill Superman, fails, Superman sends him back to jail” stories. That’s a failure of creativity in my eyes. I think that by choosing from some of the revamps listed above, a better, cooler, more interesting Metallo can be crafted.

The basics as established by Byrne/Johns/Morrison are great! The essential ideas that should be incorporated from all of the revamps listed above are:

1. Corben needs to have a military background as in Johns/Morrison. The petty thief origin is too dull, there’s nothing really to be mined there from a characterization standpoint. As a soldier Corben can serve as an interesting critique and contrast of Superman as an icon of America. The “American Way” has always been a dicey add-on to the original “Truth and Justice” motto. Often it’s been used to cast Superman as an obedient stooge of the government, as he was in The Dark Knight Returns, a characterization that has dogged him ever since. I think Corben can serve as an interesting character to explore Superman’s relationship with the American military-industrial complex. I would have Corben be what said complex wants Superman to be, at least in the beginning: A human WMD they can aim and fire, who will always follow orders no matter how reprehensible they are, who has a firm “America First” mindset. That way you can contrast the mainline Superman, and show that Superman is not that while also establishing what “The American Way” means in his eyes. Or you can have Superman drop that aspect of his motto in-universe, out of disgust for how his government perverts it. Either option is fine with me, I didn’t mind when Superman renounced his American citizenship.

2. If Lois often has to end up working with Clark’s exes, whether it’s Lana, Diana, or whoever, I think it’s only fair that Clark has to end up facing down an ex from Lois’ past. It’s important to show that Lois had a life before Clark showed up, and I think Corben is a good way to explore some of that. He’s the possessive ex-boyfriend who doesn’t respect Lois’ personal space and is convinced he can “win her back” via sheer determination. You can also compare and contrast the way Clark courted Lois, did Clark occasionally make the same pigheaded assumptions as Corben did? Corben debuted as a romantic rival for Superman, and I think that aspect still has merit. I also like his status as Sam’s surrogate son, it adds for some nice tension with Clark’s father-in-law that the guy he actually wanted to marry Lois was transformed into a weapon to kill the guy who ended up being his son-in-law. 

3. Corben is a true believer in the threat Superman poses, and is willing to take on the transformation into Metallo to protect humanity. It’s xenophobia yes, but with all the Evil Superman stories going around, it’s hard not to sympathize at least a little bit with Corben’s viewpoint, which tie into a deeper attribute of Corben’s I think needs to be brought up: Corben should be a sympathetic villain. I wouldn’t make him a bloodthirsty psycho, Superman has plenty of those. Corben should have villainous valor, willing to tackle on whatever threats to humanity are out there, whether Superman or others. I would make Corben instead someone who has the genuine desire to protect humanity, but lacks Superman’s concern for collateral damage. In that way you could contrast the two’s brand of “heroics”, Superman’s loyalty to humanity as a whole over one nation, and concern with protecting lives first and foremost, Corben’s desire to protect humanity’s future for the “greater good” even if it costs a few lives in the here and now and loyalty to America above all else. 

4. I like the idea of Superman being inadvertently responsible for the accident that cripples Corben and mandates his transformation. It adds to his sympathy, helps justify why Superman might continue to believe Corben could find redemption (he wants Corben to change and also wants to find a way to earn Corben’s forgiveness one day), and provides a good personal reason for why Corben would hate Superman, blaming Supes for his current state. I would also have him blame Sam and Lex as well, but he would subdue those resentments for as long as he remained working for the military. Only after he finally snaps would he target those two.

5. Finally I would keep the ability to shapeshift his body into weapons, and to manipulate technology. I would have Corben emulating Adam Jensen from Deus Ex, able to “hack” tech around him for his own purpose, armed with a variety of weapons that make him a huge threat not just to Superman but to everyone. Finally I would get rid of the Kryptonite heart. I’m tired of every battle with Metallo going the same way: He shows up, blasts Superman with kryptonite radiation, Superman lies on the ground gasping in pain, Metallo stands around gloating like a moron instead of finishing Supes off, Supes beats him by tricking him or by someone else intervening. I want to see Metallo as an Anti-Superman weapon realized beyond jus the Kryptonite. How about incorporating the DCAU version’s lack of feeling, so that Metallo doesn’t feel pain from Superman’s blows or his powers? How about giving him an internal temperature controller, so he can’t be melted by heat vision or frozen by arctic breath? How about an invisibility cloak that hides him from Superman’s vision, sound mufflers that let him sneak up on Supes even with his hearing, basically go WILD with his Anti-Superman status, let us see a real fight between someone who can counter each of Superman’s powers! You have Kryptonite Man and Lex for the villains who mainly make use of Kryptonite against Superman, I think Metallo should go in a different direction. Morrison making it so that “Metal-0″ was already powerful enough to hurt Superman is all the justification you need as to why he still poses a threat in my opinion.

I’ll go over the basic arc I’d want to see him undergo and the kinds of stories I think he’s positioned to tell in another post.

[masterhandss]

(I know you have a lot of asks to get through, but thoughts on this prompt. It hasn’t left my mind since I read Vol.8) I have made a prompt/concept/theory whatnot called “Only the Fourth”. Alan is my favorite and I like throwing him into not so good things. So my main ask is your thoughts on the prompt and/or if it’s a logical one that ‘could’ happen and not that far from reality/canon.

I’m really sorry for taking such a long time to answer all your asks (and everyone’s asks/questions in general ;;-;;) but i’ll do my best to get through everyone as fast as I can!! qwq

So I finally read Only the Fourth and its honestly a really interesting concept that I can see as something that can happen in the books itself. The series itself doesn’t do anything with the idea of how Alan is perceived by there people since we usually just focus on how his self image affects himself. The idea that some foreign nobles consider him to insignificant that he’s basically free real estate it pretty darn sad but can kinda work. 

I’m no historian though, so I don’t know what happens to princes that don’t ascend to the throne. While a scenario where Alan gets kidnapped for his magic/lineage sounds exciting, I don’t really know where the scummier or lower nobles would get the confidence boost to consider kidnapping Alan.

Spoilers for Volume 9 btw, it says there that some nobles in Sorcier is working alongside the nobles of Lousabre in order to kidnap citizens (the ones in the book were commoner children) in order to improve their own country. It’s not just nobles with magic that they want, but the general populace because they are jealous that even commoners can read and write in Sorcier, but only a fraction of the nobility in Lousabre can do it. 

I’m only mentioning this here since a prompt like this is very interesting, but if we’re talking about whether it “could” happen in the story, it’ll only work if the kidnapping of the baroness in Volume 8 and 9 and the other children in Volume 9 are isolated cases that just happened to intersect (and both of these can happen at the same time though, its just that V9 didn’t imply it to be that way so I can only assume whether these kidnappers’ motives are both or not). I can’t really say for certain though since I mostly skimmed the volume out of curiosity and just plan on a full analysis read when the english version comes out. 

If the nobles in Lousabre just needs pretty much anyone from Sorcier, regardless of their social status, just because they need more literate people, then the chances of Alan being targeted would be very small. BUT! if Lousabre also wants to populate their country with magic users in order to imitate Sorcier(/become the new magic country of the continent) or to wage war against them then the chances of Alan being taken for such purposes would increase. 

“He’s only the fourth prince, I’m sure in due time people will forget about him.”

Alan might not be a contender to the throne, but he does have a good reputation among the nobility, which is much better than his Fortune Lover counterpart. He constantly performs music at gatherings which helps improve relations and opinions of the nobles to the royal family. He’s also smart (I don’t know if the light novels have clarified the roles of the Student Council beyond Geordo being the president and Maria being vice pres in their second year, but in the Modern AU Side Story, Alan is noted to be the Secretary, which works since he’s rank 3 overall) so it would be such a huge shame to lose him as a possible vassal to whichever brother of his ascends to the throne. He is the least important prince but that’s not to say that he’s completely ignored, I mean he’d important enough to be given work and training like what he says in Volume 6 and 8. 

Alan is also a prince, so regardless if its for the purpose of increasing literacy in the country or breeding magical blood into Lousabre, I’m not sure how likely they would pick Alan considering that getting caught (regardless of whether they find Alan or not, just that they link the event to any country/family) could cause an international crisis and ruin alliances between countries (unless that’s their goal somehow). 

Plus his big brother Geoffrey loves him so much that I doubt a search party (since you mentioned one occurring but that it probably wont last long) would conclude until he is found. Even if other nobles and knights try to convince Geoffrey that searching for his baby brother would be a lost cause, he’ll either ignore them or reduce the search party to a few of the most skillful people he can find. 

Regardless of the specific circumstance, again I think an arc or story like this would be really interesting. I’m not really disagreeing with the prompt at all, I’m agreeing that it’ll be very fun, and I'm already imagining the various reasons why the lower nobles would regret their decision to target Alan for the rest of their lives hahaha. 

In the past few paragraphs I was just thinking of reasons why they wont dare to choose Alan, but the fact that lower and foreign nobles don’t/might not know these things about Alan is enough to contradict me and reaffirm their decision to target him. Lower/foreign nobles can just be ignorant, self-centered and dumb, they don’t seem to need an elaborate reason to choose Alan, just like what you implied on your original post

It’ll be very cool to see lower/foreign nobles call Alan insignificant just because he isn’t a contender to throne, only to realize how important he is to a lot of people when the characters inevitably go on to rescue him :DD. It’s a very nice prompt that can open a lot of character developments for Alan and his brothers, reaffirm/question his self-worth and expand on the world-building of the series. I can see a few holes in it, but that doesn’t make it any less interesting/exciting to see in writing. 

It’s so nice to see so much Alan love in your account, even if it comes at the cost of you throwing dangerous situations at him XDD Reading your ideas and headcanons about him has been really fun and now I kinda feel like reading fics in AO3 again

Thank you for the ask! I’ll do my best and try to mow through all these questions ;;w;; Anyone is free to add their ideas on here if you guys want :DD

[thenightling]

Can you tell me more about Destiny as horror host?

Sure.

Back in the 1960s and 70s DC was really into horror anthology comics.  They wanted to carry on where EC left off but with their own horror hosts.

Cain was essentially DC’s knock-off of The Crypt Keeper.  Abel was their equivalent to The Vault Keeper.   

The Sandman characters who began as horror hosts are

Cain, who began hosting The House of Mystery at issue 175.   His creation was DC going “To Hell with the comics code!  We want old school Gothic horror again!”  Abel came shortly after and hosted The House of Secrets.  

Here’s something interesting for you.   House of Secrets was a spin-off of The House of Mystery.  And from House of Secrets we get Swamp Thing (which began as a story in the horror anthology).   From Swamp Thing we get John Constantine.  So that means Hellblazer is a spin-off of a spin-off of a spin-off, of a Spin-off.   And then we get Sandman- which used the characters from House of Mystery, House of Secrets, Swamp Thing, and Hellblazer.   Eve used to host Secrets of Sinister House.Lucien The Librarian hosted Tales of Ghost Castle.  His comic didn’t last very long at all.  He would read stories from the library of a ruined castle, which Neil heavily indicated was Dream’s castle, while Morpheus was imprisoned and the castle was falling into ruin.  Much like The House of Mystery and the House of Secrets, the castle could appear in The Waking World and The Dreaming.  

Lucien also kept a werewolf as a pet.  He named this pet werewolf Rover.  I don’t know if this counts as slavery, kink, or just a misguided pet dynamic but it’s only vaguely referenced in issue 38 of Sandman where Morpheus makes a quip about Lucien bringing home strays when he brings the werewolf protagonist into the castle.

The Hecatae AKA The Three-in-one, The Fates / The Furies / The Kindly Ones began as horror hosts for The Witching Hour.  Morpheus even name drops the title when invoking them.  And they introduce themselves by their horror hostess names.

The Mad Mod Witch AKA The Fashion Thing was also a lesser known horror Host. 

It’s as if Neil was in a comic book character grocery store and went down the horror anthology aisle and plucked almost all the abandoned DC horror hosts off a shelf and said “I’ll take this one and this one and this one and this one, and all of these. They’re my Nightmares now.  These Storytellers will not fall into obscurity.”  It almost sounds noble until you realize I visualize him shoving them all into a shopping cart, like action figures in a toy store. 

Yes, Alan Moore was using some of them in Swamp Thing at this point and the House of Mystery even had Elvira as co-host for a time in the mid-80s, but I still imagine it this way.     

Judge Gallows - who only appeared in Sandman continuity via two versions of the Dreaming (each time with a different first name) was also a horror host but no one really liked him…  I don’t know why The Dreaming writers keep trying to dust him off.  No one likes him. 

And now we come to Destiny.   

Destiny hosted the comic Weird Mystery Tales in 1972.  He would tell stories from his Book of Destiny.  

Destiny is the only member of The Endless not actually created by Neil Gaiman.  Though until Neil came along he wasn’t “of The Endless.”  He was just Destiny.  He was created by Marv Wolfman (who recently helped write and guest appeared on CW’s Crisis on Infinite Earths) and by illustrator, Bernie Wrightson. Bernie Wrightson is my favorite comic illustrator.  Sadly Bernie recently passed away from a brain tumor.   Bernie also co-created Swamp Thing, and Matthew Cable (back in his human state, pre-Raven). 

Destiny’s character design is exactly the same as it is now.  His hooded robe, with his right wrist manacled to his book.  Whether he’s chained to his book or his book is chained to him is debatable.  Either way he doesn’t seem unhappy about the connection.  But it does look like a heavy burden to bear.  There’s some symbolism there.   

He appears to be blind but is able to see everything in his book.  There is a chance his blindness is merely an expression of the fact that he sees everything all at once and therefor nothing at all really.    

@americanparamedic

[kinetic-elaboration]

September 17: 3x07 Day of the Dove

I am incredibly discombobulated today—usual weekend nocturnal shenanigans I guess! Anyway it’s somehow midnight. Gonna try to write up these note on the Classic episode The Day of the Dove in as efficient a manner as possible.

Hmm, a planet with wavy pink Fraggle plants. I like it already.

But where is Spock? Very suspicious.

I really appreciate Kirk giving a little speech to set up the overall question/issue for us. (I know he does this all the time with the Captain’s logs but this is out loud and so… more obviously expository.)

Oh no, it’s our old friends…the Klingons.

I will admit that this ONE TIME, the Klingon is being reasonable. Like, it is reasonable to think that Kirk and the Enterprise attacked his ship, given that his hip WAS attacked, and who else would it be?

Three years of peace between the Klingons and the Federation? That is inclusive of the show so all this tension must technically be “peace” and also implies there was something more like a direct war going on, like, right before Kirk got the captaincy.

Zoolander voice: What is this, a colony of the INVISIBLE?

“We have no devil. But we understand the habits of yours.”

No takers? No takers on the torture? No volunteers to be mercilessly tortured by the Klingons?

Star Trek Beyond could have had Kirk and Chekov bond over being brothers! I mean, to other people.

They’ll kill 100 hostages at the first sign of treachery. He does know there are only 400-some people on the ship right? Maybe you should pace yourself, Kang.

Kirk’s so badass he needs MULTIPLE guns trained on him just to use the phone.

Oh-ho secret message to Spock. Which version of the iPhone will be capable of doing THAT?

The Klingons are “suspended in transit” is an awfully nice way of saying they’re just dematerialized atoms in space. Philosophy major and/or Bones nightmare fuel.

How did Kang not see this coming, by the way? Like, he just says “I’m taking your ship now, me and my 6 men versus your 400-some men, and I’ll do this by simply declaring it to be so. Now let’s beam up to your ship, where I’ll be greatly outnumbered, and there are armed security guards all around me.” Guess he’s been reading The Secret!

WIFE AND SCIENCE OFFICER

Aka the most important part of this whole episode.

Kirk’s face is very ?????? You can have both????

It’s legitimately not even important for her to be the science officer tbqh. Like that is so gratuitous. That’s just in there to drive me insane.

"We're prisoners, somehow, after I demanded to come on the ship, assuming they'd just give it to me without any kind of fight. How DID this happen?”

Federation death camps lol—someone’s been watching Fox News.

I do kind of wonder… is this an actual rumor that goes around the Klingon homeworld or is it something that the alien entity put in her head specifically to make her angrier right now? I mean it really could be either.

I also appreciate this episode for being pretty much the only one to actually attempt to give the Klingons a reason for being as they are. The Romulans… maybe aren’t well-described, but they do have a sort of regalness to them, appropriate for being related to Vulcans, and you can kind of imagine that they are the way they are because they’re Vulcans without the intense self-control. Plus they’re literally only in 2 TOS eps and in the second, the Federation are the aggressors. But the Klingons show up a half-dozen times only to be depicted each time as just like Cartoonishly Bad, aggressive, violent, and selfish for basically no reason. And I mean, some people really are!! But TOS has so much nuance in other places, that it always seemed a little disappointing to me that the Klingons are really just like ‘well we’re just bad and we hate everyone and we really like killing I guess.” At least in this ep there’s a little more added to that: that there is poverty on their world, that they feel aggrieved, that they feel unprotected, that taking and conquering is how they look after themselves…

I think that’s later in the episode though.

He’s detaining them in the LOUNGE lol. With their favorite dishes available to them to eat. Absolutely barbarous conditions.

I can’t believe Chekov is hanging in the elevator with the cool kids. Like, one of these things really isn’t like the others.

Kang is officially sure of himself for someone currently imprisoned in the lounge, that most fearsome of Federation death camps.

Hmm, could the glittery light alien have taken over??

You know what, that's a lot of tasks for Johnson to do all by himself: search the whole ship, fix the engines, and free 400 people.

Sulu would love this: everyone gets a sword!!

“Bridge. I gotta show this to Sulu immediately.”

Klingons have maintained a dueling tradition. That’s interesting. Finally some characterization going on.

Spock is really living up to his logical nature today. Everyone else has gone off the emotional deep end and he’s like “have you considered this completely rational explanation that accounts for the actual, observed facts??”

Whoops Chekov is actually an only child. Scratch that previous Beyond headcanon. (Interesting that his dead brother does really resemble Sam though—killed on a research colony??)

Love that Sulu knows that about him though.

Oh, that’s a pretty schematic picture of the Enterprise. I want that on a t-shirt.

Lol the pan out to the armory, now filled with… swords!!

Do ALL of these men have a fetish for swords? Sulu and fencing, Spock displaying swords in his quarters, and Kirk in his San Francisco apartment, and Scotty salivating over this Scottish blade.

“Klingon units.”

Finally Sulu gets his sword! It’s what he deserves.

Love that the shiny light alien also has a fetish for swords.

Oh no, it’s our old adversary, an alien life force.

What is the alien’s purpose? Um, I’m pretty sure its purpose is to start shit.

“An appropriate choice of terms, Captain.” I don’t even remember what this is referring to but I think it’s pretty clear that Spock is enjoying himself during a crisis again.

Bones, being so dramatic. Were there atrocities? He’s talking about the Klingons as if they were literally hacking off limbs—it’s a few stab wounds here and there, chill.

Oooh, time to behave like military men—strong words. (But I thought it wasn’t the military?? @ S**** P****) (This might not even be my best argument, given the context of this episode, but I’m sticking with it.)

This is like a giant game of capture the flag.

AU that’s just about the Enterprise crew playing capture the flag with the Klingons.

Sulu in the background standing guard with his sword

Damn, turning on Spock with the slurs now!!

Spock was absolutely ready to kill him. Like he would 100% have taken him out with a blow to the head. And he’d been doing such a good job of not feeling the alien’s effects so far! Admittedly, that was a strong provocation though.

Honestly, I really like this scene. It’s uncomfortable and tense and you can really see how the alien is bringing out the worst possible influences of their respective races. And I liked how Spock was definitely full on pre-Reform Vulcan for a minute there. It was a more effective portrayal of what that might have looked like than All Our Yesterdays tbqh.

A result of… stress?

Kirk got himself out of it first. He’s so strong. He knows himself so well, he cannot be outsmarted by any alien.

“We’ve been taught to think in terms other than war.”

“The alien brings out the worst of us—patriotic drumbeating…even race hatred.”

He’s so sad; he can’t imagine thinking like that about Spock :(

Sulu in a Jeffries tube! A man of many talents. It’s okay bb, take credit for turning on the lights.

The alien must have been getting bored. The Klingons must have been doing too well, and the playing field needs to be leveled for maximum shit-stirring.

“Let’s find that alien.” That’s how I ALWAYS feel.

Oh, Kang, you’re so close—“What power supports our battle but thwarts our victory.” So, so close to getting it.

ALIEN DETECTED.

Spock takes his sword, of course.

“Jim.” Obligatory Jim moments hit differently when they’re not so obligatory.

“Jim—stop hitting my protégé. And put that sword down.”

Kirk looks so sad, picking Chekov up to carry him bridal style.

Also in addition to ‘race hatred’ I think we need to add ‘rape-y tendances’ to the bad stuff that the alien is inspiring here.

“A brief surge of racial bigotry. Most distasteful.” Spock winning for understatement of the year.

They're assuming the alien is trying to test out their relative powers but I think it just wants entertainment. I mean, doesn’t it look like a naughty little thing?

Mara’s outfit is… little shorts? Interesting. Usually not my style but she makes it work.

Spock doesn’t even look at Johnson as he falls lol. Another one bites the dust.

“It exists on the hate of others.”

What does this remind me of? Oh, the Vast of Night and the whole “aliens made us do every bad thing ever” conspiracy theory. At least this one makes more sense, in part because it is not quite so overwhelmingly broad!

All hostile attitudes must be eliminated, he says, and there's Mara right behind Kirk giving him a death stare lol.

Kang is so obviously posing. Google Earth, always taking pictures.

Only a few minutes before drifting forever in space becomes inevitable? Good thing Kirk works well under pressure.

“Well… do whatever you can, Scotty. You know the drill.” Doesn’t even bother giving real directions anymore. We’ve been in this scenario before.

“So we drift in space, with only hatred and bloodshed aboard.”

And the 392 people below just get to…live in Enterprise prison, I guess.

Star date: Armageddon. So dramatic!

I’m not even making that up; that’s an actual quote. Can you imagine being an Admiral listening to this?

“Stop the war now.” An actual line, really aired on television.

Spock wants to threaten the wife lol. That's the old pre-Reform Vulcan seeping through. Surak who?

Damn, Kang is cold. “Eh, she gets the concept of being killed in battle.” They’re gonna need marriage counseling after this.

“There is another way. Mutual trust and help.” Yes that’s my hero!!

“No one can guarantee the actions of another.” Can’t remember the context of this entirely anymore, but great line.

The entity is loving this—multi-person choreographed sword fight!!

"Those who hate and fight must stop themselves. otherwise it is not stopped.” Another baller line. Spock has a lot of deep thoughts today. And so does Kirk. And Kang.

Kirk tries to reason with the alien. Nice try.

“Shoo. Shoo, alien. Off the ship, go away.”

Omg that last moment—Kang slapping Kirk’s back way too hard, Spock’s completely ridiculous wide-eyed expression when he does, like some sort of combo of amusement and confusion, and then Sulu just passing on by in the background….

Then the alien just yeets itself into space. And that’s the end!

Always feels weird when there’s no wrap up on the bridge.

Also, what are they going to do with the Klingons? They have no ship. They really did come out of this a lot worse than Kirk and co. No ship, huge casualties—and no one to blame even, but the alien.

I feel like the alien messed up a little in killing so many Klingons. Like, it could have accomplished its purpose, angering the Klingons and turning them on Kirk, by attacking the ship a little less violently—you know they’d react to 5 deaths pretty much the same as 400, and then there would be many more people to fight forever and produce that sweet sweet anger!

Maybe the alien’s powers aren’t strong enough to influence 800 people though. Also it wants equal forces and 800 people wouldn’t fit on the Enterprise, one assumes. So it still makes sense.

That was, of course, an excellent episode. 100% agree with is classic status, even though the main things I remembered going in were the wife + science officer bit, and everyone laughing at the end in a really forced, fake way, in order to make the alien go away.

I thought the Klingons were a lot better/more interesting today than usual. First, I think Kang is a better character, or a better actor maybe, than the others; he has a certain way about him that is… more watchable, more sympathetic. And he’s always saying these really dramatic things that make it seem likely he writes patriotic Klingon war poetry in his off time. Also, including his wife made them seem more… not human obviously, but normal. Not just cardboard cut-out villains. And of course the actual lightly specific motivations I earlier mentioned helped too.

Also, the plotting was very good: it built up slowly but surely over time, so at first the alien’s influence wasn’t that obvious, and then it became more so, and then it became horrifically obvious and extreme. And then you had to re-evaluate earlier moments: was that the alien changing facts in their heads, or a real part of the animosity between humans and Klingons? And it wasn’t always clear, which I appreciated. The tension when the people were at their worst wasn’t overdone, like in that moment with Scotty, Spock, and Kirk—or even in Chekov’s assault on Mara, tbh. The various strategies of the different sides were very entertaining too; there was never a dull moment, and they fit in a lot of straight-up actions and twists into 50 minutes.

The possible threat was truly terrifying, also: stuck in a space ship, forever, unable to die, feeling the worst possible emotions all the time, besieged, angered, despairing, fighting a war that can’t be won, being injured and suffering only to recover and fight again, and it never stops… A perfect nightmare mixture of insanity and violence and pain. And the alien, in encouraging hatred and anger, doesn’t discriminate between sides: they turn on each other just as much as on the Klingons, breeding paranoia and infighting. For eternity.

The episode also felt much more strongly anti-war than I remember tbh. Like it was not subtle. Kirk literally says “stop the war” in so many words. He has a part in his speech where he talks about the possibility of other aliens out there, encouraging other wars. And while I do think “maybe the aliens are making us do it” is a cop out explanation, or would be if it were real, the scenario gave the show a lot of room to say, like, pretty ballsy things: to include “patriotic drum beating” along with “race hatred” in a list of corrupting feelings they were experiencing; to show how the same instincts that lead to warring also lead to sexual assault and the aforementioned ‘race hatred;” to reveal the true horror of an endless war by making the participants unkillable and sticking them in a singular space ship in the middle of nowhere; to imply that the combatants of war gain nothing from it, but outside or third-party entities will pull strings of their own design to profit from the conflict as long as possible; even to make an impassioned plea to camera to stop the endlessness of the conflict. Like I can’t even totally unpack this but it is a lot!

Finally, it was also a great Kirk episode, which of course is my most important factor. He’s smart; he’s strong; he’s so sure of himself and his values that he cannot be manipulated to mindless hatred, he represents the values of the Federation, and the show itself; he treats even his enemies with basic respect and humanity; and ultimately, he saves the day.

Okay I was not efficient in writing this up at all! It is very late!!

[verytiredowl]

A character analysation of IdV’s Bloody Queen

Bloody Queen AKA Mary is a hunter in the mobile/PC game Identity V. She is personally my favorite hunter because she is easy to learn but hard to master. Her backstory is something that has always interested me though, so i decided to compile my thoughts onto this one post.

Something i appreciate about IdV’s character roster is that some of them are based off of historical characters, and interesting ones at that. So expect a lot of history lessons and references that should be explained in order to understand a character fully (especially with Mary considering how there isn’t a lot shown about her backstory through promotional content, and im talking about stuff like the official website here).

With that in mind, let’s just get into it.

There is not a lot we know about Mary other than the fact that she is inspired from a mix of stories, those being about a French queen named Marie Antoinette and Bloody Mary. These two are used in seperate ways, Marie Antoinette’s story being used as heavy inspiration for Mary’s backstory and lore, while Bloody Mary is a visual/gameplay inspiration.

Mary’s description on her info page and on the official idv website is 

This is strange because it really tells little to nothing about Mary besides her being aware that the position of a queen means a lot of vulnerability. It also strikes me as weird because every other hunter has a fleshed out backstory being written under this tab. (With the exception of Guard 26)

So overall, the ground to work on is pretty small, we dont have a lot of info revealed to us, and therefore leaves her to be a character who loses a lot of potential on a writing stance.

Intro Video

Mary does have an introduction video, though, which explains the base of what happened to her Pre-manor. 

The video explains how Mary was the queen of a country that had a bad financial crisis which was so bad people couldn’t afford food (if we are sticking fully to the Marie Antoinette inspo, this was in the 1790′s) and the public felt as if Mary didn’t care enough to help her people, the citizens voted her to be beheaded under a guillotine. Truth be told, Mary was actually trying to help her citizens by giving them cake.

We have probably the most lore information about Mary from her deduction descriptions, which explain her career as a queen more in detail, about struggles she had and her situation in general.

Deductions

(Credits to u/mawile94 on Reddit for the images)

The first conclusion is clearly telling us that the king Mary married had a problematic family, and the king’s family probably only looked at Mary as someone who will keep the family’s name up, someone who will have a child with the king. (Also, dont get confused: Maria Theresia is Mary’s mother’s name, not her actual name.)

Mary used to spend a lot of time away from the palace in Petit Trianon, which is a manor located in Versailles. The secret letter tells us that Mary was egoistic, naive, and was kind of a glutton. The letter mentions how rumors are powerful, and are going to spread really fast once word comes out about the “incompetence” and lacking abilities witihin the royal family, which will eventually be Mary’s demise.

Princess Lamballe is once again a historical recreation of actual Priness Lamballe, a part of the Savoy House (Western EU country). In real life, Lamballe was actually the confidante (someone who you would discuss private matters with as a royal) of Marie Antoinette after her 1 year old marriage came to an end. IRL, Princess Lambelle dies along Marie Antoinette’s side as she gets killed in the French Revolution. 

The shameful secret can really only be assumed to mean that Lamballe was actually Mary’s secret affair, especially looking at how all evidence suggests that the actual royal family Mary is connected to seems to be a mess. Mary is kind of confirmed to be wlw from this deduction which is fucking cool, but this rumor mightve been what also caused Mary to be beheaded. (But, IRL, the king Artois considered Marie to be physicially unattractive or even smart enough for him, in contrary to him, where he apparently was attractive. He did end up making up with quite a number of mistresses. But let’s not get into a conversation about how unhealthy or toxic royal relationships were in the 1700′s)

this is obviously saying Lamballe is being replaced by the Yolande (Countess of Polignac) as her confidante. IRL, this happens because the Countess of Pilognac and Lamballe start having quarrels against each other, in which they try to win over the queen’s heart, and over time Marie ends up preferring Yolande’s company. But Lamballe feels as if Yolande was a bad influence on the queen, yet she could do nothing about it. The friendship between Lamballe and Marie remained regardless, and she constantly admired Lamballe’s loyalty toward her.  "She is the only woman I know who never bears a grudge; neither hatred nor jealousy is to be found in her." 

Mary finally has a child, and it is a girl. Here we see the reinforcement of Lamballe’s loyalty, but with this conclusion also being titled as a rumor, it is also telling that this is one of many reasons people will start getting suspicious of Mary’s possible affairs.  

This conclusion only leads me to believe that one of the several reasons why Mary was treated the way she was by the public was because of jealousy towards her life and the things she achieved at a young age. The description of the people who are spreading the rumors are bitter, sour people who take joy out of seeing the bad in successful people. Here is where it all goes downhill (as evident by the subtitle under the deduction title.)

We will once again need a little bit of a history lesson for this one:

Koblenz, first of all is a city in Germany. The reason why the French would ever think of even setting up anything in Germany was because of the French Immigrants, and the reason why the Germans were cool about this was because the archbishop-elector (one of the chiep bishop electors) was the uncle of Louis XVI-a persecuted king of France. Along with the refugees that entered the city, two of them was Louis XVI’s brothers: The Count of Provence and the Count of Artois. them, along with Louis XVI’s cousin, Prince Louis Joseph formed an army of aristocrats who would seek to fight for the Ancien Regimé (The name of the political and social system that was popular in France at the time.) In the meantime back in France, the Royal Family gave in and decided to adopt the  Constitutional Monarchy, which was very modern at the time. This deduction description just basically explains that this is where Mary and the royal family fucks up, i just thought it would be interesting to know what they actually meant by what they wrote.

Yolande has left behind the Royal Family and made a run to escape the country. If you’re wondering, at the start of the revolution Princess Lamballe was actually in Switzerland, but as soon as she got notified of the situation she revisited the royal family to aid them, and reassumed her position.

This letter in particular is pretty cut-and-clear: the intention of the revolutionists was to smudge the royal family’s name in the dirt once and for all. What real-life anti-monarchist propaganda would consist of at the time was promiscuous imagery of Lamballe and the queen as lovers to further “besmirch” the queen’s reputation.

This is just obviously hinting at the aftermath of the French Revolutions and also telling us the present (at the time the letter was written). Mary gets executed by the Guillotine, and-well we all know how the rest of the story goes.

Overall, Mary’s deduction story is just a short summarization of what actually happened before and during the French Revolution: it even added the details of how actually sketchy and corrupt the royal family within was, not just the dissatisfaction of the public. As a summary of what this meant for Mary, as the Hunter, she feels pure bitterness, and anger towards the citizens for the way they treated her and the people around her. And as we can see, there was no reference towards Bloody Mary what-so-ever, and the reason why that is is because according to the Chinese version of IdV (which is what the original game’s region/language is) Her name actually would translate to “Madame Red”, not Bloody Queen. I think it was just the translators having fun with words, and since her design is very similar to that of what a person would think Bloody Mary looks like, i guess it made sense to them lol

But regardless, we’ll still take a look at Mary’s design.

Mary’s design is simple compared to other hunter designs in IdV. A simple, ball gown which was originally white, but turned red due to Mary’s beheading, pools of blood dropped all over her body. Mary also used to have long hair, but assumed by the very broken looking locks of hair, her hair probably was cut down by the guillotine. Eagle-eyed people will also take notice to her neck, which is stitched back onto the rest of her body, which the designers wanted to include really bad since its prevalent even in concept sketches as well:

Mary’s gameplay design is based solely on mythologies about Bloody Mary, however, which makes things kind of confusing, but i guess thats what idv excels at the most lol

anyway, you’ve reached the end! if you have read this far, thank you so much, i put so much effort and research into this and i hope people will make good use of it. I also hope i made you more interested in playing mary and/or the French Revolution, lol  but thank you for reading this!!

references:

The Count of Artois and the Coming of the French Revolution by Vincent W. Beach 

The Princesse de Lamballe; a biography by Hardy, B. C. (Blanche Christabel)

My history textbooks

And wikipedia lol

[thattimdrakeguy]

ROBIN 80TH ANNIVERSARY - REVIEW!! - The GREAT, the okay, the meh, the wait what, and the freaking awful

None of the stories I’d consider bad in this besides the Super Sons one.

They have flaws, some don’t have any but aren’t that great, and just weird choices, with some disappointments.

I’m just gonna be honest about each story because that’s all I can do.

--

DICK GRAYSON’S FIRST STORY: Really freaking good.

My favorite story is probably the first one:

Like the art is the best in the whole issue, and the only real flaw is how mean they made Bruce through-out it.

It’s yet again another story of how and why Dick quit (I guess he didn’t get fired this time) being Robin, but it’s just nice. Nice pacing, timing, dialogue, good art, and because the people working on it are 80s writers and artists, it keeps it feeling classic.

Which is great for a little showing of the 80s world, and I’m no big 80s DC guy at all, but it’s a really nice flashback for that.

One thing that was disappointing but I won’t count as a flaw (since it’s really not, just a wasted opportunity) is that this kid didn’t end up being Tim:

It looks like a young Tim, it’s drawn by the first artist on Tim’s Robin ongoing, written by his creator, it’s about the history of Robin, and he’s an overeager Robin fanboy-- like why wasn’t this kid Tim? He even has that dorky bowlcut Tim had when he was little, just less 80s styled.

A missed opportunity honestly.

The story though shows Dick’s compassion, talent, frustrations as he became his own man, his views on Robin, some of his sense of humor even. So his characterization is pretty great, but it is written by the man that grew Dick his own unique character to begin with, and it’s great to see this story keeps it up. (Prolly gonna find out this is an old script, but hey, it’s a good one.)

A weird retcon story, but it’s a nice callback to the 80s, and I think it’s really well-done beyond Bruce being a controlling grumpy prick to the point it feels like parody.

--

DICK GRAYSON’S SECOND STORY: It’s just alright.

Where the first story is a flashback to the 80s, this is a direct flashback to he 90s, with the writer and artist that started his ongoing solo.

And it’s good. Like I had a lot of fun reading it, good heroics, feels of it’s era, but like the last story that’s the fun.

There’s nothing really to say about it besides it’s good. There isn’t anything too standout about it.

--

DICK GRAYSON’S THIRD STORY: It’s forgettable.

I forgot this was a thing in this, and it just feels like a waste of page.

It’s in no way bad that I seen, but it’s so very bland and one note. Titans fight and Dick acts as leader. Very generic.

The art’s really good though.

--

DICK GRAYSON’S FOURTH STORY: It’s better than that last one at least.

Unlike the last one, this feels like it at least has a point to be here, and it actually feels like it makes sense to be in he 80th anniversary as well.

I’m not a personal fan of the “Grayson” series, it just sexualized Dick too much honestly, made him cheesier again a bit, and the writing was a little on the off-side in a way that just made it all feel empty besides a few moments, but I never read the whole series to be a great judge on it.

But also because of that, I have no idea who these people are for this story to be grand. What makes it feel like it’s worthy of being here though is trying it back to the history of Robin like the first story with these little bits.

Without these moments though, you wouldn’t have a clue why this is there.

Also Dick just suddenly wears this:

Which is super duper off-putting. But Oh-ho gotta have sexy Dick in there somewhere I guess. Just-- wow, was that super sudden.

--

JASON TODD’S STORY: It’s good but this kid doesn’t look right.

The story is very simple and sweet, and I think it works a lot given Jason and Bruce’s complicated relationship.

It’s even written by Judd Winnick who did Under the Red Hood, which is awesome.

But who is this kid they keep calling Jason exactly? It irrationally bugs me, because all the art has been super spot on till this story. They even write him well, but it just genuinely doesn’t look like post-crisis Robin Jason.

Like to show what I mean--

You read it and this is how the kid speaks.

Super snarky,

a bit of a rude edge to it,

practical sounding but rough teen-ish still

yet still mature enough to feel like he can handle himself.

So you might place this around when Jason was 15 given he’s Robin, and when he was 15 and when they gave him a unique design finally away from a generic silver age Robin, he looked like a young body builder--

Like this is what Jason Todd looked like when they settled his look away from a Dick clone:

A young body builder type, strong jaw, working out, mature features for his age

So who the heck is this?

Like this isn’t what Jason looked like besides pre-crisis, but this is post-crisis Jason. They already settled what he looked like during that 80s run, and this isn’t it. He’s not supposed to look like a generic silver age Robin anymore.

Even beyond it not looking like what Jason’s supposed to, it doesn’t fit the dialogue. He’s written as a practical, snarky, yet in his own way still mature teen. Soooooo why’s he look 5?

It’s so off-putting and it bugs me.

However, beyond that, I really like the story, and at least the artist was good at drawing adult Jason.

Them representing Bruce’s and Jason’s complicate relationship of distant but still caring is something I really enjoy. It’s so much more true to character rather than acting like Jason is just a part of the family like nothing ever happened.

More of that dynamic for them, please.

--

TIM DRAKE’S FIRST STORY: It’s pretty good, but it’s missing something.

Not the highest praise ever, but I do like this story. I enjoy it’s setting at Tim’s school. High school was a constant setting for Tim’s comics in Robin, and they rarely ever treat it like that so I enjoy this story bringing it back.

I really enjoyed the connection  between extracurricular activities and what he does as Robin. It’s that blend of relatability and heroics that really made Tim work as a character. So that’s also great they brought back.

One of my favorite things that they bring up is Tim being into eSports, cuz it reminds me of how much Tim was into video games. It’s a very modern version of him being into the arcades in the 90s. Which is great.

However a downside is that it doesn’t really focus on Tim as a character like the other stories did with the other Robins.

Nothing about his never give up attitude, his insecurities, his underdog likability, how hard he is on himself, or things like that.

In-general this story says nothing about his personality besides a mention that he’s geeky. Which is a pretty big let-down because it keeps it from being any better, despite it already being good.

Freddie William’s art is also very hit or miss. It’s so crude sometimes, and Tim seems so buff compared to before in his actual Robin run. It’s very displeasing given that his early Tim work was top 5 Tim art material. However I still enjoyed that they brought him back even if he can’t draw Tim as well anymore. Tim’s still good in the babyface in most panels at least.

BUT-- this is still a pretty good Tim story. It’s just lacking.

Like it just should’ve been more about Tim as a character since it’s a Tim Drake story.

--

TIM DRAKE’S SECOND STORY: It’s honestly just pretentious.

Tim doesn’t talk like this. Tynion has a melodramatic tone to his characters that works great for characters like Batman, I’ve actually quite liked his Batman run so far partially because of that, but it doesn’t work for Tim.

This is not what Tim talks like. It’s so very unnatural sounding for a kid. Yet Tim talks in this incredibly dramatic tone except for a few light hearted spots, when I feel like it should be the opposite.

It’s also trying hard to be a character study, but again it’s so unnatural. It sounds like a fan describing their view of the characters, not the characters themselves. Like since have these guys became each others therapists?

And then he has Dick say these things that makes Tim seem like a Gary Stu and the greatest most talented guy ever.

Also having Tim hang out with Jason when Jason’s using guns even though Tim’s insanely against that sort of thing.

They even have Damian talk like a typical fan person who dislikes Tim based off of superficial things for a bit.

The fact it treats that Detective Comics Rebirth part of Tim’s character history as uber important is also a bit pretentious of the writer given he wrote that too. Despite Tim only being in that run for like three arcs and wasn’t even in-character for most of it.

Best part of it, is the vague acknowledgement that Tim didn’t want to be anything else but Robin to me.

Otherwise it just reeks of awkwardly written fan fiction.

Honorable mentions of quality though, is Dick and Tim being brothers train riding, and Damian’s mini-adult coming out. I’m so sick of them making Damian a generic kid sometimes that I actually liked this part even if it’s through a snarky filter.

--

STEPHANIE BROWN’S STORY: Better than expected, it’s actually pretty good.

I actually really liked this story. Overall I think Steph’s actual Robin run sucked, this is still a good story if I can get past the era it’s set in.

Unlike Tim’s stories, this actually uses her character.

How reckless she can be without it being super exaggerated, her attitude, love that they brought back the diary format for her inner-monologue too. 

There’s not much to say besides I’d actually consider this one of the best stories in the thing, except for the fact Steph clearly disobeys Batman and she was said to get fired for that. That’s a decent plot holes for me.

I super love the detail of Tim being so small that Steph can’t fit in his uniform. That cheered me up.

Them bringing back her Robin era artist was also great. Unlike Freddie Williams, their art actually really improved.

DAMIAN WAYNE’S FIRST STORY: The genuine worst story in it.

It’s so-- baaad.

Fan service can work if it’s in good quality. Like being in-character, or a nice homage. The train riding in Tynion’s story was that.

This isn’t that.

Damian and Jon didn’t get along right away, not even soon enough for this “mostly” part to feel right as a joke, because they obviously didn’t get along mostly right away. They fought a lot. They even show it on the full page them fighting, but they downplay how long they did fight just for fanservice. It took a long time, and even when they did it was still contrived.

Then they have Damian and Jon in the same class, when they aren’t the same age for that to make sense..

They even have Jon help Damian on his tests when it’s constantly shown that Damian is a brainiac who wouldn’t need that.

It’s literally even in the history summary at the end that he’s highly intelligent. So he probably wouldn’t even ever need a study partner considering he’s even said to have actual PHDs anyway. Which makes the study partner thing just plain out of character.

There’s also panels that straight up feels like oddly specific deviantart fetish art, which is so nasty. Especially considering that I know damn well that’s there’s pedophiles who make this same kind of oddly specific fetish art on there. So much so I had to stop using the site cuz of the anxiety it gave me.

And they downplay how mean Damian can be too Jon so much that it irks me.

This is the worst story in the whole comic, genuinely. Nothing good is in it, besides some decent enough art.

It’s certainly pandering to it’s fandom, but to certain parts it really shouldn’t be.

(This sort of stuff was still happening in their miniseries. Jon really shouldn’t want this as a brother. That’s stockholm syndrome.

--

DAMIAN WAYNE’S SECOND STORY: It’s better than the last one, but somethings missing still.

Unlike the last one avoiding talking about Damian’s actual character besides to play it down. This one actually uses it.

It’s just so quick, and empty feeling at the same time that it’s missing something. A bit like an inverse of Tim’s first story. Tim’s story had the setting and interesting story format, but no real character, while this has a lot of usage of the character but no interesting setting or story.

A lot of Damian’s character is that he’s not a natural Robin as far as attitude goes. He isn’t a typical Robin, and I enjoy how they play into that rather than be afraid of that. It’s what makes this actually work for me.

Although it makes you question why he’s still Robin, I consider that a good thing, because YOU SHOULD. You want the character’s to actually acknowledge things as if they’re real and not just ignoring things.

He’s not typical, he’s unique for better or worse. That’s Damian, and that’s what you should show of him.

This goes into why Damian’s the exact opposite of what a Robin normally is. That’s great.

But it’s missing anything memorable about it. However I think that’s cuz it leads into a future issue of Teen Titans which gives it a reasonable excuse.

I’m really hoping it leads into something.

Although i have a feeling they sadly might do the same thing as typical and ignore Damian’s actions more. Avoiding any genuine feelings.

--

OVERALL

It’s not nearly as bad as I thought it would be. Only two stories I’d actually call bad, which is a lot less than I thought With just occasionally sloppy art, not even what I’d call back, but just crude or not drawing the character accurately which will annoy some more than others.

When I heard of this book I got so worried, but only two stories is actually almost relieving how little that is given the potential ego-driven things they could’ve done, which only those two stories then.

To me, I say it’s worth a pick-up, just rip out a story or two to keep it friendlier to revisit

Mostly was just really missing that extra heart in a lot of the stories.

[itrytobeagoodkid]

NAME: Snow (not my real nmae, but I don’t feel comfortable giving my name out) NICKNAME:N/A FACECLAIM: N/A AGE: 26 HEIGHT: 5′2″ AESTHETIC: N/A LAST SONG YOU LISTENED TO: ‘What if I forget Your Face from Centaurworld LAST MOVIE YOU WATCHED: Believe Me: The Abduction of Lisa McVey CURRENTLY READING: ...I have not read a book in ages

* GETTING TO KNOW THE ACCOUNT: 

** I will be doing it for all three of my accounts on here. 

WHAT INSPIRED YOU TO TAKE ON THIS MUSE:  Ngl, I saw someone on my dash reblog a gifset of the show and I started watching because I thought it seemed cool. I love Next Gen stuff, so a show where Clark and Lois have kids? Yuss. And holy cow Jordan really spoke to me. I was the kid who was bullied, had little to no friends, was a loner, and honestly? I saw a lot of myself in Jordan and related to him a lot. Lara, was an OC I created early on in watching the show for a fanfic trilogy I was working on. I still haven’t written her fanfic, but I figured I’d write her in RP just to see what would happen. Lois, to be honest in her previous incarnations I hadn’t thought much of? I never watched Smallville’s Lois, and I remember not liking her in the DCAU preferring the original Christopher Reeves Version. But the Arrowverse Lois was amazing. I loved her in the show, and Bitsie Tulloch is a fantastic Lois and idk there was just something about her that I wanted to explore more of. 

WHAT ARE YOUR FAVORITE ASPECTS OF YOUR CURRENT MUSE: Probs the fact he is so relatable? I know half of the fandom thinks he’s annoying and whiny but....Jordan Kent is a more realistic depiction of a teenager than all the characters in Riverdale ok? Like I’m sorry, Jordan is everything about Jughead done right. He is moody and cynical but also compassionate and kind, and believable. I do think it’s interesting though how different Lara is in RP, like in her fanfic she’s...pretty bad. But, having her interact with other people, has really brought out certain aspects I had no idea were in there. Also Superman and Lois has the best Lois Lane, I love her. She’s the perfect Lois in every way. 

WHAT’S YOUR BIGGEST INSPIRATION WHEN IT COMES TO WRITING: Mostly listening to music, sometimes I’ll rewatch an ep to give me a clearer picture and sometimes I even daydream. 

FAVORITE TYPES OF THREADS: Angst...give me all the angst

BIGGEST STRUGGLE IN REGARDS TO YOUR CURRENT MUSE:  I haven’t seen all the Arrowverse shows, and at this point? Like Idk if it would even matter since the bulk of them take place pre-Crisis and my characters are all Post-Crisis. 

TAGGED BY: @oftomorrow​  TAGGING: anyone else!

[holyhikari]

Okay. Okay. It’s 2020, most of the world is shut down and the first episode of Digimon Adventure aired yesterday, missing a ‘Butter-Fly’ and with a colon to spare. Life sure is something. 

Gotta say I’m relieved. (For now, at least.) Sure, yeah, I got into the hype train for the reboot from the get-go and determined to just have fun, but. If I can picture all the ways something can go wrong — go BORING — down to excruciating details right from the first episode, why not? That’s what brains are for. So that’s what I did. 

Should have saved all that energy. 

I want to share with all of you my thoughts on this episode, break it down a little bit; how it made me feel, the few character introductions we got, the pace, the plot and its possibilities. 

As much as I want to approach this series keeping the idea of authenticity in mind, it is a reboot. They chose a certain set of (popular!) pre-existent characters to explore, to work with; a balance between creating and adapting. And I’m very interested in seeing how they’ll combine the core elements of Digimon Adventure with all there is unique to this generation of kids, teens and, you know it, adults who stuck around. 

Since all we’ve got is the introduction to the series, I’ll be contrasting TOKYO DIGITAL CRISIS to how the original Adventure kicked off back in 1999 with  ADRIFT? THE ISLAND OF ADVENTURE!

I did try to keep this as coherent and review-like as possible, but there’s a fair amount of fan-girling and it’s all seen through my very biased Adventure-stan-colored lens. Don’t say I didn’t warn ya. 

‘99 starts with an image of our planet, and  ‘20 starts almost the same. This time, though, we can see we aren’t alone. ‘The Digital World affecting the Earth’ is something that happens, I believe, in every Digimon reincarnation. In ‘99, it’s deeply affecting our climate. Now, the issue doesn’t seem so drastic that it’s able to reach influence organic matter and mess up many Nature’s cycles across the globe, but it’s still not looking so good for our kids. (It’s the first episode and Hikari and Yuuko almost get train-sandwiched, but I suppose that almost having your head chopped off, courtesy of Kuwagamon, isn’t lovely either.) 

Anyway. 

I think this Digital World/Network shot isn’t actually part of the episode? I think it’s part of the opening (I mean, not the OP sequence with the song, obviously), and that we’ll be seeing it before each episode starts. Still, it’s an interesting juxtaposition, isn’t it?

A Glorious World is upon us! I wasn’t actually expecting Butter-Fly or anything similar to it, don’t worry. I’m glad the new OP is its own thing! I want Digimon Adventure ‘20 to be as authentic as possible without losing the original’s heart. The song is nice enough. I don’t want to compare it to Butter-Fly, but I’m only human. Give me a few episodes. Gotta let go. 

The OP has way more Taichi than the others. No surprise there. He’s our goggle boy. (Still, since they went for a quick throwback to the original opening, it’s a shame only Taichi was shown falling down towards the Digital World). 

Everyone got a part, though. Shout out to Takeru and Hikari for being yet again the ominous, powerful baby-faced duo that is definitely up to something. 

It’s so interesting that, while the other crests are shown very clearly and surrounded by sparkles, Light and Hope are only shown briefly shining in their partners’ shadows. Why is Takeru so far away from us, why is this so sinister-looking. Hi, mysterious plot. Nice to meet you.

Wherever Hikari is by the end of the OP, it reminds me of Vamdemon’s castle. Maybe she feels connected to Tailmon and follows her somehow? Angemon wasn’t shown in the OP with the older six children’s partners, just Patamon. I wonder if they’ll try to make us grieve for Angemon a second time. It’d work with me. Either way, I imagine we’re in for another last-minute Patamon evolution when everything looks hopeless. 

This time, though, we’ve got Hikari from the beginning (yes, I am VERY excited about this, thank you for asking, THIS IS WHAT I DESERVE), and, while I think Patamon is more powerful in regular conditions (as in, Angemon can probably take Angewomon in a fight despite the level imbalance, but as soon as Hikari starts glowing you know who’s winning), he will now be sharing the spotlight with another Archangel evolution… as his friend or as his foe, considering that Tailmon might be a double agent of some sorts in the beginning. Welp. 

Anyway. Toei isn’t fooling around, in the OP we can see MetalGreymon in a very scary-looking, glitchy fashion that I’m LIVING for, WarGreymon’s silhouette and, good grief, there’s even a glimpse of Omegamon. Talk about too much information. Maybe chill out a little? (I say this, but the adults already know all of their evos, and the kids just want MOOOOOOORE monstahhhhhrrrrrrsss….which is fair.)

MetalGreymon looks dope here. The others, though, are only shown up to their Adult evolution, even Gabumon. I don’t think they will have only Gabumon and Agumon reaching their Mega forms, and then fusing into Omegamon while everyone else only gets as far as Perfect.  Again.

They wouldn’t do this to us. Right? Yeah, they would. Maybe we can have Holydramon/Ophanimon and Seraphimon later on, as a treat. Aaaaaand, depending on how many episodes — how many seasons — this new timeline gets, I’m not giving up hope just yet. Let me have Phoenixmon, Toei, you heartless thing. 

Moving on to the actual episode… The first non-Digimon character to show up is the true protagonist. Our queen is back. Our little Digivice thief, Miko herself.

Just you wait, you ain’t gonna be Hikari’s favorite cat-like creature for long. 

Speaking of Hikari, LOOK AT THIS WITTLE BABY GIRL!!!!!!!!!!!!!!!!!!!

2020 Taichi right off the bat was Taichi for me. He’s talking to Yuuko and yells “Hikariii~” so loudly Hikari hears it from where she stands, the short cutie. Their mom just hands down the phone for her without missing a beat so Taichi can comfort her through whatever she’s worrying about (her summer classes, probably). Such a sweet, natural little moment that flashes both characters out. I want more of that, please.

We’re then introduced to Koushiro! I’m not gonna lie, I cringed the first time I heard him speak. I thought the voice didn’t fit him very well. This impression faded quickly enough, though, and I’m already attached to his new voice. Later, I realized that part of the reason he sounded off to me was because of how nervous he seemed — around Taichi, of all people! In this version, they’re just meeting for the first time, so it’s very in-character for him. Guess I was kinda shocked seeing Koushiro not feeling at ease talking to Taichi. Poor thing is Anxious! And he’s overthinking about Summer Camp! And he’s happy Taichi is his neighbor! That certainly would’ve helped during the Vandemon arc back in ‘99. 

Koushiro gets a little bit over his awkwardness upon hearing the news regarding the cyber attack, something he’s curious about, and finally steps towards Taichi instead of away, which is spot on. These two fall into an easy camaraderie, as they SHOULD, and they head to the train station together, where Taichi decides to, I don’t know… run like crazy on the tracks until he gets to the rogue train where his family is and stop it with sheer force of will? Yeah! Sounds like him! 

And now to one of the most interesting parts of this adaption, is that they’re showing us the Crests early on and HOW they’re doing it. 

Taichi is able to meet Koromon because he’s being brave.

I mean, the first time, he was chosen because of his courage, too, but they all go in together. They’re taken. They’re washed off the Earth. And while Taichi had no idea he was going to be pulled into the Net, he chose to try to save Hikari and his mom (and, a few moments later, he chose to dive in towards Koromon). This time, it feels so much more personal. The screen switched back and forth between the Crest of Courage, Taichi and Hikari, who I believed called his name. The scene worked so well! (Following this pattern, Koushiro gets his Digivice when expressing curiosity, the will to pursue an explanation for what was happening!!!!)

On the other hand, it’s sort of bittersweet  they weren’t pulled in together. Don’t get me wrong, I’m glad they didn’t try to introduce all of them AND the Digital World at the same time again. But… ‘99 established them as a ‘team’ within seconds. It’s interesting, though. I’m VERY curious to see how their bonding will go this time around!

Taichi and Koromon meeting was beautiful. I was worried the soundtrack wouldn’t even stand a chance against the masterpiece that is the original one, but the musing playing was so delicate, so majestic. I felt I was witnessing a precious moment. Also, Koromon’s ears twisting into how we represent the DNA while he was evolving was!!!!!!!!!!!!!!!!SUCH A GOOD DETAIL!!!!!! 

It cracked me up when Koushiro said that what was happening was very surprising while not sounding surprised at all. I wonder how long the kid has been looking into the cyber attacks. Oh, and the Network is pretty. Prettier than I had anticipated, though not that different from Appmon’s style, I think? I can’t wait to get a look at the actual Digital World and see if it has that unique feeling and that odd, watercolor painting aesthetic. I hope I can trust the OP:

 Did you notice that Agumon giggled a few times? He looked at Taichi with such love, familiarity and devotion and like he knew something. It felt… right. My heart. My poor, poor heart. (I know this Agumon probably has met Taichi before inside of this very Universe, like the Hikarigaoka incident in the original version, but I like to think about Universe-hopping platonic soulmates.) 

Overall the sound work was fantastic, but this scene deserves a highlight. The noise of the Kuramon lookalike moving after evolving was genuinely disturbing. And look at how pretty this is:

Speaking of evolution, AGUMON EVOLVING INTO GREYMON WAS THE SHIT. I loved how straight-up FERAL it was, while still keeping the “Digital” part of “Digital Monster” very much present. It reminded me a bit of Hosoda’s Greymon (most amazing Greymon to this day!) in the Digimon Adventure Movie and, now that I think of it, of him fighting in some Tri. Reunion scenes. Scary Greymon is the best Greymon. Yes. I like it when the Digimon manage to disturb and scare me, okay? They aren’t called monsters for nothing. 

I mean we got to see his horn literally bursting out of his skin. This is low-key terrifying. 10/10.

BUT WHERE IS THE EVOLUTION THEME SONG

I am: deceased. Cause of death: Hikari’s soft smile when she realizes her big brother managed to help them. 

Alternatively, this first pic had killed me on the spot.

FINALLY, we get to see Yamato, and of course, he’s staring down dramatically at Taichi on top of Garurumon like the intense person he is. And, no big deal, there’s a cyber attack in a U.S military base and, uh, apparently the next episode is the 2020 version of Bokura no War Game?! 

I— WHAT?!

No pressure, am I right? I don’t know about you, but I’d rather be falling off a good ol’ cliff with my camping buddies. 

To be honest, if they intended to end it like this, it felt like this should’ve been a special episode. Maybe one-hour-long or so? Why……….HOW……….. They wanna go from the pilot straight to a Bokura no War game tribute?! The very movie that introduced Omegamon. I swear, if Omegamon’s debut is the SECOND episode, I’m gonna break. How is this gonna work. Well, at least they have us… intrigued? 

The ED is so Yamato-focused it’s almost weird that his voice actor isn’t the one singing lmao. That amount of Yamatoness got me by surprise. Some of the pics look like a PowerPoint presentation of CD cover ideas for his yet-to-exist (or not) band… and I say this lovingly, okay? I love him so much. 

This is my favorite one!

I lost count of how many times I listened to this song!! It also got me hooked up. What’s up with Takeru and how the writers took the whole Angel aesthetic to a whole new level?! Is he sick? Is he dying? Is this why Yamato is so sad and lonely throughout the ED?????? EVERYONE GO BEFRIEND HIM. I heard he’s a good friend.

Be right back, I’m gonna tattoo this pic to my face.

Bonus commentary!

I bet I wasn’t the only one looking for  random cameos whenever they showed us crowds. Didn’t find anyone we know, but I’m sure this will change. 02 characters cameos, I’m ready for you. 

Soooooooooo the Tachikawa own a tech company this time?? For all we know they own Japan. That’s scarier than the Diablomon-like virus giving Trump a headache. If so, Mimi is gonna be way more spoiled than before. Oh, dear.

I HOPE WE SEE MORE OF THESE PIXEL BABIES! That was a perfect Easter egg.

If none of these icons at the bottom is the Digimon Analyzer, then what’s the point of my entire existence? 

I can’t wait for next Saturday! Even if solely to yell “WHY??????” at my screen.  

I can’t thank you enough if you read this far!